Paramount’s Ninja Turtles Reboot Proves To Be One Of 2014’s Worst New Movies

Courtesy: Paramount Pictures

Paramount Pictures’ updated take on Teenage Mutant Ninja Turtles is one of the worst new movies of 2014. There is no way to sugarcoat it. Simply put, it is one more example of why Hollywood’s (and audiences’) seemingly insatiable appetite for prequels, sequels, and remakes can only mean a bleak future for the industry’s “Power Five” studios. The central reason for the failure of Teenage Mutant Ninja Turtles is its writing. While the movie’s writers and the studio did back down on the original idea for the Turtles’ origin story, the story incorporated into the story proves to be just as bad. There is also the issue of the plot. While it can be said that the movie’s plot is not necessarily as cheesy as some of the plot lines from the animated series, there is still something about this movie’s plot that makes it unbearable. And dangling the proverbial carrot in front of old school audiences in the form of references to the original animated series (and movie) hurts the movie even more in terms of the movie’s writing. It’s one more example of why having multiple people working on a single script serves only to hurt said script. This has been proven time and again in a number of works before this one. TMNT is just the latest. Just as noteworthy is the acting. Credit should e given where credit is due. The actors behind the turtles are deserving of their due respect. However, the acting on the part of lead Meghan Fox and the movie’s supporting cast falls flat. Even actor Will Arnett comes up short as April’s photog Vernon Fenwick. He had the look. And he did make a valiant effort at his portrayal. But it still came up short in the end. Those issues with the cast’s acting coupled with the issues raised in the movie’s script hurt TMNT in a major way. They still are not all that hurt the movie. Last but hardly least of all that goes against the movie is its collective look and production values. Michael Bay wasn’t at the helm of TMNT. But in watching the movie, one may as well say that he was. That is because the movie’s look and its production values are quite similar to the much maligned Transformers franchise that he previously helmed. It is the final nail in the movie’s coffin, sealing the movie’s fate and proving once more why this movie is one of the worst of 2014.

Teenage Mutant Ninja Turtles was and is one of the best movies to leap from the pages of comic books. That is the original live action movie that debuted in 1990. This year’s new update on that modern classic is the polar opposite of that incarnation. It’s painfully obvious from start to finish, too beginning with the movie’s overall writing. The movie’s plot by itself does plenty to hurt the movie. And it all begins with the Turtles’ much mailgned origin story. Those that followed this movie from the days even before its pre-production started will recall that the origin story was going to have Leo, Raph, Don, and Mikey come in as aliens from another planet. Thankfully that didn’t happen. However, the origin story that took its place is just as problematic. That story won’t be revealed here for the sake of those that have yet to watch the movie. But it directly involves April O’Neil. And to a point, it takes a page from Sony’s latest incarnation of Spiderman. April’s revelation at her link to the Turtles’ origin story is cheesy enough. But the acting on the part of actress Megan Fox, who plays April, only serves to make that revelation even more unbelievable. The acting on the part of the cast will be discussed in more depth at a later point. For now, the focus will remain on the movie’s writing.

The origin story crafted for Teenage Mutant Ninja Turtles is but one part of the writing that hurts this big screen reboot bust. The movie’s very plot plays its own role in the movie’s failure. The movie’s plot sees Shredder and the Foot Clan–which is made more into a pseudo militia group here instead of the old school, evil ninja group from the original movie and animated series–trying to spread a virus through New York City. In turn, they and Eric Sacks (William Fitchner) can use the mutagen that created the Turtles for their own financial gain. Yes, it’s true. In defense of this plot, those that are familiar with the original animated series, there was an episode in which Shreddder sent up a satellite-like device the changed the weather around the world as a means for him and Krang to take over the world. So keeeping that in consideration it isn’t too cheesy of a plot. There’s still something about it in the script’s writing though, that makes it not entirely believable. Speaking of the comparison between this incarnation of the Teenage Mutant Ninja Turtles and the original animated series (and the franchise’s original movie), that is yet another issue in the writing that hurts this movie.

The issues raised through the origin story and plot incorporated into Paramount’s new take on Teenage Mutant Ninja Turtles both make the movie’s writing rather problematic in their own way. One can’t ignore the fact that Applebaum, Nemec and Daugherty did try to please the fans of the franchise’s original animated series and 1990 movie with constant throwback references to both. They even made sure to include the skateboards used in both properties. The issue at hand with making such references is that through the script’s previously noted problems, adding in those references essentially becomes a slap in the face to the fans that grew up with those originals. It’s the same as dangling the carrot in front of a donkey (or rabbit) only to have it pulled away for lack of better wording. Simply put, it is disrespectful to said audiences.

The writing behind the script for Paramount’s new incarnation of the Teenage Mutant Ninja Turtles is a big part of what has made this movie one of the worst of this year’s new releases. While the writing proves to be quite problematic, it is only the beginning of the movie’s problems. The work of the movie’s cast is just as problematic. Actress Megan Fox plays April O’Neil in this version of TMNT. Her reaction at discovering her role in the origin of the Turtles is awful. It is so over the top and hammy that one can only shake one’s hand. While Will Arnett deserves at least some credit for trying to properly portray Vernon Fenwick, even he comes up short. He is hit and miss at best. To the cast’s credit, the men behind the mean green machine–Johnny Knoxville (Bad Grampa, Men in Black 2, Jackass), Pete Ploszek (Parks & Rec, Shameless), Jeremy Howard (Men in Black 2, Galaxy Quest, How The Grinch Stole Christmas), Noel Fisher (Final Destination 2, Red, Battle Los Angeles), and Alan Ritchson (Fired Up, Blue Mountain State, The Hunger Games: Catching Fire) are to be commended for their work. They did quite the job of establishing the attitude and comic element for which the Turtles have been known for decades in their protrayals. Sadly the same can’t be said for the duo of Tony Shahoub (Monk, Wings, Men in Black 1 – 3) and Danny Woodburn (Mirror Mirror, Employee of the Month, Death to Smoochy). The duo partnered to bring Splinter to life. Whether it is their own work (or lack thereof) or because of how Splinter was written into the story, their portrayals did little to make Splinter really stand out at any one point in the story. So simply put, the only positives that can be pointed out in terms of the acting in Teenage Mutant Ninja Turtles is the acting of the men that brought Leo, Don, Raph and Mikey to life. other than that, not much positive can be said of the rest of the cast’s work. It’s yet another example of why Teenage Mutant Ninja Turtles comes up far short of its potential and proves in the end to be one of this year’s worst new releases.

Teenage Mutant Ninja Turtles comes up short in so many ways. its writing is the biggest offender when examining why the movie falls short. The acting on the part of the movie’s cast is another issue. Last but hardly least of note that damaged TMNT is the collective look and production values incorporated into the movie. Michael Bay did not helm this reboot of the classic franchise. But even as a producer, his influence is blatantly obvious throughout the movie. The fast-paced shots, the giant explosions, and of course Shredder’s Transformers-esque look show just how much influence he obviously had in this movie. The only positive to it all is April’s look. The use of a yellow jacket in place of a cheesy full body jumpsuit is the only fully acceptable update to the whole thing. Other than that one positive, one might as well just say that this was another Michael Bay film despite the fact that he was only a producer instead of director. And that considered along with all of the movie’s other negatives is the final nail in the movie’s coffin. One can only hope that whenever the already-in-the-works sequel debuts, it will make up for everything that this movie got wrong. Regardless, this reboot will remain among the worst new major motion pictures of 2014.

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The Quiet Ones Proves Low-Budget Horror Flicks Can Be As Scary As Their Big Budget Brothers

Courtesy: Lionsgate

The Quiet Ones, the latest horror/thriller from Lionsgate Films, is one of the scariest movies that horror fans will see this year if not the single scariest.  The phrase edge-of-your-seat is tossed around far too often in various film genres.  However in the case of The Quiet Ones, that far too oft term is quite properly used to describe this story.  It will keep viewers on the edge of their seats from start to finish even with the movie coming in at just over an hour and a half.  It all starts with the script.  The script is one that while based on actual events, has crafted a story that successfully creates its own story.  It will leave viewers questioning quite a bit right up to the story’s twist ending.  The script is but one part of what makes The Quiet Ones work.  The acting on the part of the movie’s cast makes the story even scarier.  There is something about the cast’s acting that will pull viewers in and at times, even send chills up viewers’ spines, thus leading to the edge-of-your-seat term even more justified here.  Last but hardly least worth noting that makes this movie work now in its home release is the bonus “Making of” documentary.  Much like the far too oft used phrase noted already, “Making of” featurettes hardly ever live up to the expectation of being bonus material.  The “Making of” featurette here only serves to deepen the overall experience and in turn makes the movie even scarier.  These three factors are but the tip of the iceberg that can be noted in what makes The Quiet Ones one of 2014’s scariest movies.  Audiences will find plenty more for themselves when they purchase this movie for themselves.  And when they do, said audiences will themselves be making quite the noise (yes, bad pun intended) about The Quiet Ones.

So much can be said of the script behind The Quiet Ones.  This script isn’t just another one of those run-of-the-mill, over-the-top slasher flicks or even just another ghost story.  The movie’s script writers have crafted in this piece a story that combines an absolutely terrifying tale of the occult with an unexpected human drama, both of which combine to make a story that will leave even the hardest of unbelievers questioning what they believe right up to the story’s twist ending.  And the script itself is only part of what makes the story work as surprisingly well as it does.  The movie’s trailers made it come across as just another found footage film.  The reality of this movie is that it in fact is not just another one of those works.  Audiences will note that while there is an element of the found footage genre, it isn’t just another found footage flick.  That element is used more as part of the story rather than as the story itself, if that makes any sense.  It is used to help advance the story at various points rather than being used as the crux of the script, to hopefully make that clearer.  This is all discussed at length in the bonus “Making of” featurette that has been included in the movie’s new home release.  The discussions on those and so many other topics add even more depth to the movie.  The end result is a respect for the movie that some viewers might not have previously had should they have seen the movie while it was in theaters early this year.

The deep and deeply terrifying script crafted for The Quiet Ones is the center of the movie’s terrifying success.  It’s just one element of what makes the movie work.  Also worth taking into account is the acting on the part of the movie’s cast.  The Quiet Ones is a low budget film.  Going back to the in-depth bonus “Making of” featurette, this is noted in that featurette.  The thing is that typically, when one thinks of low budget films (such as the ones churned out by Syfy), one thinks of everything wrong with the movie industry.  But in the case of The Quiet Ones both the script itself and the acting on the part of the cast made this movie a success.  Actress Olivia Cooke (The Signal, Bates Motel, Ouija) steals the spotlight as the troubled young Jane Harper.  Viewers can’t help but watch her as the movie progresses.  At no one point does she ever try to take things over the top.  There is just something on which a finger can’t be placed about her acting that makes it work.  Perhaps as (again) noted in the bonus “Making of” featurette, it is her ability to go from zero to sixty in the blink of an eye.  Her cast mates—Jared Harris (Natural Born Killers, Lincoln, Sherlock Holmes: A Game of Shadows), Sam Claflin (Pirates of the Caribbean: On Stranger Tides, Snow White and the Huntsman, The Hunger Games: Catching Fire), and Erin Richards (Open Grave, Breaking In, Gotham) feed off of that energy and serve to heighten the story’s tension and terror.  Audiences will see that in their gradual transition from believers in science to believers in something much darker and less capable of being explained away.  They expertly interpret the script and present a fear that audiences can almost feel as they watch the story unfold.  It proves to be a feeling of terror that audiences will find it hard to shake even after the movie ends.   That is one more sign of acting done right.  So, kudos are in order for the cast of The Quiet Ones for doing their part to make this movie a terror in the best possible way.

The acting and writing that went into bringing The Quiet Ones to life are both key to the movie’s success.  Despite the work of the scribes charged with bringing the movie to life and that of the movie’s cast, this underrated horror was largely lambasted by audiences and critics alike.  Now that it is being released to DVD and Blu-ray/VUDU, audiences will see it for its true value especially thanks to the movie’s bonus “Making of” featurette.  Far too often, moviemakers and studios try to throw in these additions to movies in hopes that they will make their movies more accepted.  The problem is that hardly often enough does that actually happen.  That’s not to say that it doesn’t always work.  The case with The Quiet Ones proves that it can and does at times make a movie more worthy of respect.  Audiences get an in-depth look at the movie’s script, the location shooting, acting, and so much more.  There are discussions on the inspiration behind the script, why the house in question was chosen and even on the choice of Olivia Cooke as the movie’s lead.  Audiences will learn why this story isn’t just another movie that is based on actual events.  They will learn about the terror factor in the house and Cooke’s ability to simply turn her emotions on and off for the cameras with ease.  There is so much to note that audiences would be best served to watch this featurette for themselves.  In doing so, both those that have and haven’t already seen The Quiet Ones will have a new respect for a movie that is one of the year’s scariest movies, hands down.

The Quiet Ones will be available tomorrow, Tuesday, August 19^th on DVD and Blu-ray/VUDU combo pack.  It can be ordered direct from the Lionsgate online store at http://www.lionsgateshop.com/search_results.asp?Search=The%20Quiet%20Ones.  More information on this and other releases from Lionsgate is available online at http://www.facebook.com/linosgate, http://www.lionsgate.com, and http://twitter.com/lionsgatemovies.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.