‘Tangaroa’ Shows Promise For Alien Weaponry’s Future

Courtesy: Napalm Records

Up-and-coming metal outfit Alien Weaponry is scheduled to release its sophomore album, Tangaroa Friday.  Set for release through Napalm Records, the 12-song record will come Friday more than three years after the release of its debut album, Tu.  The band’s forthcoming album is, for the most part, everything that audiences have come to expect from the band following the release of Tu, as is evidenced in the album’s already released singles.  At the same time, the album does show some growth from the band in its latest outing.  One of those points of growth is exhibited late in the album’s approximately hour-long run time in the form of ‘Crooked Monsters.’  This song will be discussed shortly.  The brooding ‘Unforgiving’ is another example of the growth that the band presents in its latest album.  It will be discussed a little later.  ‘Down The Rabbit Hole,’ which closes out the album, is yet another example of how the band has changed things up in its latest album.  It will also be discussed later.  All three songs noted here are important in their own right, as they show that audiences are not going to get completely the same thing as in the band’s debut album.  When they are considered along with the album’s more familiar content, the whole makes Tangaroa a mostly positive sophomore outing for Alien Weaponry.

Tangaroa is a strong second offering from the up-and-coming hard rock/metal band, Alien Weaponry.  The album’s strength comes through its familiar content, and through some content that exhibits a certain growth and development from the band.  ‘Crooked Monsters,’ which comes late in the album’s run, is just one of the songs that serves to support the noted statements.  ‘Crooked Monsters’ presents a deep, rich musical arrangement that is not just more of the Soulfly-esque content that made the band so popular in Tu.  In the case of this song, it comes across as a two-movement opus of sorts.  The nearly four-and-a-half-minute composition starts off in very brooding fashion with just the instruments doing the talking.  The subtlety in the drums as the song builds through the song’s first two minutes or so works with the equally subdued, contemplative guitars to fully immerse audiences in the song.  By the time front man Lewis De Jong comes in and adds in his vocal talents, the impact at that point hits even harder.  The pairing of his vocal delivery style here along with the instrumentation lends itself to comparison more to works from Crowbar than from Soulfly or even Sepultura.  It makes for an interesting moment.  It is just one part of what makes this song notable.  The song’s lyrical theme adds its own layer of interest to the presentation.

Much of the song’s lyrical content is difficult to decipher without lyrics to reference.  However from what can be deciphered, there are mentions throughout of items, such as anger felt inside, the sky falling, and trying to fill the void, while the “mind keeps playing every single day” would seem to hint that the song is focused on the familiar topic of mental health.  If indeed that is what the band is attempting to convey here, it has done so in a way that will definitely connect with listeners.  What’s more, it will hopefully help listeners get through their own struggles, again, if that is indeed what is being addressed here.  The pairing of that seeming message along with the song’s equally heavy (literally and figuratively) musical arrangement makes the song in whole even more engaging and entertaining and just one example of what makes Tangaroa stand apart from Tu.  It is just one of the songs that helps the album succeed.  ‘Unforgiving’ is another example of what makes Alien Weaponry’s new album stand out.

‘Unforgiving’ stands out in part because of its musical arrangement just as much as ‘Crooked Monsters.’  Clocking in at seven minutes, 11 seconds, it is the album’s longest song.  The subtle guitar line alongside the sound of thunder and falling rain as the arrangement opens lends itself lightly to comparison to works from Tool.  As the song progresses, it gradually builds, eventually reaching its peak more than four-and-a-half minutes in.  That gradual building is a reflection of the growing emotion felt by the song’s subject who is himself dealing with some heavy thoughts and emotions, once again.

In the case of this song, the thoughts and emotions come across as those related to depression.  This is inferred as De Jong sings that “The world keeps crashing down around me/Time and time again…When I look around to find that everything…is temporary…We are mortal beings…”  There is, again, much that is difficult to decipher here without lyrics to reference.  On a related note that is in fact partially because of the almost Kurt Cobain style of vocal delivery that De Jong uses as he sings.  It is that nearly indecipherable, semi-mumbling approach with slurring along the way that made Cobain such a unique vocalist.  Getting back on the matter at hand, the song’s lyrical content, at this point, hints relatively clearly at someone who is in a dark place.  That is even with what little is decipherable without lyrics to reference.  The vulnerability that De Jong and company show here, much as in ‘Crooked Monsters’ will connect with listeners in its own way.  That coupled with the unique musical arrangement here adds to the song’s impact.  The end result is that the song proves even more, the growth and change presented in Tangaroa.  It is just one more of the album’s most notable songs.  ‘Down The Rabbit Hole,’ which closes out the album, is yet another way in which Tangaroa proves mostly successful.

‘Down The Rabbit Hole’ presents one of many Soulfly-esque arrangements that flesh out the album.  In the case of each song (including this one) the arrangement still boasts its own unique arrangement.  The richness and heaviness exhibited throughout the arrangement makes it stand out.  Listeners can hear just as much of an influence from Sepultura (from Max Cavalera’s days as its front man) as from his work with Soulfly.  The thing is that even with those similarities in sound and style, the song still boasts its own work.  In other words the similarity is there, but it is not just a rip-off of any of the noted bands’ works.  As a matter of fact, at one point in the five-minute-plus song, it pulls back some and puts forward the slightest touch of what sounds and feels like a classic rock vibe.  Yes, that was really noted.  It is brief, but really makes things interesting in its own right.  The semi-jam session that breaks out in the song’s closing bars is interesting in its own right, too, showing even more, the originality in the song’s presentation.  All things considered, the arrangement in whole shows in its own way, the band’s growth.  When that is considered along with the song’s lyrical theme, the interest increases.

Once again, much of the song’s lyrical content is difficult to decipher sans lyrics to reference.  At the same time, just enough is understandable that listeners can infer that this song is a commentary about a relationship that has changed over time.  That mention of “you made me what I am” alongside so much else seems to push the song’s lyrical interpretation in that direction.  Additionally, the commentary that “You say you’ve changed/You say you’re sorry/But I can’t help but wonder/Looking back…Apologies/Only go so far/And yet I prosper” adds even more to that inference.  It would help make the song’s title make more sense.  Going down the rabbit hole here is going down the rabbit hole of what has happened in the relationship so to speak.  Again, this is just this critic’s own interpretation and should not be taken as the only interpretation.  Considering this inference and the song’s unique musical arrangement, the whole once again shows real change and willingness to try something different while also making sure the band doesn’t alienate its established audiences here.  When the song is considered along with the other songs examined here and the rest of the album’s entries, the whole of that content makes clear, the album is worth hearing and a mostly successful new offering from Alien Weapony.

Alien Weaponry’s sophomore album, Tangaroa, is an interesting new offering from the up-and-coming hard rock band.  That is proven through its musical and lyrical content alike.  The album offers its established audiences plenty of familiar content in both avenues as well as some new content that shows the band’s willingness to take some risks.  The two sides together make the album well worth hearing and a sign of the bands potential future.  Tangaroa is scheduled for release Friday through Napalm Records.

More information on Tangaroa is available along with all of the band’s latest news at:

Websitehttps://alienweaponry.com

Facebookhttps://www.facebook.com/AlienWeaponry

Twitterhttps://twitter.com/AlienWeaponry

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Details Announced For New Sepultura Retrospective Set

Courtesy: BMG

BMG will revisit a series of Sepultura’s albums this fall.

The company is scheduled to release the new collection dubbed SepulnationThe Studio Albums 1998 – 2009 Oct. 22. The set will release separately on an 8 LP vinyl set and 5 disc CD set.

As an added bonus, the collection will also feature Sepultura’s rare covers EP, Revolusongs digitally. The EP features the band’s take on classic songs from acts, such as Exodus, U2, and Public Enemy. The band premiered the video for its take of Public Enemy’s ‘Black Steel in the Hour of Chaos‘ Thursday.

The albums featured in SepulnationThe Studio Albums 1998 – 2009Against (1998), Nation (2001), Roorback (2003), DanteXXI (2006), and A-Lex (2009) — reach back to current front man Derrick Green’s beginnings with the band after taking over from now former front man Max Cavalera and reach up to the noted point. From that point, the band, with Green, has released four more albums, Kairos (2011), The Mediator Between Head and Hands Must Be The Heart (2013), Machine Messiah (2017) and Quadra (2020).

In related news, Sepultura released its new quarantine record, Sepulquarta Aug. 13 through Nuclear Blast Records. The semi-live recording culls performances that the band recorded during its “SepulQuarta” video podcast throughout the pandemic. The performances were by famous figures, such as Phil Campbell, Devin Townsend, and Alex Skolnick.

The full track listing for SepulQuarta is noted below.

This is the full tracklist featuring all international guest musicians:

01. Territory (feat. David Ellefson)
02. Cut-Throat (feat. Scott Ian)
03. Sepulnation (feat. Danko Jones)
04. Inner Self (feat. Phil Rind)
05. Hatred Aside (feat. Angélica Burns, Mayara Puertas & Fernanda Lira)
06. Mask (feat. Devin Townsend)
07. Fear, Pain, Chaos, Suffering (feat. Emmily Barreto)
08. Vandals Nest (feat. Alex Skolnick)
09. Slave New World (feat. Matthew K. Heafy)
10. Ratamahatta (feat. Joao Barone & Charles Gavin)
11. Apes Of God (feat. Rob Cavestany)
12. Phantom Self (feat. Mark Holcomb)
13. Slaves Of Pain (feat. Fred Leclercq & Marcello Pompeu)
14. Kaiowas (feat. Rafael Bittencourt)
15. Orgasmatron (feat. Phil Campbell)

The limited edition, marbled pressing of the recording is already sold out, but black vinyl pressings are still available along with CD pressings. Additionally, the album is available digitally.

In other news, the band announced last month, it hopes to finally launch its “Quadra Tour” next spring. The band has scheduled the tour’s launch for March 4 in Sacramento, CA.

The tour was originally scheduled to take place in spring 2020, and was initially postponed until this year as a result of the impacts of the ongoing COVID-19 pandemic. The 2021 tour was then postponed because of the ongoing impacts of the pandemic.

The month-long tour, which is in support of the band’s most recent album, Quadra, is scheduled to run through March 9 in Berkeley, CA. It features performances in cities nationwide, such as Atlanta, GA; Minneapolis, MN and Greensboro, NC. Sacred Reich will serve as support for the tour, along with Crowbar and Art of Shock.

The upcoming tour’s schedule is noted below. Tickets are available here.

Confirmed dates for SEPULTURA‘s “North American Quadra” 2022 tour with SACRED REICHCROWBAR, and ART OF SHOCK are:
3/04/2022  Ace Of Spades – Sacramento, CA 
3/05/2022  The Depot – Salt Lake City, UT*
3/06/2022 Oriental Theater – Denver, CO*
3/08/2022 Wildwood – Iowa City, IA
3/09/2022 Varsity Theater – Minneapolis, MN
3/10/2022 The Rave – Milwaukee, WI
3/11/2022   Harpo’s – Detroit, MI 
3/12/2022  The Forge – Joliet, IL*
3/13/2022  Thunderbird Music Hall – Pittsburgh, PA*
3/15/2022  Irving Plaza – New York, NY
3/16/2022  Opera House – Toronto, ON CANADA
3/17/2022  Corona Theater – Montreal, QC CANADA
3/18/2022  Big Night Live – Boston, MA 
3/19/2022  Theatre Of Living Arts – Philadelphia, PA
3/20/2022  Soundstage – Baltimore, MD 
3/21/2022  House of Blues – Cleveland, OH 
3/23/2022  Blind Tiger – Greensboro, NC*
3/24/2022  Masquerade – Atlanta, GA 
3/25/2022  Culture Room – Ft Lauderdale, FL 
3/26/2022  The Orpheum – Tampa, FL* 
3/28/2022  Southport Music Hall – New Orleans, LA*
3/29/2022  Come and Take It Live – Austin, TX*
3/31/2022  Diamond Ballroom – Oklahoma City, OK
4/01/2022  Warehouse Live – Houston, TX
4/02/2022  GMBG – Dallas, TX*
4/03/2022  Rockhouse – El Paso, TX 
4/05/2022  The Nile Theater – Phoenix, AZ* 
4/06/2022  House of Blues – San Diego, CA 
4/08/2022  Belasco Theater – Los Angeles, CA 
4/09/2022  The UC Theatre – Berkeley, CA
* New shows and not rescheduled

More information on SepulQuarta and Sepultura’s planned live dates is available along with all of the band’s latest news and more now at:

Websitehttps://www.sepultura.com/br

Facebookhttps://www.facebook.com/sepultura

Twitterhttps://twitter.com/sepulturacombr

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Knotfest Chile, Brazil Details Announced

Courtesy: Cosa Nostra PR

Slipknot has announced the details for its 2022 Knotfest events in Chile and Brazil.

The announcement was made through a news release distributed Tuesday. The document states the festivals will take place only days apart from one another next December. Knotfest Chile is scheduled to take place Dec. 11, 2022 at the Estadio Monumental in Santiago Chile. Knotfest Brazil will follow Dec. 18, 2022 at the Sambodromo Do Anhembi in Sao Paulo, Brazil.

Slipknot will headline each concert. Bring Me The Horizon, Mr. Bungle, Trivium, Sepultura, and Vended are scheduled to take part in Knotfest Chile. They will be joined by Motionless in White, Project 46, and Armored Dawn for Knotfest Brazil. Organizers will announce additional acts in the coming days.

Tickets and VIP packages will go on sale for the events at 10 a.m. local time Aug. 19 at KnotfestChile.com and KnotfestBrasil.com respectively.

The announcement of the details for Knotfest Chile and Knotfest Brazil comes less than a month after details were announced for Knotfest Los Angeles. The concert festival is scheduled to take place Nov. 5 at Bank of America Stadium in Los Angeles, CA.

Slipknot will headline that festival, too. Also scheduled for that event are: Bring Me The Horizon, Killswitch Engage, Fever 333, Vended, and Cherry Bombs. A trailer for the festival is streaming here. Tickets for the event are available now.

More information on Slipknot’s upcoming Knotfest L.A. event is available along with all of Slipknot’s latest news at:

Websitehttps://slipknot1.com

Facebookhttps://www.facebook.com/slipknot

Twitterhttps://twitter.com/slipknot

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sepultura Debuts Quarantine Performance Of ‘Slave New World’

Courtesy: Nuclear Blast Records

Sepultura’s new “live” recording, SepulQuarta is now available.

The band released the collection of quarantined performances Friday through Nuclear Blast Records. The semi-live recording culls performances that the band recorded during its “SepulQuarta” video podcast throughout the pandemic. The performances were by famous figures, such as Phil Campbell, Devin Townsend, and Alex Skolnick.

Guitarist and founding member Andreas Kisser spoke highly of the collection of performances in discussing its release.

“The SepulQuarta album is probably the one I am most proud of!,” said Kisser. “2020 was the most difficult time for a band to survive, without the stage and the direct contact with the fans, but we managed to keep going strong and the album is a consequence of the unity plus the positive attitude from the band. The album sounds great, alive, and very real! All the guests did an amazing job and we feel more than ever that we have a huge Sepultura family out there. Thank you so much for everyone’s support and hope to see you all soon. This album is for you! Enjoy the music!”

In correlation with the recording’s release, the band premiered the video for its quarantine performance of its song, ‘Slave New World’ Friday with Trivium front man Matt Heafy. The video is the third from the recording. The band has also released videos for its quarantine performances of its songs, ‘Mask‘ and ‘Apes of God.’ Devin Townsend guested on ‘Mask’ while Death Angel’s Rob Cavestany appeared on ‘Apes of God.’

The full track listing for SepulQuarta is noted below.

This is the full tracklist featuring all international guest musicians:

01. Territory (feat. David Ellefson)
02. Cut-Throat (feat. Scott Ian)
03. Sepulnation (feat. Danko Jones)
04. Inner Self (feat. Phil Rind)
05. Hatred Aside (feat. Angélica Burns, Mayara Puertas & Fernanda Lira)
06. Mask (feat. Devin Townsend)
07. Fear, Pain, Chaos, Suffering (feat. Emmily Barreto)
08. Vandals Nest (feat. Alex Skolnick)
09. Slave New World (feat. Matthew K. Heafy)
10. Ratamahatta (feat. Joao Barone & Charles Gavin)
11. Apes Of God (feat. Rob Cavestany)
12. Phantom Self (feat. Mark Holcomb)
13. Slaves Of Pain (feat. Fred Leclercq & Marcello Pompeu)
14. Kaiowas (feat. Rafael Bittencourt)
15. Orgasmatron (feat. Phil Campbell)

The limited edition, marbled pressing of the recording is already sold out, but black vinyl pressings are still available along with CD pressings. Additionally, the album is available digitally.

Courtesy: Nuclear Blast Records

In other news, the band announced last month, it hopes to finally launch its “Quadra Tour” next spring. The band has scheduled the tour’s launch for March 4 in Sacramento, CA.

The tour was originally scheduled to take place in spring 2020, and was initially postponed until this year as a result of the impacts of the ongoing COVID-19 pandemic. The 2021 tour was then postponed because of the ongoing impacts of the pandemic.

The month-long tour, which is in support of the band’s most recent album, Quadra, is scheduled to run through March 9 in Berkeley, CA. It features performances in cities nationwide, such as Atlanta, GA; Minneapolis, MN and Greensboro, NC. Sacred Reich will serve as support for the tour, along with Crowbar and Art of Shock.

Front man Derrick Greene was optimistic about the tour finally getting off the ground as he talked about it during a recent interview.

“We are extremely excited to reconnect with everyone in North America for this upcoming tour,” he said. “We look forward to seeing all the people who have been anxious to see shows for the past two years. We will celebrate this re-connection of life and music together. See you soon!!”

Kisser echoed Green’s sentiments with his own comments.

“We can’t wait to go back on stage. We are very happy to announce our North American tour for 2022. We will see you all on the road, jamming old stuff new stuff and having the greatest time of our lives. See you all soon stay safe!”

The upcoming tour’s schedule is noted below. Tickets are available here.

Confirmed dates for SEPULTURA‘s “North American Quadra” 2022 tour with SACRED REICHCROWBAR, and ART OF SHOCK are:
3/04/2022  Ace Of Spades – Sacramento, CA 
3/05/2022  The Depot – Salt Lake City, UT*
3/06/2022 Oriental Theater – Denver, CO*
3/08/2022 Wildwood – Iowa City, IA
3/09/2022 Varsity Theater – Minneapolis, MN
3/10/2022 The Rave – Milwaukee, WI
3/11/2022   Harpo’s – Detroit, MI 
3/12/2022  The Forge – Joliet, IL*
3/13/2022  Thunderbird Music Hall – Pittsburgh, PA*
3/15/2022  Irving Plaza – New York, NY
3/16/2022  Opera House – Toronto, ON CANADA
3/17/2022  Corona Theater – Montreal, QC CANADA
3/18/2022  Big Night Live – Boston, MA 
3/19/2022  Theatre Of Living Arts – Philadelphia, PA
3/20/2022  Soundstage – Baltimore, MD 
3/21/2022  House of Blues – Cleveland, OH 
3/23/2022  Blind Tiger – Greensboro, NC*
3/24/2022  Masquerade – Atlanta, GA 
3/25/2022  Culture Room – Ft Lauderdale, FL 
3/26/2022  The Orpheum – Tampa, FL* 
3/28/2022  Southport Music Hall – New Orleans, LA*
3/29/2022  Come and Take It Live – Austin, TX*
3/31/2022  Diamond Ballroom – Oklahoma City, OK
4/01/2022  Warehouse Live – Houston, TX
4/02/2022  GMBG – Dallas, TX*
4/03/2022  Rockhouse – El Paso, TX 
4/05/2022  The Nile Theater – Phoenix, AZ* 
4/06/2022  House of Blues – San Diego, CA 
4/08/2022  Belasco Theater – Los Angeles, CA 
4/09/2022  The UC Theatre – Berkeley, CA
* New shows and not rescheduled

More information on SepulQuarta and Sepultura’s planned live dates is available along with all of the band’s latest news and more now at:

Websitehttps://www.sepultura.com/br

Facebookhttps://www.facebook.com/sepultura

Twitterhttps://twitter.com/sepulturacombr

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sepultura Announces Rescheduled Tour Dates

Courtesy: Nuclear Blast Records

Sepultura’s long wait to return tor the road will finally tentatively end next spring.

The band announced Thursday, it hopes to launch its “Quadra 2022 Tour” March 4 in Sacramento, CA. The month-long tour, which is in support of the band’s most recent album, Quadra, is scheduled to run through March 9 in Berkeley, CA. It features performances in cities nationwide, such as Atlanta, GA; Minneapolis, MN and Greensboro, NC. Sacred Reich will serve as support for the tour, along with Crowbar and Art of Shock.

The tour was originally scheduled to take place in spring 2020, and was initially postponed until this year as a result of the impacts of the ongoing COVID-19 pandemic. The 2021 tour was then postponed because of the ongoing impacts of the pandemic.

Front man Derrick Greene was optimistic about the tour finally getting off the ground as he talked about it during a recent interview.

“We are extremely excited to reconnect with everyone in North America for this upcoming tour,” he said. “We look forward to seeing all the people who have been anxious to see shows for the past two years. We will celebrate this re-connection of life and music together. See you soon!!”

Guitarist Andreas Kisser echoed Green’s sentiments with his own comments.

“We can’t wait to go back on stage. We are very happy to announce our North American tour for 2022. We will see you all on the road, jamming old stuff new stuff and having the greatest time of our lives. See you all soon stay safe!”

The upcoming tour’s schedule is noted below. Tickets are available here.

Confirmed dates for SEPULTURA‘s “North American Quadra” 2022 tour with SACRED REICH, CROWBAR, and ART OF SHOCK are:
3/04/2022  Ace Of Spades – Sacramento, CA 
3/05/2022  The Depot – Salt Lake City, UT*
3/06/2022 Oriental Theater – Denver, CO*
3/08/2022 Wildwood – Iowa City, IA
3/09/2022 Varsity Theater – Minneapolis, MN
3/10/2022 The Rave – Milwaukee, WI
3/11/2022   Harpo’s – Detroit, MI 
3/12/2022  The Forge – Joliet, IL*
3/13/2022  Thunderbird Music Hall – Pittsburgh, PA*
3/15/2022  Irving Plaza – New York, NY
3/16/2022  Opera House – Toronto, ON CANADA
3/17/2022  Corona Theater – Montreal, QC CANADA
3/18/2022  Big Night Live – Boston, MA 
3/19/2022  Theatre Of Living Arts – Philadelphia, PA
3/20/2022  Soundstage – Baltimore, MD 
3/21/2022  House of Blues – Cleveland, OH 
3/23/2022  Blind Tiger – Greensboro, NC*
3/24/2022  Masquerade – Atlanta, GA 
3/25/2022  Culture Room – Ft Lauderdale, FL 
3/26/2022  The Orpheum – Tampa, FL* 
3/28/2022  Southport Music Hall – New Orleans, LA*
3/29/2022  Come and Take It Live – Austin, TX*
3/31/2022  Diamond Ballroom – Oklahoma City, OK
4/01/2022  Warehouse Live – Houston, TX
4/02/2022  GMBG – Dallas, TX*
4/03/2022  Rockhouse – El Paso, TX 
4/05/2022  The Nile Theater – Phoenix, AZ* 
4/06/2022  House of Blues – San Diego, CA 
4/08/2022  Belasco Theater – Los Angeles, CA 
4/09/2022  The UC Theatre – Berkeley, CA
* New shows and not rescheduled/

Courtesy: Nuclear Blast Records

In other news, Sepultura is scheduled to release its pandemic recorded recording, Sepulquarta Aug. 13 through Nuclear Blast Records. The record features performance of 15 of Sepultura’s hits that were recorded during the band’s SepulQuarta video podcast throughout the pandemic. The performances were by famous figures, such as Phil Campbell, Devin Townsend, and Alex Skolnick. The record’s track listing is noted below.

This is the full tracklist featuring all international guest musicians:

01. Territory (feat. David Ellefson)
02. Cut-Throat (feat. Scott Ian)
03. Sepulnation (feat. Danko Jones)
04. Inner Self (feat. Phil Rind)
05. Hatred Aside (feat. Angélica Burns, Mayara Puertas & Fernanda Lira)
06. Mask (feat. Devin Townsend)
07. Fear, Pain, Chaos, Suffering (feat. Emmily Barreto)
08. Vandals Nest (feat. Alex Skolnick)
09. Slave New World (feat. Matthew K. Heafy)
10. Ratamahatta (feat. Joao Barone & Charles Gavin)
11. Apes Of God (feat. Rob Cavestany)
12. Phantom Self (feat. Mark Holcomb)
13. Slaves Of Pain (feat. Fred Leclercq & Marcello Pompeu)
14. Kaiowas (feat. Rafael Bittencourt)
15. Orgasmatron (feat. Phil Campbell)

More information on Quadra is available along with all of Sepultura’s latest news and more now at:

Websitehttps://www.sepultura.com/br

Facebookhttps://www.facebook.com/sepultura

Twitterhttps://twitter.com/sepulturacombr

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Alien Weaponry Announces New Album’s Release Date, Specs; Premieres Album’s Lead Single, Video; Announces New Tour Dates

Courtesy: Napalm Records

Alien Weaponry will release its sophomore album this fall.

The band made the announcement Wednesday through a news release distributed to the media. The document states the band will release its new album, Tangaroa Sept. 17 through Napalm Records. Its release will come more than two years after the release of the band’s debut album, Tu, which was also released through Napalm Records.

Front man Lewis De Jong offered brief explanation about the album during a recent interview that the band held.

“The album is drawn from some new experiences we’ve had as well as some ancient Māori tales,” he said. “I think we have stepped things up from the last album.”

De Jong’s brother Henry expanded on those comments, noting that the songs featured in the band’s new album “are about some of our first tūpuna (ancestors) who were here in Āotearoa (New Zealand).”

Added De Jong, one of those figures is “Hatupatu, who is very famous in Māori history, as well as Īhenga, who named a number of places in Āotearoa during his travels.”

The album will be available on a variety of platforms noted below.

Tangaroa will be available in North America in the following formats:
-4 page CD Digipack
-4 page CD Digipack + Patch
-2LP Gatefold Black
-2LP Gatefold Turquoise
-2LP Gatefold Marble Light Blue/Cream (Napalm Mailorder only – limited to 500)
-2LP Gatefold Marble Orange/Transparent Black (Napalm Mailorder only – limited to 500)
-Wooden Box Edition: CD Digipack, pendant, patch, cover flag, canvas tote bag (Napalm Mailorder only – limited to 500)
-Die-Hard Edition: 2LP Gatefold Marble Crystal Clear/Curacao, hand numbered with guitar pic set and back patch (Napalm Mailorder only – limited to 400)
-Digital Album

The record’s track listing is also noted below.

Tangaroatracklisting:
1. Titokowaru
2. Hatupatu
3. Ahi Kā
4. Tangaroa
5. Unforgiving
6. Blinded
7. Kai Whatu
8. Crooked Monsters
9. Buried Underground
10. Dad
11. Īhenga
12. Down The Rabbit Hole

In anticipation of the album’s release, the band debuted the record’s debut single — its title track — and the song’s companion video Wednesday. The song is an environmentally conscious work, according to the De Jong brothers.

Said Lewis about the song, “We decided to write this song about how the ocean is being suffocated by humans and their waste. The ocean is an important part of my life, and it’s important to protect it.”

Henry added, “‘Tangaroa’ is a heavy and angry message about how we are destroying the ocean with pollution and overfishing. The video ties in with this message, with us drowning in plastic conveying the struggle of ocean life.”

The musical arrangement that is featured in the song will appeal to Alien Weaponry’s established audience base. That is due to the heaviness and fury in its sound and stylistic approach. It is just as similar in that sound and stylistic approach to works from Sepultura and Soulfly as the songs featured in Tu.

In other news, Alien Weaponry also announced a new tour in support of its new album. The tour is scheduled to launch Oct. 9 in Sacramento, CA and to run through Oct. 29 in Cleveland, OH. The nearly month-long tour features performances in cities, such as Asheville, NC; Oklahoma City, OK and Cleveland, OH.

The band’s tour schedule is noted below.

October 9 – Sacramento, CA @ Aftershock (festival)
October 11 – Salt Lake City, UT @ The Union
October 13 – Kansas City, MO @ Arvest Bank Theatre at The Midland
October 14 – Wichita, KS @ The Cotillion
October 15 – Oklahoma City, OK @ Diamond Ballroom
October 17 – New Orleans, LA @ Civic Theatre
October 19 – Tampa, FL @ Jannus Live
October 20 – Orlando, FL @ Hard Rock Live
October 22 – Nashville, TN @ Marathon Music Works
October 23 – Asheville, NC @ Thomas Wolfe Auditorium
October 25 – Albany, NY @ Upstate Concert Hall
October 27 – Portland, ME @ State Theatre
October 28 – Rochester, NY @ Main Street Armory
October 29 – Cleveland, OH @ The Agora

More information on Alien Weaponry’s new album, single, video, and tour is available online now along with all of the band’s latest news and tour dates at:

Websitehttps://alienweaponry.com

Facebookhttps://www.facebook.com/AlienWeaponry

Twitterhttps://twitter.com/AlienWeaponry

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Annihilator Proves Again Why It Is Thrash Metal Elite With ‘Ballistic, Sadistic’

Courtesy: Neverland Music, Inc.

Thrash metal is alive and well.  This critic has pointed this out more than once during the course of this year.  New, successful albums released this year from the likes of Testament, Warbringer and Sepultura have supported that statement without any doubt.  They are just a few of the albums that have served to support the noted statement.  They are just some of those examples of what has made the thrash world so strong this year.  They also were not the first of the year’s major thrash albums.  Annihilator beat all of them to the punch on January 24 with the release of its latest album Ballistic, Sadistic.  The band’s 17th full-length studio recording, its 10 total songs make the album everything that audiences have come to expect from the veteran metal outfit, musically speaking.  This will be discussed shortly.  The album’s lyrical themes work with that noted musical aspect to add to the record’s appeal.  It will be addressed a little later.  The record’s sequencing rounds out its most important elements.  It will also be addressed later.  Each noted item is important in its own way to the whole of this recording.  All things considered, they make Ballistic, Sadistic another win for Annihilator and its fans.

Annihilator’s latest album Ballistic, Sadistic is a pure example from start to end of why this band has remained such a respected act both within the thrash and metal realms for more than 35 years.  That is proven in part through the 45-minute album’s overall musical presentation.  The album’s musical arrangements are, from one to the next, everything that audiences have come to expect from the band.  The shredding riffs are there as are front man Jeff Waters’ grinding vocals and drummer Fabio Alessandrini’s solid time keeping and fills.  From the full-throttle approach of ‘Out With The Garbage’ to the almost power metal approach of ‘Lip Service’ to the equally driving arrangement of ‘The Attitude,’ audiences get everything that they have come to expect from Annihilator on this latest offering from the veteran metal outfit.  What’s interesting to note in examining the arrangements is that for all of the familiarity present throughout the course of the 45-minute record, there are some aspects that audiences will find interesting in their own right.  That arrangement at the center of ‘The Attitude’ is just one of those moments that stands out.  The nearly five-minute song opens with what is best described as something of a doom sound with the slow, heavy guitars and equally impacting drumming.  This element lasts almost two minutes before the band launches into the more full-throttle, old school thrash sound for which it has come to be known.  ‘One Wrong Move’ is another  example of some changes from the band, that audiences will like.  Roughly halfway through the course of the nearly five-minute song, which in its overall presentation sounds a lot like old school Metallica circa 1991 (and old school Pantera for that matter), the song becomes decidedly subdued.  That change of tone is only temporary, though, as the song soon after, as the band gets right back to the song’s original heaviness after the brief respite.  Between these two changes, the more familiar aspects of the band’s musical work and the rest of the work not addressed, the album’s overall musical content creates a solid foundation for its presentation.  The record’s lyrical themes rest on that foundation, making the album even more appealing for audiences.

The lyrical themes featured throughout the course of Ballistic, Sadistic strengthen the foundation formed by the album’s musical arrangements.  That is because the themes in question are topics to which listeners can relate.  “The Attitude’ is just one of the songs that serves to support the noted statement.  The song comes across as addressing those people who live to make others’ lives miserable.  It is a familiar topic that has been covered many times from one act to the next and from one genre to the next.  But even in the case of this presentation, it still maintains its appeal to listeners.  Case in point is the song’s lead verse, which states, “Years of blood, sweat and tears/Under the belt/Disregard, disrespect for what you’ve been dealt/best defense, arrogance/You know it all/Enjoy your time while it lasts/Before you fall.”  The damning indictment of such behaviors from those people continues in the song’s second verse, “It’s dragging me down/Pessimist/What do you know/In a couple of years, wait and see/You’ve got nothing to show/telling me how/Teaching me how it’s done/Feel the need to educate everyone” and adds in the song’s third and final verse, “You’ll learn the lesson/Learn it well/Save your tears/I’d wish you luck/Don’t fuck a f***/get out of here.”  That final statement is the most telling, as the song’s subject clearly is taking on that negativist, telling that person that he/she is not wanted or welcome.  When that forceful statement is coupled with the song’s equally powerful musical arrangement, the whole of the song is certain to leave a lasting impact on listeners.  It is just one of the most notable examples of what makes the album’s lyrical content stand out.  ‘Dressed Up For Evil’ shows in its own way what makes the album’s lyrical content so important to its presentation.

‘Dressed Up For Evil’ does not come right out  and say it, but could very easily be considered a statement against none other than the “Mango Monster” himself, Donald J. Trump.  This is inferred right from the song’s outset as the song states, “Put on your best suit and pick out your tie/Cover up the hooves/A devil in disguise/Jump in your fancy car/Women, a plaything/Everyone’s inferior/All hail the king/Lake Damien from The Omen/A business camouflage/Hanging with your worshippers/Your phony entourage/Blending in with all of us/A smell of rotten flesh/Fending off the flies.”  The seeming statement about the wannabe dictator continues in the song’s second verse, “So condescending/Rotten to the core/Everyone’s beneath you/Put ‘em down some more/Tempting with currency/Preying on the greed/Extend the family/With demon seed/People are just property/Amassing your net worth/Building up the empire/Right here on Earth/Delusions, illusions/All a fantasy/No guilty conscience/A moral bankruptcy.”  The song’s third and final verse follows in similar fashion, but at least ends the song with a “happy” ending, stressing to that evil figure, “The reign is over/Good has overcome/Dealing with the aftermath/The healing has begun.”  One can only hope that the healing will begin come November when hopefully the giant cheeto will be gone from the White House.  Considering all of this, the song is a song that will certainly resonate with plenty of listeners.  It is just one more way in which the album’s lyrical content proves so important to its presentation.  ‘Lip Service’ is yet another way in which the album’s lyrical content proves so important to its presentation.

The lyrical content featured in ‘Lip Service’ presents a certain intentional double entendre.  On the one hand, there is a clear sexual aspect to the song, as it states at one point, “Sweat dripping from the skin/’m dancing with the ultimate done/Like a sweet peach dipped in honey/With a taste that’s second to none/Down we go/It’s just what you need/Your pleasure and my treat/I got dessert to eat.”  Again, the sexual nature is fully evident here, but at the same time, one can consider that lip service meaning someone lying to another, there is a commentary here about just that.  People so often will pay lip service to others in order to get what they want.  That could be what is being addressed here in the bigger picture.  It could be a man trying to woo a woman.  It could be a brown noser sucking up to a boss.  Overall, the song’s lyrical content, with that seeming commentary and double entendre will certainly reach listeners and keep them just as engaged and entertained as the lyrical content featured in the album’s other noted songs and those not directly addressed.  All things considered here, the lyrical themes featured alongside the album’s musical content, make the album that much more enjoyable for listeners.  While the overall content goes a long way toward making it worth hearing, it is not all that audiences will appreciate.  The album’s sequencing rounds out its most important elements.

The sequencing of Ballistic, Sadistic is important to note because it does just as much to keep listeners engaged and entertained as the album’s overall content.  Clocking in at just over 45 minutes in length, a lot is going on in the album.  Yet even with so much happening, the album is well balanced in its energies and time.  The album’s two halves each run just over 20 minutes, with the longest of the record’s songs each running a little more than five minutes.  That means that at no point does the album let itself drag.  Even with the slight stylistic changes in some of the songs, each song still keeps the album’s overall energy moving throughout.  The result is a presentation that is just as appealing for its aesthetics as for its content.  Keeping that in mind, the album in whole proves clearly why it is another positive offering from Annihilator that is also among the year’s top new hard rock and metal albums.

Annihilator’s 17th album Ballistic, Sadistic is another successful offering from the veteran thrash metal outfit.  That is proven in part through it musical arrangements which present plenty of familiar sounds and stylistic approaches alongside a little something new.  The album’s lyrical themes will connect with listeners just as much as its musical arrangements, as has been pointed out here.  The album’s sequencing puts the finishing touch to its presentation.  Each item noted is important in its own right to the album’s presentation.  All things considered, they make Ballistic, Sadistic a presentation that the band’s established fan base will appreciate just as much as metal aficionados in general.  It is available now through Neverland Music, Inc.  More information on the album is available along with all of the band’s latest news at:

 

 

 

Website: http://www.annihilatormetal.com

Facebook: http://www.facebook.com/annihilatorband

Twitter: http://twitter.com/annihilatorband

 

 

 

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sepultura Announces Rescheduled North American Tour Dates For ‘Quadra’ Tour

Courtesy: Nuclear Blast Records

Veteran metal band Sepultura will return to North America next year.

The band announced the dates for its rescheduled Quadra North American tour Thursday.  The tour, which will also feature performances from Sacred Reich, Crowbar and Art of Shock, is scheduled to launch March 6 in Sacramento, CA and to run through April 10 in Berkeley, CA.  It also features performances in cities, such as Cleveland, OH; New Orleans, LA and Phoenix, AZ.

Guitarist Andreas Kisser talked about the rescheduled dates in a recent interview.

So happy to announce the rescheduled North American tour with our friends from Sacred Reich, Crowbar and Art of Shock. I can’t wait to go back to the stage to perform the new material from our album Quadra and to jam our history to you all! Stay safe and SEE YOU ALL SOON!!”

The band’s tour was scheduled to take place this year, but was delayed due to the impact of the global COVID-19 pandemic.

The new tour’s schedule is noted below.  Tickets and VIP packages are available here.

 

Confirmed dates for the “Quadra Tour” with SACRED REICH, CROWBAR, and ART OF SHOCK are:
3/06/2021 Ace Of Spades – Sacramento, CA United States
3/07/2021 The Complex – Salt Lake City, UT United States
3/08/2021 Summit Music Hall – Denver, CO United States NEW!
3/10/2021 Rave II – Milwaukee, WI United States
3/11/2021 Wildwood – Iowa City, IA United States
3/12/2021 Varsity Theater – Minneapolis, MN United States
3/13/2021 Harpo’s – Detroit, MI United States
3/14/2021 House of Blues – Chicago, IL United States
3/15/2021 Rex Theater – Pittsburgh, PA United States
3/17/2021 Warsaw – Brooklyn, NY United States
3/18/2021 Opera House – Toronto, ON Canada
3/19/2021 Corona Theater – Montreal, QC Canada
3/20/2021 Big Night Live – Boston, MA United States
3/21/2021 Theatre Of Living Arts – Philadelphia, PA United States
3/22/2021 Soundstage – Baltimore, MD United States
3/23/2021 House of Blues – Cleveland, OH United States
3/25/2021 Underground @ The Fillmore – Charlotte, NC United States
3/26/2021 Masquerade – Atlanta, GA United States
3/27/2021 Culture Room – Ft Lauderdale, FL United States
3/28/2021 The Ritz – Tampa, FL United States
3/30/2021 House of Blues – New Orleans, LA United States
3/31/2021 Parish – Austin, TX United States
4/01/2021 Gas Monkey Live – Dallas, TX United States
4/02/2021 Diamond Ballroom – Oklahoma City, OK United States
4/03/2021 Warehouse Live – Houston, TX United States
4/05/2021 Rockhouse – El Paso, TX United States NEW!
4/06/2021 Van Buren – Phoenix, AZ United States
4/07/2021 House of Blues – San Diego, CA United States
4/08/2021 Belasco Theater – Los Angeles, CA United States
4/09/2021 UC Theatre – Berkeley, CA United States
4/10/2021 Ventura Theatre – Ventura, CA United States

 

Sepultura’s upcoming tour is in support of its latest album, Quadra (2020).  It has produced the singles ‘Isolation,’ ‘Last Time‘ and ‘Means To An End.’

More information on Quadra is available along with all of Sepultura’s latest news and more now at:

 

Websitehttp://www.sepultura.com/br

Facebookhttp://www.facebook.com/sepultura

Twitterhttp://twitter.com/sepulturacombr

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Quadra’ Continues To Show Sepultura’s Strength More Than 35 Years Into The Band’s Life

Courtesy: Nuclear Blast Records

Thrash metal and metal in general are alive and well this year.  Not even six full months have passed so far and already a variety of powerful metal and thrash albums have already been released by acts, such as Etherius, Annihilator, and Warbringer.  Another of this year’s most notable current releases comes from the veteran thrash outfit Sepultura.  Quadra, the band’s 15th full-length studio recording, was released Feb. 7 through Nuclear Blast Records.  The 12-song record is an impressive return for the band especially in terms of its musical arrangements, which will be addressed shortly.  The record’s lyrical themes are familiar in their own right and will be addressed a little later.  The record’s sequencing rounds out its most important elements and will also be noted later.  Each noted item is important in its own way to the whole of this record.  All things considered, they easily make Quadra one of this year’s top new hard rock and metal albums.

Sepultura has always been one of the most respected and revered acts in the hard rock and metal community.  That is because the band’s musical compositions and lyrical themes have always been something hard-hitting and thought provoking.  That is even with the lineup and label changes that the band has gone through over the course of its more than 35 year existence.  The band’s latest album Quadra is no exception to that rule.  That is proven in part through the album’s musical arrangements.  The arrangements in question take the best elements of the band’s more recent works and joins them with some elements of the band’s older material to make a whole that will appeal to a wide range of listeners.  The throw back to the band’s early days comes early in the record’s 51-minute run time in the  full-on thrash style arrangements in ‘Isolation,’ ‘Means To An End’ and ‘Last Time.’  The band’s ‘Roots’-era sound, which was distinctly separate from its past works, is evidenced in ‘Capital Enslavement,’ the album’s fourth song.  ‘Ali,’ the album’s fifth entry, infuses even more thrash element into the album’s body.  The album takes another turn as it progresses into its second half, with more of a heavy, melodic metal approach to ‘Raging Void.’  ‘Guardians of Earth’ brings more of the melodic heavy metal sound, but is distinct in its own right, producing something almost experimental, for lack of better wording.  Of course that’s nothing new for Sepultura, considering the arrangements presented in the band’s 2006 album Dante XXI and its predecessor Roorback (2003).  The band really goes melodic late in the album with the symphonic ‘Agony of Defeat,’ the record’s penultimate entry.  As the record reaches its finale, ‘Fear; Pain; Chaos; Suffering,’ the band goes full-on doom metal, changing things up once again.  Simply put, the album’s musical arrangements create quite a bit of diversity.  There is no doubt that diversity will keep listeners who have not yet heard the album engaged and entertained in its own right.  The foundation that the arrangements create for Quadra do more than their share to make the album applause-worthy.  They are just part of what makes Quadra such a strong new offering from Sepultura.  The record’s familiar lyrical themes build on the foundation formed through the musical arrangements and strengthen it even more.

The lyrical theme featured throughout Quada are important to address because they are just as familiar as the sounds in the arrangements that form the record’s foundation.  Case in point is the single ‘Means to an End.’  Guitarist Andreas Kisser talked about the song’s lyrical theme in an interview, stating, “It shows the human greed with no limits, the arrogance and the ignorance of ourselves.  We think we can do it all without knowledge, without respect.”  That message is illustrated in the song’s chorus, in which front man Derek Green sings, “Wake up/Who’s to blame?/Brainwashed politics/Stand and defend/A means to an end.”  Taking on such a topic is nothing new for Sepultura.  The band took on similar topics on its groundbreaking 1993 album Chaos A.D.  ‘Ali’ takes on the issue of racial inequity – a topic which today is very much a hot button issue – by telling the life story of boxing legend Muhammad Ali.  The band took on the matter of pride in one’s self in some of the songs on Roots (1996).  ‘Agony of Defeat’ is another example of the importance of Quadra’s lyrical themes.  It comes across as addressing the concern of mental health issues.  While maybe not an overly prominent matter in past Sepultura albums, it is a topic to which listeners will still be able to relate and connect.  Keeping that in mind, it is still a familiar topic for audiences, and proves that much more why the lyrical content featured in this album is just as important as the record’s musical arrangements.  The two elements together create a rich, fully engaging and entertaining experience for audiences that in themselves give those listeners more than enough reason to take in this album.

While the musical and lyrical content featured in Quadra goes a long way toward making the album appealing to audiences, they are themselves still only a portion of what makes the album stand out.  The record’s sequencing rounds out its most important elements.  As already noted, Quadra lifts from much of Sepultura’s existing catalog its presentation of its musical arrangements.  Looking deeper into those arrangements, their energies are notable in examining the album’s sequencing.  As the record opens, it presents a very mysterious, foreboding sound in ‘Isolation,’  That foreboding, heavy sound eventually gives way to a high-energy thrash arrangement, which carries right to the song’s end.  That high-energy approach continues in ‘Means to an End,’ the album’s second song.  As a matter of fact, the album’s energy doesn’t really let up until late in its run in ‘Guardians of Earth.’  Even while the song’s energy is subdued in comparison to the rest of the album’s works, it is still heavy in its own right.  What’s interesting here is that the noted respite is only temporary, as the band picks right back up about two minutes into the song’s arrangement, and gets heavy all over again.  There’s even a semi-death metal riff thrown in late in the song’s five-minute-plus run time for good measure.  From there on, things stay heavy and fast again until the album reaches its title track, which is a brief instrumental track.  From there, things pick back up again, closing out with a heavy, pounding arrangement in ‘Fear; Pain; Chaos; Suffering.’  It isn’t the thrash arrangement of the album’s opener and its immediate follow-ups, but is still very strong in its own right.  Simply put, from beginning to end, Quadra ensures listeners’ engagement and enjoyment just as much through its stable energy – created through wise sequencing – as it does through its overall content.  Keeping that in mind, it is the finishing touch to this recording, and together with the noted content, makes Quadra that much stronger.  All things considered, they make Quadra one of this year’s top new hard rock and metal albums.

Sepultura’s latest full-length studio recording Quadra is a welcome return for the band.  From its musical arrangements, which really put on display different eras of the band’s existence, to the lyrical themes which are accessible to audiences in their own right to the sequencing, which keeps the record’s energy stable throughout, the record boasts a number of positives.  Each item is important in its own way to the whole of the album.  All things considered, the record definitely earns its place on any critic’s list of the year’s top new hard rock and metal albums.

More information on Quadra is available along with all of Sepultura’s latest news and more now at:

 

Websitehttp://www.sepultura.com/br

Facebookhttp://www.facebook.com/sepultura

Twitterhttp://twitter.com/sepulturacombr

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sepultura Debuts ‘Means To An End’ Video

Courtesy: Nuclear Blast Records

Sepultura debuted the video for its latest single this week.

The band debuted the video for its single ‘Means To An End‘ Friday.  The video crosses footage of the band performing its new single with a cinematic presentation that finds two men playing a game of chess.  The whole thing ends with a surprising twist for the winner.

Sepultura guitarist Andreas Kisser talked about the video treatment in a recent interview.

“Means To An End’ is our third video/single taken from our new album Quadra,” he said.  “It is the second song on the album.  It is a very powerful and complex theme that inspired director Otavio Juliano and Luciana Ferraz to make an amazing visual interpretation of the song.  It shows the human greed with no limits, the arrogance and the ignorance of ourselves.  We think we can do it all without knowledge, without respect.  Judas and his treason, denying death in a chess game, saving money for who knows what and how much is enough?”

Additionally, Kisser talked about the process of the video’s shoot.

“It was shot in the city of Jundiai, in an old train station museum, and in Sao Paulo as well, at an old bank safe,” he said.  “It was the biggest in Latin America from the 50s ’til it got shut down in the late 80s.  We had a lot of fun working on it and I’m very happy with the final result.  Hope you like it!  See you on the “Quadra World Tour!”

 

 

Courtesy: Nuclear Blast Records

Sepultura’s “Quadra World Tour” is scheduled to launch March 18 in San Diego, CA.  Its first leg is scheduled to run through April 22 in Ventura, CA and to feature performances in cities, such as Charlotte, NC; Toronto, ON and Oklahoma City, OK.  The schedule for the tour’s first leg is noted below.

 

 

Confirmed dates for the SEPULTURA “Quadra Tour” with SACRED REICHCROWBAR and ART OF SHOCK are:

3/18/2020  San Diego, CA – House of Blues
3/19/2020  Los Angeles, CA – Mayan Theater
3/20/2020  Berkeley, CA – UC Theatre
3/21/2020  Sacramento, CA – Ace Of Spades
3/23/2020  Denver, CO – Summit Music Hall
3/24/2020  Iowa City, IA – Wildwood
3/26/2020  Minneapolis, MN – Varsity Theater
3/27/2020  Milwaukee, WI – Rave II
3/28/2020  Chicago, IL – House of Blues
3/29/2020  Detroit, MI – Harpo’s
3/30/2020  Toronto, ON – Opera House
4/1/2020  Montreal, QC – Astral
4/02/2020  Boston, MA – Paradise Rock Club
4/03/2020  Pittsburgh, PA – Rex Theater
4/04/2020  Brooklyn, NY – Warsaw
4/06/2020  Cleveland, OH – House of Blues
4/07/2020  Philadelphia, PA – Theatre Of Living Arts
4/08/2020  Baltimore, MD – Soundstage
4/09/2020  Charlotte, NC – Underground @ The Fillmore
4/10/2020  Atlanta, GA – Masquerade
4/11/2020  Ft Lauderdale, FL – Culture Room
4/12/2020  Tampa, FL – The Ritz
4/14/2020  New Orleans, LA – House of Blues
4/16/2020  Houston, TX – Warehouse Live
4/17/2020  Oklahoma City, OK – Diamond Ballroom
4/18/2020  Dallas, TX Gas – Monkey Live
4/19/2020  Austin, TX – Emo’s
4/21/2020  Phoenix, AZ – Van Buren
4/22/2020  Ventura, CA – Ventura Theatre

 

 

Also as part of its upcoming world tour is a series of festival dates across Europe starting June 11 at the Mystic festival in Krakow, Poland.  The band’s festival schedule is noted below.

Festivals 2020:
11.06.                   PL        Kraków – Mystic Festival
12./13.06.            SK        Prešov – Dobry Festival
13./14.06.            IRL       Dublin – Sunstroke
18. – 21.06.          B          Dessel – Graspop Metal Meeting
20.06.                  F          Clisson – Hellfest *SOLD OUT*
26.06.                  N          Ekeberg – Tons of Rock
01. – 04.07.          D          Ballenstedt – Rockharz Open Air
03.07.                  E          Viveiro – Resurrection Fest *SOLD OUT*
09./10.07.            A          Leoben – Area 53 Festival
09. – 12.07.         CZ        Vizovice – Masters of Rock
11.07.                  I           Ritten – Rock im Ring
17.07.                  D          Bertingen – Rock unter den Eichen
18.07.                  NL        Eindhoven – Dynamo Metalfest

 

 

Quadra is available now.  The album’s track listing is noted below.

The tracklist reads as follows:
1. Isolation
2. Means To An End
3. Last Time
4. Capital Enslavement
5. Ali
6. Raging Void
7. Guardians Of Earth
8. The Pentagram
9. Autem
10. Quadra
11. Agony Of Defeat
12. Fear; Pain; Suffering

Along with videos for the album’s current singles, the band has also released videos in which the band’s members discuss topics related to Quadra, such as the album’s artwork, challenges of recording Quadra and the album’s lyrical themes.  Also presented ahead of the album’s release is a general discussion on the album’s creation.

All of the discussions are noted below.

Album Trailer #1https://www.youtube.com/watch?v=cfjJGZbMFmU
Album Trailer #2: https://youtu.be/winlWGWOqyc 
Album Trailer #3: https://youtu.be/NefZCTcW6r4
Album Trailer #4: https://www.youtube.com/watch?v=QUaL60wPA_A

More information on Sepultura’s upcoming tour, album and more is available online now at:

 

Websitehttp://www.sepultura.com/br

Facebookhttp://www.facebook.com/sepultura

Twitterhttp://twitter.com/sepulturacombr

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.