Corroded’s New LP Is Set To Put The Rock Community On “Alert”

Courtesy: Despotz Records

Late this past April, hard rock outfit Corroded released its latest album Defcon Zero.  The  band’s first new album in five years and its fourth full-length studio recording, it is a recording that could very possibly put the hard rock community in whole on alert.  That is because it presents a combination of music and lyrics throughout its 11-song, 50-minute run time that challenges even the best of the big names.  The record’s opener, ‘Carry Me My Bones’ clearly supports that statement.  ‘A Note To Me,’ which comes late in the record’s run, also supports that statement in its own way, too.  It will be discussed later.  ‘Fall of a Nation’ is yet another example of what makes Corroded’s latest effort a work that is anything but corroded itself.  Rather, it is another example of what makes the record a solid, strong new offering from one of hard rock’s best kept secrets.  It joins with the previously noted songs and the rest of the album’s offerings to make the record in whole an offering that is certain to put the hard rock community in whole on alert.

Defcon Zero is a strong and solid return for Corroded. That is especially considering the fact that it is the first record in five years from the Swedish hard rock outfit.  From start to finish, the band presents in this new offering a record that is certain to put the hard rock community in whole on alert.  That statement is supported in part in the album’s opener ‘Carry Me My Bones.’  The song’s musical arrangement instantly conjures thoughts of Dry Kill Logic’s best works.  That is evident as the song starts with a brooding, acoustic arrangement before gradually building into a full-on, guitar-driven assault.  What is really interesting is the heavy buildup to that assault conjures in itself, thoughts of some of Slayer’s best works.  The combination of front man Jens Westin’s vocal delivery and the song’s musical elements throughout the rest of the song maintain that previously noted comparison to Dry Kill Logic.  The whole of that arrangement is only one part of what makes this song stand as an example of Defcon Zero’s impressive nature.  The song’s lyrical content is just as important to discuss as the song’s musical arrangement in examining what makes it stand out.

The musical arrangement at the center of ‘Carry Me My Bones’ is in itself a key part of what makes this song stand out as an example of what makes Defcon Zero stand out. That is because it easily challenges hard rock’s top names from start to finish. Its lyrical content is just as important to discuss as its musical arrangement in examining its whole.  Westin said in an interview about the album’s lyrics “When it comes to the lyrics, I want everyone to make up their own opinion to what the songs are about.” He went on to compare interpreting the album’s lyrics to comparing a book to its cinematic counterpart.  Keeping that in mind, the lyrical content at the center of this song definitely proves to be interesting.  Westin sings here, “I’ve been awake/For days/On my way to hell/I’m not going to lay down and die before I get there…What you believe is more than you know/Carry me my tired bones/Far away/So far away from secrets/A million miles away/Carry me my tired bones.”  He goes on to sing in the song’s second verse, “I was stuck/In-between/No place and nowhere….” before he and his band mates—Tomas Andersson (guitar), Bjarne Elvsgard (bass) and Per Solang (drums)—reprise the song’s chorus time to finish off the song.  Noting again that Westin leaves the lyrics’ interpretation to listeners’ own thoughts, this critic’s take on the song’s lyrical content is that it comes across as an introspective rumination of someone working through a very difficult time.  That is inferred in the song’s lead verse.  The hell in question is clearly metaphorical.  The subject’s mind has been racing, but that subject is still determined not to give up in whatever difficult situation is presented.  As Westin’s subject sings “carry me my tired bones,” one can interpret that perhaps the song’s subject is saying he or she wants to get away from everything; all of the negatives surrounding him or her.  The song’s second verse continues to infer that same message in this critic’s own interpretation.  It would be interesting to learn the true message in the song’s lyrical content.  That aside, the combination of that seeming message couples quite well with the song’s musical arrangement to make for a song that is a powerful first impression for the band this time out.  It is just the start, too.  ‘A Note To Me,’ which comes late in the album’s run, is another solid addition to the album’s whole.

‘Carry Me My Bones’ is a strong first impression from Corroded on its latest new album.  That is due to the combination of its musical and lyrical content.  The two elements together make the song a clear example of what makes Defcon Zero stand out in whole.  It is just one of the songs that shows what makes the album stand out, too.  ‘A Note To Me’ is another example of what makes the record in whole stand out.  As with the album’s opener, that is due at least in part to its musical arrangement.  The musical arrangement here is a stark contrast to that of ‘Carry Me My Bones.’  It is a deeply emotional, guitar-driven composition that (and some audiences will call this musical heresy) conjures thoughts of Theory of a Deadman and Nickelback.  Yes, it seems damning.  But the reality is that when one compares this composition to that at the center of ‘Carry Me My Bones,’ it is actually a good thing that such a comparison can be made.  That is because it shows in its own right the reach of the band’s talent, sounds and influences.  Westin’s vocal delivery throughout even conjures thoughts of Nickelback front man Chad Kroeger through his delivery.  Again, some might see such a comparison as musical heresy of sorts.  The reality once more though, is that it shows the band’s ability to reach into any rock and hard rock sub-genre.  That is a compliment of the highest caliber to the band.  Of course the song’s musical arrangement is only part of what makes it stand out.  Its lyrical content is just as important to discuss as its musical arrangement.

The musical arrangement at the center of ‘A Note To Me’ is in itself a key component of its overall presentation.  When set against the composition at the center of ‘Carry Me My Bones,’ it shows even more why Defcon Zero stands out among this year’s field of new rock and hard rock records.  The song’s musical arrangement is only one part of what makes the song stand out.  Its lyrical content, which is just as brooding as its musical arrangement is just as important to discuss as that musical content.  Westin sings here in the song’s lead verse, “This bitter pill I got/It turns out to be hard to swallow/I’d make my head whole/But everything inside feels hollow/I am the haunting of the day that never came/Yeah, what a shame.”  He goes on to sing in the song’s second verse, “The truth hurts that I know/And now it’s out for everyone to see/I’m just a coward/Who hates everything about me/Everything I’ve done was a lie/It’s harder to cry.”  This comes across as someone who is confessing a major hidden truth to someone else.  As the song progresses through its chorus, it can be inferred that the someone in question is obviously someone close to the subject.  What is interesting is that Westin doesn’t point out if that person is male, female, young or old.  That in itself is a really powerful statement.  When one really thinks deeply about this matter, the confession could work in any of those situations.  That is especially the case as Westin sings in the song’s final moments, “My only hope is that you will forgive/And that some day/Some day you will forget.”  Regardless of whether the situation presented here is between friends, family or some other close person, the confession by the song’s subject is powerful.  It is the kind of statement made in similar songs by the aforementioned mainstream friendly acts; the kind of statement that, when coupled with the song’s musical arrangement, is made even more powerful.  The combination of those two elements makes the song in whole a truly powerful work that once again can rival songs from the bands already noted.  Keeping that in mind, it is one more work included in this record that shows why this record stands out among its counterparts both mainstream and independent.  It still is not the last of the songs that serves to show what makes Defcon Zero stand out.  ‘Fall of a Nation’ is one more example of what makes this record one that will put the rock community in whole on alert.

‘Carry Me My Bones’ and ‘A Note To Me’ are both solid examples of what makes Defcon Zero a strong new effort from Corroded.  That is because they show the wide reach of the album’s sound, proving its appeal to metal purists and mainstream rock fans alike.  The songs’ lyrical content adds just as much depth to their whole.  While both songs’ musical and lyrical content serves to make them clear examples of the album’s strength, they are only two examples of that strength.  ‘Fall of a Nation’ just as clearly proves to be another example of said strength.  That is evident first through its adrenaline-fueled, guitar and drum-driven musical arrangement, which mixes elements of Hellyeah, Soil and other similar acts for a whole that will instantly have listeners’ horns in the air.  Its lyrical content will keep listeners just as engaged as Westin seemingly comments on…well…the downfall of a nation.  Being that there is so much turmoil the world over and that Westin and company don’t necessarily point out which nation is being addressed, the commentary could, in reality, apply to the United States, any Middle Eastern Nation or other nation.  There is mention of “seeing the  flames rising,” “bones grinding,” “ashes in the air” and other rather interesting visuals.  This could be a commentary of what could come to any nation if said nation(s) don’t get things in check and soon.  The added mention of “we are the ones who are watching everything from high up above/We are the ones who idle standing by as things burn” adds to the power of that message.  It is almost as if the song’s subject is saying, “we’re going to stand by and let the world destroy itself and this is what we see happening.”  It is a powerful, possible statement.  The power in the song’s musical arrangement expertly captures the energy in that supposed statement, too.  Keeping that in mind, the whole of that musical and lyrical content makes this song clearly one more example of what makes Defcon Zero such a powerful new offering from Corroded.  It is hardly the last song that serves to exemplify what makes this album stand out.  ‘Gun and a Bullet,’ ‘Burn It To The Ground,’ and ‘Vessels of Hate’ each do their own part to show what makes this record stand out, too.  All things considered, the songs noted and not prove Defcon Zero a record that will put the rock community in whole on alert.

Defcon Zero is a powerful return for Corroded.  It is a record that proves audiences’ five-year wait for the band’s next album was well worth it.  What’s more it is a record that is certain to put the rock community in whole on alert.  That is because it is such a strong new effort from start to finish both in regards to its musical arrangements and lyrical content.  All things considered, this record is one that deserves a spot on any critic’s list of the year’s top new hard rock albums.  It is available now.  More information on Defcon Zero is available online now along with all of Corroded’s  latest news and more at:

 

 

 

Website: http://www.corroded.se

Facebook: http://www.facebook.com/corrodedsweden

Twitter: http://twitter.com/corrodedsweden

 

 

 

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Blacktop Mojo’s New LP Is Set To “Burn” Up The Mainstream Rock Radio Realm

Courtesy: High Road Publicity

Courtesy: High Road Publicity

This time next week, Blacktop Mojo and its fans will be only a week away from the release of the band’s latest full-length studio recording Burn The Ships.  For those unfamiliar with the Palestine, TX-based band, it is a good fit for anyone that is a fan of Alter Bridge, Black Stone Cherry, Theory of a Deadman, Zakk Wylde and all of his various projects.  From start to finish, this record is set to *ahem* burn up the mainstream rock radio realm with its infectious, guitar-driven arrangements and equally interesting lyrical content.  The record’s hard rocking second song ‘End Of Days’ is just one of the songs included in this record that supports that statement.  It will be discussed shortly.  The much more reserved, yet heavy in its own right ‘Prodigal’ supports that statement in its own right.  The band’s own take on Aerosmith’s timeless classic ‘Dream On’ even serves to support that statement, too.  Between these songs and the album’s other ten songs, the whole of this record shows Blacktop Mojo to have great potential.  They show in whole that given the right support from mainstream rock radio, Blacktop Mojo could be one of the realm’s next big names.  They also show this album to be one of the year’s top new hard rock records as well as one of the year’s top new independent albums.

Blacktop Mojo’s new album Burn The Ships, its sophomore release, is one of this critic’s choices for the year’s top new hard rock records and new independent albums.  That is thanks to its mainstream accessibility, even being an independent act. Independent here, should be clarified, to mean not signed to a major label.  It does not necessarily mean independent in the unsigned sense.  From start to finish, it proves to be an album that is primed to “burn” up the mainstream radio realm.  ‘End of Days,’ the record’s second song is a strong example of what makes this album such a “hot” (yes, that awful pun was intended, too) new effort from Blacktop Mojo.  That is due in part to the song’s arrangement.  The hard-hitting, guitar-driven composition instantly conjures thoughts of Theory of a Deadman’s heavier works.  That is only one part of what makes the song so interesting. The song’s lyrical content is just as important to note here as the song’s musical arrangement. Front man Matt James sings in the song’s lead verse, “Has it all been an empty gesture/Has it all been a waste of time/World’s spinning into certain disaster/We never figured out the meaning of life/Don’t wait/To say/What’s on your mind/Don’t take/It with you/Leave it behind.”  He goes on to sing in the song’s chorus, “There’s a fire in the sky/There’s chaos in the air tonight/Stay with me…sit back and watch the end of days.”  Taking this all into consideration, one can’t help but interpret the song, lyrically, as a statement of the world’s current state of affairs.  The song’s second verse proves that just as much as James clearly sings about the events of September 11, 2011.  It should be noted here, too, that his statements in the second verse are not meant to do anything but add to the statement of the direction this world—not just America—is taking.  When such content is set against the driving energy in the song’s musical arrangement, the pairing of the two elements makes this song stand out clearly among BTS’ other songs.  They join to prove the song to be a clear example of what makes this record such a worthwhile new effort from Blacktop Mojo.  It is just one of the songs included in this record that exhibits what makes the record so impressive overall.  ‘Prodigal’ serves just as much to show what makes BTS stand out in this year’s field of new rock and hard rock records.

‘End of Days’ is a clear example of what makes Blacktop Mojo’s new record Burn The Ships an impressive new effort.  That is due to the combination of the song’s driving, guitar-centered musical arrangement and its thought-provoking lyrical theme.  The combination of the two elements makes it just one example of what makes the song (and album) stand out.  It is just one of the songs that so clearly shows where this record gets its *ahem* fire (yes, that awful pun was intended, too).  ‘Prodigal,’ with its far more reserved, yet still heavy arrangement and lyrical theme, stands on its own merits.  The song is a deeply contemplative work that harkens back to similar works from both Theory of a Deadman and Black Stone Cherry.  This is especially true in examining the song’s musical arrangement.  The song’s lyrical theme seems, at least to this critic, as a coming-of-age story of sorts.  That interpretation was made through James singing in the song’s lead verse, “Don’t call me/The prodigal son/Cause I ain’t comin’ back/I’ll make it/On my own/Let me walk my own path/And don’t worry/About me/I’ve got everything I need/I’m gonna see the world/through my own eyes/Climb the mountain, see the sky/Across the stars on the other side.”  He goes on to sing in the song’s chorus, “One of these days I won’t be around/I’ll rip my roots up from the ground/With wings of feathers…I’ll fly toward the sun/’Till they melt from my back.”  James continues on in similar fashion in the song’s second half, singing from the vantage point of a figure striking out on his or her own.  It is not one of those standard “oh woe is me” sort of songs, either.  But the mixed emotion of a person wanting and needing to grow and be one’s own person is there.  It is especially illustrated through the song’s musical arrangement.  When that emotionally powerful arrangement is coupled with the song’s deeply moving lyrical theme, the two elements together make this song heavy without being heavy.  That heavy without heavy presentation makes the song stand out from its counterparts just as much as ‘End of Days.’  It also serves to show even more why this record stands out in this year’s field of new rock and hard rock entries.  It shows the band’s ability to entertain audiences while not just sticking to one style of song.  It is just one more song that shows the band’s breadth of talent and influences.  The band’s take on Aerosmith’s timeless classic ‘Dream One’ is one more of the album’s inclusions that shows what makes this record stand out.

‘End of Days’ and ‘Prodigal’ are both prime examples of what makes Blacktop Mojo’s new record Burn The Ships stand out as one of this year’s top new hard rock records and one of its best new independent albums.  They show the band’s range in terms of its talent and influence—one song is heavy both musically and lyrically while the other is heavy musically without being heavy, and is also heavy lyrically.  While both songs show in their own ways what makes this album stand out, they are only two out of so many songs that show how much the band and album have to offer.  The band’s cover of Aerosmith’s timeless classic ‘Dream One’ is just one more of the songs included in this record that serves to show how much the band and album offer listeners.  The arrangement presented by the band here is one of the most powerful renditions that any band has presented to date.  It boasts the same moving vibe evident in the original rock ballad, but also infuses its own hard rock edge into the song here to add even more to the song’s impact.  That harder edge even gives the song’s lyrical theme its own new identity.  That in turn makes the song all the more powerful of a composition, showing once more just how much this new record from Blacktop Mojo has to offer audiences.  Between this cover of a true classic, the other songs noted here and the album’s other 10 tracks, this album in whole proves to be one that hard rock fans everywhere should hear at least once.  In doing do, those fans will agree that this record is indeed set to “burn” up the mainstream rock radio realm given the right support.  They will also agree that this record is an easy pick for one of this year’s top new hard rock records as well as one of the year’s top new independent recordings.

Blacktop Mojo’s latest full-length studio effort Burn The Ships is an easy pick for any critic’s list of the year’s top new hard rock records and one of the year’s top new independent albums.  That is exhibited both through the record’s musical arrangements—which conjure thoughts of Fuel, Alter Bridge, Theory of a Deadman, Zakk Wylde and Black Stone Cherry just to name a handful of more well-known acts—and the record’s lyrical themes.  From start to finish, both elements will keep listeners engaged in every song.  That includes the band’s cover of Aerosmith’s ‘Dream On.’  After taking in the 13 songs that make up the record’s body, listeners will agree, once more, that Burn The Ships is an easy pick for any critic’s list of the year’s top new hard rock records and the year’s top new independent albums.  They will also agree in taking in this album that given the right support, Blacktop Mojo is primed to be one of mainstream rock radio’s next big names.  Burn The Ships will be available March 10 in stores and online.  More information on Burn The Ships is available online now along with all of Blacktop Mojo’s latest news and more at:

 

 

 

Website: http://www.blacktopmojo.com

Facebook: http://www.facebook.com/BlacktopMojo

Twitter: http://twitter.com/blacktopmojo

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Theory Of A Deadman Unveils Video For Its ‘Hallelujah’ Cover

Courtesy: Roadrunner Records

Courtesy: Roadrunner Records

Theory of a Deadman has released a touching new video for its cover of Leonard Cohen’s timeless hit ‘Hallelujah in celebration of the holiday season.

The video presents the story of front man Tyler Connolly’s adoption of an orphan kitten at Christmas time.  It follows the pair’s friendship from the kitten’s youth right up to it’s adult life, with both showing great love for the other.

There are no sad moments anywhere in this story, either.  It is all happiness and will leave not a single eye dry.  Audiences can check out the video here.

Courtesy: Roadrunner Records

Courtesy: Roadrunner Records

Fans can get the song now online via iTunes, Google Play, Amazon, Spotify and Apple Music. More information on the band’s cover of ‘Hallelujah’ is available now online along with all of the band’s latest news at:

 

 

 

Website: http://www.theoryofadeadman.com

Facebook: http://www.facebook.com/theoryofadeadman

Twitter: http://twitter.com/TOADM

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anti-Mortem Makes A Solid First Impression On Its Debut LP

Courtesy:  Nuclear Blast America

Courtesy: Nuclear Blast America

Anti-Mortem’s debut record New Southern is one of the best new hard rock records of 2014. The band’s debut record, which is available now in stores and online, has taken the best elements of Black Label Society, Hellyeah, and Pantera—just to name a few—and has blended them together to make a record that clearly shows why the band signed with what is one of hard rock’s “big three” labels in Nuclear Blast Records. For those that might be curious, the other pair of labels that comprise that “big three” are Metal Blade Records and Century Media Records. The band grabs listeners right off the top in the album’s opener ‘Words of Wisdom’ and doesn’t let go until the final strains of the album’s closer. Along the way, the band more than makes its argument as to why it deserves to be on any critic’s list of the year’s best new hard rock records. Case in point the band’s latest single ‘Truck Stop Special’ and the southern rock sludge of ‘Black Heartbeat.’ These songs are just a few examples of why Anti-Mortem’s New Southern has earned a spot at least on this critic’s list of the year’s top new hard rock records. Audiences will agree that any of the songs on this record show why the band deserves such an honor from any critic.

Anti-Mortem proves to audiences why its debut record is one of the year’s best new hard rock records right off the top in the album’s opener ‘Words of Wisdom.’ The comparisons to Black Label Society and Hellyeah are instantaneous thanks to the heavy guitar riffs of Nevada Romo and Zain Smith, and front man Larado Romo’s searing vocals. In an era when it seems that crunching down-tuned guitars and indecipherable cookie monster growls seem to be leading the way in the rock world, this combination of musicianship is a breath of fresh air even in the rock community. Of course the equally pounding drumming of Levi Dickerson and bassist Corey Henderson’s solid low end aren’t to be forgotten, either. They add their own depth to the song’s musical side as Larado Romo sings (Yes, he actually sings to a certain extent unlike so many rock vocalists today), “I was told my whole life/Don’t do this/Don’t do that/Force your opinion on me/Like it was fact/You tried to hypnotize/And teach me to act/the truth is you lied/And there’s no going back.” He and his band mates go on to sing in the song’s chorus, “You wonder/What’s under/What’s underneath my skin/You wonder what is under/Underneath my/I see no reason why/We should lay down and die/No words of wisdom.” There is no cryptic hidden message here. This song is a full-on, horns-high hard rock anthem. And it will have any true fan of the genre singing along with pride. That pride doesn’t lessen at all even after this song ends. That’s evident in another of the album’s highest points, ‘Truck Stop Special.’

‘Truck Stop Special’ is southern sludge rock at its finest. What can be said of this song but it is destined to be just as much a favorite for audiences both on the album and in a live setting. It’s a powerful song both musically and lyrically. Lyrically, Romo comes across as singing about making the most of life. This argument could be made in noting the song’s chorus. Romo sings in the chorus, “You can’t live your life, no/With your head in the sand/You can’t waste your time, son/On a fool’s errand.” That argument is made even stronger as he sings in the song’s second verse, “No money to drown in/No hope to hang/Trouble’s the way I’m living child/When there ain’t no fame/Our education boy/I’ll show you how to be yeah/To never want nothing son/To take all you need.” In the song’s final verse, Romo goes on to note how the last to a given point suffer the possibility of losing everything. He is speaking metaphorically here saying that those that waste their time in life are in danger of negative consequences. Overall, he is saying people shouldn’t waste their lives and let life pass them by. That carpe diem message of sorts next to the song’s solid driving musical makes this song one more of so many of New Southern’s many high points.

The members of Anti-Mortem show time and again throughout the course of New Southern’s twelve tracks and forty-six total minutes just why the band’s debut record is so deserving of being added to any critic’s list of the year’s best new hard rock records. ‘Truck Stop Special’ and ‘Words of Wisdom’ are both prime examples of why it deserves to be on that list. There is one more song that could be noted among the many standout tracks on this album proving that argument. The song in question, ‘Black Heartbeat’ comes almost halfway through the album. The song focuses on broken relationship, lyrically. But it doesn’t come across in the typical ‘oh woe is me’ style of so many songs. It really captures the mixed emotions of anger and pain felt by someone that has been on the receiving end of a broken relationship. And Romo makes no bones about the song’s subject matter as he sings, “It’s safe to say/It’s over now/At least until you call/Sometimes I wonder why I care/And loved you at all/Go on and pretend/It’s not your fault/Your cold black heartbeat/Has come to a halt/So use me/Abuse me/To get what you need/Confuse me/Lie to me/Your damage has been done/You can’t take advantage of my love anymore/No trust/Don’t wanna see/Then just walk out the door.” Some out there might not like the comparison, but one could almost compare this piece to Theory of a Deadman’s song ‘Get What You Deserve.’ The two songs are very similar both in terms of their themes and musical sides. This isn’t necessarily a bad thing, either. ‘Get What You Deserve’ is rather scathing in its own way just as this song proves to be. And it comes from a similar vantage point. It’s one of those pieces that when one is going through a separation of any kind will most definitely empower listeners and help them to get through such times. Ergo, ‘Black Heartbeat’ will have done its job. And in turn it will have proven once more just why New Southern more than deserves to be considered one of this year’s best new hard rock records.

All three of the songs noted in this review are prime examples of why New Southern deserves a spot on every critic’s list of the year’s best new hard rock records. They are also prime examples of why this album deserves a spot on the CD rack of every purist hard rock and metal fan. They aren’t the only examples of the album’s solidity. Every song on this album could be used for this argument. That’s truly saying something. The album is available now in stores and online. It can also be purchased at any of the upcoming live performances on the band’s current concert schedule. The band will kick off a summer tour at Strummer’s in Fresno, California on Tuesday, July 8th. Audiences can check out the band’s current tour itinerary online now and even buy New Southern at the band’s official website, http://anti-mortem.com. The band’s current tour schedule and updates are also available via Facebook and Twitter at http://www.facebook.com/AntiMortemUSA and http://twitter.com/antimortemusa. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eve To Adam Announces New Single Release, Tour Dates

Courtesy:  Chipster PR

Courtesy: Chipster PR

Eve To Adam will release its new single later this month.

The band will debut the title track from its new album Locked and Loaded Tuesday, May 27th through all digital service providers (DSPs). The single will hit radio stations nationwide in June. Before the new single debuts, the band—Taki Sassaris (vocals), Gaurav Bali (guitar), Adam Latiff (rhythm guitar, backing vocals), Aaron Baylor (bass, backing vocals), and Alex Sassaris (drums)—will hit the road in support of its latest release.

The band’s upcoming tour kicked off yesterday, May 13th in Billings, Montana. It is scheduled to perform tonight in Minot, North Dakota along with Theory of a Deadman. The band’s current tour schedule is listed below.

May 13 @ Babcock Theater w/ Theory of a Deadman in Billings, MT
May 14 @ State Fair Center w/ Theory of a Deadman in Minot, ND
May 15 @ The Venue w/ Theory of a Deadman in Fargo, ND
May 18 @ The Eagles Hall w/ Lacuna Coil in Milwaukee, WI
May 22 @ Trees in Dallas, TX
May 24 @ River City Rockfest in San Antonio, TX
May 25 @ Rocklahoma in Pryor, OK
May 27 @ The Bottom Lounge w/ Lacuna Coil in Chicago, IL
May 31 @ Liberty Memorial Park w/ Korn, Killswitch…in Kansas City, MO
June 04 @ Rapids Theater w/ Theory of a Deadman in Niagara Falls, NY
June 07 @ Six Pence Pub in Parkersburg, W Va.
June 10 @ Blue Note w/Saliva in Columbia, MO
June 11 @ Thompson House w/Saliva in Newport, KY
June 15 @ Diesel Concert Lounge w/Saliva in Chesterfield, MI
June 17 @ The Vogue w/Saliva in Indianapolis, IN
June 19 @ Rock 3405 w/Saliva in Joplin, MO
June 20 @ Awesome Biker Nights w/Puddle of Mudd in Sioux City, IA
June 22 @ 103.9 The Bear’s- Big Growl 3 w/Chevelle in South Bend, IN
July 05 @ Break Away II in Hagerstown, MD
July 19 @ Rock-Fest in Cadott, WI

More tour dates and all the latest news from the band is available online now at http://evetoadam.com, http://www.facebook.com/evetoadam and http://twitter.com/EVETOADAMMUSIC. Fans can order and download Locked and Loaded now via Amazon and iTunes at http://amzn.to/1edYEeu and http://bit.ly/LockedLoadediTunes. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Band Schedule, Pre-Party Announced For Welcome To Rockville Festival

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

The organizers of the annual Welcome to Rockville festival have announced the complete schedule for this year’s festival, including performance times for each act on the bill.

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

Digital Summer and World Gone kick off this year’s festival. Digital Summer and World Gone are schedule to open the festival at 11:15am on the Monster Energy Fire Museum Stage and Jagermeister Stage respectively. Cathercist, winner of the Ernie Ball Battle of the Bands, is up next at 11:45am ET on the Ernie Ball Stage. Within Reason and Ghost of War will open the festival’s second day at noon on the Monster Energy Fire Museum Stage and Jagermeister Stage respectively. The complete performance schedule for the weekend’s events is included below.

Performance times for Monster Energy’s Welcome To Rockville are as follows (subject to change):

Saturday, April 26

Monster Energy Fire Museum Stage

11:15 AM         Digital Summer

12:30 PM         Rev Theory

2:00 PM           Adelitas Way

3:30 PM           Hellyeah

5:15 PM           Chevelle

7:15 PM           A Day To Remember

9:40 PM           Avenged Sevenfold

Monster Energy Metropolitan Park Stage

11:45 PM         Gemini Syndrome

1:15 PM           Middle Class Rut

2:45 PM           Chiodos

4:15 PM           Alter Bridge

6:15 PM           Volbeat

8:20 PM           The Cult

Jägermeister Stage

11:15 AM         World Gone

12:30 PM         Silvertung (Jägermeister Band)

2:00 PM           Evergreen Terrace

3:30 PM           Smile Empty Soul

5:15 PM           Memphis May Fire

7:15 PM           We Came As Romans

Ernie Ball Stage

11:45 AM         Cathercist (Ernie Ball Battle Of The Bands Winner)

1:15 PM           Monster Truck

2:45 PM           We As Human

4:15 PM           Devour The Day

6:15 PM           Fozzy

Sunday, April 27

Monster Energy Fire Museum Stage

Noon                Within Reason

1:15 PM           Sick Puppies

2:35 PM           Black Label Society

4:15 PM           Seether

6:25 PM           Five Finger Death Punch

8:50 PM           Korn

Monster Energy Metropolitan Park Stage

12:35 PM         The Pretty Reckless

1:55 PM           Black Stone Cherry

3:25 PM           Theory of a Deadman

5:15 PM           Staind

7:35 PM           Rob Zombie

Jägermeister Stage

Noon                Ghost Of War (Jägermeister Band)

1:15 PM           Kyng

2:35 PM           Lacuna Coil

4:15 PM           Emmure

6:25 PM           Motionless In White

Ernie Ball Stage

12:35 PM         Twelve Foot Ninja

1:55 PM           Nothing More

3:25 PM           Butcher Babies

5:15 PM           Trivium

Courtesy:  Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

Before the bands take to their respective stages, audiences will be treated to Monster Energy’s Welcome to Rockville Official Pre-Party Friday, April 25th. The Pre-Party is presented by X102.9 and Bud Light and will feature performances by Rev Theory and more. It will be held at 1904 Music Hall (19 N. Ocean Street in downtown Jacksonville, FL). It is free to ticketholders that are 21 and older. Ticketholders that want to attend the Pre-Party must show their festival tickets at 1904 Music Hall to get a Pre-Party wristband in advance. Wristbands are in limited quality. So they will be first come first serve beginning at 12pm ET on Friday, April 25th. Doors open at 8pm. The show will start at 9pm.

More information on the fourth annual Welcome to Rockville Festival is available online at http://www.WelcomeToRockvilleFestival.com, http://www.facebook.com/welcometorockville, and via Twitter at @RockvilleFest. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lineup Change Announced For 2014 Carolina Rebellion Festival

Courtesy: Ashton-Magnuson Media

Courtesy: Ashton-Magnuson Media

The organizers of the Carolina Rebellion Festival have announced a change to the weekend of the annual concert festival. It has been announced that Motorhead will no longer be on the lineup for this year’s festival.

Organizers released the following statement regarding the lineup change: “Due to circumstances beyond our control, we have learned that Motorhead will be unable to perform at Monster Energy’s Carolina Rebellion in Concord, NC May 3rd. We are working hard to find a replacement artist, so stay tuned to http://www.CarolinaRebellion.com for further updates.”

The Carolina Rebellion Festival is the mid-Atlantic region’s biggest annual rock festival. It will return to Charlotte Motor Speedway in Concord, NC May 3rd and 4th, 2014. The current band lineup for this year’s edition of the Carolina Rebellion Festival is listed below.

Saturday, May 3
Avenged Sevenfold, Rob Zombie, Seether, Volbeat, Black Label Society, Killswitch Engage, Black Stone Cherry, Fozzy, Adelitas Way, Thousand Foot Krutch, KYNG, Nothing More, Devour The Day and Truckfighters

Sunday, May 4
Kid Rock, Five Finger Death Punch, 311, Staind, A Day To Remember, Alter Bridge, Theory of a Deadman, Fuel, Hellyeah, Of Mice & Men, Trivium, Redlight King, Twelve Foot Ninja and Gemini Syndrome

Bands announced for the festival will perform on one of three separate stages throughout the Charlotte Motor Speedway. Those stages are the: Carolina Stage, Rebellion Stage, and Jagermeister Stage.

Tickets for the 2014 edition of the Carolina Rebellion Festival are on sale now. This includes Camping, Hotel, VIP Packages, and Weekend 4-packs and upgrades. All camping and hotel packages include access to the Friday Night Campground Party. Active military members can purchase tickets once again at a discount. More information for all ticketing, including military discounts, is available online at http://www.CarolinaRebellion.com.

The Carolina Rebellion Festival was created in partnership by AEG Live and Danny Wimmer Presents. It is sponsored by Monster Energy, Jagermeister, Ernie Ball, Jack Daniels, Bud Light, F.Y.E. and Pabst Blue Ribbon. More information on the Carolina Rebellion Festival is available online at http://www.CarolinaRebellion.com and http://www.facebook.com/carolinarebellion. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.