I Prevail’s Latest LP Is A Truly Intriguing Presentation

Courtesy: Fearless Records

Thanksgiving weekend is officially at its end and with it so is the North American leg of I Prevail’s tour in support of its latest album, True Power, which was released Aug. 19 through Fearless Records. The band is scheduled to take the rest of the year off before heading overseas to Europe in March for the tour’s next leg, beginning March 7 in Zurich, Sweden. Tickets for that tour are most assuredly Christmas presents for plenty of fans, while for lots of others, the band’s new album might actually be its own present. The 44-minute presentation is sure to appeal to the band’s established audiences, as well as more casual audiences. That is proven through its musical and lyrical content alike, as is proven in part through the early entry, ‘Body Bag,’ which will be discussed shortly. ‘Judgement Day,’ which comes a little later in the album’s run, is another way in which the record’s musical and lyrical content comes together to make it worth hearing. It will be addressed a little later. ‘The Negative,’ which comes even later in the album’s run, is yet another example of how the album’s overall content comes together to make the record interesting. When it and the other songs noted here are considered along with the rest of the album’s entries, the whole makes the record worth hearing at least once.

True Power, the latest album from up and coming post hardcore band I Prevail, is an intriguing offering from the band. That is due to its combined musical and lyrical arrangements. The record’s musical arrangements bring together influences of Set It Off, Linkin Park, and Ice Nine Kills for a sound that is quite unique to say the least. It is a sound that oddly enough works as much as it would seem that it wouldn’t work. The lyrical themes that accompany that content makes for its own share of interest. ‘Body Bag,’ the record’s lead single, is just one example of how that combination makes an intriguing offering for audiences. The song’s musical arrangement opens with a distinct, heavy approach much in the vein of Slipknot what with its use of electronics alongside the guitar and drums and the screaming vocals. The use of the clean vocals alongside the screams makes for an interesting juxtaposition in itself that oddly enough, actually adds to the arrangement’s impact. The White Chapel-esque down-tuned crunching from the guitar in the break down adds even more to the whole.

The lyrical theme that accompanies that intense musical arrangement makes for its own interest here. That is because it comes across as that familiar message of being fed up with fake people, those ones who would rather live their lives in misery. This is inferred in the song’s lead verse and chorus, which state ,”There’s a million ******* reasons that you got it bad/But everybody’s leaving in a body bag/Go/Save your problems for somebody else who gives a damn/’Cause you won’t find me waiting at your promised land/No/Oh you think you got it bad?/I’m telling you to bite down and face it/You’re never gonna do much or change ****/When all you say is **** that and **** that/Don’t let them save you from yourself/Lights out/Embrace it/Your heart is beating faster/It’s racing/As we go on and on and on and on/Oh my God/Just shut your ******* mouth.” That content right there points to someone just being fed up with that other person being so miserable all the time and expecting others to cow tow to them. The second verse adds to that inference as it states, “Bring it down/Only one of us gets through/Two in/One out/And it’s not you/Run for your life/There’s nothing you can do/Necks snap when I show up/I say one word and it blows up/Run for your life/I’m taking what’s mine/and your time has come.” Now this imagery is somewhat violent, but that is all it is, imagery. This is not a threat of violence against anyone. Rather it is just some bravado meant to say that the subject is all business. It is kind of an over the top way to send such a message, but it is clear enough and is sure to appeal to certain audiences.

‘Judgement Day,’ which comes a little later in the album’s run, is another of those strong, overly direct songs presenting a message of proud defiance. In the case of this song, the arrangement is a stark change of pace. Instead of the odd hybrid collection of influences, this song’s arrangement is a full on metalcore presentation. The screams and the intense energy from the instruments immediately envelopes audiences, not letting up until the song’s end as the song’s familiar theme of defiance is delivered.

This time, that defiance is against not one of those self defeatist types, as discussed in ‘Body Bag,’ but against society in general. This is inferred in the song’s lead verse and chorus, which state, “I walked into the darkness/I set myself on fire/I stared into heartless/And I found out death is a liar/So burn it all to ashes/Drown them all in acid/Say *** pleasing the masses/Don’t blink/I’m going beyond your understanding/Beyond the unimagined/Be honest/Are you ready or not/Let’s find out right now/Oh, destroy yourself/Welcome to the end/I don’t care about what they say/Everybody’s sorry on judgement day/Nothing’s gonna break me/I’ve got ice inside my veins/There’s gotta be a better way/There’s greatness in my DNA/You’ll get yours on judgement day.” There is that pride and confident defiance of society and its standards, clear and present. It continues in the song’s second verse, which states, “I was born on the path to nowhere/Cast out/Not a *** **** thing to prove/No home/No thoughts and no prayers/I’ve got nothing to lose/So **** it/Burn it all to ashes/Drown them all in acid/I’m done pleasing the masses/You’ll see/I’m going beyond your understanding/Beyond the unimagined/Be honest/Are you ready or not?” Again, here is that sense of self determination and simply not caring about what society thinks of the subject. It is a familiar theme that is certain to resonate with audiences both in that familiarity and in the way in which it was delivered.

‘The Negative’ is yet another song that tends to show what makes I Prevail’s new album worth hearing at least once. The song only clocks in at two minutes, 21 seconds, but the energy in the song’s arrangement makes it so interesting here. The more melodic moments that lend themselves to works from Set It Off make for such an interesting juxtaposition to the heavier Motionless in White-esque moments in the verses. Somehow that pairing of influences work as they help to illustrate the emotion in the song’s lyrical theme, which finds the subject battling with himself internally.

The battle is a mental health combat caused by himself and by external forces. This is inferred in the song’s lead verse and chorus, which state, “I’m so sick and tired of the negative/I’m on the edge tonight/Closer to the ledge/You were right/Lost in my head tonight/I’m spinning in circles/And I can’t get out/Running from these thoughts that I can’t say out loud/I’m so sick and tired of the negative/Black and white/You’re right/I’m ******* over it/Patience is paper thin/And something’s gotta give/I’m so sick and tired of the negative.” The inner turmoil is further illustrated in the song’s second verse, which states, “Well, damn/I guess you’re the perfect person/Same day but a different version/Paint the picture/But you don’t deserve it/Color’s fading underneath the surface/So wear black everywhere you go/No take backs at the end of the road/No last chance when the casket’s closed/Your silence is worth more than gold.” This is an illustration of that external force causing that inner battle. There are so many people out there like the one described here. To that end, it makes this part of the theme all the more resonant for listeners. When the whole is considered collectively, that inner battle that the subject fights as a result of it all makes it another fully accessible theme for the band’s target audiences. When it and the other themes examined here are considered along with the rest of the album’s lyrical themes, the whole shows that much more, what makes the record’s lyrical (and musical) content so important. All in all, the overall content examined here makes True Power an intriguing addition to this year’s field of new hard rock and metal albums.

True Power, the latest album from I Prevail, is an interesting new offering from the up-and-coming post hardcore band. That is proven through its collective musical and lyrical themes, as is evidenced through the songs examined here. When they are considered along with the rest of the album’s entries, the whole makes this record a presentation that is worth hearing at least once.

True Power is available now through Fearless Records. More information on the album is available along with all of I Prevail’s latest news at:

Website: https://iprevailband.com

Facebook: https://www.facebook.com/IPrevailBand

Twitter: https://twitter.com/iprevailband

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

As It Is Announces New Album Details; Premieres Album’s Lead Single, Video

Courtesy: Fearless Records

As It Is will tentatively release its new album this winter.

The band made the announcement Nov. 11 in a press release distributed to the media. The document states the band is scheduled to release its new album, I Went To Hell and Back Feb. 4 through Fearless Records.

In anticipation of the record’s release, the band premiered the album’s latest single, ‘I Miss 2003,’ and its companion video Nov. 11. Both are available to stream here. The song is the album’s fifth single behind ‘I Can’t Take It,’ ‘ILY, How Are You,’ ‘I Lie To Me,’ and ‘IDGAF.’

The song’s musical arrangement is a familiar emo pop style composition that shows influence from the band’s fellow Fearless Records label mates, Set It Off, while also showing similarity to other related acts.

The lyrical them the featured in the band’s new single is allegedly a tribute to the bands that were influential to the band, according to comments from the band.

Thematically, there was little left unsaid on the album, which is always a liberating feeling because no risk is off limits anymore,” the band said in a prepared statement about the song’s lyrical theme. “Why not write a love song about the bands that sparked a fire inside you? Why not decorate all the lyrics with band names and song titles? It was a joy to write, and in its own weird way, it felt like we were writing this in the 2000s.”

The statement continued, “So if you were there, we hope this song takes you back, and if you missed out, we hope this song makes you feel like you lived through it all with us.”

In other news, As It Is is scheduled to launch a new tour in support of its album Jan. 13 in Los Angeles, CA. The tour is scheduled to run through June 8 in Newcastle Upon Tyne, UK. Tickets are available here.

More information on As It Is’ new single, video, and album is available along with all of the band’s latest news at:

Website: https://asitisofficial.com

Facebook: https://www.facebook.com/asitisofficial

Twitter: https://twitter.com/asitisofficial

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Set It Off Debuts ‘Happy All The Time (Acoustic)’ Video

Courtesy: Fearless Records

Set It Off premiered the video for its latest single this week.

The band debuted the video for its acoustic take of its song, ‘Happy All The Time’ Tuesday. The acoustic take is featured in the band’s recently released album, Midnight: The Final Chapter.

The band’s updates take of ‘Happy All The Time,’ which features a guest appearance by Compton Kidz Club and Issues bassist Skyler Acord, is just as enjoyable as the song’s original take.  The horns in the original song are replaced here with an equally light piano line.  The choral element from the original is carried over here to make the acoustic take uplifting, too.  Speaking honestly, the updated, acoustic take can actually be argued to be even more enjoyable than the original, and the original is enjoyable in its own right.

The video for the acoustic take of ‘Happy All The Time’ brings the Compton Kidz Club (an all female chorus) together with the members of Set It Off for the performance. The collective performs the single in a brightly lit setting that looks like a mix of an apartment setting and retail space. It is a unique setting for the uplifting composition.

Front man Cody Carson talked about the updated take of the song during a recent interview.

“With this acoustic version, we seriously stripped it down so you can really appreciate the incredible talents of Skyler Acord on bass and The Compton Kidz Club choir, led by Fred Martin,” said Carson. “It absolutely sends this song over the edge. It’s overflowing with emotion. Enjoy!”

Additionally, Carson talked about the song’s uplifting lyrical message.

“‘Happy All the Time’ has worked its way to bring my absolute favorite song off of Midnight,” he said.  “I am so damn proud of this song and the people involved with it. The message is important to me because we all feel so much pressure to be 100 percent all of the time and it’s SO important to remember that it’s okay to be sad. It also doesn’t hurt that my mom told me that even she puts this song on when she feels down.”

‘Happy All The Time’ is one of three acoustic updates featured in Midnight (The Final Chapter). The record also features acoustic takes of ‘Killer in the Mirror‘ and ‘Lonely Dance.’

Midnight (The Final Chapter) follows the release of Midnight, which Set It Off released in February 2019. Midnight featured the singles ‘Hourglass,’ ‘Midnight Thoughts,’ ‘For You Forever,‘ ‘Dancing With The Devil,’ Lonely Dance‘ and ‘Killer in the Mirror.’

After Midnight, an EP from the band which followed the release of Midnight featured the previously unreleased songs ‘Catch Me If You Can,’ ‘So Predictable‘ and ‘One Single Second.’ The songs were recorded during the Midnight sessions but did not make the final cut for the record.

More information on Set It Off’s forthcoming livestream concert is available along with all of the band’s latest news at:

Websitehttps://www.setitoffband.com

Facebookhttps://www.facebook.com/setitoffband

Twitterhttps://twitter.com/SetItOff

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Midnight (The Final Chapter)’ Is A Fitting Finale To Set It Off’s ‘Midnight’ Era; Gives Hope For The Band’s Next Era

Courtesy: Fearless Records

When Set It Off released its then latest album, Midnight in 2019, the band wasted little time following up its release with new music.  Only months after releasing the record – which itself was quite successful – the band started releasing a series of b-sides from that record for what it dubbed the After Midnight EP.  Now more than two years after all of that rook place has completed the Midnight cycle by releasing Midnight (The Final Chapter).  The 21-song record features acoustic re-works of three songs featured in Midnight – ‘Killer in the Mirror,’ ‘Lonely Dance,’ and ‘Happy All The Time’ – as well as the songs that made up the initial After Midnight EP – ‘Catch Me If You Can,’ ‘So Predictable,’ and ‘One Single Second.’  The acoustic takes are themselves reason enough for audiences to hear this latest offering from Set It Off.  They will be discussed shortly.  The b-sides from the After Midnight EP are just as worth noting.  They will be discussed a little later.   The fact that the record also features Midnight in its entirety rounds out the most important of the album’s factors.  When this is considered along with the other noted items here, the whole makes the record a fitting end to an era (as the band called it through official posts to its Facebook page) and not the end to the band.  God forbid that is the case, if it is, then it would be a strong final statement from the band.

Set It Off’s Midnight re-issue, Midnight (The Final Chapter), is a strong way to end the band’s current era, as it hopefully prepares to start its next era together.  That is proven in part through the acoustic songs that make up part of the record’s body.  The songs in question are alternate takes of songs featured in Midnight.  The songs – three in all – are important to note because of the new identities that they give the songs.  Case in point is the acoustic take of ‘Killer in the Mirror,’ which itself was one of the singles produced from Midnight.  The original song is a powerful, upbeat work that presents the song’s subject as someone who is racked with self-doubt and emotion.  This acoustic update takes that self-doubt and emotion in a completely different direction with the use of the piano and strings alongside front man Cody Carson’s powerful, bittersweet vocal delivery.  The subtle use of what sounds like rods or brushes on the snare as the song reaches its climax adds even more to the mix.  The whole takes listeners in a whole new direction and translates the song’s message just as well as the original take in its own powerful way.

‘Lonely Dance,’ another of Midnight’s singles, also gets the acoustic re-imagining here.  As with the acoustic take of ‘Killer in the Mirror,’ this take gives the song a whole new identity.  According to Carson, the original composition was meant to be “the anthem of the introvert.”  This more subdued take really captures what introverts go through daily just as much as the song’s original take.  The energy in the original take exhibits the sense of confusion that introverts feel in wanting to be alone, but also knowing it’s not “normal” according to society.  The more subdued strings and piano approach in the acoustic take gives that dichotomy of emotions and thoughts even more of a bittersweet emotion.  It really makes that situation in which so many people find themselves daily more relatable.  That is because there is such a stigma attached to introversion to this day.  Keeping that in mind, this updated, acoustic take of ‘Lonely Dance’ makes even clearer why the acoustic updates featured in this re-issue so important to the record’s presentation.

The band’s updates take of ‘Happy All The Time,’ which features a guest appearance by Compton Kidz Club and Skyler Acord, is just as enjoyable as the song’s original take.  The horns in the original song are replaced here with an equally light piano line.  The choral element from the original is carried over here to make the acoustic take uplifting, too.  Speaking honestly, the updated, acoustic take can actually be argued to be even more enjoyable than the original, and the original is enjoyable in its own right.  To that end, it is even more proof of the importance of the acoustic takes featured in Midnight (The Final Chapter).  When it and the other two acoustic takes are considered collectively, they make for a wonderful addition to the re-issue and plenty of reason in themselves for audiences to own this record.  The three b-sides featured as part of the whole add their own interest and appeal to the presentation.

The b-sides featured in this re-issue are important to note because they exhibit the same kind of pop punk sound that composes so much of the body of Midnight.  The catchy hooks and choruses are there in all three songs while the lyrical themes are just as accessible.  ‘Catch Me If You Can’ is perhaps the best of that trio of songs.  That is thanks to its lyrical theme centered on what Carson pointed out “is that quintessential middle finger to anyone who doubted you or really wronged you in life or in your pursuit of your dreams.”  That uplifting message and equally infectious musical arrangement makes one wonder why this song was not featured as part of Midnight’s original release.

‘So Predictable’ boasts its own identity from ‘Catch Me If You Can.’  Where the prior song boasted a more modern pop punk style and sound, this song’s musical arrangement boasts more of an 80s pop-influenced sound in its musical arrangement.  The pairing of that influence with the more modern pop punk influence makes it another intriguing addition to the record.  That musical presentation in itself makes clear in itself why the bonus songs are a positive addition to the re-issue.  The song’s lyrical theme, which according to Carson, focuses on those difficult relationships that we have with our loved ones, makes for even more interest here.  “We’ve all been there before — same argument, same issue, same nonsense, different day,” he said.  “This is one of those songs written out of complete frustration of those kinds of moments — whether it be someone you love who you butt heads with or someone so irritating yet you can’t avoid them.”  This shows even more why this song is in itself a positive addition to the presentation.  When it is considered along with ‘Catch Me If You Can,’ the pair shows quite clearly why the b-sides overall are so important to the record’s presentation.

‘One Single Second,’ the third of the b-sides featured in the record, shows even more why the b-sides are important to the re-issue’s presentation.  That pop punk sensibility exhibited in the other two b-sides is just as evident here as in those works.  The equally accessible lyrical theme about a broken relationship (according to Carson, again) will resonate with listeners, too.  “For this song, I brought myself back to one of my worst memories of relationships I can remember — the first time I got cheated on by my first love,” he said.  “The entire song is basically telling the story of how I felt the connection fade and started putting the pieces together.  It’s got that angst, that aggression that mysterious feeling of ‘Do I know for sure?’ ‘Do I not know at all?’  I think a lot of you have been betrayed like this before, and this is the song you can hold onto to let it all out.”  Keeping this in mind, there is no doubt why this song will connect with audiences.  When it is considered with the other two b-sides, the whole leaves zero doubt as to why that content makes the record so enjoyable.  When the b-sides and acoustic takes are considered together, they make even clearer why this re-issue stands out among its counterparts so far this year.  They are only a part of what makes the record a notable presentation.  The addition of the original Midnight album rounds out the most important of the album’s elements.

The pairing of the original Midnight album with the noted bonus content is important to note because it brings every bit of the album’s cycle full circle.  It gives all of the band’s fans the complete listening experience in one presentation.  This way, audiences who perhaps did not get their hands on the After Midnight EP or Midnight the chance to own Midnight in its final, complete form.  Now the normal rebuttal from some will be that maybe they already own one or the other title, or even both.  Given, it would seem pointless to purchase this record with that being the case.  Here again though is the reality that this “final” presentation of Midnight brings both the album and EP together into one setting.  That means audiences can enjoy both presentations together in one platform.  There is no going from one record to the other.  It is all in one place.  Keeping that in mind, the presentation of the original album with the EP here proves its importance to the whole.  To that end, this element completes the re-issue’s presentation and shows once and for all why this record is a successful presentation.

Set It Off’s newly released presentation that is Midnight (The Final Chapter) is a work that will appeal to any of the band’s established audiences and new audiences.  It is a fitting finale to the band’s Midnight era, but hopefully not to the band.  The record’s success is shown in part through the acoustic songs featured as part of the record’s body.  They take three of the songs featured in the original album and give them a whole new life and identity.  The b-sides also featured as part of the record’s body add their own appeal.  They are just as appealing as the songs that made the final cut what with their familiar musical arrangements and equally accessible lyrical themes.  The presentation of the original album along with that extra content brings everything together, giving the record a complete presentation.  Each item noted is important in its own way to the whole of the presentation.  All things considered, they make the record in whole a strong end to the band’s Midnight era and gives hope that the band has more eras to come.  Midnight (The Final Chapter) is available now through Fearless Records. 

More information on Midnight (The Final Chapter) is available along with all of the band’s latest news at:

Websitehttps://www.setitoffband.com

Facebookhttps://www.facebook.com/setitoffband

Twitterhttps://twitter.com/SetItOff

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Set It Off Announces ‘Midnight (The Final Chapter)’ Release Date

Courtesy: Fearless Records

Set It Off is scheduled to re-issue its 2019 album Midnight next month.

The band made the announcement Friday through a press release. The album, which will be titled Midnight (The Final Chapter), is scheduled for re-issue June 4 through Fearless Records. The re-issue is expected to feature the After Midnight EP that followed the release of Midnight and three additional acoustic tracks.

Midnight featured the singles ‘Hourglass,’ ‘Midnight Thoughts,’ ‘For You Forever,‘ ‘Dancing With The Devil,’ Lonely Dance‘ and ‘Killer in the Mirror.’

After Midnight featured the songs ‘Catch Me If You Can,’ ‘So Predictable‘ and ‘One Single Second.’

Pre-orders are open for Midnight (The Final Chapter).

More information on Set It Off’s forthcoming livestream concert is available along with all of the band’s latest news at:

Websitehttps://www.setitoffband.com

Facebookhttps://www.facebook.com/setitoffband

Twitterhttps://twitter.com/SetItOff

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Drones Releases New Single, ‘Learn’

Courtesy: Thousand Islands Records

Independent punk rock band Drones debuted the fourth single from its new record this week.

The band debuted its single ‘Learn‘ Tuesday. The song is featured in the band’s forthcoming album Our Hell is Right Here, which is scheduled for release Feb. 12 through Thousand Islands Records. Pre-orders are open for Our Hell Is Right Here.

The new single’s premiere follows that of the album’s first three singles: ‘Josephine,’ ‘Our Hell is Right Here‘ and ‘Epitaph.’

The musical arrangement featured in ‘Learn’ is a fiery, emo-punk style composition. The pairing of the instrumentation and vocalist Lois McDougall’s vocal delivery style makes the arrangement in whole a work that will appeal to fans of bands, such as The Used, Set It Off, and others of that ilk.

The lyrical theme that accompanies the song’s musical arrangement focuses on the familiar topic of dealing with difficulties in relationships, according to McDougall.

“Learn is about the desperate struggle to make a failing relationship work,” she said.  “You can feel that it’s not right but you still care about the other person. We seem to make the same mistakes over and over by assuming we know what the other person is thinking, so communication stops. We keep trying to force a relationship to work with someone that we’re just not meant to be with. If it’s more of a struggle than not…it’s not worth it. You should never diminish any part of yourself for someone else because, ultimately, you’ll end up resenting them.”

More information on Drones’ new single is available along with all of the band’s latest news at:

Websitehttp://thisisdrones.com

Facebookhttp://www.facebook.com/dronesuk

Twitterhttp://twitter.com/DronesUK

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Set It Off Announces Details For Livestream Concert

Courtesy: Fearless Records

Set It Off will host a livestream concert this weekend.

The band made the announcement Monday that it will host the concert at 7 p.m. ET Saturday. The performance is in support of the band’s most recent album Midnight (2019). VIP packages are sold out, but general admission tickets and bundles are available.

Midnight produced the singles ‘Hourglass,’ ‘Midnight Thoughts,’ ‘For You Forever,‘ ‘Dancing With The Devil,’ Lonely Dance‘ and ‘Killer in the Mirror.’

Shortly after the album’s release and the premiere of its singles, Set It Off released a series of songs from the Midnight sessions that never made the album, beginning with ‘Catch Me If You Can.’ Its premiere was followed by that of ‘So Predictable‘ and ‘One Single Second.’

More information on Set It Off’s forthcoming livestream concert is available along with all of the band’s latest news at:

Websitehttp://www.setitoffband.com

Facebookhttp://www.facebook.com/setitoffband

Twitterhttp://twitter.com/SetItOff

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Trehern’s Debut LP Makes Him One Of The Next Big Alt-Rock Names To Watch

Courtesy: Earshot Media

Independent singer-songwriter Ty Trehern officially released his latest album Dear, Dichotomy Friday.  The 10-song record – his second studio recording and debut album (his debut studio recording was his 2019 EP The Sound) — is a presentation that proves Trehern to be one of the alt-rock community’s next big names to watch.  All three of the singles that the album has produced – ‘The Air,’ ‘Sleep,’ and ‘Better Off’ – all serve to show what makes Trehern’s new album so notable.  They are just some of the best examples of how much the 38-minute album has to offer audiences.  The record’s title track is worth its own share of attention and will be addressed shortly.  ‘The House You Built,’ which comes just past the album’s midpoint, is another strong addition to the record and will be addressed a little later.  ‘Tell Me,’ which comes even later in the album’s run, stands on its own merits, too.  It will be examined later, too.  All three songs, coupled with the album’s singles four remaining songs, make one whole that is a presentation that, again, makes Trehern one of the names to watch in the next generation of alt-rock artists.

Ty Trehern’s debut album Dear, Dichotomy is an impressive first full outing from the up-and-coming alt-rock singer-songwriter.  It is a presentation that shows Trehern as an artist who is well worth watching.  As noted already, all three of the singles that the album has produced do their own share to support the noted statements.  They are just some of the album’s most enjoyable entries.  The record’s title track is just as enjoyable as those songs.  The album’s first full-length song (its very first track is a 54-second intro track), its arrangement follows stylistically in line with the songs featured in The Sound.  It is a mid-tempo, guitar-driven work that holds its own easily against works from so many of his more well-known mainstream rock and alt-rock counterparts.  Trehern’s vocal delivery and the production used on said element adds even more to the mix to make this arrangement a strong start for the album.  The song’s lyrical content couples with the musical arrangement to make for even more engagement and entertainment.

While Trehern’s vocal delivery and the production thereof helps to enhance the presentation of the arrangement featured in ‘Dear, Dichotomy,’ it also hinders understanding the song’s lyrical content to a point.  Luckily, that hindrance is not such that it leaves the lyrics completely indecipherable.  From what can be understood throughout the song, it comes across as being a work that centers on someone trying to figure out who exactly he/she is.  This is inferred early on in the song’s lead verse, in which Trehern sings, “Looking through my head again/Walking on a rope/Hanging onto hope/All I want is to feel a balance underneath my feet/To feel the ground beneath/The flexibility/Searching for my guiding hand/It’s like day and night/A blurry wrong and right…”  The last line in that verse is difficult to decipher.  That aside, the rest of the verse is clear enough to know that the subject is singing here about basically facing the familiar inner turmoil of that battle with one’s self.  It is a familiar topic in the musical world.  What is interesting though, is that in so many cases, such a topic is accompanied by a decidedly moody, brooding musical arrangement.  That is not the case here.  What audiences get instead is something more generally contemplative in nature.  It is a nice change of pace.  As the song continues, Trehern sings in the song’s chorus, “I am here and there/Somewhere in the in-between/Show me/All these feelings that I hide/So won’t you show me/Save me/Living in the black and white/So won’t you save me.”  He continues in the song’s second verse, “Running through my thoughts again/Like the seasons change/But now they stay the same/All I want is to be free of all the back and forth/All this back and forth/Keep going back and forth.”  Yet again audiences are presented with a story of someone who is facing that inner turmoil, yet is not doing so in that more familiar brooding, “Oh woe is me” fashion.  It is a nice change of pace from such kind of songs in this case.  What’s more, that it is such a familiar lyrical theme, it makes the song even more accessible.  To that end, the combined musical and lyrical content featured here makes ‘Dear, Dichotomy’ its own impressive addition to Trehern’s new album.  It is just one of the many songs that show what makes the album worth hearing, too.  ‘The House You Built’ is another notable addition to the album.

‘The House You Built’ immediately lends itself to comparisons to works from Set it Off with its semi-acoustic musical arrangement and finger snaps.  The bluesy guitar licks that are featured throughout the three-minute-plus opus and the fire in Treyhern’s vocal delivery couples with the rich, steady time keeping to make the song in whole even more impacting.  The arrangement does a good job of helping to illustrate the emotion in the song’s lyrical theme, which comes across as centering on the familiar topic of someone who is just fed up with someone who is just toxic in terms of his or her personality; that kind of narcissistic person who just thinks that he or she is so great while making everyone else miserable.  This is a familiar topic in its own right for everyone, thus making the song even more accessible.

The noted lyrical theme presented in ‘The House You Built’  is made clear right from the song’s outset as Treyhern sings, “Your ego’s left you blind/But you think you can see/And you think with a one-track mind/But you think you got it figured out/You think I’m fallin’ behind/But you’ve been running in place/And you think with a one-track mind/But you think you got it figured out…Do you think I care/to see the way/You look down on me/And I’m all that you can think about/When you find yourself alone/Do you think I care/To hear that I’m so far beneath you/You should know that I love it/When you lock yourself inside…”  The last part of that line is difficult to understand without a lyrics sheet to reference.  Even without that last portion, no doubt is left as to the frustration that the song’s subject has with the noted toxic individual.  The fire in the words and Treyhern’s delivery thereof makes for quite the impact, needless to say.  He continues in the song’s second verse, “Your words are such a waste/They’re falling on deaf ears/And you still keep running in place/But you think you got me figured out.”  The damning indictment of that toxic individual continues on into the song’s third verse.  It goes without saying that the indictment in question is just as strong there.  When it is joined with the rest of the song’s story, the whole becomes a work whose lyrical content will definitely connect with listeners in its own right.  It will do so even more when this understandably forceful message is coupled with the song’s equally fiery musical arrangement.  All things considered, they make the song one more example of what makes Dear, Dichotomy such an enjoyable new offering from Treyhern.  It is hardly the last of the album’s most notable works, too.  ‘Tell Me’ is one more standout addition to the album.

‘Tell Me’ is one of those works whose arrangement proves that a song can be heavy without being heavy.  The song’s arrangement features just Treyhern and a piano, nothing else.  There is some production used on Treyhern’s vocals to add to the arrangement’s impact, but other than the noted elements are all that are featured here.  It presents such a sense of vulnerability from Treyhern, and is so unlike anything else featured in this record.  That sense of vulnerability carries over to the song’s lyrical content, which is just as moving it’s the song’s musical element.

The lyrical theme featured in ‘Tell Me’ is a deeply introspective statement.  Trehern notes in the song’s lead verse, I’m undone/What has this world become/Why can’t we be free/Why can’t we be free/Everyone/Mothers, fathers, sons, daughters/All of them/Trapped in hope and faith/So can you hear my voice from way up there/Tell me is there a heaven/’Cause this feels like hell to me/Tell me is there a reason/I’m not where I’d like to be/Are you there/Do you hear our cries/When our angels die…is this real/teach me how to feel/Like I can move on/When my heart is gone/Can you hear my voice from way up there.”  This comes across as someone who is having a crisis of faith.  If in fact that is the case, then this song will connect with its own share of listeners, as there are plenty of people who have or are having that crisis.  It certainly is not the first song to take on such a topic (again, if that is in fact the interpreted topic).  Other songs have taken on the matter of religion, but few if any in such a fashion as is presented here.  To that end, it makes the song that much deeper, moving, and unique.  Keeping that in mind, when this song is considered with the other songs noted here, the album’s singles and the rest of its works, the end result is a solid debut album from Ty Trehern.

Dear, Dichotomy is a strong first full-length offering from up-and-coming alt-rock singer-songwriter Ty Trehern.  It features a variety of musical arrangements that are just as engaging and entertaining as anything presented by his more well-known mainstream counterparts, as evidenced here.  The record’s musical arrangements are familiar yet unique in their presentations, again as pointed out in this review.  Keeping that in mind, the album in whole makes itself a strong debut from Trehern.  Additionally, it makes Trehern validly, one of the next big names to watch in the alt-rock community.  Dear, Dichotomy is available now.

More information on Trehern’s new single and album is available along with all of his latest news at:

Websitehttp://www.tytrehernmusic.com

Facebookhttp://www.facebook.com/tytrehernmusic

Twitterhttp://twitter.com/tytrehernmusic

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Weathers Debuts New Single, ‘C’est La Vie’

Cover Art by Rupert Gruber/Courtesy: Earshot Media

Independent pop act Weathers debuted its latest single this week.

The group — Cameron Boyer (vocals), Cameron Olsen (guitar), Brennan bates (bass) and Cole Carson (drums) — debuts its new single ‘C’est La Vie’ Friday.  The song’s musical arrangement is a mid-tempo arrangement that will appeal to fans of Set It Off’s most recent work.  The song’s lyrical theme coincides with the overarching themes of coming of age, and along the way, dealing with anxiety, mental health and other issues.

‘C’est La Via’ is available to stream and download through Spotify, Apple Music, Amazon, Pandora and Deezer.

More information on Weathers’ new single is available along with all of the band’s latest news and more at:

 

Website: http://www.weathersband.com

Facebook: http://www.facebook.com/pg/weathersband

Twitter: http://twitter.com/weathersband

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Set It Off Debuts Third Single From New EP, ‘After Midnight’

Set It Off debuted another new single this week.

The band debuted its new sing ‘One Single Second’ Friday.  The song is yet another b-side from the band’s recording sessions for its 2019 album Midnight.  The song’s arrangement presents a very distinct pop sensibility, which is very similar to many of the songs from Midnight.

Front man Cody Carson explained in a recent interview, the song’s lyrical theme centers on a real-life story of broken relationship.

“For this song, I brought myself back to one of my worst memories of relationships I can remember — the first time I got cheated on by my first love,” he said.  “the entire song is basically telling the story of how I felt the connection fade and started putting the pieces together.  It’s got that angst, that aggression that mysterious feeling of ‘Do I know for sure?’ ‘Do I not know at all?’  I think a lot of you have been betrayed like this before, and this is the song you can hold onto to let it all out.”

Courtesy: Fearless Records

The debut of Set It Off’s latest single comes just over a month after the band debuted another new single, ‘So Predictable‘ and more than two months after the band debuted the single ‘Catch Me If You Can,’ both of which are also  b-sides from the sessions for Midnight.

Said Carson about ‘So Predictable,’ “We’ve all been there before — same argument, same issue, same nonsense, different day.  This is one of those songs written out of complete frustration of those kinds of moments — whether it be someone you love who you butt heads with or someone so irritating yet you can’t avoid them.  We had a blast making this song because of the overall attitude that surrounds it.”

In discussing ‘Catch Me If You Can,’ Carson had the following to say.

“‘Catch Me If You Can’ is that quintessential middle finger to anyone who doubted you or really wronged you in life or in your pursuit of your dreams,” he said.  “I’ve personally and unfortunately experienced an incredible amount of this on our journey.  I’ve been laughed at when I told people what I do for a living, I’ve been betrayed by my closest friends, and I’ve been told no time and time again.  To me, that’s fuel. It’s motivation to show that this path is something that I was born to do.  Success is the best revenge.  My hope is that this song can reach out to anyone who needs an empowering song to pick them up and inspire confidence in themselves to keep fighting for what they truly want in life.”

Set It Off will launch the next leg of its tour Jan. 8 in Lincoln, NE.  The tour, which is in support of Midnight, is scheduled to run through Feb. 20 in Seattle, WA.  It will feature performances in cities, such as Baltimore, MD; Salt Lake City, UT and Lakewood, OH.  The band’s tour schedule is noted below.

SET IT OFF ON TOUR:
WITH SLEEPING WITH SIRENS, BELMONT, + POINT NORTH:

1/8 — Lincoln, NE — Bourbon Theatre
1/10 — Chicago, IL — The Forge
1/11 — Minneapolis, MN — Skyway Theatre
1/12 — Lawrence, KS — Granada Theatre
1/14 — Denver, CO — Summit Music Hall
1/15 — Salt Lake City, UT — The Depot
1/17 — Las Vegas, NV — House of Blues
1/18 — San Francisco, CA — Regency
1/20 — Tucson, AZ — Encore
1/22 — Dallas, TX — House of Blues
1/23 — Houston, TX — White Oak Music Hall
1/25 — Atlanta, GA — The Masquerade
1/26 — Nashville, TN — The Cowan
1/28 — Philadelphia, PA — Union Transfer
1/30 — Sayreville, NJ — Starland Ballroom
1/31 — Baltimore, MD — Soundstage
2/1 — Worcester, MA — Palladium
2/4 — Albany, NY — Upstate Concert Hall
2/5 — Toronto, ON — Phoenix Concert Theatre
2/7 — Detroit, MI — The Crofoot
2/8 — Grand Rapids, MI — The Intersection

HEADLINE DATES:
WITH CAPSTAN + MOBS:

2/9 — Lakewood, OH — Phantasy Nightclub
2/11 — Madison, WI — Majestic Theatre
2/12 — Dilworth, MN — TAK Music Venue
2/13 — Winnipeg, MB — The Park Theatre
2/15 — Calgary, AB — The Rec Room
2/16 — Edmonton, AB — Temple
2/18 — Vancouver, BC — The Biltmore Ballroom
2/19 — Portland, OR — Holocene*
2/20 — Seattle, WA — The Crocodile*
*No Capstan

Midnight, which was released this past March, has spawned a series of singles and videos for those singles. The singles spawned from the album are: ‘Hourglass,’ ‘Midnight Thoughts,’ ‘For You Forever,’ ‘Dancing With The Devil,’ ‘Lonely Dance‘ and ‘Killer in the Mirror.’  The album’s full track listing is noted below.

MIDNIGHT TRACK LISTING:
1. “Killer In The Mirror”
2. “Hourglass”
3. “Lonely Dance”
4. “Different Songs”
5. “For You Forever”
6. “Dancing With The Devil”
7. “Go To Bed Angry” [feat. Wayfarers]
8. “Midnight Thoughts”
9. “Criminal Minds”
10. “No Disrespect”
11. “Stitch Me Up”
12. “Raise No Fool”
13. “I Want You (Gone)” [feat. Matt Appleton]
14. “Unopened Windows”
15. “Happy All The Time” [feat. Skyler Acord]

More information on Set It Off’s new b-side, tour dates, news and more is available online now at:

Websitehttp://www.setitoffband.com

Facebookhttp://www.facebook.com/setitoffband

Twitterhttp://twitter.com/SetItOff

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.