20th Century Fox’s Night At The Museum Series Goes Out On A Low Note With Its Last Installment

Courtesy:  20th Century Fox/20th Century Fox Home Entertainment

Courtesy: 20th Century Fox/20th Century Fox Home Entertainment

When it originally debuted in theaters late in 2014, Night at the Museum: Secret of the Tomb ended up being pulled not long after its original run. It comes across as no surprise that it was pulled so quickly. That’s because it is just a hollow shell of the movie that kicked off 20th Century Fox’s Ben Stiller-led franchise some eight years ago with Night at the Museum. The movie is alleged to have had a production budget of approximately $127 million. By comparison, its total domestic take at the box office was rumored to be around $113,531,745. On the surface that may seem like it was a relative success despite coming up short of its budget. It’s deceiving, though. That’s because the box office sales number is the movie’s gross rather than net. After 20th Century Fox recouped its production budget that left the movie to actually keep only $13,468,255. That is a massive loss to say the least. Put more simply, the movie hemorrhaged money. Given, the total domestic plus foreign sales actually garnered the movie a healthy net profit. But it doesn’t make up for the movie’s lackluster domestic sales. It’s even more proof that American audiences are in fact growing weary of Hollywood’s constantly running river of prequels, sequels, and remakes. So what caused this movie to perform so poorly at least at the American box office? The primary issue with the movie is its script. The script breaks absolutely no new ground in comparison to the franchise’s first two movies. As a matter of fact it goes so far as to rehash much of the material from those movies in hopes that audiences would fall for the writing team’s pathetic overall lack of originality and creativity.  The acting is another issue that should be noted in considering what doomed this movie. Having seen the same sort of comic performances twice over in both NATM and NATM 2, Stiller’s acting here—and that of his cast mates—has become old hat and is just as uninspired as the movie’s script. For all of the movie’s cons, there is one saving grace to the whole thing That saving grace is the fact that the movie continues to push the values of the world’s museums and on a larger scale, learning about the history of the world. In simpler terms, it continues to promote the importance of education albeit history education. That is certainly laudable considering that today’s youths are more concerned with the latest video games and the next big viral video than the excitement of the world’s history. Is it enough to save this movie? Sadly, the answer is no. But at least it doesn’t try to fictionalize history and make it something it isn’t in its efforts to entertain young audiences. Taking into account each of its noted elements, NATM 3 (as it will henceforth be known) proves to be just as forgettable in its new home release as its big screen release last year.

20th Century Fox’s third and hopefully truly last installment in its Night at the Museum franchise is the worst of the studio’s three-movie series. There is by and large very little that makes this movie memorable or even enjoyable. The movie’s script is the main reason that it suffers and in turn makes audiences suffer. The script is laughable especially considering that the trilogy first kicked off eight years ago. The story presented in this movie’s script sees Larry (once again played by Ben Stiller) and all of his friends from the original Night at the Museum movie go on a trip across the Atlantic to return the magical tablet at the center of the trilogy to Ahkmenrah’s father in “Egypt.” The trip has to be made because *gasp* the tablet has been away from its proper place for too long. Apparently it hadn’t already sat in the Museum of Natural History in New York for far too long at the time of the trilogy’s first installment. Go figure. So instead of any new story, it all centers on the tablet once again. And not to ruin things for those that haven’t yet seen the movie now that it is available on DVD and Blu-ray combo pack, but the group’s “epic” quest isn’t quite as epic as one might think. Instead of actually going to Egypt, they travel to London’s major museum and have to get to the museum’s Egypt wing so as to return the tablet to Ahkmenrah’s father (played in little more than a cameo role by Sir Ben Kingsley). With a budget allegedly topping $127 million one would have thought that Larry and company might have actually somehow made the trip to Egypt or the country’s main museum instead of the Egypt wing of London’s central history museum. Add in the fact that Larry and his friends have to hunt for their pint size pals Jedediah and Octavius (once again played by Owen Wilson and Steve Coogan respectively) and also have to get the tablet back from a misguided Sir Lancelot along the way all while maneuvering their way through the museum, and audiences get a script that when examined in such full detail, can only be described as completely contrived, unoriginal, and completely lacking in any creativity. That’s not even to mention the underlying plot of Larry’s relationship with his now teenage son who wants to travel the world instead of go off to college. It is all too much.

The script thrown together by NATM 3’s writing team does more than its own share of damage to this movie. The very fact that multiple parties played a role in the script’s creation could in fact be to blame for its numerous issues. As much damage as the movie’s script does to the movie’s overall presentation, it’s just one of the movie’s major setbacks. The work of the movie’s cast does its own share of damage, too. Larry’s back and forth with Dexter and Laa is all too familiar for those that have watched NATM and NATM 2. It’s been done. It’s one of those situations that proves to be anything but funny this time around because it has already been done so much before. Even Owen Wilson and Steve Coogan felt slightly like they were just “phoning it in” during their parts. It was almost like they themselves had grown somewhat tired of the roles and were trying hard to not show it. On a lesser note, Rebel Wilson is just as annoying in her role of Tilly as Jonah Hill was as security guard Brandon in NATM 2. To be totally frank, having a similar character type used as the secondary guard twice over shows yet again the writers’ lack of creativity or enlightenment. They obviously didn’t learn from Hill’s failures as is evident in Wilson’s portrayal of Tilly. For all of the damage that the cast does with its work in front of the camera, it can at least be said that Robin Williams didn’t disappoint in what is one of his final roles before his untimely death. It’s easy to tell that once again he put in his whole effort from beginning to end. The same can be said of Patrick Gallagher in his return as Attila The Hun. While he is not the lead star, he is still just as entertaining as ever. To that extent one can argue that at least the movie has that as its single, shining ray of light in an otherwise dark cloud of a sequel.

The writing that went into NATM 3 and the work of the cast by does a lot to prove this movie to be one more sequel that never should have seen the light of day. Though, not the entire cast is so disappointing. Robin Williams and Patrick Gallagher both shine in their own right. Sadly, their work in front of the camera is the movie’s only fully noticeable saving grace in terms of the movie’s intrinsic value. For all of the problems that show up throughout NATM 3, there is at least one positive that can be noted when looking at the movie from a larger scale. That positive is the series’ continued push for history education and the support of the world’s museums. In an age when the world’s youths are increasingly being distracted by social media, video games, and their cell phones, the continued push to get those same younger audiences interested in history and the houses that keep said history is actually welcome. After all, it has been said that those who forget the past are doomed to repeat it. Not only that but those who forget the past won’t have an appreciation for what they have today, either. NATM 3 does a good job of reminding audiences both young and old alike of how far the world has come over the centuries. And when coupled with the series’ first two movies, it does in fact make this installment more worth the watch if only for that one reason. Sadly though, it is the only reason other than the work of Robin Williams and Patrick Gallagher that NATM 3 is worth the watch. Other than those two reasons, there is no reason to watch this otherwise forgettable flick.

There is not much positive to say about NATM 3. Other than the work of two of its cast members and the continued solid push for history education and the buildings that house the world’s history, there is not much that can be noted to the movie’s positive side. The script was completely unoriginal and contrived. That is likely because of the number of people working on the script. It just feels like it has all been done before. The same can be said of the cast’s acting, even in the case of new cast member Rebel Wilson. There is no new ground broken in this avenue, either. One could even say that seeing even more museum figures coming to life is anything but new, too. On the other hand though, introducing new historical figures also continues the series’ push for history education and support for the world’s museums. To that extent, NATM 3 has at least that much to its credit. Sadly that is all that it has to its credit. That means that while it’s worth at least a watch, it’s not worth much more than that.

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Coogan And Brydon’s Second Outing Is Another Entertaining And Delectable Trip

Courtesy:  IFC Films/mpi Media Group

Courtesy: IFC Films/mpi Media Group

IFC Films’ latest outing from actors Rob Brydon and Steve Coogan is one of 2014’s best new independent releases. The “sequel” to the duo’s 2011 feature simply (and aptly) titled The Trip, The Trip To Italy stands out unlike any other production released in 2014. It stands out primarily in its approach. It isn’t necessarily a movie in the most traditional sense. Though there is a sense of a buddy road trip to the story. That buddy comedy element is crossed with something that could almost be considered a reality TV sort of approach. The end result is a presentation that one can’t help but watch if only for that reason. The approach taken by those behind the cameras in presenting The Trip To Italy is just part of the whole that makes this rather intriguing and entertaining work so well worth the watch. Brydon and Coogan’s (sounds like a law firm doesn’t it?) jokes and impersonations throughout the trip make for their own share of entertainment. Nothing is off limits to the pair. No doubt the duo’s comic bits and discussions will have any open-minded viewer laughing uproariously. The last element of The Trip To Italy that makes it such a joy is its backdrops. There is no green screen here. There is no movie magic. Everything that audiences see is really the Italian countryside. In its own way, it could be argued that it is a throwback to the golden era of moviemaking. Together with the movie’s comic element and its overall presentation, all three elements make The Trip To Italy a movie that while not a movie in the traditional sense, a production that still stands firm on its own laurels and is one of the best new independent releases of 2014.

The Trip To Italy is one of the best new independent film releases of 2014. The movie, which ironically enough is itself a sequel, proves to be far better than any of the mass of sequels churned out by Hollywood’s Power Five studios last year. The central reason that it outperforms those movies is the manner in which it is presented. The “movie” isn’t necessarily a movie in the traditional sense. Yet the classic buddy comedy/road trip aspect is there. To be more precise, it blends that element with something along the lines of a reality TV show to make for a production that completely stands out from that mass of major name equels. What’s more, being that Coogan and Brydon spend most of their time either eating and driving, one could even compare it to the likes of PBS’ Rick Steves Europe. Go figure, Coogan and Brydon go after so many pop culture figures, movies, and more. But they don’t poke fun at Rick Steves even being in a setting that only encourages such jabs. That will be discussed later. Getting back to the subject at hand, the duo’s travels through Europe was compltely unscripted. It was just them touring Italy, checking out some of the country’s finest cuisine and taking in the sights all while making jokes and trying out their best impersonations. There’s no scripting. So while yes it is a movie, it also shows to be one third documentary and one third reality TV. That The Trip To Italy comes across as such an intriguing hybrid is plenty of reason within itself for audiences to check out this latest release from IFC Films. It’s just one reason to watch it, too. The jokes and impersonations shared throughout the its near two-hour run time make The Trip To Italy even more worth the watch.

The hybrid presentation of The Trip To Italy offers audiences plenty of reason within itself for audiences to watch the “movie” at least once. The jokes and impersonations that are thrown around throughout the course of its near two-hour run time add even more reason for audiences to check it out. Nothing is off limits to Coogan and Brydon, either. From Alanis Morissette to Sean Connery and Roger Moore to Al Pacino and more, Coogan and Brydon go after everyone that they can think of. There’s even a joke aimed at famed Prairie Home Companion host Garrison Keillor. Speaking of public broadcasting, it is interesting that there was no mention of PBS’ travel series Rick Steves Europe anywhere in this production since the duo spent the length of the movie travelling the Italian countryside. Perhaps that was just too easy and too expected. It’s anyone’s guess. Regardles, the jokes and impersonations that are included throughout the “movie”–including a lighthearted jab at Americans’ tendency to use overblown names for themselves and their posessions–make for plenty of laughs and in turn, just as much entertainment. It’s yet another way in which The Trip To Italy proves itself worth the watch. It still isn’t all that makes the production worth the watch, either. The backdrops throughout the presentation round out the reasons to watch The Trip To Italy.

The comic element of The Trip To Italy and its original hybrid presentation are both key to its enjoyment. Both aspects play their own important role in the production’s enjoyment. While both are equally important, they still are not all that make the presentation worth the watch. The “movie’s” backdrops round out the whole thing and make it all the more enjoyable. As noted previously, it would have been so easy for audiences to make a comparison between The Trip To Italy and PBS’ Rick Steves Europe in watching this work since Coogan and Brydon were travelling the Italian countryside. It would have been just as easy for Coogan and Brydon to make jokes at that show’s expense. Of course that didn’t happen. Perhaps that’s because it would have been too expected and easy. Regardless, the backdrop of the Italian countryside is a major positive to the whole of The Trip To Italy. As subtle as it is and as little as some might think about it, seeing that countryside is just like watching Rick Steves Europe. It’s like watching a video postcard. There is no green screen. There are no special effects. It is really the duo travelling the countryside. It is more proof of the duo’s (and of IFC Films’) dedication to making the experience 100 real and believable for audiences. It is that reality of the “movie” alongside its original hybrid presentation, and its laugh riot jokes and impersonations that makes The Trip To Italy a trip that audiences will want to take more than once.

The Trip To Italy is available online now in stores and online now. It can be downloaded via iTunes now at https://itunes.apple.com/us/movie/the-trip-to-italy/id900191598. More information on this and other titles from IFC Films is available online at:

Website: http://www.ifcfilms.com

Facebook: http://www.facebook.com/IFCFilmsOfficial

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