Animals As Leaders Renew Deal With Sumerian Records; Tobin Abasi, Javier Reyes Featured ‘Bill & Ted 3’ Soundtrack

Animals as Leaders will stay at Sumerian Records for the foreseeable future.

The band announced Thursday that it has renewed its deal with Sumerian Records.  The band released its past two albums — The Madness of Many (2016) and The Joy of Motion (2014) — through Sumerian Records.  The trio released its sophomore album Weightless (2011) and its self-titled debut (2009) through Prosthetic Records.

Sumerian Records CEO Ash Avildan said in a prepared statement, he was happy to have the deal renewed.

“I have known Tosin and Javier longer than anyone else in the music business,” he said. “We came up together as kids in DC figuring it out with the most DIY, take no prisoners approach we could. They have both played big parts in my life and career. I can honestly say my path could have ended up very differently had I not become so close with them when we were rookies. I am honored to continue our relationship on an artist/label level and couldn’t be more proud to have Animals As Leaders on the Sumerian roster. They are one of the most influential groups of our generation in this world of music. As for Matt G, he is a true G. As for his alter ego Dirty D, I am not at liberty to comment.”

Animals as Leaders guitarist Javier Reyes shared Avildan’s optimism.

“We are happy to announce that Animals As Leaders has re-signed to Sumerian Records,” said Reyes. “We have known the folks at Sumerian for years on both a personal and professional level and it honestly feels great to continue our journey together. Sumerian has been an integral part in the growth of Animals As Leaders, even before we ever signed to Sumerian. We look forward to working together with Sumerian for the next few years to continue growing our brands and legacies.”

Front man Tosin Abasi expanded on his band mate’s comments.

“I’ve seen the birth and ascension of Sumerian Records to one of the most important labels in modern metal and beyond,” he said. “Animals as Leaders is stoked to be continuing our journey with them.”

In other news, Abasi and Reyes are among many artists featured in the sound track to the long-awaited new Bill & Ted sequel Bill & Ted Face The Music.  The duo joins with fellow musician Christian Scott aTunde Adjuah to form the fictional band Wyld Stallions and perform the song ‘Face The Music.’

Additionally, Abasi is credited with all of the air guitar sound effects that audiences hear throughout Bill & Ted Face The Music.  Steve Vai previously handled the famed sound effect in the second of the Bill & Ted movies, Bill & Ted’s Bogus Journey.

Bill & Ted Face The Music Music Supervisor Jonathan Leahy had the following to say about Abasi taking on the franchise’s iconic musical role.

“Getting the right guitarist to handle Bill & Ted’s air shredding was one of my top priorities from the very beginning,” Leahy said. “The director asked me “what does shredding sound like in 2020?” and my answer was “it sounds like Tosin Abasi.” Tosin’s virtuosity is mind-blowing and he leads the vanguard of modern players who push the limits of what’s capable on electric guitar. Everything about his approach, from the compositions to the techniques to the physical instrument itself, seems like it arrived via time machine from the future.”

Bill & Ted Face The Music Director Dean Parisot expanded on Leahy’s comments.

“When Jonathan Leahy suggested Tosin Abasi for Bill and Ted, I have to admit my first response was “Are you kidding? Absolutely! But will he even do it?” Miraculously, he did, and as expected, he blew us all away!,” he said. “Absolutely brilliant virtuosity and musicianship, an artist of the highest caliber, and a very nice man. I still can’t believe he did it, so so grateful he did.”

Abasi was humble and brief as he talked about taking part in the movie’s soundtack.

“I’m thrilled to be part of the Bill & Ted Universe. Most excellent!,” he said.

Bill & Ted Face The Music is scheduled for release Aug. 28.  The movie’s trailer is streaming below.


Courtesy: United Artists/Orion Pictures


More information on Animals as Leaders’ new record deal is available along with all of the band’s latest news at:






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‘Automata I,’ Is A Solid Start For BTBAM’s ‘Automata’

Courtesy: Sumerian Records

Progressive metal outfit Between The Buried and Me has, over the course of almost two decades, entertained audiences the world over with its unique brand of music, building its fan base along the way largely on its own terms and without major mainstream support. Given, the band was signed most recently to Metal Blade Records, which has become a major label in its own right, but only for hard rock and metal. To that end it can be argued, again, that BTBAM has largely built its success while staying just under that mainstream radar. That success continues this year with the band’s latest album, Automata I, released March 9 via independent label Sumerian Records. This record, the band’s ninth, can be said to be a success in part because of its concept. This will be discussed shortly. The songs used to tell the record’s story also play into its success. They will be discussed later. The record’s production values round out its most important elements. Each piece of the whole is important in its own way. All things considered, they make Automata I another welcome return for BTBAM and one more of this year’s top new hard rock and metal albums.

Automata I, the first half of BTBAM’s new double album Automata, is one of this year’s top new hard rock and metal albums. That is due in no small part to the concept at the center of the album. The concept here contemplates what would happen if one’s dreams could be broadcast to the world for the sake of entertainment. It’s not such an out there concept considering all the people creating their own YouTube channels that they use to broadcast their personal feelings to the world, a world of strangers both good and — sadly — bad. Of course that seemingly was not what the band intended to convey here. Rather the band was examining what would happen if one’s literal dreams, those thoughts that rise in our sleep, could be broadcast for entertainment. This in itself is the starting point for plenty of discussions, not the least of which is why would anyone want to delve so deeply into someone’s personal life? Has mankind really become that desperate for drama, conflict and attention that one would even consider finding a way to do that? What would be the ramifications of going such a route? Simply put, this is a deep concept, and an original one at that, especially for a concept album. If for no reason other than for taking in this concept, audiences will want to hear this record. This is not the first concept album from BTBAM, and definitely not the least of those albums, either. As a matter of fact, it’s a concept that is just as interesting as those presented in the band’s previous concept efforts — The Parallax II: Future Sequence (2012), Coma Ecliptic (2015) — and is certain to keep listeners well engaged in its own right. Of course as much depth as this concept adds to the record’s overall presentation, it is only one part of what makes Automata I another interesting new effort from BTBAM. The songs that make up the body of the record do their own part to make the album worth the listen.

Automata I is made up of only six songs. Again, this is nothing new for this North Carolina-based prog metal outfit. The songs’ musical and lyrical content combine expertly to make this record all the deeper. In regards to the musical aspect of the songs, the band — Tommy Giles Rogers, Jr. (vocals,keyboards), Paul Waggoner (lead a& rhythm guitar), Dustie Waring (lead & rhythm guitar), Blake Richardson (drums) and Dan Briggs (bass, keyboards) — has once again evolved from its previous records, giving audiences something new yet again. Case in point, the album’s opener, ‘Condemned to the Gallows.’ This song starts off very softly, but gradually builds on itself as it progresses, going from that softness to a solid wall of sound about forty-six seconds in. The addition of Rogers’ vocals and Richardson’s blast beats almost two minutes into the song builds up the song’s arrangement even more. The arrangement closes out ominously in order to build into the album’s second song, ‘House Organ,’ which displays just as much diversity as anything that the band has ever created. It does so without just rehashing any of its previous works, too. It has those heavy moments, and also has some more somewhat contemplative, keyboard-driven moments that, when coupled with Rogers’ vocal delivery, conjure thoughts of Dream Theater. The musical interest doesn’t stop there. The band reaches into a variety of realms in the arrangement of ‘Yellow Eyes’ all while Rogers’ black metal style vocal delivery sits atop the whole thing. As if all of that isn’t enough, ‘Millions’ boasts an arrangement that seems to cross 80s hair metal with, again, a seeming Dream Theater influence circa Awake. ‘Gold Distance,’ the record’s penultimate track conjures thoughts of the soundtrack to Disney’s Tron: Legacy, and at barely more than a minute, it is a nice momentary break for listeners. ‘Blot,’ which closes out the album takes listeners on just as incredible of a sonic ride as its predecessors. That ride is a solid finishing point, musically, to this half of Automata. Needless to say it definitely leaves listeners anxious to hear what the second half of the album will sound like this June when it is released. Of course, the album’s musical arrangements are only one part of what makes the songs so important to the album’s presentation. Their lyrical content is just as important as their musical content.

The lyrical content presented throughout the course of Automata I is just as deep as that of any of the band’s previous records (both concept and standard). As Rogers noted in a recent interview, “Lyrically, I wanted to write something that I treated as a puzzle until it comes together at the end. For as deep and dark as it is, there’s a positive outcome, which we’ve never had.” He goes on to explain the story centering on a man whose dreams are being used as entertainment for the masses and the album’s central figure thinking everything happening is real, when it isn’t. The journey does in fact start very dark in ‘Condemned to the Gallows,’ with the song’s subject in…well…a very dark situation. He sings here, “Gripping the brightest grid/A surgical drive to increase the noise/ice cold realization of the silent wind/slowly drags me up into a splintered reason/Emptiness engulf me.” He goes on to sing, “Align the love inside me/let misery awake me/Search low/Abandoned/The creaking floors cry out below/A limping glimpse of next steps/The fog showers the last light of day.” The story’s main character sees his descent continue from here, with his emotional and psychological state seeming to get worse with each song. That is especially obvious by the time the album reaches its closer, ‘Blot.’ The subject sings here, “All my pockets are full and my mind is lost/Circulate/The rear view keeps shifting as I stare at the sun…this is the beginning of my new life/I hope you enjoy the show/It’s for you, ya know?/To watch you from across the room/To hear you through the tangled lines/It completes me/I’ve been waiting.” It is a dark but so powerful moment in this story, and one more example of why the album’s lyrical content is just as important as its musical content, and why both of those elements are just as important as the story itself to this record. The album’s songs, as important as they are to its whole, are not the last of its most important elements. Its production is important, too.

The production work put in on BTBAM’s new album is key to its presentation because of how much is going on within each song. The album’s opener is proof of that importance. The way in which the song builds from its soft opening to the controlled chaos of its main body keeps everything in full balance. That says a lot considering how easy it would have been for the song to get bogged down in itself musically with so much going on. Much the same could be said of ‘House Organ.’ it starts out in full, controlled death metal chaos before eventually calming into a more Spock’s Beard-esque prog-rock sound as it progresses. All the way on to the album’s end, the attention put into each line brings out the album’s best, with the result being a fully immersive listening experience that will keep every listener engaged. Keeping this in mind, the expert production work on this album is its finishing touch. When it is joined with the depth of the songs that make up the record and the story itself, the whole of the album becomes a work that will appeal to every BTBAM fan just as much as it will to prog metal(and even metal) fan — a record that is in itself one of this year’s top new albums and that likely with its forthcoming companion, one of the year’s top new albums overall.

Automata I, the first half of BTBAM’s new album Automata, is in itself another solid new entry from the veteran progressive metal outfit. That is made obvious first and foremost through the story presented in this half of the album. The story presented here follows its subject as he descends into sleep and starts his dreaming. The songs used to tell that portion of the story do plenty to keep listeners engaged. The production at the center of those songs allows each member of the band to be highlighted, keeping any song from getting muddied down in themselves. Each element is important in its own right to the whole of Automata I. All things considered, they make this first half of Automata an entry that the band’s longtime fans will appreciate just as much as prog metal (and metal) fans. It is available now in stores and online. The band is currently touring in support of Auotmata I. It will be in Pittsburgh, PA tomorrow, Mach 30 to kick off the weekend before moving on to Philadelphia on Saturday and then to Albany, New York on Monday. More tour dates are listed online along with all of the band’s latest news and more information on Automata at:




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Leprous Joins The Dear Hunter As Support For BTBAM Headlining Tour

Courtesy: InsideOut Music

Leprous has announced a new slate of live dates in support of its latest album Malina.

The band will join The Dear Hunter for a five-week headlining run by Between The Buried and Me across America.  Leprous’ performances are in support of Malina which was released last year via InsideOut Music while BTBAM’s dates are in support of its upcoming album Automata 1, which will be released March 9 via Sumerian Records.

The tour launches March 2 in Chicago, Illinois and runs through April 7 in Mount Clemens, Michigan.  It also includes performances in Houston, Texas; Pittsburgh, PA; Seattle, WA and a number of other cities.  The tour’s current schedule is noted below.

Tour Dates

3.2 – Chicago, IL – House of Blues
3.3 – Minneapolis, MN – First Ave
3.5 – Denver, CO – Ogden Theatre
3.6 – Salt Lake City, UT – The Complex
3.8 – Seattle, WA – Showbox
3.9 – Portland, OR – Wonder Ballroom
3.10 – San Francisco, CA – The Regency Ballroom
3.11 – Anaheim, CA – House of Blues
3.13 – Los Angeles, CA – Belasco Theater
3.15 – Las Vegas, NV – House of Blues
3.16 – Phoenix, AZ – Marquee
3.17 – Albuquerque, NM – Sunshine Theater
3.19 – Austin, TX – Come and Take It Live
3.20 – Dallas, TX – Canton Hall
3.21 – Houston, TX – Warehouse Ballroom
3.23 – Orlando, FL – The Beacham Theater
3.24 – Ft. Lauderdale, FL – Revolution
3.27 – Nashville, TN – Cannery Ballroom
3.28 – Asheville, NC – Orange Peel
3.30 – Pittsburgh, PA – Mr. Smalls
3.31 – Philadelphia, PA – Electric Factory
4.2 – Albany, NY – Upstate Concert Hall
4.3 – Boston, MA – Royale
4.4 – New York City, NY – Playstation Theater
4.5 – Silver Spring, MD – Fillmore Silver Spring
4.6 – Cleveland, OH – Agora Theatre
4.7 – Mount Clemens, MI – Emerald Theatre

Pre-sales for tickets are open now. General ticket sales open at 10 a.m. Friday.

More information on Leprous’ upcoming live dates is available online now along with all of the band’s latest news and more at:






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Through Fire Unveils ‘Where You Lie’ Video

Courtesy: Sumerian Records

Through Fire is giving audiences another taste of its recently re-issued album Breathe.

The band unveiled Tuesday the video for the album’s latest single Where You Lie.  The timing of the video’s release on Halloween was fitting considering that it was filmed in a setting meant to be a dimly lit forest that included some tombstones.  Even with that dark imagery, the song, which can be experienced with its new video here now, is anything but dark.


Courtesy: O’Donnell Media Group

Breathe’s deluxe re-issue is available now in stores and online via Sumerian Records.  The band will tour this fall in support of the re-issue on the 2017 Breakout Tour, which will also feature Danger Kids, Righteous Vendetta and American Sin as support acts.  The tour, whose schedule is noted below, launches Nov. 28 in Ringle, WI and currently runs through Dec. 16 in Omaha, NE.

2017 Breakout Tour Dates

Nov 28, Q and Z Expo Center – Ringle, WI

Nov-29 Route 20 Outhouse – Racine, WI

Nov-30, The Basement – Columbus, OH

Dec 01, The Limelight – Peoria, IL

Dec 02, The Outland – Springfield, MO

Dec 03, The Warehouse – Clarksville, TN

Dec 04, Capone’s – Johnson City, TN

Dec 05, Madison Live – Convington, KY

Dec 08, Paper Tiger – San Antonio, TX

Dec 09, House of Rock – Corpus Christi, TX

Dec 10, Gas Monkey Bar & Grill – Dallas, TX

Dec 12, Blueberry Hill – St. Louis, MO

Dec 13, The Forge – Joliet, IL

Dec 14, The Annex – Madison, WI

Dec 16, The Waiting Room – Omaha, NE

More information on Through Fire’s new single, video, album re-issue, tour and more is available online now at:










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Through Fire Announces New Live Dates

Photo Credit: Christopher Tierney

Photo Credit: Christopher Tierney

Through Fire has announced a new slate of live dates.

The up and coming hard rock act announced this week that it will join Sick Puppies on tour this fall beginning September 18th in Pittsburgh, Pennsylvania.  The 11-date run is in support of the band’s latest release Breathe and will follow its upcoming tour with Nonpoint.  That tour launches next Saturday, July 30th in South Bend, Indiana and runs through August 10th in Newport, Minnesota.  Through Fire’s current tour schedule is noted below.


Upcoming shows:

(with Nonpoint July 30-August 10)

Jul 30 South Bend IN Club Fever

Jul 31 Springfield IL Boondocks

Aug 02 Waterloo IA Spicolis

Aug 03 Merriam KS Aftershock

Aug 04 Evansville IN KC’s B&G

Aug 05 Flint MI Machine Shop

Aug 06 Arlington Heights Il Home Bar

Aug 07 Columbia MO Blue Note

Aug 09 Des Moines IA Woolys

Aug 10 Newport MN Opinion Brewing

(with Sick Puppies Sept 18-Oct 5)

Sep 18 Rex Theater Pittsburgh, PA

Sep 19 A&R Music bar Columbus, OH

Sep 21 Druid City Music Hall Tuscaloosa, AL

Sep 22 Masquerade Atlanta, GA

Sep 25 Trees Dallas, TX

Sep 26 Granada Theater Lawrence, KS

Sep 27 The District Sioux Falls, SD

Sep 29 Wooly’s Des Moines, IA

Sep 30 Pop’s Nightclub Saint Louis, MO

Oct 03 Route 20 Outhouse Racine, WI

Oct 05 District Rockford, IL


Courtesy: Sumerian Records

Courtesy: Sumerian Records

Breathe was released Friday, July 1st via Sumerian Records.  It debuted at #4 on Billboard’s Top New Artist Chart.  The album’s lead single ‘Stronger’ hit the top spot on iTunes and on Sirius XM’s Octane.  Audiences can see the video for ‘Stronger’ online now here.  More information on Through Fire’s new tour schedule is available online now along with all of the band’s latest news at:






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Upon A Burning Body Ends 2014, Starts 2015 With Performances In NC

Courtesy:  Sumerian Records

Courtesy: Sumerian Records

Upon A Burning Body is coming to North Carolina.

Courtesy: Sumerian Records

Courtesy: Sumerian Records

The San Antonio, Texas-based metalcore quartet is scheduled to perform at Ziggy’s By The Sea in Wilmington, North Carolina Saturday, December 20th as a support act to Asking Alexandria on the band’s “The Moving On Tour.” The performance is the closing date on “The Moving On Tour.”  Chelsea Grin, Blessthefall, and The Family Ruin are also on the bill as support acts. Upon A Burning Body’s performance is part of its current tour schedule in support of its new album The World Is My Enemy Now (Sumerian Records). That album was released August 12th, 2014. Tickets for that concert are $25 in advance and $30 at the door. Individual VIP tickets at $50. Tickets can be ordered online now at Doors open at 7pm.

Courtesy:  Sumerian Records

Courtesy: Sumerian Records

After wrapping “The Moving On Tour,” Upon A Burning Body will take some a couple weeks off for the holidays before returning to the road. The band returns to the road Thursday, January 8th on the “Slow Your Troll And Know Your Role Tour” presented by Revolver magazine and Rock Star Energy Drink. The tour includes a performance at the Lincoln Theatre in Raleigh, North Carolina on Friday, January 9th, 2015. The band will be joined by co-headliner Veil of Maya and support acts Volumes, Gideon, and The Last Ten Seconds of Life. Tickets are $16 in advance and $18 the day of the show. They can be ordered online now at Doors open at 6pm.

Upon A Burning Body’s latest tour schedule and all of its latest news is available online at:



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