Ferguson’s Latest LP Will Leave Listeners Anything But Grumpy

Courtesy: Walking Songs Mus

Singer/songwriter Carrie Ferguson is scheduled to release her latest album Friday.  The record, The Grumpytime Club, is Ferguson’s second family music offering – coming approximately six years after her debut family album, Piti Theatre and Carrie Ferguson’s Greatest Bits Vol. 1 – and fourth overall album.  The 11-song record is a positive new offering that any family will enjoy.  That is due in part to its featured musical arrangements, which will be discussed shortly.  The lyrical themes that accompany the noted musical content are also important to the album’s success.  They will be discussed a little later.  The sequencing of the overall content brings everything together and completes the album’s presentation.  It will also be discussed later.  Each item noted here is important in its own way to the whole of the album’s presentation.  All things considered, they make the 39-minute record that will leave listeners anything but grumpy.

The Grumpytime Club is a positive new offering from singer/songwriter Carrie Ferguson that will appeal to any family.  That is proven in part through its featured musical arrangements.  The arrangements are of note because of their diversity.  Throughout the course of the record, Ferguson makes sure to offer audiences something different from one song to the next.  Right from its opening, ‘Cat and Piggy,’ Ferguson offers audiences a touch of Americana and Folk music in one.  For all the family music fans out there, the song is comparable to works from Ferguson’s fellow family music entertainment act, The Okee Dokee Brothers.  The twang of the guitar against the steady tambourine beat and brushes against the snare is completely infectious.

Ferguson doesn’t stay on that Americana/Folk note for long at all.  The very next song, ‘The Puppy Song (You and I),’ is a clear kindie-pop type composition.  From there, Ferguson changes things up even more by going more in a ska direction in ‘Mishy Mashy Mushy Mooshy Moo.’  The diversity hardly ends there.  ‘Tavi’s Song’ conjures thought of music associated with the Jewish culture and peoples.  It is a gentle and so engaging composition.  ‘Do It Again’ is a kindie-rock style composition with roots in vintage rockabilly.  To that end, it will appeal to grown ups just as much as younger audiences.  There is even a touch of Dixieland in ‘Up and Down’ complete with a bouncy tuba line at its center.  This is such a fun composition that audiences of all ages will find themselves dancing along.  Between all of these arrangements, the others noted here and the more subdued works that are also featured in the record, the whole makes clear the diversity in the album’s musical arrangements.  That diversity ensures audiences’ engagement and entertainment in itself.  Keeping that in mind, the musical arrangements featured in this record are obviously important in their own way to the whole of this record.  Even with that in mind, they are only a part of what makes the album successful.  The lyrical themes that accompany the album’s musical arrangements are also important to the album’s presentation.

The lyrical themes featured throughout The Grumpytime Club are important to the album’s presentation because they are just as diverse as the album’s musical arrangements.  The album’s title track for instance encourages Ferguson’s young listeners to embrace their feelings and thoughts when they are angry.  Most if not all child psychologists will agree that allowing children to express their angry/grumpy feelings is crucial for their personal and social development.  Ferguson does not encourage her young audiences to hold those feelings in, either.  She simply tells them that feeling frustrated and grumpy is normal and OK.  She does subtly tell those audiences to get those feelings and thoughts.  Keeping that in mind, this theme proves important in its own way.

‘The Best Way to Be’ proves just as crucial for the personal and social development of Ferguson’s audiences.  She encourages those listeners to embrace who and what they are, even stating, “The best way to be is to just be me.”  In an age when there is so much pressure for young people to be one thing or another and face so many harsh words from others in person and online, such a nurturing reminder is so important.  To that end, this song’s uplifting message of self confidence and assurance proves important for its content.  That content is similar but still different from that of ‘The Grumpytime Club’ and the album’s other songs, showing a little more, the noted diversity in the album’s lyrical content. 

‘Up And Down,’ shows that diversity even more.  This song is a simple work that reminds young listeners that there is a time for play and a time for rest.  She adds at points in the song, the importance of getting rest so that children will have energy to play and learn during the day.  This is another key aspect of children’s development, and different from the album’s other noted themes.  When audiences consider the lyrical diversity exhibited through all three of these songs and the rest of the album’s songs, that whole makes the diversity in the album’s lyrical themes just as strong and important as that in the album’s musical arrangements.  The two sides collectively show even more why the album is a successful new family music offering from Ferguson.  The sequencing of that collective content completes the album’s presentation and shows even more why the record will appeal to many families.

The sequencing of The Grumpytime Club is important because it ensures that the diversity in the album’s musical and lyrical content is fully pronounced from beginning to end.  It takes into account all of the varied musical styles and arrangements and makes sure that at no point does the record stay on one type of arrangement and sound for too long.  At the same time, the sequencing also ensures the lyrical themes featured throughout the album change constantly from one song to the next, too.  It does just as much to ensure listeners’ engagement and entertainment.  On yet another angle, the album’s sequencing is just as important to note because of the clear, deliberate attention to the songs’ energies.    The record’s first quarter opens the record on a relatively upbeat note.  From there, ‘Tavi’s Song’ and ‘The Best Way To Be’ serve as a good break point, changing things up by slowing the album down.  Those two songs also serve as the album’s midpoint.  From there, the next two songs – ‘Do It Again’ and ‘Up and Down’ – get the album moving again before giving way to the more subdued, reserved vibes of the last trio of songs, ‘Lend Me Your Glasses,’ ‘Aza’s Song,’ and ‘Hope Parade.’    Looking back through this aspect, the sequencing ensures the album’s energy rises and falls just enough at all of the right points.  That together with the ensured engagement and entertainment that the sequencing of the content itself brings makes fully certain why the sequencing is its own important element.  All things considered, the album proves a successful new offering from Ferguson that continues to validate her place in the family music community.

The Grumpytime Club is a positive new family music offering from singer/songwriter Carrie Ferguson.  Its strength is shown in part through the musical arrangements featured throughout the album.  The arrangements are diverse, offering plenty for audiences to enjoy from one song to the next.  The lyrical content that accompanies the album’s musical arrangements adds its own layer of interest to the album.  That is because it is diverse in its own right, as well as accessible.  The sequencing of that musical and lyrical content brings everything together and completes the album’s presentation.  It makes sure the diversity in the album’s content is fully pronounced from beginning to end while also making certain the album’s energy is just as well-balanced throughout.  Each item noted here is important in its own way to the album’s presentation.  All things considered, they make the album continued validation of Ferguson’s place in the family music community.

The Grumpytime Club is scheduled for release Friday through Walking Songs Music.  More information on the album is available along with all of Ferguson’s latest news at:

Website: https://carriefergusonmusic.com

Facebook: https://www.facebook.com/CarrieFergusonSongwriter

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Pop Singer-Songwriter’s New LP Is The Best Of 2020’s Best In Phil’s Picks 2020 Top 10 New Albums List

Courtesy: Wicked Cool Records

The musical universe spawned so much great music this year. From rock to rap to pop to country, jazz, and even family music, the musical universe gave audiences a lot to like about 2020.  For all of the entertaining and engaging music that was released this year some proved to be the best of its given categories.  Not all of that music could be the best of the best though.  Only certain records could obtain that title, and they come this year from a wide range of genres.  The Okee Dokee Brothers and their new album Songs For Singin’ are here among the best of the best in Phil’s Picks 2020 Top 10 New Albums of the Year.  They are joined by new albums from the likes of Sons of Apollo, Ricky Byrd, and The Devonns among others.  Topping this year’s list of the best of the best is Jessie Wagner’s new album Shoes Droppin’. 

As with every other list from Phil’s Picks, the Year’s top new albums list features the year’s Top 10 new albums and give honorable mentions for a total of 15 titles.  Without any further ado, here is Phil’s Picks 2020 Top 10 New Albums of the Year.

PHIL’S PICKS 2020 TOP 10 NEW ALBUMS OF THE YEAR

  1. Jessie Wagner – Shoes Droppin’
  2. Chris Stapleton —  Starting Over
  3. Sons of Apollo – MMXX
  4. Yellowackets – Jackets XL
  5. U.D.O. – We Are 1
  6. Ricky Byrd – Sobering Times
  7. Deep Purple – Whoosh!
  8. The Devonns – The Devonns
  9. Nine Inch Nails – Ghosts V
  10. Nine Inch Nails – Ghosts VI
  11. Joe Bonamassa – Royal Tea
  12. The Okee Dokee Brothers – Songs For Singin
  13. The Tibbs – Another Shot Fired
  14. Ala.ni – ACCA
  15. Ben Harper – Winter is for Lovers

Now that all the music lists are done, it is on to the DVD and Blu-ray releases.  Up first in that side of things is the year’s Top 10 New Documentaries.  Stay tuned for that.

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Veterans, Newcomers Among Those In Phil’s Picks 2020 Top 10 New Country/Bluegrass/Folk/Americana Albums

Courtesy: Mercury Nashville

Country music, bluegrass, folk, and Americana fans have had a lot to be happy bout in 2020.  That is because the genres, which are so closely related to one another, have seen a lot of enjoyable new albums released.  Bluegrass fans saw Steep Canyon Rangers release its new album Arm in Arm.  The country music world saw Chris Stapleton’s new album Starting Over, which is some of his best work to date in his still young career.  Steve Earle and his fellow musicians The Dukes released a new album that audiences can easily put into the Americana category while the folk world while Delta Rae’s new album The Light can just as easily be added to the folk/neo-folk category just as much as the Americana category.  All three albums are featured in this year’s Phil’s Picks 2020 Top 10 New Country/Bluegrass/Folk/Americana Albums list along with lots of others, including Chatham County Line’s new album Strange Fascination and the recently released independent band Royal Horses’ new album A Modern Man’s Way To Improve.  That album crosses the border of country, bluegrass and Americana. 

As with each year’s past lists, this year features the year’s Top 10 best new albums from the noted genres along with five additional honorable mentions for a total of 15 albums.  Without any further ado, here is PHIL’S PICKS 2020 TOP 10 NEW COUNTRY/BLUEGRASS/FOLK/AMERICANA ALBUMS.

PHIL’S PICKS 2020 TOP 10 NEW COUNTRY/BLUEGRASS/FOLK/AMERICANA ALBUMS

  1. Chris Stapleton – Starting Over
  2. The Okee Dokee Brothers – Songs For Singin
  3. Josh Turner – Country State of Mind
  4. Delta Rae – The Light
  5. Reckless Kelly – American Girls/American Jackpot
  6. Steve Earle & The Dukes – The Ghosts of West Virginia
  7. Chatham County Line – Strange Fascination
  8. Jack The Radio – Creatures
  9. Royal Horses – A Modern Man’s Way To Improve
  10. Steep Canyon Rangers – Arm in Arm
  11. Brothers Osborne – Skeletons
  12. Bruce Springsteen – Letter To You
  13. Jason Isbell & The 400 Unit – Reunions
  14. Mile Twelve – Roll The Tapes All Night Long
  15. Special Consensus – Chicago Barn Dance

Next up from Phil’s Picks is 2020’s Top 10 New Rap & Hip-Hop Albums.  Stay tuned for that. 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.   

The Okee Dokee Brothers Tops This Year’s Phil’s Picks Best New Family Music Albums List

Courtesy: Okee Dokee Music

Family music entertainers have, like acts in every other genre across the music universe, been adversely impacted this year by the global COVID-19 pandemic.  Their live plans have been put on hold for the foreseeable future.  In the same vein, while the pandemic has put a (hopefully) temporary hold on live music, it has not prevented acts within the realm to release new albums.  That means that a list of the year’s top new Family Music albums is just as qualified as that for any other genre.  This year’s list of top new Family Music albums features new titles from some of the most well-known names within the realm, including but not limited to this year’s list topper The Okee Dokee Brothers, Paul Winter, and Justin Roberts.  It also features some younger acts, such as Roger Day, Greg Lato, and Lindsay Munroe.  Between them and others, this year produced many enjoyable albums within the Family Music world. 

The list of this year’s best new records, offers the Top 10 new albums in the genre and five honorable mention titles, for a total of 15 albums.  Without any further ado, here is Phil’s Picks 2020 Top 10 New Family Music Albums.

PHIL’S PICKS 2020 TOP 10 NEW FAMILY MUSIC ALBUMS

  1. The Okee Dokee Brothers – Songs For Singin’
  2. Alastair Mook & Friends – Be A Pain: An Album For Youn (And Old) Leaders
  3. Justin Roberts – Wild Life
  4. Red Yarn – Backyard Bop
  5. David Gibb & Brady Rymer – Songs Across The Pond
  6. Paul Winter – Light of the Sun
  7. Flor Bromley – Fiesta Global
  8. Lindsay Munroe – I Am Kind
  9. Joanie Leeds – All The Ladies
  10. 123 Andres – Hola Amigo
  11. Rolie Polie Guacamole – Avocado
  12. Roger Day – Invincible
  13. Sara Lovell – Night Life
  14. Greg Lato – Create My Own World
  15. Ants Ants Ants – Colors All Around

Next up from Phil’s Picks is the list of 2020’s Top 10 New Country/Bluegrass/Folk/Americana Albums.  Stay tuned for that.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Recording Academy Announces “Best Children’s Music Album” Nominees

Courtesy: Sugar Mountain PR

The nominees for this year’s Best Children’s Album were announced this week.

The announcement for the Grammys category was made Tuesday. This year’s nominees for the “Best Children’s Music Album” are:

All The Ladies — Joanie Leeds

Be A Pain: An Album for Young (and Old) LeadersAlastair Mook and Friends

I’m An OptomistDog On Fleas

Songs For Signin’The Okee Dokee Brothers

Wild LifeJustin Roberts

Audiences can listen to a selection of songs from each nominee on a playlist culled on Spotify.

The 63rd annual Grammy Awards ceremony is scheduled to take place Jan. 31 on CBS. The winner of the “Best Children’s Music Album will be announced during a pre-show telecast, which will stream online here.

The full list of the nominees for the 63rd annual Grammy Awards ceremony is available along with all of the latest Grammy news at:

Website: http://www.grammy.com

Facebook: http://www.facebook.com/RecordingAcademy

Twitter http://twitter.com/grammys

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Audiences Of All Ages Will “Sing” The Praises Of The Okee Dokee Brothers’ New Album

Courtesy: Okee Dokee Music

The Okee Dokee Brothers have done it again.  The duo – Joe Mailander and Justin Lansing – has taken its spot (at least so far) atop this year’s field of new family music albums with its latest full-length studio recording.  The album, Songs For Singin’ is also an easy candidate for a spot on any critic’s list of the year’s top new albums.  That is due in no small part to the record’s musical arrangements, which will be addressed shortly.  The lyrical themes presented throughout the album also play into the album’s success, so they will be discussed a little later.  The record’s sequencing rounds out its most important elements.  That is especially considering that the album is composed of 27 songs, so it will also be discussed later.  All three noted items are important in their own way to the whole of this album.  All things considered, they make Songs For Singin’ a work that will have audiences and critics alike singing its praises.

The Okee Dokee Brothers’ fifth full-length studio recording Songs For Singin’ is another win for the duo and its fans.  That is proven in part through the diverse range of musical arrangements that are featured throughout the album.  Listeners get plenty of the bluegrass sound for which the duo has come to be known over the course of its past four albums.  This time though, Mailander and Lansing branch out more, offering audiences something more.  There is a touch of Dixieland added to the mix in this album, as well as some soul and even a “beachy” sort of sound alongside a sea shanty and even some folk sounds.  As if that is not enough, audiences also get treated to a touch of zydeco late in the record’s 70-minute run, as well as some Celtic sounds, too.  The musical diversity is a nice, new step forward for The Okee Dokee Brothers, considering that the duo has built so much of its fame and fan base on its bluegrass and country sounds and its ‘adventure albums,” which saw the guys actually traveling the course of some of America’s most prominent land and water bodies.  It shows, much as with the pair’s fourth album Winterland, that growth.  Whether one is a new listener or a longtime fan, the fact remains that the diverse musical styles featured in this record will appeal to audiophiles of any age.  As important as the arrangements are to the whole of Songs For Singin’, they are but a portion of what makes the record so strong.  The lyrical themes that accompany the album’s musical arrangements are just as important as that content to the record’s whole.

Over the course of its 27 songs, Mailander and Lansing tackle a variety of topics, all of which are just as widely appealing as the album’s musical arrangements.  ‘The Music Train’ for instance is in fact about a train.  More specifically, it focuses on the musicality of a train; from the steady clickety-clack of the wheels on the rails to the sound of the whistle to the steady “beat” of the chugging, like a drum.  ‘Campin’’ takes on the matter of, well, camping.  What’s interesting is that the lyrical approach here makes it something that would have been a perfect fit on the now defunct NPR program A Prairie Home Companion.  The duo jokingly comments on a broken outhouse, leeches, and even the trials of taking kids along for such an outing.  The end result is a presentation that will leave listeners laughing as they sing and tap their feet along with the song.  ‘Jubilation,’ with its soulful musical arrangement, is a song about the joys of parenthood.  ‘Neighborhood Band’ is a celebration of community and music.  In the time in which people the world are over living, this song holds an extra special meaning in its lyrical theme.  ‘Ask Away’ meanwhile encourages the curiosity of every child.  ‘Raise a Ruckus’ changes things up even more, simply encouraging people to get together and have a good time on a Saturday night.  It’s just one more example of just how varied the lyrical themes are throughout Songs For Singin’.  Together with the album’s other noted themes and the rest of the album’s songs, there is no doubt left in listeners’ minds as to the diversity of the album’s lyrical themes.  Considering this along with the diversity exhibited in the record’s musical arrangements, the album’s success becomes even clearer.  The album’s primary and secondary content are just a portion of what makes it another successful offering from The Okee Dokee Brothers.  Its sequencing puts the finishing touch to its presentation.

The sequencing of Songs For Singin’ keeps the record’s energy steady from start to finish.  As the record opens in ‘Hope Machine,’ the energy is mid-tempo, yet reserved at the same time.  That measured energy carries audiences through ‘Early Bird,’ the record’s second song, before picking up noticeably in the album’s third song, ‘Neighborhood Band.’  ‘One Little Heart,’ which immediately follows, pulls things back slightly again, but still keeps the album’s energy just enough and keeps that vibe as the album moves into the sea shanty that is ‘Sally-O.’  That energy stays in place up until the record reaches ‘Jubilation,’ which pulls things back again, keeping the record just as engaging and entertaining as ever.  ‘Music Train’ picks things back up with its steady, driving rhythm from the guitars and snare drum.  As the album progresses through the rest of its extensive body from there, the songs’ energies rise and fall just enough from one to the next to keep listeners fully engaged and entertained.  The result is just as successful as that from the combination of the album’s musical and lyrical content.  When all of this is considered together, the whole cements The Okee Dokee Brothers’ new LP as a definite for any critic’s list of the year’s top new family albums and best overall albums.

The Okee Dokee Brothers’ fifth full-length studio recording Songs for Singin’ is another successful entry for the family entertainers.  It is a work that will appeal just as easily to adults as it will to children, as it is not specifically aimed at either audience group.  That is nothing new for the duo, either, as its past albums prove.  That is evident in the record’s musical and lyrical content.  The record’s sequencing puts the final touch to its presentation.  It ensures the album’s energy remains stable, rising and falling at all of the right points throughout its extensive hour-plus run time.  Each item noted is critical in this own way to the overall presentation of Songs For Singin’.  All things considered, they make The Okee Dokee Brothers’ latest LP a work that will have every listener singing its praises.  The album is available now.  More information on the record is available online along with all of The Okee Dokee Brothers’ latest news at:

 

 

 

Website: http://www.okeedokee.org

Facebook: http://www.facebook.com/okeedokeebros

Twitter: http://twitter.com/OkeeDokeeBros

 

 

 

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The Not-Its Are “It” In Phil’s Picks 2018 Top 10 New Family Music Albums List

Courtesy: Burnside Distribution/Sugar Mountain PR

Family music is one of the most surprisingly entertaining genres that exists today across the musical universe.  That statement is just as true today as it ever has been thanks to this year’s crop of new albums.  Between the arrangements, which will entertain listeners of all ages and the lyrical themes, to which young listeners especially will connect, family music albums prove that they are just as viable as those of their mainstream counterparts.

That is why this year, just as in years past, Phil’s Picks is making sure to give those albums their own time in the light.  This year’s list features new releases from acts such as Mister G, The Not-Its, The Okee Dokee Brothers and plenty of others who might not be so well-known.

Topping this year’s list is the new album from Seattle’s own The Not-Its.  As noted in a previous review of that album, it is a full-on celebration of childhood and the innocence connected to that time in life.

The Okee Dokee Brothers’ latest album Winterland was a risk for the duo because of the success of the group’s “adventure albums” that preceded the record.  Yet, it was a risk that proved to pay off thanks to its musical and lyrical content, which uses winter themes to delve into some very deep and very grown-up topics.

Cheri Magill’s new indie-pop styled record Tour Guide takes third place in this year’s list thanks to its arrangements and its own celebration of childhood (and even parenthood).

The records noted here are just part of this year’s list.  The other 12 records featured in the list are noted with these records below.  As always, the list features 15 total albums, with the Top 10 being the top albums and the following five being honorable mentions. without any further ado, here is Phil’s Picks’ 2018 Top 10 New Family Music Albums.

PHIL’S PICKS 2018 TOP 10 NEW FAMILY MUSIC ALBUMS

  1. The Not-Its — Ready or Not
  2. Cheri Magill — Tour Guide
  3. The Okee Dokee Brothers — Winterland
  4. Mister G — Fireflies
  5. Red Yarn — Red Yarn’s Old Barn
  6. Hullabaloo — 20 Songs in 20 Days
  7. Splash and Bubbles — Rhythms of the Reef
  8. Steve Elci and Friends — Jump in the Puddle
  9. Ants, Ants, Ants — Why, Why Why
  10. Mi Amigo Hamlet — Happy Land is Tierra Feliz
  11. Suzi Shelton — Hand in Hand
  12. Sara Lovell — Wild is Everywhere
  13. Animal Farm — We Are One
  14. Liz Beebe — Hush NowLullabies For Sleepy People
  15. The Green Orbs — thumb Wrestling Champions

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Audiences Will Have No Trouble “Warming Up To” The Okee Dokee Brothers’ ‘Winterland’

Courtesy: Okee Dokee Music

Joe Mailander and Justin Lansing — aka The Okee Dokee Brothers — have, over the course of the past nine years, become one of the most well-known acts in the world of family music.  That is because the Minneapolis, MN-based duo’s music has managed to defy the barriers of the genre, both musically and lyrically, with the release of each of its past six albums.  The pair’s recently completed “adventure album” trilogy, which saw the longtime friends writing their albums while actually traveling the length of the Mississippi River, the Appalachian Trail and the Great Divide, certainly had to have helped the duo build its reputation and success, too.  Considering the success of those three albums and that of their predecessors, changing pace again for its latest effort, Winterland — which was officially released Oct. 19 via the pair’s own Okee Dokee Music – was a gamble.  That is because the duo’s “adventure albums’ showed the men at the peak of their career.  Listening through the 16-song, 45-minute record, it becomes clear that the album is a “lucky seven” for the guys.  That is proven in part through its musical arrangements, which will be discussed shortly.  The record’s lyrical themes are just as important to the record’s presentation as its musical arrangements, and will be discussed a little bit later.  The album’s sequencing rounds out its most important elements.  Each item noted here is important in its own way to the whole of Winterland. All things considered, they make the album a work to which listeners will have no problem warming up.

The Okee Dokee Brothers’ seventh full-length studio recording Winterland is a strong new offering from the veteran performers to which listeners will have no trouble warming up, and that also proved to be a “lucky” gamble for the longtime friends.  That is evidenced in part through the record’s musical arrangements. The arrangements, in large part, are familiar offerings from Mailander and Lansing, with their bluegrass and country leanings.  Though, there are some slight variations that change things up a bit throughout.  Case is point is the arrangement at the center of ‘Ice Fishin’ Shack.’  The pair’s familiar bluegrass-tinged sound is there at the arrangement’s base, however the addition of the baritone sax (or at least what sounds like a baritone sax), flute and washboard gives that bluegrass a new twist that the pair has tried very little if at all.  ‘Keep Me Warm,’ which immediately follows ‘Ice Fishin’ Shack’ adds in some zydeco influences, again changing things up yet again, and in the best way possible.  ‘Slumberjack,’ with its full-on a capella approach is largely unfamiliar territory for The Okee Dokee Brothers, too.  The approach here, with its vocal layering technique, goes a long way toward not only making the song one of the record’s best moments, but also one of the best examples of the Celtic roots of bluegrass and country.  The song comes in just short of two minutes, but is still a powerful moment in its own right.  ‘Ukelele in a Snowstorm’ takes listeners to the warm shores of Hawaii, changing things up yet again, and in turn keeping the record interesting musically.  ‘Snowpeople’ is yet another example of Mailander and Lansing switching things again in this record.  With its waltz time approach, tuba, trombone and subtle banjo lines, the song is anything but bluegrass or even country.  That argument is strengthened even more as a whistling “chorus” comes into play.  As if all of this is not enough example of the importance of the record’s musical arrangements, ‘Lazy Day’ can also be used to support that statement.  The arrangement is in itself a lazy sort of sound, yet is the perfect fit for the song.  It conjures thoughts of so many easy listening pieces that have ever been crafted, yet is actually enjoyable.  When this arrangement is considered along with the others discussed here, it becomes clear that Mailander and Lansing have gone to painstaking efforts to develop their sound even more this time out without alienating their more seasoned fan base.  Those efforts have paid off, giving listeners a good balance of the familiar and less familiar alike.  To that end, the record’s overall arrangements prove critical to the overall presentation of Winterland.  They, collectively, are only one of the most important elements that plays into the album’s whole.  The record’s lyrical themes are just as important to examine as its musical arrangements.

While the title of The Okee Dokee Brothers’ new LP is Winterland and some of its tracks are centered on winter, even those that are centered on the season are not entirely about the season.  Case in point is the song ‘Snowpeople,’ which uses, literally, snow men and snow women as the basis for a discussion on gender roles.  ‘Ice Fishin’ Shack’ centers on being out on a frozen lake, fishing in one of those tiny shacks.  On a deeper level, though, it’s a song about friendship.  ‘The Abominable Yeti’ takes the legend of the Yeti and uses it as the basis for a discussion on taking the time to try to see past preconceived notions.  It is really a good piece as it can especially apply in discussions about accepting people who look different from us.  Along with the winter-centered songs that are used for those deeper discussions, the album does in fact feature songs that are just about winter, such as the album’s opener, ‘Blanket of Snow,’ ‘Ukelele in a Snowstorm’ and ‘Slumberjack.’  There are also straight forward deep pieces to compliment all of this in the form of ‘Candles,’ ‘Great Grandmother Tree’ and ‘Howl.’  ‘Candles,’ simply put, is a takeoff of the standard ‘This Little Light of Mine.’  It centers on the metaphorical light in each person as it talks about not letting the light be blown out.  It truly is one of the album’s most powerful entries.  ‘Great Grandmother Tree’ focuses on the very tough discussion on the topic of the circle of life, yet it does so in such a tactful fashion.  ‘Howl’ is a much more upbeat song that centers simply on the reality that sometimes, a person just needs to get out their frustrations.  Again, it does it in an upbeat fashion that will put a smile on any listener’s face.  Between these songs, the songs which center directly on winter and those that use the season as the base for discussions on bigger topics, and of course the rest of the album’s additions, the whole of the album’s lyrical themes proves to be just as critical to the album’s presentation as its musical arrangements.  While both of these elements are key to the album’s whole, they are not its only important elements.  The album’s sequencing rounds out its most important elements.

 

The sequencing of Winterland is so important to its presentation because the energy in the album’s songs plays just as much of a part in maintaining listeners’ engagement and entertainment as the record’s musical and lyrical content.  Without a stable balance of energies (as has been noted so many times in other reviews), that noted engagement and entertainment would be anything but assured.  Keeping that in mind, the album’s sequencing is its own positive.  The record starts off upbeat in its first two songs before pulling back a bit in the more laid back vibe of ‘Ice Fishin’ Shack.’  Once that song is done, the energy picks right back up again with ‘Keep Me Warm,’ and while it pulls back just a little bit from there, that pullback is not too much.  It stays up just enough to keep listeners’ toes tapping right up until Mailander and Lansing move into ‘Candles.’  From ‘Candles’ to ‘Howl,’ the albums energy gradually rises again, giving listeners even more to appreciate.  From there to the album’s end, the energy continues to rise and fall at all of the right points right to the record’s finale, ‘Signs of Spring,’ which is a wonderfully upbeat work about the connectivity of spring and winter.  It also uses that discussion as a bigger, heavier discussion on the connection of life and death.  Simply put, from start to end, the album’s energies are well-balanced throughout the album’s 45-minute run.  Considering this, along with the importance displayed in the album’s musical and lyrical content, the whole of Winterland proves to be a gamble that paid off for The Okee Dokee Brothers, and to which listeners will have no problem warming up.

 

The Okee Dokee Brothers’ seventh full-length studio recording Winterland isa gamble for the guys that clearly paid off. It is a record to which listeners will have no trouble warming up.  That is proven in part through the record’s musical arrangements, which go back to the duo’s past while also presenting more of its familiar bluegrass-infused sounds.  The lyrical themes exhibited throughout the album play a critical part to the album’s whole, too.  That is because of the diversity clearly exhibited in said themes.  The album’s sequencing ensures that listeners will be able to hear all of that for themselves without stopping at any given point in the album’s run.  Each noted item is important in its own way to the whole of Winterland.  All things considered, they make the album a wise gamble from The Okee Dokee Brothers, and an album to which listeners will have no problem warming up.  More information on Winterland is available online now along with The Okee Dokee Brothers’ latest news and more at:

 

 

 

Website: http://www.okeedokee.org

 

 

 

Facebook: http://www.facebook.com/okeedokeebros

 

 

 

Twitter: http://twitter.com/OkeeDokeeBros

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Okee Dokee Brothers Get “Cool” On ‘Winterland’

Courtesy: Okee Dokee Music

The wait is almost over for The Okee Dokee Brothers’ new album.

The duo recently announced that it will release its fourth full-length studio recording Winterland on Oct. 5.  The 16-song record takes listeners from the change of seasons from autumn to spring that the whole family will enjoy while curling up together at the fireside.

Along with being a record for the whole family, the record also addresses the issue of climate change.  The record’s full track listing is noted below.

Track List

The Okee Dokee Brothers

Winterland

  1. Blankets of Snow
  2. Welcome Home
  3. Ice Fishin’ Shack
  4. Keep Me Warm
  5. The Abominable Yeti
  6. You You You
  7. Candles
  8. Slumberjack
  9. Ukulele in a Snowstorm
  10. Howl
  11. Snowpeople
  12. Lazy Day
  13. North Country Dance Band
  14. Great Grandmother Tree
  15. New Year
  16. Signs of Spring

Ten percent of the album’s sales will go to benefit Askov Finlayson’s Keep The North Cold initiative.  The company works to fight climate change by supporting other initiatives that slow factors such as greenhouse gas emissions.

Ten percent of ticket sales at the pair’s Nov. 3 hometown show will also go to benefit the organization.  The group will also donate ten percent of ticket sales at its Nov. 4 Denver, Colorado show to Protect Our Winters, which also works to combat human-caused climate change.

More information on Winterland is available online now along with the Okee Dokee Brothers’ latest news and more at:

 

Website: http://www.okeedokee.org

Facebook: http://www.facebook.com/okeedokeebros

Twitter: http://twitter.com/OkeeDokeeBros

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

Franti’s Latest LP “Rocks” Phil’s PIcks 2016 Albums Of The Year List

Michael Franti and Spearhead Soulrocker Cover Art

Courtesy: Fantasy Records

The time has come.  Today is New Year’s Eve eve.  That means 2016 is nearly in the books.  With that year right at it’s end, it’s time for the last two of this year’s Phil’s Picks best of lists.

Rounding out this year’s lists are the year’s top new albums overall and the year’s top new overall movies.  The year’s top new albums list is up first.  It was not an easy list to assemble either as there were so many stand out records released from across the musical universe’s many genres.

This year’s top albums list is represented by music from the jazz community, the world of children’s music, rock, blues, and even reggae in the form of Michael Franti and Spearhead’s new album Soulrocker.

As with every previous Phil’s Picks list, this list features Phil’s Picks’ top 10 new titles plus five honorable mention titles, bringing the total count to 15.  Having noted that here for you is Phil’s Picks 2016 Top 10 new albums.

 

PHIL’S PICKS 2016 TOP 10 NEW ALBUMS

 

  1. Michael Franti & SpearheadSoulrocker

 

  1. Santana IV

 

  1. Joe BonamassaBlues of Desperation

 

  1. YellowjacketsCohearance

 

  1. FoghatUnder The Influence

 

  1. The Okee Dokee BrothersSaddle Up

 

  1. Songs of the Night: Dance Recordings by the Joseph C. Smith Orchestra 1916 – 1925

 

  1. Marian HillAct I

 

  1. Love and a .38Nomad

 

  1. Red Hot Chili PeppersThe Getaway

 

  1. Rich RobinsonFlux

 

  1. Charles Lloyd and the MarvelsI Long To See You

 

  1. Logan Richardson Shift

 

  1. Tedeschi Trucks BandLet Me Get By

 

  1. Mountain HeartBlue Sky

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.