The Who: Live in Hyde Park Is One More Of 2015’s Top New Live Recordings

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The Who is one of the most iconic bands in the modern history of the music industry. The band, originally composed of front man Roger Daltry, guitarist Pete Townshend, drummer Keith Moon, and bassist John Entwhistle, has seen its lineup change a number of times over the course of its now fifty years plus making music. Through it all Daltry and Townshend have both remained at the core of the band. And late last year the duo, along with its current roster of backing musicians, marked The Who’s fiftieth anniversary with an extensive global tour. While there were some bumps along the way, the band finally wrapped its tour this past June at London’s famed Hyde Park. The concert was recorded and last month was released by Eagle Rock Entertainment and Universal Music Group in a triple-disc Blu-ray/2 CD combo pack. The experience presented throughout the course of the set’s discs make this recording one more of the year’s best new live overall recordings. The main reason for that is the show’s set list. The twenty-plus song set takes listeners of all ages throughout the band’s expansive catalogue of hits. There is a lot to say here. It will be noted shortly. On a related note, there are some differences between the concert’s CD presentation and Blu-ray presentation that set the two apart from each other. This is another important element of the recording that makes its presentation so important to note. Last but not least of note here is the band’s stage presence throughout the 109-minute (one hour and forty-nine minutes) concert. Daltry and Townshend may be up there in age. But the pair definitely doesn’t show it even despite Townshend’s joke in one interview about how easily he and Daltry getting easily winded. Each element is important in its own right to the overall presentation that is The Who: Live in Hyde Park. Altogether, they make this recording one more of the year’s best new live recordings.

The Who: Live in Hyde Park is one of this year’s top new live recordings. The main reason for the recording earning such acclaim is its set list. The show’s set list runs nearly two hours. Among that massive collection of hits featured in this show’s set list are: ‘My Generation,’ ‘Pinball Wizard,’ ‘Baba O’Reily,’ ‘I Can’t Explain,’ ‘You Better You Bet,’ ‘Who Are You,’ ‘Won’t Get Fooled Again,’ ‘Join Together,’ ‘The Kids Are Alright,’ ‘I Can See For Miles’ and a number of others. Simply put the show includes songs that audiences of all ages know and love. And depending on how one counts the total number of songs, it could be argued that the set list features a total of twenty-two songs. Some of those songs are included as part of a couple of medleys. So the total number of songs could be argued. Regardless of which side one takes on that discussion, the fact that so much of the band’s extensive catalogue of hits is featured in this concert is plenty of reason for audiences to check out the recording. It isn’t the only reason that audiences will want to check out The Who: Live in Hyde Park. Believe it or not the concert’s Blu-ray presentation is actually different in at least a couple of ways from its CD presentation. That is another important element to note in its overall presentation.

The set list that is presented in The Who: Live in Hyde Park is in itself an important reason for audiences to check out this latest live recording from The Who. It is just one part of what makes this recording such an interesting experience for audiences. Between its Blu-ray and CD presentations The Who: Live in Hyde Park audiences actually get two largely different presentations. That is just as important to note of this recording as the show’s set list. Audiences will note in comparing in both its Blu-ray and CD presentations that the Blu-ray presentation includes one-on-one interviews with the band members, fans, and even the band’s counterparts. One of those counterparts is veteran punk rocker Iggy Pop. Pop discusses the band’s mega-hit ‘My Generation’ and its importance in the rock community’s modern history. Townshend–as previously noted–jokes about how easily he and Daltry can get winded in live performances in one interview. And Daltry shares his thoughts on the band’s place in rock’s history among many other topics throughout the show. The fans that are interviewed at the concert show exactly why The Who remains one of rock’s (and music’s) elite acts today. The fans in question come from a number of age groups and are both male and female. That wide sample of fans and their views on the band shows that the band remains just as relevant today. That relevance and continued ability to entertain masses of all ages is the argument as to why The Who remains one of rock’s (and music’s) elite acts. The interviews with the band members (those interviews include not just Daltry and Townshend but the duo’s backing musicians as well) and the band’s counterparts strengthen said argument even more. On the other side of the recording, audiences get in the recording’s CD side the band’s interactions with the audience between songs at the concert. Those interactions are replaced in the Blu-ray presentation with the previously noted interviews. On the surface this is a little bit problematic. That is because it would have been nice to have those moments included both on the concert’s CD and Blu-ray presentation. But in the bigger picture of the recording, audiences still get the whole concert experience between the two presentations. So to that extent the two separate presentations are in whole an important part of The Who: Live in Hyde Park in terms of its overall presentation despite the Blu-ray slightly short-changing audiences. Even with this issue being noted it still isn’t enough to doom the recording in whole. That is because audiences do still get the full concert experience here. Said experience is just spread across three discs. And when combined with the concert’s extensive set list both elements together make The Who: Live in Hyde Park even more of an important recording especially being that of the final show on the band’s worldwide 50th anniversary tour. Even together they are not all that makes this recording such an interesting and important recording. The band’s stage presence throughout the show is just as important to note as the set list and the two distinctly different presentations that make up the body of the recording.

 

The set list and separate CD and Blu-ray presentations that make up the body of The Who: Live in Hyde Park are both important elements in the recording’s overall presentation. AS important as each element is to the recording’s whole, they are not the only elements that should be discussed in examining the recording. The band’s stage presence throughout the course of the nearly two-hour concert is just as important to discuss as those previously noted elements. It has already been mentioned that Pete Townshend jokingly mentions in one of the one-on-one interviews included in the recording’s Blu-ray presentation, that it doesn’t take much for he and long-time band mate Roger Daltry to get winded. Yet watching the duo on stage here, one wouldn’t know that. That is because the duo (and the other musicians on stage) comes across as giving it their all throughout the show. Townshend’s arm swings in that propeller motion with just as much power as in his younger days. And while Daltry can’t swing his mic with the same power as he used to decades ago, he still has some power. What’s more, the pair still surprisingly has just as much fire in its performance of each song as in its younger days. On a related note in regards to the band’s stage presence, there is no parental advisory sticker on this recording. But there is a certain amount of foul language throughout the recording. Maybe it isn’t enough for whatever parties to consider it deserving of such notice. But there is at least some language throughout that some audiences might find objectionable beginning right off the top as Townshend drops an “F”-bomb as he tells the audience that the band will reach the audience no matter how far away audiences are in the expansive venue. It’s just one moment that audiences should note. So listener discretion should be advised. Even noting the discretion that should be taken in taking in the recording in whole, it still isn’t enough to ruin the overall experience presented in this recording in either its Blu-ray or CD side. Keeping that in mind, the band’s stage presence, when coupled with the concert’s set list and the separate elements included and omitted in the Blu-ray and CD portion of the recording, rounds out the recording’s most important elements. Altogether, all three elements make The Who: Live in Hyde Park a concert recording that is one more of the year’s best overall live recordings.

Eagle Rock Entertainment’s new recording from The Who is a good addition to the personal music library of any of the band’s fans. That is thanks in large part to the extensive career-spanning set list that makes up the main body of the recording. In examining both the recording’s Blu-ray and CD presentations, audiences will note that there are some noticeable differences between the two presentations. The audience interactions included in the recording’s CD presentation have been largely replaced in the Blu-ray presentation with one-on-one interviews with the band members, audience members that were at the show, and some of the band’s counterparts. It would be interesting to find out why the choice was made to go in that direction in this recording. Regardless, audiences still get the full concert experience in the Blu-ray/2 CD presentation of The Who: Live in Hyde Park even if it is spread across the entire presentation. So it isn’t necessarily a bad thing. The band’s stage presence is another positive throughout the concert. Even though they aren’t as young as they once were, Daltry and Townshend still own the stage alongside their younger counterparts from beginning to end. That energy is certain to keep audiences fully engaged throughout the course of the concert’s nearly two-hour run time. All three elements combined, they make The Who: Live in Hyde Park, again, one of this year’s best new live recordings and one more welcome addition to the personal music library of any of the band’s fans around the world. The Who: Live in Hyde Park is available now in stores and online.   More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Veteran Acts Dominate 2015’s Top New Live DVD/BD Recordings List

This week marks the last full week of 2015. It’s a little tough to grasp that there are only eleven days left in the year. But it’s almost time to bid a fond farewell to this year. And even as the year’s final days tick away, there is still plenty of work left to do in turns of examining the top titles from the entertainment world. Phil’s Picks has already done quite a bit of that, delving into the top titles of the music world’s top titles. There’s still some ground to cover in that realm while beginning to transfer over into the year’s top new DVDs and Blu-rays in each of their different own areas. Keeping that in mind, what better way to start making that transfer than to look today at the year’s best new live DVDs and Blu-rays. The year’s best new live CDs have already been tackled. And as previously explained, in many cases, some DVDs and Blu-rays are actually released separate from their audio-only counterparts even today, and vice versa. That justifies a separate category for the year’s top new live DVDs and Blu-rays. That being the case, here, for your reading pleasure dear readers, is the Phil’s Picks 2015 Top 10 New Live DVDs and Blu-rays. As always, the Top 10 titles make up the main body of the list while the bottom five are no less important. They each receive honorable mention for a total of fifteen titles. Enough rambling. Here, again, is the Phil’s Picks 2015 Top 10 New Live DVDs and Blu-rays.

 

PHIL’S PICKS 2015 TOP 10 NEW LIVE DVDS AND BLU-RAYS

  1. SLASH FT. MYLES KENNEDY AND THE CONSPIRATORS – LIVE AT THE ROXY 09.25.14

 

  1. TESSERACT – SCALA

 

  1. AEROSMITH – AEROSMITH ROCKS DONINGTON

 

  1. GEORGE STRAIT – THE COWBOY RIDES AWAY

 

  1. THE WHO – LIVE AT HYDE PARK

 

  1. SHANIA TWAIN – STILL THE ONE: LIVE IN VEGAS

 

  1. ERIC CLAPTON – SLOWHAND AT 70: LIVE AT THE ROYAL ALBERT HALL

 

  1. THE ROLLING STONES – LIVE IN LEEDS 1982

 

  1. THE ROLLING STONES – LIVE AT THE TOKYO DOME 1990

 

  1. LYNYRD SKYNYRD – PRONOUNCED L LEH-NERD SKIN-NERD & SECOND HELPING

 

  1. PAT METHENY – UNITY SESSIONS

 

  1. WHITECHAPEL – BROTHERHOOD OF THE BLADE

 

  1. TASTE – WHAT’S GOING ON: LIVE AT THE ISLE OF WIGHT

 

  1. RAGE AGAINST THE MACHINE – LIVE AT FINSBURY PARK

 

  1. DARYL HALL & JOHN OATES – LIVE IN DUBLIN

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Who Partnering With Eagle Rock For Band’s 50th Anniversary Finale Recording

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Legendary rock act The Who marked a big anniversary this year. Core members Roger Daltry and Pete Townshend marked the band’s fiftieth anniversary. In celebration of the anniversary the duo released its hits compilation The Who Hits 50 late last year. From there, the band embarked on a worldwide tour, bringing its hits to its legions of fans. There were a couple of bumps on that road recently. But the band has overcome said bumps and now later this month the celebration will continue when the band released its new live recording Live in Hyde Park.

The Who has teamed up with Eagle Rock Entertainment, the leading name in live recordings, to release Live in Hyde Park. The concert, originally recorded June 26th, 2015 at London’s Hyde Park, will be released Friday, November 20th. It will be released on DVD + 2CD combo pack, Blu-ray + 2CD combo set, DVD + 3 LP combo set and digital formats. It was the band’s final stop on its 50th anniversary tour and includes a number of the band’s hits. Those hits include the likes of ‘My Generation,’ ‘Pinball Wizard,’ ‘Baba O’Reily,’ ‘I Can’t Explain,’ ‘You Better You Bet,’ ‘Who Are You,’ ‘Won’t Get Fooled Again,’ ‘Join Together,’ ‘The Kids Are Alright,’ ‘I Can See For Miles’ and a number of others. Along with its main feature, the recording also includes a bonus performance of ‘The Seeker’ in both the package’s DVD and Blu-ray presentations. A Deluxe Blu-ray + DVD + 2CD set will also be released on Friday, December 4th. The complete set list for the 19-song show is noted below.

TRACK LISTING
1) I Can’t Explain
2) The Seeker*
3) Who Are You
4) The Kids Are Alright
5) Pictures Of Lily
6) I Can See For Miles
7) My Generation
8) Behind Blue Eyes
9) Bargain
10) Join Together
11) You Better You Bet
12) I’m One
13) Love Reign O’er Me
14) Eminence Front
15) Amazing Journey / Sparks
16) Pinball Wizard
17) See Me, Feel Me / Listening To You
18) Baba O’Riley
19) Won’t Get Fooled Again

Pricing information for each presentation of Live in Hyde Park will be announced soon. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Strait Rides Away In Style In His Final Live Performance

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Legendary country musician George Strait’s days on the road are officially over. On June 7, 2014, the man known lovingly within the country music world as “The King of Country” wrapped the final leg of his tour fittingly dubbed “The Cowboy Rides Away Tour.” The tour wrapped at the AT&T Stadium in Arlington, Texas. It should be noted that while the show marked the end of his days on the road, it didn’t mark the end of his recording career. Of course Judas Priest’s members said the same thing some years ago and look how that turned out. So time will tell if he has indeed parked his tour bus for the last time. Regardless, Strait’s fans and country music fans in general can now own that landmark concert for themselves thanks to the people at Eagle Rock Entertainment. The leading name in live recordings, Eagle Rock Entertainment released The Cowboy Rides Away: Live From AT&T Stadium late this summer exclusively on DVD and digital formats. It goes without saying that whether one is a fan of the country music royalty, a fan of real country music or a little of both, this recording is a must for each. The central reason for that is the show’s extensive forty-song set list, which runs just short of three hours. Strait’s stage presence and that of his fellow country artists is another reason that fans will enjoy this recording. Last but hardly least worth noting is the concert’s production values. Even on DVD its production values are top-notch. They make the show’s near three-hour run time well worth it both in regards to the show’s set list and the performers’ stage presence. All things told, The Cowboy Rides Away Live From AT&T Stadium proves in the end to be a recording that every George Strait fan will enjoy just as much as any fan of real country music.

The Cowboy Rides Away Live from AT&T Stadium is a must have for any George Strait fan and any fan of real country music. So much can be said as to why this is the case. Jumping right in, the central reason for its success is its extensive forty-song set list. Covering so much ground it can be said of the near three-hour performance that it is one of those rare live shows released in recent years that is truly deserving of being called career-spanning. What’s more the very fact that Strait opted for such a rich set list is in itself groundbreaking. That is because few if any other acts out there past or present have ever released single performance recordings with so many songs. Even acts such as The Rolling Stones, Aerosmith, The Who, and others have never released such an expansive single-show recording. That in itself speaks volumes about this recording. That every featured song is a fan favorite says even more. One of the bet of the show’s best is ‘Murder on Music Row,’ which he performs here with fellow veteran artist Alan Jackson. There’s a lot of truth in that song. Real country music is hard to find nowadays. There seems to be more southern rock and pop country out there today than real, pure country. On a different note (no pun intended) ‘I Saw God Today’ is another of the show’s best moments. The tender ballad sung from the vantage point of a new parent will bring a smile (and tears) to every fan’s face. The all-star performance of his classic hit ‘All My Ex’s Live In Texas’ is one more of the show’s best moments. It’s obvious that the performers had just as much fun performing the song as did the audience singing along. What’s more seeing so many great names representing country’s past, present, and future on one stage essentially honoring one of country’s greatest names of all time gives this performance even more of a special meaning. It’s just one of so many examples of the importance of the show’s songs in the big picture of the show’s set list. Of course the songs chosen for this show are just one part of what makes the set list in whole so important to the recording’s overall positive impact. The ordering of the songs is just as important as the songs themselves.

The songs that make up the concert’s set list make more than enough reason for Strait’s fans and real country fans alike to watch this recording. However, they are only one part of the set list that makes it so important to the whole of the recording. The ordering of the songs is just as pivotal to the show’s enjoyment as the songs themselves. Audiences will be quite impressed in taking in this concert to note the balance of its more upbeat moments with its softer, more emotional moments. From one song to the next Strait and company build the show’s energy and pull it back at just the right points from beginning to end. The end result is a near three-hour performance that will keep fans at home just as engaged as those that were in attendance at the concert’s taping. The mix of that smart sequencing with song after song that every fan will enjoy makes this concert one that even being Strait’s last live show potentially ever is one that fans will want to watch again and again.

The set list chosen for Strait’s final show and its sequencing make for more than enough reason for any George Strait fan and real country music fan alike to watch this recording. They are just a small part of the whole that makes the concert so enjoyable. Strait’s stage performance (and that of his guests) plays its own important role in the concert’s overall effect. Throughout the course of the concert, Strait maintains an almost unassuming demeanor. It could be argued that it actually presents Strait as having this full sense of humility. He doesn’t try to run around the stage and put on a certain kind of persona. it is more along the lines of a what-you-see-is-what-you-get persona. It’s nice to see such a humble persona. Believe it or not it adds quite a bit to the concert’s overall effect on fans. By contrast, his guests–of whom includes the likes of Alan Jackson, Vince Gill, Sheryl Crow, Eric Church, Martina McBride and others–are more energetic by and large. The juxtaposition of Strait’s stage presence to those of his fellow musicians makes for even more enjoyment. And when coupled with the show’s set list, both elements solidify the reason for fans to add this recording to their own home DVD libraries even more so. The combination of both elements would mean little, though without proper production values–the last of the recording’s positives.

Both the set list chosen for George Strait’s “final” live performance and the stage presence of Strait and his fellow musicians are equally important to the overall effect of this recording. Of course neither would be of any importance without proper production values. Luckily for fans the production values presented in the concert contained herein are of the utmost expertise. Even presented on DVD, it looks and sounds just as good as being there if not better. That could be chalked up just as much to the equipment at Strait’s disposal as those charged with manning the boards for the show. The same can be said of those charged with the show’s audio in post-production. On the side of the show’s video mix, having a slowly circulating stage could not have hurt the camera crew. On the one hand it offered the camera crew and co-directors Danny O’Bryen and Brian Lockwood plenty of options for good shots. That is because the stage was set dead center in the stadium as if it was set up for the Super Bowl’s half time show. The camera crew could shoot from on stage, from the crowd (especially since the stage wasn’t that high above the stadium floor), and from so many other angles. Having so many options and so much talent, the result of the production crew’s work is a concert that gives home viewers an even better seat than those in attendance from beginning to end. And coupled with an audio mix that is just as impressive, Strait’s performance (and that of his guests) coupled with the show’s rich, expansive set list proves to be a concert experience that is a wonderful final performance from a legendary artist should it in fact prove to be his last.

George Strait’s performance from June 7th, 2014 at the AT&T Stadium in Arlington, Texas is largely believed to be the legendary country musician’s final live performance. If indeed it proves years down the road to be his final live performance, then it is a wonderful way for Strait to go out. That is even with Strait claiming that he will still continue to record new music while no longer touring. The show’s rich set list will please every one of his fans as it more than lives up to the honor of being called a career-spanning show. The sequencing of the show’s songs, Strait’s performance (and that of his guests), and the show’s expert production values come together to make the concert whole and one that fans of all ages will enjoy with every watch. It is a wonderful final performance from a legendary artist that even if it is his last, will hopefully not be his last recorded concert to ever be released. The Cowboy Rides Away Live From AT&T Stadium is available now in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Live At Shea Stadium Another Candidate For This Year’s List Of Best New Live DVDs and Blu-rays

The Who Live at Shea Stadium 1982 Box Art

Courtesy: Eagle Rock Entertainment

In 2014, the legendary rock band The Who marked a major milestone as it reached its fiftieth anniversary. In honor of the anniversary, the veteran British band has been making its way around the world, sharing its decades of music with generations of fans. While it is currently in the midst of that tour, not every city has been or will be lucky enough to see the band as it shares its timeless tunes with the masses. Thankfully for the people at Eagle Rock Entertainment, the leader in live recordings, audiences have been treated with one of The Who’s most classic concerts in the form of Live at Shea Stadium 1982. Live at Shea Stadium 1982 is a pivotal point in The Who’s career as it would be the last time that the band would be joined by Kenney Jones on drums. It would also mark the last time that the band would perform live until 1989. That is a span of some seven years. In the music world, seven years is an eternity. Until now, this concert had never been released in its entirety on one platform. Being the first time ever that the concert–the second of The Who’s shows from its 2-night stand at Shea Stadium in October, 1982–it is a wonderful debut. It proves itself so impressive primarily through its set list. The main set list featured in this concert runs twenty-five songs and just over two hours. The songs included in that list solidly represent the band’s career up to that point. The quartet’s performance of said songs is just as enjoyable as the songs themselves. Considering that it would be the last time that the band would perform live for a span of seven years, the band definitely went out on a high note albeit temporarily. Last but not least to note is the concert’s collective production values. Being that the concert contained in Live at Shea Stadium was originally recorded nearly thirty-three years ago, the footage has stood the test of time quite well. Even more impressive is the work of those that resurrected its footage and re-mastered it for its presentation here. Thanks to the work of those individuals, the concert maintains the look that it boasted in its original recording yet boasts a sound that is just as clear as any show recorded today. The combination of all three noted elements shows clearly why Live at Shea Stadium 1982 is a great replacement for those that won’t get to see The Who on its current tour. It shows just as clearly why this recording is one more of the year’s best new live DVD and Blu-ray recordings.

Live at Shea Stadium 1982 is a defining moment for The Who. It marked the last time that audiences would get to see the band live for another seven years after its completion. It would also be the last time that the band’s then drummer Kenney Jones would perform with the band. And until now, it has never been released in its entirety on one platform. Considering this and the fact that the band’s current tour may be the last for the band, it becomes an even more important recording for fans of The Who to own. It shows itself to be such a lasting concert for audiences first and foremost through its extensive set list. The set list presented here runs twenty-five songs deep and just over two hours long. That is not even counting the five performances included as bonuses. Added to the main set list, they push the overall run time of the recording to a little more than two hours and twenty-five minutes. That’s a lot of music to say the least. And that’s a lot of live for fans that won’t get to see the band on its current tour. On a related note, the songs that make up the show’s set list represent a relatively healthy cross-section of the band’s section up to that point. It reaches all the way back to the band’s third studio release, 1967’s The Who Sell Out and even includes hits such as ‘Pinball Wizard,’ from the band’s hugely popular 1969 album Tommy, ‘Baba O’Reily’ and ‘Behind Blue Eyes,’ both from 1971’s Who’s Next as well as ‘I’m One,’ ‘The Punk and the Godfather,’ ‘5:15,’ and ‘Drowned’ all from another of the band’s biggest releases of all time, 1973’s Quadrophenia among so many other major hits. For all of the importance of the noted hits, their sequencing is just as important to the enjoyment of the show. The first five songs offer up a solid, driving energy that is soon followed up by a slightly more reserved vibe in ‘It’s Hard.’ That is followed up by the ‘Sledgehammer’-esque vibe of ‘Eminence Front’ before the band really pulls back on ‘Behind Blue Eyes,’ another of its biggest hits. That is just the first six of the show’s twenty-five song set. The remainder of the show’s songs exhibit just as much balance right up to the show’s finale. That balance of energy and drive from one song to the next coupled with the show’s overall set list shows clearly why as with any live show, the set list in whole is central to its enjoyment and overall success.

Live at Shea Stadium 1982’s set list and its overall arrangement give audiences plenty to like about the recording. The balance of energy and drive from one song to the mix coupled with an equally solid mix of the band’s hits up to that point will keep audiences’ attention from beginning to end. Much the same can be said of the band’s stage performance throughout the course of the two-hour plus concert. Front man Roger Daltry shows time and again why he is one of the greatest front men in rock’s modern history with his balance of charisma and energy from one song to the next and even in-between as audiences will see for themselves. When the crowd gets too close to the stage, Daltry very calmly and politely asks the audience to back up and make room. Even having to do this more than once he never loses his cool. As minor as it seems, it goes a long way toward showing the type of person that he is. It is truly impressive to see such demeanor. That demeanor coupled with his minimal yet still energetic performance is a clear example of why the band’s performance in this show is so impotrant to its enjoyment and success. Daltry’s band mates John Entwhistle, Pete Townshend, and Kelley Jones each provide their own entertainment throughout the show. Guitarist Pete Townshend’s classic airplane playing is there. Jones’ drumming generates its own energy throughout each song. Even Entwhistle’s own unassuming demeanor as he provides the songs’ low end is entertaining in its own right. Whether in the concert’s biggest moments or its more reserved moments, none of the band members really seem to exert that much energy, rather letting the music exert most of the energy for them. That energy translates perfectly to the audience and will translate just as well to home viewers. In turn, it will lead audiences to appreciate the band members’ talents both as musicians and song writers. That appreciation reveals in one more way why Live at Shea Stadium 1982 is such an enjoyable and successful new recording from one of rock’s greatest acts.

The set list that makes up the body of Live at Shea Stadium 1982 and the band’s performance of said songs do plenty to show why this concert is so enjoyable. They are only two parts of the presentation that makes it whole. The concert’s collective production values round out the ways in which it proves itself so enjoyable. Considering the fact that the concert was originally recorded some thirty-two years ago, it can be said that the footage has stood the test of time rather well. Of course the work of those charged with re-mastering the concert’s audio and video is just as much to credit for how well it looks and sounds. It maintains the look that it boasted in its original standard def recording. Even with that look it is clear that it has been cleaned up and brought back to life. Through it all the fact that it still maintains that look is deserving of praise. It shows the high quality results of the painstaking efforts of those individuals charged with handling the footage. The same can be said in regards to the concert’s audio mix. It is obvious that just as much work was put into remastering the concert’s audio. That is because it sounds clearer than most concerts recorded so long ago. Thanks to the work done on both ends, the band’s performance and the show’s set list both become that much more enjoyable. In conjunction with the work of those that resurrected and re-worked the footage, all three elements show together just why Live at Shea Stadium 1982 is another entirely enjoyable and successful from one of rock’s biggest bands and why it is also one of this year’s best new live DVD and Blu-ray recordings.

Live at Shea Stadium 1982 shows in plenty of ways to be another entirely enjoyable and successful recordings from a group that is one of rock’s biggest and most respected acts. It shows just as much why it is one of the year’s best new live DVDs and Blu-rays. It is available now in a variety of formats both in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

More information on The Who’s current tour is available online now along with all of the band’s latest news at:

Website: http://www.thewho.com

Facebook: http://www.facebook.com/thewho

Twitter: http://twitter.com/TheWho

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Celebrating The Who’s 50th Anniversary With New Archived Concert Recording

The Who Live at Shea Stadium 1982 Box Art

Courtesy: Eagle Rock Entertainment

 

Legendary British rock band The Who is currently making its way across America on the North American leg of its new “The Who Hits 50! Worldwide Tour.” The tour is in support of its latest hits collection, which goes by the same name. That compilation was released late last year. Now as The Who makes its way across America (and later Europe and other nations), Eagle Rock has announced that it will release a new, archived live recording from The Who this summer for all of the band’s fans.

Eagle Rock Entertainment will release The Who Live at Shea Stadium 1982 on Tuesday, June 30th. The concert will be available on DVD, SD Blu-ray and digital formats. It was originally recorded on October 13th, 1982 at Shea Stadium. It was the second of the band’s concerts recorded during its two-night stand at Shea Stadium and featured the lineup of Roger Daltry, Pete Townshend, John Entwhistle, and Kenney Jones. The tour from which this concert was pulled–its 1982 North American Tour–was the last on which Jones would sit behind the kit for the band. Once the tour ended, The Who would not tour again until 1989. The show’s set list includes some of its biggest hits at the time including: ‘Pinball Wizard,’ ‘We Won’t Get Fooled Again,’ ‘My Generation,’ ‘Substitute,’ ‘Who Are You,’ ‘I Can’t Explain,’ ‘See Me Feel Me,’ ‘Baba O’Riley,’ and a number of others. The concert’s complete set list is noted below:

TRACK LISTING

1) Substitute

2) I Can’t Explain

3) Dangerous

4) Sister Disco

5) The Quiet One

6) It’s Hard

7) Eminence Front

8) Behind Blue Eyes

9) Baba O’Riley

10) I’m One

11) The Punk And The Godfather

12) Drowned

13) Tattoo

14) Cry If You Want

15) Who Are You

16) Pinball Wizard

17) See Me Feel Me

18) Love Reign O’er Me

19) Long Live Rock

20) Won’t Get Fooled Again

21) Young Man Blues

22) Naked Eye

23) I Saw Her Standing There

24) Summertime Blues

25) Twist And Shout

Audiences can get a glimpse of the concert now by clicking on the picture below. It will take fans to YouTube where audiences will get to see the band’s performance of ‘Love Reign O’er Me’ from the concert.

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Randy Bachman’s Latest LP Is A Whole Different And Enjoyable Kind Of Heavy

Courtesy:  Linus Entertainment/Paquin Entertainment Group/Ontario Media Development Corporation

Courtesy: Linus Entertainment/Paquin Entertainment Group/Ontario Media Development Corporation

Veteran musician Randy Bachman has spent the better part of his adult life crafting songs that are known today as some of the rock realm’s greatest compositions. Whether as a member of Bachman Turner Overdrive, The Guess Who, or as a solo musician, Randy Bachman’s music is considered by rockers of all ages to be some of rock’s greatest even to this day. And with his latest solo effort Heavy Blues Bachman continues to justify that reputation even more. Heavy Blues will hit store shelves on Tuesday, April 14th. it is an aptly titled record considering the blues-based rock that makes up most of the album’s eleven total tracks. Perhaps the only exception to that rule is the album’s deeply emotional closer ‘We Need To Talk.’ That song aside, Heavy Blues still stands as a record that every rock purist should add to his or her own music library. From its straight forward, seemingly Steve Miller/The Who-inspired opener ‘The Edge,’ to the gospel and blues-infused ‘Oh My Lord’ to that much deeper, more moving closer, there is plenty for rock purists to appreciate in this album. That includes the pieces not noted here, either. All eleven tracks taken fully into consideration, Heavy Blues proves itself to be a record that is a full breath of fresh air and reminder of all that once made rock great and always will.

Randy Bachman’s latest full length effort Heavy Blues is, as already noted, a breath of fresh air in an age in which rock seems continually dominated by cookie cutter bands dominating mainstream rock radio stations and equally sound-alike acts dominating the heavier side of the rock realm; bands whose songs consist of indecipherable, cookie monster-like growls, machine-gun speed drumming, and crunching, down-tuned guitars. It is a reminder of all that once made rock great and always will regardless of which bands dominate the airwaves and the underground. This is exhibited right off the top in the album’s bombastic opener ‘The Edge.’ The song boasts quite the similarity to works from the likes of both The Who and The Steve Miller Band among others stylistically speaking. Whether or not that was intentional is known only by Bachman himself. Regardless, the combination of those influences in this song serve to make it the perfect choice for Heavy Blues’ opener and a great addition to the album overall. That bombastic style is an equally fitting match for the song’s lyrical side. Lyrically speaking, the song presents a figure that is looking at the world with eyes wide open and a bright spirit. He is someone that is ready to break out and explore the big, wide world with so much gusto. He sings to his mother, “Goodbye mama/I ain’t comin’ home/There’s a big world out there/I’m goin’ it alone/Leave behind the knockers/I just gotta chase the dream/I wanna be somebody and I gotta be free.” He goes on to sing in the song’s closing verse, “I might be wrong/But I’ll take that chance/Falling down and getting up/Is part of the dance/Wanderin’ in circles/Trying to find a place to be/I wanna be somebody and I gotta be free.” Whether male or female, such mindset and energy is something to which even today’s youths can relate. The song’s ability to reach across the generations with such lyrics and musical power makes it a great opener for Heavy Blues and just one of many examples of why every rock purist should have Heavy Blues in their music library.

‘The Edge’ is a great start for Randy Bachman’s new album. It is a song that stretches across generations both with its music and its equally positive and explosive lyrics. It isn’t the only positive boasted by Heavy Blues, either. The hybrid blues/gospel-infused ‘Oh My Lord’ is another great example of what makes this record such a standout opus. Fellow veteran musician Robert Randolph (Robert Randolph and the Family Band) joins Bachman on this song to make for a piece that is one of the highest of the album’s highs. While Randolph provides no vocals for the song, his added talents on the steel pedal add quite a bit of spice to the song. Lyrically, it offers just as much depth for listeners. It notes that for all the bad times in life, a person has to endure and push through, no matter what. As Bachman sings, “Young and restless, outta control/You gotta let the bad times roll/Be careful what you wish for, diamonds or gold/You gotta let the bad times roll/Life is just a gamble, you gotta take control/You gotta face the storm and let the four winds blow/When you roll the dice, it’s all about the throw/You gotta let the bad times roll.” Bachman comes across as saying that people have to take the bad with the good and just face it all rather than try to run and hide from it. Hiding from the bad times only makes things worse. Facing the bad times is tough, but it makes a person stronger for having done it. As with ‘The Edge,’ these are lyrics that cross generations. They are words that are just as relevant to today’s youths as to those that were youths when Bachman was himself younger. Once more, that combination of infectious blues and gospel-infused music coupled with equally substantive lyrics shows why Heavy Blues is such an enjoyable record for rock purists of every age and why it in whole proves to be potentially one of this year’s best new rock records.

Both ‘The Edge’ and Oh My Lord’ serve in their own way as prime examples of why every rock purist should hear Heavy Blues if not have it in his or her own music library. Both songs present wholly different sounds yet sounds that will impress rock fans of all ages. The lyrical content of each song makes each one even more enjoyable and impactful. While both songs provide a certain amount of substance to the album in whole, they certainly are not all that make Heavy Blues so impressive. The album’s closer ‘We Need To Talk’ stands out completely from the rest of the album’s compositions. Yet it shows in its own way one more way that this album shines. Given it probably should not have served as the album’s closer considering the energy exuded by the rest of the album’s songs. But stylistically and lyrically speaking, it is a powerful and moving song in its own right. The song’s musical side presents a figure going through the sadness and uncertainty that comes with an impending breakup. The gentility in Bachman’s voice coupled with the song’s reserved sound set against its 3/4 time signature makes it a song that will tug at listeners’ heart strings like no other. The song’s lyrical side will tug at listeners’ emotions just as powerfully as Bachman sings, “I braced myself for the worst/Whenever you hear those words/Something don’t fit/Something went wrong/Something don’t work and something’s all gone/That’s just the way it is, we need to talk, she said.” Just as with ‘The Edge’ and ‘Oh My Lord,’ the lyrical content presented here is content that transcends generations. Bachman paints a vivid picture of a young woman trying not to hurt a man as she tells him that their relationship has come to its end. There are thousands of songs about breakups that have been crafted by acts across music’s many genres throughout the modern history of music. But few tell the actual story of the breakup. And just as few tell the story of that moment with such clarity and emotion. Because of that, ‘We Need To Talk’ proves itself to be one more of the most important moments of Heavy Blues even as much as it stands out from the rest of the album’s songs. It isn’t heavy in the traditional sense. But its combination of moving lyrics and music make it a heavy song in its own right. And it makes it one more great examples of what makes Heavy Blues such an important addition to any rock purist’s music collection regardless of said listeners’ age. Together with the likes of ‘The Edge’ and ‘Oh My Lord,’ the combination of all three songs( and those not noted here) shows exactly why this record could potentially be one of the year’s best new rock records.

Randy Bachman has proven time and again throughout his career why he remains one of the most respected figures in the rock community decades after he first rose to fame. And as the songs noted here show, he has proven yet again exactly why he is held on one of those pedestals of rock’s greatest icons. The songs not noted here prove that just as much, not to ignore them, either. The combination of those songs with the compositions noted here show Heavy Blues as an example of how rock can be heavy without being heavy metal. It shows why this record is one that every rock purist should have in his or her music library. And it shows why it is potentially one of the best new rock records of the year. Randy Bachman will tour in support of Heavy Blues beginning April 1st in Milwaukee, Wisconsin. The tour includes a stint on the 2016 installment of the Rock Legends Cruise. His current tour schedule is available online now along with all of his latest news at:

Website: http://randybachman.com

Facebook: https://www.facebook.com/pages/Randy-Bachman/186355994906457

Twitter: http://twitter.com/randysvinyltap

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.