Psycle’s Debut Album Could Be Its Breakout Record

Courtesy: O’Donnell Media Group

Independent hard rock band Psycle is scheduled to release its new album Kill The Machine Friday.  The band’s third studio recording — and debut album — the eight-song record is the band’s best work to date.  It is a presentation that shows the band’s members – Seth Salois (vocals, guitar), Jay Spyne (drums, vocals), Mike Kaz (bass, vocals), and Joe Nicolazzo (guitar) – at the top of their game.  Between the talent exhibited by each musician and the depth in the songs’ lyrical themes, the record is a strong debut for the band.  Given the right support, it actually could be the band’s breakout record.  That is proven in part through the album’s latest single ‘Last Chance for the Saints.’  It will be discussed shortly.  The album’s second single, ‘Changing Tide’ is another way in which the album proves its strength.  It will be discussed a little later.  ‘Dying To Live’ does just as much as ‘Changing Tide’ and ‘Last Chance For The Saints’ to show this record’s strength.  It is definitely not the last of the album’s most notable songs, either.  ‘Vultures at Play,’ ‘White Flag’ and ‘The Outsider’ are all just as notable as the songs addressed here.  When all of these songs are considered alongside the album’s other two songs not noted here, the album in whole proves itself to be one of this year’s top new independent albums and one of the year’s top new rock records.

Psycle’s debut album Killing The Machine is a positive “first impression” from the band.  The term “first impression” is used because the band has already released two EPs – its self-titled record and the EP Surfaces – ahead of this album.  Spanning a total of eight songs, the album proves itself so positive because of its musical and lyrical content.  That is evidenced in part through the album’s latest single ‘Last Chance for the Saints.’  The album’s penultimate song, it presents a blues-based, straight-forward rock arrangement, complete with chant of ‘Hey, Hey’ in its opening bars.  Throughout the course of the nearly four-minute rocker, the composition in whole lends itself to comparisons to works from Theory of a Deadman, Charm City Devils, and Daughtry to a lesser degree.  Front man Seth Salois’ vocal delivery couples with his work on guitar and that of fellow guitarist Joe Nicolazzo to add a certain depth to the song.  Drummer Jay Spyne’s solid time keeping, fills and cymbal crashes add even more impact to the song while bassist Mike Kaz’s low-end puts the finishing touch to the whole.  What is interesting to note here is that the song’s fiery energy actually plays well into translating the emotion in the song’s extremely serious lyrical theme, that of the nation’s opioid epidemic.

The fact that the band took on the topic of the nation’s opioid epidemic is a statement in itself.  Few, if any music acts in any genre can say they have taken on or are taking on the controversial topic.  The way in which the matter is addressed here makes the song stand out even more.  This isn’t just some sad, emotional piece lamenting those who have died as a result of the epidemic.  Rather, it is a striking indictment of the epidemic that forcefully goes after those who have allowed it to continue.  Salois confirmed this in a recent interview, stating of the song’s theme, “This song deals with the damage that has been caused by the opioid epidemic in our country and how others continue to make money off of this damage.  Addiction is something that has touched so many of us in so many ways.  This song hopefully takes a stance against the destruction of so many of those we love.”  That statement is confirmed as Salois sings in the song’s lead verse, “This is the last chance for the saints/Keep making the pills and we’ll medicate/I’ll never refuse while I lie here/The beautiful taste your supply cheers.”  He continues in the song’s second verse, adding to that statement, “Never forget your consumer’s name/It’s written in guilt under stone they lay/It spreads like fire with our hands cold/’Cause killing us young meets the same goal.”  He adds in the song’s third and final verse, “Now it’s fading faster/Leaving you to shake/A beautiful disaster /Chase it down the drain/And we run, down the line but were still here alive/And we run, down the line but we’re still here alive.”  Again, this is a pretty damning indictment of the nation’s drug industry.  This isn’t going necessarily after drug dealers, but rather legal drug dealers; the companies that make these medications to which people are becoming addicted.  Together with the song’s fiery, powerful musical arrangement, the two elements together make the song in whole one of this album’s strongest entries if not its strongest entry overall.  Again, it is at least one of the album’s most notable songs.  The album’s second single, ‘Changing Tide’ is another of the record’s most notable works.

Right from its outset, the arrangement at the center of ‘Changing Tide’ lends itself to comparisons to works from Alter Bridge and its predecessor, Creed.  That is meant in the most complimentary way.  Even Salois’ vocal delivery stands out here along with the work of his band mates, lending itself to comparisons to that of Alter Bridge front man Myles Kennedy.  All of this is important to note because it’s another way in which the record proves musically to be Psycle’s best work to date.  It is another clean, polished work from the band.  In comparison to the work featured on the band’s two previously released EPs, it shows how much the band has grown and evolved personally and collectively throughout the band’s life.  Interestingly, that plays right into the song’s lyrical theme, too.

The song’s lyrical theme is meant to inspire listeners, according to a recently released collective statement from the band.  The statement says of the song’s lyrical theme, “‘Changing Tide’ is about believing in your individuality, accepting the hand that you are dealt and persevering through whatever stands in your way,”  This message is driven home in the song’s lead verse, in which Salois sings, “Hold The Line, and believe in your creation/Make the climb/Never needing their ovation/Face down the storm/That will eat you alive.”  He continues in the song’s second verse, “Kill the lies/As it fuels the same frustration/Live your life/As we breathe the elevation/Break down those walls that you keep to survive.”  This is straight forward to say, meaning that it is just as accessible to audiences as the lyrical content featured in ‘Last Chance for the Saints.’  It means audiences will be able to easily relate to this matter.  The song’s chorus drives home the noted theme as Saolis sings, “I’ll never give in/I’ll never give up this fight/If you do, it never changes/We can face the winding road/And the changing tide.”  Once more, audiences can relate easily to this accessible content.  This line in the song’s chorus is what the band wants its listeners to sing, that they, too, will never give in or up.  In times, such as these, such a positive message overall is something that is wholly welcome and needed.  To that end, this song is another notable addition to Kill The Machine.  It is hardly the last of the album’s most notable songs.  ‘Dying to Live’ is one more way in which Kill The Machine shows why it is such a positive debut from Psycle.

Much as is the case with ‘Last Chance for Saints,’ Kill The Machine’s title track and much of the other material, the musical arrangement at the heart of ‘Dying to Live’ is a southern rock-tinged composition with a touch of a blues influence at its base.  Of course while the stylistic approach is similar to that of the album’s other works, the actual sound stands on its own merits.  In other words, doesn’t just rehash the sound of its counterparts in this record.  Keeping that in mind, the song is its own notable work just for its musical arrangement.  The sound and energy in the song’s arrangement couples well with the song’s lyrical energy, which according to Salois, is its own social commentary.

Salois said of the song’s lyrical content, “’Dying to Live’ is really about how we try so hard to fit into certain societal groups or ideas and how we are manipulated into thinking we need to be a certain way or have certain things by others.”  Once again, here audiences get a lyrical theme to which they can relate with ease.  Whether through the media, through our peers or other sources, we as a species feel that pressure every day from so many sources.  As a result of that pressure, many of us end up putting that pressure – unnecessarily so – onto ourselves.  It is yet another topic that will connect with listeners especially through its accessible lyrics.  Salois sings in the song’s lead verse, “When it’s over, can you please let it go/It’s a feeling, like the calm before the storm/Thrown the stone, feel the waves catching up/They will sell you the same old shelter/They will sell you your soul.”  He continues in the song’s second verse, “Can you feel it/When you finally take control/And the demons show their face the more you know/Thrown the stone/Feel the waves catching up/They will sell you the same old shelter/They will sell you your soul.”  While there is plenty of metaphorical language used here, the message is made clear, considering Salois’ statement.  That mention of the felling of the “calm before the storm” is something of a statement of that pressure that we feel; that uncertainty that goes through our minds.  The mention of the “same old shelter” being sold over and over again, is like saying those extraneous forces (the media, peers, etc.) will push the same belief set time and again, which leads to the feelings being noted here.  It’s a warning that we need to heed.  We need to take pride in ourselves and who we are – which is the message of ‘Changing Tide’ – and not give in to that pressure to be something that we are not.  Considering the energy in the song’s musical arrangement, that message gains even more traction and impact.  Keeping that in mind, the song in whole becomes, again, just one more example of what makes Kill The Machine such a strong offering from Psycle.  When the song is considered along with the other songs addressed here and the rest of the album’s works, the result is a debut that deserves its own share of attention and a work that is a positive debut from this independent rock band.

Psycle’s debut album Kill The Machine is a positive first impression from the independent hard rock band.  That is proven through accessible musical arrangements that are themselves radio ready and through lyrical themes that are just as accessible as the albums’ musical content.  All three of the songs examined here serve to support the noted statements.  The same can be said of any of the album’s other songs, too.  All things considered, the album in whole could be the work that, with the right support, could be a breakout for Psycle.  Regardless of whether the band gets that support,  it can be said of Killing The Machine that all things considered, this record is one of this year’s top new independent album and new rock albums.  Killing The Machine is scheduled for release Friday.

More information on Psycle’s new album is available along with all of the band’s latest news at:

 

Websitehttp://www.psyclemusic.com

Facebookhttp://www.facebook.com/psyclemusic

Twitterhttp://twitter.com/psycle22

 

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Stone Broken’s Sophomore Album Proves It Was Truly Worth Making

Courtesy: Spinefarm Records

Nothing worth doing in life is ever easy.  We’ve all spoken or heard this old adage at one point or another in life.  Nothing worth doing is easy because the reward of the hard work put in toward the goal makes that work that bearable.  Ain’t Always Easy, the sophomore album from rock outfit Stone Broken is an example of the value of the ends equaling the work put in towards those ends.  Released April 13 via independent record label Spinefarm Records, this first effort for the label from the British band is an 11-song outing that will appeal easily to fans of Theory of a Deadman and other similar acts.  Lyrically speaking, it will appeal to any rock fan thanks to the positive messages presented throughout its 40-minute run time.  Keeping this in mind, Stone Broken’s latest LP proves both musically and lyrically to be a record that is ready to *ahem* break Stone Broken into the mainstream rock realm.

Stone Broken’s sophomore album (and its first effort for Spinefarm Records), Ain’t Always Easy is a solid new effort from start to finish that proves this British rock band is ready to break out into the mainstream rock realm.  This is proven both musically and lyrically throughout the album’s run, starting with its opener, the up-tempo rocker ‘Worth Fighting For.’  In regards to its musical content, one would instantly think this was Theory of a Deadman if one didn’t know it was Stone Broken.  This is not only thanks to the song’s arrangement, but also thanks to front man Rich Moss’ vocal delivery.  He sounds just like TOAD front man Tyler Connolly.  The similarity in the two vocalists’ voices is incredible to say the very least.  Guitarist Chris Davis’ riffs and drummer Robyn Haycock’s solid time keeping keep the song moving forward, never letting the song get away from itself in the process.  Meanwhile, bassist Kieron Conroy’s low-end expertly compliments ‘Davis riffs, completely filling out the song’s arrangement, helping to make the arrangement wholly infectious and memorable.  Its musical arrangement is only one part of what makes it stand out.  The noted positive messages are not lost here, with Moss seemingly saying to listeners that despite all of the negatives in the world, one should note give up hope, but instead keep fighting and pushing on. This is inferred as he sings in the song’s lead verse, “Head down/Jury’s out/Got some things to think about/Not pointing fingers/But it’s easy to see/Messed up/Outta luck/This is gonna show you up/Communicating your infectious disease/Cut ties/Dirty lies/You’re the first to criticize/Because you’re full of it and everyone knows/Dead beat enemy/Everything you’re covering/Under the weight/the cracks are starting to show.”

He goes on to sing in the song’s second verse, “Big screen magazine/Show us what you’re offering/You’ll realize it’s all just part of the show/Rules bent/Money spent/Wonder where the budget went/That’s not the kind of thing they like to expose/Wake up/Take a look/Haven’t they all got enough/We can’t relate, ‘cause it’s the life that they chose/Red face/Open case/Disappeared without a trace/Why can’t you see that’s how democracy goes?”  All of this negativity is countered with Moss and company singing in the song’s chorus, “Stand up/Show them what we’re made of/That’s what we’re fighting for/Don’t wanna lose it all/Stand up/And lead a generation/That’s what we’re fighting for/We’re gonna give it all/Stand up/The world is worth fighting for.”  This message of hope and determination is not rare nowadays in music, but it is also not overly common, so it is nice to have a message of not giving up and persevering versus just yelling and screaming about things.  It is a message of action, but not violent action.  In other words, it is a message that is certain to inspire listeners of all ages.  When this is considered alongside the song’s musical arrangement, the end result is a song overall that is not just a strong start for Stone Broken’s new LP, but a strong example of what makes the album so strong overall.  It is just one of the songs that serves to show what makes the album so strong.  ‘I Believe’ is another piece that serves to exhibit the album’s strength.

‘I Believe,’ instantly lends itself to comparisons to the best works not only of Theory of a Deadman but also to the likes of Black Stone Cherry and other similar acts with its Southern rock-sound.  Once again, the teaming of Davis and Conroy creates a solid whole through their juxtaposition that, when joined with Haycock’s time keeping, proves to be just as infectious as any of the album’s other arrangements.  And again, Ross’ vocal delivery sounds so similar to that of Connolly that the similarity in the bands’ sounds is undeniable.  Davis’ solo in the song’s bridge adds to that easy comparison.  Between that catchy hook and the rest of the song’s arrangement, the whole of the song’s musical side does plenty to make the song stand out.  Of course the song’s musical side is just one part of what makes this song stand out.  Once again, its lyrical content goes a long way toward making it stand out, too.  Ross sings here, “Time’s gone/Movin’ on/I guess I’m on my way/Ride along/Singing songs/Just to hit that stage/Lights down/On the crowd/The voices in my head/Hoping some day that I can do it again/I’ve got a feeling you’re gonna get the best of me/You’ve gotta see it and start believing/Honestly, you can be anything you wanna be/I’ve got a feeling you’re gonna have the time of your life/Reachin’ out/I can see/I won’t waste a second ‘cause I want it all/Reachin’ out, I believe.”  That’s just the song’s second verse, but it still sends a clear message.  The song’s lead verse finds Ross singing about where he’s come from, from sitting in his room, playing on his guitar, dreaming about reaching that dream.  He uses that as the basis for his statement that if he could obtain his dream of rock stardom, then anyone can achieve their dreams, regardless of what they are.  He sings in that lead verse, “Head home/Music on/A million miles away/I sit down and played around/I practiced every day/Rewind, then do it all again/Hoping someday I’d be just like them.”  The chorus, as noted already, drives home that if he can do it, so can the listeners as he sings, “I’ve got a feeling you’re gonna get the best of me/You’ve gotta see it and start believing/Honestly, you can be anything you wanna be/I’ve got a feeling you’re gonna have the time of your life/Reaching out/I can see/I won’t waste a second ‘cause I want it all/Reaching out/I believe.”  This is such a welcome, positive message, and more proof of what makes this record such a strong new effort from Stone Broken.  It is definitely not the last song that could be cited, either.  ‘Home,’ the album’s lone ballad is one more song that can be cited in supporting said statement.

‘Home’ is not unfamiliar territory for mainstream radio, just as the already noted songs aren’t either.  This is standard fare about someone being out on the road, away from loved ones, with all of the emotional musical accompaniment to tug at listeners’ heart strings.  Musically, it is easily comparable to works from not only Theory of a Deadman, but Nickelback and Creed, too.  Ross sings here, “When the nights are getting long/I wanna hear you say/You’re not that far away/I wonder how you’re getting on/I see you every day/When I’m away/When I miss you/I know it’s true/Every time I try/It ain’t always easy/I’m gonna take this on my own/Every time you wanna go/It’s hard when you’re alone/I’m only dreaming/Going right where you wanna go/Got a feeling that you’ll know/It’s hard away from home.”  The song’s second verse is not much different, with Ross singing, “When you call me on the phone/You play our favorite song/Reminding me of home/When it’s hard to carry on/I wish that I was wrong/But the days go on and on/When I hear you/I can see through/Every single time/It aint’ always easy/I’m gonna take this on my own/every time you wanna go/It’s hard when you’re alone/Im only dreaming/Going right where you wanna go/Got a feeling that you know/It’s hard when you’re alone.”  Again, it doesn’t necessarily break any new ground musically or lyrically. But for mainstream radio, that’s a good thing.  It is another song that – much like so much of the album’s entries – is radio ready and will fit in so easily with Stone Broken’s more well-known contemporaries.  It most certainly still is not the last of the album’s entries that proves the album so solidly ready for the mainstream rock realm.  ‘Heartbeat Away,’ a hard rocker which addresses domestic abuse, is very similar to another song crafted some time ago by Nickelback.  ‘Otherside’ is another lyrically positive anthem that touts taking chances in life and living life to the fullest, rather than letting difficult times keep one down.  There is even commentary on addiction in ‘Let Me See It All’ and ‘Just A Memory.’  Between those songs and the pieces more directly noted here, the whole of Ain’t Always Easy proves to be a record whose work and effort was worth it.  It is a record that is instantly radio ready from start to end and is sure to enlighten and inspire listeners of all ages thanks to its lyrical themes.  Keeping this in mind, it is a record that proves Ain’t Always Easy was worth doing and will be worth hearing.

Up-and-coming rock band Stone Broken has proven with its sophomore album (and first for Spinefarm Records) that it is ready to break into the mainstream.  It has shown that while making its new album Ain’t Always Easy might not have been an easy road, the work was worth it, as the payoff shows.  It is available now in stores and online, and will be available at the band’s upcoming performance at the Rock Allegiance Festival on October 6 in Camden, Jew Jersey.  More information on Ain’t Always Easy is available online now along with all of Stone Broken’s latest news and more at:

 

 

 

Website: http://www.stonebroken.com

Facebook: http://www.facebook.com/OfficialStoneBroken

Twitter: http://twitter.com/StoneBroken_

 

 

 

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Corroded’s New LP Is Set To Put The Rock Community On “Alert”

Courtesy: Despotz Records

Late this past April, hard rock outfit Corroded released its latest album Defcon Zero.  The  band’s first new album in five years and its fourth full-length studio recording, it is a recording that could very possibly put the hard rock community in whole on alert.  That is because it presents a combination of music and lyrics throughout its 11-song, 50-minute run time that challenges even the best of the big names.  The record’s opener, ‘Carry Me My Bones’ clearly supports that statement.  ‘A Note To Me,’ which comes late in the record’s run, also supports that statement in its own way, too.  It will be discussed later.  ‘Fall of a Nation’ is yet another example of what makes Corroded’s latest effort a work that is anything but corroded itself.  Rather, it is another example of what makes the record a solid, strong new offering from one of hard rock’s best kept secrets.  It joins with the previously noted songs and the rest of the album’s offerings to make the record in whole an offering that is certain to put the hard rock community in whole on alert.

Defcon Zero is a strong and solid return for Corroded. That is especially considering the fact that it is the first record in five years from the Swedish hard rock outfit.  From start to finish, the band presents in this new offering a record that is certain to put the hard rock community in whole on alert.  That statement is supported in part in the album’s opener ‘Carry Me My Bones.’  The song’s musical arrangement instantly conjures thoughts of Dry Kill Logic’s best works.  That is evident as the song starts with a brooding, acoustic arrangement before gradually building into a full-on, guitar-driven assault.  What is really interesting is the heavy buildup to that assault conjures in itself, thoughts of some of Slayer’s best works.  The combination of front man Jens Westin’s vocal delivery and the song’s musical elements throughout the rest of the song maintain that previously noted comparison to Dry Kill Logic.  The whole of that arrangement is only one part of what makes this song stand as an example of Defcon Zero’s impressive nature.  The song’s lyrical content is just as important to discuss as the song’s musical arrangement in examining what makes it stand out.

The musical arrangement at the center of ‘Carry Me My Bones’ is in itself a key part of what makes this song stand out as an example of what makes Defcon Zero stand out. That is because it easily challenges hard rock’s top names from start to finish. Its lyrical content is just as important to discuss as its musical arrangement in examining its whole.  Westin said in an interview about the album’s lyrics “When it comes to the lyrics, I want everyone to make up their own opinion to what the songs are about.” He went on to compare interpreting the album’s lyrics to comparing a book to its cinematic counterpart.  Keeping that in mind, the lyrical content at the center of this song definitely proves to be interesting.  Westin sings here, “I’ve been awake/For days/On my way to hell/I’m not going to lay down and die before I get there…What you believe is more than you know/Carry me my tired bones/Far away/So far away from secrets/A million miles away/Carry me my tired bones.”  He goes on to sing in the song’s second verse, “I was stuck/In-between/No place and nowhere….” before he and his band mates—Tomas Andersson (guitar), Bjarne Elvsgard (bass) and Per Solang (drums)—reprise the song’s chorus time to finish off the song.  Noting again that Westin leaves the lyrics’ interpretation to listeners’ own thoughts, this critic’s take on the song’s lyrical content is that it comes across as an introspective rumination of someone working through a very difficult time.  That is inferred in the song’s lead verse.  The hell in question is clearly metaphorical.  The subject’s mind has been racing, but that subject is still determined not to give up in whatever difficult situation is presented.  As Westin’s subject sings “carry me my tired bones,” one can interpret that perhaps the song’s subject is saying he or she wants to get away from everything; all of the negatives surrounding him or her.  The song’s second verse continues to infer that same message in this critic’s own interpretation.  It would be interesting to learn the true message in the song’s lyrical content.  That aside, the combination of that seeming message couples quite well with the song’s musical arrangement to make for a song that is a powerful first impression for the band this time out.  It is just the start, too.  ‘A Note To Me,’ which comes late in the album’s run, is another solid addition to the album’s whole.

‘Carry Me My Bones’ is a strong first impression from Corroded on its latest new album.  That is due to the combination of its musical and lyrical content.  The two elements together make the song a clear example of what makes Defcon Zero stand out in whole.  It is just one of the songs that shows what makes the album stand out, too.  ‘A Note To Me’ is another example of what makes the record in whole stand out.  As with the album’s opener, that is due at least in part to its musical arrangement.  The musical arrangement here is a stark contrast to that of ‘Carry Me My Bones.’  It is a deeply emotional, guitar-driven composition that (and some audiences will call this musical heresy) conjures thoughts of Theory of a Deadman and Nickelback.  Yes, it seems damning.  But the reality is that when one compares this composition to that at the center of ‘Carry Me My Bones,’ it is actually a good thing that such a comparison can be made.  That is because it shows in its own right the reach of the band’s talent, sounds and influences.  Westin’s vocal delivery throughout even conjures thoughts of Nickelback front man Chad Kroeger through his delivery.  Again, some might see such a comparison as musical heresy of sorts.  The reality once more though, is that it shows the band’s ability to reach into any rock and hard rock sub-genre.  That is a compliment of the highest caliber to the band.  Of course the song’s musical arrangement is only part of what makes it stand out.  Its lyrical content is just as important to discuss as its musical arrangement.

The musical arrangement at the center of ‘A Note To Me’ is in itself a key component of its overall presentation.  When set against the composition at the center of ‘Carry Me My Bones,’ it shows even more why Defcon Zero stands out among this year’s field of new rock and hard rock records.  The song’s musical arrangement is only one part of what makes the song stand out.  Its lyrical content, which is just as brooding as its musical arrangement is just as important to discuss as that musical content.  Westin sings here in the song’s lead verse, “This bitter pill I got/It turns out to be hard to swallow/I’d make my head whole/But everything inside feels hollow/I am the haunting of the day that never came/Yeah, what a shame.”  He goes on to sing in the song’s second verse, “The truth hurts that I know/And now it’s out for everyone to see/I’m just a coward/Who hates everything about me/Everything I’ve done was a lie/It’s harder to cry.”  This comes across as someone who is confessing a major hidden truth to someone else.  As the song progresses through its chorus, it can be inferred that the someone in question is obviously someone close to the subject.  What is interesting is that Westin doesn’t point out if that person is male, female, young or old.  That in itself is a really powerful statement.  When one really thinks deeply about this matter, the confession could work in any of those situations.  That is especially the case as Westin sings in the song’s final moments, “My only hope is that you will forgive/And that some day/Some day you will forget.”  Regardless of whether the situation presented here is between friends, family or some other close person, the confession by the song’s subject is powerful.  It is the kind of statement made in similar songs by the aforementioned mainstream friendly acts; the kind of statement that, when coupled with the song’s musical arrangement, is made even more powerful.  The combination of those two elements makes the song in whole a truly powerful work that once again can rival songs from the bands already noted.  Keeping that in mind, it is one more work included in this record that shows why this record stands out among its counterparts both mainstream and independent.  It still is not the last of the songs that serves to show what makes Defcon Zero stand out.  ‘Fall of a Nation’ is one more example of what makes this record one that will put the rock community in whole on alert.

‘Carry Me My Bones’ and ‘A Note To Me’ are both solid examples of what makes Defcon Zero a strong new effort from Corroded.  That is because they show the wide reach of the album’s sound, proving its appeal to metal purists and mainstream rock fans alike.  The songs’ lyrical content adds just as much depth to their whole.  While both songs’ musical and lyrical content serves to make them clear examples of the album’s strength, they are only two examples of that strength.  ‘Fall of a Nation’ just as clearly proves to be another example of said strength.  That is evident first through its adrenaline-fueled, guitar and drum-driven musical arrangement, which mixes elements of Hellyeah, Soil and other similar acts for a whole that will instantly have listeners’ horns in the air.  Its lyrical content will keep listeners just as engaged as Westin seemingly comments on…well…the downfall of a nation.  Being that there is so much turmoil the world over and that Westin and company don’t necessarily point out which nation is being addressed, the commentary could, in reality, apply to the United States, any Middle Eastern Nation or other nation.  There is mention of “seeing the  flames rising,” “bones grinding,” “ashes in the air” and other rather interesting visuals.  This could be a commentary of what could come to any nation if said nation(s) don’t get things in check and soon.  The added mention of “we are the ones who are watching everything from high up above/We are the ones who idle standing by as things burn” adds to the power of that message.  It is almost as if the song’s subject is saying, “we’re going to stand by and let the world destroy itself and this is what we see happening.”  It is a powerful, possible statement.  The power in the song’s musical arrangement expertly captures the energy in that supposed statement, too.  Keeping that in mind, the whole of that musical and lyrical content makes this song clearly one more example of what makes Defcon Zero such a powerful new offering from Corroded.  It is hardly the last song that serves to exemplify what makes this album stand out.  ‘Gun and a Bullet,’ ‘Burn It To The Ground,’ and ‘Vessels of Hate’ each do their own part to show what makes this record stand out, too.  All things considered, the songs noted and not prove Defcon Zero a record that will put the rock community in whole on alert.

Defcon Zero is a powerful return for Corroded.  It is a record that proves audiences’ five-year wait for the band’s next album was well worth it.  What’s more it is a record that is certain to put the rock community in whole on alert.  That is because it is such a strong new effort from start to finish both in regards to its musical arrangements and lyrical content.  All things considered, this record is one that deserves a spot on any critic’s list of the year’s top new hard rock albums.  It is available now.  More information on Defcon Zero is available online now along with all of Corroded’s  latest news and more at:

 

 

 

Website: http://www.corroded.se

Facebook: http://www.facebook.com/corrodedsweden

Twitter: http://twitter.com/corrodedsweden

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Blacktop Mojo’s New LP Is Set To “Burn” Up The Mainstream Rock Radio Realm

Courtesy: High Road Publicity

Courtesy: High Road Publicity

This time next week, Blacktop Mojo and its fans will be only a week away from the release of the band’s latest full-length studio recording Burn The Ships.  For those unfamiliar with the Palestine, TX-based band, it is a good fit for anyone that is a fan of Alter Bridge, Black Stone Cherry, Theory of a Deadman, Zakk Wylde and all of his various projects.  From start to finish, this record is set to *ahem* burn up the mainstream rock radio realm with its infectious, guitar-driven arrangements and equally interesting lyrical content.  The record’s hard rocking second song ‘End Of Days’ is just one of the songs included in this record that supports that statement.  It will be discussed shortly.  The much more reserved, yet heavy in its own right ‘Prodigal’ supports that statement in its own right.  The band’s own take on Aerosmith’s timeless classic ‘Dream On’ even serves to support that statement, too.  Between these songs and the album’s other ten songs, the whole of this record shows Blacktop Mojo to have great potential.  They show in whole that given the right support from mainstream rock radio, Blacktop Mojo could be one of the realm’s next big names.  They also show this album to be one of the year’s top new hard rock records as well as one of the year’s top new independent albums.

Blacktop Mojo’s new album Burn The Ships, its sophomore release, is one of this critic’s choices for the year’s top new hard rock records and new independent albums.  That is thanks to its mainstream accessibility, even being an independent act. Independent here, should be clarified, to mean not signed to a major label.  It does not necessarily mean independent in the unsigned sense.  From start to finish, it proves to be an album that is primed to “burn” up the mainstream radio realm.  ‘End of Days,’ the record’s second song is a strong example of what makes this album such a “hot” (yes, that awful pun was intended, too) new effort from Blacktop Mojo.  That is due in part to the song’s arrangement.  The hard-hitting, guitar-driven composition instantly conjures thoughts of Theory of a Deadman’s heavier works.  That is only one part of what makes the song so interesting. The song’s lyrical content is just as important to note here as the song’s musical arrangement. Front man Matt James sings in the song’s lead verse, “Has it all been an empty gesture/Has it all been a waste of time/World’s spinning into certain disaster/We never figured out the meaning of life/Don’t wait/To say/What’s on your mind/Don’t take/It with you/Leave it behind.”  He goes on to sing in the song’s chorus, “There’s a fire in the sky/There’s chaos in the air tonight/Stay with me…sit back and watch the end of days.”  Taking this all into consideration, one can’t help but interpret the song, lyrically, as a statement of the world’s current state of affairs.  The song’s second verse proves that just as much as James clearly sings about the events of September 11, 2011.  It should be noted here, too, that his statements in the second verse are not meant to do anything but add to the statement of the direction this world—not just America—is taking.  When such content is set against the driving energy in the song’s musical arrangement, the pairing of the two elements makes this song stand out clearly among BTS’ other songs.  They join to prove the song to be a clear example of what makes this record such a worthwhile new effort from Blacktop Mojo.  It is just one of the songs included in this record that exhibits what makes the record so impressive overall.  ‘Prodigal’ serves just as much to show what makes BTS stand out in this year’s field of new rock and hard rock records.

‘End of Days’ is a clear example of what makes Blacktop Mojo’s new record Burn The Ships an impressive new effort.  That is due to the combination of the song’s driving, guitar-centered musical arrangement and its thought-provoking lyrical theme.  The combination of the two elements makes it just one example of what makes the song (and album) stand out.  It is just one of the songs that so clearly shows where this record gets its *ahem* fire (yes, that awful pun was intended, too).  ‘Prodigal,’ with its far more reserved, yet still heavy arrangement and lyrical theme, stands on its own merits.  The song is a deeply contemplative work that harkens back to similar works from both Theory of a Deadman and Black Stone Cherry.  This is especially true in examining the song’s musical arrangement.  The song’s lyrical theme seems, at least to this critic, as a coming-of-age story of sorts.  That interpretation was made through James singing in the song’s lead verse, “Don’t call me/The prodigal son/Cause I ain’t comin’ back/I’ll make it/On my own/Let me walk my own path/And don’t worry/About me/I’ve got everything I need/I’m gonna see the world/through my own eyes/Climb the mountain, see the sky/Across the stars on the other side.”  He goes on to sing in the song’s chorus, “One of these days I won’t be around/I’ll rip my roots up from the ground/With wings of feathers…I’ll fly toward the sun/’Till they melt from my back.”  James continues on in similar fashion in the song’s second half, singing from the vantage point of a figure striking out on his or her own.  It is not one of those standard “oh woe is me” sort of songs, either.  But the mixed emotion of a person wanting and needing to grow and be one’s own person is there.  It is especially illustrated through the song’s musical arrangement.  When that emotionally powerful arrangement is coupled with the song’s deeply moving lyrical theme, the two elements together make this song heavy without being heavy.  That heavy without heavy presentation makes the song stand out from its counterparts just as much as ‘End of Days.’  It also serves to show even more why this record stands out in this year’s field of new rock and hard rock entries.  It shows the band’s ability to entertain audiences while not just sticking to one style of song.  It is just one more song that shows the band’s breadth of talent and influences.  The band’s take on Aerosmith’s timeless classic ‘Dream One’ is one more of the album’s inclusions that shows what makes this record stand out.

‘End of Days’ and ‘Prodigal’ are both prime examples of what makes Blacktop Mojo’s new record Burn The Ships stand out as one of this year’s top new hard rock records and one of its best new independent albums.  They show the band’s range in terms of its talent and influence—one song is heavy both musically and lyrically while the other is heavy musically without being heavy, and is also heavy lyrically.  While both songs show in their own ways what makes this album stand out, they are only two out of so many songs that show how much the band and album have to offer.  The band’s cover of Aerosmith’s timeless classic ‘Dream One’ is just one more of the songs included in this record that serves to show how much the band and album offer listeners.  The arrangement presented by the band here is one of the most powerful renditions that any band has presented to date.  It boasts the same moving vibe evident in the original rock ballad, but also infuses its own hard rock edge into the song here to add even more to the song’s impact.  That harder edge even gives the song’s lyrical theme its own new identity.  That in turn makes the song all the more powerful of a composition, showing once more just how much this new record from Blacktop Mojo has to offer audiences.  Between this cover of a true classic, the other songs noted here and the album’s other 10 tracks, this album in whole proves to be one that hard rock fans everywhere should hear at least once.  In doing do, those fans will agree that this record is indeed set to “burn” up the mainstream rock radio realm given the right support.  They will also agree that this record is an easy pick for one of this year’s top new hard rock records as well as one of the year’s top new independent recordings.

Blacktop Mojo’s latest full-length studio effort Burn The Ships is an easy pick for any critic’s list of the year’s top new hard rock records and one of the year’s top new independent albums.  That is exhibited both through the record’s musical arrangements—which conjure thoughts of Fuel, Alter Bridge, Theory of a Deadman, Zakk Wylde and Black Stone Cherry just to name a handful of more well-known acts—and the record’s lyrical themes.  From start to finish, both elements will keep listeners engaged in every song.  That includes the band’s cover of Aerosmith’s ‘Dream On.’  After taking in the 13 songs that make up the record’s body, listeners will agree, once more, that Burn The Ships is an easy pick for any critic’s list of the year’s top new hard rock records and the year’s top new independent albums.  They will also agree in taking in this album that given the right support, Blacktop Mojo is primed to be one of mainstream rock radio’s next big names.  Burn The Ships will be available March 10 in stores and online.  More information on Burn The Ships is available online now along with all of Blacktop Mojo’s latest news and more at:

 

 

 

Website: http://www.blacktopmojo.com

Facebook: http://www.facebook.com/BlacktopMojo

Twitter: http://twitter.com/blacktopmojo

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Theory Of A Deadman Unveils Video For Its ‘Hallelujah’ Cover

Courtesy: Roadrunner Records

Courtesy: Roadrunner Records

Theory of a Deadman has released a touching new video for its cover of Leonard Cohen’s timeless hit ‘Hallelujah in celebration of the holiday season.

The video presents the story of front man Tyler Connolly’s adoption of an orphan kitten at Christmas time.  It follows the pair’s friendship from the kitten’s youth right up to it’s adult life, with both showing great love for the other.

There are no sad moments anywhere in this story, either.  It is all happiness and will leave not a single eye dry.  Audiences can check out the video here.

Courtesy: Roadrunner Records

Courtesy: Roadrunner Records

Fans can get the song now online via iTunes, Google Play, Amazon, Spotify and Apple Music. More information on the band’s cover of ‘Hallelujah’ is available now online along with all of the band’s latest news at:

 

 

 

Website: http://www.theoryofadeadman.com

Facebook: http://www.facebook.com/theoryofadeadman

Twitter: http://twitter.com/TOADM

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anti-Mortem Makes A Solid First Impression On Its Debut LP

Courtesy:  Nuclear Blast America

Courtesy: Nuclear Blast America

Anti-Mortem’s debut record New Southern is one of the best new hard rock records of 2014. The band’s debut record, which is available now in stores and online, has taken the best elements of Black Label Society, Hellyeah, and Pantera—just to name a few—and has blended them together to make a record that clearly shows why the band signed with what is one of hard rock’s “big three” labels in Nuclear Blast Records. For those that might be curious, the other pair of labels that comprise that “big three” are Metal Blade Records and Century Media Records. The band grabs listeners right off the top in the album’s opener ‘Words of Wisdom’ and doesn’t let go until the final strains of the album’s closer. Along the way, the band more than makes its argument as to why it deserves to be on any critic’s list of the year’s best new hard rock records. Case in point the band’s latest single ‘Truck Stop Special’ and the southern rock sludge of ‘Black Heartbeat.’ These songs are just a few examples of why Anti-Mortem’s New Southern has earned a spot at least on this critic’s list of the year’s top new hard rock records. Audiences will agree that any of the songs on this record show why the band deserves such an honor from any critic.

Anti-Mortem proves to audiences why its debut record is one of the year’s best new hard rock records right off the top in the album’s opener ‘Words of Wisdom.’ The comparisons to Black Label Society and Hellyeah are instantaneous thanks to the heavy guitar riffs of Nevada Romo and Zain Smith, and front man Larado Romo’s searing vocals. In an era when it seems that crunching down-tuned guitars and indecipherable cookie monster growls seem to be leading the way in the rock world, this combination of musicianship is a breath of fresh air even in the rock community. Of course the equally pounding drumming of Levi Dickerson and bassist Corey Henderson’s solid low end aren’t to be forgotten, either. They add their own depth to the song’s musical side as Larado Romo sings (Yes, he actually sings to a certain extent unlike so many rock vocalists today), “I was told my whole life/Don’t do this/Don’t do that/Force your opinion on me/Like it was fact/You tried to hypnotize/And teach me to act/the truth is you lied/And there’s no going back.” He and his band mates go on to sing in the song’s chorus, “You wonder/What’s under/What’s underneath my skin/You wonder what is under/Underneath my/I see no reason why/We should lay down and die/No words of wisdom.” There is no cryptic hidden message here. This song is a full-on, horns-high hard rock anthem. And it will have any true fan of the genre singing along with pride. That pride doesn’t lessen at all even after this song ends. That’s evident in another of the album’s highest points, ‘Truck Stop Special.’

‘Truck Stop Special’ is southern sludge rock at its finest. What can be said of this song but it is destined to be just as much a favorite for audiences both on the album and in a live setting. It’s a powerful song both musically and lyrically. Lyrically, Romo comes across as singing about making the most of life. This argument could be made in noting the song’s chorus. Romo sings in the chorus, “You can’t live your life, no/With your head in the sand/You can’t waste your time, son/On a fool’s errand.” That argument is made even stronger as he sings in the song’s second verse, “No money to drown in/No hope to hang/Trouble’s the way I’m living child/When there ain’t no fame/Our education boy/I’ll show you how to be yeah/To never want nothing son/To take all you need.” In the song’s final verse, Romo goes on to note how the last to a given point suffer the possibility of losing everything. He is speaking metaphorically here saying that those that waste their time in life are in danger of negative consequences. Overall, he is saying people shouldn’t waste their lives and let life pass them by. That carpe diem message of sorts next to the song’s solid driving musical makes this song one more of so many of New Southern’s many high points.

The members of Anti-Mortem show time and again throughout the course of New Southern’s twelve tracks and forty-six total minutes just why the band’s debut record is so deserving of being added to any critic’s list of the year’s best new hard rock records. ‘Truck Stop Special’ and ‘Words of Wisdom’ are both prime examples of why it deserves to be on that list. There is one more song that could be noted among the many standout tracks on this album proving that argument. The song in question, ‘Black Heartbeat’ comes almost halfway through the album. The song focuses on broken relationship, lyrically. But it doesn’t come across in the typical ‘oh woe is me’ style of so many songs. It really captures the mixed emotions of anger and pain felt by someone that has been on the receiving end of a broken relationship. And Romo makes no bones about the song’s subject matter as he sings, “It’s safe to say/It’s over now/At least until you call/Sometimes I wonder why I care/And loved you at all/Go on and pretend/It’s not your fault/Your cold black heartbeat/Has come to a halt/So use me/Abuse me/To get what you need/Confuse me/Lie to me/Your damage has been done/You can’t take advantage of my love anymore/No trust/Don’t wanna see/Then just walk out the door.” Some out there might not like the comparison, but one could almost compare this piece to Theory of a Deadman’s song ‘Get What You Deserve.’ The two songs are very similar both in terms of their themes and musical sides. This isn’t necessarily a bad thing, either. ‘Get What You Deserve’ is rather scathing in its own way just as this song proves to be. And it comes from a similar vantage point. It’s one of those pieces that when one is going through a separation of any kind will most definitely empower listeners and help them to get through such times. Ergo, ‘Black Heartbeat’ will have done its job. And in turn it will have proven once more just why New Southern more than deserves to be considered one of this year’s best new hard rock records.

All three of the songs noted in this review are prime examples of why New Southern deserves a spot on every critic’s list of the year’s best new hard rock records. They are also prime examples of why this album deserves a spot on the CD rack of every purist hard rock and metal fan. They aren’t the only examples of the album’s solidity. Every song on this album could be used for this argument. That’s truly saying something. The album is available now in stores and online. It can also be purchased at any of the upcoming live performances on the band’s current concert schedule. The band will kick off a summer tour at Strummer’s in Fresno, California on Tuesday, July 8th. Audiences can check out the band’s current tour itinerary online now and even buy New Southern at the band’s official website, http://anti-mortem.com. The band’s current tour schedule and updates are also available via Facebook and Twitter at http://www.facebook.com/AntiMortemUSA and http://twitter.com/antimortemusa. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eve To Adam Announces New Single Release, Tour Dates

Courtesy:  Chipster PR

Courtesy: Chipster PR

Eve To Adam will release its new single later this month.

The band will debut the title track from its new album Locked and Loaded Tuesday, May 27th through all digital service providers (DSPs). The single will hit radio stations nationwide in June. Before the new single debuts, the band—Taki Sassaris (vocals), Gaurav Bali (guitar), Adam Latiff (rhythm guitar, backing vocals), Aaron Baylor (bass, backing vocals), and Alex Sassaris (drums)—will hit the road in support of its latest release.

The band’s upcoming tour kicked off yesterday, May 13th in Billings, Montana. It is scheduled to perform tonight in Minot, North Dakota along with Theory of a Deadman. The band’s current tour schedule is listed below.

May 13 @ Babcock Theater w/ Theory of a Deadman in Billings, MT
May 14 @ State Fair Center w/ Theory of a Deadman in Minot, ND
May 15 @ The Venue w/ Theory of a Deadman in Fargo, ND
May 18 @ The Eagles Hall w/ Lacuna Coil in Milwaukee, WI
May 22 @ Trees in Dallas, TX
May 24 @ River City Rockfest in San Antonio, TX
May 25 @ Rocklahoma in Pryor, OK
May 27 @ The Bottom Lounge w/ Lacuna Coil in Chicago, IL
May 31 @ Liberty Memorial Park w/ Korn, Killswitch…in Kansas City, MO
June 04 @ Rapids Theater w/ Theory of a Deadman in Niagara Falls, NY
June 07 @ Six Pence Pub in Parkersburg, W Va.
June 10 @ Blue Note w/Saliva in Columbia, MO
June 11 @ Thompson House w/Saliva in Newport, KY
June 15 @ Diesel Concert Lounge w/Saliva in Chesterfield, MI
June 17 @ The Vogue w/Saliva in Indianapolis, IN
June 19 @ Rock 3405 w/Saliva in Joplin, MO
June 20 @ Awesome Biker Nights w/Puddle of Mudd in Sioux City, IA
June 22 @ 103.9 The Bear’s- Big Growl 3 w/Chevelle in South Bend, IN
July 05 @ Break Away II in Hagerstown, MD
July 19 @ Rock-Fest in Cadott, WI

More tour dates and all the latest news from the band is available online now at http://evetoadam.com, http://www.facebook.com/evetoadam and http://twitter.com/EVETOADAMMUSIC. Fans can order and download Locked and Loaded now via Amazon and iTunes at http://amzn.to/1edYEeu and http://bit.ly/LockedLoadediTunes. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Band Schedule, Pre-Party Announced For Welcome To Rockville Festival

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

The organizers of the annual Welcome to Rockville festival have announced the complete schedule for this year’s festival, including performance times for each act on the bill.

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

Digital Summer and World Gone kick off this year’s festival. Digital Summer and World Gone are schedule to open the festival at 11:15am on the Monster Energy Fire Museum Stage and Jagermeister Stage respectively. Cathercist, winner of the Ernie Ball Battle of the Bands, is up next at 11:45am ET on the Ernie Ball Stage. Within Reason and Ghost of War will open the festival’s second day at noon on the Monster Energy Fire Museum Stage and Jagermeister Stage respectively. The complete performance schedule for the weekend’s events is included below.

Performance times for Monster Energy’s Welcome To Rockville are as follows (subject to change):

Saturday, April 26

Monster Energy Fire Museum Stage

11:15 AM         Digital Summer

12:30 PM         Rev Theory

2:00 PM           Adelitas Way

3:30 PM           Hellyeah

5:15 PM           Chevelle

7:15 PM           A Day To Remember

9:40 PM           Avenged Sevenfold

Monster Energy Metropolitan Park Stage

11:45 PM         Gemini Syndrome

1:15 PM           Middle Class Rut

2:45 PM           Chiodos

4:15 PM           Alter Bridge

6:15 PM           Volbeat

8:20 PM           The Cult

Jägermeister Stage

11:15 AM         World Gone

12:30 PM         Silvertung (Jägermeister Band)

2:00 PM           Evergreen Terrace

3:30 PM           Smile Empty Soul

5:15 PM           Memphis May Fire

7:15 PM           We Came As Romans

Ernie Ball Stage

11:45 AM         Cathercist (Ernie Ball Battle Of The Bands Winner)

1:15 PM           Monster Truck

2:45 PM           We As Human

4:15 PM           Devour The Day

6:15 PM           Fozzy

Sunday, April 27

Monster Energy Fire Museum Stage

Noon                Within Reason

1:15 PM           Sick Puppies

2:35 PM           Black Label Society

4:15 PM           Seether

6:25 PM           Five Finger Death Punch

8:50 PM           Korn

Monster Energy Metropolitan Park Stage

12:35 PM         The Pretty Reckless

1:55 PM           Black Stone Cherry

3:25 PM           Theory of a Deadman

5:15 PM           Staind

7:35 PM           Rob Zombie

Jägermeister Stage

Noon                Ghost Of War (Jägermeister Band)

1:15 PM           Kyng

2:35 PM           Lacuna Coil

4:15 PM           Emmure

6:25 PM           Motionless In White

Ernie Ball Stage

12:35 PM         Twelve Foot Ninja

1:55 PM           Nothing More

3:25 PM           Butcher Babies

5:15 PM           Trivium

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

Before the bands take to their respective stages, audiences will be treated to Monster Energy’s Welcome to Rockville Official Pre-Party Friday, April 25th. The Pre-Party is presented by X102.9 and Bud Light and will feature performances by Rev Theory and more. It will be held at 1904 Music Hall (19 N. Ocean Street in downtown Jacksonville, FL). It is free to ticketholders that are 21 and older. Ticketholders that want to attend the Pre-Party must show their festival tickets at 1904 Music Hall to get a Pre-Party wristband in advance. Wristbands are in limited quality. So they will be first come first serve beginning at 12pm ET on Friday, April 25th. Doors open at 8pm. The show will start at 9pm.

More information on the fourth annual Welcome to Rockville Festival is available online at http://www.WelcomeToRockvilleFestival.com, http://www.facebook.com/welcometorockville, and via Twitter at @RockvilleFest. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lineup Change Announced For 2014 Carolina Rebellion Festival

Courtesy: Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

The organizers of the Carolina Rebellion Festival have announced a change to the weekend of the annual concert festival. It has been announced that Motorhead will no longer be on the lineup for this year’s festival.

Organizers released the following statement regarding the lineup change: “Due to circumstances beyond our control, we have learned that Motorhead will be unable to perform at Monster Energy’s Carolina Rebellion in Concord, NC May 3rd. We are working hard to find a replacement artist, so stay tuned to http://www.CarolinaRebellion.com for further updates.”

The Carolina Rebellion Festival is the mid-Atlantic region’s biggest annual rock festival. It will return to Charlotte Motor Speedway in Concord, NC May 3rd and 4th, 2014. The current band lineup for this year’s edition of the Carolina Rebellion Festival is listed below.

Saturday, May 3
Avenged Sevenfold, Rob Zombie, Seether, Volbeat, Black Label Society, Killswitch Engage, Black Stone Cherry, Fozzy, Adelitas Way, Thousand Foot Krutch, KYNG, Nothing More, Devour The Day and Truckfighters

Sunday, May 4
Kid Rock, Five Finger Death Punch, 311, Staind, A Day To Remember, Alter Bridge, Theory of a Deadman, Fuel, Hellyeah, Of Mice & Men, Trivium, Redlight King, Twelve Foot Ninja and Gemini Syndrome

Bands announced for the festival will perform on one of three separate stages throughout the Charlotte Motor Speedway. Those stages are the: Carolina Stage, Rebellion Stage, and Jagermeister Stage.

Tickets for the 2014 edition of the Carolina Rebellion Festival are on sale now. This includes Camping, Hotel, VIP Packages, and Weekend 4-packs and upgrades. All camping and hotel packages include access to the Friday Night Campground Party. Active military members can purchase tickets once again at a discount. More information for all ticketing, including military discounts, is available online at http://www.CarolinaRebellion.com.

The Carolina Rebellion Festival was created in partnership by AEG Live and Danny Wimmer Presents. It is sponsored by Monster Energy, Jagermeister, Ernie Ball, Jack Daniels, Bud Light, F.Y.E. and Pabst Blue Ribbon. More information on the Carolina Rebellion Festival is available online at http://www.CarolinaRebellion.com and http://www.facebook.com/carolinarebellion. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rocklahoma Organizers Announce New Ticket Package

Courtesy:  Ashton Magnuson Media

Courtesy: Ashton Magnuson Media

Organizers of the annual Rocklahoma concert festival announced this week that they will make available a new ticket package for audiences.

The new Zippo Encore Fan Package For Two will be available beginning next Tuesday, March 18th at 1pm ET/12pm CT.  The package includes:

  • Two (2) Weekend General Admission Tickets (inclusive of all service charges and fees)
  • Meal vouchers (two per day)
  • Two (2) Official Festival Zippo Lighters
  • One (1) one-year subscription to Revolver Magazine.

Tickets can be ordered online at the official Rocklahoma website, http://www.rocklahoma.com.

Also on March 18th, ticket prices both for general admission tickets and general admission 4-packs will increase.  General admission tickets currently are available for a price of $109 plus fees.  Beginning March 18th, that price will increase to $129 plus fees.  Weekend 4-pack General Admission packs will increase from $349 plus fees to $399 plus fees.  This takes effect beginning at 1pm ET/12pm CT.

Members of the military can get discounted tickets for the Rocklahoma festival online at http://www.govx.com.  Prices for those tickets will also increase March 18th at 1pm ET/12pm CT.

The new ticket package and price increases are not all that organizers announced this week for the annual festival.  Organizers also announced the return of the “Miss Rocklahoma” contest.  The contest runs through April 18th.  Ten finalists will be announced in late April online at http://www.rocklahoma.com.  Contestants and fans can register and vote online at http://www.rocklahoma.com.

The complete lineup for this year’s edition of the Rocklahoma Festival is:  Kid Rock, Five Finger Death Punch, Staind, Twisted Sister, Deftones, Seether, Motörhead, Jackyl, Filter, Black Label Society, Theory of a Deadman, Killswitch Engage, Skid Row, Tom Keifer of Cinderella, Hellyeah, Kix, Down, Pop Evil, Adelitas Way, Black Stone Cherry, Trivium, Texas Hippie Coalition, The Pretty Reckless, Thousand Foot Krutch, Redlight King, Skindred, KYNG, We As Human, Nothing More, Devour the Day, Heaven’s Basement, Gemini Syndrome, Butcher Babies, Eve to Adam, Truckfighters, Scorpion Child, Twelve Foot Ninja, Kill Devil Hill, Killer Dwarfs, Mandy Lion, Bai Bang, Lynam, ASKA, Black Tora, Firstryke, Mystery, Nasty Habit, Sleepy Hollow, Wicked, Down & Dirty, Loveblast, Ruff Justice, Ratchet Dolls, Ragdoll, Dellacoma, Chaotic Resemblance, Scattered Hamlet, Siren, Mach22, Tempt, London’s Dungeon, Mine Enemies Fall, Station, The Chimpz, Sleepwalking Home, Well Hung Heart, Framing The Red, Blackwater Rebellion, Dryvr, Jet West and Dirty Crush.

The annual Rocklahoma Festival is sponsored by Bud Light, U.S. Cellular, Jagermeister, Monster Energy, Hard Rock Casino, Route 66 RVs, and Jack Daniels.

More information on the annual Rocklahoma Festival is available online at http://www.rocklahoma.com, http://www.facebook.com/rocklahoma and http://twitter.com/rocklahoma.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.