It’s hard to believe, but there is officially a little more than a week left in the almost old year. For most of the country, it means winter break is here and kids are out of school, getting excited over Christmas and relaxing. That means lots of parents out there are struggling to find ways to entertain their kids and maybe also keep their brains growing at the same time. Phil’s Picks’ final “best of” list for this year will hopefully help with those efforts.
The last of this year’s “best of” lists focuses on the year’s top new single-disc family friendly DVDs and Blu-rays. It features new releases for families from PBS, Shout! Factory, and Nickelodeon, as well as Turner Broadcasting/Cartoon Network, and even 20th Century Studios. It runs the gamut from the educational to the entertaining, too.
Without any further ado, here is the last of Phil’s Picks’ “best of” lists for 2021, this year’s Top 10 New Family DVDs/BDs.
PHIL’S PICKS’ 2021 TOP 10 NEW FAMILY DVDs/BDs
Hero Elementary: Sparks’ Crew Animal Rescue
Wild Kratts: Cats and Dogs
Dinosaur Train: Adventure Island
Molly of Denali: Molly & The Great One
Are You Afraid of the Dark?: Curse of the Shadows
Victor & Valentino: Folk Art Foes
Ron’s Gone Wrong
Jungle Cruise
Paw Patrol: The Movie
PBS Kids Christmas Collection
Thomas & Friends All Engines Go!: Time For Teamwork
Sesame Street: Things Elmo Likes
Sesame Street: Wonderful World of Friends
Baby Shark’s Big Show!
PBS Kids 15 Girl Power Adventures
That’s it for this year, folks. Again though, there are lots of new titles already announced and scheduled for 2022, so Phil’s Picks is already looking forward to next year for all the new family DVDs and BDs and so much other content. Stay tuned!
Family music entertainment act Koo Koo Kanga Roo’s forthcoming album Slow Clap is an oddly titled album. That is because the 11-song record, titled Slow Clap, is deserving of anything but a slow clap. For those who might not know, a slow clap is a gesture that is meant to insult a performer or speaker. Keeping that in mind, this 33-minute record deserves the most sincere kind of clapping because it is that enjoyable. The record’s appeal comes in part through its overall musical presentation, which will be discussed shortly. The album’s lyrical content also plays into its appeal. It will be discussed a little later. The record’s sequencing rounds out its most important elements and will also be discussed later. Each item noted is important in its own way to the whole of the album. All things considered, they make this record one more of the best of this year’s new family music albums.
Koo Koo Kanga Roo’s fifth album (and 15th – yes, 15th — overall studio recording counting all of its EPs and albums) is a presentation that the band’s established audience base will find enjoyable just as much as those who might be less familiar with the duo’s catalog. That is due in part to the album’s overall musical presentation. The album’s musical arrangements are everything that audiences have come to expect from the duo – Bryan Atchison and Neil Olstad. As pointed out on the band’s Wikipedia page, the danceable arrangements with all of their keyboards and steady beats, pair with the duo’s vocal delivery style to really maintain that familiar Beastie Boys meets Sesame Street approach. Every work is infectious in its own right and is so subtly different from its counterparts. From the 80s hip-hop/Run DMC style approach of ‘Sticky Icky’ to the more club style sound and approach of ‘Sneaking Downstairs’ to the 90s pop/hip-hop hybrid sound of ‘200 Worms’ and more, the arrangements presented throughout this record offer audiences of all ages so much to appreciate. They are just a portion of what makes this record so appealing. The lyrical content that accompanies the album’s musical content builds even more on that appeal.
The lyrical themes featured throughout Slow Clap are silly from beginning to end. While some audiences’ minds might immediately turn to something bad when they think of ‘Sticky Icky,’ the reality is far more tame. The song is in fact about honey, and how sweet it is even as it gets on everything. The fact that Atchison and Oldstad could use the song’s title as a double entendre of sorts and get away with it is impressive in itself. That the song is in reality just about honey makes for even more entertainment.
‘Pranks A Lot’ is another example of the importance of the record’s lyrical content. This song focuses on the time honored prank of the ding dong ditch. That is simply ringing someone’s doorbell and running. Sure, it’s immature, but that’s something that kids do. What’s interesting here is that the one pulling the prank gets his in the end. How that happens will not be revealed here. That will be left for audiences to discover for themselves. On a side note, audiences familiar with KC and the Sunshine Band will catch the subtle tribute to the band’s hit song ‘Boogie Man’ in relation to how the prankster gets “punished” in the end. Getting back on topic, what grown up has not done the old ding dong ditch? Keeping that in mind, this song is that much more certain to engage and entertain audiences.
‘Password,’ which closes out Slow Clap, is yet another example of the role of the album’s lyrical content. As the title infers, this song’s lyrical content celebrates that simple joy that every child has gotten from the game of password; standing outside a clubhouse or some such, making sure only certain people know how to get in, or maybe making sure only certain people know certain facts through the use of the password. This is all one of those rites of passage for every child. The duo’s celebration of that rite here is so entertaining. It is just one more example of the entertainment value presented by the album’s lyrical content. When it, the content in the other songs noted here and in the rest of the album’s songs are considered together, the album’s overall lyrical content strengthens the album’s presentation that much more. It still is just one more part of what makes the album successful. The songs’ sequencing rounds out the most important of the album’s most important elements.
Slow Clap’s sequencing is important because it ensures the songs’ lyrical and musical content keep listeners fully engaged and entertained. As noted, the lyrical themes featured throughout this record are all fun, random topics to which adults and children alike will find fun and funny. From the fun of playing on a slip and slide on a hot summer day in ‘Backyard Swimsuit (ft. Sims), to the joy of downing an ice cold glass of lemonade (also on a summer day), to everything else noted, the lyrical themes featured here are accessible to listeners of all ages. The record changes the topics up from one to next, making sure things don’t get redundant at any point in that aspect. What’s more, the sequencing makes sure that the subtle changes in the danceable musical are just enough that they keep the album’s musical content fresh throughout, too. The changes are just enough that they keep the album moving and changing throughout. The impact of the attention to the sequencing in both aspects shows clearly why it is important to the album, too. When the overall impact of the album’s sequencing is considered along with that of the album’s overall content, the whole makes Slow Clap a record for which listeners will clap quite a bit.
Koo Koo Kanga Roo’s forthcoming album Slow Clap is a presentation that deserves lots more than a slow clap. Rather, it deserves a full round of applause. That is proven in part through its musical arrangements. The record’s musical arrangements are danceable compositions that touch on old school hip-hop, EDM, and even general club sounds. This variety gives audiences plenty to appreciate and proves to be everything that audiences have come to expect from the duo throughout its life. The lyrical themes that accompany the album’s musical content make for their own appeal. That is because they present topics that are accessible to listeners of all ages. They will bring out the kid in every grown-up listener while putting a smile on any young person’s face at the same time. The sequencing of all of the noted content brings everything together, putting the finishing touch to the album. It ensures that the album’s musical and lyrical content changes just enough from one song to the next to the result that it collectively keeps listeners fully engaged and entertained. Each item examined is important in its own way to the whole of the album’s presentation. All things considered, the album proves to be one more of this year’s top new family music albums. Slow Clap is scheduled for release Friday through Uniroo Records.
More information on Koo Koo Kanga Roo’s new album is available along with all of the duo’s latest news at:
Family music entertainment act Koo Koo Kangaroo’s forthcoming album Slow Clap is an oddly titled album. That is because the 11-song record, titled Slow Clap, is deserving of anything but a slow clap. For those who might not know, a slow clap is a gesture that is meant to insult a performer or speaker. Keeping that in mind, this 33-minute record deserves the most sincere kind of clapping because it is that enjoyable. The record’s appeal comes in part through its overall musical presentation, which will be discussed shortly. The album’s lyrical content also plays into its appeal. It will be discussed a little later. The record’s sequencing rounds out its most important elements and will also be discussed later. Each item noted is important in its own way to the whole of the album. All things considered, they make this record one more of the best of this year’s new family music albums.
Koo Koo Kangaroo’s fifth album (and 15th – yes, 15th — overall studio recording counting all of its EPs and albums) is a presentation that the band’s established audience base will find enjoyable just as much as those who might be less familiar with the duo’s catalog. That is due in part to the album’s overall musical presentation. The album’s musical arrangements are everything that audiences have come to expect from the duo – Bryan Atchison and Neil Olstad. As pointed out on the band’s Wikipedia page, the danceable arrangements with all of their keyboards amd steady beats, pair with the duo’s vocal delivery style to really maintain that familiar Beastie Boys meets Sesame Street approach. Every work is infectious in its own right and is so subtly different from its counterparts. From the 80s hip-hop/Run DMC style approach of ‘Sticky Icky’ to the more club style sound and approach of ‘Sneaking Downstairs’ to the 90s pop/hip-hop hybrid sound of ‘200 Worms’ and more, the arrangements presented throughout this record offer audiences of all ages so much to appreciate. They are just a portion of what makes this record so appealing. The lyrical content that accompanies the album’s musical content builds even more on that appeal.
The lyrical themes featured throughout Slow Clap are silly from beginning to end. While some audiences’ minds might immediately turn to something bad when they think of ‘Sticky Icky,’ the reality is far more tame. The song is in fact about honey, and how sweet it is even as it gets on everything. The fact that Atchison and Oldstad could use the song’s title as a double entendre of sorts and get away with it is impressive in itself. That the song is in reality just about honey makes for even more entertainment.
‘Pranks A Lot’ is another example of the importance of the record’s lyrical content. This song focuses on the time honored prank of the ding dong ditch. That is simply ringing someone’s doorbell and running. Sure, it’s immature, but that’s something that kids do. What’s interesting here is that the one pulling the prank gets his in the end. How that happens will not be revealed here. That will be left for audiences to discover for themselves. On a side note, audiences familiar with KC and the Sunshine Band will catch the subtle tribute to the band’s hit song ‘Boogie Man’ in relation to how the prankster gets “punished” in the end. Getting back on topic, what grown up has not done the old ding dong ditch? Keeping that in mind, this song is that much more certain to engage and entertain audiences.
‘Password,’ which closes out Slow Clap, is yet another example of the role of the album’s lyrical content. As the title infers, this song’s lyrical content celebrates that simple joy that every child has gotten from the game of password; standing outside a clubhouse or some such, making sure only certain people know how to get in, or maybe making sure only certain people know certain facts through the use of the password. This is all one of those rites of passage for every child. The duo’s celebration of that rite here is so entertaining. It is just one more example of the entertainment value presented by the album’s lyrical content. When it, the content in the other songs noted here and in the rest of the album’s songs are considered together, the album’s overall lyrical content strengthens the album’s presentation that much more. It still is just one more part of what makes the album successful. The songs’ sequencing rounds out the most important of the album’s most important elements.
Slow Clap’s sequencing is important because it ensures the songs’ lyrical and musical content keep listeners fully engaged and entertained. As noted, the lyrical themes featured throughout this record are all fun, random topics to which adults and children alike will find fun and funny. From the fun of playing on a slip and slide on a hot summer day in ‘Backyard Swimsuit (ft. Sims), to the joy of downing an ice cold glass of lemonade (also on a summer day), to everything else noted, the lyrical themes featured here are accessible to listeners of all ages. The record changes the topics up from one to next, making sure things don’t get redundant at any point in that aspect. What’s more, the sequencing makes sure that the subtle changes in the danceable musical are just enough that they keep the album’s musical content fresh throughout, too. The changes are just enough that they keep the album moving and changing throughout. The impact of the attention to the sequencing in both aspects shows clearly why it is important to the album, too. When the overall impact of the album’s sequencing is considered along with that of the album’s overall content, the whole makes Slow Clap a record for which listeners will clap quite a bit.
Koo Koo Kangaroo’s forthcoming album Slow Clap is a presentation that deserves lots more than a slow clap. Rather, it deserves a full round of applause. That is proven in part through its musical arrangements. The record’s musical arrangements are danceable compositions that touch on old school hip-hop, EDM, and even general club sounds. This variety gives audiences plenty to appreciate and proves to be everything that audiences have come to expect from the duo throughout its life. The lyrical themes that accompany the album’s musical content make for their own appeal. That is because they present topics that are accessible to listeners of all ages. They will bring out the kid in every grown-up listener while putting a smile on any young person’s face at the same time. The sequencing of all of the noted content brings everything together, putting the finishing touch to the album. It ensures that the album’s musical and lyrical content changes just enough from one song to the next to the result that it collectively keeps listeners fully engaged and entertained. Each item examined is important in its own way to the whole of the album’s presentation. All things considered, the album proves to be one more of this year’s top new family music albums. Slow Clap is scheduled for release Friday through Uniroo Records.
More information on Koo Koo Kangaroo’s new album is available along with all of the duo’s latest news at:
Families spent a lot of time indoors together this year thanks to the impact of the COVID-19 pandemic. Between parents working from home and students forced to take classes online, parents and their children have seen a lot of each other this year; Probably a lot more than usual. That increased time together can often lead to tensions between families. Thankfully, plenty of new DVD and Blu-ray box sets were released this year to help relieve that tension and give families plenty to enjoy together. That has already been pointed out in part through Phil’s Picks 2020 Top 10 New DVDs & Blu-rays list. Single disc presentations are just a part of what families had to enjoy together this year. There was also plenty of content thrown in this year in the form of new DVD and Blu-ray box sets for families. Among some of the best of this year’s new family box sets are first time releases from the likes of Time Life, PBS, and Nickelodeon.
As with each list from Phil’s Picks, this list features the year’s Top 10 new titles and five additional honorable mention titles for a total of 15. Without any further ado, here for your consideration is Phil’s Picks 2020 Top 10 New Family DVD & Blu-ray Box Sets.
PHIL’S PICKS 2020 TOP 10 NEW FAMILY DVD & BLU-RAY BOX SETS
Laurel & Hardy: The Definitive Restorations
The Buster Keaton Collection: Volume 4
Dolly: The Ultimate Collection
Arthur: The Complete Friendship Collection
The Berenstain Bears: Tree House Tales Vol. 2
The Berenstain Bears: Tree House Tales Vol. 3
Molly of Denali: Molly’s Awesome Alaskan Adventures
The Jetsons: The Complete Series
Sesame Street: Old School Volume 1
Sesame Street: Old School Volume 2
Spongebob Squarepants: Season 11
Paw Patrol: PUP-tastic 8-DVD Collection
The Flintstones: 2 Movies & 5 Specials
Garfield & Friends: Season Three
Benji 4-Movie Collection
Next up from Phil’s Picks is the 2020 Top 10 New Grown-Up Box Sets and then the year’s top new re-issues to finish off this year’s lists. Stay tuned for all of that this weekend.
PBS, PBS Kids and Nickelodeon are some of the most important television networks for children today. In an age when it seems like families are becoming increasingly segregated within their own homes thanks to technology and general television programming that is anything but family friendly, these networks continued to provide so much content to bring families together in 2020. That content was presented not just on the small screen, but also on DVD and Blu-ray. To that extent, even new children’s DVDs and Blu-rays deserve their own year-end best of list. That list is what is presented here from Phil’s Picks. This year’s list of top new children’s DVDs and Blu-rays pulls mainly from the noted networks, and even from Warner Brothers. Topping the list this year is S.T.E.M. programming from Nickelodeon in the form of a new DVD from Blaze and the Monster Machines. Also featured in this list is new content from series, such as Daniel Tiger’s Neighborhood, Sesame Street, and even a certain Cartoon Network movie.
As with every other year-ender list from Phil’s Picks, this list features the year’s Top 10 New titles and five additional honorable mention titles for a total of 15 titles. Without any further ado here is Phil’s Picks 2020 Top 10 New Children’s DVDs & Blu-rays.
PHIL’S PICKS 2020 TOP 10 NEW CHILDREN’S DVDS & BLU-RAYS
Blaze and the Monster Machines – Knight Riders
The Berenstain Bears – Bear Family Vacation
Daniel Tiger’s Neighborhood – Explore The Outdoors
Tex Avery – Screwball Classics Vol. 1
Tex Avery – Screwball Classics Vol. 2
Space Ghost & Dino Boy: The Complete Series
Are You Afraid of the Dark?
Ben 10 vs. The Universe
Blaze and the Monster Machines – Race for the Golden Treasure
Elmo’s World – Things Elmo Loves
Monster Hits – Rock & Rhyme With Elmo
Paw Patrol – Dino Rescue
Paw Patrol – Mighty Pups – Super Paws
Paw Patrol – Jet to the Rescue
Garfield World Two Movie Collection
Up next from Phil’s Picks is the year’s Top 10 new Family DVD & Blu-ray Box sets. Stay tuned for that.
Live music and live music venues took a big hit this year thanks to the global COVID-19 pandemic. That goes without saying. Music acts and venues from the independent level all the way up to the big names were force to put their live music plans on hold indefinitely as a result of the pandemic. However a glimmer of hope rose this week when Live Nation head Joe Berchtold was quoted by major media outlets as saying that he believed live music would return by summer 2021. One can only hope that Mr. Berchtold is right, and that when it does return, audiences will welcome its return rather than let the germaphobes control their minds. Until then, audiences do have lots of live music to enjoy on CD, DVD and Blu-ray that was released this year. Hammerfall released its latest live recording Live!Against The World this year. Dream Theater also dropped its new live recording Distant Memories: Live in London. Metallica even celebrated the anniversary of its landmark S&M show with the release of S&M2. These are just some of the recordings that made Phil’s Picks 2020 Top 10 New Live Recordings. They were joined by new live material from the likes of Myrath, The Rolling Stones, and Kamelot.
As with each list from Phil’s Picks, this collection features the Top 10 new titles in the given category and five additional honorable mention titles for a total of 15 titles. Without any further ado, here is Phil’s Picks 2020 Top 10 New Live Recordings.
PHIL’S PICKS 2020 TOP 10 NEW LIVE RECORDINGS
Hammerfall – Live!Against The World
Jimi Hendrix – Live in Maui
Jazz at Lincoln Center Orchestra – A Swingin’ Sesame Street Celebration
Def Leppard – London to Vegas
The Rolling Stones – Steel Wheels Live
Devin Townsend – Order of Magnitude: Empath Live Volume 1
John Lee Hooker – Live at Montreux 1983 & 1990
Waylon Jennings – The Outlaw Perrformances
Myrath – Live in Carthage
Kamelot – I Am The Empire Live from the 013
Dream Theater – Distant Memories: Live in London
Metallica – S&M2
Delta Rae – Coming Home To Carolina
Bush – Live in Tampa
Dee Snider – For The Love of Metal
Up next from Phil’s Picks is one of the last three music categories of the year, Phil’s Picks 2020 Top 10 New Rock Albums. After that will be the year’s top new hard rock & metal albums, and then last but not least, the year’s top new albums overall. From there, it’ll be on to the DVDs and Blu-rays in all of their categories. Stay tuned for all of that.
PBS and the Jazz at Lincoln Center Orchestra with Wynton Marsalis partnered last year to pay tribute to the beloved children’s series Sesame Street. The concert, dubbed A Swingin’ Sesame Street Celebration was part of the ongoing celebration of the series’ 50th anniversary. With any luck, audiences will eventually be able to own the concert in full on DVD and/or Blu-ray. Unless or until that happens, audiences can enjoy the concert in an exclusive audio presentation thanks to Blue Engine Records. The show’s set list is in itself more than enough reason to take in this performance. It will be addressed shortly. The performance thereof adds even more enjoyment to the concert and will be discussed a little later. The concert’s production rounds out its most important elements and will be discussed later. Each noted item is important in its own way to the whole of the recording. All things considered, the recording proves to be a presentation that audiences of all ages will enjoy, whether they are fans of jazz, Sesame Street or the Jazz at Lincoln Center Orchestra with Wynton Marsalis.
The Jazz at Lincoln Center Orchestra’s new musical tribute to Sesame Street, which was clearly recorded prior to the outbreak of the COVID-19 pandemic is a wonderful presentation. It is a work that will appeal to a wide range of listeners. That is proven in part through the concert’s set list. The 13-song set list plays out like a musical history lesson about Sesame Street. That is because the featured songs are from the series’ formative years, going all the way back to 1969 – when the series debuted – and all the way up to 1989. There is also one song from 2006 added in for good measure. For the most part though, the song’s set list features songs that, like Rena Strober’s recently released album Imagine That, largely pays tribute to the work of Joe Raposo and Jeff Moss. Case in point are songs, such as the series’ theme song (Joe Raposo), ‘Rubber Duckie’ (Jeff Moss), ‘One Of These Things’ (Joe Raposo), ‘I Don’t Want To Live on the Moon’ (Jeff Moss), ‘People in Your Neighborhood’ (Jeff Moss), ‘Believe in Yourself’ (Joe Raposo), and ‘Sing’ (Joe Raposo). Simply put, more than half of the songs featured in this set list were crafted by the famed composers and songwriters. The other featured songs were written and composed by others, so in reality, there is a clear tribute to the work of Raposo and Moss. Whether that was intentional is anyone’s guess. Regardless, the picture painted by this set is sure to appeal to plenty of audiences simply because it takes audiences back to Sesame Street’s golden age. This is just one part of what makes this recording so enjoyable. The performance of said set list adds even more enjoyment to the recording’s presentation.
The performance of the noted set list is so enjoyable because it is not just a bunch of song performances. Big Bird, Elmo, Rosita, The Count, Grover, and other beloved Sesame Street characters take part in the performances, adding to their richness. Sure, the introductory moment for each performance was scripted with some feeling a little bit forced, most of those introductory moments felt so natural. Case in point was Grover’s introduction as Super Grover ahead of ‘Believe in Yourself.’ Audiences got to see him “fly” onto the stage before sharing a little dialogue with one member of the orchestra. Grover’s presence and his dialogue with the noted musician is certain to leave audiences smiling and laughing. The very performance of the song adds even more to the moment.
Another notable moment in which the performance shines is in that of ‘I Don’t Want To Live on the Moon.’ Ever since its initial performance on television so many decades ago, the song has been a gentle lullaby. Every time it has been covered, it has maintained that gentle tone, too. In the case of its performance here though, it has a more upbeat yet controlled presence. In other words, while it is not quite the lullaby style work that it has come to be known as over the years, that element is still there. The balance of the old and new makes this moment one of the concert’s most notable highlights.
Yet another memorable moment that makes the concert’s overall performance so enjoyable comes early on in the performance of ‘Sing After Me.’ Abby Cadabra and Big Bird join the orchestra for this light hearted performance. The chemistry between the Muppet performers and the musicians is so clear as Abby and Big Bird try to learn about scatting in their discussion with Marsalis. The duo’s interaction with the audience throughout the song, as they get everyone to sing along makes for even more enjoyment. It is just one more moment that shows the strength of the group’s performance of the set list. When it is considered along with the rest of the enjoyable performance and the et list itself, the two items give audiences more than enough reason to take in this concert recording. The set list and the performance thereof are only a portion of what makes this recording so enjoyable. The production thereof puts the finishing touch to its presentation.
The production of A Swingin’ Sesame Street Celebration adds its own impact because it takes into account every audio aspect of the performance. What’s more the visual aspect was also taken into account. Those who watched the pre-taped performance got the best seat in the house, going high above the audience and up on stage with the group. The camera transitions (fades in TV terminology) are smooth and well-paced. They help give a full, rich picture. The audio is just as well-balanced, especially considering the size of the concert hall. Each performer (musician and puppeteer) was adequately mic’d up and equally well-balanced. At the same time, the audience noise was just as audible without any element being too airy. The result of all of the attention to detail in the production (both during and post) results in a presentation that is just as enjoyable for its audio and visual aspects as for its primary content. All things considered, the Jazz at Lincoln Center Orchestra’s Swingin’ Sesame Street Celebration proves to be a fully enjoyable musical tribute from a great musical collective to an equally great television series.
The Jazz at Lincoln Center Orchestra’s new concert recording A Swingin’ Sesame Street Celebration is a completely enjoyable new live offering that the whole family will enjoy. It is another great tribute to Sesame Street and its legacy. That is proven in part through the concert’s featured set list. The set list largely pays tribute to the work of Jeff Moss and Joe Raposo on the long-running series. The performance thereof adds its own enjoyment and appeal to the presentation. That is because the performance is more than just a bunch of songs. There is actually more to the performance, as audiences will learn for themselves. The production (during and post) puts the finishing touch to the recording. That is proven as it sounds and looks wonderful. Each noted item is important in its own way to the whole of this recording. All things considered, the noted items make A Swingin’ Sesame Street celebration one more of this year’s top new live CDs and family music albums. With any luck the folks at Sesame Workshop will eventually release it on DVD and Blu-ray so that audiences can get the full experience.
More information on Jazz at Lincoln Center’s A Swingin‘ Sesame Street Celebration concert is available along with all of the group’s news at:
The Jazz at Lincoln Center Orchestra with Wynton Marsalis is giving audiences a sneak peek at tonight’s new musical Sesame Street tribute.
The orchestra debuted a clip of Elmo performing the song ‘It Feels Good (When You Sing A Song)‘ Wednesday. Elmo is joined by Hoots The Owl for the song, which celebrates the joy that singing brings.
The song is one of 13 that the orchestra will perform alongside some of Sesame Street‘s most beloved residents. The collective announced the concert’s set list Tuesday. It is noted below.
Jazz at Lincoln Center Presents: A Swingin’ Sesame Street Celebration is scheduled to air on PBS stations nationwide at 9 p.m. ET tonight. The concert’s audio recording was released today.
TRACK LISTING
1. Sesame Street Theme
Sesame Street Inc. (ASCAP) / Stage Harbor Publishing (ASCAP)
Written by Joe Raposo, Jon Stone, and Bruce Hart
Arranged by Kenny Rampton
Featuring: Matthew Vogel (Big Bird), Ryan Dillon (Elmo), Leslie Carrara-Rudolph (Abby Cadabby)
2. Rubber Duckie
Festival Attractions Inc. (ASCAP)
Written by Jeff Moss
Arranged by Chris Crenshaw
Featuring: Peter Linz (Ernie)
3. It Feels Good (When You Sing a Song)
Sesame Street Inc. (ASCAP)
Written by Sam Pottle and George James
Arranged by Marcus Printup
Featuring: Chris Thomas Hayes (Hoots the Owl), Ryan Dillon (Elmo)
4. Sing After Me
Sesame Street Inc. (ASCAP)
Written by Sam Pottle and Tony Geiss
Arranged by Victor Goines
Featuring: Leslie Carrara-Rudolph (Abby Cadabby), Matthew Vogel (Big Bird)
5. One of These Things
Stage Harbor Publishing (ASCAP)
Written by Joe Raposo and Jon Stone
Arranged by Sherman Irby
Featuring: Eric Jacobson (Oscar the Grouch), Peter Linz (Herry Monster), Carmen Osbahr-Vertiz (Rosita)
Solos: Kenny Rampton (trumpet), Marcus Printup (trumpet), Elliot Mason (bass trumpet), Janelle Reichman (tenor saxophone), Victor Goines (tenor saxophone), Chris Crenshaw (trombone)
6. Elmo’s Song
Sesame Street Inc. (ASCAP) / Ephemeral Music Co. (ASCAP)
Written by Tony Geiss
Arranged by Kenny Rampton
Featuring: Ryan Dillon (Elmo)
Solo: Wynton Marsalis (trumpet)
7. I Don’t Want to Live on the Moon
Festival Attractions Inc. (ASCAP)
Written by Jeff Moss
Arranged by Wynton Marsalis
Featuring: Peter Linz (Ernie), Leslie Carrara-Rudolph (Abby Cadabby), Matthew Vogel (Big Bird)
Featuring: Matthew Vogel (The Count), Leslie Carrara-Rudolph (Abby Cadabby), Carmen Osbahr-Vertiz (Rosita)
Solos: Wynton Marsalis (trumpet), Vincent Gardner (trombone)
10. People in Your Neighborhood
Festival Attractions Inc. (ASCAP)
Written by Jeff Moss
Arranged by Ted Nash
Featuring: Carmen Osbahr-Vertiz (Rosita), Ryan Dillon (Elmo), Matthew Vogel (Mr. Johnson), Leslie Carrara-Rudolph (Abby Cadabby)
11. Pinball Number Count
Sesame Street Inc. (ASCAP) / Ned Shatzer III Publishing (BMI)
Written by Walt Kramer & Ed Bogas
Arranged by Carlos Henriquez
Featuring: Matthew Vogel (The Count)
Solos: Wynton Marsalis (trumpet), Paul Nedzela (baritone saxophone)
12.Believe in Yourself
Green Fox Music Inc. (BMI) / Jonico Music Inc. (BMI)
Written by Joe Raposo
Arranged by Chris Crenshaw
Featuring: Eric Jacobson (Grover), Leslie Carrara-Rudolph (Abby Cadabby), Ryan Dillon (Elmo)
Solo: Sherman Irby (alto saxophone)
13. Sing
Green Fox Music Inc. (BMI)
Written by Joe Raposo
Arranged by Ted Nash
Featuring: Ryan Dillon (Elmo), Leslie Carrara-Rudolph (Abby Cadabby), Carmen Osbahr-Vertiz (Rosita), Chris Thomas Hayes (Hoots the Owl), Peter Linz (Ernie), Eric Jacobson (Bert), Matthew Vogel (Big Bird)
More information on Jazz at Lincoln Center’s upcoming concert is available along with all of the group’s news at:
The Jazz at Lincoln Center Orchestra with Wynton Marsalis will release its next live recording Friday.
The organization is scheduled to release its new recording Jazz at Lincoln Center Presents: A Swingin’ Sesame Street Celebration digitally, the same day that the performance will air on PBS stations nationwide. The hour-long presentation was recorded in front of a sold-out audience at the Jazz at Lincoln Center’s Rose Theater and is scheduled to broadcast at 9 p.m. ET on Oct. 30 on PBS stations across the country.
The forthcoming concert broadcast will air in collaboration with Sesame Workshop, the nonprofit behind Sesame Street.
The JLCO performed a variety of classic Sesame Street songs, such as ‘Rubber Duckie,’ ‘I Don’t Want To Live on the Moon,’ and ‘People in your Neighborhood’ during the concert. Famous Sesame Street residents, such as Big Bird, Oscar the Grouch, Elmo, and the duo of Bert & Ernie joined the band to perform the concert’s extensive set list, which is noted below.
TRACK LISTING
1. Sesame Street Theme
Sesame Street Inc. (ASCAP) / Stage Harbor Publishing (ASCAP)
Written by Joe Raposo, Jon Stone, and Bruce Hart
Arranged by Kenny Rampton
Featuring: Matthew Vogel (Big Bird), Ryan Dillon (Elmo), Leslie Carrara-Rudolph (Abby Cadabby)
2. Rubber Duckie
Festival Attractions Inc. (ASCAP)
Written by Jeff Moss
Arranged by Chris Crenshaw
Featuring: Peter Linz (Ernie)
3. It Feels Good (When You Sing a Song)
Sesame Street Inc. (ASCAP)
Written by Sam Pottle and George James
Arranged by Marcus Printup
Featuring: Chris Thomas Hayes (Hoots the Owl), Ryan Dillon (Elmo)
4. Sing After Me
Sesame Street Inc. (ASCAP)
Written by Sam Pottle and Tony Geiss
Arranged by Victor Goines
Featuring: Leslie Carrara-Rudolph (Abby Cadabby), Matthew Vogel (Big Bird)
5. One of These Things
Stage Harbor Publishing (ASCAP)
Written by Joe Raposo and Jon Stone
Arranged by Sherman Irby
Featuring: Eric Jacobson (Oscar the Grouch), Peter Linz (Herry Monster), Carmen Osbahr-Vertiz (Rosita)
Solos: Kenny Rampton (trumpet), Marcus Printup (trumpet), Elliot Mason (bass trumpet), Janelle Reichman (tenor saxophone), Victor Goines (tenor saxophone), Chris Crenshaw (trombone)
6. Elmo’s Song
Sesame Street Inc. (ASCAP) / Ephemeral Music Co. (ASCAP)
Written by Tony Geiss
Arranged by Kenny Rampton
Featuring: Ryan Dillon (Elmo)
Solo: Wynton Marsalis (trumpet)
7. I Don’t Want to Live on the Moon
Festival Attractions Inc. (ASCAP)
Written by Jeff Moss
Arranged by Wynton Marsalis
Featuring: Peter Linz (Ernie), Leslie Carrara-Rudolph (Abby Cadabby), Matthew Vogel (Big Bird)
Featuring: Matthew Vogel (The Count), Leslie Carrara-Rudolph (Abby Cadabby), Carmen Osbahr-Vertiz (Rosita)
Solos: Wynton Marsalis (trumpet), Vincent Gardner (trombone)
10. People in Your Neighborhood
Festival Attractions Inc. (ASCAP)
Written by Jeff Moss
Arranged by Ted Nash
Featuring: Carmen Osbahr-Vertiz (Rosita), Ryan Dillon (Elmo), Matthew Vogel (Mr. Johnson), Leslie Carrara-Rudolph (Abby Cadabby)
11. Pinball Number Count
Sesame Street Inc. (ASCAP) / Ned Shatzer III Publishing (BMI)
Written by Walt Kramer & Ed Bogas
Arranged by Carlos Henriquez
Featuring: Matthew Vogel (The Count)
Solos: Wynton Marsalis (trumpet), Paul Nedzela (baritone saxophone)
12.Believe in Yourself
Green Fox Music Inc. (BMI) / Jonico Music Inc. (BMI)
Written by Joe Raposo
Arranged by Chris Crenshaw
Featuring: Eric Jacobson (Grover), Leslie Carrara-Rudolph (Abby Cadabby), Ryan Dillon (Elmo)
Solo: Sherman Irby (alto saxophone)
13. Sing
Green Fox Music Inc. (BMI)
Written by Joe Raposo
Arranged by Ted Nash
Featuring: Ryan Dillon (Elmo), Leslie Carrara-Rudolph (Abby Cadabby), Carmen Osbahr-Vertiz (Rosita), Chris Thomas Hayes (Hoots the Owl), Peter Linz (Ernie), Eric Jacobson (Bert), Matthew Vogel (Big Bird)
More information on Jazz at Lincoln Center’s upcoming concert is available along with all of the group’s news at:
Courtesy: Jazz at Lincoln Center Orchestra With Wynton Marsalis
The Jazz a Lincoln Center Orchestra with Wynton Marsalis will pay tribute to Sesame Street this month.
Jazz at Lincoln Center Presents: A Swingin’ Sesame Street Celebration is scheduled to broadcast at 9 p.m. ET on Oct. 30 on PBS stations nationwide. The hour-long presentation was recorded in front of a sold-out audience at the Jazz at Lincoln Center’s Rose Theater.
The band performed a variety of classic Sesame Street songs, such as ‘Rubber Duckie,’ ‘I Don’t Want To Live on the Moon,’ and ‘People in your Neighborhood’ during the concert. Famous Sesame Street residents, such as Big Bird, Oscar the Grouch, Elmo, and the duo of Bert & Ernie joined the band to perform the concert’s extensive set list.
The forthcoming concert broadcast will air in collaboration with Sesame Workshop, the nonprofit behind Sesame Street.
More information on Jazz at Lincoln Center’s upcoming concert is available along with all of the group’s news at:
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