Mark C. Daniel Debuts New Single, ‘Sign Za Life’

Courtesy: CowgirlZen Entertainment

Independent singer-songwriter-musician Mark C. Daniel kicked off the weekend by debuting his latest single.

Daniel debuted his new single, ‘Sign Za Life‘ (pronounced like ‘Signs of Life’) Friday. The song features an up-tempo percussion-driven arrangement. The steady time keeping and drums’ rich sound pairs with the guitar line, vocals, and bass to give the song a vintage rock and roll style and sound a la Jerry Lee Lewis. At the same time, there is also a sort of modern rock touch that exhibits influence of bands, such as The Black Crowes and Led Zeppelin.

The Led Zeppelin comparison is not accidental, either, as Daniel noted in comments about the song’s arrangement.

“This was the last song we recorded in this session and the first take of it,” said Daniel. “Mickey Curry – Drums(the Cult, Bryan Adams, Alice Cooper) felt like adding a few John Bonham-‘esque punches in the Verses. It created an interesting dynamic and added a “Zeppelin Feel.” We are all huge classic rock fans so it felt great. I let the electric energy of the live room take over which is interesting in that I actually wrote this song on an acoustic as a slow-burning Blues song. It felt like we were going to go off the rails a few times but that’s exactly what gives the song its honesty and true to form edgy feel.”

No information was provided about the song’s lyrical theme in the press release announcing the song’s premiere. Listening to the song, the lyrics come across as a sort of social commentary. That is of course just this critic’s interpretation.

More information on Mark C. Daniel’s new single is available along with all of his latest news at:

Facebook: https://www.facebook.com/markcdanielofficial

Twitter: https://twitter.com/markdanielmusic

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dirty Honey Joins The Black Crowes On Tour

Courtesy: Herfitz PR

Up-and-coming rock outfit Dirty Honey has joined The Black Crowes for the latter’s new tour.

The Black Crowes launched its “Shake Your Money Maker 2021Tour” Tuesday in Nashville, TN. The tour is scheduled to run through Oct. 2 in Tampa, FL and features performances in cities, such as Raleigh, NC; Houston, TX and San Diego, CA. Dirty Honey’s shows are in support of its recently released self-titled debut album.

The bands’ current tour is noted below.

THE BLACK CROWES’ 

“SHAKE YOUR MONEY MAKER 2021 TOUR”

with Special Guest DIRTY HONEY:

July

25  The XFINITY theatre, Hartford, CT 

28  S&T Bank Music Park, Pittsburgh, PA 

29  DTE Energy Music Theatre, Detroit, MI 

31  Hollywood Casino Amphitheatre., St. Louis, MO 

August 

 1  Ruoff Home Mortgage Music Center, Indianapolis, IN 

 3  Riverbend Music Center, Cincinnati, OH 

 7  Hollywood Casino Amphitheatre, Chicago, IL 

 8  American Family Insurance Amphitheatre, Milwaukee, WI 

10 Walmart Amp., Rogers, AR 

11 Dos Equis Pavilion, Dallas, TX 

14 Cynthia Mitchell Woods Pavilion, Houston, TX 

15 Germania Amphitheatre, Austin, TX 

18 North Island Credit Union Amphitheatre, San Diego, CA 

19 The Forum, Los Angeles, CA 

21 Concord Pavilion, Concord, CA 

22 Shoreline Amphitheatre, Mountain View, CA 

25 Sunlight Supply Amphitheatre, Portland, OR 

26 White River Amphitheatre, Seattle, WA 

29 Red Rocks Amphitheatre, Denver, CO 

30 Red Rocks Amphitheatre, Denver, CO 

September 

 4  Cellairis Amphitheatre at Lakewood, Atlanta, GA 

 5  Oak Mountain Amphitheatre, Birmingham, AL 

 7  Coral Sky Amphitheatre, West Palm Beach, FL 

 8  MIDFLORIDA Credit Union Amphitheatre., Tampa, FL 

10 PNC Music Pavilion, Charlotte, NC 

11 Coastal Credit Union Music Park @ Walnut Creek, Raleigh, NC 

14 Saratoga Performing Arts Center, Saratoga Springs, NY 

15 Xfinity Center, Boston, MA 

17 Jones Beach Theatre, Wantagh, NY 

18 PNC Bank Arts Center, Holmdel, NJ 

22 Jiffy Lube Live, Washington, DC 

23 BB&T Pavilion, Philadelphia, PA 

DIRTY HONEY DATES:

September

25 WMMR MMR*B*Q, BB&T Pavilion, Camden, NJ

October 

 2 98Rockfest, Amalie Arena, Tampa, FL 

More information on Dirty Honey’s new record is available along with the group’s latest news at:

Websitehttps://www.dirtyhoney.com

Facebookhttps://www.facebook.com/DirtyHoneyMusic

Twitterhttps://twitter.com/dirtyhoneyband

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Audiences In Georgia, Beyond Will Enjoy Hearing Blackberry Smoke’s New Album

Courtesy: 3 Legged Records/Thirty Tigers

More than four years after releasing its hit album Find a Light, southern rock band Blackberry Smoke returned this week with an equally strong new record in Georgia You Hear.  The band’s seventh album, this record is everything that audiences have come to expect from the band, which has been called one of the best of the genre by many audiences and critics.  That is due in part to its featured musical arrangements.  They will be discussed shortly.  The lyrical themes that are featured throughout the album add a second layer of appeal to the record.  They will be discussed a little later.  The record’s sequencing rounds out its most important elements and will be addressed later, too.  Each item noted here is important in its own way to the whole of the album’s presentation.  All things considered, they make the album a successful presentation from beginning to end.

Blackberry Smoke’s seventh full-length studio recording, Georgia You Hear is a record that every listener will want to hear.  Yes, that awful pun was intended.  That is due in no small part to its featured musical arrangements.  The arrangements in question largely boast the band’s familiar southern rock tones and stylistic approaches.  At the same time though, they also present a subtle variety from one to the next.  The band even goes full-on country at one point – ‘Lonesome for a Livin’ (ft. Jamey Johnson).’  On a side note, rumblings are that Johnson, who is an outstanding artist in his own right, is finally mapping out his possible first new album in years.  One can only hope and pray that it happens.  Getting back on topic, the arrangements here take audiences in a variety of directions, even as they remain within the southern rock genre from one to the next.  Case in point is the arrangement featured in the album’s opener, ‘Live It Down.’  There is something about the arrangement here (including the vocal delivery style of front man Charlie Starr) that makes the composition comparable to works from the likes of The Black Crowes.  That should come as no surprise to the band’s established audiences.  Those audiences know that the band has shown such similarities in its past records, too.  Luckily though, Blackberry Smoke’s members did not just rehash the sounds of those songs here.  Rather, it is its own original work. 

As the album progresses, the noted diversity is just as evident in ‘Old Enough To Know.’  The twang of the steel pedal and the simple percussion against Starr’s bittersweet vocal delivery and guitar performance lends itself to comparison to works from the likes of James Taylor, Bob Dylan, and even Hank Williams, Sr.  This subdued, simple song is a wonderful break point for the record that keeps things just interesting enough to keep audiences engaged.

On yet another note, ‘All Over The Road,’ the album’s penultimate entry, the band mixes its familiar southern rock sounds with a bit of Americana to make for even more evidence of the diversity in the album’s musical content.  The classic Americana element is most evident in the use of the upbeat piano line.  The more southern rock sound at times conjures thoughts of Tom Petty, ZZ Top and even, again, The Black Crowes. The whole makes the song yet another work that audiences will enjoy while also showing even more, the diversity in the album’s musical arrangements, even though the arrangements stay within the confines of the southern rock genre.  The positive impact of the musical arrangements featured in this record is only a part of what makes the record successful.  The lyrical themes featured in the record are just as diverse (and accessible) as the record’s musical arrangements.

The lyrical themes will connect with audiences just as easily as their musical counterparts.  Case in point is the theme featured in ‘Old Scarecrow,’ the album’s closer.  This song’s lyrical theme presents a message of self-assurance and personal identity.  Starr sings here about not caring about “the year’s new model” and states “I might be a little ragged around the edges…I look at these two hands/And I know there’s someone watching over me.”  He adds, “I ain’t never gonna change my ways.”  This is that defiant message noted.  It is that proverbial middle finger to the status quo, telling people that the subject is going to be who he is, trends be damned.  Again, it is a familiar theme that is used across the musical universe.  It is presented in a familiar fashion that will resonate with audiences just as much as in any other case.

‘Hey Delilah’ presents another familiar lyrical theme.  The theme in question is that of a man who is head over heels for a woman.  Apparently in this case, the woman’s name is Delilah.  Starr recalls here how the woman influenced him (or the song’s subject), even describing how she looked and how it drove him crazy.  That against the song’s musical arrangement, whose southern rock style and sound conjures thoughts of Lynyrd Skynyrd, makes for even more enjoyment here.  It makes the song’s lyrical theme that much more accessible, in turn, showing even more why the album’s lyrical themes are so important to its presentation. 

‘Morningside’ is yet another example of the variety and impact of the album’s lyrical content.  In this case, the band presents in very unique fashion, what comes across as a message about making it through life’s difficult times.  That is inferred as Starr sings in the song’s chorus about “waiting for the morningside” and that “nothing’s ever over…the light is shining on somebody all the time/I’m not stumbling in the darkness/I’m just waiting for the morningside.”  If in fact that is what Starr and company are trying to translate, then they are to be commended for this, again, unique translation.  To that end, it proves one more example of what makes the album’s lyrical content overall just as important as the record’s musical arrangements.  When all of this and the rest of the album’s lyrical content is considered along with all of the album’s musical content, that whole gives listeners every reason to take in this new offering from Blackberry Smoke.  Even with that in mind, it is just a portion of what makes the album worth hearing.  The record’s sequencing rounds out its most important elements.

The sequencing presented in You Hear Goergia is important to note because a close listen reveals a clear, intentional approach to this aspect.  The album starts off in up-tempo fashion in ‘Live It Down.’  From there, the album’s energy gradually pulls back in each song until it reaches its most subdued point in ‘Lonesome for a Livin’ (ft. Jamey Johnson).’  From there, the record’s second half changes things up a little more to keep things interesting.  ‘All Rise again (ft. Warren Haynes)’ immediately picks things back up to start off the record’s second half.  ‘Old Enough to Know’ then just as starkly changes things again as it pulls way back before giving way to the gritty ‘Morningside.’  That arrangement gives way to even more energy as it transitions to ‘All Over The Road,’ giving audiences one more dose of high energy.  From there, the band closes out the album on a relaxed but still confident note in ‘Old Scarecrow.’  Looking back through all of this, it should be clear that the band and all involved had a clear plan in sequencing the songs.  That plan paid off as it ensures listeners’ engagement and entertainment just as much as the album’s content by itself.  When this is considered along with the album’s content, the whole makes this record just as successful as any of the band’s existing albums.

Blackberry Smoke’s brand new album You Hear Georgia is a successful new offering from the band that has become known as one of the leaders of the southern rock realm over its life.  That is proven in part through its musical arrangements.  The arrangements are mostly southern rock songs that still show subtle variations from one to the next in their influences, sounds and styles.  A close listen to the album proves that true.  As if that is not enough, the band even goes full country in at least one song.  The lyrical content featured alongside the album’s musical arrangements is important to the record’s appeal, too.  That is because it is familiar in terms of the presented themes.  The manner in which the familiar themes are presented makes them just as accessible as the album’s musical arrangements.  The sequencing of all of that content rounds out the album’s most important elements.  It brings everything together and ensures in itself, audiences’ engagement and entertainment.  Each item noted here is important in its own way to the whole of the album.  All things considered, they make You Hear Georgia a record that audiences in Georgia and beyond will enjoy hearing.  You Hear Georgia is available now through 3 Legged Records/Thirty Tigers.

More information on the album is available online now along with all of the band’s latest news and more at:

Websitehttps://www.blackberrysmoke.com

Facebookhttps://www.facebook.com/BlackberrySmoke

Twitterhttps://twitter.com/blackberrysmoke

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dirty Honey’s Self-Titled Debut LP Succeeds Because Of Its Fully Accessible Musical, Lyrical Content

Courtesy: Dirt Records

Independent rock and roll act Dirty Honey will release Friday, what is one of 2021’s most  welcome and best new pure guitar rock albums in its self-titled album.  The eight-song record has been the subject of a lot of hype since 2019, and it can be said that the album lives up to that hype and then some.  That is evidenced clearly through the 28-minute album’s musical arrangements and lyrical themes, all of which are fully accessible.  One of the songs featured in the album that serves to support the noted statements comes halfway through its nearly half-hour run time in the form of ‘Hold My Hand.’  This song will be discussed shortly.  ‘Another Last Time,’ which closes out the album, is another example of how its musical and lyrical content comes together to make the album so engaging and entertaining.  It will be discussed a little later.   ‘The Wire,’ one of the album’s early entries, is yet another example of the importance of the album’s collective content.  It will also be discussed later.  All three songs examined here are important in their own way to the success of Dirty Honey’s self-titled debut album.  When they are considered along with the rest of the album’s songs, the whole makes Dirty Honey a work that every guitar rock purist will enjoy.

Dirty Honey’s self-titled debut album is a strong start for the up-and-coming neo-classic rock quartet.  The album’s success comes collectively through its musical arrangements and lyrical themes.  One of the songs that most notably exemplifies the noted statements comes halfway through the album in the form of ‘Take My Hand.’  The musical arrangement in this song is the polar opposite of that in the album’s lead single, ‘California Dreamin’’.  Not to get too far off topic, but ‘California Dreamin’ is not to be confused with the song made popular by The Mamas and the Papas way back in 1965.  rather, this song is its own, original composition.  Getting back on the matter at hand, the musical arrangement featured in ‘Take My Hand’ immediately lends itself to comparison to works from the likes of Small Town Titans and Audioslave.  The Audioslave comparison should come as no surprise considering that Dirty Honey worked with producer Nick DiDia on this album.  DiDia worked with Tom Morello and his band mates in Rage Against the Machine (whose members eventually formed Audioslave after a split with front man Zach De La Rocha in 2000).  Clearly DiDia’s own creative influence came into play here, considering that history.  The guitar arrangement, the drums and bass all immediately mirror works from Audioslave.  Front man Marc LaBelle’s vocal fiery vocal delivery style and sound is itself even comparable to that of the late, great Chris Cornell here, making the Audioslave comparison even clearer.  For all that the song’s musical arrangement does to make it stand out, it is just a portion of what makes the song (and album) work.  The lyrical content that accompanies the song’s musical content also plays into that success.

The lyrical content featured in ‘Take My Hand’ stands out because of the discussion that it will generate.  It would seem that, in listening closely, the song’s lyrical content presents a message about letting go of the past and just moving forward in life.  This is inferred in the song’s lead verse, in which Labelle sings, “No time to change/The mistakes you made/And if I carry the weight/It’s the price I have to pay/But I wanted all your love/And I needed all your love…take my hand/You’ll understand/I’m just a sinner, too/There’s no way out/We’re headed south/I’m lonely just like you.”  This alone would seem to hint at someone telling another person that he/she knows about the other person’s past but that said person needs to just leave the past in the past because things in the present are what they are and that other person is not alone in his/her situation.  The seeming message continues in the song’s second verse, with LaBelle singing, “Hide in the light/Stories that you told/Paying no mind/To your wicked ways of old/When I wanted all your love/And I needed all your love/It drove me out of my mind/Take my hand/You might understand/I’m just a sinner, too/There’s no way out/We’re headed south/Don’t play me for a fool.”  Again, here is that seeming message of just letting go of the past, not letting it weigh one down mentally and emotionally.  LaBelle does not just come out and make clear if the overall lyrical theme has anything to do with perhaps a couple in a relationship or if this is just a general statement made from one person to another.  Regardless, the seeming message is relatively clear.  When it is paired with the song’s infectious musical arrangement, the whole makes the song a clear example of what makes the album’s musical and lyrical content so important to the album’s overall presentation.  ‘Another Last Time,’ which closes out the album, is another example of what makes Dirty Honey a successful presentation.

‘Another Last Time’ presents a musical arrangement that will itself find quite the interesting comparison.  The song’s opening bars lend themselves to comparison to Pearl Jam’s hit 1992 b-side, ‘Yellow Ledbetter.’  That comparison is brief, but is there.  From there, listeners will notice a sound and stylistic approach that is more akin to works from the Black Crowes, what with the combined use of the keyboard, choral type backing vocals, guitar, and drums.  It is a work that will appeal to any southern rock fan.  The tone in the song’s arrangement, that sense of melancholy, does well to help illustrate the familiar story featured in the song’s lyrical content.  The story in question comes across as being that familiar tale of the breakup of a romantic relationship, with the “last time” being metaphorical language for the one last go-round.

The breakup story is made even more as LaBelle’s subject adds in the song’s chorus, “Tell me what it takes/’Til you find your way back to me/And we’ll say/One last time/Another last time/Another go round and we say goodbye.”  That the song’s subject compares the woman in question to whiskey and rain, stating, “Lord knows when I’ll see her face again” in the song’s lead verse adds even more to the clear story.  He even notes that the woman has “Got me wondering/Why I’m holding on to this,” making even clearer, the noted statement.  This is a mournful, melancholy song about a relationship’s end, thus the lyrical and musical content.  The thing is that it is more of an introspective and retrospective look at that relationship.  This is something to which many listeners will relate, proving its accessibility.  When it is paired with the song’s equally accessible southern rock stylistic approach and sound, the whole continues to prove the role of the musical and lyrical content featured in Dirty Honey’s self-titled debut album.  It is just one more example of that importance, too.  ‘The Wire,’ which comes early in the album’s body, is one more example of what makes the album’s collective content so important to its success.

‘The Wire’ presents a musical arrangement that is one of the most unique of the album’s compositions.  The song’s arrangement immediately exhibits influences from the likes of AC/DC, Led Zeppelin, and even the aforementioned Black Crowes.  Even with so many distinctly different influences presented here, the band still manages to craft a song that is unique and that boasts its own identity.  The energy exuded by the song’s musical arrangement is important to examine because it helps to translate the message presented through the song’s lyrical content.

The message presented in ‘The Wire’ is that of a man who knows he needs to get away from a woman who is not good for him, but he can’t help but keep going back to her.  That is evidenced as LaBelle sings, “This wasn’t part of the plan/I  never wanted to see you again/I’m a fool for you/And those things that you do/Can’t get this picture of you out of my head…I’ve been walking the wire/And I’ve been walking your wire for too long…turn and walk away.”  This is just the song’s lead verse, but it makes relatively clear the noted inference.  The song’s second verse continues the statement as LaBelle sings, “Thought it would get better with time/But your kisses, baby/They still blow my mind/I’m a fool for you/And those things that you do/The way that you love me is such a crime.”  That last statement about the mistreatment in the relationship is the most telling.  Again, this is someone who knows he is in a bad situation, but can’t bring himself to just walk away.  He keeps getting drawn back into the toxic situation because “your kisses, baby/They still blow my mind.”  While the song is sung from the vantage point of a man, women could relate just as much.  That is because they get into the same situations.  To that end, the song’s lyrical theme proves its accessibility even more.  The energy exhibited through the song’s musical arrangement does well to help illustrate the subject’s mixed mindset.  Together, the two elements join to make this song another standout addition to Dirty Honey, showing once more why the record’s musical and lyrical content collectively makes it such a successful offering.  When this song and the other examined here are considered along with the rest of the album’s songs, the whole leaves no question about the engagement and entertainment that the record offers.  All things considered, it leaves no doubt that the album is one of this year’s top new independent and rock albums.

Dirty Honey’s self-titled debut album is a strong first offering from the up-and-coming rock band.  It succeeds as much as it does because of its combined musical and lyrical content.  The record’s musical arrangements exhibit influences of some of the most talented and respected bands past and present throughout.  Even with those influences noted, the arrangements still boast their own unique, engaging, and enjoyable identities.  They are fully accessible and enjoyable compositions from one to the next.  The lyrical themes featured in the album’s featured songs are just as engaging and accessible as their musical counterparts.  All three of the songs examined here more than support the noted statements.  When they are considered alongside the rest of the songs featured in this record, the whole makes Dirty Honey a standout addition to this year’s field of new rock and independent albums.  Dirty Honey is scheduled for release Friday through Dirt Records.

More information on Dirty Honey’s new record is available along with the group’s latest news at:

Websitehttps://www.dirtyhoney.com

Facebookhttps://www.facebook.com/DirtyHoneyMusic

Twitterhttps://twitter.com/dirtyhoneyband

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Magpie Salute Announces Debut LP’s Release Date, Tour Dates

Courtesy: Eagle Rock Entertainment

The Black Crowes are coming back…sort of.

Three members of the seminal rock band re-united recently to form a new band dubbed The Magpie Salute.  The band, comprised of Rich Robinson, Marc Ford, and Sven Pipien, will release its self-titled debut full-length this summer.

The record is currently slated to be released Friday, June 9 via Eagle Rock Entertainment.  It was recorded live in-studio front of an intimate audience at Applehead Studios in Woodstock, New York except for the full-studio track ‘Omission.’  The album marks the last recorded by ex-Black Crowes keyboardist Eddie Harsch, who also handled keyboards on this record.

The Magpie Salute’s lead single ‘Omission’ will impact radio stations nationwide next month.  A companion video for the single is expected to be released soon after.  Also in advance of the album’s release, the band will release a special 10” vinyl 45 single of ‘Comin’ Home’ and ‘Glad and Sorry’ on Record Store Day, April 22.

A headlining tour in support of The Magpie Salute is scheduled to launch July 26 in Indianapolis, IN.  The tour includes three stops in North Carolina on August 15, 16 and 20 in Charlotte, Raleigh and Asheville respectively.

Before the band launches its headlining tour, it will also embark on an extensive European spring/summer tour that launches April 12 in London, U.K. and runs through July 13 in Berlin, Germany.  The band’s current tour schedule is noted below.

U.S. and international tour dates for THE MAGPIE SALUTE:
DATE CITY/STATE VENUE
4/12 LONDON, U.K. Under The Bridge
4/13 LONDON, U.K. Under The Bridge
4/14 LONDON, U.K. Under The Bridge
4/15 LONDON, U.K. Under The Bridge
6/10 GROLLOO, NETHERLANDS Holland Int. Blues Festival
7/11 FRANKFURT, GERMANY Batschkapp
7/12 MUNICH, GERMANY Tollwood Festival
7/13 BERLIN, GERMANY Huxley’s Neue Welt
7/26 INDIANAPOLIS, IN Vogue
7/28 CHICAGO, IL Metro
7/29 CHICAGO, IL Metro
7/30 DETROIT, MI Saint Andrew’s
8/1 BUFFALO, NY Tralf Music Hall
8/3 BOSTON, MA The Wilbur
8/4 HARTFORD, CT Infinity Hall
8/5 HAMPTON BEACH, NH Casino Ballroom
8/6 PORTLAND, ME Aura
8/8 NEW BEDFORD, MA The Zeiterion Theatre
8/9 RED BANK, NJ Count Basie Theatre
8/11 SCRANTON, PA The Peach Music Festival
8/12 SILVER SPRING, MD The Fillmore
8/13 HUNTINGTON, NY The Paramount
8/15 CHARLOTTE, NC Neighborhood Theatre
8/16 RALEIGH, NC The Ritz
8/18 ATLANTA, GA The Buckhead Theatre
8/19 MYRTLE BEACH, SC Myrtle Beach Speedway
8/20 ASHEVILLE, NC Diana Wortham Theatre
8/22 CINCINNATI, OH Bogart’s
8/24 LOUISVILLE, KY Mercury Ballroom
9/7 SAN FRANCISCO, CA The Fillmore
9/8 SAN FRANCISCO, CA The Fillmore
9/13 LOS ANGELES, CA The Fonda Theatre
9/15 SAN DIEGOS, CA KAABOO Del Mar
9/15 TELLURIDE, CO Telluride Blues & Brews Festival
9/22 MORRISON, CO Red Rocks Amphitheatre
(with JJ Grey & Mofro, North Mississippi Allstars,
and Anders Osborne present N.M.O)

More information on The Magpie Salute’s new album, single, tour and more is available online now at:

 

 

 

Website: http://themagpiesalute.com

Facebook: http://www.facebook.com/TheMagpieSalute

Twitter: http://twitter.com/themagpiesalute

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Black Crowes, Tedeschi Trucks Band Team Up For Summer Tour

The Black Crowes and Tedeschi Trucks Band are hitting the road together this Summer.  The bands will hit the road beginning July 19th.  The upcoming tour doesn’t give the members of The Black Crowes much time to relax as the band is currently on its “Lay Down With The Number 13” tour.  It’s the first tour for the band since ending its two-year long hiatus.  This current tour takes the band across the U.S.  It runs through June 2nd.  From there, the band will head overseas for the European leg of its tour.  The European leg of the tour will run from June 18th – July 6th.  It will include headlining shows, festivals, and a pair of stadium shows with “The Boss” himself, Bruce Springsteen.

The upcoming tour dates are in support of The Black Crowes most recent release, Wiser for the Time.  This release is a four-disc, eight-side gatefold vinyl release.  It contains 26 songs—15 acoustic and 11 electric—from the band’s 2010 five-night stint in New York City.

The Tedeschi Trucks Band is currently touring in support of its most recent album, Revelator (2011).  The album won a Grammy for best Blues Album at the 2012 Grammys.  That album was followed up the live album, Everybody’s Talkin’ in May 2012.  The band’s next LP is expected to be released in Summer 2013.

The bands’ current slate of tour dates is available below:

Fri-Jul-19 Nashville, TN The Woods Amphitheatre at Fontanel Friday, April 26 10:00am
Sat-Jul-20 Alpharetta, GA Verizon Wireless Amphitheatre Friday, April 12 10:00am
Sun-Jul-21 Charlotte, NC Time Warner Cable Amphitheatre Friday, April 12 10:00am
Tue-Jul-23 Raleigh, NC Red Hat Amphitheatre Friday, April 12 10:00am
Wed-Jul-24 Columbus, OH LC Pavilion Friday, April 12 10:00am
Sat-Jul-27 Gilford, NH Meadowbrook Friday, April 12 10:00am
Tue-Jul-30 Boston, MA Bank of America Pavilion Friday, April 12 10:00am
Wed-Jul-31 Canadaigua, NY CMAC Friday, April 12 10:00am
Wed-Aug-07 Pittsburgh, PA Stage AE Friday, April 12 10:00am
Fri-Aug-09 Holmdel, NJ PNC Bank Arts Center Friday, April 12 10:00am
Sat-Aug-10 Wantagh, NY Nikon at Jones Beach Friday, April 12 10:00am
Sun-Aug-11 Philadelphia, PA Mann Center Friday, April 12 10:00am
Tue-Aug-13 Indianapolis, IN Farm Bureau Insurance Lawn @ White River Friday, April 12 10:00am
Wed-Aug-14 Chicago, IL Charter One Pavilion Friday, April 12 12:00pm
Thu-Aug-15 Rochester Hills, MI Meadow Brook Friday, April 12 10:00am

 

To keep up with all the latest tour updates and news from The Black Crowes, fans can go online to http://www.blackcrowes.com or http://www.facebook.com/pages/The-Black-Crowes/8333596474.  And for all the latest from the Tedeschi Trucks Band, fans can go online to http://www.tedeschitrucksband.com or http://www.facebook.com/DerekAndSusan

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.