Eagle Rock Entertainment Announces Release Date, Specs For John Lee Hooker Concerts Set

Courtesy: Eagle Rock Entertainment/Montreux Sounds

Eagle Rock Entertainment will take audiences back to the famed Montreux Jazz Festival again next month.

The company is scheduled to release John Lee Hooker Live at Montreux 1983 & 1990 on Nov. 6.  The presentation will release on separate 2LP, digital video & digital audio platforms.  The 1983 set features fan favorites, such as ‘Boogie Chillen,’ ‘Boom Boom,’ and ‘Worried Life Blues’ while his 1990 show featured ‘I’m In The Mood,’ ‘Baby Lee’ and ‘The Healer’ as well as another rendition of ‘Boom Boom’ and ‘Boogie Chillen.’

On a side note, Eagle Rock Entertainment’s recent live recording from The Rolling Stones, Steel Wheels Live also featured Hooker performing ‘Boogie Chillen’ alongside Mick Jagger and company.  The recording is available now.

Hooker was joined by the Coast to Coast Band for each of the featured performances.  The 1983 show saw the group’s performance of ‘Boogie Chillen’ expand to a 13-person jam session that featured performances from famed blues figures, such as guitarist Luther Allison and harmonica great Sugar Blue.

The track listing for the recording is noted below.  Pre-orders are open now.  A trailer for the recording is streaming here.

LIVE AT MONTREUX 1983 – LP 1
SIDE ONE
1. It Serves Me Right To Suffer
2. I Didn’t Know
3. Hi-Heel Sneakers
4. If You Take Care Of Me, I’ll Take Care Of You
5. Boom Boom

SIDE TWO
1. Worried Life Blues
2. I’m Jealous
3. Crawlin’ King Snake
4. Boogie Chillen

LIVE AT MONTREUX 1990 – LP 2
SIDE THREE
1. John Lee Hooker Introduction
2. Mabel
3. I’m In The Mood
4. Crawlin’ King Snake
5. Baby Lee

SIDE FOUR
1. It Serves Me Right To Suffer
2. Boom Boom
3. The Healer
4. Boogie Chillen’

More information on John Lee Hooker Live at Montreux 1983 & 1990 is available along with all of the latest John Lee Hooker news at:

 

Website: http://www.johnleehooker.com

Facebook: http://www.facebook.com/JohnLeeHookerOfficial

Twitter: http://twitter.com/johnleehooker

 

More information on this and other titles from Eagle Rock Entertainment is available at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Rolling Stones’ Latest Live Recording Is As Solid As Steel

Courtesy: Eagle Rock Entertainment

The true greatest rock band in the world returned this week with another new archived live recording.  The band in question is The Rolling Stones and the recording in question is one of its three December 1989 concerts in Atlantic City, NJ in support of its then new album Steel Wheels.  The performance was part of the band’s “Steel Wheels/Urban Jungle” tour, which was the band’s first American tour since 1981.  The recording is another presentation that will appeal to The Rolling Stones’ fans just as much as rock fans in general just as much as the multitude of previous live recordings.  That count is almost at 20 counting (not counting this recording) if not right at said figure.  The main reason that audiences will appreciate the recording so much is its extensive set list. The list, which runs approximately two-and-a-half hours in length, will be discussed shortly.  The band’s performance thereof adds to the enjoyment in its own way.  This will be addressed a little later.  The recording’s production values round put the finishing touch to its presentation.  When it is considered along with the set list and the band’s performance, the elements collectively make the recording another welcome way to beat the live music blues this and any year.

The Rolling Stones’ latest live recording is another fully immersive, enjoyable presentation for the band’s most devoted fans and rock fans in general.  In an age when live music has been relegated to watching concerts online, this offering from the greatest rock band in the world is its own welcome offering and alternative to being glued to a computer or phone screen.  That is proven in part through the recording’s extensive set list.  The 28-song set list spans a run time of approximately two-and-a-half hours.  It takes audiences all the way back to 1965 and the band’s fourth album Out Of Our Heads and all the way up to its then most recent album, 1989’s Steel Wheels.  Given, not every album in-between is represented in the set list, but in comparison to the set lists featured in the band’s past live recordings, audiences do get some songs not featured in those presentations.  The band’s five nods to Steel Wheels are themselves works that have rarely if ever been featured in the noted previous live presentations.  The band’s cover of Bob & Earl’s ‘Harlem Shuffle’ and its performance of its own single ‘Undercover of the Night’ (from 1983) are in themselves live rarities.  So audiences have all of that to enjoy.  Along with the noted songs, audiences also get more familiar songs, such as ‘Honky Tonk Women,’ ‘Jumpin’ Jack Flash,’ and ‘Tumblin’ Dice’ among others.  As if all of that is not enough, the band also pulls ‘2,000 Light Years From Home,’ ‘Happy,’ and ‘Salt of the Earth’ as some semi-rare works from its catalog.  Also making this set list so enjoyable are guest appearances from blues legend John Lee Hooker, who joins the band for a performance of his own hit song ‘Boogie Chillen’ and a guest appearance by fellow blues legend Eric Clapton on that song and ‘Little Red Rooster.’

The set list in itself does a lot to make Steel Wheels Live appealing to audiences.  The set list proves itself even more critical to the recording’s presentation in that it is the exact same in the recording’s DVD, CD, digital and vinyl platforms.  In other words, audiences get the same presentation from one platform to the next.  This is important to note because even today, there are some acts out there whose live recordings vary across platforms.  So to have the same thing from one platform to the next makes the set list that much more important to the recording.

Additionally, the set list’s sequencing plays its own part to the recording’s presentation.  From the show’s opening up until the band takes on ‘Terrifying,’ the show’s energy remains relatively high.  It is not until the noted point that the band pulls things back.  The noted relaxation lasts only momentarily.  After that song and ‘Salt of the Earth,’ which features a guest appearance by Guns N’ Roses members Axl Rose and Izzy Stradlin, the show’s energy picks back up.  Their performance alongside Mick Jagger and company will be addressed a little later.  ‘Honky Tonk Women’ slows things down again, but still manages to keep the concert’s energy flowing solidly thanks to its swagger.  The same can be said of ‘Midnight Rambler,’ too.  That song comes immediately after ‘Honky Tonk Women.’  From that point on, the show’s energy rises and falls in all of the right points and ways, showing without question the amount of time and thought that went into assembling the set list.  That effort paid off, too.  When this aspect is considered along with the set list’s presentation across the recording’s platforms and its breadth and depth, those elements collectively make the set list the most important aspect of this recording.  It builds a solid foundation for the recording’s presentation on which the band’s performance rests easily.

The Rolling Stones’ performance of Steel Wheels Live’s set list is important to note because it does its own part to keep audiences engaged and entertained.  Those audiences who are familiar with the band’s live show style already has an expected standard from the band.  Those audiences will be glad to know that the band lives up to that expectation here just as much as in the band’s past performances.  Front man Mick Jagger is just as confident as ever as he struts his way across the stage and sings.  That swagger is on full display just as much.  Guitarists Keith Richards and Ronnie Wood keep the energy moving along with drummer Charlie Watts, the trio’s work just as engaging as ever in its own right.  Wood and Richards’ prowess on their instruments makes one forget the woes of the world, especially as they make their way through the blues classic ‘Little Red Rooster’ alongside Eric Clapton.  The group’s performance is just as solid as it supports Rose and Stradlin in the collective’s performance of ‘Salt of the Earth.’  On a similar note, viewers will be pleased to see that Rose shares the stage with Jagger and company in that performance rather than trying to steal the spotlight.  It shows that he knows he and Stradlin are the guests here, not the stars.  Even when he gets the spotlight in ‘Cant’ Be Seen,’ Richards shows once again, his talent as a performer and not just a guitarist.  He and the band’s longtime backing vocalists make for so much enjoyment and engagement in their own way.  Between that aspect and the rest of the presentation in the concert, the band’s performance in whole makes for a wonderful experience.  It builds on the foundation formed by the show’s set list to make the recording even more enjoyable.  When the two elements are considered together, they give audiences even more reason to take in this concert.  They are still only a portion of what makes the recording so impressive.  Its production puts the finishing touch to its presentation.

Just as with all of The Rolling Stones’ past live recordings released through Eagle Rock Entertainment, the production here gives home viewers the best seat in the house.  When the cameras go out beyond the sea of people, audiences get a full picture of just how many people attended the concert, and the sheer immensity of the band’s stage setup.  The on-stage footage immerses audiences into the performance even more as it takes viewers along for the ride up close with the band.  The transitions from shot to shot throughout and the sound enrich the experience even more.  From a more relaxed moment, such as in ‘Sympathy for the Devil to the more fiery cover of ‘Harlem Shuffle’ and everywhere else, the guitars and vocals are so well-balanced with Watts’ time keeping and the work of the band’s fellow musicians.  Each performer gets an equal share of time in the limelight.  Considering that and the smooth camera transitions, no doubt is left about the impact of the concert’s production.  When this is considered along with the band’s performance and the concert’s set list, the whole of these elements makes Steel Wheels Live a presentation that is another welcome addition to The Rolling Stones and Eagle Rock Entertainment’s ongoing series of live recordings from the band.

Eagle Rock Entertainment and The Rolling Stones’ latest live recording Steel Wheels Live is yet another welcome addition to the two sides’ ongoing series of live recordings.  That is proven in part through the recording’s expansive set list.  The set list runs 26 songs deep and spans a run time of two-and-a-half hours.  Given, it is not a career-spanning set even for its time, but does still present a relatively clear cross section of the band’s catalog up to that point.  The band’s performance of the featured set list is everything that audiences have come to expect from The Rolling Stones.  The swagger and the energy is there from beginning to end.  The concert’s production values play their own part to the recording’s presentation.  Each noted item is important in its own way to the whole of this presentation.  All things considered, they make the recording as solid as steel.  Steel Wheels Live is available now.

More information on Steel Wheels Live is available along with all of its latest news at:

 

Websitehttp://www.rollingstones.com

Facebookhttp://www.facebook.com/therollingstones

Twitterhttp://twitter.com/RollingStones

 

Eagle Rock Entertainment’s latest news is available online at:

 

Websitehttp://www.eagle-rock.com

Facebookhttp://www.facebook.com/EagleRockEnt

Twitterhttp://twitter.com/EagleRockNews

 

To keep up with the latest news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Ace Frehley’s New Record Is The Exception To The Rule About Covers Compilations

Courtesy: eOne

Covers collections are a dime a dozen.  From one genre within the bigger musical universe to the next, they are overly abundant offerings.  There is no denying that in the bigger picture of things, covers collections are little more than space fillers used by acts for the purpose of fulfilling contractual obligations between new albums.  Many of those albums are that and little more.  However, every now and then at least one rarity rises above the rest to do at least a little more, and actually show some value.  Ace Frehley’s latest covers compilation is one of those rarities.  Released Friday through eOne, the 12-song record stands out in part because of its featured covers.  This will be discussed shortly.  The performances of the songs play their own part in the album’s presentation and will be discussed a little later.  The production that went into the record rounds out its most important elements and will be addressed later, too.  Each noted item is important in its own right to the whole of the collection.  All things considered, they make Frehley’s latest space filler a work that will appeal to plenty of classic rock fans.

Ace Frehley’s latest covers compilation, released Friday through eOne, is an interesting addition to this year’s field of new space fillers.  That is because unlike its counterparts, it actually proves itself to actually be worth at least some value.  That is due in part to the record’s featured songs.  While there are some notable works featured in the record from some very well-known bands, there are also some lesser-known deep cuts from those bands, too.  Mountain’s ‘Never in my Life’ is an example of one of those deep cuts.  The band is well-known, and while Climbing!, the album in which the song is featured, is considered a hit for Mountain, the song itself was never considered to be one of the album’s biggest hits.  ‘I’m Down,’ which was a b-side to The Beatles’ hit song ‘Help!,’ is another example of Frehley including a lesser-known work from a big name band in this record.  Cream’s ‘Politician’ is yet another example of the noted lesser-known songs featuring in this record.  While the album in which the song is featured – Wheels of Fire – is the world’s first platinum-selling double album, the song was never used as a single.  To that end, it is more of a deep cut.

On the other end of the spectrum, works, such as The Rolling Stones’ ‘Jumpin’ Jack Flash,’ The Jimi Hendrix Experience’s ‘Manic Depression’ and Deep Purple’s ‘Space Truckin’’ (whose lyrics Frehley changes slightly here when he sings, “we’re space ace truckin’) are examples of the more well-known works featured in the album.  Between these songs and the lesser-known pieces is in reality a little bit of a rock music history lesson.  Audiences get to learn about some big name bands (I.E. The Rolling Stones, Deep Purple, Led Zeppelin) and those who were more mid-level (Mountain, Paul Revere & The Raiders) while also getting a starting point on discussions on the acts and their catalogs.  What’s more, being that those lesser-known works are rarely if ever played on corporate terrestrial radio and are just as rarely presented in other acts’ covers compilations, their inclusion adds to their importance.  Keeping all of this in mind, the compilation’s featured songs actually prove at least some value to its presentation.

While the songs featured in Frehley’s new covers set present at least some value, the performances of said songs plays just as much importance if not more.  That is because while Frehley and his fellow musicians do stay at least somewhat true to their source material throughout the record, they  also give the songs a new updated sound.  Case in point is the group’s performance of The Rolling Stones’ hit song ‘Jumpin’ Jack Flash.’  The Rolling Stones’ original composition is energetic in its own right, and the band’s live performances of the song step things up in the song even more.  Frehley and company’s version here however really amps things up.  Ronnie Wood and Keith Richards’ guitars are replaced in this case by that of Frehley and guitar goddess Lita Ford.  The duo also takes on Mick Jagger’s vocals jointly and definitely take things collectively in a whole new direction.  It should be noted that Ford does drop some f-bombs here, so some listener discretion is advised.  Honestly, its disappointing that Ford would work blue here since the original song did not need any foul language in order to be enjoyable.  Charlie Watts’ steady, subtle time keeping has even been replaced by an equally heavy drum line here.  Simply put, the performance in whole does stay true to the source material in terms of sound, but in terms of style it is a completely different song.  So that is certain to generate its own share of interest and discussion among listeners.

The group’s take on The Animals’ ‘We Gotta Get Outta Here’ is another example of the importance of the performances of the featured songs here.  The Animals’ original rendition of the song was grounded in its bass line and vocals.  In the case of Frehley and company’s take on the song, Frehley takes on the bass line, using the guitar instead for that famous line.  Between that, the semi-operatic vocal delivery and the bombastic drumming, the whole of the song takes on a distinctly 80s hair metal vibe that echoe the sounds of KISS (no surprise there) instead of presenting the song in its more subdued original presentation.  At the same time, considering that the song’s lyrical content focuses on a relationship matter and “needing to get out of this place,” the song’s energy in this presentation does seem to work in its own right.  To that end, it is sure to generate its own share of interest and engagement.

On another hand, the performance of The Beatles’ I’m Down’ stays almost true stylistically to its source material.  Yes, it’s amped up compared to the original, but compared to let’s say The Beatles’ performance on The Ed Sullivan Show, this performance actually echoes that performance relatively well, even despite being so amped up.  As a matter of fact, this performance is actually a step up from the Beatles’ original song.  That is not to say that The Beatles’ original is bad by any means.  That should not be misconstrued.  Rather, Frehley and company took a song that was great to begin with and stepped it up, improving upon it even more.  Between this performance, the others noted here and the rest of the collection’s performances, it can be said that the performances pose their own importance to the record’s presentation just as much as the songs themselves.  The performances are just one more part of what makes the collection worth hearing, too.  Its production rounds out its most important elements.

The production of Origins Volume 2 is important to note for the very reason that has already been raised in examining the performance of the record’s featured songs:  the performances take the original songs from decades ago and really amp them up.  This is important because in so many of the songs, there is a lot more going on than in these works than the originals.  In other words, there is more need to balance all of the elements to ensure each song presents the fullest performance.  Those behind the record’s production are to be applauded for their efforts, too.  For all that is going on in each song, the guitars, bass, vocals, and drums are quite well balanced.  The energy is transmitted just as well because of that expert work that went into balancing each element within each song.  The end result is an album that works just as well for its aesthetics as for its content.  When this is considered along with the record’s content and the performances therein, the result is a covers collection that while it is a covers set, actually proves itself worth hearing at least once if not more.

Ace Frehley’s new covers compilation Origins Volume 2 is an interesting follow-up to his 2016 set Origins Volume 1.  That is due in part to its featured songs.  The songs are a balance of well-known works and deep cuts.  They and the bands that performed them can actually serve as a starting point on discussions about rock’s modern history.  That is actually a positive in its own right.  The performances of the featured songs is important to this record because they stay true to their source material in terms of sound, but stylistically, they clearly show Frehley’s own influence, what with the overly bombastic nature of each performance.  That is certain to generate its own share of discussion among audiences.  The record’s production puts the finishing touch to its presentation.  That is because it ensures for all of the elements going on in each song, those elements are well-balanced, making the record just as worth hearing for this aesthetic element as for its content.  Each item noted here is important in its own way to the whole of the album.  All things considered, they make the compilation a presentation that is the exception to the rule for covers compilations.  It is available now.  More information on the set is available along with all of Ace Frehley’s latest news at:

Websitehttp://www.acefrehley.com

Facebookhttp://www.facebook.com/officialacefrehley

Twitterhttp://twitter.com/Ace_Frehley

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment’s New Ronnie Wood Documentary Makes Its Virtual Debut This Weekend

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment’s new Ronnie Wood documentary debuts Friday.

Somebody Up There Likes Me is scheduled for digital release Sept. 18 and on Oct. 9 on DVD, Blu-ray and limited edition deluxe hardback book.  Pre-orders for the bio’s physical release are open now.

Tickets for the bio’s streaming premiere are $11. They are available here.  Audiences who purchase a ticket to the Sept. 18 streaming premiere will also get to take part in a question and answer session with Wood and the biography’s director, Mike Figgis.

Wood’s story — which was an official selection of the 2019 BFI London Film Festival and 2020 Tribeca Film Festival — is told in his new biography through interviews with himself, his band mates in The Rolling Stones — Mick Jagger, Keith Richards, and Charlie Watts — as well as his Faces band mate, Rod Stewart, Wood’s wife Sally, singer Imelda May, and artist Damien Hirst.

Along with the interviews, the bio also features intimate performances by Wood, an video of Wood at work in his own home art studio.  The whole thing reaches its peak with a performance of ‘Breathe On Me’ by Wood from his 1975 solo album New Look.

The trailer for Wood’s new bio is streaming here.

More information on Somebody Up There Likes Me is available along with all of Ronnie Wood’s latest news at:

 

Websitehttp://www.ronniewood.com

Facebookhttp://www.facebook.com/officialronnie

Twitterhttp://twitter.com/ronniewood

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Announces Digital, Home Release Dates For New Ronnie Wood Bio

Courtesy: Eagle Rock Entertainment/Eagle Vision

The Rolling Stones guitarist Ronnie Wood has partnered with Eagle Rock Entertainment to release a new autobiography.

Somebody Up There Likes Me is scheduled for digital release Sept. 18 and on Oct. 9 on DVD, Blu-ray and limited edition deluxe hardback book.  Pre-orders for the bio’s physical release are open now.

Tickets for the bio’s streaming premiere are $11. They are available here.  Audiences who purchase a ticket to the Sept. 18 streaming premiere will also get to take part in a question and answer session with Wood and the biography’s director, Mike Figgis.

Wood’s story — which was an official selection of the 2019 BFI London Film Festival and 2020 Tribeca Film Festival — is told in his new biography through interviews with himself, his band mates in The Rolling Stones — Mick Jagger, Keith Richards, and Charlie Watts — as well as his Faces band mate, Rod Stewart, Wood’s wife Sally, singer Imelda May, and artist Damien Hirst.

Along with the interviews, the bio also features intimate performances by Wood, an video of Wood at work in his own home art studio.  The whole thing reaches its peak with a performance of ‘Breathe On Me’ by Wood from his 1975 solo album New Look.

The trailer for Wood’s new bio is streaming here.

More information on Somebody Up There Likes Me is available along with all of Ronnie Wood’s latest news at:

 

Website: http://www.ronniewood.com

Facebook: http://www.facebook.com/officialronnie

Twitter: http://twitter.com/ronniewood

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Patrick Ames Debuts New Single, ‘You Make Me Scream’

Courtesy: Independent Music Promotions

Independent singer-songwriter Patrick Ames released his latest single this month.

Ames debuted his new single ‘You Make Me Scream’ Aug. 19.  The song is founded in a light, flowing arrangement that will appeal to fans of The Rolling Stones.  The subtle use of the vocals, bass, drums, ad guitar give the arrangement that familiar swagger.  the digitized vocal effect adds even more of a touch to the composition.

The song’s lyrical theme echoes the swagger in the musical arrangement.  It presents something of a double entendre as Ames sings again, “You make me scream.”

Ames talked about the song’s lyrical content in liner notes that come with the single.

“At one early point in the song writing process, I had “You make me scream, democracy” and the whole point was that democracy is exasperating,” he wrote. “But the symbiosis between systems of government and funk music just didn’t jive, so I went back to “so tenderly” instead of “democracy”. And that’s as close to serious that I got.”

“’You Make Me Scream (YMMS)’ is dance music,” added Ames. “After a year writing serious songs and protest songs about our country and the politics, and experimenting around on the edge of folk and other genres, I just wanted to dance. And in the middle of the Pandemic, after months of quarantines and isolation, I wanted to dance. I usually write songs beginning with one guitar riff and one vocal riff, and then place them together. YMMS was the vocal riff and it pretty much starts and stops there. With only 9 words in the entire dance song: “You make me xxx, so tenderly”, I’m more proud that I didn’t use “Baby” anywhere.”

More information on Patrick Ames’ new single is available along with all of his latest news at:

 

Website: http://patrickames.com

Facebook: http://www.facebook.com/2patrickames

Twitter: http://twitter.com/patrickames

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Announces Release Date, Specs For Latest Rolling Stones Concert Recording

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment is bringing audiences another archived concert from The Rolling Stones.

The company is scheduled to release Steel Wheel Live Sept. 25 on a variety of platforms.  The 150-minute (two-and-a-half hours) concert featured in the recording was captured at one of three concerts the the band held in December 1989 in Atlantic City, NJ.  The concerts, held Dec. 17, 19, and 20, closed out the North American leg of the band’s “Steel Wheels/Urban Jungle Tour.”  That run was the band’s first in the U.S. since 1981.

The performance featured guest appearances from Eric Clapton, Guns N’ Roses front man Axl Rose and his band mate Izzy Stradlin.  Clapton joined The Rolling Stones for a performance of ‘Little Red Rooster’ while John Lee Hooker joins the band for a performance of his tune ‘Boogie Chillen.’  Rose and Stradlin meanwhile join the band for its performance of ‘Salt of the Earth,’ which is featured in the band’s 1968 album Beggar’s Banquet.

Other songs featured in the concert’s extensive set list are works, such as ‘Terrifying,’ ‘Sad, Sad, Sad,’ and ‘Mixed Emotions.’  It also features even some of the band’s most well-known and beloved hits, such as ‘Jumpin’ Jack Flash,’ ‘Gimme Shelter,’ and ‘You Can’t Always Get What You Want.’

The concert’s 28-song set list is presented in the same order on the recording’s DVD/2CD and SD Blu-ray/2CD platforms, meaning audiences will all get the same presentation regardless of which platform they choose.

Even more devoted fans can get the recording in a limited edition expanded six-disc collection that features the Steel Wheels Live DVD, SD Blu-ray, double disc CD presentation as well as a bonus DVD featuring one of the band’s performances from its 10-night stretch at the Tokyo dome and a bonus CD featuring performances that the band recorded during stops in Toronto and London.  All of the performances were also part of the band’s “Steel Wheels/Urban Jungle” tour.

Along with the DVD, Blu-ray and CD presentations, Steel Wheels Live is also expected for release on a 4LP vinyl set.

The set lists for the shows are noted below.  Pre-orders are open now.  A trailer for the concert is streaming here.

Courtesy: Eagle Rock Entertainment

 

 

Courtesy: Eagle Rock Entertainment

 

More information on the band’s upcoming recording is available along with all of its latest news at:

 

Websitehttp://www.rollingstones.com

Facebookhttp://www.facebook.com/therollingstones

Twitterhttp://twitter.com/RollingStones

 

Eagle Rock Entertainment’s latest news is available online at:

 

Websitehttp://www.eagle-rock.com

Facebookhttp://www.facebook.com/EagleRockEnt

Twitterhttp://twitter.com/EagleRockNews

 

To keep up with the latest news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Rolling Stones To Launch New Live Streaming Series Sunday

Courtesy: Eagle Rock Entertainment

The Rolling Stones is doing its part to fill the void of live music left by the impact of the COVID-19 outbreak.

The band announced Friday, it will present a new series of special performances through YouTube starting at 3 p.m. ET Sunday.  The six-part performance series, dubbed “Extra Licks,” is part of YouTube’s #StayHome campaign.  Each performance is composed of bonus material from some of the band’s previous live performances, such as from its 1994 Voodoo Lounge Tour and its 2016 Latin American Ole! Tour.  The bonus performances will stream through The Rolling Stones’ official YouTube channel.

The announcement  of the series’ premiere comes a week after the band debut its new single ‘Living in a Ghost Town‘ through its official YouTube channel.  The song featured the band’s members — Mick Jagger, Ronnie Wood, Keith Richards and Charlie Watts — performing the single in separate locations in London and Los Angeles.

trailer for the new series is streaming now through the band’s official YouTube channel.  The Rolling Stones’ new performance series is taking place through a partnership between Eagle Rock Entertainment and The Rolling Stones.

More information on the band’s upcoming series is available online at:

 

Websitehttp://www.rollingstones.com

Facebookhttp://www.facebook.com/therollingstones

Twitterhttp://twitter.com/RollingStones

 

Eagle Rock Entertainment’s latest news is available online at:

 

Websitehttp://www.eagle-rock.com

Facebookhttp://www.facebook.com/EagleRockEnt

Twitterhttp://twitter.com/EagleRockNews

 

To keep up with the latest news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Bridges To Buenos Aires’ Continues To Show Why The Rolling Stones Is One Of Rock’s Elite Acts

Courtesy: Eagle Rock Entertainment

The live recordings keep coming from The Rolling Stones.  Early this month, the band released another concert from its Bridges to Babylon Tour in the form of Bridges To Buenos Aires.  Originally recorded April 5, 1998 at the River Plate Stadium, the 22-song set is yet another enjoyable addition to the home library of any fan of The Rolling Stones.  That is due in part to the show’s set list.  The band’s performance thereof plays its own critical role in the show’s presentation.  The companion booklet that comes with the recording rounds out its most important elements.  Each item noted is key in its own way to the whole of this recording.  All things considered, they make the recording in whole yet another welcome addition to The Rolling Stones’ ongoing series of live recordings.

The Rolling Stones’ latest addition to its ongoing series of live recordings is yet another presentation that audiences will openly welcome into their libraries.  That is due in part to the concert’s set list.  The 22-song set list features many of the same songs featured in the band’s performance from its Bridges To Bremen show, with a handful of changes.  Once again, the band reaches back in its catalog, reaching as far back as 1967.  Fan favorites, such as ‘Start Me Up, ‘It’s Only Rock ‘n’ Roll (But I Like It)’ and ‘Gimme Shelter’ are all featured in this collection.  Others, such as ‘Memory Motel,’ ‘Anybody Seen My Baby’ and ‘Paint It Black’ are replaced here with ‘Sister Morphine,’ ‘When The Whip Comes Down’ and ‘Little Queenie,’ which reaches back to the band’s 1970 album Get Yer Ya-Ya’s Out.  The rest of the show’s set list in this concert is the same as that featured in Bridges To Bremen.  For those audiences who do not already own Bridges To Bremen, the expansive set list presents audiences with a rich presentation of the band’s catalog.  Along with that rarely represented album – Get Yer Ya-Ya’s Out – the set list also gives nods to the band’s 1969 album Let It Bleed, its 1967 album Between The Buttons and its 1968 album Beggar’s Banquet as well as Bridges To Babylon, on the back of which the band was touring at the time.  Simply put, the set list featured in this collection will appeal to audiences who already own any of the band’s previously released live recordings (released through Eagle Rock Entertainment) and those who might not own said recordings.  It is just one of the recording’s positives.  The band’s performance of the set list plays its own important part to the whole of the recording.

The band’s performance of the concert’s set list is notable because it shows the band as a unit, at the time, that was still at the top of its game, even more than three decades into its life.  The band’s performance of ‘Little Queenie’ is one example of that high level of entertainment.  The swagger exhibited by the band as it makes its way across the hydraulic bridge and energy in its performance is commendable to say the least.  Even as something is thrown at him, front man Mick Jagger doesn’t bat even an eyelash.  He just keeps going, not missing a beat or even giving recognition to whichever audience member threw the unidentified item at him.  Drummer Charlie Watts, decked out in his soccer jersey and guitarists Ronnie Wood and Keith Richards make their way around the band’s second stage with the ease of much younger performers, showing they are right in step with their younger counterparts.  The band members’ energy in the show’s opener – ‘(I Can’t Get No) Satisfaction’ — provides just as much show of energy from the band as any other performance from the group.  Jagger struts his way across the stage, giving his full energy and attention to the audience and song at the same time.  Meanwhile Richards and Wood keep such a cool demeanor as they make their way through the song alongside Watts.  Much the same can be said of the band’s performance of ‘Jumpin’ Jack Flash.’  It shows this band even at that point, held its own easily against every one of its younger up-and-coming counterparts, proving once more why it is one of the elite acts in the rock and music community in general.   Between these performances and those of the rest of the shows set, the whole of the band’s performance gives audiences just as much to appreciate here as the set list itself.  It is just one more part of what makes the recording so enjoyable.  The companion booklet that comes with the recording rounds out its most important elements.

The companion booklet that comes with Bridges To Buenos Aires features liner notes composed by Journalist Paul Sexton.  Sexton paints a vivid picture of the concert contained in the presentation’s Blu-ray through his words. He writes in part about the band’s performance of ‘Flip The Switch,’ noting that it “offered the first cameo for now much-missed saxophonist mainstay Bobby Keys.”  He adds later of the performance of ‘Gimme Shelter,’ that vocalist Lisa Fischer’s performance is just as powerful as ever.  There is even mention of Bob Dylan’s surprise guest appearance for the band’s take on his timeless classic ‘Like A Rolling Stone’ in Sexton’s liner notes.  He writes in part here, “Bob’s [Dylan] customarily approximate vocal style certainly kept Mick on on his toes, but the bonhomie of the moment gave further warmth to a set that was growing ever more fierce and forceful.”  Here again is more proof of the power of Sexton’s description of the show, proving even more, the importance of his preview of the concert.  Sexton has much more to add about the concert, but that will be left for audience to discover for themselves.  Between the rest of the notes not discussed here and those items addressed, it goes without saying that Sexton’s notes are recommended to be taken in prior to taking in the concert itself.  Keeping this in mind, the importance of the recording’s liner notes couples with the power of the band’s performance and the importance of the show’s set list to make the recording in whole, yet another positive addition to The Rolling Stones’ ongoing live releases series, and a presentation that any fan of The Rolling Stones will welcome into his or her music library.

The Rolling Stones’ latest addition to its ongoing series of live recordings, Bridges To Buenos Aires is another wonderfully entertaining presentation from the band and Eagle Rock Entertainment.  It is a work that continues to prove why The Rolling Stones remains more than half a century into its existence, one of the rock (and music) community’s elite acts.  That is evidenced partly through the show’s set list.  The band’s performance thereof plays just as much into supporting the noted statements.  The liner notes featured in the recording’s companion booklet does just as much as the set and its performance to show the strength of the recording.  Each item noted here is important in its own way.  All things considered, they make Bridges To Buenos Aires another recording that builds and maintains the band’s bridges to its audiences.  It is available now.  More information on this and other titles from The Rolling Stones is available online now at:

 

 

 

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Announces ‘Bridges To Buenos Aires’ Release Date

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release another concert from The Rolling Stones’ “Bridges To Babylon Tour” this fall.

Bridges To Buenos Aires is scheduled for release Nov. 8.  Originally recorded on April 8, 1998, the concert was the last of a five-show sell-out run at the River Plate Stadium in Argentina’s capital city.  The never-before-released two-hour, 22-song set features many of the band’s most beloved songs, such as ‘Honky Tonk Women,’ ‘(I Can’t Get No) Satisfaction’ and ‘You Got Me Rocking’ and well as some of the band’s lesser-known songs, such as ‘Little Queenie,’ ‘When The Whip Comes Down’ and ‘Sister Morphine.’  Fellow music legend Bob Dylan makes a special appearance during the band’s performance of ‘Like A Rolling Stone,’ too.

The full track listing for Bridges to Buenos Aries is noted below.

Courtesy: Eagle Rock Entertainment

Bridges to Bueno Aires will be available on DVD/2CD, Blu-ray/2CDdigital video, limited edition blue translucent 180-gram triple vinyl and digital audio.  Pre-orders for the recording are open now.  A trailer for the recording is streaming online now here.

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

More information on Bridges to Buenos Aires is available online now along with all of The Rolling Stones’ latest news and more at:

 

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.