‘All I See Is War’ Is A Welcome Return To Form For Sevendust

Courtesy: Rise Records

Veteran hard rock band Sevendust officially returned this summer with its 12th full-length studio recording All I See Is War.  Having been released May 11 via Rise Records, its release came almost three years since the release of the band’s 11th album, 2015’s Kill The Flaw.  The 12-song album, also the band’s debut for Rise Records, can be said easily, to be one of the Atlanta, Georgia-based band’s best works to date as it takes audiences back to the band’s early days while also adding in a more up-to-date sound in its arrangements.  The addition of the songs’ equally interesting lyrical themes to those arrangements makes the album that much more interesting.  This is evidenced early on in the album’s run in the form of ‘God Bites His Tongue.’  ‘Risen,’ which comes later in the album’s run, also serves to show what makes this record so interesting.  It will be discussed a little later.  ‘The Truth,’ which closes out the album is one more example of what makes All I See Is War such an interesting new offering from a group that is one of the hard rock community’s most respected acts, but is certainly not the last of the songs that proves the album’s interest.  ‘Medicated,’ another early entry to the album, ‘Cheers,’ the album’s midpoint, and ‘Moments,’ which boasts a similarity to the band’s more recent records, all show in their own way what makes this record stand out in Sevendust’s extensive catalog.  Between these songs, the pieces more directly noted and those not noted here, the whole of this 45-minute album proves to be a solid portrait of Sevendust’s past, present and future.  Keeping that in mind, it proves to be not only one of Sevendust’s best works to date, but also one of the year’s best new hard rock albums, too.

Sevendust’s latest full-length studio recording All I See Is War is one of the veteran hard rock band’s best albums to date and also one of the year’s best new hard rock albums.  That is because its musical and lyrical content overall takes listeners from the band’s early days right through to its present and future.  What’s more it does this in convincing fashion throughout the course of the album’s dozen total songs, too.  This is evidenced early on in the form of the album’s second song, ‘God Bites His Tongue.’  Musically speaking, this song’s arrangement takes listeners back to the band’s sophomore 1999 album Home, with its heavy, crunching guitars, equally heavy low-end from bassist Vince Hornsby, front man Lajon Witherspoon’s familiar powerhouse melodic vocals and drummer Morgan Rose’s time keeping and familiar backing screams.  What is really interesting here is that while the song’s musical arrangement echoes the songs included in Home, it doesn’t try to just re-hash them, but rather show that the band’s members haven’t lost the edge presented in that album.  While the song’s arrangement builds a strong foundation for itself, the music alone only takes the song so far.  Its lyrical theme strengthens that foundation even more with its deeply philosophical nature.  Witherspoon sings in the song’s lead verse, “Face down/Feeding into you/Find the weakness/Holding it down till we kill it/Every once in a while, I get caught in the silver lining/No one ever lives it (what’s the meaning? What’s the meaning?)/Somewhere, we all lost the spirit (Lost it all)/So save us/Just so we know/That the bitter taste/We need it/And we forgive ourselves and leave it all.”  He goes on later to sing, “We forgive ourselves in the space that’s between right and wrong/The better days deceived us/And we let ourselves believe it all/And God just bites his tongue.”  It’s almost as if the song’s lyrical theme centers somewhat on mankind’s attempts to make himself feel superior while God meanwhile simply observes, letting humankind take its own course, consequences or not.  This is, of course, just this critic’s own interpretation of these words.  It could easily be wholly off the mark.  Hopefully it is at least somewhere in the proverbial ballpark.  Right or wrong, it is obvious in listening to the song’s lyrical content, that this song is quite the contemplative work.  When the depth in the song’s lyrical theme are coupled with the strength of the song’s musical arrangement, the whole of the song clearly shows by itself why All I See Is War is another standout offering from Sevendust.  It is of course just one of the songs included in the album that serves to prove the album’s strength.  ‘Risen’ which comes later in the album’s 45-minute run, serves just as much to show the album’s strength.

Where ‘God Bit His Tongue’ lends itself to comparisons to Sevendust’s early works, ‘Risen,’ musically speaking, is more akin to the band’s more recent works.  More specifically, the heavy, crunching arrangement in this song is more akin to works from Alpha and Next than the melodic hard rock sounds of, say Home, Animosity and Seasons.  The song’s musical arrangement gains even more importance and strength and importance as Witherspoon sings here seemingly about someone’s personal relationship with another, and the issues that come with that troubled relationship.  That subject is inferred as he sings, “Turn round/Come down/Been stealing feeling from me/Burned down/No sound/Been killing the life within me/Step down/Last round/Live hating/Loving memory/Break down/We drown/To turn around is everything/It all comes down to what it takes to love/If I fall, would you pick me up/Or kick me down again (Would you stand there with me)/If I tell you my deepest thoughts/Would you hear me out And help me rise again?”  This leaves a little room for interpretation, but also less room than the room left in ‘God Bites His Tongue.’  It comes across as someone who has been anything but that supportive friend.  This is inferred even more in the second verse as Witherspoon sings, “Not long, so gone/We shame your useless pity/You failed us all/Keep spewing the s*** you tell me/Fall down/So proud/Love hating, living memory/Erase you now.”  Again, the song’s subject asks this figure, “If I fall/Would you pick me up/Or kick me down again (Would you stand there with me)/If I tell you my deepest thoughts/Would you hear me out/And help me rise again?”  Once again, this hints at the matter of a person dealing with someone who isn’t necessarily entirely supportive of others.  The frustration in having to deal with that sort of subject is illustrated powerfully in that aforementioned powerhouse musical arrangement.  When the two elements are set alongside one another, they make the song in whole yet another example of what makes this record one of Sevendust’s best albums to date.  Also as noted previously, it is not the last of the songs that can be cited in supporting that statement.  ‘The Truth’ is one more song that shows the album’s strength.

‘The Truth’ shows All I See Is War’s strength in part through its musical arrangement, which — as with ‘Risen’ – can be likened easily to songs from Alpha and Next.  That is proven through its heavy, upbeat, guitar-driven arrangement.  It is a fitting finale for the album that shows once more, that while the band might have had some missteps in the forms of Chapter VII: Hope & Sorrow, Cold Day Memory and Black out The Sun, this album is Sevendust back on track and running at full steam.  The heavy, driving musical arrangement at the center of the song is just part of what helps its overall presentation.  Its equally scathing lyrical content adds to its power.  There is a lot of fire in this song’s energy – fire that plays once again into the album’s central theme of war in different ways as has been discussed by the band upon the album’s release.  Right from the song’s opening, that fire burns bright with Witherspoon singing so forcefully, “No more time for saving/What the hell did you give/What the hell did you do/Just more numb to waste it/You will men nothing/You will be nothing/One more tragic instant/Lost/Right underneath while you dream/We stay asleep now.”  From there, he asks, “Why does it always rain when I wanna see the sunshine/How come you never wanna play the game/Why does it always seem to fade when I wanna be defined/How come you never wanna try to say my name?”  The tension expressed in the chorus follows again from there, again leaving — while some room for interpretation – not too much room.  This song comes across lyrically as another type of war. A war between two people, one of whom has absolutely caused nothing but anger and frustration for the other, thus the song’s tense musical arrangement.  When the tension in that arrangement joins that in the song’s lyrical content, the whole is a song that is one of the album’s strongest and most notable entries, showing once more why this album is among the band’s best work.  When it is joined with the previously discussed songs and others not directly noted here, the end result is an album that is certain to impress Sevendust fans across the board.

Sevendust’s 12th full-length studio recording All I See Is War is a welcome return to form for the veteran hard rock band from Atlanta, Georgia.  After the release of Chapter VII, Cold Day Memory and Black Out The Sun, this record proves to be a welcome breath of fresh, heavy air from the band for fans.  As has been discussed here, that is proven in part through the seeming commentary of ‘God Bites His Tongue.’  It is a work that musically speaking, takes listeners back to Sevendust’s earlier records while its contemplative lyrical content is certain to generate plenty of discussion among listeners.  ‘Risen’ and ‘The Truth’ are more akin to more recent albums such as Alpha and Next.  Their lyrical content, which seems centered on personal “wars” between people adds even more to the record’s foundation.  The inclusion of ‘Medicated,’ Moments’ and ‘Cheers’ to the album strengthens that foundation even more.  Between that trio of compositions, the songs more directly noted here and those not discussed, the whole of All I See Is War is the Sevendust album for which so many fans (this critic included) have waited; An album that is easily one of the year’s top new hard rock albums.  It is available now in stores and online.  More information on All I See Is War is available online now along with all of Sevendust’s latest news and more at:

 

 

Website: http://sevendust.com

Facebook: http://www.facebook.com/secendustofficial

Twitter: http://twitter.com/sevendust

 

 

 

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Monster Energy Aftershock Festival Lineup Announced; Tickets On Sale Now

Courtesy: Danny Wimmer Presents

The Monster Energy Aftershock Festival is coming back to California this year.

The annual festival is scheduled to be held October 13 and 14 at Sacramento’s Discovery Park.  Now in its seventh year, the festival will be headlined this year by System of a Down, Alice in Chains and Deftones.  This year marks the first time that System of a Down has performed at the festival.

Along with being the band’s first year at the festival, System of a Down’s performance at the Aftershock Festival will also be the band’s first announced U.S. appearance in three years.  It is also part of the band’s 20th anniversary celebration of its landmark self-titled album’s release.

While System of a Down, Alice in Chains and Deftones are the two-day festival’s planned headliners, they are not the only bands on the bill.  Also scheduled for the performance are Godsmack (which is currently touring in support of its brand new album When Legends Rise), Incubus, Seether, Jonathan Davis (whose latest solo album Black Labyrinth is scheduled for release May 25), At The Drive-In and Slash ft. Myles Kennedy and the Conspirators (who are currently working on their latest album) as well as Bullet For my Valentine (whose new album Gravity is scheduled to be released June 29), Sevendust (whose album All I See Is War is out now) and many more.  The full lineup for this year’s festival is noted below.

The current band lineup for Monster Energy Aftershock is as follows: System Of A Down, Deftones, Alice In Chains, Incubus, Godsmack, Shinedown, 311, Slash Featuring Myles Kennedy And The Conspirators, At The Drive-In, Seether, Jonathan Davis, Bullet For My Valentine, Underoath, Black Veil Brides, Hellyeah, Asking Alexandria, Sevendust, Everlast, GWAR, Emmure, Stick To Your Guns, Dance Gavin Dance, Monster Magnet, Red Sun Rising, Bad Wolves, The Fever 333, Dorothy, Wage War, Plague Vendor, Hyro The Hero, Amigo The Devil, All Them Witches, Slothrust, The Dose, Viza, The Jacks and more to be announced.

Providing food for this year’s festival will be a variety of vendors including: Southern Hospitality Concessions LLC, Danny Wimmer Presents’ affiliate concessionaire.  Food trucks will also be on hand, providing savory and sweet treats from: Angry Bird Grill, Bacon Mania, Barrett’s Burgers, Barrett’s Sliders, Big Joe’s BBQ, Bubba’s BBQ, Cousins Maine Lobster, Dippin Dots Ice Cream, Dogtown, Drewski’s Hot Rod Sandwiches, Florez Bar & Grill, La Mex Taqueria, Mac Attack, Mount Olympus, Sausage King, Smokin’ Hot Pizza, Spicy Pie and Xochimilco Mexican Restaurant.

Beverages will be available from a variety of vendors, including vendors for festival-goers 21 and older.  Those vendors include: Caduceus Vellars & Merkin Vineyards Wine Garden (owned by Tool/A Perfect Circle/ Puscifer front man Maynard James Keenan) and the Belching Beaver Bar (featuring drafts from the Vista, CA brewer including the Phantom Bride IPA, a collaboration with the Defones).  Mrkt N Jolt will also be on site, offering hot coffee, cold brew and other items.

As if the music, food and drink isn’t enough for festival-goers, this year’s festival will also offer lots of entertainment options.  Those options include the Monster Energy Experience, which gives audiences the chance to meet and greet the bands while also sampling the festival’s various offered drinks, The Music Experience, which is an interactive exhibit and music instrument retailer.  Non-profit animal rescue organization Take Me Home will also be on-site along with Dyin 2 Live/FXck Cancer, a wish-granting organization.  Fans can buy music from the festival’s bands on site at the f.y.e. Fan Experience.

Festival-goers can win prizes and check out the latest products from Zippo Lighters at Zippo Encore and charge their phones at SWFTCharge.

Tickets and VIP packages for this year’s festival are on-sale now.  Prices are listed below.  Service fees on all ticket purchases include a $0.50 charity fee for the T.J. Martell Foundation, a foundation aimed at researching and fighting cancer.  Active military personnel get discounts on their tickets through GovX.

Initial ticket prices will be as follows:

  • 2-Day Weekend General Admission: starting at $149.50 + fees
  • 2-Day Weekend VIP: starting at $299.50 + fees
  • Single Day General Admission: starting at $89.50 + fees
  • Single Day VIP: starting at $179.50 + fees

VIP tickets include: VIP entrance lanes to the venue, shaded VIP hang area with seating for dining, a VIP-only viewing area of main stage, video screens featuring a live feed of main stage inside the VIP hang area, upgraded food and drink selections, dedicated VIP restrooms and commemorative VIP Monster Energy Aftershock laminate.

A park & ride shuttle is being offered again for this year’s festival as parking at Discovery park is very limited.  Every ticket includes parking at Sleep Train Arena and non-stop shuttle directly to the festival site.

The Monster Energy Aftershock Festival is produced by Danny Wimmer Presents and fueled by Monster Energy.  It is sponsored by f.y.e., Coors Light, Jack Daniels, Zippo Encore, The Music Experience, SWFTCharge, Fxck Cancer, Ace of Spades, Take Me Home and Belching Beaver.  More sponsors will be announced later.

More information on this year’s Monster Energy Aftershock Festival is available online now at:

 

Website: http://www.AftershockFestival.com

Facebook: http://www.facebook.com/AftershockFestival

Twitter: http://twitter.com/AftershockSac

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

 

‘Earthquake’ Is A Good First Impression For Hyvmine

Courtesy: Seek and Strike Records

The first impression is the most important that ca be made in any situation. From getting that coveted job to winning over a love interest to winning over audiences, that first impression is the best chance that one has to success in so many avenues. Taking this into consideration, it can be said that up-and-coming hard rock outfit Hyvmine has made a good first impression with its debut album Earthquake. Released Jan. 19 via independent label Seek & Strike Records (also home to Between The Buried and Me, Body Count, Gus G. and others), this first effort from Hyvmine is certain to reach a wide array of audiences. That is proven in part through the diversity in the album’s musical arrangements, which will be discussed shortly. The album’s sequencing also helps to prove its ability to reach audiences, and will be discussed later. The record’s production is also important to its ability to reach listeners and will also be discussed later. Each element is important in its own way to the whole of Earthquake‘s overall presentation. All things considered, the noted elements make Earthquake a record that while not earth-shaking, is still a good first impression for Hyvmine.

Hard rock outfit Hyvmine’s debut album Earthquake is a work that, as noted is not necessarily an earth-shaking record. It is however, a good first impression for the up-and-coming hard rock outfit. That statement is supported in part through the musical arrangements that are exhibited throughout the course of the album’s nine-song, 42-minute body. right off the top, audiences are treated to an arrangement in ‘Shift’ that boasts elements of Alter Bridge and Dream Theater. Yes, that’s quite the duality, but somehow front man Al Joseph and his band mates make that pairing of influences work. The slow build from the song’s opening piano line into the more contemplative moments that make up the early portion of the song builds a strong foundation for the song. The eventual growth from that vibe to the more power packed portions of the song shows definite thought put into the arrangement, and in turn is sure to keep listeners engaged. the same can be said of the joining those Alter Bridge and Dream Theater influences within those harder-edged moments. Joseph’s own vocal delivery boasts an eerie similarity to that of Alter Bridge front man Myles Kennedy, too, adding even more interest to the arrangement. Add in the song’s lyrical content, which seems to present the message of living life to the fullest, and audiences get an interesting first effort here. It is of course only one song that shows the importance of the album’s arrangements to its whole. The post-grunge vibe of ‘Fire Escape’ conjures thoughts of Korn, Staind and so many aggro-rock bands that rose to fame in the late 90s and early 2000s while ‘Mirror Master’ brings about thoughts of Sevendust and The Veer Union. The arrangement at the center of the album’s title track, which also comes virtually dead center of the album, will reach fans of Creed and other similar acts. Considering the diversity displayed throughout these songs and that of the songs not noted here, it becomes fully clear why that diversity helps to make this record a good first impression for this record. It shows the band’s ability to cover any type of rock, giving in itself reason for audiences to give it at least one listen. It is just one of the album’s most important elements. Staying on the same note as the songs, their sequencing proves just as important to discuss as their arrangements.

Earthquake‘s sequencing is important to note because as much as the songs’ arrangements do for the record’s presentation, if they had been poorly placed, they would have been completely useless. Luckily though, that didn’t happen. Again, noting the gentle, contemplative piano run at the start of the album’s opener and the manner in which it builds into the bigger picture of the song, it is just the first strong salvo from the band. The transition from that song’s raucous finale to the more controlled yet heavy riffs of ‘Mirror Master’ was a smooth and smart move. It keeps the heavy without being too stark of a change. The heavy continues into the album’s third track with the more up-tempo ‘Shogun,’ which also boasts a solo that would make John Petrucci proud. The heavy still doesn’t end there. From there, the album transitions into a rather Creed-esque radio ready rocker in ‘All of Creation’ before the album finally pulls back in ‘Earthquake.’ What’s really interesting here is that while it does finally pull back, that pull back is only partial as it starts off soft before picking back up a little bit in what is overall yet another Creed style work. ‘Fire Escape,’ the start of the album’s final trio of songs, brings the heavy back in full force before moving in a slightly more mainstream direction again ‘ Elysium.’ ‘Great Divide,’ the album’s penultimate track, gives listeners one last dose of heavy before closing out the record in another Creed-esque rocker in ‘Cliffhanger.’ Considering the direction that the album takes from beginning to end with its energies, it can be said after going through the whole of the 43-minute run time that the album’s energy stays relatively stable. That applies from song to song and even within the songs themselves. The stability of the energies within the songs and between songs creates a listening experience that even more certifies listeners’ engagement. When that insurance is considered along with the insurance generated through the songs’ very arrangements, that whole shows even more why Earthquake, while again not earth-shaking, is still a good first impression from Hyvmine. It is still not the last of the elements that makes this record a respectable start for the band. Its overall production is also worth noting.

The album’s production is important to note in examining Earthquake because while it does largely impress, there are at least a couple of problem points. ‘Shogun’ is one of those problem points. There are moments throughout the song when front man Al Joseph’s vocals are slightly washed out by the song’s musical elements. This means that interpretation of what he is singing becomes difficult without a lyrics sheet. There also seems to be a bit of a balance issue between Joseph’s vocals and the song’s musical elements here, too. This is, of course, just this critic’s own take. Others might hear it differently. The problem that this critic has caught here is that again, the music seems to slightly overpower Joseph’s vocals. That takes away at least something from the enjoyment here. The vocals in ‘Elysium”s chorus seem to bleed together a little with its musical side, too. Again, this is just this critic’s interpretation. Other than those directly noted elements, the album’s production proves relatively positive throughout. Keeping this in mind, it proves — despite the few problematic balance issues — to be relatively stable from beginning to end. When that is considered alongside the stability in the album’s sequencing and the variety of the album’s musical arrangements, the whole of these elements shows in full why Earthquake is a good first impression for Hyvmine.

Hyvmine’s debut album Earthquake is a good first impression for the band. While it may not be an earth-shaking start for the band, it is still respectable. That is thanks in part to the variety exhibited in the album’s musical arrangements. From Dream Theater to Korn to Creed and points even in-between, the album’s arrangements are certain to reach a variety of audiences. The album’s sequencing keeps its energy relatively stable from beginning to end. This is proven through the song transitions and even within the songs themselves. The album’s overall production is relatively stable, too, strengthening its presentation even more. Each element is important in its own right to the album’s whole. All things considered, they make Earthquake a good first impression from Hyvmine that, while it might not have everyone thinking the same, will impress plenty of audiences. It is available now in stores and online. More information on Hyvmine is available online now at:

Website: http://seekandstrike.com/artists/hyvmine

Facebook: http://www.facebook.com/hyvmineband

Twitter: http://twitter.com/hyvmineband

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Pop Evil Unveils New LP’s Lead Single, Video; Announces New Live Dates

Cover ARt by Mike Chardcore

Pop Evil is giving audiences their first taste of its next album.

The band has unveiled the video for its new single ‘Walking Lions,’ which will be included in the band’s next album, tentatively set to be released Feb. 16 via Entertainment One.  The song, which is a solid hard rock composition akin to music from Sevendust, Otherwise and similar acts, is everything that audiences have come to expect from the band both musically and lyrically.  Audiences can view the video online now here.

The band’s new album, its fifth full-length studio recording, is tentatively a self-titled release and will come a little more than two years after the release of the band’s fourth album UpUp was released Aug. 21, 2015.

The band will go back on the road this fall in support of its new album beginning Nov. 16 in Lexington, KY.  Its nearly three-week- tour runs through Dec. 2 and includes performances in Warrendale, PA; Huntsville, Ala; Nashville, TN and other cities.  The band’s current tour schedule is noted below.

TOUR DATES
Nov 16 – Manchester Music Hall – Lexington, KY
Nov 17 – Oddbody’s – Dayton, OH
Nov 18 – House of Blues Cleveland – Cleveland, OH
Nov 20 – Jergel’s Rhythm Grille – Warrendale, PA
Nov 21 – The Forge – Joliet, IL
Nov 22 – Spicoli’s – Waterloo, IA
Nov 25 – Regency Live – Springfield, MO
Nov 26 – Sammy T’s Music Hall – Huntsville, AL
Nov 29 – Exit/In – Nashville, TN
Dec 01 – The Apollo Theatre Ac – Belvidere, IL
Dec 02 – Bourbon Theatre – Lincoln, NE

More information on Pop Evil’s new single, album, tour and more is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.PopEvil.com

Facebook: http://www.facebook.com/popevil

Twitter: http://twitter.com/popevil

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Red Tide Rising Covers Tears For Fears, Preps For New Tour

Courtesy: Head First Entertainment

Courtesy: Head First Entertainment

Red Tide Rising released a new single this week.

The hard rock quartet released its cover of the Tears for Fears classic ‘Mad World’ this week.  The inspiration for recording came from fans’ reaction to the band’s performance of the song on its summer tour with Sevendust.

When the band finished its run with Sevendust, it entered The Keep Studios with Mike Luce (Drowning Pool) to record the song.  Front man Mathew Whiteman said the song has always been a favorite of Red Tide Rising’s members, and added the band’s approach to the song makes this arrangement stand out.

“We covered ‘Mad World’ because it fits into the theme of our music,” Whiteman said.  “The choice allowed us to create a dark and melodic spin to the song that showcases our diversity in tonality that is demonstrated from the first note to the last.  Besides, the song is a band favorite and we always wanted to pay tribute to it.”

Audiences can download the band’s cover of ‘Mad World’ for free now via the band’s Bandcamp page.  It can also be downloaded via iTunes for $0.99.

Later this month, the band will head back out on the road for the “Not-So-Silent Night Tour” with Drowning Pool, Gemini Syndrome and 9Electric.  The tour launches Nov. 29 in Colorado Springs, CO and runs through Dec. 23 in Dallas, TX.  The tour’s schedule is noted below.

 

NOT SO SILENT NIGHT TOUR DATES:

29 Nov – Colorado Springs, CO – The Black Sheep
30 Nov – Denver, CO – The Roxy Theatre
01 Dec – Wichita, KS – The Cotillion
02 Dec – Springfield, MO – The Regency
03 Dec – Waterloo, IA – Spicoli’s
04 Dec – Lisle, IL – BaseCamp
06 Dec – Flint, MI – The Machine Shop
07 Dec – Ft. Wayne, IN – The Rusty Spur
08 Dec – Mansfield, OH – Whiskey Warehouse
09 Dec – Stafford Springs, CT – The Palace Theater
10 Dec – Lawrence, MA – Claddagh
11 Dec – Poughkeepsie, NY – The Chance Theater
12 Dec – Stanhope, NJ – The Stanhope House
14 Dec – Clarence, NY – Nashvilles II
15 Dec – Amityville, NY – Revolution
16 Dec – Jacksonville, NC – Hooligans
17 Dec – Raleigh, NC – The Maywood
18 Dec – Leesburg, VA – Tally Ho Theater
20 Dec – Dayton, OH – Oddbody’s
21 Dec – Evansville, IN – KC’s Time Out
t22 Dec – Merriam, KS – Aftershock
23 Dec – Dallas, TX – Trees

 

More information on Red Tide Rising’s cover of ‘Mad World’ is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.redtiderising.com

Facebook: http://www.facebook.com/RedTideRising

Twitter: http://twitter.com/redtiderising

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Red Tide Rising Announces New Temporary Drummer

Courtesy:  Head First Entertainment

Courtesy: Head First Entertainment

Red Tide Rising will have a new face behind the drums as it heads out on tour with Sevendust and Crobot.

The band has announced that Glendon Crain (John 5’s Loser, Hollywood Undead, gODHEAD) will fill in temporarily for regular drummer Matt Guerin as the band heads out on the road.  That is because Guerin is currently enjoying his honeymoon with his wife.  Guitarist Andrew Whiteman had only good things to say of Crain when discussing his appointment.  “I’m super psyched to have Glen Crain filling in for us on this tour!,” Whiteman said.  “He’s a badass drummer who also happens to be friends with our buddy Mike Luce from Drowning Pool and he’s a great fir for this run. He brings it every night and we mesh as if we have always been in a band together.”

Crain echoed Whiteman’s sentiment about joining RTR.  “I’m very excited for the opportunity to fill in on drums for Red Tide Rising,” he said.  “The resolve to create quality music is very apparent in this group and that in turn pushed me to bring out the best I’ve got. We hope to see you guys out on the road with Crobot and the mighty Sevendust!”

Crain, a Kansas City native, started his recording career with Capitol Records band The Feds.  He recorded and performed with that band from 1995 – 2001.  In 2001 he joined The Losers, which featured Rob Zombi/Marilyn Manson guitarist John 5.  He stepped away from Loser in 2004 and joined gODHEAD in 2005.  A stint with Hollywood Undead followed his time in gODHEAD from 2008 – 2010.  He then went on to help found All Hail The Yeti but no longer plays with that band.

Red Tide Rising will be in Bloomington, Illinois today, August 2nd and Minneapolis, Minnesota tomorrow, August 3rd.  The band’s current tour schedule is noted in full below.  Its tour is in support of its new EP Voices.

 

02 Aug – Bloomington, IL – Castle Theatre
03 Aug – Minneapolis, MN – Mill City Nights
05 Aug – Sturgis, SD – Full Throttle
06 Aug – Ft. Collins, CO – Aggie Theatre
07 Aug – Salt Lake City, UT – The Complex
09 Aug – Regina, SK CANADA – Conexus Convention Hall
10 Aug – Calgary, AB CANADA – Marquee
11 Aug – Edmonton, AB CANADA – The Ranch
12 Aug – Saskatoon, SK CANADA – Saskatoon Events Ctr
14 Aug – Winnipeg, MB CANADA – Burt Cummings Theatre
17 Aug – Toronto, ONT CANADA – The Opera House

 

More information on Red Tide Rising’s live schedule is available online now along with all of the ban’s latest news at:

 

 

 

Website: http://www.redtiderising.com

Facebook: http://www.facebook.com/RedTideRising

Twitter: http://twitter.com/redtiderising

 

 

 

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Romantic Rebel Added To Smile Empty Soul’s “Shapeshifter Tour 2016” LIneup

Courtesy: O'Donnell Media Group

Courtesy: O’Donnell Media Group

Romantic Rebel is headed back out on the road.

The band announced Monday that it will join Smile Empty Soul on the road this summer for the band’s “Shapeshifter Tour 2016.”  The tour launches this Friday, July 15th in St. Louis, MO.  It will share time on stage as support for Smile Empty Soul alongside The Everyday Losers, Shallow Side, and Beitthemeans on the tour.  Romantic Rebel’s upcoming live dates are in support of its upcoming EP Begin Again.  The band announced Monday that fans who come out to its live shows will be able to pick up Begin Again before its official release date, which has not yet been announced.

Singer KT Paige recently sat down to discuss the EP and what it means not just to her but to the band in whole.  She noted in her discussion the work put into the songs not only by herself but also by guitarist Alex Vincent, who co-wrote the record, and by producer Johnny K (Disturbed, Pop Evil, Finger Eleven, Sevendust, 3 Doors Down, Megadeth, Machine Head, Nonpoint, etc.), who helmed the EP and is also working with the band on its upcoming as yet untitled sophomore album.  “This EP is very special to us,” she said.  “Alex and I wrote these songs from the heart; about past experiences and struggles.  That said, we were very attached to them and didn’t want to see them change.  Johnny, being the multi-talented producer that he is, helped us take the songs we thought couldn’t get any better to a whole new level.  It’s amazing how a simple change in melody can make me feel even more emotional about a song than I had felt previously.”

While waiting for Romantic Rebel’s new EP to be released audiences can purchase the EP’s lead single ‘Too Far’ now online via iTunes.  The single’s companion video is currently streaming on the band’s official YouTube channel now.  More information on Romantic Rebel’s latest tour schedule is available online now along with all of the band’s latest news at:

 

 

 

Website: http://www.RomanticRebelBand.com

Facebook: http://www.facebook.com/RomanticRebelRocks

Twitter: http://twitter.com/rr_the_band

 

 

 

To keep up with the latest sports and entertainment news and reviews go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.