Paramount’s Ninja Turtles Reboot Proves To Be One Of 2014’s Worst New Movies

Courtesy:  Paramount Pictures

Courtesy: Paramount Pictures

Paramount Pictures’ updated take on Teenage Mutant Ninja Turtles is one of the worst new movies of 2014. There is no way to sugarcoat it. Simply put, it is one more example of why Hollywood’s (and audiences’) seemingly insatiable appetite for prequels, sequels, and remakes can only mean a bleak future for the industry’s “Power Five” studios. The central reason for the failure of Teenage Mutant Ninja Turtles is its writing. While the movie’s writers and the studio did back down on the original idea for the Turtles’ origin story, the story incorporated into the story proves to be just as bad. There is also the issue of the plot. While it can be said that the movie’s plot is not necessarily as cheesy as some of the plot lines from the animated series, there is still something about this movie’s plot that makes it unbearable. And dangling the proverbial carrot in front of old school audiences in the form of references to the original animated series (and movie) hurts the movie even more in terms of the movie’s writing. It’s one more example of why having multiple people working on a single script serves only to hurt said script. This has been proven time and again in a number of works before this one. TMNT is just the latest. Just as noteworthy is the acting. Credit should e given where credit is due. The actors behind the turtles are deserving of their due respect. However, the acting on the part of lead Meghan Fox and the movie’s supporting cast falls flat. Even actor Will Arnett comes up short as April’s photog Vernon Fenwick. He had the look. And he did make a valiant effort at his portrayal. But it still came up short in the end. Those issues with the cast’s acting coupled with the issues raised in the movie’s script hurt TMNT in a major way. They still are not all that hurt the movie. Last but hardly least of all that goes against the movie is its collective look and production values. Michael Bay wasn’t at the helm of TMNT. But in watching the movie, one may as well say that he was. That is because the movie’s look and its production values are quite similar to the much maligned Transformers franchise that he previously helmed. It is the final nail in the movie’s coffin, sealing the movie’s fate and proving once more why this movie is one of the worst of 2014.

Teenage Mutant Ninja Turtles was and is one of the best movies to leap from the pages of comic books. That is the original live action movie that debuted in 1990. This year’s new update on that modern classic is the polar opposite of that incarnation. It’s painfully obvious from start to finish, too beginning with the movie’s overall writing. The movie’s plot by itself does plenty to hurt the movie. And it all begins with the Turtles’ much mailgned origin story. Those that followed this movie from the days even before its pre-production started will recall that the origin story was going to have Leo, Raph, Don, and Mikey come in as aliens from another planet. Thankfully that didn’t happen. However, the origin story that took its place is just as problematic. That story won’t be revealed here for the sake of those that have yet to watch the movie. But it directly involves April O’Neil. And to a point, it takes a page from Sony’s latest incarnation of Spiderman. April’s revelation at her link to the Turtles’ origin story is cheesy enough. But the acting on the part of actress Megan Fox, who plays April, only serves to make that revelation even more unbelievable. The acting on the part of the cast will be discussed in more depth at a later point. For now, the focus will remain on the movie’s writing.

The origin story crafted for Teenage Mutant Ninja Turtles is but one part of the writing that hurts this big screen reboot bust. The movie’s very plot plays its own role in the movie’s failure. The movie’s plot sees Shredder and the Foot Clan–which is made more into a pseudo militia group here instead of the old school, evil ninja group from the original movie and animated series–trying to spread a virus through New York City. In turn, they and Eric Sacks (William Fitchner) can use the mutagen that created the Turtles for their own financial gain. Yes, it’s true. In defense of this plot, those that are familiar with the original animated series, there was an episode in which Shreddder sent up a satellite-like device the changed the weather around the world as a means for him and Krang to take over the world. So keeeping that in consideration it isn’t too cheesy of a plot. There’s still something about it in the script’s writing though, that makes it not entirely believable. Speaking of the comparison between this incarnation of the Teenage Mutant Ninja Turtles and the original animated series (and the franchise’s original movie), that is yet another issue in the writing that hurts this movie.

The issues raised through the origin story and plot incorporated into Paramount’s new take on Teenage Mutant Ninja Turtles both make the movie’s writing rather problematic in their own way. One can’t ignore the fact that Applebaum, Nemec and Daugherty did try to please the fans of the franchise’s original animated series and 1990 movie with constant throwback references to both. They even made sure to include the skateboards used in both properties. The issue at hand with making such references is that through the script’s previously noted problems, adding in those references essentially becomes a slap in the face to the fans that grew up with those originals. It’s the same as dangling the carrot in front of a donkey (or rabbit) only to have it pulled away for lack of better wording. Simply put, it is disrespectful to said audiences.

The writing behind the script for Paramount’s new incarnation of the Teenage Mutant Ninja Turtles is a big part of what has made this movie one of the worst of this year’s new releases. While the writing proves to be quite problematic, it is only the beginning of the movie’s problems. The work of the movie’s cast is just as problematic. Actress Megan Fox plays April O’Neil in this version of TMNT. Her reaction at discovering her role in the origin of the Turtles is awful. It is so over the top and hammy that one can only shake one’s hand. While Will Arnett deserves at least some credit for trying to properly portray Vernon Fenwick, even he comes up short. He is hit and miss at best. To the cast’s credit, the men behind the mean green machine–Johnny Knoxville (Bad Grampa, Men in Black 2, Jackass), Pete Ploszek (Parks & Rec, Shameless), Jeremy Howard (Men in Black 2, Galaxy Quest, How The Grinch Stole Christmas), Noel Fisher (Final Destination 2, Red, Battle Los Angeles), and Alan Ritchson (Fired Up, Blue Mountain State, The Hunger Games: Catching Fire) are to be commended for their work. They did quite the job of establishing the attitude and comic element for which the Turtles have been known for decades in their protrayals. Sadly the same can’t be said for the duo of Tony Shahoub (Monk, Wings, Men in Black 1 – 3) and Danny Woodburn (Mirror Mirror, Employee of the Month, Death to Smoochy). The duo partnered to bring Splinter to life. Whether it is their own work (or lack thereof) or because of how Splinter was written into the story, their portrayals did little to make Splinter really stand out at any one point in the story. So simply put, the only positives that can be pointed out in terms of the acting in Teenage Mutant Ninja Turtles is the acting of the men that brought Leo, Don, Raph and Mikey to life. other than that, not much positive can be said of the rest of the cast’s work. It’s yet another example of why Teenage Mutant Ninja Turtles comes up far short of its potential and proves in the end to be one of this year’s worst new releases.

Teenage Mutant Ninja Turtles comes up short in so many ways. its writing is the biggest offender when examining why the movie falls short. The acting on the part of the movie’s cast is another issue. Last but hardly least of note that damaged TMNT is the collective look and production values incorporated into the movie. Michael Bay did not helm this reboot of the classic franchise. But even as a producer, his influence is blatantly obvious throughout the movie. The fast-paced shots, the giant explosions, and of course Shredder’s Transformers-esque look show just how much influence he obviously had in this movie. The only positive to it all is April’s look. The use of a yellow jacket in place of a cheesy full body jumpsuit is the only fully acceptable update to the whole thing. Other than that one positive, one might as well just say that this was another Michael Bay film despite the fact that he was only a producer instead of director. And that considered along with all of the movie’s other negatives is the final nail in the movie’s coffin. One can only hope that whenever the already-in-the-works sequel debuts, it will make up for everything that this movie got wrong. Regardless, this reboot will remain among the worst new major motion pictures of 2014.

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Shout! Factory Announces Release Date For The Shadow Re-Issue

Courtesy: Shout! Factory/Universal Pictures

Courtesy: Shout! Factory/Universal Pictures

The Shadow is one of the most famed crime fighters of all time.  He is the original caped crusader.  His adventures amazed radio audiences long before Batman came along.  Sadly, after Batman and his fellow comic book superhero friends came along, The Shadow seemed to be pushed aside.  But in 1994, the world was re-introduced to The Shadow thanks to Universal Pictures.  Two decades after The Shadow was introduced to a new generation of audiences, he is bring introduced to yet another new generation of fans thanks to a partnership between Universal Pictures and Shout! Factory.

The Shadow (Collector’s Edition) will be released on Blu-ray Tuesday, February 25th.  The movie, starring Alec Baldwin (The Hunt for Red October, 30 Rock) in the starring role, tells the story of how The Shadow came to be.  It co-stars Penelope Ann Miller (The Artist, Awakenings, Kindergarten Cop), Peter Boyle (Young Frankenstein, The Santa Clause, Everybody Loves Raymond), Sir Ian McKellan (XMen, X2 XMen United, X3 The Last Stand), and many others.

More information on this and other upcoming releases from Shout! Factory is available online at and  To keep up with the latest sports and entertainment news and reviews, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at

Olympus Has Fallen Falls And Falls Hard

Courtesy:  Sony Pictures/Sony Pictures Home Entertainment

Courtesy: Sony Pictures/Sony Pictures Home Entertainment

Dumb.  Dumb.  Dumb.  There is no other word that so aptly describes Sony Pictures’ new action thriller Olympus Has Fallen.  There is little to nothing redeeming about this roughly two-hour turn-off-your-brain action flick.  From the moment this forgettable travesty starts, it is so rife with problems that it’s nearly impossible to know where exactly to start.  Perhaps the best place to start would be from the beginning.  So let’s begin from the beginning.  Gerard Butler’s moody Mike Banning is the all too stereotypical anti-hero who is haunted by the past and trying to make amends for something for which he blames himself.  Of course, when everyone else is killed by a Korean paramilitary group in a surprise attack, Banning is the only one that can come in and save the day.  Of course.  On top of that, he is having relationship issues with his girlfriend, too.  Sound familiar yet?  It should.  This just sounds like an updated take of the one true action classic, Die Hard.  The only difference is that instead of being set in Los Angeles, this one is set inside the White House with a few other minor changes.

The general lack of originality isn’t the only problem from which this movie suffers.  As noted, there is also a major issue with the story’s plot holes, which begin from early on.  How exactly a foreign paramilitary group managed to get their hands on fully armed and equipped C-130 Hercules is never explained at any one point in the story.  That’s just the beginning of the problems.  Writers Creighton Rothenberger and Katrin Benedikt never fully give any background on how the paramilitary group managed to infiltrate a group of South Korean diplomats, either.  The only background that’s given is on the group’s leader late in the story.  Here audiences get yet another massive plot hole.  It is at least revealed that he’s a South Korean who held a grudge against America for the death of his mother when he was a child.  But even that is a problem.  Yet again, audiences get another clichéd story element.  The leader of the bad guys is a madman out for revenge for something that happened when he was a child.  This has been done to death.  And now it’s been buried with its use here.  These are rather key issues that seriously hurt this story.  At least the pair took the time to explain the group’s motivations.  That’s about all that can be said in their defense, though.  That being the case, it only gets worse from there.  It gets worse thanks to the references to 9/11.

At the time that Olympus Has Fallen premiered, America was nearly twelve years removed from the tragedy of September 11th, 2001.  But for so many families across the country, that horrible day was still fresh in their minds.  That being the case, it could very easily be argued that having a giant, fully armed C-130 fly over the nation’s capital mowing down innocent civilians  was little more than a pair of writers capitalizing on a national tragedy.  And that is just abhorrent.  It’s one thing to have a group of bad guys taking on Americans and Americans winning.  But to touch on a nerve that is still so sensitive to this day is entirely thoughtless.  It’s not the end of the movie’s problems, either.

Olympus Has Fallen has so many problems that it drowns in them.  It only gets worse.  In their attempts to make up for all of the problems that plague this movie, Rothenberger and Benedikt have front loaded it with more than enough over the top explosions and blood shed to make any college frat boy scream with delight like a little schoolgirl.  It’s the finishing touch on a movie that hardly lives up to the standard set by much better action flicks that have come before.  All things considered, Olympus Has Fallen  has made itself one of the worst action flicks of 2013 and one of the worst movies of the year, too.

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Cloudy 2 Is A Rare Ray Of Light Among 2013’s Sea Of Sequels

Courtesy:  Sony Pictures Animation

Courtesy: Sony Pictures Animation

Everyone knows the old adage that a movie’s sequel is never as good as the original. Everyone also knows the old adage that one should never say never. That’s because there are exceptions to the rule. Sony Pictures’ Cloudy With A Chance of Meatballs 2 is one of those exceptions to the rule. While it might not have been a necessary sequel, it is still a fun movie for the whole family. The movie picks up right where its forerunner left off, even going so far as to highlight the events of that movie in the outset of this story. The writing team of Phil Lord, Chris Miller and Erica Rivinoja are to be applauded for this. It’s not all for which they are worthy of applause, either. The trio has crafted in this story that while predictable, also has its own share of heart and humor.  The mediations on friendship and environmentalism make the story even more entertaining.  For all the work put in by the script’s writing team, viewers can’t ignore the work put into bringing the “Lost World” style environment to life.  This element makes the movie even richer.  It is especially the case for those with an interest in computer graphics. When they take all of this into consideration, audiences of all ages will find that Cloudy With A Chance of Meatballs 2 is one of the surprisingly rare worthwhile sequels churned out by Hollywood’s major studios in 2013.

Cloudy With A Chance of Meatballs 2 seems on the surface to be an unnecessary and even unbelievable story. Much like its precursor, this movie has no link whatsoever to the book on which it was lifted. Rather, it is more akin to Jurassic Park than the book on which it is based. But once audiences allow themselves to get past this factor, they will find that it has real entertainment value.  The script picks up right where the previous movie left off. It even catches up audiences that have yet to have seen said movie.  This isn’t something that’s commonly seen among the masses of sequels that currently jam theaters.  To that extent, the story’s writers deserve a certain amount of credit.  They are also deserving of credit for the fact that despite their script being predictable, it also bears its own share of heart and humor.  The central message in this script is one of friendship and its importance.  Lord and company make the statement that friends are some of the most important people that anyone can have.  This couldn’t be truer.  Any parent will appreciate that this message was included in the script.

The message of friendship made for plenty of heart throughout the roughly ninety-five minute run time of Cloudy 2.  That heart is something that viewers of any age will appreciate.  It’s just part of the whole presentation, though.  There is just as much of a comic element to the movie as there is heart.  The comedy comes in the form of countless pop culture references and jokes.  Younger audiences won’t catch all of the jokes included in the script.  But parents definitely will.  And they will be surprised to find themselves laughing at those jokes.  One could go so far as to argue that the “Live” company and its founder are a spoof of Apple.  That argument could be made considering Apple’s reputation.  Set against the “Live” Company and its loyal legions, the similarities are too obvious to ignore.  Regardless of whether or not a given viewer is an Apple loyalist, any viewer that recognizes this similarity will appreciate the jab at the company.

The mix of heart and humor does so much to make Cloudy 2 fun for the entire family.  There is one more aspect of the movie that as subtle as it is, is just as important to note in its success.  That aspect is the movie’s Jurassic Park style world.  The world crafted by those behind the movie is absolutely stunning.  Yes, the movie as a whole is just another crafted via CG rather than by hand.  This critic will never dismiss that argument.  However, one can’t ignore the detail and depth given to Swallow Falls.  The world crafted for this movie is so lush and rich in color and style.  It actually stands out in its own way against so many other CG features.  This is exemplified by all of the jungle scenes and the inner workings of the Big Rock Candy Mountain.  Yes, Lord and his co-writers went there.  That’s just one of so many of the pop culture references that only parents will get and appreciate.  The colors and detail of the rock candy crystals and walls inside the mountain were so precise and bright.  The same can be said of the onion/brontosaurs type creatures.  It’s obvious in their case that their scenes were modeled precisely after the dinosaurs in Jurassic Park.  They moved and acted just like the dinosaurs in question.  There is so much more that could be noted.  But it would be a disservice to audiences to ramble on about all of it here.  Audiences will appreciate what they find when they check out this rare worthwhile sequel for themselves.  It is in theaters now.  More information on Cloudy 2 and other Sony Pictures releases is available online at,,,,!/sonyanimation, and

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Chihuahua Too A Fun, Family Friendly Film For Any Halloween Party Or Fall Festival

Courtesy:  Entertainment One

Courtesy: Entertainment One

Halloween is just around the corner once again.  That means that before we know it, lots and lots of little ghouls, ghosts, princesses and more will be making their yearly rounds around neighborhoods, malls, and even churches.  Some will also be heading to the associated Halloween parties with their friends and parents.  This means that parents are going to be looking for family friendly fare to share at said get-togethers.  Parents of young ladies would do well to start at the latest canine-centric small screen release, Chihuahua Too.  The sequel to the company’s 2011 movie, simply titled Chihuahua is not a sequel to that movie.  Nor is it a ripoff of Disney’s Buddy franchise.  Though, it can be agreed that it does capitalize on the aforementioned franchise.  EOne isn’t the first franchise to do this, either in its defense.  Keeping this in mind, Chihuahua Too ends up being a good family friendly movie for younger female audiences’ Halloween parties.

Chihuahua Too is the latest family friendly release from Engine 15 Media Group, the company responsible for other canine based movies such as the Bailey trilogy just to name one group of movies.  Chihuahua Too is different from those movies in that it has no link to the previous film in its franchise.  It is its very own stand-alone story.  Much like Engine 15’s other releases though, it maintains a positive message.  The message presented in Chihuahua Too is one of the importance of family.  The message is set up by having a young family that goes by the name of The Fasteners taking on a house once owned by its ancestors.  There’s just one catch.  The Fasteners aren’t alone in the house.  The house is haunted by the spirit of a dog once owned by the Fasteners’ ancestors.  The reason why the dog, named Sophie, is still in the house is revealed late in the story.  And it’s that reveal that plays up the message of family.

The message of family is the most important factor of Chihuahua Too.  It’s just part of what families and churches will appreciate about this piece for their Halloween parties and Fall Festival celebrations.  Engine 15 Media Group is most well-known for churning out movies that are entirely family friendly.  This is another positive to this latest release from Engine 15.  There is no questionable content whatsoever at any point in the story.  Sure, the acting could have been better.  But this isn’t a big budget production.  And Engine 15 isn’t a major studio.  So those audiences that would prefer to talk and write negative things concerning the acting and general production values need to keep this in mind and watch it again.  Perhaps in doing so, they will see the more intrinsic value of the feature, and appreciate it more.

The positive message about family and the family friendly content that make up Chihuahua Too are both important parts of the story’s overall presentation.  There is one factor in this movie that has a latent effect on audience.  Or rather, one would hope that it would have a latent effect.  The hoped for latent effect of the story presented here is of an appreciation for classic movies.  Some might consider this a stretch.  But today’s movie industry pales by comparison to the golden era of Hollywood.  Cohen Media Group, Sony Pictures, 20th Century Fox and others have proven in recent years (2013 included) that there is still very much a market for classic films.  Maybe in being exposed to faux silent films, young audiences will gain a new interest in classics such as Cleopatra or other classics.  Who knows, maybe it will even influence the parents of said children to become interested in the classics.  On a side note, Cleopatra has been re-issued on a 50th Anniversary Blu-ray set by 20th Century Fox.  It’s available now in stores and online.  Chihuahua Too is also available now in stores and online.  It can be ordered via Amazon at

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Top 10 Major Motion Pictures Of 2012

Top 10 Movies of 2012


Courtesy:  Sony Pictures Home Entertainment

Courtesy: Sony Pictures Home Entertainment

1.  The Artist:  While it originally made its debut overseas in 2011, it wasn’t until January 20th of this year that The Artist actually made its nationwide debut in theaters across the U.S.  Before then, only the lucky few at the big festivals got to see it.  That being the case, it should be considered a 2012 release.  So what makes it 2012’s best?  So much could be said.  At a time when so much of what Hollywood churns out is prequels, sequels, and remakes, this story—distributed by Sony Pictures—went the total opposite.  How simple and ingenious is it to make a silent film in a movie of major flash-bang-boom films?  Because the movie’s only sound is its music, viewers are forced to watch.  And the cast was force to really put on its best possible performance, rather than rely on everything else that most movies use to distract audiences from poor performances.  The music is quite enjoyable, too.  And of course, the general cinematography is just as impressive.  It all combines to make for a movie that any movie lover should see at least once.

Mirror Mirror BD2.  Mirror, Mirror:  Some of you might shake your heads at this pick.  But the reality is that this is really a fun and family friendly movie.  Both boys and girls will enjoy it as will parents.  While young Lily Collins (the daughter of superstar Phil Collins) is billed as the lead star here, it’s the dwarves who are really the story’s stars.  Their antics make for more than their share of laughs.  Though watching Prince Alcott (Armie Hammer—The Lone Ranger) put under the evil queen’s puppy love spell is pretty funny, too.  It’s obvious that this spoof of the classic fairy tale was aimed both at boys and girls.  With its mix of wit and charm, it will always be one of the best takes on the old Snow White story.

Courtesy:  Disney Studios

Courtesy: Disney Studios

3.  The Odd Life of Timothy Green:  This is another truly enjoyable family movie.  The general story is one to which any parent can relate and will enjoy because of that.  Though the concept of what happens with Timothy might be a little bit tough to discuss with younger viewers.  The beautiful backdrop adds even more warmth to the story.  And the cast’s acting makes suspension of disbelief so easy.  Sure it’s sappy, emotional, and all that jazz.  But that can be forgiven as it’s such an original and heartwarming story.       

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

4.  Skyfall:  This is where things begin to get a little bit touchy.  Skyfall is by far the best Bond flick to come along in a very long time.  That’s not to say that the previous two were bad.  But this one brought back memories of the old school James Bond that everybody knows.  It’s got the gadgets and the humor and none of the melodrama that weighed down the previous two Bond flicks.  The only downside to the movie is that it tends to drag in the final act.  Other than that, it is a nice return to form for the Bond franchise and gives hope for any future Bond films….that is at least if Christopher Nolan doesn’t get his hands on the franchise.

Courtesy:  Marvel Studios/Walt Disney Video

Courtesy: Marvel Studios/Walt Disney Video

5.  The Avengers:  The Avengers was a very nice way to cap off the build-up created by Marvel Studios with the recent bevy of comic book based movies.  It had great special effects.  Its story was simple and solid.  And the shooting was equally impressive.  Considering all the action going on, audiences weren’t left feeling dizzy to the point of wanting to walk out (or in the case of home release, just turn it off).  But like so many ensemble cast movies, it suffered from a common problem.  That problem was the movie’s run time.  Most of the characters in The Avengers had already been introduced through their own separate movies.  So there was no reason to re-introduce them all over again this time.  A lot of that extra time could have been spared.  Hopefully those involved have learned from that and will present viewers with a shorter movie in the second of the Avengers movies.

Courtesy:  Warner Brothers Home Video

Courtesy: Warner Brothers Home Video

6.  The Dark Knight Rises:  I am just as much a comic book fan as anyone else out there.  So it goes without saying that I was excited to see this movie.  It did a good job of wrapping up the trilogy.  The problem is that it did too much of a good job, as David Goyer and the Nolans tried too hard to cram everything into one movie.  Word is that this latest installment of the Batman franchise left many people checking their watches when it was in theaters.  It might have been better served to have been split up into at least one more movie because of everything added into the mix.  And having what seems to be a lack of commentary on the new home release, fans can only guess what the logic was in cramming so much into one story.  Much like The Avengers, the shooting and the special effects were great.  So it has that going for it.  But the writing was the story’s big problem.  Here’s to hoping that whoever takes over the Batman franchise next (whenever it’s re-launched) won’t make the same mistake as Christopher Nolan and company.

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

7.  Prometheus:  This semi-prequel to Ridley Scott’s hit Alien franchise was met with mixed reviews.  There seemed to be no gray area here.  Audiences either loved it or hated it.  Truth be told, it worked quite well as both a prequel and as its very own stand-alone movie.  Sure the special effects are different from those used in the original movies.  But times are different.  So viewers should take that into account.  And the shooting was just as impressive.  While it may not be as memorable as Scott’s previous works, at least audiences can agree that it’s better than the movies in the AvP franchise.

Courtesy:  Universal Pictures

Courtesy: Universal Pictures

8.  Les Miserables:  This latest reboot of Victor Hugo’s classic story of love and redemption in one of history’s darkest eras is not bad.  But it’s not great, either.  Audiences who know the stage play will thrill at how director Tom Hooper (The King’s Speech) and his staff of writers paid tribute to the stage play both in its writing and its shooting.  At the same time, Hooper tried so hard to pay tribute with his shooting style and the transitions that the whole movie felt dizzying to say the least.  The shooting and transitions felt like nothing more than a bunch of cuts from one shot to the next.  There was never a total sense of fluidity anywhere in the story.  It was almost as if despite staying true to the stage play, the script for this latest big screen adaptation was written by someone with ADHD.  Hugh Jackman and Anne Hathaway did a superior job with their performances.  But despite that, odds are that the movie will sadly be remembered more for its flawed shooting and transitions than for its award-worthy performances.  Nonetheless, it’s still a good movie for any fan of Les Miserables or for fans of musicals in general to see at least once.

Courtesy:  CBS Films/CBS Home Entertainment/UK Film Council/BBC Films/Lionsgate/Sony Pictures Home Entertainment

Courtesy: CBS Films/CBS Home Entertainment/UK Film Council/BBC Films/Lionsgate/Sony Pictures Home Entertainment

9.  Salmon Fishing in the YemenSalmon Fishing in the Yemen is without a doubt an original story.  It’s next to impossible to find anything like it out there or present.  But it suffers greatly from an identity crisis.  It doesn’t know whether it wants to be a drama, a romance, or a little bit of both.  It’s nice to see the simple message of something as simple as fishing being able to bring the world’s people together peacefully.  But it really seemed to let the romance factor get too much involved.  As a result, it got bogged down in itself.  Had it not had the romance subplot, it might have been better.

Courtesy:  Lionsgate

Courtesy: Lionsgate

10. Arbitrage:  It was once noted that three factors more than any other are the causes of crime.  Those factors are:  money, power, and sex.  Arbitrage has all three of these.  It’s an interesting movie.  And it definitely wastes no time noting the latter of the trio of factors, as it lets audiences know that Robert Miller (Richard Gere) is having an affair with another woman.  And also, Miller’s boss has a very firm talk with him early on letting him know that he knows about the financial inaccuracies that he’s causing.  It doesn’t take long to know where this story goes.  It’s something of a tried and true story.  Add in this critic’s pet peeve of movies, the “whisper scenes” and it makes for a movie that as good as it is it could have been better.  For those wondering, the “whisper scene” is exactly as it sounds (bad pun there).  The “whisper scene” is one in which actors essentially whisper throughout the scene against overpowering music to make the scene more emotional and powerful.  But put against the sudden transition to normal volume scenes (and above normal volume scenes), it becomes rather annoying as one has to constantly change the volume on one’s TV as a result of that.  It’ll be interesting to see if it gets the Golden Globe for which it was nominated.

There you have it folks.  That is my personalist of the year’s ten best major motion pictures.  You are more than welcome to share whether you agree or disagree and what your top 10 list would look like.  2013’s already shaping up to be an interesting year.  As the movies start to come out, I’ll have reviews of them, too.  To keep up with the latest entertainment reviews and news, go online to and “Like” it or its companion page,  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at

Sony’s MIB Franchise Returns To Form In Its Latest Release


Courtesy:  Sony Pictures Home Entertainment

Courtesy: Sony Pictures Home Entertainment

Sony Pictures’ Men in Black franchise has finally returned to form with the release of the third movie in its franchise.  Whereas the franchise’s second movie dropped flat with audiences, this second sequel has brought the movie’s fun and action back.  Given, the whole time travel/alternate timeline bit has been done far too many times in both movies and television.  And there are far too many sequels, prequels, and remakes out there today.  But this is one of those rare sequels that can be forgiven.  It has brought the MIB franchise back to where it should be.

MIB 3’s bonus “Making of” featurette does a good job of explaining what exactly it is that made this movie at least somewhat successful.  Director Barry Sonnenfeld explains that the movie isn’t so much about the time travel, but about the secrets of the relationship between Agents “Jay” and “Kay.”  Having an understanding of this helps to be more accepting of the time travel/alternate timeline bit that is otherwise far too overdone in the science fiction genre.  Audiences will find the relationship especially heartwarming in the story’s final moments in understanding this, too.  It’s those final moments that really bring the entire trilogy full circle and hopefully will mark the end of this movie property.

The story of the relationship between “Jay” and “Kay” makes up for the otherwise dull and done to death time travel plot.  It’s only part of what makes this movie bearable.  This movie gets everything right that the second movie in the trilogy got wrong.  Whereas the second of the MIB movies was simply not believable and focused far too much on melodrama, MIB 3 brings back all the aliens, gadgets, and action that made the first of the MIB franchise so fun.  Also, since it does everything that MIB did, it is also much easier to suspend disbelief.  That is the center of everything.  The gadgets, aliens, special effects and action were fun.  But it’s that believable storyline between “Jay” and “Kay” that makes MIB 3 what it is.  Instead of a standard romance subplot, this story evolves the partnership/relationship between “Jay” and “Kay” and this makes them as characters more believable.  By the story’s end, audiences who allow themselves to believe the relationship between “Jay” and “Kay” will see that while it may not be the most memorable of movies, it is still one that’s fun and funny for everyone.

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