Up-And-Coming Guitarist To Tour With Malmstein

Rising guitar star Ethan Brosh will hit the road this spring and summer with veteran guitarist and virtuoso musician Yngwie Malmstein.  The tour, which is in support of his upcoming sophomore full length studio release, will span twenty-five cities across the U.S. and Canada.  Brosh’s upcoming album is titled Live The Dream.  Bassist Dave Ellefson joins Brosh on this new release.  Ellefson isn’t the only huge name to have a hand on Bosh’s latest record.  Max Norman (Ozzy Osbourne, Megadeth) mixed the record, and Bob Ludwig (Bon Jovi, Def Leppard, Iron Maiden) mastered it.  Joe Petagno (Led Zeppelin, Pink Floyd) crafted the album’s artwork.

Brosh’s debut album, 2009’s Out of Oblivion featured its own roster of who’s who in rock. Mike Mangini (Dream Theater, Extreme, Steve Vai) covered the drums for the record.  Mangini was just one of the big name musicians to make a guest appearance on Out of Oblivion.  He was joined by George Lynch (Dokken) and Greg Howe (Michael Jackson).  Derek Riggs (Iron Maiden) created the artwork for the album, while Chris Tsangarides (Judas Priest, Ozzy Osbourne) ran the boards.

Brosh has obviously made quite the name for himself as a solo artist.  And while he has done so, he doesn’t rest on his laurels as he also performs with another group called Burning Heart.  Burning heart will join the Yngwie tour on its second leg.  The tour will mark the first ever national tour for the band. 

A current list of tour dates is available below.  And for the latest tour updates and all the latest news from Ethan Brosh, fans go “Like” him on Facebook at https://www.facebook.com/pages/Ethan-Brosh/88968151778.  Fans can also get the latest from Ethan Brosh online at http://www.ethanbrosh.com, http://www.myspace.com/ethanbrosh, and http://twitter.com/ethanbrosh.  Audiences can also check out Ethan’s music via YouTube at http://www.youtube.com/ethanbrosh.

04/24/13        CLEVELAND, OH           HOUSE OF BLUES
04/25/13        DETROIT, MI                             ST. ANDREW’S HALL
04/26/13        TORONTO, ON                     PHOENIX THEATRE
04/27/13        HARTFORD, CT                    THE WEBSTER THEATER
04/28/13        MUNHALL, PA                     CARNEGIE LIBRARY MUSIC HALL OF HOMESTEAD
04/29/13        BOSTON, MA                      THE WILBUR THEATRE
04/30/13        NEW YORK, NY                    IRVING PLAZA
05/03/13        MEMPHIS, TN                     TOM LEE PARK – BEALE STREET MUSIC FESTIVAL
05/04/13        CHICAGO, IL                     HOUSE OF BLUES
05/05/13        ST. CHARLES, IL                 THE ARCADA THEATRE
05/07/13        DENVER, CO                      THE SUMMIT MUSIC HALL
05/09/13        ANAHEIM, CA                     HOUSE OF BLUES
05/10/13        W. HOLLYWOOD, CA                HOUSE OF BLUES
05/11/13        FRESNO, CA                      TOWER THEATRE
05/12/13        VENTURA, CA                     MAJESTIC VENTURA THEATER
05/13/13        SAN FRANCISCO, CA       THE REGENCY BALLROOM
05/14/13        SAN DIEGO, CA                   HOUSE OF BLUES
05/16/13        DALLAS, TX                              GRANADA THEATER
05/17/13        SAN ANTONIO, TX         BACKSTAGE LIVE – OUTDOORS
05/18/13        HOUSTON, TX                     OUTDOORS HOUSTON GUITAR FESTIVAL
5/21/13         SAUGET, IL                              POPS
5/23/13         NEW ORLEANS, LA         HOUSE OF BLUES
5/24/13         ORLANDO, FL                     PLAZA THEATRE
5/25/13         MIAMI, FL                               GRAND CENTRAL
5/26/13         TAMPA, FL                               ORPHEUM THEATRE

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Re-Machined More Than Just A Tribute Record

Courtesy:  Eagle Records/Eagle Rock Entertainment

Courtesy: Eagle Records/Eagle Rock Entertainment

Famed British hard rock band Deep Purple is set to drop its new album next month.  The album, titled Now What?! will be released in the United State Tuesday, April 30th.  While fans wait for the release of this highly anticipated album, they have another recent release to tide them over in the form of the tribute album, Re-Machined: A Tribute to Deep Purple’s Machine Head.  It may be a tribute album, but it is still a great album for both new and long-time fans of Deep Purple.

The new honorary compilation hit stores in late 2012 as part of the 40th anniversary of the landmark album’s original release.  It features all seven tracks from Deep Purple’s original iconic album plus a pair of bonuses.  One of those bonuses comes in the form of Metallica’s cover of ‘When A Blind Man Cries.’  As Metallica drummer Lars Ulrich notes in the compilation’s liner notes, “I have a list of songs in my head that Metallica should play before we either break up or die, and Deep Purple’s ‘When A Blind man Cries’ is one of those songs.”  The song in question is a bonus in that it actually never made the record.  Again, the liner notes shed light on this.  The notes, written by Classic Rock Magazine’s Mark Blake note that the song in question was originally a B-side to the song, ‘Never Before’ but has become a fan favorite throughout the years.  So it only made sense to have it included on this tribute record.  And it’s just one of the pieces that make this album a must not just for any Deep Purple fan but for any hard rocker, period.

‘When A Blind Man Cries’ is just one part of what makes Re-Machined such an impressive album of covers.  Going back to Ulrich, he and Metallica constitute just one of the acts brought together to record this album who openly tout Deep Purple as an influence in their own career as musicians.  Blake writes of Iron Maiden’s front man Bruce Dickinson (whose band also covers a track on the disc) that he [Dickinson] was also a “serious Purple aficionado.”  He quotes Dickinson as saying, “I cut my teeth as a kid on Deep Purple.  It’s what I grew up with.  It’s what got me out of bed in the mornings.”  Now if that isn’t a tribute in itself to the importance of Deep Purple in the music world, it’s anyone’s guess what is.  Dickinson and company ended up recording ‘Space Truckin’’ for the record, which is an absolutely outstanding piece both originally and as a cover here.  The way that it drives (no pun intended), it will have fans pumping their fists and singing along loud and proud. 

If Iron Maiden’s ‘Space Truckin’’ isn’t enough to convince fans of this compilation’s importance, then maybe the album’s opener will.  Carlos Santana (yes, that Carlos Santana) joins Papa Roach front man Jacoby Shaddix for a cover of what is arguably the band’s most famous song of all time, ‘Smoke on the Water.’  What’s really interesting about this cover is that while it is a cover, it doesn’t feel or sound like one.  Far too often, bands and artists try to take classic songs and update them.  That’s not the case here.  Shaddix and Santana have taken the classic and made it their own while still paying homage to the original.  It makes perfect sense as to why the album would open with this cover in hearing Santana’s guitar chops and the solid vocals of Shaddix.  It also serves one more purpose that at a passing glance is missed.  But in really thinking about the generational mix presented here, one sees the purer purpose of using it as the compilation’s opener.

On the surface, having a bunch of bands and artists resurrect one of rock’s most important and iconic albums is a great thing.  Having the album resurrected by a collection of rock’s greatest names past and present is even greater.  What this does is it makes it more than just a tribute album.  It makes the album a music history lesson in and of itself.  As evidenced in the opening number, young audiences will be pulled in by the inclusion of Papa Roach’s Jacoby Shaddix.  Older audiences will be pulled in from both the fact that it’s Deep Purple and that fellow veteran musician Carlos Santana is on the track.  Also because of the inclusion of Santana, those same younger audiences will potentially be introduced to the music of not just one great classic act, but two in both Deep Purple and Carlos Santana, thus preserving both acts’ legacies for a whole new generation.  The same could be said of the inclusion of Chickenfoot’s live cover of ‘Highway Star’ and Black Label Society’s cover of ‘Pictures of Home.’ 

It should be clear by everything noted here that Re-Machined is more than just a tribute to a band.  It’s a tribute, yes.  But it’s also a tribute to everything that was and still is right with rock and roll.  It’s a musical love letter to real rock and an excellent way to get a whole new generation of hard rockers and metal heads into what is without a doubt, one of mainstream rock’s greatest bands.  The album is available now in stores and online.  Audiences can get more information on this album, the band’s upcoming new full length studio release and its tour dates online at http://www.deeppurple2013 and http://www.facebook.com/officialdeeppurple

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Marty Friedman Re-Issue Is A Must Have For All Guitarists

Courtesy: Prosthetic Records

Thank goodness for Prosthetic Records and for guitarist Marty Friedman.  Thanks to Prosthetic Records, three of Friedman’s classic records have been re-issued for American audiences to enjoy once again.  The best of that new trio of re-issues is his 2006 instrumental prog-metal album, “Loudspeaker.”  “Loudspeaker” is a true musical experience and not just a rock record.  Anyone who is a fan of fellow guitar experts John Petrucci, Steve Vai, and Joe Satriani will appreciate the talent exhibited by Friedman on this record.

Friedman shows that his talent is right up there with Petrucci, Vai, and Satriani on “Loudspeaker.”  And having both Petrucci and Vai as guests on the record allows him even more opportunity to do just that.  The album opens with the pounding four minute plus Megadeth style song ‘Elixir.’  From the speed metal guitar work to the hundred mile an hour drumming, this song oozes classic metal.  As if that isn’t enough, he follows that up with an equally adrenaline pumping piece in ‘Speed Demon.’  One can actually kind of see someone behind the wheel of an all black classic car a la Steve McQueen in Bullit in listening to this song.  If a person listens to it in one’s car, said person may even become a speed demon, too.  It’s a great showing of Friedman’s technical expertise as a guitarist.

Friedman barely lets up after the first two tracks on “Loudspeaker.”  When he moves into ‘Black Orchid’, he kicks into more of a Misfits meets Motorhead style meets prog-rock.  It’s just one more of the many high points that are all across this record.  ‘Sekai Ni Hitotsudake No Hana’ has its own semi-punk style, too.  It will have any self-respecting metalhead’s hair flying while they rock out to it.  Friedman’s technical expertise continues on throughout the remainder of this record without fail.  As impressive as this record is, had it been a brand new record rather than a re-issue, it would have made it on to the list of the year’s best rock records that much easier.  That aside, it is still a record that any and every guitarist at every level should have in his or her own library as it shows exactly why Marty Friedman is one of rock’s greatest guitarists hands down.

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