Small Town Titans Celebrates Soundgarden Anniversary With ‘Spoonman’ Cover

Independent hard rock act Small Town Titans has another treat for audiences.

The band recently unveiled the video for its cover of Soundgarden’s classic hit ‘Spoonman.’  The video’s premiere, which ran online at tattoo.com, was meant to celebrate the 24th anniversary of the release of Superunknown, the album from which the song came.  The album was originally released March 8, 1994.

Courtesy: TAG Publicity

Front man Phil Freeman, whose vocal delivery in this song sounds eerily like that of Soundgarden’s late front man Chris Cornell, said in a recent interview that Cornell — and Soundgarden in whole — has been integral in STT’s own career, making this cover even more special for him and his bandmates.

“Chris Cornell has been a musical hero of mine since I was in high school, and has been a major influence in the style of our band,” Freeman said.  “Soundgarden’s repertoire is vast and difficult to pull off.  The reason we decided to cover this classic of theirs is not only to challenge our musicianship and ability, but also to pay tribute to one of the greatest voices and lyricists of Rock ‘n Roll from one of the greatest bands of all time.  Our hope is that our interpretation does the song and its original performers the justice and recognition it deserves.”

Small Town Titans’ take on ‘Spoonman’ can be downloaded and streamed online now here.  More information on the band’s new cover is available online now along with all of STT’s latest news and more at:

 

Website: http://smalltowntitans.com

Facebook: http://www.facebook.com/smalltowntitans

Twitter: http://twitter.com/smalltowntitans

 

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2017 Rock On The Range Festival Lineup Announced

Courtesy: Danny Wimmer Presents/AEG Live

Courtesy: Danny Wimmer Presents/AEG Live

The lineup for the 2017 Rock on the Range Festival has been announced, and once again it has proven to be quite the collection of acts.

The three-day festival will be headlined by Metallica, Soundgarden and Korn.  It will feature more than 50 bands over the course of that time along with some of the country’s top comics at the festival’s Rock on the Range Rolling Rock Comedy Tent.

The lineup for the 2017 Rock on the Range Festival includes: Metallica, Soundgarden, Korn, The Offspring, Volbeat, Primus, Bush, Chevelle, Papa Roach, Seether, Coheed & Cambria, Alter Bridge, The Pretty Reckless, Taking Back Sunday, Thrice, Amon Amarth, Pierce The Veil, Sum 41, Skillet, Dillinger Escape Plan, In Flames, Gojira, Biffy Clyro, Motionless In White, Nothing More, Beartooth, Starset, Every Time I Die, The Story So Far, Deafheaven, Zakk Sabbath, Rival Sons, The Amity Affliction, Attila, Norma Jean, Suicide Silence, Whitechapel, I Prevail, Turnstile, Dinosaur Pile-Up, Red Fang, Dorothy, Kyng, Radkey, As Lions, Frank Carter & The Rattlesnakes, Sylar, Fire From The Gods, Badflower, Wage War, Goodbye June, Cover Your Tracks, DED, Bleeker, Royal Republic, Mother Feather, Aeges and One Less Reason.

Rock on the Range—fueled by Monster Energy—is billed as America’s largest and most acclaimed rock festival.  The festival will also feature in 2017 “The Music Experience,” art installations, and unique on-site activities over the course of the festival’s three days.

Tickets for the 2016 festival sold out more than two months in advance of the festival.  It marked the fourth consecutive year the festival has sold out in advance.

Weekend Field, new Weekend Field VIP, Weekend Stadium and a limited number of Weekend Stadium 4-packs are available now for purchase.  A layaway option is also available for concert-goers.  That option allows audiences to split the cost of their ticket/ticket packages into four separate monthly payments.

Fans can get a pre-sale password for Weekend Field VIP, Weekend Field GA, Weekend Stadium GA and Weekend Stadium GA 4-packs on the official Rock on the Range website, Facebook page and Twitter page.  The ticket prices are listed below.

 

  • Weekend Field VIP: starting at $349.50* + fees
  • Weekend Field GA: starting at $199.50* + fees
  • Weekend Stadium GA: starting at $99.50* + fees
  • Weekend Stadium GA Ticket 4-Pack: $380.00 + fees
  • * Phase One prices listed
  • *** Ticket prices automatically move to the next price level once the allotment sells out ***

General on-sale for tickets is Friday, Dec. 2 at 10 a.m. EST.  Tickets will be available online at the festival’s website, at Ticketmaster locations and the MAPFRE Stadium box office.

Audiences who want an even more special concert experience can purchase the new Uber Ranger Camping Package.  The package includes amenities for four people such as luxury RV on a double campsite at the Ohio Expo North Campground (May 18 – 21), a dedicated concierge with golf cart shuttle, 4 Weekend VIP Field Admission Tickets, a backstage tour, access to the stadium club (with catered lunch and dinner), access to the Side Stage Viewing Platform, access to the VIP Lounge and more.  More information on the new Uber Ranger Camping Package is available here.

Rock on The Range celebrated its 10th anniversary in 2016.  More than 120,000 people attended the festival from around the world.  As part of its 10th anniversary celebration, Columbus, OH mayor Andrew J. Ginther and the Columbus, OH city council presented festival organizers with awards of recognition.  A resolution was also announced from the Franklin County Board of Commissioners acknowledging the festival’s economic impact on the city.

The commissioners pointed out in their resolution pointed out the festival brought in more than $140 million for the city over the course of its ten years in the city.

Rock on the Range is produced by Danny Wimmer Presents, AEG Live and MAPFRE Stadium.  It is supported by Monster Energy, Bud Light and Zippo.  They and other partners will feature interactive experiences, meet & greets, and other special fan engagement opportunities throughout the festival.

More information on the 2017 Rock on the Range Festival is available online now at:

 

 

 

Website: http://www.RockontheRange.com

Facebook: http://www.facebook.com/rockontherange

Twitter: http://twitter.com/rockontherange

 

 

 

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Temple Of The Dog Reunites; Announces Tour, LP Re-Issue

Courtesy: UMe

Courtesy: UMe

Temple of the Dog is officially returning.

The rock super group—Chris Cornell (Soundgarden), Pearl Jam’s Jeff Ament, Stone Gossard, and Mike McCready, and Matt Cameron (Soundgarden, Pearl Jam)—announced this week that it has reunited and will tour together for the first time ever.  The group also announced that it will re-issue its self-titled 1991 record this fall to mark the 25th anniversary of its release.  The album will be re-issued Friday, September 30th via UMe.  It will be available in four different formats—four-disc Super Deluxe Edition, double LP vinyl, two-disc Deluxe Edition CD set, and standard single-disc platform.  Pre-orders for physicals are open now.  They can be placed here.  Each pre-order includes a detailed list of the contents of each presentation.

The band’s tour launches November 4th and currently spans only five cities—Philadelphia, New York, San Francisco, Los Angeles, and Seattle—winding down on November 20th.  Pre-sale tickets are  currently open for fans signed up with Pearl Jam’s official fan club, Ten Club, and to the e-mail lists of Soundgarden and Chris Cornell.  Fan pre-sales end next Wednesday, July 27th.  General public ticket sales begin at 12pm local time next Friday, July 29th.  $1.50 from each ticket sold will benefit the Chris and Vicky Cornell Foundation.  An additional $1.50 from each ticket sold will benefit Pearl Jam’s Vitalogy Foundation.

Temple of the Dog originally rose from the remnants of Mother Love Bone.  That band ended after then front man Andrew Wood died from a drug overdose.  Wood was, coincidentally, Cornell’s room mate and close friend.  After Wood’s passing Cornell went on to write the songs ‘Say Hello 2 Heaven’ and ‘Reach Down’ in order to process his grief.  Those songs would also go on to be included in Temple of the Dog’s sole album.  Eventually Gossard and Ament, two of the original members of Mother Love Bone, added Mike McCready to the band’s lineup, who was then followed by Cameron on drums.  The resultant album, according to TOTD’s members, was originally not meant for commercial release.  As Cornell recalls of the album, “Temple was about making an album simply for the joy of doing it. We weren’t concerned what anyone outside of our group of friends would think of it. It was the first and maybe only stress-free album that we all made.”  When the band crafted ‘Hunger Strike’ Cornell felt that the song needed a duet.  Enter Eddie Vedder, who would eventually go on to front Pearl Jam.  The song would go on to be the band’s biggest hit and would peak at #4 on Billboard’s Mainstream Rock Chart.

Temple of the Dog did have a very limited number of shows in November and December of 1990.  The band’s upcoming shows this fall mark the first time since those shows that the band has ever toured together.  There was a performance in 2015 in which Cornell joined his former TOTD band mates for a performance of ‘Reach Down’ and ‘Call Me A Dog’ at Seattle’s Benaroya Hall.  In 2014 Cornell also joined the band for a performance at the Bridge School show and for two nights at PJ20 in Alpine Valley, Wisconsin.  More information on Temple of the Dog’s upcoming concerts and album re-issue is available online now along with all of the band’s latest news at http://www.facebook.com/TempleofTheDog.

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Prong’s First-Ever Covers Record Is A Must For Long-Time Fans And The Metal Masses Alike

Courtesy:  Steamhammer Records/SPV

Courtesy: Steamhammer Records/SPV

Tommy Victor has spent the better part of his adult life in the music industry. For nearly thirty years, Victor has been releasing music under the moniker of hard rock/metal band Prong. Through all of the band’s ups and downs, Victor has pushed on releasing new material from Prong. He has released, over the course of that time nine full length studio albums, two live albums, one remix album, four EPs, and a number of singles and music videos. For all of those releases, there is still one item that until now Victor hasn’t handled under the Prong moniker. That item is the obligatory covers album. Next week, Victor will release Prong’s first ever covers album in the form of Songs From The Black Hole. The ten track album will be released via Steamhammer/SPV. This collection of covers is a great addition to any long-time Prong fan’s music collection. That is obvious right off the top with the band’s cover of Discharge’s ‘Doomsday. The high adrenaline song grabs listeners instantly and refuses to let go. Sisters of Mercy’s ‘Vision Thing’ follows ‘Doomsday’ and is one more example of what makes this album a must have for any long-time Prong fan. Those fans that are familiar with Prong’s body of work will hear the influence of SOM on Tommy Victor when listening to this song. And much the same can be said of Prong’s cover of Black Flag’s ‘The Bars.’ Stylistically speaking, it’s easy to hear Black Flag’s influence on Victor throughout Prong’s albums. It’s not the only obvious influence either. The inclusion of songs from the likes of Killing Joke, Bad Brains, ad Butthole Surfers shows Prong’s roots just as clearly. And much the same can be said of the compilation’s remaining four tracks. The entire record taken into consideration, it proves to be more than just another obligatory collection of songs flung together to fulfill a contractual obligation. Rather it is a record that celebrates some of rock’s greatest bands and at the same time one of the industry’s most important and influential yet least known bands. If not for the fact that it is indeed a covers album, it would have otherwise been justifiably named by this critic as one of the best new hard rock and metal albums of the year.

It’s incredible to think that roughly twenty-seven years after the release of its debut album Force Fed, Prong has not released even one covers album. In comparison to the countless covers albums released by Prong’s counterparts in both the mainstream and underground, it becomes even more incredible. For that reason alone, founder and sole original member Tommy Victor is to be commended for holding his ground. Audiences that pick up this record will agree in listening to Songs From The Black Hole that Victor is just as worthy of applause for the covers chosen for this record. Right off the top, the album grabs listeners and refuses to let go with its cover of Discharge’s ‘Doomsday.’ The song title sounds ominous, like a Soundgarden song or a piece from some black metal band. But the reality of the song is that it is actually a high-energy war protest piece that will have any metal purist wanting to get a circle pit started in their own home all while making audiences really think. Tommy [Victor] sings, “And now the end is near/The end is near/It’s time to say our last goodbyes…Is it a reality or just a nightmare…/Nowhere to run, nowhere to hide/No escape, no escape/Is it reality or just a nightmare?” The song’s seemingly politically charged lyrics coupled with the talents of Victor’s band mates–bassist Jason Christopher and drummer Art Cruz–make ‘Doomsday’ a great addition to this record regardless of regardless of its placement in the album’s sequencing. It isn’t the only song worth noting that makes this record so enjoyable for Prong’s fans and the metal masses, either. The album’s second song, Sisters of Mercy’s ‘Vision Thing’ is another solid addition to the record.

Prong’s cover of ‘Vision Thing’ is just as solid an addition to SFTBH as the record’s opener, Discharge’s ‘Doomsday.’ Sisters of Mercy’s original take on ‘Vision Thing’ has a decidedly 80s rock sound. Yet despite this, it still manages to stand out from all of the songs churned out by the hair metal bands of its age. Its sound is more similar to that of Billy Idol than say Poison stylistically speaking. Victor and compay somehow managed to keep the song’s original style all while mixing it with the band’s own updated sound to make for yet another solid addition to this surprisingly enjoyable collection of covers. As with SFTBH’s opener, this song is just as apt to leave audiences thinking as deeply as rocking out. Victor sings about what sounds like a drug addict in a hotel room getting high in the song’s first verse, singing, “Two thousand hamburg four/And colours I ain’t seen before/It’s a small world and it smells funny/I’d buy another if it wasn’t for the money.” This definitely comes across as a commentary of sorts about someone getting high on something. The seeming reference to JFK’s assassination that follows will generate just as much discussion as the verse’s opening lines if not more. The song’s closing lines say plenty, though seeming to clear up any questions that might have been left. Victor sings in the song’s closing lines, “What do we need to make our world come alive/What does it take to make us sing/While we’re waiting for the next one to arrive/One million points of light/One billion dollar vision thing.” These lines come across as a statement concerning the need for things to change considering the state of the world (I.E. drug users everywhere, murderers, etc.). Again, this song’s mix of musical and lyrical substance makes this piece another solid addition to a record that is surprisingly enjoyable for Prong’s first-ever covers LP.

Both Prong’s cover of ‘Doomsday’ and of ‘Vision Thing’ are solid additions to SFTBH. By themselves, both songs present their own element of enjoyment. When taken into consideration with the record’s other covers, both songs combine with those covers to show why for a first-time effort, Prong’s new covers record is a must have for any of its long-time fans. ‘Doomsday’ and ‘Vision Thing’ aren’t proof enough of this argument, then the band’s cover of Black Flag’s ‘The Bars’ is sure to convince audiences. PRong’s cover of this hardcore classic is a near spot on re-working. What’s more, there’s a certain element to it that harkens back to the days of Prong’s 1994 album Cleansing. Lyrically speaking, ‘The Bars’ is a rather dark song. It seems to focus on a figure with some rather troubling inner turmoil. As Victor sings, “Everytime I see I got my hands wrapped around the bars/I can’t shut off my mind/And now I’ve waited/My hands are wrapped around the bars/The bars, the lies, the lies, lies, lies/Are trapped behind the bars/My mind hates my body/My body hates my soul/I close my eyes and fight/Inside my own black hole.” The figure’s own torn feelings apparently seem to center around a young woman that took her own life by jumping out of a window. It is hardly the most positive lyrical content. But it is deep and deeply moving. Prong’s take on the song, musically speaking is a perfect match for those lyrics. The combination of both elements exhibit exactly why ‘The Bars’ is one more great addition to SFTBH.

‘The Bars,’ ‘Doomsday,’ and ‘Vision Thing’ are all positive additions to SFTBH. They are just a small glimpse into what makes this first-ever covers collection from Prong a must have for the band’s long-time fans. The record’s other seven covers each offer their own enjoyment for fans, too. All ten of the compilation’s songs taken into consideration, SFTBH proves in the end to be a record that was well worth the wait whether listeners are fans of Prong or the band’s covered by Prong here. SFTBH will be available in stores and online next Tuesday, March 31st. Beginning April 17th, Prong will hit the road in support of SFTBH with a sixteen-date European tour that runs through May 3rd. After wrapping the European leg of its tour Prong will take off the rest of the summer to charge up for a U.S. tour that kicks off October 23rd in Ramona, California. The 41-date North American tour will take the band across America and Canada throughout the summer and into the winter, wrapping up December 7th at the famed Whiskey a Go Go in West Hollywood, California. The band’s full tour schedule is available online along with all of the latest updates from the band at:

Website: http://prongmusic.com

Facebook: http://www.facebook.com/prongmusic

Twitter: http://twitter.com/prongmusic

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Carolina Rebellion Festival Expands In Its Third Year

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

The Carolina Rebellion Festival is coming back this Spring.  The annual festival returns to the Rock City Campgrounds at Charlotte Motor Speedway on Saturday and Sunday may 4th and 5th.  The Charlotte Motor Speedway is in Concord, just outside of Charlotte.  Now in its third year, this year’s festival marks the first time that it will fill a full weekend.  There will be three stages for this year’s festival:  The Monster Energy ‘Carolina Stage, the Monster Energy ‘Rebellion Stage, and the Jagermeister Stage.  This year’s band lineup is going to be big one.  It’s all set to kick off with performance on Saturday by:  Alice in Chains, Limp Bizkit, Deftones, Three Days Grace, Papa Roach, Bullet for my Valentine, Halestorm, Asking Alexandria, Sick Puppies, In This Moment, Device (with David Draiman), Young Guns, Otherwise, Aranda, Tracer, and Monstro.

Things won’t let up much on Sunday, May 5th.  The current lineup slated for the festival’s second day includes:  Soundgarden, Rise Against, Bush, 3 Doors Down, Buckcherry, Volbeat, Hollywood Undead, All That Remains, Steel Panther, Pop Evil, Escape The Fate, Nonpoint, Thousand Foot Krutch, Red Line Chemistry, Heaven’s Basement, and American Fangs.

Full weekend general admission tickets and single day general admission tickets for the Carolina Rebellion Festival go on sale Friday, February 8th at 10amEST.  Full weekend tickets start at $99/person plus fees.  Single day admission tickets start at $59.50 plus fees.  Parking cost is included with all tickets.  For more information on tickets and the festival, audiences can go online to http://www.CarolinaRebellion.com and http://www.facebook.com/CRebellion.  Anyone that signs up for the Carolina Rebellion Newsletter can pre-order full weekend tickets for a discounted price of $89 plus fees.  This applies only during the pre-sale period, which runs from Wednesday February 6th to Thursday, February 7th.

Fans can also go online to http://www.CarolinaRebellion to get information on camping, hotel and VIP packages as well as military discounts, which will also be available for all active duty military personnel.

To get the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Frampton Not Just Alive But Rocking On New Live BD

Courtesy: Eagle Rock Entertainment/Eagle Vision

Music legend Peter Frampton created what is one of the most talked about live albums in modern music history in Frampton Comes Alive in 1976.  Thirty-six years after the release of that landmark live release, the guitarist has shown that old dogs can indeed learn new tricks.  For that matter, he also shows that he’s got plenty of new tricks to teach his audiences on the new live release, FCA!35 Tour: An Evening With Peter Frampton.

FCA!35 Tour: An Evening With Peter Frampton was filmed during the band’s 2011/2012 tour celebrating the thirty-fifth anniversary of the album’s release.  It was filmed at the Pabst Theater in Milwaukee and at New York’s iconic Beacon Theater.  The two shows come together for a performance that’s just as enjoyable and impressive as Frampton’s original live release.  The first half of the show features Peter and company performing that album in its entirety and in order.  Audiences will be amazed at how strong classic standards such as ‘Doobie Wah’, ‘Baby I Love Your Way’ and ‘Do You Feel Like We Do.’  And just as impressive is the band’s cover of the Rolling Stones’ ‘Jumpin’ Jack Flash.’  Being that the Stones are now celebrating their 50th anniversary together, it was likely just coincidence that Frampton decided on this cover.  But the timing of having this cover is pretty interesting.  It goes without saying that Peter and company paid proper honor both to the song and the Stones with his take on the song.

The band’s cover of ‘Jumpin’ Jack Flash’ isn’t the only cover included in this standout collection of performances.  There’s also an incredible cover of Ida Cox’s blues standard, ‘Four Day Creep.’  Frampton shares vocal duties here with band mates Rob Arthur (keyboards) and Adam Lester (guitars).  All three do an impressive job in their turn, too, sounding like seasoned blues vocalists.  Peter even shows that while he has definitely gotten older over the years, he can still smoke the strings.  That is for certain.  Viewers’ jaws will drop seeing the control he has over his instrument. 

Just as interesting as the cover of ‘Four Day Creep’ is the band’s cover of Soundgarden’s (yes that Soundgarden) ‘Black Hole Sun.’ This cover is a full on instrumental cover.  There are no vocals here, although the original has vocals.  Frampton’s take on this grunge classic is original to say the least.  His band mates show they’re just as praiseworthy as Frampton on this cover.  That’s especially the case with drummer Dan Wojciechowski.  His performance would make Soundgarden drummer Matt Cameron proud.   Add in some rather interesting visuals on the video screens behind the band, and audiences get what is definitely one of the standout performances in this new release.  Yes it seems minor, but even the visuals play a role in the performance.  The visual here is a large mass of what is perhaps a sun like object exploding.  As it explodes, it changes color and shape throughout the song.  It’s a rather subliminal visual.  But it works to help add that extra something to the song.

The band’s covers of ‘Black Hole Sun’ and ‘Four Day Creep’ mixed with the performances of its own original works goes a long way toward showing the band’s versatility.  It proves that not just Frampton himself, but the entire band still has some new tricks.  So much more could be noted of the songs included in this collection.  But that would take far too long as one should also note the video and audio quality of the performances included here.  The picture and sound are both crystal clear.  And those with Blu-ray players and HD TV’s will especially see just how clear the picture is.  Combine that with expert camera work and the equally expert performance from the band, and home viewers get yet another outstanding live release from Eagle Rock Entertainment.

FCA!35 Tour: An Evening With Peter Frampton is available now in stores and online.  It can be ordered direct via Eagle Rock’s website at http://www.eaglerockent.com.  And for all the latest from Peter Frampton, fans can check out his website, http://www.frampton.com or “Like” him on Facebook at http://www.facebook.com/PeterFrampton.  Fans can also get the latest news and more from Peter on his Myspace page, http://www.myspace.com/peterframpton

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.