Ice Nine Kills Launches Another New Single, Video From Its Latest Album

Courtesy: Fearless Records

Ice Nine Kills offered audiences another preview of its new album over the weekend.

The band debuted its new single, ‘Funeral Derangements‘ and its video Saturday. The song is the fourth single from the band’s forthcoming album, The Silver Scream 2: Welcome to Horrorwood. The band premiered the album’s third single,  ‘Rainy Day‘ and its companion video approximately a month prior.

The premiere of ‘Rainy Day’ was preceded in August, by that of ‘Assault and Batteries,’ and its video, the second single and video from the record. The album’s lead single,  ‘Hip To Be Scared‘ and its video premiered July 9.

The musical arrangement featured in ‘Funeral Derangements’ is everything that audiences have come to expect from INK. The vocal harmonies are there. So are the screams and heavy breakdowns, as well as the rich bass and drums. It leans in the direction of the sound and stylistic approach taken in ‘Communion of the Cursed’ by and large while still maintaining its own identity.

The song’s video is an homage to author Stephen King’s classic horror novel Pet Sematary. This is even mentioned by one of the officers in the video’s final scene. The video by the way, is NSFW because of all of the blood and overall darkness and violent content, so viewer discretion is advised.

The Silver Scream 2: Welcome to Horrorwood is scheduled for release Oct. 15 through Fearless Records. The album is technically the second “sequel” to the band’s 2018 album, The Silver Scream. That record was followed by the release of  The Silver ScreamThe Final Cut.

The Silver Scream and The Silver ScreamThe Final Cut produced the singles, ‘Thank God It’s Friday,’ ‘Stabbing in the Dark,’ ‘A Grave Mistake,‘ ‘The American Nightmare,’ ‘Savages,’ ‘Enjoy Your Slay‘ ‘A Grave Mistake,’ ‘Thank God It’s Friday,’ ‘Stabbing in the Dark‘ and a cover of Michael Jackson’s ‘Thriller.’

The band followed up The Silver ScreamThe Final Cut with the release of its live recording, I Heard They Kill Live last year. The recording produced live performances of The Silver Scream‘s songs, ‘Rocking The Boat,’ and ‘Stabbing in the Dark.’

The track listing for The Silver Scream 2Welcome to Horrorwood is noted below.

Ice Nine Kills

The Silver Scream 2: Welcome To Horrorwood

Track Listing

1. Opening Night…

2. Welcome To Horrorwood

3. A Rash Decision 

4. Assault & Batteries

5. The Shower Scene

6. Funeral Derangements 

7. Rainy Day 

8. Hip To Be Scared (feat. Jacoby Shaddix) 

9. Take Your Pick (feat. Corpsegrinder) 

10. The Box (feat. Brandon Saller of Atreyue & Ryan Kirby of Fit For A King) 

11. F.L.Y. (feat. Buddy Nielsen of Senses Fail) 

12. Wurst Vacation 

13. Ex-Mørtis

14. Farewell II Flesh 

More information on Ice Nine Kills’ new album, single, and video is available along with all of the band’s latest news at:




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‘Undead & Unplugged’ Gives Hope For A Full-Length Live Recording From Ice Nine Kills

Courtey: Fearless Records

Forthy-three years ago, famed author Stephen King published what has gone on to become one of the most well-known novels of all time when he released The Shining.  Its creation came after King visited the Stanley Hotel in Estes Park, Colorado.  Three years later, that novel went on to be adapted into a movie that while disliked by King himself, has become beloved by horror movie fans.  In celebration of the 40th anniversary of the movie’s premiere, metalcore band Ice Nine Kills released a performance Friday that it held late last year at the hotel.  The surprise release is streaming through Fearless Records’ official YouTube channel.  The intimate performance serves as the foundation for its presentation.  Resting on that foundation is the matter of the concert’s set list, which while brief will still engage and entertain audiences.  The songs’ production and mixing rounds out its most important elements and will also be discussed later.  All three elements are key in their own way to the whole of Live From The Overlook Hotel.  All things considered, they leave listeners wanting for more in the best way possible.

Ice Nine Kills’ new live recording Live From The Overlook Hotel is another enjoyable presentation for audiences who are looking for their live music fix while stages are dark and silent.  That is due in part to the concert itself.  Rather than being a full-on, amped up concert, this performance was a more intimate, acoustic set from the band.  Adding to the interest is that the performance was held to mark the 40th anniversary of the debut of the movie spawned from Stephen King’s timeless novel by the same name.  Considering the alleged nature of the hotel – numerous stories have been told over the years about paranormal activity that has happened at the hotel – it was a surprise that nothing happened during the course of the concert, which was held in support of the re-issue of the band’s 2018 album The Silver Scream.  The re-issue, dubbed The Final Cut, was released Oct. 25, 2019, only weeks ahead of the band’s performance at the Staley Hotel.  The fact that the performance was so intimate and that almost no one was at the hotel when King and his wife Tabitha visited the business decades earlier adds to the interesting juxtaposition.  The question and answer session that was featured with the performance is removed from the EP along with the other mid-song interactions with the audience, in favor of just the songs.  Even despite that, the performance still offers its own share of engagement and entertainment for audiences.  Maybe one day audiences will get the performance in whole through an official release on DVD and/or Blu-ray.  In the meantime though, that the band would at least present its song performances from the concert is reason enough to check out this digital-only EP.

Speaking of songs performed during the intimate performance, the concert’s set list is of its own interest for listeners.  Composed of five tracks, the concert focuses mainly on the acoustic tracks that are featured in The Silver Scream’s Final Cut re-issue, which would make sense, considering that the performance, again, came only weeks after The Silver Scream: The Final Cut was released.  The acoustic take of ‘Thank God It’s Friday’ is here, as are the acoustic takes of ‘A Grave Mistake’ and ‘Savages.’  The band’s acoustic take of ‘Stabbing in the Dark’ was replaced in this concert with an acoustic take of ‘Love Bites.’  That song was also featured in The Silver Scream, but was not featured as an acoustic take on The Final Cut.  The set’s closer, ‘Enjoy Your Slay’ also was not an acoustic work presented in the original album or its re-issue.  Even with that in mind, it was still a strong performance in its own right.  Considering the mood of the overall concert and its setting, the performance was a good fit.  There was a certain eerie, somber nature in the performance that just enhanced the overall mood of the performance.  Given, it would have been nice to have had more songs in the set list, but again, the concert was part of the supporting tour in support of The Final Cut.  So to that end, the acoustic takes were naturally the point of focus here.  To that end, the set list in itself is still engaging and entertaining.  Together with the show’s setup, it makes the overall concert even more noteable.

While the concert’s background and its set list do a lot to make it worth taking in, they are only a portion of what makes the performance stand out.  The recording’s production and mixing rounds out its most important elements.  They are important to note especially because this is an all acoustic performance.  This might not seem important on the surface, but in the bigger picture, making sure all of the sound levels are precise in an acoustic setting is just as critical if not more so in an acoustic setting as a fully amplified performance.  That is because the sound is softer, so even more attention has to be paid to every bit of sound balance.  Those behind the boards and editing are to be commended for that attention to the finer details, too.  Their efforts paid off in each song, putting the final touch to the presentation.  Together with the noted set list and the setting for the concert and its background, all three elements come together to make Undead & Unplugged: Live From The Overlook Hotel a good first live outing for Ice Nine Kills that gives hope for a future full-length live recording from the band..

Ice Nine Kills’ new live EP Undead & Unplugged: Live From The Overlook Hotel is a positive offering from the band.  That is especially considering that it is the band’s first live recording.  That is due in part to the concert’s setup and background in itself as noted here.  The set list, though brief, adds its own interest to the EP’s presentation.  The recording’s production and mixing puts the finishing touch to its presentation.  All three items are important in their own way to the whole of this live EP.  All things considered, they make Undead & Unplugged: Live From The Overlook Hotel a positive live debut from INK, and a presentation that gives hope for what a full-length live recording could look and sound like.  The recording is streaming now through Fearless Records’ official YouTube channel.

More information on Ice Nine Kills’ new video game, tour dates and more is available online at:






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The Venomous Pinks Debuts ‘I Really Don’t Care’ Video

Courtesy: Die Laughing Records

Punk band The Venomous Pinks debuted the video for its latest single this week.

The band debuted the video for its new single “I Really Don’t Care‘ Friday.  The video features the band as the performing act in the infamous prom scene from United Artists/Red Bank Films’ classic 1977 movie Carrie.

The infamous scene is re-enacted in the video for the nearly three-minute song, complete with its star starting a fire in the high school gym through her telekinetic powers.  In between, the band performs its new song, highlighting what the young woman must have felt.

The song’s musical arrangement is a full-on punk composition that the genre’s purist audiences will appreciate.  Its lyrical theme is taken from a real-life incident involving bassist Gaby Kaos.

Kaos discussed the inspiration behind the song’s lyrical theme in a recent interview, noting it came from her being in a mentally abusive relationship.

“My boyfriend at the time was really controlling and did not believe in my dreams of becoming a musician because he let his aspirations fall by the wayside,” she said.  “I found myself at a crossroads, and decided to leave him to stay true to my music.”

“Like other bands, we’ve been dealt with negative backlash over the years, and this track really drives home that we ultimately ‘really don’t care’ about the negativity,” she added. Nothing will stop us from accomplishing our goals.”

‘I Really Don’t Care’ is featured in The Venomous Pinks’ EP I Want You.  The EP is available to stream and download here.

More information on The venomous Pink’s new single is available online at:





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Scream Factory Resurrecting Carrie Next Month

Courtesy:  Scream Factory

Courtesy: Scream Factory

Author Stephen King has spent the better part of his life creating some of the darkest stories and most frightful characters ever developed in literary history. Some of his scariest stories include the likes of The Stand, The shining, and Misery. Misery also featured what is to this day one of King’s most frightful characters in the form of Annie Wilkes. His novel Needful Things featured an equally scary villain in the form of Leland Gaunt. Gaunt is of course the devil in one of his infinite human guises in this story. Pennywise from King’s novel It and the evil, killer dog Cujo whose name is also the title of another of King’s scariest stories should both be added to that list. For all of the scares that each of these stories and characters have created among audiences over the years, perhaps none of King’s characters have generated as much fear as Carrie. In 1974, King’s teenage character made her literary debut. Two years later, she would be brought to the silver screen courtesy of United Artists. Roughly twenty-three years after that movie made its debut, United Artists would revisit Carrie when it debuted The Rage: Carrie 2. Only three years would pass between the release of that movie and MGM TV’s small screen reboot of the original 1976 movie. Now thanks to Shout! Factory’s horror division Scream Factory, audiences will get to own both The Rage: Carrie 2 and MGM TV’s small screen reboot of Carrie next month in one package.

Scream Factory, Shout! Factory’s horror division, will re-issue United Artists’ The Rage: Carrie 2 and MGM TV’s 2002 small screen reboot of the 1976 original on Tuesday, April 14th. The movies will be released together in a single Blu-ray package. Audiences will note in MGM TV’s small screen reboot that said movie follows Stephen King’s original literary work more so than the 1976 movie that was inspired by that book. It was written by Bryan Fuller (TV’s Hannibal, Pushing Daisies). It stars Emilie de Ravin (Lost, Once Upon A Time, Roswell), Katharine Isabelle (Being Human, Hannibal, Insomnia), Chelan Simmons (Kyle XY, Good Luck Chuck, Final Destination 3), and Patricia Clarkson (Shutter Island, The Green Mile, Easy A).

The Rage: Carrie 2 follows much the same story as that presented in its predecessor with a few minir changes to the story for this outing. It stars Emily Bergl (Blue Jasmine, Desperate Housewives, Men in Trees) in the lead role. She is joined by cast mates Jason London (Dazed and Confused, Jason and the Argonauts, The Man in the Moon), Rachel Blanchard (Snakes on a Plane, 7th Heaven, Are You Afraid of the Dark?), Mena Suvari (Six Feet Under, American Beauty, Chicago Fire), and Amy Irving (Carrie, Alias, Yentl). Irving returns in The Rage: Carrie 2 to once again take on the role of Sue Snell from director Drian DePalma’s 1976 original take on Carrie.

Scream Factory’s upcoming Carrie double feature will be released on Blu-ray on Tuesday, April 14th. It will retail for MSRP of $24.97 but can be pre-ordered online at a reduced price of $19.97 via Shout! Factory’s online store at More information on this and other releases from Scream Factory is available online at:



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PBS Announces Release Date For “Finding Your Roots Season 2”

Courtesy:  PBS

Courtesy: PBS

PBS will release the second season of its hit celebrity-based historical series Finding Your Roots With Henry Louis Gates, Jr. this fall.

Officials with PBS announced this week that Finding Your Roots With Henry Louis Gates, Jr. Season 2 will be released on Tuesday, December 16th.  Gates meets some of the country’s biggest names in the series and examines their ancestry in each hour-long episode.  In the series’ second season, Gates studies the ancestry of big names such as: Derek Jeter, Ben Affleck, Jessica Alba, Sting, Tina Fey, Sally Field, Stephen King, Nas, and many others.  In all, twenty-nine celebrities are featured throughout the course of Season Two.

Gates goes into even more depth with his guests in Season Two than was possible in the show’s premiere season. He studies his guests’ specific ethnic roots, cultural traditions, and the inner works of his guests’ families. New advancements in DNA testing even allows for study of genetic genealogy. The advancements allowed for revelations linked to questions of paternity, geographic origins of his guests’ ancestors, and even tribal Native America ancestry in other cases. It is all revealed over ten episodes spread across three discs.

Finding Your Roots With Henry Louis Gates, Jr. Season Two will be available only on DVD Tuesday, December 16th. It will retail for MSRP of $39.99 and can be ordered online direct from PBS’ online store at Audiences can access more information on the series, and watch videos from the show online now at:





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Room 237 An Interesting Tribute to Kubrick’s Genius

Courtesy:  MPI Home Video/IFC Films

Courtesy: MPI Home Video/IFC Films

Strange.  Twisted.  Bizarre.  Odd.  Any and every one of these terms are perfectly fitting for the new documentary Room 237.  The documentary, which focuses on director Stanley Kubrick’s vision of author Stephen King’s novel by the same name, has been met with relatively mixed reviews.  Most of those reviews have been anything but positive.  It’s easy to see just why the reactions to Room 237 would be so negative.  Those that share their thoughts throughout the near two hour documentary echo the idea that Kubrick’s idea not just with The Shining but with the likes of 2001: A Space Odyssey was to make audiences think.  And just as those movies make audiences think, so does this latest release from IFC Films Midnight.  Yes, the ideas presented here are about as out there as those presented on History Channel’s Ancient Aliens, but in the bigger picture of things, that’s not necessarily a bad thing.  In fact, as out there as they might be, they really help to illustrate Kubrick’s brilliance.

Those that are familiar with Stephen King’s books (and the movies based on his books) know just how much distaste King had for Kubrick’s take on his book.  But in Kubrick’s defense, his adaptation of King’s book stood quite well on its own two feet even as its own work.  It stood so well that some three decades plus after its debut, conspiracy theories continue to abound over its imagery.  That is where Room 237 comes into play.  Fair warning to those that take the time to sit down and watch this documentary, the conspiracy theories that are bandied about throughout this program are pretty out there to say the least.  There are theories about the imagery in The Shining hiding secret holding meaning about the genocide of different groups.  There are crackpot theories centered on mythology, numerology and somehow even the supposed faking of the moon landing.  Yes, somehow, someone even found time to link The Shining to the conspiracy theory about whether or not the moon landing even happened.  These people obviously had far too much time on their hands.  But that’s beside the point.  In defense of the faceless conspiracy theorists, they do manage to defend their arguments, as wild as they may be.  That much can be said of them even if their theories are completely out there.

The theories thrown around throughout the course of Room 237 are definitely as out there as conspiracy theories can be.  This is the case even for theories brought about from a movie.  But the very fact that so many theories have been dreamed up makes an even bolder statement that audiences should consider.  It makes the statement that Stanley Kubrick really was the genius that everyone said he was behind the camera.  Even though he is no longer with us, it shows why he is still the respected individual today that he was today.  Not many directors have an eye like he did for details.  For that matter, few directors could generate so much discussion to this day.  Did Kubrick really intend for people to find everything that they have found?  Did he really have some hidden agenda in moving a chair or a sticker of one of the seven dwarves?  And really, did he intend to send a message about Jack being sexually confused?  What?  It’s all in Room 237.  Regardless of what one believes, the fact that Kubrick could lead so many people to come up with such wild ideas makes this a documentary entirely worth watching at least once.  It is available now on DVD and Blu-ray from MPI Home Video and IFC Films.  It can be ordered online via Amazon at

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IFC Films To Release New Documentary On Kubrick’s Adaptation Of The Shining

Courtesy:  IFC FIlms

Courtesy: IFC FIlms

IFC Films releases the next documentary in its IFC Films Midnight series next month.  Room 237 will be released on double-disc DVD and Blu-ray on September 24th,  the same day that Doctor Sleep will be released.  Doctor Sleep is the long-awaited follow-up to author Stephen King’s hugely popular horror novel, The Shining.  The upcoming novel follows a now grown up Danny Torrance as he uses his “shining” as he works with elderly patients at a nursing home.

Most people know that The Shining was adapted for the big screen with famed director Stanley Kubrick at the helm.  What some might not know is King’s opinion of Kubrick’s take on his novel.  For those that don’t, King was never pleased by the treatment, thus leading him to helming an adaptation of his own for the small screen.  Now thanks to IFC Films, audiences will get a deeper look at Kubrick’s adaptation of King’s novel, and the hotel that would be the inspiration for the hotel in the movie.

Directed by Rodney Ascher, Room 237 attempts to decode the hidden meanings, symbols, and theories that viewers believe are strewn throughout the movie through first-hand interviews with a variety of figures.  The alleged meanings, symbols and theories were developed by audiences, scholars, and critics alike and have lived on since the movie’s original debut over three decades ago.  The new documentary was named an Official Selection at the 2012 Sundance, Cannes, and Toronto film festivals.  It took home the Best Director Prize at the Fantastic Fest.  Its upcoming double-disc DVD and Blu-ray presentation comes with a handful of special features, listed below.

* “The mastermind Speaks: Commentary with Kevin McLeod.” McLeod is a key figure in the online examination of Kubrick’s film.

* “Secrets of The Shining,” an hour-long panel discussion from the first Stanley Film Festival, an event at Colorado’s historic Stanley Hotel, which inspired one-time guest Stephen King to write his novel.

* 11 Deleted Scenes

* The Making of the Music Featurette

* Mondo Poster Design Discussion with Artist Aled Lewis

* Trailers

Room 237 will be available on double-disc DVD and Blu-ray September 24th for an MSRP of $27.98 and $29.98 respectively. More information on Room 237 and other releases from IFC Films is available online at and

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Thank Goodness For This House

Courtesy:  20th Century Fox/20th Century Fox Home Entertainment

Courtesy: 20th Century Fox/20th Century Fox Home Entertainment

While it may not be the most original of stories, House at the End of the Street is a story that will keep audiences watching right to its conclusion.  That is thanks in large part to scriptwriters David Loucka and Jonathan Mostow.  What Loucka and Mostow have done with House at the End of the Street is taken a time honored story and updated it for a new generation.  There’s no denying that as predictable as it is, it does do an impressive job of keeping audiences’ attention.  It does this by throwing in just enough plot twists to keep audiences thinking they know what’s going on, only to have their minds twisted.  As the near two-hour story proceeds, audiences find that everything they thought they knew was wrong.  That even applies to the story’s conclusion.  Loucka and Mostow leaving audiences guessing right up to the end, wondering about Ryan (Max Theriot) and his sister, Carrie Ann.

Perhaps part of the reason that the story manages to keep audiences engaged and wondering–as predicatable as it seems–is that unlike so many movies in today’s horror/suspense/thriller genre, it doesn’t rely on blood and gore to call itself a horror.  It’s really more of a psychological horror in the vein of classic Hitchcock and King stories.  Audiences get a slightly better understanding of this in watching the movie’s sole bonus feature, “Journey Into Terror: Inside House at the End of the Street.”  Star Jennifer Lawrence (The Hunger Games) makes a brief mention of this.  But it isn’t until she makes mention of it that audiences might catch onto it.  As the old adage states, hindsight is 20/20.  And in an era when so many horror movies are more bloodshed than story, it’s nice to have a movie within the genre that takes the road less travelled.  It’s that same road hat any true horror purist will want to watch at least once.

House at the End of the Street is available now in stores and online.  It can be purchased online at the 20th Century Fox online store,

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