Beck’s New Live CD Is A Welcome Addition To Any Fan’s Collection

Courtesy:  ATCO/Rhino Records

Courtesy: ATCO/Rhino Records

Later this month, veteran guitarist Jeff Beck will release a brand new live recording titled Live+. The recording, which will be released only on CD, will be released on Tuesday, May 19th. The disc is a great new collection of live performances for audiences of all ages. The main reason for this is the list of songs that make up the disc’s sixteen total tracks. The disc’s body is composed of fourteen live tracks and two brand new studio tracks. The live tracks include both Beck’s own originals and some cover tunes that audiences of all ages will recognize and enjoy. The work of those charged with handling the record’s sequencing is just as much worth noting. The songs featured on this record come from a number of shows held during Back’s 2014 tour with ZZ Top. Despite this, they weren’t just tossed around haphazardly. Rather they were placed in a specific order that guarantees audiences will remain just as engaged as if they all came from one single performance. Having noted this, there is one more positive that can be noted of Live+. That last positive is the disc’s overall audio mix. Every little nuance of the performances is captured thanks to the work of those responsible for handling both the original concert audio and those charged with balancing said levels in the disc’s “post-production.” Taking into consideration all three elements noted here, Live+ proves itself to be another good addition to any Jeff Beck fan’s music library even if it is available only via CD and digital download.

Live+ is a good addition to any Jeff Beck fan’s music library. This is the case even with the collection of live performances being available mainly via CD and digital download. The reason that it proves itself worth the addition is the list of songs that makes up the body of the record. The record is composed of sixteen tracks. Fourteen of those tracks are live tracks and two are brand new studio recordings from Beck. In listening to the fourteen live performances that make up most of this record, audiences will appreciate that it includes both familiar originals from Beck and some familiar songs from other artists, too. The covers include Jimi Hendrix’s ‘Little Wing,’ ‘Sam Cooke’s ‘A Change is Gonna Come,’ ‘Mahavishnu Orchestra’s ‘You Know You Know,’ and a pair of tunes from The Beatles in the form of ‘A Day in The Life’ and ‘Hammerhead.’ There’s even an interesting take on the traditional song ‘Danny Boy.’ and an impressive take on Stevie Wonder’s hit song ‘Superstition.’ The original songs from Beck that were included across the disc include: ‘Morning Dew,’ ‘Big Block,’ ‘Why Give It Away,’ and ‘Loaded’ are just some of Beck’s originals featured throughout the record. Some might ask what this is important to the whole of the record. It is important in that it shows Beck’s versatility. It shows that along with handling his own works with just as much ease as ever, he has a certain respect for music and musicians across the musical universe. Those that are familiar with all of the songs featured here will second that sentiment while those that might be new to both Beck’s originals and the covers he handles will agree just as much as they discover both for the first time ever.

The songs that are included across the body of Live+ are in themselves key to the record’s enjoyment. That is because they put on display Beck’s versatility as a musician as well as his respect for other musicians and musical acts across the musical universe. On a related note, the work of those charged with handling the sequencing of the songs are to be commended. Their work makes the overall listening experience through each song all the more enjoyable. As audiences will note, from song to song, those charged with handling the record’s sequencing never stick to just one style of song. The more energetic, up-tempo songs are complemented quite well by their slower, more reserved counterparts from beginning to end. As inconsequential as this may seem, it is extremely important. It is especially important in the realm of live recordings. Musical acts assemble set lists that will keep their audiences fully engaged at the actual concerts that they hold. This compilation of live performances was set up in much the same fashion even being compiled from a number of live sets. It is a tribute to their efforts and attention to such an important detail along with that of Beck himself. It’s one more reason audiences will agree that Live+ is another good addition to any Jeff Beck fan’s personal music library.

Both the set list that makes up the body of Live+ and the work of those charged with handling the sequencing of said songs are important to the whole of the recording in their own right. Neither would be of any consequence without the work of those charged with handling the performances’ audio. This includes both those that handled the audio at Beck’s performances with ZZ Top last year and those that handled the audio levels in “post-production.” That is those that handled the audio levels in preparation for the recording’s release. It’s thanks to their work that singer Jimmy Hall blows audiences away with his powerhouse vocals. It is thanks to them that Becks work shines through just as much both during his time in the limelight and as a member of the musical collective on stage. Even more impressive is that throughout the course of the record’s live performances, every part is balanced with the utmost expertise. This includes not only Hall’s vocal talents and Beck’s talents on guitar, but the talents of their band mates–Jonathan Joseph (drums), Rhonda Smith (bass), and Nicholas Meier (guitar)–too. No one part overpowers the other at any point throughout the performances. The end result is a collection of performances that once more proves itself another worthy addition to any Jeff Beck fan’s personal music library.

Jeff Beck’s new live recording Live+ shows plenty of reason for his fans to add this recording to their personal music libraries when it is released this month. The mix of original songs and covers shows both Beck and his band mates as quite the versatile group of musicians. It shows them as musicians that are not only greatly talented but that have great respect for other equally renowned acts. The work of those charged with sequencing the various performances is just as noteworthy. That is because the mood of the recording’s live songs doesn’t stick to just one style. The more energetic, up-tempo pieces are expertly complemented by more laid back, reserved pieces from beginning to end. The end result of that expert balance is a collection of performances that will keep audiences fully engaged from the collection’s first performance to its fourteenth. The work of those charged with handling the performances’ audio both in their live setting and in post production have made Live+ enjoyable, too. It is thanks to the work of those individuals that the performances sound so good from beginning to end. That element taken into consideration with the compilation’s set list and the work of those that assembled said set list proves Live+ in the long run to be a live recording that every Jeff Beck fan will want to add to their personal music library. That isn’t to ignore the record’s two new studio recordings, either. They add even more enjoyment to the record. Having noted all of this it can be said with certainty that Jeff Beck’s upcoming live CD Live+ deserves a spot on any critic’s list of the year’s top new live CDs.

Jeff Beck is currently wrapping up a handful of makeup dates with ZZ Top that were previously postponed last year. The dates in question were postponed due to an injury sustained by ZZ Top bassist Dusty Hill. The last of those dates is tomorrow, May 10th. After that date, Beck will embark on a nine-date solo tour that kicks off next Tuesday, May 12th in Louisville, KY. That schedule is listed below.

Jeff Beck Newly Added Solo Dates – on sale dates noted:

May 12 The Kentucky Center –Whitney Hall Louisville, KY*

May 14 Michigan Theater Ann Arbor, MI ***

May 15 Hard Rock Live Northfield, OH*

May 16 PNC Pavilion at Riverbend Music Center Cincinnati, OH

May 17 Ryman Auditorium Nashville, TN

May 19 Fox Theater St. Louis, MO *

May 21 Chicago Theatre Chicago, IL **

May 22 Riverside Theatre Milwaukee, WI*

May 23 State Theater Minneapolis, MN*

*on sale April 10

** on sale April 11

*** on sale April 17

Live+ will be available in stores and online Tuesday, May 19th. It will retail for MSRP of $18.98 in physical form. More information on this recording, Beck’s upcoming re-issue of Live at Ronnie Scott’s and any of his other recordings is available online now along with all of the latest updates on his tour schedule and other news at:

Website: http://www.jeffbeck.com

Facebook: http://www.facebook.com/jeffbeck

Twitter: http://twitter.com/jeffbeckmusic

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Atco Records To Release New Jeff Beck Live LP Next Month

Courtesy:  Atco Records

Courtesy: Atco Records

This spring, Atco Records will release a new live recording from veteran guitarist Jeff Beck.

Officials with Atco Records announced this week that the label will release Jeff Beck Live+ on Tuesday, May 5th. The sixteen-track recording features fourteen live recordings lifted from various stops on Beck’s 2014 tour with fellow legendary rock band ZZ Top and two new studio recordings. The new studio tracks are Beck’s first new studio recordings since he released his Grammy-nominated 2010 album Emotion & Commotion.  Beck was joined by fellow musicians Rhonda Smith (bass), Jonathan Joseph (drums), and Nicholas Meier (guitar) as well as vocalist Jimmy Hall for the performances featured on this recording. The songs culled for the recording include some of Beck’s biggest hits including: ‘Morning Dew,’ ‘Superstition,’ and ‘Big Block’ among others. There are also covers of The Beatles’ ‘A Day in the Life’ and ‘’Hammerhead,’ Jimi Hendrix’s Little Wing,’ Mahavishnu Orchestra’s ‘You Know You Know,’ and Sam Cooke’s ‘A Change Is Gonna Come’ as well as a special rendition of ‘Danny Boy.’ The new studio tracks ‘Tribal’ and ‘My Tiled White Floor’ round out the upcoming compilation. Ruth Lorenzo provides guest vocals for ‘Tribal’ and Veronica Bellino shares her talents on ‘My Tiled White Floor.’ The full track listing for Jeff Beck Live+ is listed below.

JEFF BECK LIVE+

Track Listing

  1. “Loaded”
  2.  “Morning Dew”
  3. “You Know You Know”
  4. “Why Give It Away”
  5. “A Change Is Gonna Come”
  6.  “A Day In The Life”
  7. “Superstition”
  8. “Hammerhead”
  9. “Little Wing”
  10. “Big Block”
  11. “Where Were You”
  12. “Danny Boy”
  13. “Rollin’ And Tumblin’”
  14. “Going Down”
  15. “Tribal”*
  16. “My Tiled White Floor”*

*New Studio Recording

Jeff Beck will hit the road beginning next Monday, April 13th at The Capitol Theatre in Port Chester, NY on an eleven-date headlining tour that runs through April 26th. Beginning April 30th, Beck will join ZZ Top again for a handful of makeup dates that were postponed in 2014 due to an injury sustained by ZZ Top bassist Dusty Hill. Those dates run through May 10th. From there, Beck will take a couple days off before heading back out on the road once again beginning May 12th on a nine-date solo tour that begins in Louisville, KY and winds down on May 23rd in Minneapolis, MN. The full slate of dates for Beck’s upcoming performances is noted below:

Jeff Beck Solo Dates

April 13                  The Capitol Theatre                                                            Port Chester, NY

April 15                  The Paramount                                                                    Huntington, NY

April 16                  The Paramount                                                                    Huntington, NY

April 17                  The Paramount                                                                    Huntington, NY

April 18                  The Capitol Theatre                                                            Port Chester, NY

April 19                  Orpheum Theatre                                                               Boston, MA

April 21                  Ulster Performing Arts Center                                           Kingston, NY

April 22                  Bergen Performing Arts Center                                         Englewood, NJ

April 24                  Count Basie Theatre                                                           Red Bank, NJ

April 25 The Strand – Capital Performing Arts Center                                          York, PA

April 26                  The Palace Theatre                                                             Greensburg, PA

 

With ZZ TOP

April 30                  Cedar Park Center                                                               Cedar Park, TX

May 1                    Winstar Casino                                                                    Thackerville, OK
May 2                    Cynthia Woods Mitchell Pavilion                                        The Woodlands, TX
May 3                    Concrete Street                                                                    Corpus Christi, TX
May 7                    MidFlorida Credit Union Amphitheatre                                   Tampa, FL
May 8                    Cruzan Amphitheater                                                         West Palm Beach, FL
May 9                    St. Augustine Amphitheatre                                              St. Augustine, FL
May 10                  Verizon Wireless Amphitheatre                                              Alpharetta, GA

Jeff Beck Newly Added Solo Dates – on sale dates noted:

May 12                  The Kentucky Center –Whitney Hall                              Louisville, KY*

May 14                  Michigan Theater                                                          Ann Arbor, MI ***

May 15                  Hard Rock Live                                                             Northfield, OH*

May 16                  PNC Pavilion at Riverbend Music Center                       Cincinnati, OH

May 17                  Ryman Auditorium                                                          Nashville, TN

May 19                  Fox Theater                                                                  St. Louis, MO *

May 21                  Chicago Theatre                                                            Chicago, IL **

May 22                  Riverside Theatre                                                            Milwaukee, WI*

May 23                  State Theater                                                                  Minneapolis, MN*

*on sale April 10

** on sale April 11

*** on sale April 17

Jeff Beck Live+ will be available in stores and online Tuesday, May 5th. It will retail for MSRP of $18.98 in physical form. More information on this recording, Beck’s upcoming re-issue of Live at Ronnie Scott’s and any of his other recordings is available online now along with all of the latest updates on his tour schedule and other news at:

Website: http://www.jeffbeck.com

Facebook: http://www.facebook.com/jeffbeck

Twitter: http://twitter.com/jeffbeckmusic

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Off To A Solid Start In 2015 With Live At Knebworth

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Woodstock. Live Aid. Farm Aid. The Concert For New York City. These concerts are just some of the biggest concert events of the 20th century. As memorable and important as they are to the music industry and the history of modern popular music, they are only a small handful of the most important concerts held throughout the 20th Century. Next Tuesday, Eagle Rock Entertainment will add another concert to that list when it releases Live at Knebworth. The concert was held June 30th, 1990. Tabbed as “The Best British Rock Concert Of All Time,” it was held to raise money for Nordoff-Robbins Music Therapy and for The Brit School For Performing Arts. Even a quarter of a century after it was originally held, it proves to be just as enjoyable a concert experience as any that have been held since, including those previously noted. One of the reasons it proves so enjoyable twenty-five years after it was originally held is its lineup. The show’s lineup consists solely of British acts, many of whom had themselves received the coveted Nordoff-Robbins Silver Clef Award at one point or another. Along with the acts tapped to perform at the benefit, their choice of songs for the concert adds to the concert’s enjoyment. Having noted both the concert’s lineup and the performers’ chosen songs, they would be nothing without equally notable production values. Thankfully, the audio and video both prove to be quality even a quarter of a century after the concert was first held. The audio has even been tweaked, creating a sound that especially those with home theater systems will appreciate. The combination of all three elements in this one presentation makes the package in whole even a great start to 2015 for Eagle Rock Entertainment.

When it was originally held on June 30th, 1990, Live at Knebworth was tabbed as being “The Best British Rock Concert Of All Time.” When compared to other major concert events such as Woodstock, Live Aid, Farm Aid, and others that have been held since, it proves to be more than just “The Best British Rock Concert Of All Time.” It proves to be one of the best concerts of all time, too. One reason for the concert being bestowed both titles is its lineup of performers and acts. The concert’s lineup is composed of some of the greatest British acts of the 20th Century including but not limited to names that today are music royalty. The list includes the likes of: Eric Clapton, Pink Floyd, Elton John, Paul McCartney, Robert Plant, and Genesis. Audiences will be interested to find out that many of the acts tapped for the concert also were recipients of the Nordoff-Robbins Silver Clef Award. That aside, audiences will especially enjoy every act’s performance. From Clapton’s full on performance of ‘Tearin’ Us Apart’ to Paul McCartney’s emotional performance of ‘Hey Jude’ to Pink Floyd’s ethereal ‘Shine on You Crazy Diamond’ to its equally driving show closer ‘Run Like Hell,’ the acts chosen for this concert and their performances keep audiences fully engaged from start to finish, clearly showing the importance of their inclusion in the show.

Speaking of the songs , the songs chosen by the acts on the bill are just as important to the presentation in whole. That is because in large part, the songs chosen by each act are songs that were familiar to fans then and are just as familiar and popular with the current generation of fans. Dire Straits’ set included the hugely popular ‘Money For Nothin.’ Genesis included its beloved hit ‘Pinball Wizard’ in its set along with ‘Mama’ and ‘In The Midnight Hour’ among a number of other fan favorites. The Beatles’ ‘Can’t Buy Me Love’ and ‘Hey Jude’ are even older than this recording. But they are just as popular with Beatles fans of all ages today as they were when Paul McCartney was part of the then Fab Four. So having both of those songs included in his set will create a sense of both joy and nostalgia among fans of both McCartney and the Beatles regardless of age. The sight of McCartney’s late wife Linda singing along, handling keyboard duties serves to enhance those feelings even more, this showing even more the importance of the set lists chosen by each act. Robert Plant’s mix of solo material and Led Zeppelin classics generates just as much enjoyment for anyone that has any knowledge of Plant’s career both on his own and as part of what remains one of the greatest rock bands of all time. The songs noted here are songs that are still played on classic rock radio stations across America and even the U.K. to this day. The fact that they were just as insanely popular back then as they are even today speaks volumes. It’s just a microscopic view of the impact of the acts’ set list on the enjoyment of this recording. There are plenty of other songs that could make that argument just as easily. And audiences will agree with that sentiment, even finding their own songs to make that argument when they pick up this recording for themselves next week. It still isn’t all that makes the concert so enjoyable for audiences. The quality of the footage both in terms of its video and audio lies at the base of everything. If not for the quality of the footage in both avenues, neither the acts nor their set lists and performances overall would be worth the watch.

The acts chosen for Live at Knebworth, their performances and set lists are all equally important to the concert’s overall enjoyment. However as important as each element proves to be, not one of them would be of any importance without the hard work of those charged with restoring the footage for its presentation here. Of course, being a live recording from Eagle Rock Entertainment, only the best is expected. And the best is what audiences get here. The audio has been re-worked and presented in DTS-HD. This will make anyone with a home theater system very happy as it will re-create with ear precision the feeling of actually being there. Even those without such a system will appreciate the work in question as the concert sounds just as good on a standard HDTV; especially one that allows audiences to switch to a “music” setting with their remotes. And while the original concert footage was recorded in standard definition, it doesn’t show thanks to the work of those charged with restoring the footage. Unlike so many older recordings that have been up-converted, the picture is relatively clear instead of grainy. While there is at least a little bit of that grainy look, it is hardly enough to work against the footage. Rather, it actually enhances that feeling of nostalgia created by the acts’ set lists. So to that extent, the work of those charged with restoring the concert’s footage has paid off even more than they might have known. Coupled with the set lists, the performances, and the very list of performers, the restoration work done for this concert becomes part of a whole that any classic rock fan will wholly appreciate, and that proves once more why Eagle Rock Entertainment remains today the leader in live recordings.

Live at Knebworth will be available on SD-Blu-ray next Tuesday, March 17th. Proceeds from the sale of the concert will continue to raise funds for Nordoff-Robbins Therapy and the Brit School for Performing Arts. More information on this and other releases from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Live In Tokyo Presents A Master Musician At His Finest

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The term master is a word that is generally used for someone who has spent many years honing one’s talents. And not only that, but someone whose time honing his or her talents have paid off in the most positive ways possible both for himself/herself and for others. There are masters in every profession. There are master carpenters. There are master chefs. There are even master electricians and martial artists. So what makes a musician a master at his or her own craft? The answer is much the same as those people who spend their own lives honing their crafts. It leads to yet another question: Who are the masters in the music industry today? Led Zeppelin, The Rolling Stones, and Queen are just a few acts that come to mind. Another master that comes to mind is the hugely talented and so humble guitarist Jeff Beck. His latest live recording Live in Tokyo is proof positive of why Beck is deserving and has been deserving of the title of master for many years. That s evident throughout the hour and a half-long set. Beck shows so much talent and humility throughout the show, handling his own tunes and covering songs from other masters, too. Along the way, Beck lets his band mates keep the center stage while he does his own thing. Staying on that line of thought, Beck’s own on-stage presence in this concert shows even more why he is considered one of the masters. He shows that he doesn’t need big antics or even big riffs to make an impact on his audiences. And last but not least worth noting as proof of his position is the fact that Beck didn’t need to spend any time between songs killing time. He let his music (and that of his band mates) speaks so loudly in its beauty and impact that it speaks perfectly for itself. It left no need to waste any time between songs, thus making the performance presented here so enjoyable. And in the end, it leaves not even a shadow of a doubt as to why Jeff Beck is one of the true masters in his field.

Jeff Beck is a master of his field. He has far more than proven this throughout the course of his decades-long career. From his earliest days as a member of the famed Yardbirds up to his current solo career. His latest live recording Live in Tokyo shows without a shadow of a doubt why some five-plus decades since he first started making a name for himself he is considered one of the industry’s true masters. Beck proves why he is one of the industry’s masters on Live in Tokyo first and foremost through the concert’s set list. He breezes through his own compositions and those of other masters from across the music industry. Those masters include: Jimi Hendrix, Charles Mingus, The Mahavishnu Orchestra, and even John Lennon and Paul McCartney among others. The fact that Beck handles such variety of music with equal ease shows great talent. It also shows a great knowledge and respect for the history built by said masters as audiences will hear for themselves throughout the concert. He performs with such ease. Yet it’s obvious he never takes for granted his craft nor the talents of those to whom he pays tribute. Such great talent and respect for his fellow musicians in this form proves without a shadow of a doubt why Jeff Beck is considered a master. It’s definitely not the only way he proves it here (as if he really needed to do so). He also proves himself a master through his humility, which could be included in his on-stage presence.

While Jeff Beck’s name graces the cover of his new live recording, his on-stage presence proves to be a total counter to that billing. He shows so much humility throughout the course of the concert, letting his band mates–Jonathan Joseph (drums), Nicholas Meier (guitar), and Rhonda Smith (bass)–take the center stage most of the time. He doesn’t just fade into the background by any means. But he also doesn’t show himself to be like other well-known musicians who try to covertly hog the limelight while their band mates try to shine. He shows quite the level of humility, allowing Joseph, Meier, and Smith to display their talents just as much as himself if not more. It’s really something rare to behold especially in the current era of the music industry. It’s also quite refreshing. That humility coupled with Beck’s own talents show here even more why Beck is justifiably considered a master.

Staying on the matter of Beck’s talents, He shows with his talents that he doesn’t need huge riffs, pyro, crazy antics (  without his guitar) or other extras to entertain audiences. He doesn’t show the need to speed through any of the songs, either. He more than lives up to the adage that it takes a real musician to play slow and with control. What’s more he lives up to that adage more than once throughout the course of the concert. That casual approach oddly enough actually makes the performance even more enjoyable. In turn it proves yet more why Jeff Beck is one of the greatest of the music industry’s masters.

Jeff Beck proves in so many ways throughout Live in Tokyo why decades after he first broke out he is considered one of the best in the game. He shows why through his humility, his knowledge and respect for the history of music, and through his own ability to entertain audiences without really having to try. One more way that he proves his place in the music industry’s upper echelons is through the fact that he didn’t even need to spend any time killing time between songs to entertain audiences. His talents (and  his band mates) prove so substantial throughout the concert that audiences won’t feel like they are losing anything in that lack of interaction. Audiences will be so entertained that all they will feel and hear is the music. By the time the show ends, audiences won’t even realize that it all passed without even the slightest break for conversation. That is how loudly and how solidly the talents of both Beck and his band mates spoke throughout this concert. It truly says something about an entertainer when he or she doesn’t need to rely on such extra in order to entertain audiences and fill time at the same time. Considering this, it is one more way in which Jeff Beck proves that now in his 70s, he is only coming into his prime and yet is justifiably considered one of the greatest of the masters in the music industry. Together with all of the aforementioned aspects of this concert, audiences will see with crystal clear vision just why Jeff Beck is one of the greatest in his business. It also shows why Eagle Rock is the greatest in its business.

Jeff Beck has made quite the name for himself over the course of his decades-long career. That career includes time with other greats and with those that are perhaps not so well-known. Through it all, Beck has persevered and risen throughout those decades to become today one of the true masters of the music industry. Whether it be through his stage presence, his very display of talent, or his knowledge of and respect for the history of music, Jeff Beck shows throughout Live in Tokyo without a doubt why he is a master musician. Audiences will agree with this sentiment when they purchase this concert for themselves on DVD and Blu-ray. It is available in stores and online now. More information on this and other recordings from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EalgeRockEnt

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

McCartney’s New Single Gives Great Hope For His Career And The Future Of Music

Courtesy:  Concerd Music Group/Hear Music/MPL

Courtesy: Concord Music Group/Hear Music/MPL

Legendary musician Paul McCartney has spent the better part of his life making some of the greatest music that audiences have ever heard. Whether it be music that he crafted with his former Beatles band mates, those he composed as part of Wings, or his solo work, McCartney’s work has proven time and again to be timeless. Now McCartney is set to release yet another great work in the form of his new single ‘Hope For The Future.’ This song was previously only available through the new hit video game Destiny. But on Monday, December 8th, the song will be available worldwide for audiences via Concord Music Group/Hear Music/MPL. There is plenty that can be said of this song that makes it such a joy of a song. The most obvious reason for its enjoyment is its lyrical content. Taken out of the context of Destiny’s world, the song’s lyrical content proves to be just as powerful for listeners. The song’s musical arrangement adds even more depth to the song. There are strings, horns, and of course McCartney covering the vocals and guitar line. As important as both factors are to the song’s success and enjoyment, they would be nothing without proper production. Thankfully veteran producer Giles Martin put all of the song’s various musical sections together to complete the song. It shows to be a song that gives its own hope for the future of McCartney’s career however long McCartney chooses to keep making music.

‘Hope For The Future’ was originally released earlier this year as part of the soundtrack to the hugely popular video game Destiny. But next Tuesday, the song will be available for audiences around the world through Concord Music/Hear Music/MPL. This song, which McCartney crafted himself, is arguably one of the best new singles of 2014. And it definitely gives its own * ahem* hope for the future of McCartney’s career for however long he chooses to keep making music. One way in which that it does this is through the song’s lyrical content. McCartney writes in this song, “We will build bridges/Up to the sky/Heavenly light surrounding you and I/From out of the darkness/Our future will come/If we leave the past behind/We’ll fly beyond the sun/We’ll be together/Sharing the load/Watching in wonder/As our lives unfold.” Such positive lyrical content could not be more welcome especially in consideration of all of the conflict around the world. McCartney’s line referencing leaving the past behind could not be more fitting for America considering the recent reports of civil unrest and racial tensions raised thanks to recent police actions. He goes on to write in the song’s chorus, “Hope shines brightest/In the dark/Where nothing’s ever seen/Lighting undiscovered places/No one’s ever been.” He hammers home the point that a positive outcome is possible despite all of this unrest and tensions he writes, “Hope for the future/It will belong to us/If we believe/If we believe.” Such positive and–for lack of better wording–hopeful lyrics are welcome and much needed especially in the current state of the world. It’s just one way in which ‘Hope For The Future’ proves to be such an outstanding new work from Paul McCartney.

The lyrical content infused into ‘Hope For The Future’ is itself an important part of the song’s whole. It provides a positive, glimmering light among all of the darkness created by the conflict and tensions around the world. The lyrics are themselves quite positive. The music against which the lyrics are set add even more depth and impact to the song. McCartney was backed by a full orchestra in the recording of the song. That means that every part that audiences hear is the real thing. From the gentle cello line that opens the song to the power of the low brass against McCartney’s own guitar line, and the soaring strings, the arrangement in whole adds so much depth and emotion to the song. Set against the song’s lyrical side, it makes them even more impactful. The end result is again, a song that proves to be one of this year’s best new singles and a song that gives plenty of hope for McCartney’s own musical future.

The music and lyrics that make up ‘Hope For The Future’ collectively make this song a piece that audiences will enjoy whether listening to it as part of Destiny’s soundtrack or by itself. As impressive as the music and lyrics are, they would be nothing without the work of producers Mark “Spike” Stent and Giles Martin. Martin, many might not know, is the son of legendary producer George Martin, who produced a number of The Beatles’ greatest albums decades ago. George’s ear for music was obviously passed down to Giles, as audiences will hear here. He and Stent balanced McCartney’s musicianship with the talents of the 120-member (yes, 120) orchestra. Whether it be the accents of the cymbal rolls, the punch of the low brass against McCartney’s own guitar line, or the crescendos and decrescendos of the strings, Martin and Stent obviously went to painstaking efforts to make every part of the song have the utmost emotional impact. They accomplished this goal quite well, too. Audiences will agree with that sentiment when they hear the song for themselves. What’s more, audiences will agree in hearing ‘Hope For The Future’ that this song itself is one of the best new singles of 2014. And it gives great hope for McCartney’s career for however long he intends to keep making music.

Whether it be for the production work of Giles Martin and Mark Stent, the song’s musical side, or its lyrical side, all three factors prove to be equally important in the success and enjoyment of ‘Hope For The Future.’ The original mix itself is more than enough reason to pick up this single or download it. McCartney and the people at Concord Music, Hear Music, and MPL have made things even more interesting for audiences by including four remixes, one of which is a rather interesting EDM remix. Whether it be any of those remixes or the original, every listener will find something to like about ‘Hope For The Future.’ With any luck, all of the different mixes together will change the minds of even those that have decried the song and make them agree that this is without a doubt, one of the great new singles of 2014.

‘Hope For The Future’ will be available Monday, December 8th. More information on how to purchase and download the single and on McCartney’s upcoming tour dates and news, is available online at:

Website: http://www.paulmccartney.com

Facebook: http://www.facebook.com/PaulMcCartney

Twitter: http://twitter.com/PaulMcCartney

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Gustafer Yellowgold’s Wisdom Tooth of Wisdom Is The Most Intriguing And Original Children’s Story So Far This Year

Courtesy:  Apple Eye Productions

Courtesy: Apple Eye Productions

2014 has been a good year so far for children’s releases. New albums from The Okee Dokee Brothers, Secret Agent 23 Skidoo, Danny Weinkauf and others have proven to be some of the most enjoyable albums to be released in said genre so far. There are others of course. These are just a few of the year’s top new releases. Now as the year winds down, another new release has come along that is sure to make audiences take notice. That release is Gustafer Yellowgold’s the Wisdom Tooth of Wisdom. The latest release from musician Morgan Taylor, this sixth story about the former resident of the sun sees Gustafer on a journey to find the owner of a giant tooth. The very story presented here is the most important factor in the appreciation of this new release. While being central to the overall appreciation, the story presented in this release is only part of the whole that audiences will appreciate. Also worth noting is the music. By and large, the instant comparison that can be made in this release is to The Flaming Lips of all bands. Although there is one song in the story that bears quite a resemblance to The Beatles circa Sgt. Pepper’s Lonely Hearts Club Band. Rounding out the whole presentation is the fact that the story is presented by orally and visually. Taylor’s not so young (but still young enough) audiences will appreciate the use of what is essentially storyboarding to tell the story of Gustafer’s journey. The storyboarding helps bring fully to life the story presented in the set’s audio side. It is the final noteworthy portion of this presentation. And together with the release’s music and very story, it makes the story in whole one that any older child will want to hear at least once with their parents.

It goes without saying that in listening to singer/songwriter Morgan Taylor’s latest Gustafer Yellowgold story that it is one of the most intriguing and yet original children’s works to be released so far this year. Its very story is one that exemplifies this critic’s firm belief that children’s releases are actually more creative and original than most albums released for grown-ups. That argument can be backed up just by going through this outlandishly original story. Presented here is the story of former sun resident Gustafer Yellowgold’s journey to find the owner of a giant wisdom tooth. Yes, a giant wisdom tooth. Few musicians, bands and groups can claim to have ever crafted such a story, regardless of whether said story be for adults or kids. The only story that even begins to come close is the short story ‘Imaginary Friend’ from Secret Agent 23 Skidoo. And that story alone only filled out one song from a whole album of songs. It was a song about a boy’s imaginary friend named Pickles. Pickles liked mustard popsicles and came from another planet totally unlike that of Earth. That being noted, it can be said again that this latest adventure of Gustafer Yellowgold is easily one of the most intriguing and original children’s works to be released this year. It’s just one reason that older children and their parents will want to check out this story at least once.

The journey on which Gustafer Yellowgold embarks in this story is the central point of the whole presentation’s interest. It is definitely the most original and intriguing children’s work to be released so far this year. The music that accompanies the story adds another layer to the presentation’s interest. Those that might be familiar with the band’s work will instantly make a comparison to famed indie-rock act The Flaming Lips in listening to the story’s musical side. Even Taylor himself sounds somewhat liked TFL front man Wayne Coyne. At the same time, the song ‘I Can’t Feel My Face’ conjures thoughts of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band with its mix of vocals, guitar and horn arrangements. Audiences will laugh almost hysterically as Taylor sings about Gustafter getting his face numbed at a dentist’s office. Audiences can check out the song’s official video online now via Youtube at http://www.youtube.com/watch?v=3YsQOhjVB1c&feature=youtu.be. To say that the combination of the song and video trippy would not do either one justice. They must be experienced first-hand in order for audiences to really appreciate the artistry that went into both elements. It’s just one more reason that audiences will want to experience Gustafer Yellowgold’s latest adventure at least once.

The story and the music that make up Gustafer Yellowgold and the Wisdom Tooth of Wisdom collectively exemplify why this story is the year’s most original and intriguing for children so far this year. By themselves, the story and its music make for one heck of a ride for listeners. Together with the story’s visual side included in the set’s DVD, the story is made whole. The use of storyboards of sorts is just as ingenious and creative as the story and its music. There is no narrator; only Taylor singing. And each storyboard also includes the lyrics to the story’s songs. So audiences can follow along with ease as the story progresses. It makes the overall experience like watching a book on television. Together with the work’s music and its very story, the tale’s visual side completes the overall presentation, proving once more just why this story is one that every parent should take in at least once with their older children.

Gustafter Yellowgold’s Wisdom Tooth of Wisdom is the single most original and intriguing story to be released for children so far this year. Whether it be for the story itself, its indie-pop sound or its original visual storytelling style, plenty can be noted as to why audiences should experience this story at least once. It is available now in stores and online. More information on Gustafer Yellowgold and his many adventures is available online at:

Website: http://www.gustaferyellowgold.com

Facebook: http://www.facebook.com/gustafter

Twitter: http://twitter.com/Gustafer

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Roy Orbison To Receive New Award

Photo Credit: Janet Macoska

Photo from “The Last Concert” Credit: Janet Macoska

Legendary musician Roy Orbison is gone but definitely not forgotten.  The legendary musician will posthumously receive an award from the Musicians Hall of Fame and Museum.  Orbison will be awarded the Iconic Riff Award.  The award, which is being awarded for the first time, is being awarded to Orbison for his hit 1964 song, ‘Oh, Pretty Woman.’  The song would go on to become a number one single after its original release.

Heads of the Musicians Hall of Fame and Museum said the reason that Orbison was chosen as the first recipient of the award because of the riff that opens ‘Oh, Pretty Woman.’  The song itself has been covered by countless artists. It rose to its biggest fame thanks to rock band Van Halen’s cover of the song.  It was also the inspiration for the hit 1990 rom-com, Pretty Woman, starring Richard Gere and Julia Roberts.  The song itself can even be heard in the movie’s soundtrack.

Along with its numerous covers and use in movies, ‘Oh, Pretty Woman’ the song is also included a new live concert recording from Legacy Recordings titled Black & White Night.  The DVD recording was released this week.  It was recorded in September of 1987 and includes the likes of: Bruce Springsteen, Elvis Costello, Jackson Brown, JD Souther, and Tom Waits joining the star for his hit song.

Roy Orbison is one of the music industry’s most well-known and respected names.  He started his career in 1956.  He was signed to the famed Sun Records at the time.  The label also boasted the likes of Elvis Presley, Jerry Lee Lewis, and Johnny Cash on its roster.  It wouldn’t be until he signed a deal and recorded for Monument Records in the early to mid-1960s that his career truly took off.  The release of ‘Oh, Pretty Woman’ marked the peak of his career at the time.  The song, which Orbison co-wrote with Bill Dees, would go on to sell seven million copies and spend three weeks at number one on the Billboard Hot 100 Chart.  It also peaked at number one on the British charts for three weeks.  This was an unprecedented feat for any American recording artist at the time.  That is because The Beatles were dominating both countries’ charts at the time.

A new collection of Orbison’s hits titled The Monument Boxset will be released November 26th.  The collection is a vinyl only package that includes three of the most well-known and beloved albums that Orbison recorded during his time with Monument Records.  Those records are: Lonely and Blue, Crying, and In Dreams, which was also just recently re-issued on CD.  The new box set also includes a fourth album that had not existed until now.  The album will be centered on ‘Oh, Pretty Woman’ and will be comprised of five tracks.  The album’s songs were chosen by Orbison’s own sons, Alex, Roy Kelton, and Wesley Orbison.  Orbison’s suns have maintained their father’s legacy, running Roy’s Boys LLC, which is responsible for managing their father’s likeness, image, and musical releases.

Roy’s Boys LLC and Legacy Recordings are set to release one more live Roy Orbison concert before the year ends.  The Last Concert25th Anniversary Edition chronicles what would be Orbison’s final concert before his death in 1988.  The concert was recorded on December 4th, 1988.  That was only two days before he would suffer a fatal heart attack.  The fact that he would pass away only two days later is only part of what makes the upcoming concert so important.  Orbison commonly closed his shows with a performance of ‘Running Scared.’  But recording engineers ran out of tape that night before Orbison performed the song.  The result of that shortage is that ‘Oh, Pretty Woman’ would end up being the final number from his final ever concert.  More information on all upcoming Roy Orbison releases is available online at http://www.royorbison.com and http://www.facebook.com/royorbison.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.