Angeles’ Latest LP Will Appeal To A Very Targeted Audience

Courtesy: Courtesy: Dark Star Records/Sony/Universal

Veteran rock band Angeles returned this week with its latest album, Running Like An Outlaw.  Independently released Friday, the record is the band’s 14th and came less then two years after the release of the band’s then latest album, Hell on High Heels.  The eight-song record will appeal primarily to the band’s established audiences, as has already been proven by the album’s current singles, ‘Nothing But Love’ and ‘Witch Hunter.’  Each song will be discussed here.  When they are considered along with the likes of ‘She’s On Fire,’ the album’s closer, and with the rest of the album’s entries, the whole makes Running Like An Outlaw a record that Angeles’ most devoted audiences will find engaging and entertaining.

Running Like An Outlaw, the latest album from veteran rock band Angeles is a presentation that will find appeal among a very targeted audience.  That is evidenced through the album’s musical and lyrical content.  The record’s lead single, ‘Witch Hunter,’ is just one of the songs that serves to support the noted statement.  The musical arrangement featured in ‘Witch Hunter’ is a mostly driving composition. The combination of the vocals alongside bassist Cal Shelton’s performance, Dale Lytle’s work on guitar, and the time keeping gives the song a sound and stylistic approach that will appeal to any classic rock fan. The whole shows an interesting mix of influence from the likes of Judas Priest, Motley Crue, and Ozzy Osbourne. Yes, it sounds like quite the eccentric mix, but it works here.

No information was provided about the song’s lyrics. In listening to the song, listeners are left to infer that this song’s lyrics center on…well…a witch hunter. That would match up with lyrics of so much music from that era.

‘Nothing But Love’ shows how Angeles’ new album also through its musical arrangement.  The arrangement in this case is another upbeat, guitar-driven composition.  The combination of the vocals and the distinct vintage guitar rock approach and sound will take audiences back to that eera of big hair and even bigger riffs.  Influences from the likes of Motley Crue and Poison are evident throughout the four minute-plus composition. 

The lyrical content featured alongside the song’s musical arrangement is just as familiar as the musical content.  It focuses on the all too familiar topic of a broken relationship.  New front man Mason Oliver (who replaced Louis Collins) last year, makes that clear when he sings here about seeing that love interest everywhere he goes. He sings, “There’s nothing but love for you/No matter where I go…I still see you.”  Again, the theme here is clear. Whether intended or not, Oliver also makes references to songs from Metallica, and Marvin Gaye & Tammi Terrell in the lyrical content.  That makes for its own interest.  All these considered, the song’s lyrical and musical content collectively just one more example of what makes this album appealing for the band’s noted audiences.  ‘She’s On Fire,’ the album’s finale, is yet one more way in which the noted statement is supported.

‘She’s On Fire’ stands out musically because while the vintage rock sound is just as present as in any of the album’s other songs, the overall arrangement takes the band more in a Led Zeppelin direction.  Even the vocal delivery here is comparable to that of Robert Plant while the guitar riff sounds so much like that of Led Zeppelin’s ‘Black Dog Mountain’ at points.  Even the drums sound so rich, thanks to the production that went into the song.  The whole of the arrangement makes the song appealing in its own right.  The energy in the arrangement works well with the song’s lyrical content, which once again focuses on a woman.

In the case of this song, the woman in question is one over which the song’s subject is head over heels.  This is made clear as Oliver sings, “Hey, girl/I see the fire in your eyes/Hey, girl/So many times, you tried to hide.”  He goes on later to sing, “She’s on fire” amid everything else.  Again, the whole is a man declaring how crazy he is for said woman.  It’s another classic rock standard that is certain to appeal to the noted audiences and to fans of classic rock in general.  When the song in whole is considered along with the others examined here and with the album’s other songs, the whole of that content ensures that Angeles’ established audiences and casual vintage rock fans alike will enjoy this record.

Angeles’ new album, Running Like An Outlaw, is a presentation that will appeal to avert distinct range of listeners.  That is due to its combined musical and lyrical content (and its production).  The band’s established audiences will find the record appealing just as much as casual classic rock fans because of said content and production.  The songs examined here make that clear.  When they are considered along with the rest of the album’s entries, the whole makes the overall album worth hearing at least once.

Running Like An Outlaw is available now through Dark Star Records/Sony/Universal. More information on Angeles’ new album is available online along with all of the band’s latest news at:

Websitehttps://www.angelesband.com

Facebookhttps://www.facebook.com/TheAngelesBand

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles Announces New Album Details, New Lineup

Courtesy: Dark Star Records/Sony/Universal

Angeles will release its next album next year.

The band made the announcement through a news release distributed Friday. The document states the band is scheduled to release its next album, Running Like An Outlaw in March through Darkstar Records/Sony/Universal. Its exact release date is under consideration. Pre-orders are open now.

The album’s track listing is noted below.

“Running like an Outlaw“ tracklisting reads as follows:
1. All Night
2. Nothing But Love
3. Running Like An Outlaw
4. Creatures Of The Night
5. Lords Of Thunder
6. Witch Hunter
7. Magic Touch
8. She’s On Fire

In other news, Angeles has also announced a new lineup ahead of the album’s release. Mason Oliver has replaced Louis Collins on vocals. Collins handled vocals for the band on its most recent album, Hell on High Heels last year. The replacement makes Olver the band’s 12th vocalist.

Also new to the band is bassist Steven Stiers. Stiers replaces Cal Shelton who recorded ‘With Hunter’ with the band ahead of his recent departure from the band. Founding member Dale Lytle and current drummer Danny Basulto are still in the band’s current lineup. Basulto is the band’s sixth drummer while Stiers is the band’s seventh bassist behind Shelton.

In more news, Angeles is scheduled to perform live March 20 at the Whisky-A-Go-Go in support of its new album. The band performed most recently, Nov. 13 at Buffalo Rose in Colorado. The band released two videos from the performance. Audiences can check out the videos at the links below.

https://www.youtube.com/watch?v=02Peej2TGN0

https://www.youtube.com/watch?v=xKJhelyxxgU

More information on Angeles’ new album is available online along with all of the band’s latest news at:

Websitehttps://www.angelesband.com

Facebookhttps://www.facebook.com/TheAngelesBand

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Live In Maui’ Is An Essential Experience For Any Jimi Hendrix Fan

Courtesy: Sony/Legacy Recordings/Experience Hendrix, LLC

Sony/Legacy Recordings and Experience Hendrix, LLC released another important chapter to the story of Jimi Hendrix’s life and career Friday.  The “chapter” came in the form of the new live recording/documentary Live in Maui.  The brand new release is a presentation that every Hendrix aficionados.  The liner notes that accompany the hybrid recording forms the package’s foundation and will be discussed shortly.  After having read through the extensive liner notes in the set’s companion booklet, audiences will then remain engaged and entertained by the set’s two live performances by Hendrix and company, as well as the fiasco that was the Rainbow Bridge documentary.  The two elements together make the presentation in whole, and unforgettable story on what would sadly become the last chapter of Hendrix’s life.  The three-disc set’s packaging rounds out its most important elements and will also be discussed later.  When it is considered along with the collection’s primary and secondary content, the whole becomes a must have for any Jimi Hendrix fan.

On July 30, 1970, legendary guitarist Jimi Hendrix and his fellow musicians Mitch Mitchell and Billy Cox played what would be one of the group’s final performances together.  Only days after the intimate concert, Hendrix would die of a drug overdose.  Now thanks to Sony/Legacy Recordings and Experience Hendrix, LLC, audiences can experience the ill-fated concert any time they want on Blu-ray and CD in the form of Live in Maui.  Released Friday, the three-disc set is an important chapter in the story of Hendrix’s life and career in part because of the story behind the concert and the documentary that spawned the concert, Rainbow Bridge.  That story is told through liner notes featured in the recording’s companion booklet, which were crafted separately by journalists Jeff Slate and John McDermott.  Slate points out in his portion of the liner notes, a variety of interesting facts about the documentary that Hendrix was not initially on board for the documentary, which his manager Michael Jeffrey had bankrolled, in large part on Hendrix’s back.  It points out that in order to pay for the creation of Rainbow Bridge, Jeffrey had gotten a $1 million advance from Reprise Records – Hendrix’s label at the time – to pay for the creation of Rainbow Bridge, and that half of that amount was taken against potential future royalties from sales of the next album that Hendrix was working on at the time.  That is rather selfish of Jeffrey to have done that to Hendrix,  let alone trying to get Hendrix and his band mates on board for the documentary even though they already had a packed schedule.  This is just a part of what makes this set’s liner notes so important.  Slate’s revelation that few if any preparations were made for Hendrix and company ahead of their performance — a rickety stage, microphones that were unable to handle the sound impacts of high winds, and sound problems that are audible and visible in the final recording – shows how short-sighted Jeffrey was in his attempt at an art style production.  Viewers will note from Slate’s statements that the foam covering the mics was in fact from the band’s equipment cases, and was meant to muffle the sound of the strong winds that were blowing that day.  There are also issues with sound syncing throughout the performance, which Slate also addresses in his liner notes.  It reminds audiences that the production problems seen and heard in the concert are not the fault of anyone at Sony/Legacy Recordings and Experience Hendrix, LLC, but rather of those who were behind the creation of Rainbow Bridge and the associated two-set concert.

McDermott, in his notes, backs up Slate’s writing about the production problems that faced Hendrix and his band mates, but pointing out that the trio took the whole thing in stride, performing just as professionally as it would at any other concert.  Additionally, McDermott takes time to point out why the concert’s order was presented as was.  As a hint, that is also related to the production problems caused by those behind Rainbow Bridge’s creation and that of the concert.  Keeping in mind this, everything pointed out in Slate’s notes and even more not mentioned here, the liner notes featured with Live in Maui form a strong foundation for the recording’s presentation.  It is just one aspect of what make the recording so appealing.  The two sets that make up the recording’s featured concert build on that foundation, making for even more enjoyment and engagement.

The two sets that are featured in Live in Maui are important both for their content and their presentation.  As is noted in the recording’s liner notes, the set opens with what was then one of Hendrix’s newest songs, ‘Hey Baby (New Rising Sun).’  From there, the concert went into a series of fan favorites, such as ‘Hear My Train A-Comin’,’ ‘Foxey Lady’ and ‘Purple Haze’ before presenting another new song, ‘Spanish Castle Magic.’  That then new song is followed by another new tune, ‘Lover Man,’ which is itself followed by the first set’s closer, ‘Message to Love.’  In simple terms, Hendrix and company presented the audience with a well-balanced set featuring some familiar content and something new from beginning to end in this case.  The second set gives listeners a fair share of familiar songs, too, again, doing its own part to ensure audiences’ engagement and entertainment.  The two sets clearly entertained the audience who attended the event.  The intimate audience, who had originally taken part in the filming of Rainbow Bridge danced nonstop to the performance.

While the featured set lists do plenty to keep audiences engaged, it should also be noted that the editing used in the recording is impressive in its own right.  That is because, as noted in the liner notes, the whole concert was not recorded by cameras during the shoot for Rainbow Bridge.  There are plenty of points at which cameras apparently stopped rolling.  It is at those points at which the post production came into play.  That aspect was also discussed in the liner notes.  The painstaking efforts that were taken to assemble the concert’s audio in post paid off, as the transitions are seamless.  The result of those efforts is a full concert recording that even without full visual footage still proves so enjoyable.  To that end, the combination of the previously unreleased concert footage and audio proves just as enjoyable as the liner notes that accompany the concert and its associated documentary.  These two elements together just make up one part of what makes the recording so appealing.  The set’s packaging rounds out its most important elements.

The packaging used for Live in Maui is important to note through the placement of its three discs.  This set’s packaging is not the standard multi-disc presentation.  Rather than using a familiar gatefold style packaging for the 2CD/BD set, it opens more like a box, with the cover section opening downward, the another portion opening up, and the final two portions opening left and right.  The companion booklet is held in the middle of it all while the CDs and Blu-ray disc each sit in their own spot in the gatefolds.  It is an original packaging style to say the very least that also manages to protect each disc.  The only downside to the packaging style is that it can put undue stress on the package, leading to the potential of each “wing” tearing over time.  Even with that in mind, if a person is careful enough with the packaging, that wear should be minimal over time.  To that end, the packaging is more of an aesthetic element here, but is still important to note in its own right.  When it is considered along with the liner notes and the concert footage itself, the whole of the recording proves that much more engaging and entertaining.  All things considered, this rare live/documentary hybrid set proves to be a welcome addition to the library of any Jimi Hendrix fan.

Sony/Legacy Recordings and Experience Hendrix, LLC’s new Jimi Hendrix recording Live in Maui is an important chapter of Jimi Hendrix’s life and career that until now has been unreleased.  Now thanks to the companies, it is out there for fans to experience.  The liner notes that fill the companion booklet tell a rich story in this chapter.  They set the stage for the previously unreleased live recording featured in this set.  The packaging that is used to house the set’s two discs and one Blu-ray puts the finishing touch to the set with is aesthetic value.  And of course for those who want, the much maligned documentary Rainbow Bridge is also included on the Blu-ray.  Though knowing the story, it will make some not even want to watch the program.  Regardless, its inclusion in the set along with the concert footage and liner notes, makes the set in whole a must have for any Jimi Hendrix fan and any classic rock fan.  It is available now.

More information on Music, Money, MadnessLive in Maui and other Jimi Hendrix releases is available online at:

Websitehttp://www.jimihendrix.com

Facebookhttp://www.facebook.com/JimiHendrix

Twitterhttp://twitter.com/JimiHendrix

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Attraction 2’ Is A Movie That Action, Sci-Fi Fans Are Better Off Not Seeing, Knowing About

“There’s always an Arquillian Battle Cruiser, or a Corillian Death Ray, or an intergalactic plague that is about to wipe out all life on this miserable little planet, and the only way these people can get on with their happy lives is that they DO NOT KNOW ABOUT IT!”  Those were the words of “Kay (Tommy Lee Jones) in the 1997 blockbuster sci-fi flick Men in Black.  While Kay’s words were in the context of his conversation with Jay (Will Smith), it is a line that applies in the bigger picture of the science fiction film realm, including mpi/Sony/Columbia Pictures recently released flick Attraction 2: Invasion.  This movie is sadly one of those works that people would be better off not knowing about.  Released domestically July 21 on Blu-ray, the movie offers little for audiences to enjoy other than its special effects and maybe its story.  Those two elements are its only saving graces.  Its pacing meanwhile poses the biggest problem for its presentation.  It will be addressed here, too.  Each item noted here plays its own important part to the whole of this movie.  All things considered, they make Attraction 2: Invasion a movie that audiences really would be better off not seeing.

mpi/Sony/Columbia Pictures’ recently released sci-fi import Attraction 2: Invasion is a largely forgettable work that even sci-fi fans will find difficult to take in.  That is not to say it is a complete loss.  It does have at least one semi-positive in its story.  The story is relatively easy to follow as long as one pays full attention.  Yulya (Irina Starshenbaum) is caught in the middle of a conflict between her nation’s military and an aritificial intelligence from another world.  The military just wants to use her for her superhuman abilities, which she gained in the movie’s predecessor, while the AI wants her dead.  Though, it’s never fully explained why it wants her dead.  Caught up in the conflict is her alien boyfriend Artyom (Alexander Petrov).  His addition to the story is where things start to get a bit contrived.  The couple’s relationship, set against the conflict, lends itself to comparisons to the Twilight movie franchise, thus causing some problems in its own right.  As the story progresses, it is revealed that in order to beat the alien AI, the humans have to make do with analog and ditch their digital technology.  That is because that technology is what led to all the problems in the first place, as audiences will find out if they even take the time to watch this movie.  If that sounds familiar, it should.  It is a direct rip-off of the same story element from Independence Day.  This causes even more problems for the story.  Add in the confusion that is caused in the story’s conclusion and what audiences get is a story that on the surface is easy to understand, but is still rife with problems.  While the story that is featured in Attraction 2: Invasion something of a mixed bag presentation, the story’s pacing is nothing but problematic.

The pacing of Attraction 2: Invasion’s story is problematic in that it moves so slowly.  The first roughly hour-and-a-half of this story is just buildup that is accompanied by an ongoing chase scene and commentary about the dangers of digital media.  Considering everything we as Americans know about Russia’s clear interference in the 2016 election, it is somewhat ironic that this Russian import is sending such a message.  It is not until the third and final act that this two-hour, 13-minute movie finally picks up.  Even when it does, it still manages to drag on and build up to its conclusion.  Simply put, this movie, which clocks in at just over two hours, finds every opportunity to drag.  As a result, this concern and those raised by the story couple to make the movie that much less worth watching.  Of course, for all of the problems that this story poses, it does have at least one positive – its special effects.

The special effects that are featured in Attraction 2: Invasion are outstanding.  From the giant alien ship to Artyom’s “space cycle” vehicle thing, to the use of the cinematography in the chase scenes and so much more, the special effects rival anything featured in any of Hollywood’s biggest summer blockbusters.  The explosions are just as big and the use of something like giant video screens on buildings just as spectacular.  The final scene in which the giant AI ship starts sucking the water up and flooding the city’s center is just as immense and intense as any similar scene from so many Hollywood sci-fi flicks.  Simply put, this movie shines thanks to its special effects.  They are everything that action and sci-fi fans have come to expect from any blockbuster.  Sadly though, they are about all that this movie has to fully boast.  Sure, its story is simple to follow, but it is problematic in its own right, as is the story’s pacing.  All things considered, the movie really does prove agent Kay’s statement from Men in Black:  The only way these people can get on with their happy lives is that they DO NOT KNOW ABOUT IT!” 

Mpi/Sony/Columbia Pictures’ Russian sci-fi import Attraction 2: Invasion is a movie that action and sci-fi fans are better off not watching.  It does offer a story that is easy to follow.  The problem is that the story comes across at least in part as some kind of Twilight rip-off, considering the unnecessary romance subplot that puts our heroine and her love interest in the middle of a conflict between the two opposing sides.  What’s more, the plot element involving using analog tech in place of digital as a means to defeat the AI is itself a rip-off of a key element from another well-known sci-fi alien invasion blockbuster.  The story’s pacing causes watching this movie painful, even though it runs just over two hours.  The movie feels like it runs two-and-a-half hours instead of just over two hours because of the pacing.  The only real saving grace to this movie is its special effects, which rival those of any Hollywood blockbuster.  Each item noted here is important in its own way to the whole of this movie.  All things considered, the movie is a presentation that audiences will find better off unknown and unwatched.

More information on this and other titles from mpi media group is available online now at:

Websitehttp://www.mpimedia.com

Facebookhttp://www.facebook.com/mpimediagrp

Twitterhttp://twitter.com/MPIMediaGroup

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles Announces New Live Dates

Courtesy: Dark Star Records/Sony

Angeles is bringing its music to audiences in person.

The band announced a new series of live, in-person dates Monday.  The band’s new live schedule is set to start Aug. 21 in Anaheim, CA.  The concert, scheduled to take place at The Doll Hut, is an outdoor event, which will allow audiences to spread out while also enjoying the band’s live show.

Live dates are also scheduled in October and December as well as an outdoor live show April 18, 2021 at the famed Rainbow Bar & Grill.  The band’s current live schedule is noted below.

 

August 21st – CD Release Party @The Doll Hut in Anaheim – outdoor event
August 22nd – Mortisfest @King Bar, Lancaster CA – outdoor event
August 29th – @The Venue Denver Colorado
October 18th w/LOUDNESS @Whisky A Go Go
December 4th – w/LAST IN LINE @Whisky A Go Go
April 18th 2021 – Party In The Parking Lot @Rainbow Bar and Grill

 

Angeles’ new live dates are in support of the band’s latest album Hell on High Heels.  The band debuted the album’s latest single ‘Start Living’ late last month through Bravewords.  The record’s fourth single, its release was preceded by the release of the album’s other singles, ‘Celebrate,’ ‘Heal The Wounds‘ and ‘Rolling Like Thunder.’

Hell on High Heels is available now through Dark Star Records/Sony.  The album’s track listing and recording information is noted below.

‘Hell On High Heels’ tracklisting:
1. Hell On High Heels – Lytle/Collins – 4:43
2. Celebrate – Lytle/Collins – 3:37
3. Heal The Wounds – Lytle/Collins – 3:52
4. Apocalypse – Lytle/Collins – 4:24
5. Start Living – Lytle/Collins – 2:58
6. Rolling Like Thunder – Lytle/Collins – 3:56
7. Run – Lytle/Collins – 3:06
8. Holly Fenton – Merrit/James – 3:22

Music recorded at Clear Lake Recording Studios N. Hollywood CA – Ara Sarkisian.
Vocals recorded at MT Studios Burbank CA – Matt Thorne.
Produced by Dale Lytle and Matt Thorne
Mixed and mastered by Matt Thorne
Front cover by Jeffrey A. Swanson
Back cover by Connie Lytle
Graphic Design by Monarch Digital Design

More information on Angeles’ new album is available online along with all of the band’s latest news at:

 

 

Websitehttp://www.angelesband.com

Facebookhttp://www.facebook.com/TheAngelesBand

 

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles Debuts New LP’s Fourth Single, ‘Start Living’

Courtesy: Dark Star Records/Sony

Angeles unveiled another single from its latest album this week.

The band debuted its new single ‘Start Living‘ Thursday exclusively through Brave Words.  The song is the fourth album from the band’s new album Hell on High Heels.    Its debut comes three days after the band debuted the video for the album’s second single ‘Celebrate.’

The band debuted ‘Celebrate’ and the album’s third single ‘Heal The Wounds’ (along with that song’s video) last month.  Angeles debuted the video for the album’s lead single ‘Rolling Like Thunder‘ in April.

‘Start Living’ is another positive, uplifting (so to speak) work featured in Angeles’ latest album.  That is due in part to its musical arrangement, which is a work that is as energetic and upbeat as ‘Celebrate.’  Its sound and approach is also just as similar to works from Motley Crue and others as that song.  It should be noted that even with that stylistic similarity, the song still bears its own sound, so it is not just ripping off the works from those bands or even itself.  To that end, the song’s arrangement does its own part to keep listeners engaged and entertained in this case.  Its lyrical content builds on that engagement and entertainment.

The energy in the song’s musical arrangement matches its lyrical theme, which the band discussed in a prepared statement.

“Start living is about what everyone is going through the last 4 months with being locked downed and all you want to do is start living again do the things you did before go to concerts, movies, out to dinner, just have fun,” the statement reads.”

The noted message is delivered as front man Louis Collins sings in the song’s lead verse, “Thirty days in and I’m feeling down…Sick of the walls/I’m tired and bored/I wanna rock the world.But I’m stuck indoors/Let’s get moving/Start living all night long.”  He continues in the song’s second verse, “Look at my guitar/I play real loud/And take the shows to the biggest crowd/Party all night with the pretty girls…getting in the fights with the boys in the band…Patch things p with a whiskey shot/Do it again tomorrow/Ready or not/let’s get moving/Start living all night long.”   This alone makes for its own engagement and entertainment for audiences.  That is because the fans want to be out there just as much as the bands.  Keeping that collective mindset and the energy and sound in the song’s musical arrangement, it becomes increasingly clear why this song is another standout addition to Hell on High Heels.  It is certain to become an anthem in its own right as bands and audiences alike await the return of live music.  Together with the other songs noted here and the rest of its works, Hell on High Heels shows why it is a positive return for Angeles.

Hell on High Heels is available now through Dark Star Records/Sony.  The album’s track listing and recording information is noted below.

‘Hell On High Heels’ tracklisting:
1. Hell On High Heels – Lytle/Collins – 4:43
2. Celebrate – Lytle/Collins – 3:37
3. Heal The Wounds – Lytle/Collins – 3:52
4. Apocalypse – Lytle/Collins – 4:24
5. Start Living – Lytle/Collins – 2:58
6. Rolling Like Thunder – Lytle/Collins – 3:56
7. Run – Lytle/Collins – 3:06
8. Holly Fenton – Merrit/James – 3:22

Music recorded at Clear Lake Recording Studios N. Hollywood CA – Ara Sarkisian.
Vocals recorded at MT Studios Burbank CA – Matt Thorne.
Produced by Dale Lytle and Matt Thorne
Mixed and mastered by Matt Thorne
Front cover by Jeffrey A. Swanson
Back cover by Connie Lytle
Graphic Design by Monarch Digital Design

More information on Angeles’ new album is available online along with all of the band’s latest news at:

 

 

Websitehttp://www.angelesband.com

Facebookhttp://www.facebook.com/TheAngelesBand

 

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles Debuts ‘Celebrate’ Video

Courtesy: Dark Star Records/Sony

Rock band Angeles debuted its latest video over the weekend.

The band debuted the video for its single ‘Celebrate‘ Sunday.  The video’s debut comes approximately a month after the band debuted the song by itself.  The song is featured in the band’s latest album Hell on High Heels.

The video features the band in various scenarios, including in preparation for its live shows, communing together and separately, signing copies of its new album, in office settings and more.

The musical arrangement at the center of ‘Celebrate’ is an upbeat, positive work that lends itself to comparisons to works from the likes of Poison, Ratt, and Motley Crue.  The noted musical arrangement fits the song’s lyrical theme, which touts the joy of just being together with friends and family.  It is that full-on happy, upbeat party rock sound that was so popular during that age of big guitar riffs and even bigger hair.  The positive vibe exuded by the song’s musical arrangement does well to help convey the sense of joy that is exhibited through the song’s lyrical content.

Collins sings in the song’s lead verse, “Slip on my boots/And get my head on right/We’re going to a rock and roll show/meet up with the boys/And we’re heading to the club/We’re fired up and ready to go/Raise a glass tonight and let’s celebrate/It’s only midnight and it’s not too late.”  He continues in the song’s second verse, “The drinks are flowing/And the music’s pumping/We’re having a real good time/the pretty girls are dancing and they’re looking at me/Gonna make one of ‘em mine/Sweet little Susie’s coming home with me/And we’re gonna set the night on fire/We’re back to my place and we have some fun/burnin’ like a funeral pyre.”  From there, the story continues, telling about the morning after that night of celebration with friends and what followed.  Little Suzie stayed the night and left the next afternoon, not to give away too much.  From there, Collins sings about working hard all week and in turn, celebrating on the weekend.  It’s never revealed if the song’s subject saw little Susie again.  That is left to the listener’s imagination.  That aside, the overall…well..celebratory nature of this song musically and lyrically makes it a work that lives up to its name and will assuredly keep listeners engaged and entertained what with that throwback musical and lyrical style.

The video for ‘Celebrate’ is just one of the marks that Angeles noted over the weekend.  The band also debuted the video for its single ‘Heal The Wounds‘ last month.

The video treatment for ‘Heal The Wounds’ puts the band into what is meant to reflect a live setting.  The song’s musical arrangement is much like that of ‘Celebrate, reflecting the noted influences.  The song’s lyrical theme comes across as focusing on just getting over things that happened in the past.  It serves as a reminder to listeners that “time will heal the wounds,” as front man Louis Collins sings in the song’s chorus.

Much as is the case with ‘Celebrate,’ this song’s arrangement is another full-on throwback to the guitar-laden rock that made the 80s such a notable musical era.  While the stylistic approach is the same, the sound is anything but.  This song’s musical arrangement is more akin to Poison’s ‘Every Rose Has Its Thorn’ and some older works from Bon Jovi.  It starts off soft and simple before becoming much more bombastic yet still ballad-esque in the same stylistic vein of the noted older works.  That familiar stylistic approach will appeal to the already mentioned audiences just as much as the arrangement featured in ‘Celebrate.’  It goes well with the contemplative nature in the song’s lyrical theme, which serves as a reminder to listeners that “time will heal the wounds,” of a broken relationship, as front man Louis Collins sings in the song’s chorus.

Collins sings sings in the song’s lead verse, “I’m all out of things to say/Out of tears to cry/All out of thoughts…Can barely let out a sigh/the memories and time/All pas me by/See you on the street/Makes me wanna die/Time will heal the wounds/Time will kill the pain.”  He continues in the song’s second verse, “I’m all out of whisky/I’m down to my last cigarette/Trying to get it together/I haven’t figured it out just yet/Sleepless nights, they haunt me/I’m laying down in a cold sweat/It’s time for me to go/It’s time to raise my bet/’Cause time will heal the wounds/Time will kill the pain.”  Following this point, listeners are presented the story of the actual breakup and the subject’s emotional recovery from that breakup.  It would explain the much more uplifting sound that gradually develops through the remainder of the song.  Considering that the song’s subject reminds himself that time will heal the wounds and kill the pain, this is a key to continuing to make sure this song connects just as easily with listeners through its words as much as through its music.

Hell on High Heels is available now.  The album’s track listing and recording information is noted below.

 

Hell On High Heels tracklisting:
1. Hell On High Heels – Lytle/Collins – 4:43
2. Celebrate – Lytle/Collins – 3:37
3. Heal The Wounds – Lytle/Collins – 3:52
4. Apocalypse – Lytle/Collins – 4:24
5. Start Living – Lytle/Collins – 2:58
6. Rolling Like Thunder – Lytle/Collins – 3:56
7. Run – Lytle/Collins – 3:06
8. Holly Fenton – Merrit/James – 3:22

 

Music recorded at Clear Lake Recording Studios N. Hollywood CA – Ara Sarkisian.
Vocals recorded at MT Studios Burbank CA – Matt Thorne.
Produced by Dale Lytle and Matt Thorne
Mixed and mastered by Matt Thorne
Front cover by Jeffrey A. Swanson
Back cover by Connie Lytle
Graphic Design by Monarch Digital Design

 

More information on Angeles’ new album is available online along with all of the band’s latest news at:

 

Websitehttp://www.angelesband.com

Facebookhttp://www.facebook.com/TheAngelesBand

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles’ Latest LP Keeps The Flame Burning For Classic Rock Fans

Courtesy: Dark Star Records/Sony

When veteran rock band Angeles released its 12th full-length studio recording Fire It Up last year, it was the first time in more than 40 years that the band, founded by Dale Lytle, had released any new music to the masses.  Having been away from the limelight for such a long time, one would have thought the band would have had a hard time getting back into the swing of things, but as it turned out, the case was quite the opposite.  Now less than a year after its release, Angeles has returned with a new album in the form of Hell on High Heels and slightly changed lineup, — now former vocalist Gwendolyn Casella parted ways with the band following the album’s release and was subsequently replaced by new front man Louis Collins.  The eight-song record is scheduled for release Friday through Dark Star Records/Sony.  The new forthcoming 30-minute record continues the success that the band enjoyed in Fire It Up and builds on that success with its musical and lyrical content.  That is proven in part through one of the album’s latest singles, ‘Celebrate.’  It will be discussed shortly.  ‘Heal The Wounds,’ which is another of the album’s singles, is another way in which the album shows the band’s continued success on this record.  ‘Start Living’ is yet another example of what make Angeles’ new album another successful effort from the band.  Together with the other two songs noted here and the other five songs not noted here, the whole of Hell on High Heels proves to be another work that will certainly appeal to Angeles’ most devoted fan base as well as the most devoted 80s rock aficionados.

Angeles’ forthcoming album Hell on High Heels is a positive return for the band, especially having come less than a year after the band released the record’s predecessor Fire It Up.  Considering how little time has passed between these two records – unlike Fire It Up and its predecessor – one might think the album might feel rushed, and in turn messy.  However, the exact opposite is the case here.  That is proven in part through one of the album’s latest singles, ‘Celebrate.’  The musical arrangement at the center of ‘Celebrate’ is an upbeat, positive work that lends itself to comparisons to works from the likes of Poison, Ratt, and Motley Crue.  The noted musical arrangement fits the song’s lyrical theme, which touts the joy of just being together with friends and family.  It is that full-on happy, upbeat party rock sound that was so popular during that age of big guitar riffs and even bigger hair.  The positive vibe exuded by the song’s musical arrangement does well to help convey the sense of joy that is exhibited through the song’s lyrical content.

Collins sings in the song’s lead verse, “Slip on my boots/And get my head on right/We’re going to a rock and roll show/meet up with the boys/And we’re heading to the club/We’re fired up and ready to go/Raise a glass tonight and let’s celebrate/It’s only midnight and it’s not too late.”  He continues in the song’s second verse, “The drinks are flowing/And the music’s pumping/We’re having a real good time/the pretty girls are dancing and they’re looking at me/Gonna make one of ‘em mine/Sweet little Susie’s coming home with me/And we’re gonna set the night on fire/We’re back to my place and we have some fun/burnin’ like a funeral pyre.”  From there, the story continues, telling about the morning after that night of celebration with friends and what followed.  Little Suzie stayed the night and left the next afternoon, not to give away too much.  From there, Collins sings about working hard all week and in turn, celebrating on the weekend.  It’s never revealed if the song’s subject saw little Susie again.  That is left to the listener’s imagination.  That aside, the overall…well..celebratory nature of this song musically and lyrically makes it a work that lives up to its name and will assuredly keep listeners engaged and entertained what with that throwback musical and lyrical style.  It is just one of the songs that makes Hell on High Heels another positive offering from Angeles.  ‘Heal The Wounds’ is another way in which the album shows its strength.

Much as is the case with ‘Celebrate,’ this song’s arrangement is another full-on throwback to the guitar-laden rock that made the 80s such a notable musical era.  While the stylistic approach is the same, the sound is anything but.  This song’s musical arrangement is more akin to Poison’s ‘Every Rose Has Its Thorn’ and some older works from Bon Jovi.  It starts off soft and simple before becoming much more bombastic yet still ballad-esque in the same stylistic vein of the noted older works.  That familiar stylistic approach will appeal to the already mentioned audiences just as much as the arrangement featured in ‘Celebrate.’  It goes well with the contemplative nature in the song’s lyrical theme, which serves as a reminder to listeners that “time will heal the wounds,” of a broken relationship, as front man Louis Collins sings in the song’s chorus.

Collins sings sings in the song’s lead verse, “I’m all out of things to say/Out of tears to cry/All out of thoughts…Can barely let out a sigh/the memories and time/All pas me by/See you on the street/Makes me wanna die/Time will heal the wounds/Time will kill the pain.”  He continues in the song’s second verse, “I’m all out of whisky/I’m down to my last cigarette/Trying to get it together/I haven’t figured it out just yet/Sleepless nights, they haunt me/I’m laying down in a cold sweat/It’s time for me to go/It’s time to raise my bet/’Cause time will heal the wounds/Time will kill the pain.”  Following this point, listeners are presented the story of the actual breakup and the subject’s emotional recovery from that breakup.  It would explain the much more uplifting sound that gradually develops through the remainder of the song.  Considering that the song’s subject reminds himself that time will heal the wounds and kill the pain, this is a key to continuing to make sure this song connects just as easily with listeners through its words as much as through its music.  All things considered, the song is just one more way in which Hell on High Heels proves its strength in itself and within the bigger community of new 80s rock style releases put out so far this year.  ‘Start Living’ is yet another way in which the album holds its own alongside its counterparts.

‘Start Living’ is another positive, uplifting (so to speak) work featured in Angeles’ latest album.  That is due in part to its musical arrangement, which is a work that is as energetic and upbeat as ‘Celebrate.’  Its sound and approach is also just as similar to works from Motley Crue and others as that song.  It should be noted that even with that stylistic similarity, the song still bears its own sound, so it is not just ripping off the works from those bands or even itself.  To that end, the song’s arrangement does its own part to keep listeners engaged and entertained in this case.  Its lyrical content builds on that engagement and entertainment.

Much like ‘Celebrate’ is a full-on song that pays homage to being out with friends and just living the rock and roll life, so does this song in its own right.  Collins even sings in the song’s lead verse, “Thirty days in and I’m feeling down…Sick of the walls/I’m tired and bored/I wanna rock the world.But I’m stuck indoors/Let’s get moving/Start living all night long.”  He continues in the song’s second verse, “Look at my guitar/I play real loud/And take the shows to the biggest crowd/Party all night with the pretty girls…getting in the fights with the boys in the band…Patch things p with a whiskey shot/Do it again tomorrow/Ready or not/let’s get moving/Start living all night long.”  Now while some of the lyrics are indecipherable without a lyrics sheet to reference, enough is understood in this case that it is pretty obvious what is being addressed here.  There is a mention of fever making someone feel bad.  It could be interpreted that this has to do something with the impact of COVID-19, considering that the album was being recorded late last year and early this year as COVID-19 started to take over the world.  That mention of getting tired of looking at the walls strengthens that supposition even more.  It comes across as Collins talking about just wanting to get out and live, to get out and hit the road, which is what so many bands, acts and groups want to do, but sadly likely won’t get to do until at least next year.  It makes for its own engagement and entertainment for audiences.  That is because the fans want to be out there just as much as the bands.  Keeping that collective mindset and the energy and sound in the song’s musical arrangement, it becomes increasingly clear why this song is another standout addition to Hell on High Heels.  It is certain to become an anthem in its own right as bands and audiences alike await the return of live music.  Together with the other songs noted here and the rest of its works, Hell on High Heels shows why it is a positive return for Angeles.

Angeles has scored another win with its 13th full-length studio recording, Hell on High Heels.  That is due in no small part to its musical arrangements and lyrical themes, all of which are sure to engage and entertain audiences in their own way.  That is proven through three of the album’s eight songs addressed here.  When that trio of songs is addressed along with the rest of the album’s works, the album in whole proves, again, why it is another positive return for the band.  Hell on High Heels is scheduled for release Friday through Dark Star Records/Sony.

The album’s track listing and recording information is noted below.

‘Hell On High Heels’ tracklisting:
1. Hell On High Heels – Lytle/Collins – 4:43
2. Celebrate – Lytle/Collins – 3:37
3. Heal The Wounds – Lytle/Collins – 3:52
4. Apocalypse – Lytle/Collins – 4:24
5. Start Living – Lytle/Collins – 2:58
6. Rolling Like Thunder – Lytle/Collins – 3:56
7. Run – Lytle/Collins – 3:06
8. Holly Fenton – Merrit/James – 3:22

Music recorded at Clear Lake Recording Studios N. Hollywood CA – Ara Sarkisian.
Vocals recorded at MT Studios Burbank CA – Matt Thorne.
Produced by Dale Lytle and Matt Thorne
Mixed and mastered by Matt Thorne
Front cover by Jeffrey A. Swanson
Back cover by Connie Lytle
Graphic Design by Monarch Digital Design

More information on Angeles’ new album is available online along with all of the band’s latest news at:

 

Websitehttp://www.angelesband.com

Facebookhttp://www.facebook.com/TheAngelesBand

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Angeles Debuts Two More Singles From Its New LP; Offers More Pre-Order Options

Courtesy: Dark Star Records/Sony

Veteran rock band Angeles released two more new singles from its forthcoming album Friday.

The band debuted its new single ‘Celebrate‘ and the video for another single, ‘Heal the Wounds.’ The songs are the second and third singles respectively from the band’s forthcoming album Hell on High Wheels.  The band debuted the album’s lead single ‘Rolling Like Thunder‘ on April 20.

Hell on High Wheels is scheduled for release July 3 through Dark Star Records/Sony.  Pre-orders are open now for the album’s upcoming digital release through Apple MusicGoogle Play and Amazon.

The band announced Friday, a new special pre-order for fans.  Audiences can now pre-order the album through two new outlets.  U.S. audiences can now pre-order the album Dark World Entertainment while audiences abroad can pre-order through Dark Star Records.

The musical arrangement at the center of ‘Celebrate’ is an upbeat, positive work that lends itself to comparisons to works from the likes of Poison, Ratt, and Motley Crue.  The noted musical arrangement fits the song’s lyrical theme, which touts the joy of just being together with friends and family.

The video treatment for ‘Heal The Wounds’ puts the band into what is meant to reflect a live setting.  The song’s musical arrangement is much like that of ‘Celebrate, reflecting the noted influences.  The song’s lyrical theme comes across as focusing on just getting over things that happened in the past.  It serves as a reminder to listeners that “time will heal the wounds,” as front man Louis Collins sings in the song’s chorus.

Angeles unveiled the track listing for its new album last week.  Angeles debuted the title, cover art and release date for Hell on High Heels June 11.

Angeles is scheduled to open for Krokus Oct. 10 at the famed Whiskey A Go-GO in Los Angeles, LA for the last show of Krokus’ farewell tour.

More information on Angeles’ new album is available online along with all of the band’s latest news at:

 

Websitehttp://www.angelesband.com

Facebookhttp://www.facebook.com/TheAngelesBand

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and ‘Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sci-Fi Sequel Import ‘Attraction 2’ Coming To American Audiences Next Month

Courtesy: Dark Sky Films/Capelight Pictures/Columbia Pictures/Sony

The aliens are coming again.

Columbia Pictures and Sony are teaming with Dark Sky Studios and Capelight Pictures to bring the new sci-fi import sequel Attraction 2Invasion to American audiences.  Scheduled for release July 21 on digital/DVD/Blu-ray, the movie is the follow-up from the 2017 movie Attraction.

The story featured in this movie picks up two years after the events of its predecessor.  Julia (Irina Starshenbaum — LetoT-34Kesa) has become a person of great interest to the Ministry of Defense after the events of Attraction.  As study on Julia takes place, she discovers that she is developing seemingly superhuman powers.  As a result of this development, it turns out that the humans are not the only ones who are pursuing her.  Beings from another world are also looking for her, but not for the same reason as those who are studying her here on Earth.

The movie’s trailer is streaming here.

Attraction 2 premiered early this year in its home nation of Russia.  It is presented in its new domestic presentation with English dubbing and in Russian with optional English subtitles.

The movie’s run time is two hours, 13 minutes.

More information on this and other titles from Dark Sky Films is available at:

 

Website: http://www.darkskyfilms.com

Facebook: http://www.facebook.com/DarkSkyFilms

Twitter: http://twitter.com/darkskyfilims

 

More information on this and other titles from Capelight Pictures is available at:

 

Website: http://www.capelight.de

Facebook: http://www.facebook.com/capelightpictures

Twitter: http://twitter.com/cplght

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.