NBA TV will launch its coverage of the NBA’s upcoming pre-season calendar this weekend.
The league announced Wednesday through a news release, it will broadcast its first NBA pre-season game at 3:30 p.m. ET Sunday. The Brooklyn Nets and Los Angeles Lakers will hit the court in the scheduled game.
According to the provided information, the game is one of 15 total pre-season games that NBA TV is scheduled to cover this year. The network’s pre-season schedule features appearances by the defending NBA Champion Milwaukee Bucks, Los Angeles Lakers, Brooklyn Nets, Golden State Warriors, Philadelphia 76ers, and Los Angeles Clippers.
The network’s full 15-game pre-season broadcast schedule is noted below.
Sunday, Oct. 3
Brooklyn Nets vs. Los Angeles Lakers
Monday, Oct. 4
Atlanta Hawks vs. Miami Heat
Golden State Warriors vs. Portland Trail Blazers
Wednesday, Oct. 6
Cleveland Cavaliers vs. Atlanta Hawks
Los Angeles Lakers vs. Phoenix Suns
Thursday, Oct. 7
Toronto Raptors vs. Philadelphia 76ers
Friday, Oct. 8
Milwaukee Bucks vs. Brooklyn Nets
Los Angeles Lakers vs. Golden State Warriors
Saturday Oct. 9
Atlanta Hawks vs. Memphis Grizzlies
Monday, Oct. 11
Minnesota Timberwolves vs. LA Clippers
Tuesday, Oct. 12
Toronto Raptors vs. Washington Wizards
Wednesday, Oct. 13
Portland Trail Blazers vs. Phoenix Suns
Thursday, Oct. 14
Minnesota Timberwolves vs. Brooklyn Nets
Los Angeles Lakers vs. Sacramento Kings
Friday, Oct. 15
Portland Trail Blazers vs. Golden State Warriors
In related news, NBA TV will preview all 30 NBA teams this season starting at 8 p.m. ET Friday on back-to-back episodes of NBA GameTime. Additionally, NBA TV is scheduled to air a special tribute to USA Basketball Women’s Team at noon Sunday in A Team for the Ages: The Story of the USA Basketball Women’s National Team presented by Nike. The hour-long documentary follows the team’s road to a record seventh gold medal in this year’s Summer Olympics in Tokyo.
In other news, NBA TV is scheduled to air approximately 107 games in the NBA’s 2021-22 regular season. This season is marks the league’s 75th anniversary.
The network is scheduled to launch its regular season coverage of the league’s 2021-22 season at 7 p.m. Oct. 23, with a double header slate. The Indiana Pacers will host the Miami Heat in the evening’s first game. The Portland Trail Blazers will host the Phoenix Suns in the evening’s second game.
More information on NBA TV’s upcoming NBA pre-season broadcast schedule is available online along with all of the latest NBA headlines at:
TNT will launch its NBA preseason coverage next week.
The network made the announcement through a press release distributed Tuesday. The document states the networks’ preseason coverage is scheduled to start at 8 p.m. Oct. 5 with a showdown between the 2020-21 NBA Champion Milwaukee Bucks on the road against the Memphis Grizzlies.
Kevin Harlan will have the call for the game. Stan Van Gundy will provide additional commentary along with fellow analyst and NBA legend Reggie Miller. Reporters Allie LaForce and Stephanie Ready will have all of the game’s latest headlines and interviews.
Matt Winer, Isiah Thomas, and Channing Frye will be live in studio at half-time with all of the game’s first half highlights and headlines from around the league.
In other news, TNT will open its coverage of the NBA’s regular season Oct. 19 with not one but two double headers. The first double header will go down as follows: The first game will see the Bucks take the court against the Nets. The Golden State Warriors and Los Angeles Lakers will tip off in the evening’s second game.
The second season-opening double header from TNT will air Oct. 21 with the Mavericks and Hawks opening the night. The Warriors and Clippers will round out the night’s coverage.
The Emmy Award-winning studio team of Ernie Johnson, Charles Barkley, Shaquille O’Neal, and Kenny Smith will provide pre-game coverage ahead of each evening’s schedule on Inside The NBA.
The SEC will get a lot of attention from the ESPN networks this weekend.
ESPN will host three games between SEC teams Saturday beginning with a matchup of No. 1 Arkansas and No. 2 Georgia at noon ET on ESPN. Fellow SEC foes, No. 10 Florida and the University of Kentucky are scheduled to take the field at 6 p.m. ET. The day’s SEC showcase is headlined by a matchup of No. 22 Auburn on the road against LSU, again on ESPN, this time at 9 p.m. ET.
In other news, ABC’s Saturday Night Football Presented By Capitol One will feature a Big 10 battle between No. 4 Penn State and Indiana at 7:30 p.m. ET.
Speaking of ABC, No. 3 Oregon and Stanford in Pac-12 will face off in conference play on ABC. That game is scheduled for 3:30 p.m. ET. Prior to that, Texas and TCU are set to kick off at noon ET on the alphabet network.
Over on ESPN2, the No. 21 Baylor Bears are scheduled to face off against Big 12 conference opponent No. 19 Oklahoma State at 7 p.m. ET. The game is the 4K Game of the Week on ESPN2.
The SEC Network will see No. 15 Texas A&M hosting Mississippi State at 7 p.m. ET. Boston College will look to remain unbeaten Saturday evening as it takes on No. 25 Clemson at 7:30 p.m. ET on the ACC Network’s ACC Primetime Football.
Saturday’s schedule winds down at 10:30 p.m. ET on ESPN with a showdown between two undefeated Big Sky Conference opponents, Montana (3-0) and Eastern Washington (4-0).
The games noted here are just a portion of Saturday’s extensive college football broadcast schedule. Additional games are noted below.
Additional ESPN Networks – Week 5 Highlights
UL Monroe at No. 16 Coastal Carolina: Saturday at 2:30 p.m., ESPN+
Louisiana Tech at No. 23 NC State: Saturday at 6 p.m., ACCNX/ESPN+
Talent: John Schriffen, Rene Ingoglia, Tori Petry
Louisville at No. 24 Wake Forest : Saturday at 12:30 p.m., ESPN3
Houston at Tulsa: Friday at 7:30 p.m., ESPN
Talent: Roy Philpott, Andre Ware, Paul Carcaterra
Duke at North Carolina: Saturday at noon, ESPN2
Talent: Mike Morgan, Kirk Morrison, Dawn Davenport
More information on the ESPN networks’ college football coverage is available along with all of the latest college football headlines at:
More than six years ago when the British television network itv premiered its short-lived action series, Jekyll & Hyde, that series proved a big hit among many audiences. Even with its popularity, the series ended up getting canceled after just one season. The decision by the network’s heads to cancel the series due to pressure from certain group was a terrible decision. That is because the series really could have been something great had it been given more of a chance. Now years later, fans of BBC’s The Watch are hoping executives at that network do not make the same mistake with that series. The show, which is an adaptation of Sir Terry Pratchett’s Discworld novels, ran for eight episodes from January to February of this year and was released to Blu-ray and DVD over the summer. For those who have yet to watch this hopefully inaugural (and not only) season, it is a surprisingly enjoyable presentation. That is even with the deviations from Pratchett’s original novels. Speaking of which, the story at the heart of the show forms a strong foundation for the show. It will be discussed shortly. The cast’s work on camera adds to the show’s appeal and will be discussed a little later. The bonus content that accompanies the show’s home release rounds out its most important elements and will also be examined later. Each item noted is important in its own way to the whole of the show’s home release. All things considered, they make the hopefully first of many seasons to come a success from beginning to end.
BBC’s The Watch is a surprisingly enjoyable presentation from which so many American network executives could take a hint. That is because of how bland and boring so much American television programming is today in comparison to this and so many other shows from “the old country.” The show’s success comes in large part through its story. The story centers on a group of misfit law enforcement officers in an alternate dimension who for years had done little to nothing in the way of law enforcement. That is because crime in the city that they “watch” has become largely legal. The Watch’s officers – Capt. Sam Vimes (Richard Dormer – Fortitude), Cpl. Cherry (Jo Eaton-Kent – Lessons, Don’t Forget The Driver), Cpl. Angua von Uberwald (Marama Corlett – Guardians of the Galaxy, Blood Drive, Sick Note) and Sgt. Detritus (Craig Macrae – Avengers: Age of Ultron, Mad Max: Fury Road, Resident Evil: The Final Chapter) spend most of their time just sitting in their office until one day when the young, naïve Constable Carrot Ironfoundersson (Adam Hugill – 1917, The Banishing, Sherwodd) comes along and shakes things up. He and the re-emergence of Vimes’ former friend turned villain – Carcer Dunn (Samuel Adewunmi – Angela Black, You Don’t Know Me, Prime Suspect: Tennison) lead the officers to start returning to what The Watch once did. It also leads the outcasts to grow personally and as a family of sorts as they work to try and prevent Carcer from achieving his evil goal.
Speaking of Carcer and his goal, he and his plan actually are just part of a bigger plot. Not to give away too much here, but as the series continues, it turns out that Carcer is really just a pawn in a bigger plan by a group of unseen beings. Many viewers might have missed this, but those beings really are a sort of updated take on the Gods in The Odyssey. Just like they caused so much trouble for Odysseus in that timeless epic tale, these “gods” have their own plan for Vimes and company. Keeping that in mind, that link between this show and such classical literature makes for its own appeal within the story.
As the story progresses, the character development that takes place within each of The Watch’s officers also plays into the story’s appeal. Audiences will enjoy watching the growing relationship between Carrot and Angua in its subtleties, as well as Vimes’ own development. Seeing him go from a “bottomed out” alcoholic police officer back to his former confidence is engaging and entertaining in its own right. In the same vein, watching Cherry come into his/her own identity makes for its own interest, too.
Getting back to the story itself, another big part of the story’s success comes in its overall execution. Yes, it is a serialized show here. However, the show’s writers somehow managed to make it feel episodic within the bigger picture of the serialized nature of the overall series. The stories all connect but are their own from one to the next. Now full discretion (and again, not to give away too much), the last episode does feel like it runs longer than it should have. It seems like it could have wrapped itself up at many points, but then keeps going. It makes one wonder how many hands were in the proverbial pot, considering this problem. Thankfully it does finally end, and when it does, it leaves the door wide open for a second season that again BBC’s officials will hopefully provide. That is because that second seasons is not only needed but deserved.
While the story featured in the hopefully inaugural season of The Watch does a lot to make it so enjoyable (even with the deviations from the source material in mind), it is just one part of what makes the show so enjoyable. The cast’s work on camera does its own part to make the presentation engaging and entertaining. Right from the top is Dormer’s work. His take of Vimes throughout the show is the most notable. The subtle way in which Dormer takes Vimes from a hopeless, alcoholic bum to a more self-assured, confident leader makes for so much appeal in itself. That character development alongside his comedic timing throughout the show adds to the appeal in his acting, too. Similarly, Eaton-Kent’s almost deadpan persona against the edgier presence of Corlett and the naivety of Ironfoundersson presented by Hugill makes for such a welcome contrast among the cast. The cast members each make their characters’ personalities so rich yet controlled at the same time. It shows such professionalism and in turn engagement and entertainment from each cast member. Of course, one cannot ignore the work of Lara Rossi opposite Dormer. Her matter of fact, “straight woman” persona opposite Dormer’s Vimes crates its own interesting character contrast that entertains and engages in its own right, too.
On yet another note, Wendell Pierce’s performance as Death is just as worth noting as the other cast members’ work. The same can be said of Adewunmi’s work as Carcer. Pierce’s performance, his very persona is so laugh-inspiring in the best way possible. Instead of being this dark, evil character, he is just laid back, wishing he could be like any human whose soul he has to take upon their dying. He even complains about it so often, stating, “No one ever listens, no one ever pays attention.” He declarations and general presence makes Pierce’s work such a wonderful addition even being a supporting role.
Adewunmi does everything right that so many American actors get wrong in the way of playing an overly obsessed megalomaniac. The subtle control in his anger is so gripping thanks to Adewunmi’s work. The way in which he emotes, gives him an almost scary calm as he talks about bringing down the dragon to destroy the city and the whole world. Even as he faces Wonse (Bianca Simone Mannie – Homeland, Vagrant Queen, Our Girl) in the final episode (again not too much will be given away here), accepting his fate, audiences cannot help but be gripped by that reaction. It is just one more example of the importance of the cast’s work. Keeping the cast’s overall work in mind here along with the impact of the story, the presentation becomes that much more engaging and entertaining. Those items are just a part of what makes the show so appealing. The bonus content that accompanies the show in its home release rounds out its most important items.
The bonus content that accompanies the show runs in a range of directions. The lead, “Making of” feature takes audiences behind the scenes and shows how some of the program’s key scenes and characters were handled. The discussion, for instance, on the determination of the show’s creative heads to avoid using CG at all costs really instills more respect for those efforts and the show. The discussion in question comes as the costume and makeup officials talk about how they created the costume for Sgt. Detritus. Watching the amount of work that went into the costume’s creation is awe-inspiring. On another note, there is also a separate discussion in another feature that acknowledges the difficulty in staying true to Pratchett’s novels in creating this show. The respect that is shown by all involved will hopefully encourage the show’s critics to change their minds about the program. As if that is not enough, the character profiles do their own share to also show the importance of the cast’s work. It compliments the other bonuses noted here and the rest of the bonus content to make the overall bonus content just as important to the presentation here as the cast’s work and the story. When all three items are considered together, they make the overall presentation that is The Watch well worth the watch.
BBC’s The Watch is a surprisingly engaging and entertaining presentation. Despite what many of its critics would have people believe, it is engaging and entertaining. That is due in part to the show’s central story. Yes, there are deviations from the source material, but few TV shows and/or movies based on books have ever been 100 percent true to its source material. That is just sadly how it is. Even with that in mind, the story here is still its own entertaining presentation. From its ability to solidly balance episodic and serialized writing, to its very presentation, the story offers plenty for audiences to appreciate in itself. The cast’s work joins with the story to make the presentation even more engaging and entertaining. That is because each cast member’s work is so believable. From one to the next, each performance is unique and bounces off the others just as well. The bonus content that accompanies the show in its recent home release puts the finishing touch to the presentation. It adds just enough background to enhance the viewing experience even more enjoyable. Each item examined is important in its own way to The Watch. All things considered, they make this show one of the best of this year’s new home DVD/BD releases for grown-up audiences. One can only hope at this point that it will get a second season and that the BBC will not make the same mistake that itv made with Jekyll & Hyde.
The Watch is available now. More information on The Watch is available along with all of the show’s latest news at:
The 2021 college football season is still very young, but ESPN has already planned its coverage of the sport’s “post season.”
A press release distributed Wednesday announced it will air seven conference championship games between Dec. 3 and 4. The conference championship games will be for the Pac-12, Big 12, MAC, Sunbelt Conference, American Athletic Conference, Southwest Athletic Conference, and Atlantic Coast Conference.
Coverage is scheduled to start at 8 p.m. ET Dec. 3 on ABC and ESPN Radio with coverage of the PAC-12 championship. The other six championships will air throughout the day Dec. 4, starting with the Big 12 and MAC championships at noon. The Big 12 Championship is scheduled to air live on ABC and ESPN Radio while the MAC Championship is scheduled to air on ESPN.
Coverage continues at 3:30 p.m. ET on ESPN with the Sun Belt Conference Championship. The AAC Champion will be crowned in that conference’s championship game at 4 p.m. ET on ABC.
Kickoff for the SWAC Championship is scheduled for 4 p.m. ET on ESPN2. The day winds down at 8 p.m. ET on ABC and ESPN Radio with coverage of the ACC Championship.
The full Dec. 3-4 CFB Conference Championship Schedule is noted below.
Fri, Dec 3
Pac-12 Championship Game (Allegiant Stadium – Las Vegas, Nev.)
Sat, Dec 4
Dr Pepper Big 12 Championship Game (AT&T Stadium – Arlington, Texas)
Rocket Mortgage MAC Championship Game (Ford Field – Detroit, Mich.)
Sun Belt Conference Championship Game (Campus Site TBD)
American Athletic Conference Championship Game (Campus Site TBD)
SWAC Championship Game (Campus Site TBD)
Subway ACC Championship Game (Bank of America Stadium – Charlotte, N.C.)
More information on the ESPN networks’ college football coverage is available along with all of the latest college football headlines at:
Turner Network Sports will start its coverage of the NHL next week.
The company made the announcement Wednesday through a news release. The document states the company will launch its first-ever season of NHL coverage Sept. 30 with a double header schedule.
The schedule opens at 7:30 p.m. ET with a matchup of the Philadelphia Flyers and Boston Bruins. The Las Vegas Golden Knights and Los Angeles Kings will take to the ice in the schedule’s second game at 10 p.m. ET.
Kenny Albert, Eddie Olczyk, and Keith Jones will provide commentary and coverage for the Flyers-Bruins game. Brendan Burke, Darren Pang and Jackie Redmond will have the call for the Golden Knights-Kings game.
Studio coverage for the upcoming double header will come courtesy of host Liam McHugh, analysts Anson Carter and Rick Tocchet, and contributor Tarik El-Bashir.
In related news, TNT will launch its inaugural season of NHL regular season coverage at 7:30 p.m. ET Oct. 13. The opening game in the evening’s double header schedule will see the New York Rangers on the road against their Eastern Conference foes, the Washington Capitals. Later at 10 p.m. ET, the Western Conference takes to the ice as the Colorado Avalanche will host the Chicago Blackhawks.
Counting those two games, TNT’s regular season coverage of the NHL’s 2021-22 season will feature games on 25 Wednesday nights, including 15 double headers. Additionally, TNT’s coverage includes coverage of the 2022 Discover NHL Winter Classic (scheduled to take place Jan. 2, 2022), the 2022 Navy Federal Credit Union NHL Stadium Series (Feb. 26), and 2022 Tim Horton’s NHL Heritage Classic (March 13). Also, TNT will feature seven weekend of Sunday afternoon telecasts in March and April.
TNT’s full broadcast schedule for the 2021-22 NHL season is available here.
Audiences can stream TNT’s NHL coverage via the WatchTNT app on mobile devices and smartTVs, and online here.
Angels & Airwaves is picking up the push for its new album.
The band unveiled the latest single Wednesday, from its forthcoming album, Lifeforms. The song, ‘Timebomb,’ is the fifth from the album, which is scheduled for release Friday.
The band premiered the video for the album’s fourth single, ‘Spellbound’ early this month. Its release was preceded by the release of the album’s other singles, ‘Losing My Mind,‘ ‘Restless Souls,‘ and ‘Euphoria.‘
Front man Tom DeLonge said in a prepared statement, the song is meant lyrically, to address the feelings of pressure through which everyone goes through.
“‘Timebomb’ is a special song to me because it represents the emotional equivalent of an armed device about to blow, said DeLonge. “I think everyone can relate to the pressure of life bearing down on a young teenage heart. It’s taken me a long time to present my art in the way I envisioned over a decade ago. Lifeforms is the first part of what I saw could be possible then.”
The musical arrangement that accompanies the song’s accessible lyrical theme is itself accessible. Its full-on electronic sound and stylistic approach is infectious what with its steady beat and harmonies.
In related news, Angels & Airwaves is scheduled to perform on Jimmy Kimmel Live Sept. 28. Additionally, the band is scheduled to launch its tour in support of its new album the very next day in Riverside, CA.
The tour’s schedule is noted below. Tickets are available here.
Angels & Airwaves 2021/2022 Tour Dates:
9/29/21 – Riverside – CA – Riverside Municipal Auditorium 9/30/21 – San Francisco – CA – Warfield 10/2/21 – Portland – OR – Edgefield Concerts on the Lawn 10/3/21 – Seattle – WA – Showbox SODO 10/5/21 – Salt Lake City – UT – Union 10/6/21 – Denver – CO – Fillmore 10/8/21 – Minneapolis – MN – Skyway 10/10/21 – Detroit – MI – Fillmore 10/12/21 – Newport – KY – Ovation 10/13/21 – Nashville – TN – Marathon Music Works 10/15/21 – Oxon Hill (DC) – MD – MGM National Harbor 10/16/21 – Columbus – OH – Express Live 10/17/21 – Sayreville – NJ – Starland Ballroom 10/19/21 – Phi – PA – Franklin Music Hall 10/20/21 – Boston – MA – House Of Blues 10/22/21 – Pittsburgh – PA – Stage AE 10/23/21 – New York – NY – Hammerstein* 10/24/21 – Norfolk – VA – NorVA 10/26/21 – St. Petersburgh – FL – Janus Live 10/27/21 – Orlando – FL – Hard Rock Live 10/28/21 – Atlanta – GA – Tabernacle 10/30/21 – Dallas – TX – South Side 10/31/21 – Austin – TX – ACL Live 11/1/21 – Houston – TX – House Of Blues 11/3/21 – Phoenix – AZ – Van Buren 11/5/21 – Los Angeles – CA – The Palladium* 11/7/21 – San Diego – CA – Soma 3/10/21 – Leeds – UK – 02 Academy 3/11/22 – Birmingham – UK – 02 Academy 3/12/22 – Manchester – UK – Academy 3/13/22 – Glasgow – UK – 02 Academy 3/15/22 – Nottingham – UK – Rock City 3/16/22 – Bristol – UK – 02 Academy 3/17/22 – London – UK – 02 Kentish Town Forum 3/20/22 – Paris – FR – Le Trianon 3/22/22 – Munich – GER – Tonhalle 3/23/22 – Berlin – GER – Huxleys 3/25/22 – Koln – GER – E Werk 3/27/22 – Hanover – GER – Capitol
More information on Angels and Airwaves’ new single, video, and live dates is available along with all of the band’s latest news at:
Franklin D. Roosevelt’s famous New Deal Program is one of the most pivotal government efforts in America’s history. The program puts thousands of Americans who were left jobless and penniless due to the Great Depression back to work. As a result, it led to one the nation’s greatest economic recoveries if not the greatest. Fro all that the program did to benefit Americans and the nation, there are parts of the program that are lesser-known than those infrastructure jobs, etc. One of those programs, the Works Progress Administration, helped put just as many to work as it addressed the arts. Thanks to Corinth Films, the documentary, which originally aired on PBS in April 1981 received renewed attention in July with a first-ever DVD release. The story that makes up the 90-minute program is the presentation’s heart. It will be examined shortly. The booklet that accompanies the DVD adds some interest to the presentation, too and will be discussed a little later. The DVD’s pricing is its own important element, content considered. It will also be addressed later. Each item noted is its own important part of the whole here. All things considered, they make the DVD an interesting addition to this year’s field of new documentaries.
Corinth Films’ presentation of the vintage PBS documentary, The New Deal for Artists is an intriguing presentation. Despite what its title infers, the documentary will appeal to more than just artists and people with any interest in art. That is because of its story. The story, which is narrated by famed actor Orson Welles, explains how FDR’s New Deal Program aided not jut the nation’s infrastructure, but its culture, too. It points out that the program and its WPA Arts Project put artists and photographers back to work as well as actors. They were put back to work as the program created for instance, the model for what would have otherwise become the first federal theater program. It also led to artists creating murals and paintings that mirrored the nation’s people at the time. What’s more, it also balked at segregation, so to speak, as it even gave African-Americans work in theater on stage and behind the scenes of so many plays.
As the program progresses, it delves even deeper in its second half. Audiences learn along the way, that politics (specifically conservatives) led to the eventual demise of the short-lived WPA Art Programs. That is due in part to the fact that said conservatives did not like that many of the pictures, murals, and plays crafted through the programs were very socially conscious. Additionally, some of those who were put back to work through the programs admitted through archived interviews that, yes, they were Communist sympathizers, which played right into the hands of congressional members who were already looking for any reason to cut the programs since their products made them so uncomfortable. That duality exhibited here – the efforts by Roosevelt to preserve the arts and the efforts by his Conservative detractors to shut down the programs just because they hated him – and the way in which it is all presented makes the story in whole fully engaging and entertaining. Keeping all of that in mind, the story featured in this documentary is itself surprisingly interesting. It is just too bad that the doc’s title is so misleading, which is very likely to deter many from otherwise watching.
While there is no denying that the title of The New Deal for Artists is problematic, it is not enough to make the presentation a complete failure. That is proven through the program, as audiences will see when they actually give the documentary a chance. Once audiences realize just how surprisingly intriguing the documentary’s story is, the next thing they will appreciate is the information provided in the documentary’s companion booklet. That information in question comes through a pair of essays written separately by Armond White and Ed Rampell. The essays are for all intents and purposes really just two other reviews of the documentary. What makes them stand out is the additional background that they put into the mix along with their personal opinions. White for instance, explains how the WAP Arts Programs benefited Americans and the nation because it helped improve Americans’ morale. Additionally, he points out Welles’ role as narrator, and its importance even though he is that third person observing it all.
Rampell meanwhile, points out how many people in the nation’s arts community were put back to work. On the surface, the thousands noted seems like it is not much. When that number is considered along with the other thousands returned to payrolls in general, it makes for an even bigger number, showing just how important how the New Deal was. Additionally, he adds his own statement about the impact of those noted Conservatives in Washington, D.C. who worked so hard to shut down the programs just because they did not like that they pointed out how much Americans were struggling. That and so many more from Rampell and White offers audiences plenty to appreciate from the program’s overall presentation. Considering that content and the program’s primary content in whole, it collectively makes the documentary worth watching at least once. It is still only part of what makes the documentary worth seeing. Its pricing rounds out its most important elements.
The average price point for The New Deal for Artists is $21.81. That price is obtained by averaging prices listed through Amazon, Walmart, Best Buy, Barnes & Noble Booksellers, and Books-A-Million. It was not listed through Target at the time of this review’s posting. While the average breaks the $20 mark, only Barnes & Noble Booksellers and Books-A-Million break that point from the get go. B&N lists the DVD at $24.99 while Books-A-Million is slightly less expensive at $24.95. So for all intents and purposes they are roughly the same, especially when shipping and handling is added to the mix. Walmart actually lists the least expensive price at $19.28. Amazon and Best Buy each list the DVD at $19.99. So while they will break the $20 mark when shipping & handling are added, they will still be far less expensive than ordering it through the other noted retailers. To that end, the price in general is still not that bad especially comparing the separate listings to the DVD’s average price point. Keeping that in mind along with the positives put forth through the DVD’s primary and secondary content, the whole comes together to make the DVD overall a mostly successful presentation that will appeal to a wide range of audiences.
Corinth Films’ presentation of the vintage PBS documentary, The New Deal for Artists is a surprisingly engaging and entertaining work. It is a doc that will appeal to a wide range of audiences, from history buffs, to art history lovers and students, to even those of theater and photography. The title just does not make that clear enough, though it is really the program’s only shortfall. It does show, though, the importance of proper titling for marketing purposes. The secondary content featured in the presentation that is exhibited in the DVD’s companion booklet adds to the interest. This even though that content is really just a pair of other reviews marketed as essays. Considering the amount of content and the depth thereof, the DVD’s general pricing proves positive in its own right. That is because it is relatively affordable. Each item examined is important in its own right to the whole of the DVD. All things considered, they make this DVD a mostly successful presentation.
The New Deal for Artists is available. More information on this and other titles from Corinth Films is available at:
PBS Kids is doing its part to honor its female viewers with a new DVD. The DVD, 15 Girl Power Adventures, was released Sept. 7 through PBS Distribution. The episodes featured in this collection –15 in all as the DVD’s title notes – are the main strength for the presentation. While the episodes are important in their own right, the very fact that they are centered on just female audiences detracts notably from the DVD’s presentation. It will be discussed a little later. For those audiences willing to overlook this shortcoming, the DVD’s pricing proves to be its own positive. When it is considered along with the episodes featured herein, the DVD proves far from perfect, but still entertaining enough.
PBS Kids’ recently released compilation DVD, 15 Girl Power Adventures is an intriguing offering from the network. The DVD’s primary strength comes in its featured episodes. The episodes lift from the majority of PBS Kids’ series. There are some omissions, though (E.g. Odd Squad, Wild Kratts, Curious George, etc.) but by and large, the episodes pull from a respectable amount of the networks’ shows. Arthur is represented through the episode, “Muffy’s New Best Friend.” The story here finds Muffy and Francine learning a valuable lesson about friendship even when two people have differing opinions on things, and that those differences can actually help friendships grow. It is a familiar topic that will appeal not only to young females, but to audiences in general. This leads to the aforementioned discussion on the DVD’s one main shortcoming, which will be addressed shortly. Molly of Denali’s episode, “Stand Back Up” finds Molly learning a valuable lesson about pushing on through failings in any situation in life when she learns how to ski. Once again, here is a show that yes, is centered on a female character, but with a lesson that applies to girls and boys, men and women alike. Again, it leans toward the DVD’s noted concern. On yet another note, Let Go Luna!’s episode, “Aren’t We A Pair” centers on Carmen and her Egyptian friend Leyla and their search for their pets. The friendship element is there, but as with so many episodes of the family favorite series, the episode is more about promoting multiculturalism, which is wonderful in its own right. The thing is that the series focuses not just on a girl, but a group of friends (two boys and a girl, plus Luna, who is female). The story is a great way to teach and learn about culture in Egypt. Again, it will appeal just as much to boys as it will girls. It is one more way to show the importance of the DVD’s episodes to the disc’s presentation. That is done as it pulls from yet another of so many PBS Kids series. On the other hand it is yet another example of how problematic the DVD is in the bigger picture.
While the episodes featured in this disc make for plenty of appeal, the very fact that they will appeal to boys and girls alike as well as men and women alike, it makes the very presentation format extremely problematic. As noted, the stories and lessons that are presented in the majority of this DVD’s featured episodes will appeal to and connect with boys as well as girls. Add in that the fact that many of the shows from which the episodes are pulled are examples of PBS and PBS Kids’ long-running tradition of trying to normalize equality among genders, sexes, races, and ethnicities and it just makes the whole presentation seem like a knee-jerk reaction from someone or some people at PBS and PBS Kids. Given again, a show, such as Molly of Denali is centered on a young girl, but the stories and lessons involve her as well as her friends, who are male and female. Even a “newer” series, such as Elinor Wonders Why is centered not on just its titular character, but on her and her friends, who are male and female alike. Once again, the diversity is evident in the episodes and their lessons. That has been a trademark of PBS Kids shows for such a long time. It just leads one to wonder why someone would even take the time to try and release a collection of episodes that it claims are “Girl Power” adventures. The very approach is counter to everything for which PBS Kids has come to be known. It is really disconcerting. Even with the concern raised by the DVD’s very presentation, there is at least one more positive to examine, and that is its pricing.
The average price point for 15 Girl Power Adventures is $8.22. That price was obtained by averaging prices listed through Amazon, Walmart, Target, Best Buy, Barnes & Noble Booksellers, and PBS. The DVD was not listed through Books-A-Million at the time of the DVD’s review. An average price point of less than $10 for a DVD that for the most part will appeal to boys just as much as girls and that pulls from so many of PBS Kids’ shows new and old alike is not bad at all. Adding to the appeal is that for the most part, the separate listings are below that price point, save for PBS’ own listing of $9.99 and (surprisingly) that of Walmart, at $12.37. Target actually has the least expensive listing this time out at only $4.99. Amazon and Barnes & Noble Booksellers each list the DVD at $6.99 while Best Buy is not the best buy at $7.99. So in looking at these prices, the overall pricing really is not bad. It will not break any viewer’s budget. So taking that into account with the DVD’s content, the whole makes for at least some appeal even despite the incongruous nature of the content with the DVD’s title. Keeping this in mind, the DVD is problematic. There is no denying this matter. At the same time, it is not a complete failure.
PBS Kids/PBS Distribution’s recently released DVD, 15 Girl Power Adventures is hardly the best presentation that the company and its home distribution arm have ever released. At the same time it is not the worst, either. The DVD succeeds largely because of its episodes and their stories. The episodes pull from a healthy cross section of PBS Kids’ shows. The stories and their lessons will connect to boys just as much as girls because despite the DVD’s title, they are not centered just on females and will relate not only to girls, either. This leads to the DVD’s one major shortcoming, its titling. The DVD’s title markets the presentation as being “girl power,” but as noted the episodes are largely a continued display of PBS Kids’ successful efforts to normalize equality among genders, sexes, races, and ethnicities without being preachy. Keeping that in mind, there really was no reason for any branch of PBS to present such a DVD since it has always treated males and females, blacks, whites, and otherwise equally. While this is clearly problematic, it is not enough to make the DVD a total failure. The DVD’s overall pricing proves positive, considering the amount of content presented therein. The pricing will, for the most part, not break any viewer’s budget. That selling point (no pun intended) along with the content is just enough to save the DVD. Each item examined here is important in its own way to the whole of the DVD’s presentation. All things considered, they make the DVD problematic but not a total failure.
15 Girl Power Adventures is available now. More information on this and other titles from PBS Kids is available along with all of the network’s latest news at: