Little White Lies A Powerful, Emotionally Charged Drama

Courtesy:  EuropaCorp Distribution/mpi Pictures/Films Caneo/M6/W9/Canal+/Cine Cinema

Courtesy: EuropaCorp Distribution/mpi Pictures/Films Caneo/M6/W9/Canal+/Cine Cinema

Little White Lies is a very emotionally powerful and moving story.  As powerful as it is, it is not a movie for anyone.  The reason for this is that it is a direct reflection of life.  Just because it is a French film doesn’t mean that the characters only reflect the French.  Rather, it reflects humans in general.  Whereas the BBC’s Keeping Up Appearances does this in a full on comical nature, this roughly two and a half-hour long allegory about the lies that we tell ourselves and others every day takes a far more dramatic turn on this subject.

Little White Lies was marketed as a dramedy of sorts.  And while there are some humorous moments, the humor of those moments is slight at best.  So it would be safer to consider this movie as leaning more in the direction of a drama than a dramedy.  The movie’s drama rises from the central theme that the group of friends have to put their annual vacation plans on hold when Ludo (Jean DuJardin—The Artist) is hit by a box truck while leaving a bar one day.  The drama starts right from the moment the group of friends leaves Ludo’s room at the hospital, their actions speak volumes.  They all agree to cut their annual vacation short by two weeks so as to be able to see Ludo, thinking that he will be okay.  The way that they act is almost that of people who feel inconvenienced by Ludo being in the hospital.  It is so subtle.  But it is there.  So it’s evident from early on just how much this story reflects real life.

The reflection of life doesn’t end with the moment the friends leave the hospital.  Throughout the time that the friends are together on their vacation, the lives that they live and that they use to impress one another are revealed.  From an unhappy couple to a gay man that is in the closet to lies about their own situation in life, each member of the group mirrors people in everyday life.  This ugly truth is eventually revealed in the story’s bittersweet ending.  The story’s end is its most powerful moment, too.  It leaves viewers to question what is really important in life.  Is it one’s own reputation or one’s own family and friends that are the most important?  Given, it is a foreign film.  But the message is one that will resonate among all audiences.  And because of that, it is worth at least one watch as emotionally charged as it is.

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Iron Man 3 Fun, Even With Some Kinks In The Armor

Courtesy:  Paramount/Marvel

Courtesy: Paramount/Marvel

When is a man not a man?  A man is not a man only when he gives up.  That is what those who have not yet seen Marvel’s new blockbuster Iron Man 3 need to remember when going into this movie.  Many of those who have seen this movie have complained that the movie didn’t feature enough of Tony in his suit; that it was essentially more melodrama than movie.  Here’s the thing.  Just as start Robert Downey Junior noted in recent reviews, he can’t keep doing the same thing over and over again.  He meant that in terms of playing Iron Man/Tony Stark again in a potential Iron Man 4 and/or Avengers 2.  But the reality is that those comments apply within the context of Iron Man 3 itself, too.  Fans have seen Tony Stark don his armor time and again in the first two movies in this franchise.  And for the most part, his armor has done the same sort of feats.  So seeing Tony lose everything, including his suits (albeit temporarily) and forced to rely on just his wits was actually a nice change of pace.  It showed that while he may not have been a superhero for much of the movie, he was still a hero and no less a man.   That’s because he didn’t give up.  He didn’t even let anxiety attacks hold him down.  These are messages that any viewer, comic book fan or not, should take away from this movie.

The messages contained within Iron Man 3 are just one positive aspect to this movie.  While it’s hardly perfect, the fan boys and fan girls that have lambasted it for its surprise regarding The Mandarin and the Extremis story arc have gone into the movie with too much of a closed mind.  They perhaps didn’t catch that Writer/Director Shane Black and his Co-Writer Drew Pearce did in fact poke fun at themselves indirectly concerning this matter.  When the truth is revealed about The Mandarin, Rhodey asks Tony, “This is The Mandarin?!”  Tony retorts with one of so many wisecracks that audiences have come to love from him.  Those that are open minded enough will appreciate that this short moment is actually Pearce and Black’s way of beating the fan boys and fan girls to the punch in hopes that it will get them to laugh at the story changes with them.  Though, in defense of the fan boys and fan girls, it is a bit of a slap in their faces to turn The Mandarin into the minor figure that Black and Pearce did.  Maybe in any future installments, audiences will get The Mandarin that they deserve.

Any viewer that can accept the story changes to Iron Man 3 will appreciate the eventual reward in the movie’s final climactic battle scene between Tony, Rhodey, and Killian.  There are those that say this final showdown is the movie’s only real good part.  But as already noted there is much more to be taken away from the movie.  Seeing all the armor from Tony’s “Hall of Armor” lets audiences know that regardless of whether RDJ returns for Iron Man 4 or Avengers 2, odds are audiences will still see Iron Man return with much more armor and action in future installments.  After all, certain parties noted that the most recent take on The Incredible Hulk would be the last one for a while.  But obviously that’s now been proven false as the not so Jolly Green Giant is apparently back on the table again for Marvel’s next phase.  So even if RDJ is done (as he seemed to note even within the context of the movie), it would be no surprise if Shellhead returns with someone else donning the Iron Man suit….or suits?

As one can tell by now, there is plenty for which Iron Man 3 should be applauded.  For all of its positives, there are some negatives.  The first of those negatives is the movie’s pacing.  Its run time is roughly two hours and fifteen minutes.  But it feels like it is much longer.  Unlike its competitor, Star Trek Into Darkness, Iron Man 3 felt like (just as with DC’s The Dark Knight Rises), Black and Pearce were trying way too hard to cram everything they could into this one last installment so as to close the trilogy.  What’s more, incorporating multiple villains, as so many of the comic based movies have done in recent years, only added to the movie’s length.  It would have been much easier to simply stick with Killian as the main villain.  After all, audiences are hand delivered early on the fact that Killian would be the main villain.  The extra storyline may lead some viewers to find themselves checking their watches every now and then, wondering when the two hour plus movie will finally end.  And because of this, it will ultimately leave some viewers realizing that this key issue has and will forever keep Iron Man 3 from being the movie that it was hyped up to be.  Rather, it will keep Iron Man 3 little more than another transition point to Marvel’s next property, just like its comic books.

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