PBS, Smithsonian Channel Partner To Release New ‘Star Trek’ Documentary

Courtesy: PBS Distribution/PBS/Smithsonian Channel

Courtesy: PBS Distribution/PBS/Smithsonian Channel

Star Trek is one of the most iconic and influential programs in the modern history of television.  It has been argued (and successfully so) many times that if not for that series, much of the technology that we have today might not exist.  It is because of that series that people were influenced to try to make science fiction into science fact.  Earlier this summer Smithsonian Channel presented a documentary feature centered on that subject in the form of Building Star Trek.  Now audiences everywhere will get to own the program for themselves thanks to PBS Distribution.

PBS Distribution will release Building Star Trek on November 1st. The documentary runs 92-minutes.  It follows a team of conservators from the Smithsonian National Air and Space Museum, led by Dr. Margaret Weitekamp, as they strive to restore and conserve the original U.S.S. Enterprise model used in the recording of Star Trek: The Original Series. The model stands 11-feet and weighs 250 pounds.

Also featured in the documentary is Brooks Peck, curator of Seattle’s EMP Museum. The program follows Peck as he attempts to rebuild a model of the bridge from the original Enterprise by using original pieces of the show’s set and props.

Along the way discussions on the series’ influence on the real world are shared through discussions with the likes of Star Trek TOS star Nichelle Nichols and stars of the new Star Trek movies Simon Pegg and Karl Urban.

Building Star Trek will be released Tuesday, Nov. 1.  It will be available exclusively on DVD and will retail for MSRP of $19.99.  It can be pre-ordered online now at a discounted price of $14.99 via PBS’ online store.  More information on this and other titles from Smithsonian Channel is available online now at:

 

 

 

Website: http://www.smithsonianchannel.com

Facebook: http://www.facebook.com/SmithsonianChannel

Twitter: http://twitter.com/SmithsonianChan

 

 

 

More information on this and other titles from PBS is available online at:

 

 

Website: http://www.pbs.org

Facebook: http://www.facebook.com/pbs

Twitter: http://twitter.com/pbs

 

 

 

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The World’s End Soundtrack A Fun Musical Trip Back In Time

Courtesy:  ABKCO Records

Courtesy: ABKCO Records

Writer/Director Edgar Wright notes in the liner notes of the soundtrack of his movie, The World’s End that in writing the movie’s script alongside actor Simon Pegg (Star Trek, Star Trek Into Darkness, Room on the Broom), that the pair listened to a playlist consisting of some three hundred songs.  He writes in the very first page of the soundtrack’s liner notes, “When Simon Pegg and myself wrote the screenplay for the film, we listened to a 300 strong playlist of songs, mainly from 1988 to 1993…It powered our writing as much as it power’s Gary’s [King] quest.”  King is the character played by Pegg in the new movie in question.  This single statement from Wright in the very first page of the soundtrack’s liner notes perfectly explain why the songs included in the compilation bear influences from 80’s Brit-pop and synth-pop.  Right off the top, Primal Scream’s ‘Loaded; conjures thoughts of George Michaels’ hit, ‘Freedom’ with its mix of horns and piano.  It’s not a direct lifting of Michaels’ song.  But the similarity is obvious.  It’s just the start of things on this compilation.

The energy established by Primal Scream on the soundtrack’s opener is kicked up another notch as Blur picks up where Primal Scream left off.  Blur’s entry, ‘There’s No Other Way’ is a fitting track for this soundtrack considering the story behind the movie.  Front man Damon Albarn sings in the song’s only verses, “You’re taking the fun out of everything/And making me run when I don’t want to think/You’re taking the fun out of everything/I don’t’ want to think at all…You’re taking the fun out of everything/You’re making it clear when I don’t want to think/You’re taking me up when I don’t’ want to go up anymore/I’m just watching it all.”  This is so fitting in that the plot of the movie centers on Pegg’s character, Gary King.  Gary doesn’t want to have to be an adult and face the adult world, which ends up leading to everything that happens in the story.  Keeping this in mind, it actually becomes quite clear how this song would fit so well into the movie, even with its high energy.  Suffice it to say that it’s just one of so many songs that fans of the old school synth-pop and Brit-pop sounds will appreciate on this compilation.

Just as Blur’s ‘There’s No Other Way’ is a fitting addition to the soundtrack of The World’s End, so is the Soup Dragons’ ‘I’m Free.’  The song, from the Scottish band’s 1990 album, Lovegod, is just as catchy as the compilation’s first two songs.  And in the same fashion, it’s just as fitting lyrically.  The band sings in this song, “I’m free to do what I want/Any old time.”  This would seem to once again mirror Gary’s mindset.   It would be easy to see this song used as part of the pub crawl originally undertaken by Gary’s friends in the movie’s two prequels of sorts, Hot Fuzz and Shaun of the Dead.

If the songs noted here aren’t enough for fans of the old school Brit-pop and synth-pop sounds of the late 80s and early 90s, then there is no reason to worry.  The World’s End soundtrack has more than its share of classics for fans of that genre including the likes of Pulp’s ‘Do You Remember the First Time?’, The Stone Roses’ ‘Fools Gold’, and British rapper Silver Bullet’s ’20 Seconds to Comply (World’s End Bomb Squad Mix Re-edit’, which in its own way shows where The Prodigy might have gotten the influence for its first big hit, ‘Firestarter.’  Whether for these songs, the previously mentioned songs or any of the others included in this compilation, it offers something for any music lover that grew up in the late 80s and early 90s.  It will prove to be a fun musical trip back in time for those listeners when they pick it up now in stores or order it online.

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Room on the Broom An Entertaining, Touching Story For The Whole Family

Courtesy:  NCircle Entertainment

Courtesy: NCircle Entertainment

The new “animated” take on author Julia Donaldson’s children’s book, Room on the Broom is a wonderful piece for families and even churches as the country starts to look towards October and Halloween.  Donaldson, who also wrote The Gruffalo and The Gruffalo’s Child, co-wrote the book on which this feature is based, with Axel Scheffler.  This latest feature is much like its predecessors first and foremost because of its run time. It comes in at just under half an hour, much like those features.  Also like those features, this story features its share of lessons, too.  Speaking of the small screen adaptation of The Gruffalo, audiences will appreciate this new release even more as the animated presentation of said book is included on this disc along with a pair of pleasant bonus features to complete the overall positive viewing experience.

The very first aspect of this latest feature from NCircle Entertainment is its run time.  Much like both the Gruffalo and its sequel, this feature is not that long.  It comes in at just under half an hour in length.  There are those that have criticized this feature for the fact that it is as short as it is.  One can’t help but wonder if these same people watched the adaptations of Donaldson’s other books.  If so, did they feel that those features were too short, too?  That run time only serves to make this feature even more kid friendly, along with the lush, beautiful colors and positive lessons.  That is because most young viewers’ attention span doesn’t exceed half an hour.  So this is right on par with any children’s feature.  So whoever would think the run time is a bad thing should perhaps watch it again with more of an open mind.

The lessons taught throughout the short run time of Room on the Broom are another aspect of the feature that viewers of all ages will appreciate.  Throughout the course of the story, it teaches so many important lessons.  It teaches lessons about friendship, acceptance, sharing, respect, teamwork, loyalty, and tolerance.  And it does it all in less than half an hour without making everything seem jumbled together.  For that alone, this adaptation of the modern classic children’s story deserves very high marks.  The lessons are taught via interactions between the witch’s cat, a dog, a bird, and a slightly neurotic frog with a penchant for cleanliness.  The bird’s story of having been rejected by its fellow birds just because of how it looked teaches an invaluable lesson and starting point for discussions on tolerance and acceptance.  What’s more, it will touch very deeply, any viewer with a heart.  On the other side of things, the frog’s penchant for cleanliness will have adults and parents alike laughing.  And the dog’s simple innocence and loyalty adds one more element of joy to the story.  Together, this motley crew illustrates the intended lessons in a way that is accessible both to children and their parents, making the story all the more entertaining and touching.    

The “animated” adaptation of Room on the Broom is very similar in style to its counterparts in The Gruffalo and the Gruffalos Child.  However, it isn’t pointed out in this feature’s bonuses as to whether or not the same mix of claymation and CG was used in bringing the book to life on the screen.  There were elements of CG shown in the behind-the-scenes bonus.  But there was no mention of any claymation.  So it would have been interesting to find out if this indeed was used once again considering how close it looks to those features, stylistically speaking.  For once, this reviewer finds himself noting that regardless of whether it was primarily CG or a mix of both, the visual presentation of the story was absolutely beautiful.  The colors were so rich and vibrant.  Considering the fact that it’s a story about a witch, the bright colors used throughout each scene help to illustrate that this was no ordinary witch and that she didn’t live in the stereotypical world of a witch.  She was a good witch who appreciated everything and everyone around her.  Again, there is one of a handful of positive lessons that parents, teachers, and pastors will appreciate in the story.  Many audiences don’t take into account a factor as minute as colors used in the success or failure of a movie or feature.  But they really do play an integral role, at last on a psychological level.  And that is proven here, just as with so many children’s features.  Combined with the music, the bright colors maintain the feature’s positive vibe, thus in its own way, helps to make Room on the Broom that much more entertaining and family friendly. 

The aspects noted already noted here do so much to make Room on the Broom such a joy.  But no proper review of this new release would be complete without mention of its bonus features.  There are few bonus features this time around.  Audiences get a slightly different behind-the-scenes featurette in this presentation than in its counterparts in The Gruffalo and The Gruffalo’s Child.  It makes the extra live performance of the book by author Julia Donaldson stand out even more.  Audiences actually get to see Donaldson perform a reading of the book along with some young friends to help her along the way.  Her performance brings the book to life in an entirely different, but just as entertaining fashion.  It’s something that parents and children will love to take in together.  And even younger viewers will appreciate the performance just as much as the children that were in attendance at the taping of her performance of the book.  This standout bonus serves as the icing on the sweet cake that is this feature.  It will be available in stores and online next Tuesday, August 6th on DVD.  It can be ordered direct from the NCircle online store at http://www.ncircleentertainment.com/room-on-the-broom/843501008041.  To find out about even more releases from NCircle Entertainment, parents can go online to http://www.facebook.com/NCircleEntertainment or the company’s official website, http://www.NCircleEntertainment.com

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Star Trek Sequel One Of Summer 2013’s Best

Courtesy:  Paramount

Courtesy: Paramount

Star Trek Into Darkness is one of the best movies of the Summer 2013 movie season.  However, for all of its successes, there is no denying that it is not a perfect work.  The movie, which clocks in at just over two hours keeps audiences engaged from the story’s opening moments.  And that is thanks in large part to following the standard Summer blockbuster formula.  Here’s where things get dicey, and some of this critic’s fellow Trek fans might be angered.  To those potentially angered readers, please read this entire review before attacking.

One of the biggest factors in the success of Star Trek Into Darkness is that much like its predecessor, audiences don’t have to know the rich history of Gene Roddenberry’s creation that started with Star Trek: The Original Series (TOS).  Its references to the movie franchise’s reboot were so few that audiences that have yet to see that movie need not worry about having seen it in order to enjoy this story.  Director J.J. Abrams and his staff of writers did an impressive job in keeping this tradition alive from the movies based on both TOS and TNG.  Though, those that are long-time fans of both Star Trek TOS and the long running movie franchise will enjoy it just as much as TOS and the movie franchise’s reboot.  Long-time fans will enjoy the reference in this movie to the famed Troubles with Tribbles episode from TOS.  Long-time fans will enjoy seeing actor Leonard Nimoy reprise his role as the original Spock just as much (not to reveal too much).  That’s right.  Leonard Nimoy is back once again.  And long-time fans will love how Abrams and company poke fun at themselves with his re-appearance.  How they go about doing so will be kept under wraps so as to not spoil another positive moment from an overall impressive work.

Director J.J. Abrams and his staff of writers did an impressive job making a story that much like the movies from TOS and TNG, doesn’t require knowledge of the previous movie to be enjoyed.  This and the references to TOS played important roles in this movie’s success.  Just as much cause for success was the personal growth of Chris Pine’s Kirk and Zachary Quinto’s Spock.  Kirk starts off in this movie the same brash almost Tom Cruise “Maverick” style figure as they were introduced to in the series’ 2009 reboot.  It would be impossible to explain this without spoiling at least one aspect of the movie.  That aspect would be that Admiral Pike is killed off.  In his death, audiences finally see Kirk grow as a person.  They see what was obviously the relationship of a son and his (for all intents and purposes) surrogate father in Pike.  Audiences also see the relationship between Spock and Kirk grow even more from their initial meeting in the 2009 reboot.  This is perhaps one of very few aspects of this work that would require viewers to have seen the previous film in order to appreciate it.  Theirs are the only relationships that show any growth from the previous installment in the franchise.  That’s not an entirely bad thing.  Simon Pegg is as funny as ever in his role as Scotty.  And the relationship between Scotty, Kirk, Spock and Bones produces more than its share of laughs once again.

For everything that makes Star Trek Into Darkness such a success, it isn’t without its faults.  This story has plenty of comical moments between cast members; enough that they would make quite the blooper reel in the movie’s home release.  But one can’t help but look back on the movie and realize just how much running around and yelling filled most of the story.  There was so much that in hindsight, it makes for more than enough fodder for Saturday Night Live’s writers to spoof.  Thankfully for the movie’s staff of writers, all the running around and yelling wasn’t enough to overpower the story’s main plot that while not overly original, is still nicely updated.  It’s a story that is well worth its time overall, whether one is an experienced Star Trek fan or not.

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