Tilston’s New LP Is One Of 2021’s Sleeper Hits

Courtesy: Riverboat Records

Independent veteran singer-songwriter Steve Tilston is scheduled to release his latest album Such Times Friday through Riverboat Records.  Its release will come on the 50th anniversary of the release of his debut album An Acoustic Confusion (1971).  The 15-song record is an interesting presentation whose mix of folk and blues arrangements and lyrical themes will appeal to a wide range of audiences.  The album’s title track, which comes almost halfway through the album’s 64-minute run time, is just one example of what makes the album so interesting.  It will be discussed shortly.  The album’s bluesy/rockabilly penultimate composition, ‘My Mystery Train’ is another way in which the album’s collective content comes together to make the album worth hearing.  ‘Daylight Rising,’ which opens the album, is yet another example of how the album’s collective content comes together to make for an interesting listen.  When it is considered along with the rest of the album’s entries, noted and not, the whole makes the record an intriguing work in that folk and blues fans alike will find entertaining and engaging.

Steve Tilston’s forthcoming album Such Times – his 18th album — is a presentation that many audiences will find a welcome return and equally positive introduction to Tilston’s body of work.  That is proven collectively through the album’s musical and lyrical content.  That is proven to some point in the album’s title track.   The nearly four-and-a-half minute composition is just one of the songs featured in this record that serves to support the noted statements.  The song’s musical arrangement is a simple composition.  That should be noted right off the bat.  It features just Tilston singing and picking his guitar as he sings.  At some points, his performance conjures thoughts of Eric Clapton and others of The Moody Blues front man Justin Hayward.  That pairing of sounds, together with the Renaissance type vibe that the flute brings to the mix, makes for even more engagement and entertainment.  That musical whole makes for plenty of entertainment and engagement in its own right.  Together with the song’s lyrical content, the whole there makes for even more appeal.

The lyrical content featured in ‘Such Times’ comes across as a commentary about the state of the world.  Given it is hardly the first time any artist has taken that familiar lyrical path.  It is a unique take on that familiar theme, though.  Tilston opens the song, singing, “What comes down/From hallowed halls/The day is night/Now the day is night…wrong is right/Now wrong is right/Silver tongues sing  their  siren chill…shivered words…The hungry child/Whispers…oh to live in such times as these.”  Some of the lyrics in this verse are difficult to decipher sans a lyrics sheet to reference.    That aside, enough is still understandable enough that the general message can be interpreted.    He is making a statement here about everything that is going on.  His use of metaphorical language plays into that statement well enough here to make that evident.   He continues in the song’s second verse, “Words cascade like a poison rain/Wade away through the light/Even though it’s all too plain/Turn our eye/We must deny our eyes/The self serve righteous use false charm/To oil the wheels and the grease the bar/At the temple gates/The homeless freeze/Oh to live in such times as these.”  If the noted message in this song was not clear enough already in the song’s lead verse, then this second verse makes the theme crystal clear.  He even goes so far as to note in the song’s third verse, “I can remember/A landscape much fairer” before continuing to comment on how ne’er do wells were not as prominent.  It all comes together to make for an original approach to an all too familiar lyrical topic.  When these statements are made alongside the bittersweet folk/Celtic style musical arrangement, the whole becomes a strong example of what makes the album worth hearing.  It is just one of the album’s most notable works.  ‘My Mystery Train’ does its own part to show the album’s interest.

‘My Mystery Train,’ which is essentially a cover of Junior Parker’s original, takes a musical path that is completely opposite of that of the album’s title track.  This composition lends itself more to comparisons to the country/rockabilly style songs of Johnny Cash, Jerry Lee Lewis, and even perhaps the greatest country bluesman of all time, Jimmie Rodgers.  Yes, the brakeman himself.  The bluesy/country twang in the song, including in Tilston’s own vocal delivery makes this song an assured hit.  That is just one part of the song that throws back to the classic country blues songs of days long gone.  The song’s lyrical content does much the same, adding to the appeal here.

Tilston sings in the song’s lead verse, “The train that rumbled/All through my younger days/Way off in the distance/All through my younger days/One day that train might come carry me away.”  If that is not vintage country blues, it is not clear what is, then.  Tilston continues in the song’s second verse, “There’s a man in the station/Got a pad/And he’s takin’ down names/Well he’s there on the platform/And he’s takin’ down names/Well he knows when my train’s gonna come/But he just ain’t sayin’/I’m waiting for that mystery train/I’m just waiting for my mystery train.”  The full on country blues bridge that follows that verse and chorus makes the strong even more enjoyment.  He closes out the song singing, “There’s a train and a river/Runnin’ side-by-side/Train and reflection/Runnin’ side-by-side/I’m gonna make that connection/Take that train and ride.”  Once more, this is classic country blues all the way.  It’s a simple song about someone just jumping a train and taking it wherever it may go.  This is a classic theme from the noted genre, and is just as entertaining to hear Tilston sing about today as when it was sung by so many who have come before him.  It is just one more example of what makes this record so worth hearing.  ‘Daylight Rising,’ the album’s opener, is one more example of the interest that Tilston’s new album generates.

‘Daylight Rising’ presents audiences with another unique musical style, changing things up even more for listeners.  This nearly four-and-a-half minute opus presents a sort of soulful country/folk style composition.  The upbeat composition is just as much unlike the other two songs already addressed here as they are from the rest of the album’s entries.  It is a bright, uplifting work that is equal parts strong opener for the album and standalone musical composition.  The joy that the song’s musical arrangement brings listeners pairs with the song’s equally uplifting lyrical theme to make the song even more notable.

The lyrical theme featured in ‘Daylight Rising’ is an uplifting statement that reminds listeners that things will get better.  Tilston points that out right from the song’s outset as he sings, “Daylight/Will come rising/With a long night/A last goodbye/Daylight/Will come  risin’/And an ill wind will lay down tonight/There will come a time to open wide the windows/get u out the bed and weave across the floor/Leave behind the shadows/Take your aching bones outside the door/Daylight will come rising/Bid the long night a last goodbye.”  He continues in the song’s second verse, “There will come a time to shun all the false faces…Knowing that their way was always wrong.  There is a section in this verse that is slightly difficult to decipher without a lyrics sheet, but that is beside the point.  The fact of the matter is that enough is understandable here to know for certain that this song is in fact meant to lift up listeners.  It succeeds in that goal, too.  Everyone needs that occasional reminder that things will in fact get better, and this song does just that, and does so in impressive fashion.  When it is considered along with the other songs noted here and the rest of the album’s entries, the whole of the album proves itself a presentation that is one of this year’s sleeper hits.

Steve Tilston’s latest full-length studio recording Such Times is a surprising, unassuming record that is well worth hearing.  That is proven through its musical arrangements and its lyrical themes.  As shown here, the record features a respectable range of styles in its body.  There is a touch of folk music, some blues, and even some country music.  At times the genres stand alone and other others, they meld together.  The whole of those arrangements makes the overall musical presentation reason enough to hear this record.  The lyrical themes that accompany the record’s musical content guarantee its own appeal.  That is proven here, too.  All things considered, the album will likely fly just below the mainstream radar, but deserves its own share of attention.  It all comes together to make the album one of this year’s sure sleeper hits.  Such Times is scheduled for release Friday through Riverboat Records.  More information on the album is available along with all of Steve Tilston’s latest news at https://stevetilston.com.

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John Lodge Debuts New COVID-19 Inspired Single

Courtesy: Chipster PR

The Moody Blues bassist John Lodge released a new single this week.

Lodge released his new single ‘In These Crazy Times’ Thursday.  Recorded in isolation as a result of the COVID-19 pandemic, the song’s primary instrumentation — drums, keyboards, guitar and vocals — was crafted by Lodge.

Lodge’s family joined him on the track.  His wife Kirsten provided backing vocals while son Kristian handled lead guitars for the song.  Jon Davison (YES) also joined in, providing backing vocals remotely.  Lodge talked about the song’s creation in a full-length video that is streaming here.

The musical arrangement, which also features a string line, featured at the center of the song exhibits hints of Pink Floyd and The Beatles influence, while its lyrical theme presents a message of hope.

Lodge talked about that positive, uplifting theme in a recent interview.

“I hope you all can relate to this song as another step in life’s strange and mysterious path, and help you continue to keep the faith that we can do it together,” he said.

‘In These Crazy Times’ is available to stream and download here.

More information on ‘In These Crazy Times’ is available along with all of John Lodge’s latest news at:

 

Website: http://www.johnlodge.com

Facebook: http://www.facebook.com/johnlodgemusic

Twitter: http://twitter.com/johnlodgemusic

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Justin Hayward’s New EP Proves Big Things Can Come From Small Packages

Courtesy: Eagle Rock Entertainment

The Moody Blues front man Justin Hayward has a new musical treat for his fans.

Hayward released his new EP One Summer Day / My Juliette March 27 through Eagle Rock Entertainment through all digital platforms.  The two-song record is brief, clearly, but still is entertaining even in its brevity.  That is proven through the musical and lyrical content featured in each of the songs featured in this recording, beginning with the gentle, flowing arrangement at the center of the record’s first song, ‘One Summer Day.’

The musical arrangement at the center of ‘One Summer Day’ is a very simple composition that features Hayward singing and playing his guitar.  The soft, acoustic performance also features what might be a second musician using a cajon drum alongside a very subtle string arrangement.  The overall opus is a composition that, especially with summer right around the corner, elicits such positive thoughts in listeners’ minds.  Together with the song’s lyrical content, the song becomes even more engaging and entertaining.

According to information presented in a news release about Hayward’s new EP, the lyrical theme of ‘One Summer Day’ tells “the story of unexpected events taking place one day in the summer.”  Those unexpected events are not exactly explained away as Hayward sings, but from what he does sing, it can be inferred that it has something to do with those unexpected events have to do with two people perhaps meeting unexpectedly.  That is inferred as Hayward sings in what is apparently the song’s lone verse and chorus, “Maybe it’s just time for us/To treat each other well/I hope it’s not just fantasy/Only time will tell/I loved you from the very start/Deep inside of me/But sometimes it’s impossible/That three-part harmony/Even though the songbird had to leave us for a while/And the summer sun is tempting you away/here you are before me/Like a presence in my dreams/You put your hand upon my face/Say ‘Darling, hold me please’/Well don’t you worry/It’s okay/I’ll be here for you/No more tears from yesterday/Tomorrow’s coming soon/So let’s be lovers one more time/The years will melt away/’Cause if not now, then when for us/There’s no day like today.” Looking back over this, those “unexpected events” would seem to be the meeting of two people who perhaps were in a relationship at one time, but who grew apart over time.  The pair apparently ran into one another one summer day, and the flame that was once there was ever so gently reignited between the pair.  The gentility in the song’s musical arrangement does well to illustrate the happy, but reserved emotions expressed through the song’s lyrical theme.  Together, each element makes the song its own work worth hearing.

While ‘One Summer Day’ is undeniably worth the listen, its companion work here, ‘My Juliette’ proves itself worth hearing, too, through its musical and lyrical content.  The song’s musical arrangement is more upbeat than that featured in ‘One Summer Day.’  It is slightly more upbeat in its tempo, but just as simple in its approach.  Hayward sings here alongside a guitar line, that sounds like perhaps it was layered to add to the composition’s depth.  It sounds like Hayward’s own vocals were layered, too, to create a nice, rich harmony.  It sounds as if a string arrangement was added ever so slightly to add to the general effect.  It could be argued that the arrangement in whole lends itself to some of the works from The Beatles’ landmark album Sgt. Peppers Lonely Hearts Club Band.  That is meant in the most positive fashion possible.  Together with its accompanying lyrical content, the song proves even more, its value to the EP’s presentation.

The news release distributed about Hayward’s new EP states that the lyrical inspiration for the song came from his own childhood.  The release points out that Hayward’s mother played piano for a theater group when he was young, and that he played guitar for the group.  “I was entranced and I still treasure every moment of that theater life,” he said.  “I had the song for years before I was sure I wanted to actually finish or record it because I enjoyed just playing around with it.”  In other words, this is essentially a rarity of sorts from Hayward that his most devoted fans will appreciate both for its musical and lyrical content.  Hayward sings in the song’s lead verse, “Tell me a story of lands far away/Where princes and maidens lived/Show me the forest where lovers would stray/their hearts to each other give/It’s so clear/It’s so bright/It’s so true/It’s in your voice tonight.”  He continues in the song’s second verse, “Just when you thought your chances were gone/You’re out in the world and free/Remember the words that sweet…once sang/It’s such a lot of world to see/It’s so clear/It’s so bright/It’s so true/It’s in your smile tonight/Seems our changing stage is set/Please be our Juliette/We’ll make our entrance bold and strong…”  the last line of the second verse is difficult to decipher sans lyrics (even sites, such as azlyrics.com, metrolyrics.com and genius.com do not have the lyrics available), but that is beside the point.  This is just a good, fun song that, as noted, pays tribute to Hayward’s upbringing in the theater environment.  The song boasts a third and final verse, but these two verses alone are more than enough proof of why this song will engage and entertain audiences.  Keeping that in mind, the combination of this enjoyable tribute to Hayward’s own childhood, and the musical accompaniment, which itself does throw back to music from that age ever so slightly, makes the song in whole its own positive mark for Hayward’s new EP.  When this song is considered alongside the whole of ‘One Summer Day,’ the two works together make Hayward’s new EP a presentation that despite its brevity is still a work that Moody Blues fans will appreciate just as much as Hayward’s fans.

Justin Hayward’s new EP One Summer Day / My Juliette is a rather short presentation, boasting just two songs whose total run time is approximately six minutes.  Despite that shortness of content, it is still a positive work that will appeal equally to Hayward’s fans and those of The Moody Blues.  The EP is available now on all digital platforms.  More information on the EP is available online along with all of Hayward’s latest news at:

 

 

 

Website: http://www.justinhayward.com

Facebook: http://www.facebook.com/justinhaywardmusic

Twitter: http://twitter.com/haywardmusic

 

 

 

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Viking Metallers Amon Amarth Are Victorious In Phil’s Picks 2018 Top 10 New Live DVDs & Blu-rays List

Courtesy: Metal Blade Records

As the final few days of 2018 wind down, there is still some work to be done by critics putting in their year-ender lists.  That includes this critic.

This critic’s most recent year-ender focused on the year’s top new live CDs.  In a gradual transition to movies and television, there is still one more music list to present — the year’s top new live DVDs/BDs.  As has been noted previously, there are some live recordings that translate in  relatively acceptable fashion, but there are also others that can and should only be experienced with the full audio-visual experience.

Keeping this in mind, it is only fair to examine the year’s best new live DVDs and Blu-rays.  Topping this year’s list is Amon Amarth’s The Pursuit of Vikings25 Years in the Eye of the Storm.  There is nothing negative to say about this presentation.  The extensive documentary outlines the band’s career from the band’s own mouths, showing the group as a hard-working, blue-collar outfit that has earned its place in the metal and music communities.  The equally expansive two-night, 30-song set pulls from almost every one of the band’s albums.  The performance is great, as are the production values.

Second Place in this year’s list of the year’s best new live DVDs/BDs goes to Devin Townsend Project’s Ocean Machine Live at the Ancient Roman Theatre Plovdiv.  This performance features Townsend performing Ocean Machine live in its entirety along with an equally extensive by-request set.  That combination makes for a great set list.  As with Amon Amarth’s live recording, the group’s performance ensures audiences’ maintained engagement and entertainment, even at home.  The same can be said of the production values.  The whole makes the recording yet another that is best experienced with the full audio-visual presentation versus just the audio alone.

Third Place in this year’s list of the top new live DVDs and Blu-rays goes to The Rolling Stones’ San Jose, California ’99 show from Eagle Rock Entertainment.  The recording is everything that audiences have come to expect from one of the elite of the elite acts in the music industry today.  The extensive 20-song set list doesn’t play it safe, instead giving audiences material that is less common in the band’s previous live recordings from Eagle Rock Entertainment.  The group’s performance (including that of the touring musicians) couples with the production values to make the performance yet another must have for any true fan of The Rolling Stones.

Also featured in this year’s list are the new live recordings from Anthrax, The Robert Glasper Experiment and Opeth, just to name a few more acts.  As always, the first 10 titles in the last are the best, while the next five are honorable mention titles.  Without any further ado, here is Phil’s Picks’ 2018 Top 10 New Live DVDs & Blu-rays.

PHIL’S PICKS 2018 TOP 10 NEW LIVE DVDS & BLU-RAYS

  1. Amon Amarth — The Pursuit of Vikings25 Years in the Eye of the Storm
  2. Devin Townsend Project — Ocean Machine Live at the Ancient Roman Theatre Plovdiv
  3. The Rolling Stones — No Security: San Jose ’99
  4. The Rolling Stones — Voodoo Lounge Uncut
  5. Accept — Symphonic Terror
  6. Opeth — Garden of the TitansLive at Red Rocks
  7. Anthrax — Kings Among Scotland
  8. The Sound of Music Live
  9. Steven Wilson — Home Invasion Live at the Royal Albert Theatre
  10. Norah Jones — Live at Ronnie Scott’s
  11. Tommy Shaw & The Contemporary Youth Orchestra — Sing For The Day!
  12. The Moody Blues — Days of Future Passed Live
  13. Overkill — Live in Overhausen
  14. Robet Glasper Experiment — Live
  15. Lacuna Coil — The 119 Show Live in London

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John Lodge Expands His Upcoming Tour Schedule

Courtesy: Chipster PR

The Moody Blues frontman and bassist John Lodge has announced a pair of new dates to his current tour schedule.

Lodge recently announced he will hit the road October 12 for what has been dubbed “The 10,000 Light Years Tour.”  The tour, which is in support of his 2015 studio album 10,000 Light Years Ago and his 2017 live recording Live From Birmingham, now runs two weeks through October 26 with the additional dates.  The tour’s current schedule is noted below.

Tour dates/venues for “JOHN LODGE OF THE MOODY BLUES: THE 10,000 LIGHT YEARS TOUR” are as follows:  

October 12            City Winery                          Nashville, TN
October 14            City Winery                          Washington, DC
October 15            Sellersville Theater              Sellersville, PA
October 17            City Winery                          New York, NY
October 19            The Flying Monkey              Plymouth, NH
October 20            Infinity Hall                           Norfolk, CT
October 21            Greenwich Odeum               Greenwich, RI
October 23            Regent Theatre                    Arlington, MA
October 25            Music Box                            Cleveland, OH
October 26            Ludlow Garage                    Cincinnati, OH

A trailer for the upcoming tour is streaming online now here.  Lodge said in a recent interview that he was looking forward to the tour.

“Music is my life and I can’t wait to get out on the road with my 10,000 Light Years Band,” Lodge said.  “The venues are smaller and more intimate, but I love concerts.  Have bass, will travel.  That’s the gypsy in me.”

Lodge added that while he enjoys being part of The Moody Blues, he is especially looking forward to being able to play some of his own solo work.

“I’ll always be a ‘Moody Blue,’ but I love the chance getting to perform songs that I have never performed before, and of course classic Moody Blues songs,” Lodge said.  “The fans and I have traveled this road a long time, and I also hope new fans will discover and explore along with us.”

More information on John Lodge’s upcoming tour is available online now along with all of his latest news and more at:

 

Website: http://www.johnlodge.com

Facebook: http://www.facebook.com/johnlodgemusic

Twitter: http://twitter.com/johnlodgemusic

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Days Of Future Passed Live’ Is A Welcome Addition To Any Moody Blues Fan’s Collection

Courtesy: Eagle Rock Entertainment/Eagle Vision

The wait for new live material from The Moody Blues is finally over.  After a long eight-year wait, the band finally released a new live recording for its fans in the form of Days of Future Passed Live.  Originally recorded during the veteran band’s two-night stint at the Sony Centre for the Performing Arts in Toronto, Canada on July 6 and 7, 2017, this recording is one that is certain to appeal easily to the band’s most devoted fans.  That is due in no small part to the history behind the tour from which this recording was taken.  It will be discussed shortly.  The concert’s overall set list is important in its own right to the recording’s overall presentation, and in turn, will be discussed a little bit later.  The band’s performance rounds out the most important of the recording’s whole.  When it is considered along with the recording’s set list and the tour’s back story, the whole of the elements makes this recording one that is certain to appeal in one way or another to any fan of The Moody Blues.

The Moody Blues’ new live recording – its first in eight years – Days of Future Passed Live is a presentation that is certain to appeal one way or another to any fan of The Moody Blues.  That applies both in the case of its CD and Blu-ray presentation.  The recordings appeal is due at least in part to the back story behind the tour from which the recording was taken.  The tour, which ran from June 3, 2017 to July 23, 2017 marked the first time ever that the band had ever performed its seminal album Days of Future Passed in its entirety in a live setting.  The decision to do that happened as the tour was a celebration of the album’s 50th anniversary.  One should keep in mind that DOFP was not the band’s debut album.  Rather, it was the band’s sophomore album, originally released in 1967.  Add in the clearly overwhelmingly positive reaction from the band’s fans, and the album’s longevity of sorts, its relevance and that of the band in general all these years later becomes quite clear.  In other words, it shows that the album and the band both have a clear place in the musical universe to this day.  In keeping this in mind, the story behind the concert’s recording proves a solid starting point for the recording.  That is thanks to the interest and discussion that it is certain to generate.  Even with this in mind, the recording’s back story is only one of its key elements.  The concert’s set list plays its own part in the recording’s overall appeal.

As has just been noted of this recording, it was one of many first time performances of Days of Future Passed live included in the band’s bigger tour celebrating the album’s 50th anniversary.  Audiences get to take in the album in whole and in its original sequence no less.  That’s not all that audiences get to enjoy, either.  Also included in the recording is an extensive look through the band’s career with nine songs from the band’s past.  As a little bit of history for those who might be less familiar than others with The Moody Blues’ body of work, the band has a total of 16 (yes, 16) full-length studio recordings.  This is important to note in that there’s no way – in celebrating Days of Future Passed – and the band’s overall body of work that its whole catalog could be represented here.  To the band’s defense, those tracks – plus the two bonus songs – make up representation of more than half of the band’s albums.  To be more precise, they represent a total of nine of the band’s albums.  That the whole of Days of Future Passed is here, too brings that count to 10.  While Days of Future Passed is the farthest back that the band reaches in this set list, it does go as far forward as 1991’s Keys of the Kingdom with the inclusion of ‘Say It With Love.’  All things considered, the whole of the recording’s set list gives audiences new and old alike a relatively vivid picture of the band’s body of work.  When this is considered along with the importance of the story behind the concert(s), both elements join to make even more clear why this recording will appeal to fans of The Moody Blues.  They are not the only items that make the recording stand out.  The band’s performance plays its own key part, too.

The band’s performance, as with any act’s performance, is critical to the recording because of its part in the recording’s general effects department so to speak.  Fans new and old alike will appreciate the ease in each song’s performance.  It’s obvious through those performances that no one member of the band is phoning it in, but that he is giving his best.  That’s the case even as the band seems so relaxed.  Front man/guitarist Justin Hayward exemplifies that relaxation as he works through each song and even occasionally interacts with the audience.  Bassist John Lodge and drummer Graeme Edge are just as enjoyable to hear as they breeze through their parts, too.  Each musician does his own part to make the concert enjoyable.  That is especially noted in the recording’s DVD and BD presentation.  All things considered, the band’s performance here does just as much to impress audiences as the show’s set list and the story behind the tour’s creation.  Each element is obviously important in its own right.  All things considered, they make Days of Future Passed Live a recording that – again – is certain to appeal to any truly devout Moody Blues fan.

The Moody Blues’ latest live recording Days of Future Passed Live is a recording that both on CD and DVD/BD is certain to appeal to the veteran rock band’s most devout fan base.  It may even impress audiences that might be less familiar with the band’s body of work.  That is due in part to the story behind the recording’s birth.  Obviously this is not the first time that a band has ever hit the road to mark the anniversary of an album’s release.  As a matter of fact, it seems like it’s becoming somewhat commonplace nowadays across the musical universe.  That aside, for the band to present the record in whole, in its original order and to couple it with a healthy does of its other albums strengthens its presentation even more.  Add in performances by the band’s members throughout and audiences get a recording that will appeal to Moody Blues fans of all ages.  It is available now in stores and online.  More information on Days of Future Passed Live is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.moodybluestoday.com

Facebook: http://www.facebook.com/MoodyBlues

Twitter: http://twitter.com/moodybluestoday

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Moody Blues To Celebrate Record Store Day With New LP Single

Courtesy: Eagle Rock Entertainment

The Moody Blues is releasing a new 12-inch single Saturday to celebrate Record Store Day.

‘Say It With Love’ will be released Saturday via Eagle Rock Entertainment.  The live performance, originally recorded during The Moody Blues’ 2017 performance at the Sony Centre for the Performing Arts in Toronto, Canada, is just one of three total live performances included in the limited edition, double-sided LP.

Also included are live performances of ‘The Story in Your Eyes’ and ‘Steppin’ In A Slide Zone’ as b-sides.  Along with being released on the heels of the band’s induction into the Rock and Roll Hall of Fame, this new blue and white vinyl will also come almost a month after the release of the band’s most recent live recording, Days of Future Passed, which was released March 23 via Eagle Rock Entertainment.

More information on ‘Say It With Love’ is available online now along with all of The Moody Blues’ latest news and more at:

 

Website: http://www.moodybluestoday.com

Facebook: http://www.facebook.com/MoodyBlues

Twitter: http://twitter.com/moodybluestoday

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Hayward’s Fans Will Enjoy His New Solo Career Compilation “All The Way”

Courtesy: Eagle Records/Eagle Rock Entertainment

Courtesy: Eagle Records/Eagle Rock Entertainment

Justin Hayward has made quite the name for himself throughout the years as the front man for the legendary rock outfit the Moody Blues.  For all of his success with the veteran outfit, he has gained just as much success and respect for his solo work as for his work with The Moody Blues.  Late this past October, Eagle Rock Entertainment released a new retrospective on Hayward’s solo career in the form of the new compilation record All The Way.  The 15 songs that make up the body of the record are the most important piece of the record’s presentation.  This will be discussed shortly.  They are, collectively speaking, not the record’s only important element.  The record’s companion booklet is just as important to note as its songs.  That will be discussed later.  The record’s sequencing rounds out its most important elements.  Together with the record’s songs and its companion booklet, all three elements come together to make All The Way a compilation that all of Hayward’s fans will enjoy “all the way” through.

Justin Hayward’s new solo career retrospective record All The Way is a record that all of his fans will enjoy “all the way through.”  This includes fans of his work with The Moody Blues and fans of his solo recordings.  That is due in no small part to the 15 songs that make up the body of the record.  Hayward has released nine solo albums to date.  That is a lot of music.  So it goes without saying that yes, each album could have been represented through the record’s songs.  The problem however, is that mathematically speaking there is no way each album could have been equally represented here.  If each album had been represented by at least two songs, that would have pushed the record’s total tracks to 18.  Three tracks each would have pushed the album’s song count to 27.  So no, it wasn’t necessarily a good idea to have included each one of Hayward’s albums covers on this compilation’s cover art.  That aside, the songs included in the record’s body are still a collectively respectable group of songs.  Of course it does serve as even more reason for audiences to order the collection’s new digital presentation, which includes 15 additional songs, bringing the record’s total count to 30 exclusively through that digital release.  On that side note, the record’s digital re-issue can be ordered when more copies are available at https://shop.justinhayward.com/products/justin-hayward-all-the-way.  Keeping in mind all of this information, audiences will agree that for the uninitiated, All The Way’s song listing is a key component of the record’s presentation.  New fans will appreciate the physical record’s 15-song body while more devoted fans will appreciate the limited 2-disc, 30-song presentation.  Regardless of which platform one chooses, everyone will agree the record’s featured songs are collectively its most important element.  The record’s track listing is just one of its key elements, too.  The companion booklet that comes with the record is just as important to note as the record’s track listing.

The track listing featured in Justin Hayward’s new solo retrospective is in its own right, a key component of the record’s presentation.  The recording’s single-disc, 15-song presentation is a good start for those less familiar with Hayward’s solo career.  Its double-disc, 30-song presentation will appeal more to Hayward’s more devout fan base.  At the time of this review, the record’s double-disc presentation is sold out.  Hopefully more copies will become available for those more devout fans.  As important as the record’s track listing is to its overall presentation, it is only one key piece of the record’s presentation.  The companion booklet that comes with the record is just as important to note as the record’s songs.  The booklet is so important to note because of the history lesson that it provides audiences.  The lesson in question begins with Hayward’s beginnings with The Moody Blues in 1966.  From there the story, presented by Mark Howell—a close friend of Hayward’s—follows Hayward’s journey both with The Moody Blues and on his own.  Howell’s narrative touches on some of Hayward’s most well-known albums and at least one of the songs featured in this recording, ‘Blue Guitar.’  The story presented here also discusses how Hayward had to balance working alone and with his band mates in The Moody Blues, and how he managed to do so successfully to this very day.  It would have been nice to have had a discussion on the songs featured in the record.  But the history lesson presented here is still interesting in its own right, again, for fans less familiar with Hayward’s body of work.  Just as with the songs themselves, the history lesson presented here makes for its own good starting point for audiences new to Hayward’s work.  Even with this in mind, the record’s companion booklet is just one more important piece of the record’s presentation and not the last worth noting.  The record’s overall sequencing is just as important to note as its songs and its companion booklet.

The songs featured in Justin Hayward’s new solo compilation and its companion booklet are both key in their own right to the record’s overall presentation.  That is because of the role that they play collectively for audiences less familiar with Hayward’s solo career.  The songs featured in the record’s double-disc, 30-song compilation is more fitting for Hayward’s more devout fan base.  Getting back on topic, the sequencing for the 15-song collection’s body is just as important as the songs themselves and the record’s companion booklet.  The record’s sequencing doesn’t run chronologically in regards to the album’s represented. It opens with ‘Blue Guitar,’ which was included in re-issues of Hayward’s 1975 debut album Blue Jays.  From there though, the record reaches all the way to his fifth album, 1989’s Classic Blue for its second offering, ‘Forever Autumn.’  ‘Broken Dream’ and ‘Troubador’—the record’s third and fourth songs respectively—both come from Hayward’s seventh album, 1996’s The View From The Hill.  Needless to say, there is no specific order to the songs in relations to their albums here.  That means the attention should shift to the energy transfer from one song to the next.  It is visible through the songs’ respective energies (and emotions) that they were more the focus of the album’s sequencing than the song’s respective albums.  The easygoing, laid back feel of ‘Blue Guitar’ is a clear distinction from the more semi-psychedelic vibe of Forever Autumn’ and the more contemplative sound of ‘Broken Dream.’  In the same vein, the moving melodies presented in the record’s closer, ‘The Wind of Heaven’ stands out just as much from the gentle strains of ‘The Western Sky,’ which in themselves paint quite the beautiful picture.  That sound stands out just as starkly against the Beatles-esque arrangement presented in ‘The Story in Your Eyes.’  Needless to say, the contrast in each of the noted songs from one another clearly shows how much thought and time was put into arranging the record’s songs.  The remainder of the songs and their arrangements serve just as clearly to support that statement.  From one song to the next, the record’s energies never stay the same too long.  That in itself will keep listeners just as engaged in the record as the songs themselves and the history lesson provided through the record’s companion booklet.  When all three elements are joined, they present All The Way as a record that both in its single disc and double disc presentation, audiences will appreciate “all the way.”

Justin Hayward’s new solo career retrospective is a work that his fans will appreciate “all the way.”  That is due in no small part to its track listing.  The record’s single-disc presentation features 15 of Hayward’s most important songs from his solo career.  The double-disc collection doubles that number to 30.  It also touches on more of his albums than the 15-song collection.  In other words, the track listing presented in each of the record’s platforms will entertain and educate Hayward’s fans, both those familiar with his work and those less familiar.  The record’s companion booklet is just as important to note as its songs because it presents a solid introduction for Hayward’s less familiar fans.  Even those more familiar with his body of work might benefit from the lesson as they might not be so familiar with the background provided here.  Again, it proves that the record could be beneficial to a wide range of listeners.  The album’s sequencing is just as important to note here as the songs themselves and the record’s companion booklet.  That is because the energy exhibited from one song to the next will keep listeners engaged, too.  It never stays the same too long.  Keeping that in mind, the record’s sequencing proves to be just as important to its presentation as its featured songs and its companion booklet.  Each element is important in its own right to the record’s presentation, as should be clear by now.  All things considered, this record is a work that all of Hayward’s fans will appreciate “all the way.”  It is available now in stores and online.  More information on All The Way is available online now along with all of Justin Hayward’s latest news and more at:

 

 

 

Website: http://www.justinhayward.com

Facebook: http://www.facebook.com/justinhaywardmusic

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Justin Hayward Announces Schedule For Upcoming U.S. Summer Tour

Justin Hayward will perform at a handful of U.S. dates this summer.

Hayward, who is known best for his work with legendary band The Moody Blues, will embark on an eight-date solo tour of the Northeast beginning August 20th in Salisbury, Massachusetts. It will come on the heels of a UK run in July. Hayward said of the upcoming tour, “We are so looking forward to this tour,” noting that fans’ reaction to the live shows put on by Hayward and his band mates—Julie Ragins (keyboards, backing vocals) and Mike Dawes (acoustic guitar)—played a role in the decision to bring the music to the fans again. “Julie Ragins [keyboardist/background vocalist], Mike Dawes [acoustic guitar], and I have been overwhelmed by the reception of our live shows during this last year in the USA,” he said. To hear every nuance of my acoustic guitars (they are on the road for the first time) and our voices in these venues is a joy. And the USA, like me, is discovering what a fabulous guitar player Mike Dawes is, and I look forward to hearing him play every night too.”

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Hayward’s most recent live recording, Spirits…Live – Live at the Buckhead Theatre, Atlanta was released via Eagle Rock Entertainment on August 19th, 2014. It would go on to reach the top spot on Billboard’s Video Chart and premiered on PBS this March. It has been airing on PBS during its stations’ fundraising periods. Hayward was deeply appreciative of PBS’ support in discussing the network’s carriage of his recording. “It is a privilege and honor that PBS is broadcasting my live show as part of their pledge drives,” he said. He also discussed his own support of and respect for PBS, stating, “PBS has always meant a lot to me – not only for the quality of its programming but for its news, independence, and integrity…a true great comfort to me while I’m on the road.”

Justin Hayward has recorded and performed with The Moody Blues for more than four decades. He has penned some of the band’s most beloved hits including: ‘Nights in White Satin,’ ‘Tuesday Afternoon,’ ‘Question,’ ‘The Voice,’ and ‘Your Wildest Dream’ among many others. During his time with The Moody Blues, the band gone on to sell more than 60 million albums.

Audiences can check out a clip of Hayward performing ‘Nights in White Satin’ online now via YouTube at https://www.youtube.com/watch?v=ffyHZ556ncE. The performance is taken from Spirits…Live – Live at the Buckhead Theatre. Hayward’s current U.S. tour schedule is listed below.

Justin Hayward will perform at the following venues:

August 20 – Salisbury, MA – Blue Ocean Music Hall

August 21 – Boston, MA – Wilbur Theatre

August 22 – Hartford, CT – Infinity Hall Hartford

August 25 – Harrisburg, PA – Whitaker Center-Sunoco

August 26 – Bethlehem, PA – ArtsQuest Center

August 27 – Alexandria, VA – Birchmere Music Hall

August 29 – Annapolis, MD – Rams Head On Stage

August 30 – Morristown, NJ – Mayo Performing Arts Center

All of the latest news from Justin Hayward is available online now at:

Website: http://www.justinhayward.com

Facebook: http://www.facebook.com/justinhaywardmusic

Twitter: http://twitter.com/haywardmusic

More information on Spirits…Live – Live at the Buckhead Theatre, Atlanta and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sound Of Contact Announces New Tour Dates

Courtesy:  InsideOut Music

Courtesy: InsideOut Music

Sound of Contact is coming to the United States this Spring and Summer.

The band has confirmed that it will take part in the Moody Blues Cruise and the Cruise to the Edge this Spring before embarking on a handful of dates late next month.  The Moody Blues Cruise sets sail Wednesday, April 8th from Miami, Florida.  It will take guests through the Bahamas and to Grand Turk Island, Turks & Caicos before returning to Miami on Monday, April 7th.  Sound of Contact will join The Moody Blues, Starship, Little River Band, and special guest Roger Daltry of The Who among a number of other artists and bands.  More information on the Moody Blues Cruise is available online at http://moodiescruise.com and http://www.facebook.com/moodiescruise.

Band founder Simon Collins and his band mates will have a quick turnaround once they return to port from the Moody Blues Cruise.  That is because they head right back out to sea Wednesday, April 8th for the Cruise to the Edge.  That cruise will take guests Cozumel by way of Miami and Honduras.  It will leave port Wednesday, April 8th and return to Miami Saturday, April 12th.  Sound of Contact will join YES, Marillion, Queensryche, Scale the Summit, and a number of other acts that are scheduled to perform during the cruise.  More information on the Cruise to the Edge is available online at http://cruisetotheedge.com, http://www.facebook.com/cruisetotheedge, and http://twitter.com/cruisetotheedge.

Once Sound of Contact returns from its marathon cruise run, the band will take some much needed down time before kicking off its North American tour April 26th.  The band will kick off its North American tour at SIR Studios in Los Angeles, California.  The band’s complete cruise and tour schedule is listed below.

Wednesday – April 2, 2014 Moody Blues Cruise
Thursday – April 3, 2014 Moody Blues Cruise
Friday – April 4, 2014 Moody Blues Cruise
Saturday April 5, 2014 Moody Blues Cruise
Sunday – April 6, 2014 Moody Blues Cruise
Monday – April 7, 2014 Moody Blues Cruise / Cruise To The Edge
Tuesday – April 8, 2014 Cruise To The Edge
Wednesday – April 9, 2014 Cruise To The Edge
Thursday – April 10, 2014 Cruise To The Edge
Friday – April 11, 2014 Cruise To The Edge
Saturday – April 12, 2014 Cruise To The Edge

Saturday – April 26, 2014 Los Angeles, CA, America – SIR Studios
Wednesday – April 30, 2014 Quebec City, QC, Canada – Le Cabaret du Capitole
Thursday – May 1, 2014 Toronto, ON, Canada – Rock Pile East
Friday – May 2, 2014 Chicago, IL, America – Reggies Rock Club
Saturday – May 3, 2014 Gettysburg, PA, America – RoSFest

Ticket information for the band’s upcoming performances will be announced soon.  More information on tickets and Sound of Contact is available online at http://www.facebook.com/soundofcontact.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.