Sherman’s Studio’ “Concert” Is A Performance Of A Lifetime

Courtesy: PBS/Public Media Distribution

This year was another strong one for live recordings.  Between recordings released in bundles and those released either as standalone CDs or DVDs/BDs, the recordings that serve audiences who might have otherwise not been able to take in a live show, proved on both fronts to be largely solid offerings.  Given, there were some disappointments including Jane’s Addiction’s latest live recording Alive at Twenty-Five and the archived Les Paul tribute concert Live From Universal Studios Hollywood.  For the most part though, this year’s field of new live recordings — both on CD and DVD/BD — has proven to be quite impressive as has already been noted in the previous live recordings lists.  Keeping that in mind, it is only fair, having noted the best live CDs and best new live DVDs and Blu-rays to present one list of the year’s best new overall live recordings.

This year’s best overall live recordings pull from both audio and audio-visual fields, proving that recordings can be enjoyable in both arenas.  Topping this year’s list of best live overall recordings is PBS’ in studio “concert” from Richard Sherman, one half of the famed Sherman Brothers creative team, Songs of A Lifetime.  Slipknot’s new live recording Day of the Gusano is on this list, too thanks to the combined impact of its CD and Blu-ray presentation.  Of course while Alter Bridge, Jon Cleary and Experience Hendrix, LLC all released new recordings that were CD only, they deserve their own spot on the overall list.  Eagles of Death Metal’s new live recording Live at the Olympia Paris also deserves to be on that list along with The Rolling Stones’ new From The Vault offering Sticky Fingers Live at the Fonda Theatre 2015 — again because of the overall impact of its audio and audio/visual sides.  It’s just one more on that list.

As with every previous list, this entry offers this critic’s 10 best new titles in the category along with five additional honorable mention titles for a total of 15 titles.  Enough rambling.  Without any further ado, here for your consideration is Phil’s Picks 2017 Top 10 New Live Recordings.

PHIL’S PICKS 2017 TOP 10 NEW LIVE RECORDINGS

  1. Richard ShermanSongs of a Lifetime
  2. Slipknot — Day of the Gusano
  3. Mumford & Sons — Live in South Africa
  4. Between The Buried & Me — Coma Ecliptic Live
  5. Jon Cleary — Live at Chickie Wah Wah
  6. Curtis Knight presents Jimi Hendrix — Live at George’s Club 1965 & 1966
  7. Eagles of Death Metal — Live at Olympia Paris
  8. The Rolling Stones — From The VaultSticky Fingers Live at The Fonda Theatre 2015
  9. Foghat — Live at the Belly Up
  10. Black Sabbath — The End
  11. Jeff Beck — Live at the Hollywood Bowl
  12. The Who — Live at the Isle of Wight 2014
  13. The Winery Dogs — Dog Years — Live at Santiago & Beyond 2013 – 2016
  14. The Who — Tommy Live at Royal Albert Hall
  15. The Dead Daisies — Live & Louder

That’s it finally for the live recordings categories.  Up next will be the year’s top new albums overall.  It’s going to be an interesting list, needless to say as it may well change before it even gets posted up in the next day or so, so stay tuned!  Also on the way is a handful of lists for the year’s new DVD and Blu-ray titles including box sets for families and for grown-ups as well as family DVDs and Blu-rays.  Stay tuned!

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

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PBS’ Richard Sherman Studio “Concert” Hits All The Right Notes For Phil’s Picks’ 2017 Top 10 New Live DVDs/BDs List

Courtesy: PBS/Public Media Distribution

Experiencing a live performance by one’s favorite acts is a special experience.  The sights and sounds — from the performance itself to the enjoyment and excitement experienced alongside other fans — come together to make the live experience something almost as magical as it is memorable.  Of course it’s not always that easy to have that experience because of work, family or maybe other items.  Enter the live DVD and Blu-ray.  These recordings are pivotal for audiences the world over because people don’t always get to see their favorite acts.  They also often prove to give audiences an experience that is at least slightly different from that offered in their CD counterparts.  Keeping that in mind, it is fully justifiable for critics to present lists of the year’s top new live DVDs and Blu-rays as well as live CDs.  That is exactly what this critic is doing here.

This year, as with so many years past, Eagle Rock Entertainment has proven to have the majority of the year’s top new live DVDs and Blu-rays, once again proving why it is the leader in live recordings.  Of course it is not the only label represented in this critic’s list this year.  Live recordings from The Winery Dogs, The Dead Daisies, and even famed songwriter Richard Sherman (one half of the famed Sherman Brothers creative team) are all on the list, too alongside new material from Between The Buried and Me and Michael Schenker.  Those noted recordings are all from other labels.  In other words, this year saw a healthy range of new live DVDs and Blu-rays.  With that in mind, here for your consideration is Phil’s Picks’ 2017 Top 10 New Live DVDs and Blu-rays.  As always, the list includes this critic’s Top 10 choices as well as five additional honorable mention titles, for a total of 15 titles.  Let’s go!

PHIL’S PICKS 2017 TOP 10 NEW LIVE DVDS/BDs

  1. Richard ShermanSongs of a Lifetime
  2. Tedeschi Trucks Band — Live From The Fox Oakland
  3. Slipknot — Day of the Gusano
  4. Mumford & Sons — Live From South Africa
  5. Between The Buried and Me — Coma Ecliptic
  6. Black Sabbath — The End
  7. Jeff Beck — Live at the Hollywood Bowl
  8. The Rolling Stones — Sticky Fingers Live at the Fonda Theatre 2015
  9. The Who — Tommy Live at the Royal Albert Hall
  10. The Winery Dogs — Dog YearsLive in Santiago and Beyond 2013 – 2016
  11. Eagles of Death Metal — I Love You All The Time — Live at the Olympia Paris
  12. Sting — Live at the Olympia Paris
  13. Spock’s Beard — Snow Live
  14. The Dead Daisies — Live & Louder
  15. Michael Schenker — Michael Schenker Fest Live Tokyo International Forum Hall

That’s all for this list and still not all for the live recordings.  Still to consider is the whole of the combo packs and the standalone recordings.  In other words, there is still a list of the year’s top new live recordings overall to consider.  Also still on the way are the year’s top new albums as well as a handful of DVD and Blu-ray lists.  As many as possible will be covered before the year lets out, so stay tuned for all of that.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rare Hendrix Archived Live Recording Takes Top Honors On Phil’s Picks 2017 Top 10 Live CDs List

Courtesy: Dagger Records/Experience Hendrix, LLC

Experiencing live concert events is not an easy thing in this day and age.  Between the collective costs of attending (I.E. pricey tickets, gas, souvenirs, possible lodging, food & drink, etc.), perhaps the general lack of time to attend depending on circumstances, or maybe the very fact that audiences’ favorite acts didn’t include certain cities on their tours, there is a lot that plays into the inability to attend live events.  Keeping this in mind, not all hope is lost, thanks to all of the live recordings released each year by so many acts.  Some are released as full bundle packages while others are released just as DVDs or Blu-rays.  Some are even released solely on CD.  Regardless of the platforms, the availability of so many live recordings is unquestionably important for audiences.  Staying on that topic, the live CDs made available are worth noting in their own right.  That is the the case regardless of whether or not said CDs are bundled with DVD or Blu-ray counterparts.  That is because, again, even if the CDs come alongside a live audio visual component, that audio only component can and does oftentimes, translate differently than DVD and Blu-ray recordings.  Keeping this in mind, Phil’s Picks is offering a list of the year’s top new live CDs.

Included in this year’s list are standalone CD recordings and CDs included as part of bundles.  The titles featured in this year’s list include live recordings from Curtis Knight, Jon Cleary, Alter Bridge, The Dead Daisies and many others.  Simply put, they run the gamut from one genre to another across the musical universe.  Topping this year’s list is Dagger Records and Experience Hendrix, LLC’s new Jimi Hendrix recording Curtis Knight featuring Jimi Hendrix Live at George’s Club 20 1965 & 1966.  This live recording features performances by Hendrix well before he became an international superstar — performances that showed his talent even then.  Also included in this year’s list are recordings from Foghat, Alter Bridge, Armored Saint and others.  As is the case with every Phil’s Picks year-ender, this list features the top 10 best new titles plus five additional honorable mention titles for a total of 15 titles.  Staying on that note, here for your consideration is Phil’s Picks 2017 Top 10 New Live CDs.

PHIL’S PICKS 2017 TOP 10 NEW LIVE CDs

  1. Curtis Knight feat. Jimi Hendrix — Live at George’s Club 20 1965 & 1966
  2. Alter Bridge — Live at The 02 & Rarities
  3. Jon Cleary — Live at the Chickie Wah Wah
  4. Foghat — Live at The Belly Up
  5. Between The Buried and Me — Coma Ecliptic Live
  6. Armored Saint — Carpe Noctum
  7. Slipknot — Day of the Gusano
  8. Black Sabbath — The End
  9. The Rolling Stones — Live at The Fonda Theatre 2015
  10. The Who — Live at the Isle of Wight 2014
  11. Jeff Beck — Live at the Hollywood Bowl
  12. The Winery Dogs — Dog Years Live in Santiago & Beyond 2013 – 2016
  13. Def Leppard — …And There Will Be A Next Time
  14. Joe Bonamassa — Live at Carnegie Hall
  15. Fates Warning — Awaken The Guardian Live

That’s it for this list, but not for the live recordings lists.  Still on tap in this category is the year’s top new live DVDs and BDs as well as the year’s top new live recordings overall.  Before getting there though, there is at least one last list in the form of the year’s top new albums overall.  That one’s coming soon, so stay tuned.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Ala.Ni’s Debut LP Proves To Be A Solid Offering On Phil’s Picks’ 2017 Top 10 New Jazz & Blues Albums List

Courtesy: Missing Piece Records

2017 has been a good year fans of jazz and the blues.  From more established acts such as Diana Krall, Charlie Watts, Trombone Shorty and Diana Panton to new yet equally promising acts such as Ala.Ni, Nova Collective and others, both genres, which despite their musical differences are still related to one another, have turned out a mass of enjoyable (and in some cases surprisingly) impressive albums.  Ala.Ni’s debut album You & I is one of those surprising releases.  It also tops this critic’s list of the year’s top new Jazz & Blues albums.  Also on this year’s list is Argentine musician Fer Isella’s latest LP The Art of The Possible, new offerings from Putumayo and Music Action Ensemble’s new album Foundation among others.

This year was not an easy one to choose top records.  Charlie Watts, who is known just as much for his jazz work as for his work with his band mates in The Rolling Stones, released quite the impressive new offering this year in Charlie Watts Meets The Danish Radio Big Band. Taj Mahal and Keb Mo partnered for the simply titled TajMo.  Even veteran blues man John Mayall is still going strong.  He released his new album Talk About That this year, too.  Back on the jazz side, Charles Lloyd and his new group of fellow musicians released their own standout offering in the form of Passin’ Thru.  Even here, there is so much to say.  Simply put, coming up with a final list for this year’s new jazz and blues albums was not easy because of the level of talent exhibited across the board.  So no dishonor was meant to any act on this year’s list.   

As is the case with each Phil’s Picks list, this list features the Top 10 Albums on the list and five additional honorable mention titles.  Enough rambling.  Without any further ado, here for you is Phil’s Picks’ 2017 Top 10 New Jazz & Blues Albums.

PHIL’S PICKS 2017 TOP 10 NEW JAZZ & BLUES ALBUMS

  1. Ala.Ni — You & I
  2. Jazzmeia Horn — A Social Call
  3. Diana Panton — Solstice/Equinox
  4. Charlie Watts — Charlie Watts Meets The Danish Radio Big Band
  5. Taj Mahal & Keb Mo — TajMo
  6. Charles Lloyd New Quartet — Passin’ Thru
  7. Diana Krall — Turn Up The Quiet
  8. Charnett Moffett — Music From Our Soul
  9. Fer Isella — The Art of the Possible
  10. Kenny Wayne Shepherd Band — Lay It On Down
  11. Courtney Pine — Black Notes From The Deep
  12. Trombone Shorty — Parking Lot Symphony
  13. Music Action Ensemble — Foundation
  14. John Mayall — Talk About That
  15. Jimmy Greene — FlowersBeautiful Life, Vol. 2

Again, this was NOT an easy list to assemble.  This critic still feels rough coming to terms with the list.  That is because so many great jazz and blues records were released this year including new material from Elvin Bishop and so many others.  Even with that in mind, the list noted here is this critic’s final choice for this year’s top new jazz and blues albums.  Now with this list completed, there is still plenty more to go including the year’s top new Rap/Hip-hop albums, reggae albums, rock and hard rock albums as well as the year’s top albums overall.  There are also a bunch of categories for DVDs and Blu-rays including box sets for families and for older audiences, new live DVDs and Blu-rays, etc.  So stay tuned!

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

‘Sticky Fingers Live at The Fonda Theatre 2015’ Is Sure To “Stick” In Any Rock Aficionado’s Music Library

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment opened its “vaults” again this past September and pulled another archived concert from The Rolling Stones for audiences. The concert in question is the band’s landmark performance of its seminal 1971 album Sticky Fingers at the Fonda Theatre. Originally recorded May 20, 2015, this concert marked the first time that the band had performed the album live in its entirety. Needless to say, the concert, held in what feels like such an intimate setting, is a memorable experience. That is especially the case with its recent home release considering how much extra audiences get with the concert’s home release. That will be discussed shortly. The band’s performance of its set strengthens the recording’s presentation even more. The liner notes that come with the recording put the finishing touch to its presentation. Each noted element plays its own important part to the recording’s presentation. All things considered, they make this recording another gem from the band’s (and Eagle Rock’s) vaults.

The Rolling Stones’ Sticky Fingers Live at the Fonda Theatre 2015 is yet another welcome gem from the band’s vaults and those of Eagle Rock Entertainment, who included this concert as part of its ongoing “From The Vault” Rolling Stones concert series. The series has already seen the release of at least five previous live recordings — L.A. Forum 1975, London Marquee Club 1971, Hampton Coliseum 1981, Leeds Roundhay Park 1982 and Tokyo Dome 1990. This sixth addition to the series offers just as much to appreciate as its predecessors beginning with its very presentation. The concert, as its title implies, features the band performing Sticky Fingers in its entirety live for the first time. That in itself is enough reason for the band’s most devout fans to add this recording to their collections. Of course it is only one part of what makes the presentation so enjoyable. Along with the album’s full live presentation, audiences also get performances of two other Stones’ fan favorites, ‘Start Me Up’ and ‘Jumpin’ Jack Flash’ alongside takes of B.B. King’s ‘Rock Me Baby’ and Otis Redding’s ‘Can’t Turn You Loose’ (which was made famous by Universal Pictures’ hit 1980 movie The Blues Brothers). In all, audiences get here a 16-song, 79-minute set that is certainly one of its most memorable. It should be noted that while Sticky Fingers is presented in whole here, the album is not presented in the same chronological order as the album itself. Nor are the set’s orders on its Blu-ray/DVD and CD platform. Why this is the case is anyone’s guess. Regardless, audiences still get the same concert on each platform. That being the case, the set list alone does plenty to make this concert a joy. It is only one part of the recording’s presentation that is to be noted. The one-on-on interviews that are interwoven into the concert are just as worth noting as the set.

There are those who have criticized this recording because it weaves the band’s one-on-one interviews, arguing that they take away from the concert’s continuity. That could not be farther from the truth. If anything, they add to that fluidity. Audiences gain quite a bit of insight through the interviews, including the realization that front man Mick Jagger being “uptight” about so many of Sticky Fingers‘ songs being so slow and brooding while guitarist Ron Wood welcomes that vibe. Ironically, Wood also jokes about his nervousness about putting forth the best possible content for audiences, saying he gets nervous about “every riff…every solo.” There’s even a discussion on who modeled for famed artist Andy Warhol *yes, that Andy Warhol) as he developed the album’s cover art. The discussion on ‘I Got The Blues’ that is certain to get audiences talking plenty themselves as each of the band’s members discuss the song’s extremely slow tempo. Wood says of its tempo that it is “a lesson in control” while drummer Charlie Watts said the tempo is “a bugger to hold down.” Lead guitarist Keith Richards said of the song’s tempo that it is “a charm,” adding he especially appreciated the song’s horn part. There is also a slight tribute to the band’s former saxophone player Bobby Keys, who passed away in 2014 in the interviews. These are just some examples of the insight offered through the concert’s companion interviews. In all honesty, one struggles to see how the interviews would come across in their own standalone presentation. Considering this, the interviews work much better in conjunction with the concert than so many would have people believe. Keeping all of this in mind, the concert presented here and its companion interviews go a long way toward making the recording in whole so enjoyable. They are collectively only one part of what makes the recording’s presentation so enjoyable. The band’s performance throughout the concert adds even more to that presentation.

The band’s performance throughout the course of its concert adds just as much to its presentation as the show’s set list and the band’s interviews. From start to finish, Jagger’s trademark charisma and swagger is on full display. He works the crowd nonstop like a ringmaster. This is especially notable as the band works its way through ‘Brown Sugar.’ Watts meanwhile solidly keeps the band in time with his work behind the kit. Bassist Darryl Jones continues to deliver a solid low-end while working expertly alongside Watts to keep each song moving. Sax player Karl Denson puts on his own inspiring performance as he blasts out his solo on ‘Can’t You Hear Me Knocking.’ He just lets his part flow so naturally there. On the exact opposite end, his flute part in ‘Moonlight Mile’ is just as impressive in its subtlety. Richards puts on his own show, keeping audiences entertained with his own guitar work, too. Between their performances and those of the other performers, the whole of the group puts on a show that home viewers will enjoy just as much as those who were in attendance at the concert’s recording. Keeping this in mind, the group’s performance is still not the last of the recording’s most important elements. The liner notes crafted in the recording put the final touch on its presentation.

The recording’s liner notes, crafted by Richard Havers, offer plenty of insight in their own right to the concert. Havers notes in his notes the importance of Sticky Fingers to The Rolling Stones’ history alongside a near song-by song summary of the show’s set list with history behind the songs. He spends ample time discussing ‘Sister Morphine, which because of its history, led it to become one of the band’s most rarely performed songs in a live setting. There is even a discussion on Bobby Key’s place in rock history and the band’s own history in Havers’ notes. Havers states in his notes that Denson expertly recreates Keys’ original sax line from ‘Can’t You Hear Me Knocking’ on his own performance in the song. Between these and so many other discussions included throughout the recording’s companion booklet, the insight offered throughout does more than enough to make them critical in their own right to the recording’s whole. When that importance is considered along with the importance of the band’s performance, the concert’s set list and its companion band interviews, the whole of the noted elements makes Sticky Fingers Live at The Fonda Theatre 2015 a work that Rolling Stones fans and rock fans alike will appreciate.

The Rolling Stones’ Sticky Fingers Live at The Fonda Theatre 2015, which is also the latest addition to Eagle Rock’s ongoing “From The Vault” live recording series, is yet another shining gem from that series that will shine just as brightly in any Rolling Stones’ collection. The same can be said of its place in rock aficionados’ collections. The combination of its set list and its bonus one-on-one interviews about each song with the band’s members joins with the band’s performance of said songs to offer audiences a truly memorable performance. The liner notes included in the recording’s companion booklet add their own touch to the whole of the recording’s presentation. Each element is important in its own right, as has been noted already. All things considered, they make Sticky Fingers Live at The Fonda Theatre 2015 a recording that is certain to “stick” in audiences’ music libraries for a long time. More information on this recording is available along with all of the band’s latest news and more at:

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Under Cover’ Will Appeal To Motorhead, Rock Fans Alike

Courtesy: Motorhead Music

Almost two years ago, the rock world lost one of its great icons when Motorhead front man Lemmy Kilmister died from cancer.  When he died, that effectively put an end to one of the musical universe’s greatest acts.  That meant no more new Motorhead music.  Earlier this month though, Motorhead Music–the band’s own label–released a new collection of covers from the band to satiate audiences in the form of Under Cover. The 11-song record presents a rarely heard side of Motorhead that itself is certain to entertain listeners.  This is just one of the compilation’s key elements and will be discussed later.  The acts whose songs are featured here are collectively just as important to discuss as the songs themselves and will be discussed later.  The album’s sequencing rounds out its most important elements.  Each element is important in its own right to this compilation’s overall presentation.  All things considered, Under Cover proves to be a record that is an entertaining new offering for Motorhead’s most devout fans.

Motorhead, with the passing of front man Lemmy Kilmister almost two years ago, may not be actively recording new music anymore.  With the release earlier this month of the band’s new covers compilation Under Cover, the band’s most devout fans were given an entertaining new release from Motorhead even if it is not a collection of new Motorhead music.  That statement is supported in part through the songs that make up the collection.  Considering that Motorhead, throughout the course of its life, was known for up-tempo blues-based rock that was tinged with some punk elements, the songs featured in this compilation show that the band was just as talented handling other styles of rock as its own brand.  That is proven clearly in the band’s cover of David Bowie’s hit song ‘Heroes,’ which comes early in the record’s run. Bowie’s original work bears more similarity to works from perhaps Paul McCartmey than Motorhead.  Yet, even in its slightly amped up take on the classic tune, Motorhead does Bowie’s classic justice while adding its own rock touch that is certain to get praise even from Bowie’s most devout fans.  The band’s take on The Rolling Stones’ ‘Jumpin’ Jack Flash’ is yet another song featured in this record that shows the real reach of the band’s abilities.  Once again, the band largely stays true to its source material, while also adding its own respectable hard rock elements.  The expert balance of those two elements here will put a smile on any longtime Rolling Stones fan just as much as any Motorhead fan.  Much the same can also be said in examining the band’s take of another Rolling Stones standard, ‘Sympathy For The Devil.’  Those three songs alone show clearly the band’s reach.  Of course that is not to discount the band’s covers of Ted Nugent’s ‘Cat Scratch Fever,’ Rainbow’s ‘Starstruck,’ and The Ramones’ ‘Rockaway Beach’ as well as the album’s other songs.  Those covers show in their own way the band’s reach, though they are much closer to Motorhead’s style than the previously noted works.  Keeping this in mind, the bands whose works are featured here are just as important to note as the songs themselves.

Listeners will note that of the album’s 11 total songs, seven were crafted by British acts—Judas Priest, The Sex Pistols, The Rolling Stones, David Bowie, Rainbow and Ozzy Osbourne.  The other four songs come from American acts—Ted Nugent, Metallica, Twisted Sister and The Ramones.  That in itself is certain to create its own share of discussion.  Obviously Motorhead was itself a British outfit, but it could easily be argued that such an emphasis on its counterparts presents its own history lesson to listeners.  It shows the reach of the British hard rock scene between the 1960s and 1990s versus that of the American hard rock scene.  To that end, the acts featured here in themselves serve as a starting point on rock’s history on both sides of the Atlantic.  That might not have been the manifest intent with such a lineup, but it definitely will create those discussions.  On another level, it shows the band’s interest in so many different parts of the rock community at the time. Judas Priest was hard rock while the Sex Pistols were more punk (again, showing Motorhead’s roots). Rainbow was more of a progressive style hard rock while The Rolling Stones were that blues-based influence that Motorhead always added to its own music, too.  In the same breath, Metallica’s Whiplash shows where Motorhead perhaps got its harder almost thrash elements.  When this is all taken into account along with the influences from the other featured bands, Motorhead’s roots become even more evident.  In other words, the bands and songs featured in this compilation form a solid foundation for the record.  They collectively serve as a starting point for discussions about music history and about Motorhead’s history.  Both by themselves and together, they do plenty to make this record enjoyable and are not the record’s only key elements.  The album’s sequencing adds its own enjoyment to its presentation.

Under Cover’s sequencing is an important to note in examining this record because of its ability to maintain the album’s energy from beginning to end.  The album starts out full throttle with the band’s cover of Judas Priest’s ‘Breakin’ The Law’ and keeps the energy flowing just as highly as it launches into its cover of The Sex Pistols’ ‘God Save The Queen.’  Even as the album progresses into the band’s cover of ‘Heroes,’ the energy still maintains itself even here.  Given, it isn’t as high as in the album’s first two entries, but still keeps moving.  The energy picks right back up as the album takes listeners through the band’s covers of Rainbow’s Starstruck’ and Ted Nugent’s ‘Cat Scratch Fever’ before pulling back again with two straight Rolling Stones covers.  From there on out, the energy picks right back and stays stable right to the album’s end even with the change in the songs’ styles.  Keeping this in mind, it is clear that plenty of time and thought was put into the record’s sequencing.  That time and thought ensures listeners’ engagement from beginning to end here.  That is because the record’s energy never lets up too much at any one point or even gets too high.  When this is taken into account along with the collective value of the record’s songs and their associated bands, it adds that much more depth to the collection.  That being the case, the whole of those elements make Under Cover a collection that will appeal not only to Motorhead’s fans from start to finish but to rock fans in general.

Motrhead’s recently released compilation record Under Cover is a collection of songs that will appeal both to Motorhead’s fans and to rock fans in general.  This is the case even though being a compilation record, it does not necessarily break any new ground in the way of compilation records.  The songs and bands featured on this record serve collectively as a solid starting point for plenty of discussions both on Motorhead’s history and on rock history.  They also do plenty to ensure listeners’ maintained engagement and entertainment.  The record’s sequencing does much the same.  All things considered, these elements make Under Cover a collection that while not exactly new to the compilation realm, is still entertaining in its own right.  It is available now in stores and online.  More information on Under Cover is available online now along with all of the latest Motorhead news at:

 

 

 

Website: http://www.motorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Opens The Rolling Stones’ Live Vault Again

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment continues its Rolling Stones “From The Vault” series next month with a very special archived performance.

From The Vault: Sticky FingersAt The Fonda Theatre 2015 will be released Friday, September 29 in stores and online on DVD + CD combo pack ($21.98), Blu-ray + CD combo pack ($26.98) and DVD + 3LP combo pack ($49.98).  It is the fifth in the label’s special series of live Rolling Stones recordings.

The concert presented here was originally recorded May 20, 2015 at the Fonda Theatre in Hollywood, CA.  It presents the band performing for the first (and so far only) time its classic album Sticky Fingers.

The performance was in support of the then new re-issue of the album in question and was also the first performance of the band’s two-month-long North American Zip Code Tour.  Audiences can view a trailer for the concert online now here.

Audiences will get to enjoy in the recording’s DVD and Blu-ray presentation, interviews with the band’s members—Mick Jagger, Ron Wood, Keith Richards and Charlie Watts—intertwined with full-length performances.  The CD and 3LP platform presents the audio portion of the band’s concert.  Audiences who buy the DVD and Blu-ray will also get as bonus material, performances cut from the original concert including ‘All Down The Line,’ ‘When The Whip Comes Down’ and ‘I Can’t Turn You Loose.’

The full track listing for the recording is noted below.

TRACK LISTING:
DVD:
1) Start Me Up
2) Sway
3) Dead Flowers
4) Wild Horses
5) Sister Morphine
6) You Gotta Move
7) Bitch
8) Can’t You Hear Me Knocking
9) I Got The Blues
10) Moonlight Mile
11) Brown Sugar
12) Rock Me Baby
13) Jumpin’ Jack Flash

Bonus tracks:
1) All Down The Line
2) When The Whip Comes Down
3) I Can’t Turn You Loose

CD:
1) Start Me Up
2) When The Whip Comes Down
3) All Down The Line
4) Sway
5) Dead Flowers
6) Wild Horses
7) Sister Morphine
8) You Gotta Move
9) Bitch
10) Can’t You Hear Me Knocking
11) I Got The BlueS
12) Moonlight Mile
13) Brown Sugar
14) Rock Me Baby
15) Jumpin’ Jack Flash
16) I Can’t Turn You Loose

3LP
Side A:
1) Start Me Up
2) When The Whip Comes Down
3) All Down The Line

Side B:
1) Sway
2) Dead Flowers
3) Wild Horses

Side C:
1) Sister Morphine
2) You Gotta Move
3) Bitch

Side D:
1) Can’t You Hear Me Knocking
2) I Got The Blues

Side E:
1) Moonlight Mile
2) Brown Sugar

Side F:
1) Rock Me Baby
2) Jumpin’ Jack Flash
3) I Can’t Turn You Loose

More information on From The Vault: Sticky Fingers – At The Fonda Theatre 2015 is available online now along with all of The Rolling Stones’ latest news and more at:

 

 

 

Website: http://www.rollingstones.com

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Twitter: http://twitter.com/RollingStones

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

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