Soulfly Announces New Album Details; Debuts Albums’ Lead Single, Lyric Video

Courtesy: Nuclear Blast Records

Soulfly will release its new album this summer.

The band announced Thursday, it is scheduled to release its latest album, Totem, Aug. 5 through Nuclear Blast Records. The record will be the band’s 12th album, and will come more than three years after the release of the band’s then latest album, Ritual. Audiences who pre-save Totem will have a chance to win a prize package that includes the new album, as well as t-shirt, Soulfly towel, socks, and bandana.

In anticipation of the album’s release, the band premiered its new single, ‘Superstition‘ Thursday, along with its lyric video. The song’s musical arrangement is everything that audiences have come to expect from Soulfly. The familiar thrash leanings from founder/front man Max Cavalera’s days in Sepultura add even more of a welcome touch to the arrangement.

No information was provided about the song’s lyrical theme in the press release announcing the pending release of the new album and the premiere of the single and video. While no information was provided, it can be at least somewhat inferred that maybe this song is a commentary about the damage that the belief systems incorporated into our belief systems. That is just this critic’s interpretation.

The lyric video features the song’s lyrics placed over imagery, such as a Native American chief on horseback, cave paintings, and a totem pole. The visualization seems to play even more into the implications of the lyrics.

Totem will release on a variety of platforms, all of which are noted below along with the album’s track listing.

Totem will be available in the following formats:

  • CD Jewelcase
  • Blue Cassette (Limited to 300)
  • Long Box 
    • CD Jewelcase
    • Sticker
    • Pin
  • Vinyl
    • Black
    • Gold
  • Bundle
    • Album Shirt
    • CD Jewelcase

Below is the Totem tracklisting:

  1. Superstition
  2. Scouring The Vile
  3. Filth Upon Filth
  4. Rot In Pain
  5. The Damage Done
  6. Totem
  7. Ancestors
  8. Ecstasy Of Gold
  9. Soulfly XII
  10. Spirit Animal

More information on Soulfly’s tour schedule is available online, along with all of the band’s latest news and more at:

Websitehttp://www.soulfly.com

Facebookhttp://www.facebook.com/soulflyofficial

Twitterhttp://twitter.com/TheSoulflyTribe

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Violent Inzident’s New LP Is A Surprisingly Entertaining Musical Satire Presentation

Courtesy: TAG Publicity

Satirist “Weird” Al Yankovic has, for ages, been known as the king of comedy in the music community. His spoofs of songs from the likes of Coolio, Michael Jackson, and even Nirvana (as well as Miley Cyrus and others) have made him a household name among audiences across the musical universe. After so many years leading the way in the musical comedy ranks, Yankovic may well have some competition, at least in the metal community from the up-and-coming band, The Violent Inzident. The sextet’s new album, This Is Nu Metal!, which was released April 1, makes that clear. The 11-song record is the lighthearted shot in the arm that the metal community has needed for years thanks to its musical and lyrical content alike. Each item will be discussed in its own right here. Just as notable is the record’s production, which will also be discussed later. Each item noted is important in its own right to the whole of the record’s presentation. All things considered, they make This Is Nu Metal! a successful record that while it will ultimately be dated in the long run, is still entertaining from beginning to end.

This Is Nu Metal!, the new album from up-and-coming satirical rock band The Violent Inzident, is a welcome offering that reminds the metal masses that reminds hard rock and metal masses that it is possible to be musically heavy without always being emotionally heavy. The record’s musical arrangements make that clear. From one song to the next, the record’s musical arrangements pay homage to the nu-metal sounds that have been so popular since the late 1990s. Those songs include works from the likes of Disturbed, Powerman 5000, Slipknot, Soulfly, Sepultura, Korn, and even System of a Down. The band even pokes fun at Limp Bizkit, showing that no one is off limits to this band, at least in terms of musical content. The arrangements spoof the noted bands’ songs while still making the arrangements their own along the way, making for even more enjoyment. Simply put, the musical content featured in this record more than makes for its own share of engagement and entertainment. The lyrical content that accompanies the record’s musical arrangements adds even more to that engagement and entertainment.

The lyrical content is so important to the record because it spoofs the bands and their songs just as much. It also pokes fun at society. Case in point is the band’s single, ‘Triggered (The Snowflake Anthem).’ This song is a fully tongue-in-cheek stab at how overly PC society has become in the 21st century. On another note, the band goes right after Limp Bizkit in ‘The Violent Inzident, even mentioning the year 1999, which is really when Limp Bizkit broke out. The band even goes so far as to poke fun at the nonsense lyrics that Limp Bizkit has come up with for its songs here. As if all of this is not enough, The Violent Inzident even takes a direct stab at Slipknot/Stone Sour front man Corey Taylor in ‘D.a.R.E. to Keep Kids on Drugs’ as the question is asked whether people actually give any credit to anything he says. the song in this case pokes fun at all of the songs that glorify drug use and people who abuse them and try to get off of them. It’s really a social commentary in itself, but done in such a satirical fashion. Between that content, the other content examined here and the rest of the record’s lyrical themes, the whole makes clear just how important the album’s lyrical content is to this presentation. That content, together with the album’s musical content, makes this record overall such a surprisingly enjoyable presentation. It is just part of what makes the record worth hearing, too. The album’s production rounds out its most important elements.

The production that went into the creation of This Is Nu Metal! is important because of its role in the album’s general effect. From one song to the next, the album’s production ensures that the heaviness of the nu-metal compositions is fully on display. The down-tuned, crunching guitars, the rough vocals, the thick bass lines and drums are all there. Each gets its own attention in each varying nu-metal composition, too. The end result of the production is that each arrangement proves itself just as worth listening as the others. Even the vocals are clear in each song, getting just as much attention in the production as the instrumentations. Taking into account the impact of the record’s production alongside the impact of the overall content, the whole makes This Is Nu Metal! a surprisingly entertaining presentation that nu-metal fans and metal fans alike will find entertaining.

This Is Nu Metal!, the new album from The Violent Inzident, is a surprisingly engaging and entertaining presentation. That is due equally to its musical and lyrical content. The record’s musical and lyrical content each playfully poke fun at some of the biggest names in the nu-metal movement, from Korn, to Disturbed, to Powerman 500, to Slipknot and others, the content overall takes a satirical approach, making for plenty of laughs. The lyrical content does not just stick to poking fun at said bands, either. It also takes on societal issue, making for even more enjoyment. The record’s production adds its own enjoyment to the mix. That is because of its impact on the album’s general effect. It is just as worthy of praise as the album’s content. Each item noted is important in its own way to the whole of the album’s presentation. All things considered, they make the album well worth hearing at least once.

This Is Nu Metal! is available now. More information on The Violent Inzident’s new album and tour is available along with all of the band’s latest news at:

Facebookhttps://www.facebook.com/theviolentinzident

Twitterhttps://twitter.com/ViolentInzident

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

BMG Announces Details For Soulfly Box Set

Courtesy: BMG

BMG is going to re-issue four of Soulfly’s albums this summer.

The company is scheduled to release the new box set, The Song Remains Insane June 17 on CD and vinyl. The collection culls the band’s first four albums — Soulfly, Primitive, 3, and Prophecy — into one collection. All four albums will be presented in their standard release editions and will be complimented with an extra disc of bonus tracks, previously released on various pressings of those albums.

Many of the bonus tracks featured in the extra disc are actually featured in the expanded edition of the band’s debut self-titled album, which was released in 1998. Those tracks are ‘Cagnaceiro,’ ‘Ain’t No Feeble Bastard,’ ‘The Possibility of Life’s Destruction,’ ‘Tribe (Tribal Terrorism Mix),’ ;Quilombo (Zumbi Dub Mix),’ and ‘Umbabarauma (World Cup Mix)’. The disc also features bonus tracks from Primitive in the form of ‘Terrorist (Total Destruction Mix)’ and ‘Soulfire.’

Pulled from the Japanese release of 3 is the band’s cover of Pailhead’s ‘I Will Refuse.’ Speaking of covers, the band’s cover of Black Sabbath’s ‘Under The Sun,’ which was featured in a special digipack release of 3 is also included in the bonus disc. The lone previously unreleased track is ‘Berimbau Jam.’

The collection’s full track listing is noted below.

SOULFLY
Eye For An Eye
No Hope = No Fear
Bleed
Tribe
Bumba
First Commandment
Bumbklaatt
Soulfly
Umbabarauma
Quilombo
Fire
The Song Remains Insane
No
Prejudice
Karmageddon
 
PRIMITIVE
Back To The Primitive
Pain
Bring It
Jumpdafuckup
Mulambo
Son Song
Boom
Terrorist
The Prophet
Soulfly II
In Memory Of…
Flyhigh

3
Downstroy
Seek ‘N’ Strike
Enterfaith
One
L.O.T.M.
Brasil
Tree Of Pain
One Nation
9-11-01
Call To Arms
Four Elements
Soulfly III
Sangue De Bairro
Zumbi
 
 
PROPHECY
Prophecy
Living Sacrifice
Execution Style
Defeat U
Mars
I Believe
Moses
Born Again Anarchist
Porrada
In The Meantime
Soulfly IV
Wings

 Soulfire
Cangaceiro
Ain’t No Feeble Bastard
Possibility Of Life’s Destruction
Chaos
Soulfire
I Will Refuse
Under The Sun
Tribe (Tribal Terrorism Mix)
Quilombo (Zumbi Dub Mix)
Umbabarauma (World Cup Mix)
Terrorist (Total Destruction Mix)
Berimbau Jam

In other Soulfly news, the band announced in January, that Fear Factory founding member and guitarist Dino Cazares had been tapped to join the band on the road for its winter/spring 2022 tour. The tour launched Feb. 7 in Las Vegas, NV and ran through March 19 in Gallup, NM.

Soulfly front man and founder Max Cavalera and his brother Iggor (who together also founded Sepultura) are now mapping out their tour performing two classic Sepultura albums, Beneath The Remains and Arise. The schedule for that tour is noted below.

TOUR DATES:

May 22 – Sun – Sunshine Theater – Albuquerque, NM

Link: https://holdmyticket.com/event/389143

May 23 – Mon – Jake’s – Lubbock, TX

Link: https://www.stubwire.com/event/maxiggorcavalera/jakessportscafeandbackroom/lubbock/26070/

May 24 – Tue – Amplified Live – Dallas, TX

Link: https://wl.seetickets.us/event/Max-and-Iggor-Cavalera/471477?afflky=AmplifiedLive

May 25 – Wed – The Hall – Little Rock, AR

May 26 – Thu – Brooklyn Bowl – Nashville, TN

Link: https://www.ticketweb.com/event/max-iggor-cavalera-return-brooklyn-bowl-nashville-tickets/11877385?pl=bbowlnash

May 27 – Fri – The Loud – Huntington, WV

Link: https://www.etix.com/ticket/p/4175255/max-iggor-cavalera-returnbeneath-arise-huntington-the-loud

May 28 – Sat – Maryland DeathFest – Baltimore, MD

May 31 – Tue – Gramercy Theatre – New York, NY

Link: https://www.ticketmaster.com/event/00005C63F2557582

Jun 1 – Wed – Toad’s Place – New Haven, CT

Link: https://www.etix.com/ticket/p/3819443/max-iggor-cavalera-returnbeneath-arise–new-haven-toads-place-of-new-haven

Jun 2 – Thu – XL Live – Harrisburg, PA

Link: https://www.ticketmaster.com/event/02005C630C308AE3 

Jun 3 – Fri – King of Clubs – Columbus, OH

Link: https://wl.seetickets.us/event/Max-and-Iggor-Cavalera/471469?afflky=TheKingofClubs 

Jun 4 – Sat – The Forge – Joliet, IL

Link: https://www.ticketweb.com/event/max-and-iggor-cavalera-return-the-forge-tickets/11874985

Jun 5 – Sun – Piere’s Event Center – Ft. Wayne, IN

Link: https://www.etix.com/ticket/p/4181683/max-iggor-cavalera-fort-wayne-pieres-entertainment-center

Jun 6 – Mon – The Vogue – Indianapolis, IN

Link: https://thevogue.com/events/max-iggor-cavalera-june-6-2022/

Jun 7 – Tue – Delmar Hall – St. Louis, MO

Link: https://www.ticketmaster.com/event/06005C66E21494AE

Jun 8 – Wed – Royal Grove – Lincoln, NE

Link: https://www.eventbrite.com/e/max-iggor-cavalera-tickets-290924321477

Jun 10 – Fri – Oriental Theater – Denver, CO

Link: https://holdmyticket.com/event/390934

Jun 11 – Sat – Metro Music Hall – Salt Lake City, UT

Link: https://www.24tix.com/event/932738126

Jun 13 – Mon – Elks Temple Spanish Ballroom – Tacoma, WA

Link: https://www.etix.com/ticket/p/2822299/max-iggor-cavalera-returnbeneath-ariseall-ages-tacoma-mcmenamins-spanish-ballroom-elks-temple

Jun 14 – Tue – Hawthorne Theater – Portland, OR

Link: https://www.etix.com/ticket/p/5046050/maxx-iggor-cavalera-returnbeneath-arise-portland-hawthorne-theatre

Jun 16 – Thu – Great American Music Hall – San Francisco, CA

Link: https://wl.seetickets.us/event/MAX-andIGGORCAVALERA/471196?afflky=GreatAmericanMusicHall

Jun 17 – Fri – Great American Music Hall – San Francisco, CA

Link: https://wl.seetickets.us/event/MAX-andIGGORCAVALERA/471206?afflky=GreatAmericanMusicHall

Jun 18 – Sat – The Belasco – Los Angeles, CA

Link: https://www.ticketmaster.com/event/09005C64CB6868FB

Jun 21 – Tue – Come And Take It Live – Austin, TX

Link: https://www.eventbrite.com/e/max-and-igorr-cavalera-return-beneath-arise-tickets-291566442077

Jun 22 – Wed – Scout Bar – Houston, TX

Link: https://www.eventbrite.com/e/max-iggor-cavalera-return-beneath-arise-tickets-291064580997

Jun 23 – Thu – The Rock Box – San Antonio, TX

Jun 24 – Fri – Rockhouse Outside – El Paso, TX

Link: https://www.eventbrite.com/e/max-iggor-cavalera-tickets-291102233617

Jun 25 – Sat – The Marquee – Tempe, AZ

Link: https://www.ticketweb.com/event/max-iggor-cavalera-marquee-theatre-tickets/11877005?pl=themarquee

More information on BMG’s new Soulfly box set is available along with all of the band’s latest news at:

Websitehttps://www.soulfly.com

Facebookhttps://www.facebook.com/SoulflyOfficial

Twitterhttps://twitter.com/TheSoulflyTribe

More information on the Cavalera brothers’ upcoming tour is available online at https://returnbeneatharise.com.

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Cavalera Brothers Add New Musicians To Touring Band For “Return Beneath Arise” Tour

Courtesy: Adrenaline PR

Max and Iggor Cavalera have added two musicians to the touring band for their new tour.

The brothers announced Tuesday, they have added Dan Gonzalez (Possessed, Gruesome) and Mike Leon (Soulfly) to the touring lineup. Iggor spoke highly of the new additions to the touring lineup.

“We can only count with the illest players to step on stage with me and Max to play Beneath/Arise,” Iggor said. “So getting Dan Gonzalez from Possessed/Gruesome and Mike Leon from Soulfly was an amazing choice!… Can’t wait to hit the road!”

Leon shared Iggor’s enthusiasm.

“I am super excited to be a part of the revival of these classic albums with the brothers that created them, it is a great honor!,” he said. “These shows are gonna CRUSH, and I’m sure that we are gonna deliver these songs better than they have ever been played before to everyone who joins us! See you on the road!”

Gonzalez also shared positive thoughts about joining the group on the road.

“It would be an understatement to say that I am incredibly stoked and honored to be able to play with Max and Iggor, and the fact that we’ll be playing material from Beneath The Remains and Arise is beyond surreal to me since I grew up worshiping those albums,” Gonzalez said. “Max and Iggor helped change the standards of extreme Metal and those albums are still living proof of that. It’s insane to me as a fan and as a musician to be able to play these songs live, and I can’t wait to do them justice!!!”

Max and Iggor Cavalera announced their new tour last month. The “Max & Iggor Return Beneath Arise Tour” is scheduled to launch May 22 in Albuquerque, NM and to run through June 25 in Tempe, AZ. The tour will see the brothers performing Sepultura’s classic albums, Beneath The Remains (1989) and Arise (1991).

The tour’s schedule is noted below complete with links to tickets.

TOUR DATES:

May 22 – Sun – Sunshine Theater – Albuquerque, NM

Link: https://holdmyticket.com/event/389143

May 23 – Mon – Jake’s – Lubbock, TX

Link: https://www.stubwire.com/event/maxiggorcavalera/jakessportscafeandbackroom/lubbock/26070/

May 24 – Tue – Amplified Live – Dallas, TX

Link: https://wl.seetickets.us/event/Max-and-Iggor-Cavalera/471477?afflky=AmplifiedLive

May 25 – Wed – The Hall – Little Rock, AR

May 26 – Thu – Brooklyn Bowl – Nashville, TN

Link: https://www.ticketweb.com/event/max-iggor-cavalera-return-brooklyn-bowl-nashville-tickets/11877385?pl=bbowlnash

May 27 – Fri – The Loud – Huntington, WV

Link: https://www.etix.com/ticket/p/4175255/max-iggor-cavalera-returnbeneath-arise-huntington-the-loud

May 28 – Sat – Maryland DeathFest – Baltimore, MD

May 31 – Tue – Gramercy Theatre – New York, NY

Link: https://www.ticketmaster.com/event/00005C63F2557582

Jun 1 – Wed – Toad’s Place – New Haven, CT

Link: https://www.etix.com/ticket/p/3819443/max-iggor-cavalera-returnbeneath-arise–new-haven-toads-place-of-new-haven

Jun 2 – Thu – XL Live – Harrisburg, PA

Link: https://www.ticketmaster.com/event/02005C630C308AE3 

Jun 3 – Fri – King of Clubs – Columbus, OH

Link: https://wl.seetickets.us/event/Max-and-Iggor-Cavalera/471469?afflky=TheKingofClubs 

Jun 4 – Sat – The Forge – Joliet, IL

Link: https://www.ticketweb.com/event/max-and-iggor-cavalera-return-the-forge-tickets/11874985

Jun 5 – Sun – Piere’s Event Center – Ft. Wayne, IN

Link: https://www.etix.com/ticket/p/4181683/max-iggor-cavalera-fort-wayne-pieres-entertainment-center

Jun 6 – Mon – The Vogue – Indianapolis, IN

Link: https://thevogue.com/events/max-iggor-cavalera-june-6-2022/

Jun 7 – Tue – Delmar Hall – St. Louis, MO

Link: https://www.ticketmaster.com/event/06005C66E21494AE

Jun 8 – Wed – Royal Grove – Lincoln, NE

Link: https://www.eventbrite.com/e/max-iggor-cavalera-tickets-290924321477

Jun 10 – Fri – Oriental Theater – Denver, CO

Link: https://holdmyticket.com/event/390934

Jun 11 – Sat – Metro Music Hall – Salt Lake City, UT

Link: https://www.24tix.com/event/932738126

Jun 13 – Mon – Elks Temple Spanish Ballroom – Tacoma, WA

Link: https://www.etix.com/ticket/p/2822299/max-iggor-cavalera-returnbeneath-ariseall-ages-tacoma-mcmenamins-spanish-ballroom-elks-temple

Jun 14 – Tue – Hawthorne Theater – Portland, OR

Link: https://www.etix.com/ticket/p/5046050/maxx-iggor-cavalera-returnbeneath-arise-portland-hawthorne-theatre

Jun 16 – Thu – Great American Music Hall – San Francisco, CA

Link: https://wl.seetickets.us/event/MAX-andIGGORCAVALERA/471196?afflky=GreatAmericanMusicHall

Jun 17 – Fri – Great American Music Hall – San Francisco, CA

Link: https://wl.seetickets.us/event/MAX-andIGGORCAVALERA/471206?afflky=GreatAmericanMusicHall

Jun 18 – Sat – The Belasco – Los Angeles, CA

Link: https://www.ticketmaster.com/event/09005C64CB6868FB

Jun 21 – Tue – Come And Take It Live – Austin, TX

Link: https://www.eventbrite.com/e/max-and-igorr-cavalera-return-beneath-arise-tickets-291566442077

Jun 22 – Wed – Scout Bar – Houston, TX

Link: https://www.eventbrite.com/e/max-iggor-cavalera-return-beneath-arise-tickets-291064580997

Jun 23 – Thu – The Rock Box – San Antonio, TX

Jun 24 – Fri – Rockhouse Outside – El Paso, TX

Link: https://www.eventbrite.com/e/max-iggor-cavalera-tickets-291102233617

Jun 25 – Sat – The Marquee – Tempe, AZ

Link: https://www.ticketweb.com/event/max-iggor-cavalera-marquee-theatre-tickets/11877005?pl=themarquee

More information on the Cavalera brothers’ upcoming tour is available online at https://returnbeneatharise.com.

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Violent Inzident To Release New Album Friday; Supporting Tour Planned

Courtesy: TAG Publicity

Independent rock band The Violent Inzident is scheduled to release its new album, This Is Nu-Metal! Friday.

The band is scheduled to launch a new European tour in support of the record May 25. In anticipation of the record’s release Friday, the band has released three singles from the presentation. They come in the form of ‘Brazil Is Great,’ ‘Triggered! (The Snowflake Anthem)‘ and ‘Nu-Metal!’

The band clearly goes into each of its singles with tongue planted firmly in cheek as the songs playfully poke fun at the likes of Powerman 5000, Limp Bizkit, System Of A Down, Slipknot, and even Soulfly and Sepultura. At the same time, one of the songs even takes a playful jab at the thrash and black metal communities in its arrangement and video while another even pokes fun at the current state of the world, what with its overly offended ranks and another goes after the very culture of nu-metal.

More information on The Violent Inzident’s new album and tour is available along with all of the band’s latest news at:

Facebook: https://www.facebook.com/theviolentinzident

Twitter: https://twitter.com/ViolentInzident

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dino Cazares To Join Soulfly For Upcoming Tour

Courtesy: Nuclear Blast Road

When Soulfly hits the road for its latest tour next month, Dino Cazares will once again join the band.

Cazares, guitarist and founding member of Fear Factory was announced as a guest member of the lineup Monday. This will mark the second time since August 2021 that Cazares has joined the band’s touring lineup. Cazares replaced Marc Rizzo for that tour, which ran from Aug. 20-Sept. 24.

Soulfly’s upcoming tour is scheduled to launch Feb. 7 in Las Vegas, NV and to run through March 19 in Gallup, NM. It features performances in cities, such as Memphis, TN; Lombard, IL and Eugene, OR.

The tour’s schedule is noted below. Tickets are available here.

Confirmed dates for SOULFLY‘s  U.S. tour are:
2/07/2022 Las Vegas, NV – Rockstar Bar*
2/08/2022 Palmdale, CA – Transplants*
2/09/2022 Oxnard, CA – Oxnard PAC*
2/10/2022 Fresno, CA – Strummer’s*
2/11/2022 Santa Cruz, CA – Atrium
2/12/2022 Reno, NV. – Virginia Street Brewhouse*
2/14/2022 Berkeley, CA – Cornerstone*
2/15/2022 Roseville, CA – Goldfield Trading Post*
2/16/2022 Eugene, OR – WOW Hall*
2/17/2022 Portland, OR – BossaNova Ballroom
2/18/2022 Seattle, WA – El Corazon*
2/19/2022 Tacoma, WA – Fawcett Hall at Alma Mater*
2/20/2022 Spokane, WA – Big Dipper*
2/21/2022 Spokane, WA – Big Dipper*
2/23/2022 Great Falls, MT – The Newberry #
2/24/2022 Billings, MT – Pub Station #
2/25/2022 Casper, WY – Gaslight Social #
2/26/2022 Greeley, CO – Moxi Theater %
2/28/2022 Fargo, ND – The Aquarium #
3/01/2022 Minneapolis, MN – Cabooze #
3/02/2022 Milwaukee, WI – Miramar Theater #
3/03/2022 Hobart, IN – Hobart Theater #
3/04/2022 Lombard, IL – Brauer House #
3/05/2022 Cincinnati, OH – Riverfront Live #
3/06/2022 Nashville, TN – Basement East #
3/08/2022 Memphis, TN – Growler’s #
3/09/2022 Little Rock, TX – Little Rock Music Hall #
3/10/2022 Oklahoma City, OK – Whiskey Nights %
3/11/2022 Baton Rouge, LA – Chelsea’s %
3/12/2022 Ft. Worth, TX – Rail Club %
3/13/2022 Shreveport, LA – The Sand Bar %
3/15/2022 Corpus Christi, TX – House of Rock %
3/16/2022 McAllen, TX – Cine El Rey Theatre %
3/17/2022 Laredo, TX – Cold Brew Rock Bar %
3/19/2022 Gallup, NM – The Juggernaut Music %

  • = Support TBD
    # = with 200 STAB WOUNDS
    % = No Support

Soulfly’s as-yet-untitled new album was produced by Arthur Rizk (Cavalera Conspiracy, Go Ahead and Die, Code Orange). The follow-up to 2018’s Ritual, its release date and other information is under consideration.

More information on Soulfly’s new tour and next record is available along with all of Soulfly’s latest news at:

Websitehttps://www.soulfly.com

Facebookhttps://www.facebook.com/SoulflyOfficial

Twitterhttps://twitter.com/TheSoulflyTribe

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Soulfly Announces New Live Dates

Courtesy: Nuclear Blast Records

Soulfly will tentatively launch a new North American tour this winter.

The band announced Monday, it is scheduled to launch its new tour Feb. 7 in las Vegas, NV. The tour is scheduled to run through March 19 in Gallup, NM and features performances in cities nationwide, such as Lombard, IL; Tacoma, WA and Shreveport, LA.

Front man/founder Max Cavalera said he is looking forward to getting back in front of audiences again.

“I’m more than thrilled to kick off the New Year with a tour!,” he said. “We will be playing songs from our upcoming new release!”

Soulfly’s as-yet-untitled new album was produced by Arthur Rizk (Cavalera Conspiracy, Go Ahead and Die, Code Orange). The follow-up to 2018’s Ritual, its release date and other information is under consideration.

The tour’s schedule is noted below. 200 Stab Wounds is scheduled as support for select dates. Tickets are available here.

Confirmed dates for SOULFLY‘s  U.S. tour are:
2/07/2022 Las Vegas, NV – Rockstar Bar*
2/08/2022 Palmdale, CA – Transplants*
2/09/2022 Oxnard, CA – Oxnard PAC*
2/10/2022 Fresno, CA – Strummer’s*
2/11/2022 Santa Cruz, CA – Atrium
2/12/2022 Reno, NV. – Virginia Street Brewhouse*
2/14/2022 Berkeley, CA – Cornerstone*
2/15/2022 Roseville, CA – Goldfield Trading Post*
2/16/2022 Eugene, OR – WOW Hall*
2/17/2022 Portland, OR – BossaNova Ballroom
2/18/2022 Seattle, WA – El Corazon*
2/19/2022 Tacoma, WA – Fawcett Hall at Alma Mater*
2/20/2022 Spokane, WA – Big Dipper*
2/21/2022 Spokane, WA – Big Dipper*
2/23/2022 Great Falls, MT – The Newberry #
2/24/2022 Billings, MT – Pub Station #
2/25/2022 Casper, WY – Gaslight Social #
2/26/2022 Greeley, CO – Moxi Theater %
2/28/2022 Fargo, ND – The Aquarium #
3/01/2022 Minneapolis, MN – Cabooze #
3/02/2022 Milwaukee, WI – Miramar Theater #
3/03/2022 Hobart, IN – Hobart Theater #
3/04/2022 Lombard, IL – Brauer House #
3/05/2022 Cincinnati, OH – Riverfront Live #
3/06/2022 Nashville, TN – Basement East #
3/08/2022 Memphis, TN – Growler’s #
3/09/2022 Little Rock, TX – Little Rock Music Hall #
3/10/2022 Oklahoma City, OK – Whiskey Nights %
3/11/2022 Baton Rouge, LA – Chelsea’s %
3/12/2022 Ft. Worth, TX – Rail Club %
3/13/2022 Shreveport, LA – The Sand Bar %
3/15/2022 Corpus Christi, TX – House of Rock %
3/16/2022 McAllen, TX – Cine El Rey Theatre %
3/17/2022 Laredo, TX – Cold Brew Rock Bar %
3/19/2022 Gallup, NM – The Juggernaut Music %

  • = Support TBD
    # = with 200 STAB WOUNDS
    % = No Support

Soulfly just wrapped another North American tour Sept. 19. Fear Factory founding member/guitarist Dino Cazares replaced Marc Rizzo for the tour.

More information on Soulfly’s new tour and next record is available along with all of Soulfly’s latest news at:

Websitehttps://www.soulfly.com

Facebookhttps://www.facebook.com/SoulflyOfficial

Twitterhttps://twitter.com/TheSoulflyTribe

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Fear Factory’s Latest LP Is A Mostly Successful New Offering

Courtesy: Nuclear Blast Records

Fear Factory has been in the news quite a bit this year.  Early last month, it was announced that founding member and guitarist Dino Cazares had joined Soulfly for its latest tour in place of Marc Rizzo.  That announcement was followed up with the release of the new companion piece to the band’s latest album, Aggression Continuum.  The companion piece in question is the isolated instrumental tracks from that album. Why the band would go that route is a headscratcher when audiences can hear the instrumentals just as clearly in the original album.  Speaking of the album, the 10-song record was released June 18 through Nuclear Blast Records.  The 48-minute collection is an interesting addition to the band’s extensive catalog.  That is due in large part to the album’s featured lyrical content, which will be discussed shortly.  The musical arrangements that feature alongside the album’s lyrical content make for more interest and will be discussed a little later.  The production that went into this record rounds out its most important elements.  When it is considered along with the album’s content, the collective items make the album maybe not the band’s best work, but still worth hearing at least once.

Fear Factory’s most recent album, Aggression Continuum, is a mostly successful offering from the band.  Not knowing whether the band will continue now that former front man Burton C. Bell (whose vocals are featured in the record) and founding member Dino Cazares was recently announced as part of Soulfly’s current lineup, it is a positive potential final offering from the band.  The album’s success comes in this record, primarily through its lyrical themes.  The lyrical content in this case is actually quite different from that featured in the band’s existing catalog.  While so much of the band’s catalog focuses largely on the issue of technology taking over the planet, this album seems less focused on that matter.  Right from the album’s opener, ‘Recode,’ the album seems more focused on general defiance and belief in self than on technology’s role in mankind’s fate.  Bell – again he recently parted ways with the band – goes so far as to sing in the song’s chorus, “Why deny life you dream about/Why deny your dream?”  Considering comments that Bell shared in recent interviews about his time with Fear Factory, audiences are left to wonder if these statements are somewhat autobiographical.  The mention of a generation being “left behind” and the encouragement to “open your eyes” serves even more, to bring about that sense of defiance.  It is a statement about taking control of one’s life.  That overarching theme continues through the album’s first few tracks just as clearly, too. 

On a separate note, ‘Manufactured Hope’ takes the band in another direction, though one that is still familiar within the hard rock and metal community.  In this case, Bell seems to take on the issue of religious hypocrisy.  This is inferred he Bell directly sings in the song’s chorus, “I am hypocrisy of faith/I will not believe/My mind will never be enslaved/I will not believe.”  His call of “ignore the facts in front of you/Deny the logic and the truth/Conform to mediocrity/You know it’s manufactured hope” in the song’s second verse serves just as much to infer the noted message.  He goes on to go so far as to note, “Faith is a weapon and a tool/Creating manufactured hope” makes the noted message seem even more the case.  Again, this is slightly new territory for Fear Factory, but not for the hard rock and metal communities.  That Bell and company would again, show that willingness to try something new at least for itself as a group, is welcome even in its larger familiarity.

‘End of Line’ meanwhile takes the band back to more familiar ground while also taking it in a slightly different direction again.  In this case, the song comes across lyrically as a sociopolitical statement about the state of the world today.  This is inferred right from the song’s lead verse and chorus as Bell sings, “Avoid the bloody streets/We’re living in domestic war/Gunmen in uniform/Murdering innocents at your door/This can’t be real/Assault on my senses/Depriving me of sanity/Fractured/Damned images/Praying for the final reckoning/End of life/End of time/End of line.”  The seeming message continues in the song’s second verse in which Bell sings, “Beaten to crush my soul/To silence me in shackled chains/Your lies like gasoline/Living every day in tragedy.”  All of this comes across as a commentary of sorts on police brutality.  That is just this critic’s interpretation.  It is inferred through the mention of armed gunmen at the door.  It conjures thoughts of what law enforcement officers did to Brianna Taylor.  The images being seen are in fact still damning.  It and so much more leaves many praying for the final reckoning.  The matter of being “beaten to crush my soul/To silence me in shackled chains” points even more toward the matter of police brutality, especially considering this year’s headlines.  Again, this is all this critic’s interpretation.  If in fact that is the case, then it is another example of how Fear Factory on this album, really strayed from its own norm and opted instead for something more widely accessible, lyrically speaking.  When it is considered along with the other lyrical themes noted here and the rest of the album’s lyrical themes, the whole makes clear why the album’s lyrical themes are so important to its presentation.  They are just a part of what makes the album interesting.  The musical arrangements that accompany the record’s lyrical themes are more familiar from the band and add to the record’s success.

While the lyrical content featured throughout Fear Factory’s new album finds the band seemingly move into new territory, the record’s musical arrangements keep the band in familiar territory.  From beginning to end, audiences will find that the arrangements pull from various points in the band’s catalog.  Right from the record’s outset, the band take audiences back to the sounds crafted for its 1998 album, Obsolete.  As the album progresses, the arrangements are more akin to works from The Industrialist, Genexus, and Archetype.  Simply put, the arrangements that are featured throughout the album are everything that audiences have come to expect from Fear Factory from one song to the next.  To that end, they will appeal easily to the band’s established audience base, and to more casual fans of the industrial metal realm.  Keeping that appeal in mind along with the interest that the album’s lyrical themes are sure to generate, the collective content goes a long way toward making the album successful.  Even with that in mind, there is still one more item to examine, that last being the record’s production.

The production that went into Aggression Continuum is important to examine because of how much is going on in each song.  The guitars and bass, each of which were recorded by Cazares, are so heavy and rich.  Bell’s vocals are just as powerful here as ever, too, as are the drums, which were handled by current drummer Mike Heller.  Considering the energy in each composition and the richness of each line, it would have been so easy for the songs to get bogged down in themselves, but thankfully that did not happen.  Rather, each line complimented the others.  The result is a record whose presentation succeeds just as much for its aesthetic value as for its content.  To that end, all things considered here make the album overall that much more certain of a success.

Fear Factory’s latest album, Aggression Continuum is a record that is certain to appeal mostly to the band’s established audiences, and just as much to casual industrial metal fans.  That is proven in part through the record’s lyrical themes.  The themes in question find the band seeming to go in a different direction at least for itself, than that for which it has been known.  By contrast, the musical arrangements featured throughout the record are more familiar from one to the next.  That familiarity, paired with the new direction taken in the song’s lyrical content, makes for plenty of interest here.  When the record’s production is taken into consideration, it puts the finishing touch to the presentation, ensuring the noted engagement and entertainment for the mentioned audiences even more.  Each item noted is important in its own way to the whole of the album’s presentation.  All things considered, they make the album a work that regardless of the band’s fate from here, is mostly a success.

Aggression Continuum is available now. More information on Fear Factory’s new record is available along with all of the band’s latest news at:

Websitehttps://www.fearfactory.com

Facebookhttps://www.facebook.com/fearfactory

Twitterhttps://twitter.com/fearfactory

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Alien Weaponry Debuts ‘Hatupatu’ Video

Courtesy: Napalm Records

Alien Weaponry premiered the video for its latest single this week.

The band debuted the video for its new single, ‘Hatupatu‘ Friday. The single is the third from the band’s new album, Tangaroa. The album, which is available now through Napalm Records, ahas also produced the singles, ‘Tangaroa‘ and ‘Buried Underground.’

The video for ‘Hatupatu’ features the band — Lewis de Jong, Henry de Jong, and Ethan Trembath — performing its new single in a forest setting as a young Maori warrior faces off a beast. The story of that young warrior is tied directly to the song’s lyrical content.

Henry de Jong talked about that lyrical content in a prepared statement.

“The story of ‘Hatupatu’ is one Lewis and I grew up with – our father was the first person to tell us as children,” he said. “Having a family connection with it only made creating a song more intriguing for us. Traditionally, Māori legends were passed down through families by re-telling them, not by having them written down in books. It only makes sense for us to be re-telling this story as our tūpuna (ancestors) did for generations. We cannot wait to share with the rest of the world.”

The musical arrangement featured in ‘Hatupatu’ is a heavy, rich, guitar-driven composition. Its sound and stylistic approach is similar to that of much of the songs from the band’s debut album, Tu.

In other news, Alien Weaponry is scheduled to launch a new tour alongside Gojira and Knocked Loose beginning Oct. 8 in Boise, ID. The tour features performances in cities, such as Asheville, NC; Cleveland, OH and Tucson, AZ.

The tour’s schedule is noted below. Tickets are available here.

ALIEN WEAPONRY Tour Dates with Gojira & Knocked Loose:
^ = ALIEN WEAPONRY ONLY/HEADLINER


October 8 – Boise, ID @ Revolution Center
October 9 – Sacramento, CA @ Aftershock (festival)
October 11 – Salt Lake City, UT @ The Union
October 13 – Kansas City, MO @ Arvest Bank Theatre at The Midland
October 14 – Wichita, KS @ The Cotillion
October 15 – Oklahoma City, OK @ Diamond Ballroom
October 16 – Houston, TX @ Bronze Peacock @ House of Blues^
October 17 – New Orleans, LA @ Civic Theatre *SOLD OUT*
October 19 – Tampa, FL @ Jannus Live
October 20 – Orlando, FL @ Hard Rock Live
October 22 – Nashville, TN @ Marathon Music Works *SOLD OUT*
October 23 – Asheville, NC @ Thomas Wolfe Auditorium *SOLD OUT*
October 25 – Stroudsburg, PA @ Sherman Theater
October 26 – Brooklyn, NY @ Saint Vitus^
October 27 – Portland, ME @ State Theatre
October 28 – Rochester, NY @ Main Street Armory
October 29 – Cleveland, OH @ The Agora *SOLD OUT*
October 30 – Albany, NY @ Albany Capital Center
November 1 – Richmond, VA @ The National
November 2 – Knoxville, TN @ Civic Auditorium
November 3 – Chattanooga, TN @ The Signal *SOLD OUT*
November 5 – Madison, WI @ The Sylvee
November 6 – St. Louis, MO @ The Factory at The District
November 7 – Ft. Wayne, IN @ The Clyde Theatre
November 9 – Minneapolis, MN @ Fine Line^
November 10 – Chicago, IL @ Cobra Lounge^
November 12 – Cincinnati, OH @ Madison Live^
November 13 – Atlanta, GA @ Vinyl^
November 14 – Daytona Beach, FL @ Welcome To Rockville (festival)
November 16 – Austin, TX @ 3 Ten @ ACL Live^
November 17 – Dallas, TX @ Gas Monkey Bar N’ Grill^
November 19 – Tucson, AZ @ Encore^
November 20 – Window Rock, AZ @ Navajo Nation^
November 21 – Denver, CO @ Marquis Theater^

More information on Alien Weaponry’s new single, video, album and tour is available along with all of the band’s latest news at:

Websitehttps://alienweaponry.com

Facebookhttps://www.facebook.com/AlienWeaponry

Twitterhttps://twitter.com/AlienWeaponry

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Tangaroa’ Shows Promise For Alien Weaponry’s Future

Courtesy: Napalm Records

Up-and-coming metal outfit Alien Weaponry is scheduled to release its sophomore album, Tangaroa Friday.  Set for release through Napalm Records, the 12-song record will come Friday more than three years after the release of its debut album, Tu.  The band’s forthcoming album is, for the most part, everything that audiences have come to expect from the band following the release of Tu, as is evidenced in the album’s already released singles.  At the same time, the album does show some growth from the band in its latest outing.  One of those points of growth is exhibited late in the album’s approximately hour-long run time in the form of ‘Crooked Monsters.’  This song will be discussed shortly.  The brooding ‘Unforgiving’ is another example of the growth that the band presents in its latest album.  It will be discussed a little later.  ‘Down The Rabbit Hole,’ which closes out the album, is yet another example of how the band has changed things up in its latest album.  It will also be discussed later.  All three songs noted here are important in their own right, as they show that audiences are not going to get completely the same thing as in the band’s debut album.  When they are considered along with the album’s more familiar content, the whole makes Tangaroa a mostly positive sophomore outing for Alien Weaponry.

Tangaroa is a strong second offering from the up-and-coming hard rock/metal band, Alien Weaponry.  The album’s strength comes through its familiar content, and through some content that exhibits a certain growth and development from the band.  ‘Crooked Monsters,’ which comes late in the album’s run, is just one of the songs that serves to support the noted statements.  ‘Crooked Monsters’ presents a deep, rich musical arrangement that is not just more of the Soulfly-esque content that made the band so popular in Tu.  In the case of this song, it comes across as a two-movement opus of sorts.  The nearly four-and-a-half-minute composition starts off in very brooding fashion with just the instruments doing the talking.  The subtlety in the drums as the song builds through the song’s first two minutes or so works with the equally subdued, contemplative guitars to fully immerse audiences in the song.  By the time front man Lewis De Jong comes in and adds in his vocal talents, the impact at that point hits even harder.  The pairing of his vocal delivery style here along with the instrumentation lends itself to comparison more to works from Crowbar than from Soulfly or even Sepultura.  It makes for an interesting moment.  It is just one part of what makes this song notable.  The song’s lyrical theme adds its own layer of interest to the presentation.

Much of the song’s lyrical content is difficult to decipher without lyrics to reference.  However from what can be deciphered, there are mentions throughout of items, such as anger felt inside, the sky falling, and trying to fill the void, while the “mind keeps playing every single day” would seem to hint that the song is focused on the familiar topic of mental health.  If indeed that is what the band is attempting to convey here, it has done so in a way that will definitely connect with listeners.  What’s more, it will hopefully help listeners get through their own struggles, again, if that is indeed what is being addressed here.  The pairing of that seeming message along with the song’s equally heavy (literally and figuratively) musical arrangement makes the song in whole even more engaging and entertaining and just one example of what makes Tangaroa stand apart from Tu.  It is just one of the songs that helps the album succeed.  ‘Unforgiving’ is another example of what makes Alien Weaponry’s new album stand out.

‘Unforgiving’ stands out in part because of its musical arrangement just as much as ‘Crooked Monsters.’  Clocking in at seven minutes, 11 seconds, it is the album’s longest song.  The subtle guitar line alongside the sound of thunder and falling rain as the arrangement opens lends itself lightly to comparison to works from Tool.  As the song progresses, it gradually builds, eventually reaching its peak more than four-and-a-half minutes in.  That gradual building is a reflection of the growing emotion felt by the song’s subject who is himself dealing with some heavy thoughts and emotions, once again.

In the case of this song, the thoughts and emotions come across as those related to depression.  This is inferred as De Jong sings that “The world keeps crashing down around me/Time and time again…When I look around to find that everything…is temporary…We are mortal beings…”  There is, again, much that is difficult to decipher here without lyrics to reference.  On a related note that is in fact partially because of the almost Kurt Cobain style of vocal delivery that De Jong uses as he sings.  It is that nearly indecipherable, semi-mumbling approach with slurring along the way that made Cobain such a unique vocalist.  Getting back on the matter at hand, the song’s lyrical content, at this point, hints relatively clearly at someone who is in a dark place.  That is even with what little is decipherable without lyrics to reference.  The vulnerability that De Jong and company show here, much as in ‘Crooked Monsters’ will connect with listeners in its own way.  That coupled with the unique musical arrangement here adds to the song’s impact.  The end result is that the song proves even more, the growth and change presented in Tangaroa.  It is just one more of the album’s most notable songs.  ‘Down The Rabbit Hole,’ which closes out the album, is yet another way in which Tangaroa proves mostly successful.

‘Down The Rabbit Hole’ presents one of many Soulfly-esque arrangements that flesh out the album.  In the case of each song (including this one) the arrangement still boasts its own unique arrangement.  The richness and heaviness exhibited throughout the arrangement makes it stand out.  Listeners can hear just as much of an influence from Sepultura (from Max Cavalera’s days as its front man) as from his work with Soulfly.  The thing is that even with those similarities in sound and style, the song still boasts its own work.  In other words the similarity is there, but it is not just a rip-off of any of the noted bands’ works.  As a matter of fact, at one point in the five-minute-plus song, it pulls back some and puts forward the slightest touch of what sounds and feels like a classic rock vibe.  Yes, that was really noted.  It is brief, but really makes things interesting in its own right.  The semi-jam session that breaks out in the song’s closing bars is interesting in its own right, too, showing even more, the originality in the song’s presentation.  All things considered, the arrangement in whole shows in its own way, the band’s growth.  When that is considered along with the song’s lyrical theme, the interest increases.

Once again, much of the song’s lyrical content is difficult to decipher sans lyrics to reference.  At the same time, just enough is understandable that listeners can infer that this song is a commentary about a relationship that has changed over time.  That mention of “you made me what I am” alongside so much else seems to push the song’s lyrical interpretation in that direction.  Additionally, the commentary that “You say you’ve changed/You say you’re sorry/But I can’t help but wonder/Looking back…Apologies/Only go so far/And yet I prosper” adds even more to that inference.  It would help make the song’s title make more sense.  Going down the rabbit hole here is going down the rabbit hole of what has happened in the relationship so to speak.  Again, this is just this critic’s own interpretation and should not be taken as the only interpretation.  Considering this inference and the song’s unique musical arrangement, the whole once again shows real change and willingness to try something different while also making sure the band doesn’t alienate its established audiences here.  When the song is considered along with the other songs examined here and the rest of the album’s entries, the whole of that content makes clear, the album is worth hearing and a mostly successful new offering from Alien Weapony.

Alien Weaponry’s sophomore album, Tangaroa, is an interesting new offering from the up-and-coming hard rock band.  That is proven through its musical and lyrical content alike.  The album offers its established audiences plenty of familiar content in both avenues as well as some new content that shows the band’s willingness to take some risks.  The two sides together make the album well worth hearing and a sign of the bands potential future.  Tangaroa is scheduled for release Friday through Napalm Records.

More information on Tangaroa is available along with all of the band’s latest news at:

Websitehttps://alienweaponry.com

Facebookhttps://www.facebook.com/AlienWeaponry

Twitterhttps://twitter.com/AlienWeaponry

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.