Orange Loop Rock Fest Details Announced

Courtesy: Adrenaline PR

Organizers of the Orange Loop Rock Festival announced details for the event Monday.

The three-day festival is scheduled to take place June 10-12 at the Showboat Festival Grounds in Atlantic City, NJ. Tickets and VIP passes are available now. Weekend general admission tickets are $144.99 plus fees and VIP passes are $449.99 plus fees.

Single day tickets for Friday, June 10 are $19.99 plus fees while tickets for June 11 and 12 $74.99 plus fees for each day. Children’s weekend general admission tickets are $54.99 plus fees. Tickets are also available in four-packs for $474.99 plus fees and in two-packs for $259.99 plus fees.

Approximately 17 bands are scheduled to perform at this year’s festival, including and not limited to John 5, Chevelle, and a trio of tribute band that take on classics from Ozzy Osbourne, Metallica, and Foreigner.

The festival’s full lineup is noted below.

Friday, June 10th

Foreigners Journey ft. Constantine Maroulis – Tribute to Foreigner & Journey

Ozzmosis – Tribute to Ozzy Osbourne

The Four Horsemen – Tribute to Metallica

Saturday, June 11th

Chevelle

TBA

Hinder

Stephen Pearcy – The Voice of Ratt

Great White

Slaughter

Doro

Sunday, June 12th

Stone Temple Pilots

Hoobastank

Puddle of Mudd

John 5

L.A. Guns

Treach of Naughty by Nature

Dangerous Toys

More information on the 2022 Orange Loop Rock Festival is available along with all of its latest news at:

Website: https://www.orangelooprockfest.com

Facebook: https://www.facebook.com/orangelooprockfest

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South Of Eden Debuts New Single, ‘Lone Riders,’ Companion Video

Courtesy: TAG Publicity

Neo-classic rock band South of Eden debuted its new single, ‘Lone Riders‘ and its companion video this month.

The band debuted the pair Feb. 9. The premiere of the song and its video came only days after the band premiered its cover of Van Halen’s classic song, ‘Drop Dead Legs.’ Some of that Van Halen influence is on display at points throughout the new song, too. Audiences who listen closely will hear the influence in the arrangement’s guitar line.

The rest of the arrangement proves engaging and entertaining in its own right, too. That is because of the balance of the band’s classic rock leanings and more modern rock approach. The overall presentation can be argued to have comparison to works from the likes of Buckcherry and to a lesser extent, Stone Temple Pilots.

Front man Ehab Omran talked about the song’s musical arrangement and lyrical content in a prepared statement..

“We chose ‘Lone Riders’ as our first single because we felt the high-energy music and down to earth lyrics encapsulate everything about this band,” Omran said. “It’s about being broke, overlooked, and over being on the outside looking in. You deal with it by getting high and watching life go by because you can’t afford to keep up with it.

Omran added, “It’s a mixture of a lot of things. We’re ‘classically rock’ influenced, but listen to so many different genres and eras that there are a lot of different feelings in our music.

He concluded, “When you hear us, I want you to walk away thinking, ‘That was honest and different’. We’re just doing what we do. We’re proof you can do anything you want and shouldn’t compromise your dreams.”

The video for ‘Lone Riders’ follows the band as it finds itself at a record label after its vehicle runs out of gas. Fortuitously, the band is able to record its new song in the video while one of the label’s executives is held captive, taped to a chair. Ironically, the man turns out to enjoy the song, despite being held captive.

More information on South of Eden’s new single and its EP, The Talk, is available along with all of the band’s latest news at:

Websitehttp://southofedenband.com

Facebookhttp://www.facebook.com/southofedenmusic

Twitterhttp://twitter.com/southofedenband

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rock Super Group The Lucid Announces New Album Details; Premieres Album’s Lead Single

Courtesy: O’Donnell Media Group

Members of Sponge, Fear Factory, and an ex-member of Megadeth have joined to make a new super group.

Vinnie Dombroski (Sponge), Mike Heller (Fear Factory) and David Ellefson (ex-Megadeth) have joined with guitarist Drew Fortier (Bango Tango, David Ellefson, Zen From Mars) to form the new rock super group, The Lucid. The group is scheduled to release its self-titled debut album Oct. 15 through SpoilerHead Records.

Ellefson said in a prepared statement, he was looking forward to the album’s release.

“It’s been a real blast making a record with these guys and I must say that it’s refreshing to explore some new musical avenues….to step out a bit from what each of us have done stylistically in our own careers,” he said. “There was an effortless synergy that came with creating these songs together which is always amazing when working with new people. I’m looking forward to everyone checking it out!”

Pre-orders are open now. The album’s track listing is noted below.

The Lucid will feature the following track listing:

1.Maggot Wind
2.Deaths of Despair
3.Spoiler Head
4.Hair
5.Maskronaut
6.Damned
7.Breech Boy
8.Pigs and Sons
9.Parade of Spit

In anticipation of the album’s release, the band premiered the record’s lead single, ‘Maggot Wind’ Wednesday. The song’s title conjures thoughts of something heavy and intense, but ironically, the song’s musical arrangement is anything but. Rather, it lends itself more to comparison to works from the likes of Alter Bridge. Just as interesting is that even with that in mind, the sound of Dombroski’s voice as he sings is comparable to that of the late great Stone Temple Pilots/Velvet Revolver front man Scott Weiland.

No information was provided about the lyrical theme featured in ‘Maggot Wind’ in the press release announcing the band’s formation, album details, and single debut. However, in looking at the lyrics provided with the song, it would seem that the song’s lyrical theme is a commentary of sorts about the state of the world. That is just this critic’s own interpretation.

In other news, Ellefson and Fortier are scheduled to appear together at a trio of dates this fall to support their new horror film, Dwellers. The movie is scheduled for release on Blu-ray and digital streaming services Oct. 12. It is available to pre-order through various limited edition bundles here.

Ellefson and Fortier’s scheduled appearances are noted below.

Crypticon, Minneapolis, MN – Sept. 10-12
Dead Conventions, Fort Wayne, IN – Oct 15-17
Chiller Theater, Parsippany, NJ – Oct 29-31

More information on The Lucid’s new single and album is available along with all of the band’s latest news at:

Website: https://thelucidofficial.bandcamp.com

Facebook: https://www.facebook.com/thelucidband

Twitter: https://twitter.com/TheLucid_Band

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Crashing Wayward Takes On The Political, Economic Establishment In New Single, Video

Courtesy: Crashing Wayward

Independent rock band Crashing Wayward premiered its latest single and video this week.

The band premiered its new single, ‘Disco Kills‘ and its video Tuesday through v13.net. The song features a musical arrangement that will appeal to any guitar rock purist.

The composition presents a sound and stylistic approach that shows influences from the likes of Stone Temple Pilots, Audioslave, and even Filter. Yes, that is a disparate mix of influences, but a close listen reveals the influence of all three bands, along with many others. The song was produced by MIke Gillies (Motley Crue, Metallica, The Cult).

The lyrical content featured in the song is meant as a sociopolitical commentary, according to front man Peter Summit.

“’Disco Kills’ was lyrically written as a metaphor about the politicians/big businesses who abuse their platform, disco being the metaphor,” he said. “It speaks in sequence to the effect that Disco music had on Rock in the late 70s, but its subject is a politician/big business who is enjoying the party. How about: It’s really a modern-day Marie Antoinette “Let them eat cake” story that takes on a duel meaning open for interpretation.”

The video for ‘Disco Kills’ puts the band — Summit, David Harris (guitar), Stacey Blades (guitar), Shon McKee (drums), and Carl Raether (bass) — into an empty building that perhaps was once either a warehouse or apartment building as it performs its new single. The video was directed by Vincent Cordero for Industrialism Films.

More information on Crashing Wayward’s new single and video is available along with all of the band’s latest news at:

Website: https://www.crashingwayward.com

Facebook: https://www.facebook.com/crashing.wayward

Twitter: https://twitter.com/crashingwayward

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Keystones Debuts ‘Cut To The Chase’ Video

Courtesy: Earshot Media

Up-and-coming alt-rock band The Keystones debuted the video for its latest single this week.

The band debuted the video for its new single ‘Cut to the Chase‘ Wednesday. The video features the band in a stylized setting complete with monitors, dim lighting, and flashing lights.

The musical arrangement featured in the band’s new single presents a stylistic approach and sound that echoes the alt-rock sounds of the 90s and even adds in a touch of modern, active rock bands. the song’s bass and drums really take center stage in this heavy composition while the guitar line in this case takes more of a supporting role. To a certain level, the composition lends itself to comparisons to works from Muse and Stone Temple Pilots in its more glam type works.

Front man Rayven Burdette talked about the song’s creation during a recent interview.

“Funny enough, the song just came to me while I was in the kitchen cooking,” he said. “I heard the riff with the drums in my head so I quickly programmed the notes into GarageBand on my phone – a huge lifesaver for all the riffs and ideas that pop up out of nowhere! I took the chorus instrumental from another song I was writing and as a band, we fleshed out the lyrics and melodies. This was the first time I was a part of a team of musicians with a goal in mind. This was the first time I was being encouraged to do what I love most. This was the first time I felt accepted. It feels so nice to finally be the singer of a band that I’ve genuinely looked up to for years. It feels even better that we all have such organic chemistry and a drive to reach people with our music.”

The lyrical content that accompanies the song’s musical arrangement comes across as an introspective statement from the song’s subject that touches on that subject’s thoughts on a variety of topics.

More information on The Keystones’ new single and video is available along with all of the band’s latest news at:

Website: http://www.thekeystones.net

Facebook: http://www.facebook.com/thekeystonesband

Twitter: http://twitter.com/_thekeystones

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Wicked Garden Debuts ‘Home, Too Far’ Video

Courtesy: TAG Publicity

Wicked Garden debuted the video for its latest single this week.

The band debuted the video for its new single ‘Home, Too Far‘ Thursday.’  The video features the band performing its new single and footage of of a countryside passing by in black and white.  The imagery is meant to illustrate the message in the song’s lyrical content, which focuses on the matter of appreciating those we have while they are here.

Front man Dominick Luzio discussed that theme in a recent interview.

“This is a song about loss, and how you can never get back the time you have with someone once they are gone,” he said.  “And while the term “Home” refers to an afterlife or another plane of existence, it’s too far away for the people that have been left behind.”

The song’s musical arrangement features a distinct 90s alt-rock sound similar to works from the likes of Creed, Stone Temple Pilots, and Temple of the Dog.

Guitarist Shawn Trojahn discussed the song’s arrangement in his own comments.

“I was frustrated by not having written by not having written anything in a while,” he said.  “Then when i came up with this riff, I knew it had something.  It was different from our other songs, but still sounded like us.”

More information on Wicked Garden’s new single and video is available along with all of the band’s latest news at:

 

Website: http://wickedgardenlv.com

Facebook: http://www.facebook.com/wickedgardenvegas

Twitter: http://twitter.com/WickedGardenLV

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Gibbons’ New Solo LP Is 2018’s “Baddest” Rock Album

Courtesy: Concord Records

This year was a very productive span for the rock realm.  New offerings from well-known acts, such as Joe Satriani, Billy Gibbons and Stone Temple Pilots were joined by some enjoyable offerings from some lesser-known acts, such as The Magpie Salute, The Marcus King Band and Black Coffee to make for quite the selection of new offerings.

Simply put, the mainstream and the independent offerings turned out this year gave audiences plenty to appreciate. Many of those offerings made their way into Phil’s Picks list of the year’s top new rock albums, including and not limited to the offerings from the acts already noted here.

Topping off this critic’s list this year is Billy Gibbons’ new album The Big Bad Blues.  The ZZ Top star’s latest solo offering features some impressive covers of classic blues and blues rock tunes, while also offering some equally entertaining originals to round out the record’s body.  The whole is a record that is a solid listen from start to finish.

Taking second spot in this year’s list of the year’s top new rock albums is legendary guitarist Joe Satriani’s latest offering What Happens Next.  The full-on instrumental offering is everything that fans have come to expect from Satch, with touches of his past and present.

Third spot in this year’s list goes to Slash, Alter bridge front man Myles Kennedy and The Conspirators.  The group’s new offering Living The Dream is a well-produced and engineered album with plenty of radio ready singles that go a long way toward displaying the group’s collective talents.  The lyrical themes are just as easily accessible as the record’s arrangements.  While not a perfect record, it is still enjoyable in its own right.

The remainder of this year’s list is noted below.  Also featured in this year’s list are new efforts from Black Coffee, Pop Evil and P.O.D.  As always, the list’s top 10 titles are the best while the five that follow are all honorable mention titles.  Without any further ado, here for your consideration is Phil’s Picks 2018 Top 10 New Rock Albums.

PHIL’S PICKS 2018 TOP 10 NEW ROCK ALBUMS

  1. Billy Gibbons — The Big Bad Blues
  2. Joe Satriani — What Happens Next
  3. Slash ft. Myles Kennedy & The Conspirators — Living The Dream
  4. Clutch — The Book of Bad Ideas
  5. Michael Schenker Fest — Resurrection
  6. Black Coffee — Take One
  7. Black Stone Cherry — Family Tree
  8. Pompeii — The Secret Sessions
  9. P.O.D. — Circles
  10. The Marcus King Band — Carolina Confessions
  11. The Zealots — Only Rocks Live Forever
  12. Roine Stolt’s Flower King — Manifesto of an Alchemist
  13. The Magpie Salute — Highwater I
  14. Royal Tusk — Tusk II
  15. Stone Temple Pilots — Stone Temple Pilots

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Call Of All Debuts ‘War & Illusion’ Lyric Video

Courtesy: O’Donnell Media Group

Rock outfit Call of All unveiled this week, the lyric video for the title track from its upcoming album War & Illusion.

The video debuted Tuesday online via AlternativeNation.net.  Musically, the song’s 90s alt-rock sound will appeal to fans of Stone Temple Pilots, Our Lady Peace, and other similar acts in that vein.  Lyrically, the song is familiar territory.

Front man Hunter Watson, who has spent some time on the small screen as one of “Negan’s Saviors” on AMC’s The Walking Dead and as Big Johnny on Tyler Perry’s Too Close To Home (BET) said in a recent interview with Alternative Nation that the song’s lyrical theme addresses what has happened to the world due to “the powers that be.”  Audiences can read the entire interview here.

Watson’s band mate Cody Webb has his own claims to fame. He is the front man for the band Ages Apart and is a successful producer at Belmont Lane Productions, and has also toured with Hinder. He also has earned through his work, a sponsorship deal with EMG pickups, production and other touring work throughout 2016.

War & Illusion is currently scheduled to be released Aug. 25.   More information on War & Illusions is available online now along with Call of All’s latest news and more at:

 

 

 

Website: http://callofall.com

Facebook: http://www.facebook.com/callofall

Twitter: http://twitter.com/callofall

 

 

 

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Red Reign’s New EP Will Appeal To Classic Rock Fans Of All Ages

Courtesy: Chipster PR

Early last December, Red Reign released its latest studio recording, a five-song self-titled EP.  The self-released record is a work that will appeal to any fan of the songs that made up rock’s mainstream during the late 1980s and early 1990s.  This applies both in regards to the record’s musical arrangements and its lyrical content.  The record’s opener ‘Not That Way’ solidly serves to support that statement.  ‘Chains,’ the record’s third entry, is another of its songs which supports that statement.  It will be discussed later.  The same can be said of the record’s title track.  Each song is important in its own right in showing why fans of rock from that bridge between the 1980s and 90s will enjoy this record.  The other two songs not noted here are just as important in their own right, too.  All things considered, Red Reign proves to be a record that any classic rock fan will appreciate. That is the case even with Red Reign being a more modern act.

Red Reign’s new self-titled, five-song EP is a work that any “classic rock” fan will appreciate.  That is exhibited in no small part through the record’s opener ‘Not That Way.’  The song’s guitar-driven musical arrangement takes listeners back to rock’s early 90s era, conjuring thoughts of Queensryche, Joe Satriani, Van Halen and other similar acts.  Drummer Sam Bendheim’s time keeping on the song provides the song even more depth as he keeps the song moving solidly forward.  Front man and guitarist Carlton McMichael even conjures thoughts of former Queensryche front man Geoff Tate through his vocal delivery.  The song’s musical arrangement is clearly an important part of its whole, but is just one key part of that presentation.  Its lyrical content is just as important to discuss as its musical arrangement.

The lyrical content comes across as an anti-break-up song of sorts.  That is especially inferred as McMichael sings in the song’s chorus, “How things have changed/But it’s not the same/No it’s not that way/You had your chance/And you let it slip away.”  If there was any doubt left about the song’s upbeat message, the song’s second verse alleviates that doubt almost instantly as McMichael sings, “All these years have passed/And I’ve found somebody new/I never ever, ever think of you/Then you come around/Cause you thought you could/But I broke those chains so long ago/And it feels so good.”  The song’s subject goes on to sing in the verse’s back end about being heartbroken long ago and having moved on.  It is a rare message sent in songs centered on relationship break-ups.  Keeping that in mind, that positive, upbeat message does plenty to make ‘Not That Way’ stand out.  When it is coupled with the song’s equally upbeat musical arrangement, the two elements show clearly in themselves why Red Reign will appeal to “classic rock” fans.  It is just one of the songs that serves to support that statement.  ‘Chains’ serves as just as much of an example of why classic rock fans will appreciate the record.

‘Not That Way’ is a clear example of what makes Red Reign’s new self-titled EP a work that any classic rock fan will appreciate.  That is due in no small part to the song’s upbeat and uplifting lyrics and its equally positive musical arrangement.  It is of course just one of the songs that serves to show why this record will appeal to the already noted audience.  ‘Chains’ is another example of why that audience will enjoy this new offering from the Richmond, Virginia-based rock act.  Its musical arrangement sits at the base of its notoriety.  As with the record’s opener, there is an obvious influence from Queensryche in this song’s arrangement.  That is obvious right from the song’s outset through Larry Moore’s bass line and McMichael’s bombastic guitar line.  The combination of those elements and Bendheim’s work behind the drum kit conjures thoughts of something from Queensryche circa 1986 (Rage For Order’s release year).  While the song’s musical arrangement shows a direct influence from Queensryche, its lyrical content is different yet still just as thought-provoking as the lyrical themes presented in RFO.

Whereas Red Reign’s opener was an upbeat anti-breakup song, this piece is much deeper with what seems like introspective commentary centered on someone’s efforts to move forward in life and forget the past.  That is inferred as McMichael sings in the song’s lead verse, “Black and pouring rain/I’m running through these streets where no one knows my name/Free/I won’t look back/On all these things that kept me fear/For all these years/I’m gonna break these chains/I’ll break these chains/I’ll breathe again/I’ll breathe again.”  The song’s second verse continues in similar fashion as the song’s subject sings about overcoming certain difficult situations.  Considering this and the power in the song’s musical arrangement, one can’t help but imagine the song is meant to convey a message of overcoming and moving on in life.  That is of course only this critic’s own interpretation of the song and should not necessarily be taken as gospel.  It would be interesting to learn the exact message delivered in the song.  One can only hope the message interpreted here is somewhere in the proverbial ballpark.  Regardless, the power in the song’s musical arrangement and its lyrical content combines to show in whole why it, too plays such an important part in Red Reign’s enjoyment by its target audiences.  It still is not the last song that serves to show why classic rock fans will appreciate this modern rock act’s new EP.  The record’s title track is one more example of what makes this record an effort that will appeal to fans of rock’s biggest age.

‘Not That Way’ and ‘Chains’ are both key compositions showing what makes Red Reign a record that any classic rock fan will appreciate.  That is due to musical arrangements that harken back to the late 1980s and early 90s and lyrical themes that will both uplift and leave listeners thinking.  They are not its only key compositions.  The record’s title track proves to be just as important to its presentation as the previously discussed songs.  As with those songs, the discussion here begins with the song’s musical arrangement.  This time out, the song’s musical arrangement is more directly related to music from the early 90s. It hints at influences from Stone Temple Pilots, Brother Cane, and other slightly harder-edged bands from that era.  One could even argue that there is a hint of Van Halen circa 1994 (Balance) in this song’s arrangement thanks to its heavy guitar riffs, bass line and equally heavy vocal delivery from McMichael.  That overall arrangement is just one part of what makes this song stand out.  Its lyrical content will leave listeners thinking just as much as that presented in ‘Chains.’

The lyrical content presented in ‘Red Reign’ will leave listeners thinking (and talking) because of McMichael’s metaphorical language used throughout the song. He sings in the song’s lead verse, “Like a flash of lightning/I burn throughout the sky/Out of the way, I’m running high/I feel the evil coursing through my body and veins/Are you ready to rock this place/Lower the bridge I’m coming through/Red reign down on you.”  One can’t help but wonder what exactly McMichael is saying here.  The song’s second verse is just as intriguing as McMichael sings, “In this house of pain the storm looms large and black/My sanity is off the tracks/You know I’ve got no more home…I’ve come from grace and I can’t go back/Lower the bridge I’m coming through.”  McMichael definitely leaves listeners guessing at his message here.  It would definitely be interesting to learn that message and the story behind the song considering that uncertainty.  The very fact that the song’s lyrical content can generate just as much discussion as its musical content shows why this song is so important to Red Reign’s overall presentation.  When this is all set alongside the musical and lyrical content presented in the previously noted songs the picture painted through the songs is one of a record that, again, any classic rock fan will appreciate.  That is even though the band is a more modern rock act.

Red Reign’s recently released self-titled EP is a work that classic rock fans of any age will appreciate.  It shows with its arrangements–which bridge the sounds of the late 80s and early 90s—and its thoughtful lyrical themes that a lot of time and effort was put into its creation.  That time and effort, audiences will agree, paid off.  It resulted in a record that takes audiences back to a specific era without simply being a carbon copy of songs from that era.  The end result is a record that modern record that classic rock fans will appreciate as much as any original classic rock record.  It is available now in stores and online.  More information on Red Reign is available online now along with all of Red Reign’s latest news and more at:

 

 

 

Website: http://www.redreignband.com

Facebook: http://www.facebook.com/RedReignBand

Twitter: http://twitter.com/redreignband

 

 

 

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Art Of Anarchy Announces New Live Dates

Courtesy: O’Donnell Media Group

Art of Anarchy has announced new live dates in support of its new album The Madness.

The band announced this week it will embark on a short string of live dates next month beginning April 3 in Amityville, N.Y. The nearly month-long schedule takes the band to the Midwest and into the Southwest and also into Canada, eventually winding down April 29 in Henderson, NV.  The band’s current live schedule is noted below.

Art of Anarchy Tour Dates:

4/3/17 – Amityville, N.Y. – Revolution Bar & Music Hall
4/4/17 – Asbury Park, N.J. – The Stone Pony
4/6/17 – Toronto, Ontario – Velvet Underground
4/7/17 – Sarnia, Ontario – Station Music Hall
4/8/17 – Battle Creek, Mich. – The Music Factory
4/10/17 – Libertyville, Ill. – Austin’s Saloon
4/11/17 – Chesterfield, Mich. – Diesel Concert Lounge
4/13/17 – Fort Wayne, Ind. – The Rusty Spur
4/14/17 – Ringle, Wisc. – Q&Z Expo Center
4/29/17 – Henderson, Nev. – M Resort

Composed of Scott Stapp (ex-Creed) on vocals, Ron “Bumblefoot” Thal (ex Guns ‘N Roses) on guitar, John Moyer (ex-Disturbed) on bass and twin brothers Jon and Vince Votta on guitar and drums respectively, the band originally formed through an 18-year friendship between Thal and the Votta brothers.

Jon Votta first approached Thal with the idea to form the band years ago.  That discussion eventually led to the band’s creation, which originally saw the late Scott Weiland (ex-Stone Temple Pilots) handle vocal duties. The band’s debut self-titled album was released in June 2015.

Stapp said in a recent interview that he was optimistic about working with the members of Art of Anarchy.

“I’m excited to be a part of Art of Anarchy,” Stapp said.  “I appreciate collaborating with other talented artists and I can’t wait to share our new music with the fans very soon.”

Band manager John Gomez shared Stapp’s optimism.

“The other members of AOA and I are equally excited to have Stapp on board,” Gomez said.  “This is the first band that Scott has fronted outside of Creed and his heart’s really in it.  Scott’s vision, his gift for gut-wrenching storytelling and his powerful vocals lend a bold new energy to the group.”

Thal thought bringing Stapp on to take Weiland’s place has been a boon for the band, adding he thought Stapp’s addition to the band helped take the band in a new direction.

“Scott’s style and the personal lyrics he’s been writing are taking the sound in a new direction – one that brings out the best in all of us,” Thal said.  “It’s a new chapter for us all, and I’m looking forward to sharing the new music with the fans and seeing what the future holds.”

Vince Votta agreed.

“It’s been awesome having Stapp on board,” Votta said.  “Everyone is bringing their A-game and can’t wait to bring it live to the stage.”

Audiences that haven’t heard that new sound can hear The Madness’ latest single, its title track online now via the band’s official YouTube channel.  More information on The Madness is available online now along with all of Art of Anarchy’s latest news and more at:

 

 

 

Website: http://www.artofanarchyband.com

Facebook: http://www.facebook.com/ArtOfAnarchyBand

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.