Eagle Rock Entertainment To Release Another Classic Lynyrd Skynyrd Concert This Fall

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Earlier this summer Eagle Rock Entertainment unearthed a couple of Lynyrd Synyrd’s classic live performances for fans for the band’s new live archived recording Sweet Home Alabama. That recording contained the band’s 1997 performance at the famed Rockpalast Festival as well as a handful of songs from its 1974 performance at the festival. The double-disc CD recording was a companion to the concert’s 2008 DVD release. Now officials with the leader in live recordings have announced that the label will release yet another classic Lynyrd Skynyrd concert this fall in the form of Pronounced Leh-nerd Skin nerd & Second Helping Live From Jacksonville at the Florida Theatre.

Pronounced Leh-nerd Skin nerd & Second Helping Live From Jacksonville at the Florida Theatre will be released nationwide on Friday, October 23rd. It will be available on DVD, Blu-ray, and digital formats. Wal-Mart will also carry an exclusive DVD + 2CD combo pack presentation of the concert. The concert presented in this presentation was recorded earlier this year. It marked the first time ever that the band in any of its incarnations had ever performed its first two albums live in their entirety. It was so popular that it spanned two nights in the band’s home town of Jacksonville, Florida. Audiences can check out the band’s performance of ‘Gimme Three Steps’ from the concert online now via YouTube at https://www.youtube.com/watch?v=OcDT-0XkUCc&feature=youtu.be.

Lynyrd Skynyrd is currently making its way across America, performing for audiences around the country. Its next scheduled live date is Friday, September 4th in Alton, Illinois. The band’s current tour schedule is listed below.

Catch LYNYRD SKYNYRD on tour this fall:

September 3 – St. Paul, MN – Minnesota State Fair

September 4 – Alton, IL – Liberty Bank Amphitheater

September 5 – New Lenox, IL – Village Of New Lenox

September 6 – Wauseon, OH – Fulton County Fair

September 11 and 12– Lincoln City, OR – Chinook Winds Casino

September 15 – Saratoga, CA – The Mountain Winery

September 17 – Jackson, CA – Jackson Rancheria Casino & Hotel

September 18 – Pomona, CA – La County Fairgrounds

September 19 – Tucson, AZ – Anselmo Valencia Amphitheater

September 20 – Scottsdale, AZ – Talking Stick Resort & Casino

September 25 – Lewisville, TX – 2015 Western Days

September 26 – Houston, TX – Sam Houston Race Park

October 1 – Seviersville, TN – Smokes Stadium

October 2 – Nashville, TN – Ascend Amphitheater

October 3 – Muncie, IN – Emens Auditorium

October 4 – Louisville, KY – Louder Than Life Music Festival

November 7 – Montgomery, AL – Alabama National Fair

December 5 – Mescalero, NM – Inn Of The Mountain Gods Casino

More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

More information on Lynyrd Skynyrd’s current tour is available online now along with all of the band’s latest news at:

Website: http://www.lynyrdskynyrd.com

Facebook: http://www.facebook.com/LynyrdSkynyrd

Twitter: http://twitter.com/skynyrd

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The End Is Coming…For Black Sabbath

Courtesy:  Republic Records/Live Nation

Courtesy: Republic Records/Live Nation

The end is near. No, not armageddon. Legendary hard rock act Black Sabbath made the announcement today that Black Sabbath will embark on its farewell tour next year.
Black Sabbath–Ozzy Osbourne, Geezer Butler, and Tony Iommi–announced today that it will hit the road next January for its final tour. Audiences can see the announcement for themselves online now via Youtube at https://www.youtube.com/watch?v=FYCvRV5ME3w&feature=youtu.be.

Courtesy:  Republic Records/Live Nation

Courtesy: Republic Records/Live Nation

The band’s current schedule sees it opening its tour on January 20th in Omaha, Nebraska and running through February 25th at New York’s famed Madison Square Gardens. From there the band will take some time off to recharge before hitting the road again down under beginning April 15th in Perth, Australia. The band’s current slate of dates is listed below. It is only the current schedule. More dates will be announced next month.

Photo Credit: Mark Weiss

Photo Credit: Mark Weiss

North American Tour Dates
1/20 Omaha, NE CenturyLink Center
1/22 Chicago, IL United Center
1/25 Minneapolis, MN Target Center
1/28 Saskatoon, SK Sasktel Centre
1/30 Edmonton, AB Rexall Centre
2/1 Calgary, ON Scotiabank Saddledome
2/3 Vancouver, BC Rogers Arena
2/6 Tacoma, WA Tacoma Dome
2/9 San Jose, CA SAP Center
2/11 Los Angeles, CA The Forum
2/13 Las Vegas, NV Mandalay Bay Events Center
2/15 Denver, CO Pepsi Center
2/17 Kansas City, MO Sprint Center
2/19 Detroit, MI The Palace of Auburn Hills
2/21 Hamilton, ON FirstOntario Centre
2/23 Montreal, QB Bell Centre
2/25 New York City, NY Madison Square Garden
Australia/New Zealand Tour Dates

Perth Arena
Entertainment Centre
Rod Laver Arena
Allphones Arena
Entertainment Centre
Vector Arena
Forsyth Barr Stadium

Fans can get information on tickets, VIP packages, and more for the North American leg of the upcoming tour online now via Live Nation’s official website at http://www.Livenation.com. More information on Black Sabbath’s tour is available online now along with all of the band’s latest news at:

Website: http://www.blacksabbath.com

Facebook: http://www.facebook.com/BlackSabbath

Twitter: http://twitter.com/blacksabbath

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Black Stone Cherry Teaming With Eagle Rock Entertainment For New Live Recording

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The annual summer concert season is officially winding down for another year. But don’t tell the people at Eagle Rock Entertainment. That’s because the leader in live recordings still have quite a few new recordings on the way for fans as the temperatures start to turn with the leaves including a brand new live recording from Roadrunner Records’ own Black Stone Cherry titled Thank You: Livin’ Live, Birmingham, UK October 30, 2014.

Eagle Rock Entertainment will release Thank You: Livin’ Live, Birmingham, UK October 30, 2014 a year to the day after the band’s performance sold-out performance at the Birmingham LG Arena. It will be available on DVD + CD combo pack, Blu-ray + CD combo pack, and digital audio and digital video separate from one another. There are also bundle packs that include T-Shirt, hat and exclusive fan poster that can be ordered online now at http://www.myplaydirect.com/black-stone-cherry. The performance, which features twenty-one hit songs from across all four of the band’s current studio recordings, runs a total of two hours. It includes hits such as: ‘Rain Wizard,’ ‘Blind Man,’ ‘Like I Roll,’ ‘Blame it on the Boom Boom’ and a number of others. The complete track listing for the recording is listed below.

Thank You: Livin’ Live, Birmingham, UK October 30, 2014 Track Listing

  1. Rain Wizard
  2. Blind Man
  3. Me & Mary Jane
  4. In My Blood
  5. Holding On…To Letting Go
  6. Maybe Someday
  7. Such A Shame
  8. Things My Father Said
  9. Fiest Del Fuego
  10. Sunshine of Your Love
  11. Like I Roll
  12. Bad Luck and Hard Love
  13. *drum solo*
  14. Hollywood in Kentucky
  15. Hell and Highwater
  16. Soul Creek
  17. White Trash Millionaire
  18. Blame it on The Boom Boom
  19. Layla
  20. Peace is Free
  21. Lonely Train (Can’t Judge a Book)

Audiences can check out the band’s performance of ‘White Trash Millionaire’ from the recording online right now via YouTube at https://www.youtube.com/watch?v=V-Yth-dPd-A&feature=youtu.be.

Black Stone Cherry is currently touring in support of its most recent album, 2014’s Magic Mountain. It is also working on material for its fifth full-length studio release, which is expected to be released in early 2016. There are also plans for the band to return to the UK in early 2016 to headline the nation’s inaugural Carnival of Madness tour. More information on this is available online along with all of the band’s latest news and tour updates at:

Website: http://www.blackstonecherry.com

Facebook: http://www.facebook.com/blackstonecherry

Twitter: http://twitter.com/BlkStoneCherry

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Welcome Back, Kotter Season Four Is A Fond Farewell For A Great Series

Courtesy:  Shout! Factory

Courtesy: Shout! Factory

The end of the road is finally here for ABC’s timeless sitcom Welcome Back, Kotter.  Late last month, Shout! Factory released the final season of the classic series on DVD.  And Welcome Back, Kotter: The Complete Fourth Season is quite the interesting way for this one of-a-kind series to go out.  As viewers will note in going through each of the season’s twenty-three total episodes, the writers are to be very highly commended for handling the drastic changes to the series’ landscape.  That is the central aspect of the season’s success.  It will be discussed shortly.  In connection to the work of the writers, the work of the series’ cast is just as important to its whole.  After the near complete departure of one-time star John Travolta and series head Gabriel Kaplan, Robert Hegyes, Lawrence Hilton-Jacobs, and Ron Palillo carried on quite well alongside Marcia Strassman and John Sylvester White.  Last but hardly least of note is the series’ overall production values.  Audiences will appreciate that once again the show looks and sounds surprisingly good even as more than three decades have passed since the show ended its run on ABC.  All things considered, Welcome Back, Kotter goes out on a high note in its fourth and final season.  The proverbial waters were not easy to tread considering the show’s changes.  But somehow all involved managed to navigate them.  The end result is a collection of episodes that every Kotter fan will want to have in his or her own DVD library even though it really is in its final season Welcome Back, Kotter in name only.

Welcome Back, Kotter is in its final season Welcome Back, Kotter in name only.  That is because in this the series’ final season, Mr. Kotter (Gabe Kaplan) is written almost entirely out of the show after the season’s first three episodes.  After those first three episodes, the only mentions of Mr. Kotter come in the part of his wife (played by Marcia Strassman) mentioning him being at this conference or that–as he is now the school’s Vice Principal–whenever now Principal Woodland is looking for him.  She essentially becomes the Kotter in Welcome Back, Kotter.  All of this aside, Season Four still manages to be just as entertaining as the series’ previous three seasons.  The main reason for that enjoyment is the work of the show’s writers.  The work of the series’ writers in the final season of Welcome Back, Kotter is one of the most important reasons for the show’s success.  With what can only assume was the departure of star Gabe Kaplan from the show and the all but nonexistent John Travolta (Travolta appears in this season only in a handful of episodes), the writers had a lot to handle.  That’s because it forced the writers to either adjust to the changes or completely overhaul the show.  Luckily, they did the prior and did so with the utmost professionalism.  They crafted twenty-three episodes that stylistically were familiar both to the cast and crew, and to viewers.  They also exhibited the writers’ collective ability to show that the series could still float even without two of its main stars.  Sure there were some changes here and there.  But by and large, the emphasis on education, friendship and other serious subjects were just as appreciable as the laughs that were tied into every one of the season’s episodes.  Some of the best examples of that balance and solid writing come in the form of “Washington’s Clone,” “The Gang Show,” and “Once Upon A Ledge.”  The prior of the trio takes a similar tone as that of the season’s two-part premiere in its emphasis on the importance of education.  The difference between the two is that “Washington’s Clone” tackles the subject by having Washington having to address a straight-A student named Arthur who wants to be just like him instead of the student everybody had come to know him to be.  Arthur goes so far as to steal watches from his father’s store in order to try and impress Washington.  What’s really interesting here is that for all of the “coolness” for which he is normally known, Washington is forced to show an unfamiliar, serious side in which he has to play counselor to Arthur in his attempt to get Arthur back on the right track.  It’s a surprising yet welcome change to see from Washington.  “The Gang Show” is more light-hearted but still tackles some serious issues in the process.  That light-hearted approach begins right at the episode’s title, which playfully pokes fun at the one-time hit game show The Gong Show.  Beau and Arnold become judges for the school’s annual talent show in this episode.  Fittingly Epstein and Washington team up for their own act.  This forces Arnold and Beau to balance loyalty and friendship with honesty and honor as judges.  The result is absolutely comical but still presents a good message that even today’s younger viewers will appreciate.  Those same viewers will appreciate the writers’ tackling of teen suicide as new character Mary Johnson threatens suicide because she feels unnoticed and unappreciated by anyone else at school.  Go figure, she would go on to be a key character in the season’s advancement.  These are just a few examples of how the writing that went into Season Four make it work so well even with the seeming departure of Kaplan in front of the camera at least and the near full departure of John Travolta.  Each of the season’s remaining twenty episodes could just as easily be used as examples of the writers’ talents, too.  For instance, the handling of alcohol abuse (and more specifically teen alcohol abuse) in “Come Back, Little Arnold,” the lessons of friendship and truth in media in “The Sweat Smell of Success” and the still hot button topic of sex education in “X-Rated Education.” Whether through these episodes, the ones more directly addressed, or through any of the season’s others, it can be said that the episodes in whole prove clearly the importance of the show’s writing even with the changes that came with the season. They are just part of what makes this season work as well as it does, too. The work of the show’s cast proves just as pivotal to its success and enjoyment.

The work of the writers behind Welcome Back, Kotter shows throughout each of this season’s episodes makes this season just as enjoyable as the series’ previous three seasons. That is the case even despite the changing landscape of the show in its final run. In connection to the work of the show’s writers, the work of the show’s cast is just as pivotal to its continued enjoyment. This is key to note because of the noted changes. Stars Ron Palillo, Robert Hegyes, and Lawrence Hilton-Jacobs were forced into the spotlight after [Gabe] Kaplan was essentially written out along with Travolta’s Vinnie Barberino. The trio handled their new roles with just as much professionalism as the show’s writers. There were plenty of laughs from the trio’s mix of physical comedy and almost Three-Stooges style back and forth throughout each episode. Even when it was time for the trio to step up and be more serious, such as when they get Norman to admit to his trouble with alcohol and when they had to get Arthur back on the right track, they did so with an equal level of expertise. Interestingly enough, Beau (Stephen Shortridge) was rather underutilized after his introduction as the newest member of the Sweathogs. It’s almost as if he was brought in without full forethought. Even considering this, Palillo, Hegyes, and Hilton-Jacobs hold their own and create plenty of laughs and moving moments through this season, showing time and again why their work was so important to the season’s success.

Both the work of the writers behind Welcome Back, Kotter and that of the show’s cast are of equal importance to the enjoyment and overall success of the series’ final season. As important as both elements are to the whole of the recently released box set neither would be worth the mention without mention of the set’s production values. Specifically speaking none of it would be worth mentioning without mention of the footage’s audio and video mix. In regards to its video mix, the footage looks just as impressive as that in the series’ previous standalone season sets. The season has been restored to its original condition. And once again, the grainy look of the footage has been cleaned up without losing that original look that the show presented in its original run. The sound is just as enjoyable. Considering the recording tech available at the time, that says quite a bit. When set alongside the work of the show’s cast and writers, the work of those charged with restoring Season Four’s footage makes this final installment of Welcome Back, Kotter one last must have for Kotter fans and classic TV fans alike.

The fourth and final season of Welcome Back, Kotter is one last must have both for fans of the classic series and for classic television fans alike. That is proven through the work of the series’ writers and cast, and through the work of those charged with restoring the footage for its presentation here. Season Four is available now in stores and online and can be ordered direct via Shout! Factory’s online store at https://www.shoutfactory.com/tv/comedy/welcome-back-kotter-the-final-season. More information on this and other titles from Shout! Factory is available online now at:


Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory


To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Pop Punk Fans Will Enjoy SOL’s Debut LP

Courtesy:  Standby Records

Courtesy: Standby Records

New Jersey may not be one of the most popular states in the nation. But the “armpit of America” has proven for decades that it is anything but that. Being home to the likes of the New Jersey Devils from the NHL, and music legends such as Bruce Springsteen and Jon Bon Jovi, the “Garden State” exhibits just as much diversity as a floral garden. Now another band has come along in the form of Stories of Living to add even more diversity to that culture “garden.” The five-piece pop punk band (formerly Time Will Tell) has officially released its debut album Save Your Breath and is streaming it in full via YouTube. The twelve-track album instantly conjures thoughts of New Found Glory, Taking Back Sunday, and A Day to Remember just to name a few comparisons. That being the case, it is a good record for any pop punk fan from start to finish beginning with the album’s opener ‘Enough is Enough.’ The up-tempo rocker centers on a relationship gone bad but musically is not one of those oh-woe-is-me style pieces. It makes for a solid opener and first impression for the band. ‘Enemies Like Me,’ which comes just before the album’s midway point, is another standout track for the band. Its standard pop punk approach makes it just as engaging as any of the album’s other offerings. In regards to its lyrical content, front man Chris Rivers, leaves nothing to question in terms as he sings about fake friends and how they need “enemies like me.” It isn’t a negative piece despite its title. Rather it’s a song sung from the standpoint of someone saying to said fake friends that they need to be put in their place; someone to show others how fake they are. This is something to which listeners of all ages can relate, not just the band’s likely intended younger audiences. ‘Skin Deep,’ is another example of what the band’s fans and pop punk fans alike will enjoy about this record. It is that standard acoustic piece that seems prevalent in so many other pop punk, emo, etc. style records. But it is also rather interesting lyrically. Thanks to its lyrical content, it will definitely have listeners both thinking and talking. Whether for this song, for the album’s opener, or for the likes of ‘Enemies Like Me,’ Stories of Living shows in its debut record to be a good first effort for the Sparta, New Jersey-based band. The same could be said of any of the album’s other offerings, too. Altogether, the twelve tracks that make up this record offer plenty of value for the pop punk legions out there and in turn make ‘Save Your Breath’ an album that every pop punk fun will want to hear at least once before this year is out.

Stories of Living’s debut album Save Your Breath is a good first effort for the Sparta, New Jersey-based pop punk outfit. That is thanks in large part to the fact that the album’s twelve total tracks instantly remind audiences of other more established pop punk acts such as New Found Glory, Taking Back Sunday, and A Day To Remember. Even with such similarities, the work of the band’s members–Chris Rivers (vocals), Bob Alcavage (guitar), Mike Larned (guitar), Nick Borelli (bass), and Mike Tizzano (drums)–still leads to a record that holds its own against those more well-known acts. That is obvious in the album’s opener ‘Enough is Enough.’ Right from the song’s outset, it instantly conjures thoughts of New Found Glory through its musical content. Rivers’ lyrics seemingly centered on a relationship gone bad will entertain listeners just as much. He sings of the relationship, “Is it alright/If I don’t know what it means to have a good night/Or that I’m just now believing it’s the truth/And now I see/That you always planned to use me…the only thing I want to tell you is/Enough is enough/And I don’t want to hear it/I’m wasting my time while you’re breaking my spirit/Keeping in mind all the time that you wasted/I don’t think that you have what it takes to make it/Judging by the fact that you’ve given up so slowly/Dragging me along/Did I really look that lonely/You may look fine tonight/But don’t think you have what it takes to make it right.” This is just the song’s lead verse and chorus. The remaining lyrical content is quite similar to say the very least. But that verse alone drives home this song’s topic clearly and efficiently. What is really good about the overall lyrical content of the song is that it isn’t one of those oh-woe-is-me style songs about a broken relationship. Rather as Rivers notes, “Now I see that you always planned to use me…the only thing I want to tell you is enough is enough,” it is a song in which the subject presents great personal strength. This is someone that finally saw the light rather than being blinded and is determined to make a positive change. That and the song’s positive musical tone come together to make this song again, a good starting point for the band on its debut record and an equally good representation of the band’s offerings on this album.

‘Enough is Enough’ shows itself to be a good starting point for SOL’s debut album and an equally good representation of what the band has to offer in the album in whole. It is just one song that serves as a good representation of the material that makes up the album’s body. ‘Enemies Like Me’ is another good example of what makes this record a worthwhile listen for any pop punk fans out there. In regards to its musical content it is another familiar piece for pop punk fans with the percussive nature of the guitar lines in the song’s opening bars and the catchy hooks and riffs that follow. The lyrical content is just as accessible for listeners. That is because of what would seem to be the song’s lyrical theme. Considering the lead verse in which Rivers sings, “Friends stay friends but now it’s all too late/It’s not the same/Losing friends with false intentions/Just don’t seem/I’m better off/Learning the hard way/I tried for the last time days ago/How could I know the outcome/We’ve changed in the past three years, I know/Nothing like/You’d better know/So/Don’t think you have me all figured out/Cause if you knew me you’d know better than to open your mouth or call me out.” That’s a pretty clear statement. And its a statement to which listeners of all ages and kids can relate. There are just as many adults like the ones that Rivers’ subject sings about as there are younger people like those people. What’s more , Rivers isn’t really exaggerating about those people, either. Because it boasts such an ability to relate to such a broad spectrum of listeners, this song shows even more why it is another good representation for SOL’s debut record.

‘Enough is Enough’ and ‘Enemies Like Me’ are both good representative songs for SOL’s new album Save Your Breath. While both songs show in their own way why pop punk fans will appreciate Save Your Breath, they are not the album’s only good representative songs. ‘Skin Deep’ is one more good example of what said fans can expect from this record. It is yet another standard style pop punk piece that most listeners will recognize in regards to its musical content. That being the case its lyrical content lies at the center of its success. Rivers sings in the song’s chorus, “It’s killing me to say please/Don’t take away the only thing/That makes me me/I’m only skin deep/And happy in my sleep.” He adds to this by singing in the chorus’ refrain, “I’ve gotta believe/This world will take me somewhere when my life succeeds/A dream/So please don’t ever wake me.” Whether Rivers is speaking metaphorically here or literally from the point perhaps of someone struggling with thoughts of depression would be interesting to learn. the supposition of someone struggling with depression comes as he sings about being happy in one’s sleep. It could easily be interpreted that the sleep in question is one’s daydreams, not literally sleep. That could lead to the interpretation of someone saying that he or she is only happy in their daydream world, and that they don’t want that taken away. This is, as always, just the interpretation of this critic. It is not gospel. It could very well be wrong. Regardless, Rivers’ ability to generate so much discussion makes it just as worth the listen as the previously discussed songs or any of the album’s other nine songs not directly noted here. Whether for those songs or for the ones discussed here, it can be said of Save Your Breath in whole that it is in fact a record that any pop punk fan will want to hear at least once.

Save Your Breath, the debut album from Stories of Life is a good record for any pop punk fan to hear at least once if not more. The dozen songs that compose the body of the album are chock full of familiar pop punk sounds that will keep said listeners engaged from start to finish. Its overall lyrical content from beginning to end is just as certain to keep listeners’ ears throughout. The combination of those factors lead Save Your Breath once again to prove itself an album that any pop punk fan will want to hear at least once. It is available now in stores and online . It can be ordered online now via iTunes, Spotify, Google Play, and Amazon. The band is also currently streaming the album online now via YouTube at https://www.youtube.com/playlist?list=PL2qvNvMhPB4la9TYtOOVa9zRd_jVaMrge. More information on Save Your Breath is available online now along with all of the band’s latest updates at:

Website: http://www.ourbandissol.com

Facebook: http://www.facebook.com/StoriesOfLiving

Twitter: http://twitter.com/StoriesOfLiving

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

WHV Finally Gets One Right With Its New Peanuts Collection

Courtesy: Warner Home Video

Courtesy: Warner Home Video

This Thanksgiving, Blue Sky Studios and 20th Century Fox will team up to bring audiences the first-ever big screen Peanuts adventure that (go figure) is simply titled The Peanuts Movie. Personal opinions aside, it is interesting to note that as the movie’s debut nears, so is Warner Brothers’ home entertainment division–Warner Home Video (WHV)–stepping up its re-issues of the classic Peanuts TV specials. Already released this year WHV has re-issued Race For Your Life, Charlie Brown. Officials with WHV have also announced that the organization will also release Bon Voyage, Charlie Brown (And Don’t Come Back) and He’s a Bully, Charlie Brown along with the company’s new compilation set Peanuts: Emmy Honored Collection. The latter of the trio is currently planne for a nationwide release on Tuesday, September 15th. Though, interestingly enough it has already been released through Target likely via a special deal between the retailer and the people at WHV. For those that were not lucky enough to pick up the dual-disc collection in its original release via Target will be pleased to add it to their personal collections. The main reason that audiences will be pleased to add it to their collections is its featured specials. It features eleven classic Peanuts TV specials that while previously released on one platform or another are now collected into this much more ergonomic collection. This will be discussed at more length shortly. Another reason that the collection proves so interesting and worth the purchase is the material presented within each special. Audiences actually get to hear an adult talk for the first time ever in one special (She’s A Good Skate, Charlie Brown). And while most audiences are familiar with the classic Peanuts holiday specials, some will be surprised that there is another holiday special of sorts that is just as deserving of attention in the form of What Have We Learned, Charlie Brown? This special is a deeply moving Memorial Day special that will impact viewers of all ages. Last of note in regards to this collection’s positives is that classic hand-drawn animation style. The old school style of artwork is yet another example of what once made animated features truly animated and in turn truly entertaining. Each noted element shows in its own way that Peanuts: Emmy Honored Collection is a surprising new release from WHV. It would be nice to think that maybe it marks the beginning of WHV finally moving in the right direction after having slid in the wrong direction for the past couple of years or so. One can only hope. Even if it is just a random diamond in the rough from the once powerhouse studio, it proves through all three noted elements together, to be one that any Peanuts fan will happily welcome into his or her home DVD library.

Warner Home Video has been noticeably declining over the course of the past two years or more. That is evident through every one of its releases both for families and for select audiences. Said releases have shown that someone(s) at WHV apparently did not and does not care about providing audiences with quality home releases. For all of the problematic releases that WHV has put out in stores over the past couple of years or so, finally a random diamond in the rough from WHV will be released very soon in the form of the new Peanuts collection Peanuts: Emmy Honored Collection. This collection of TV specials includes eleven classic Peanuts TV specials that some of which were nominated for Emmy Awards while certain others actually received the coveted trophy. It should be noted that all eleven of the specials featured in this new double-disc collection have each previously been released via one platform or another. Some have been released on VHS while others have previously been released on DVD. Others have even been issued and re-issued on one platform then another. Despite this, some viewers out there might not have been lucky enough to add one, another or more of the featured specials up until this point. That being the case, all eleven specials show collectively to be of the utmost importance for all viewers. That is because more than likely among the legions of Peanuts fans around the world few to any likely have all of the included specials.

The inclusion of each of its specials in one collection is good for Peanuts fans everywhere in large part because having them all in one place means just that. It means that for the first time ever each one of the specials has been finally released on one platform on which all audiences can watch them. No one is left behind. On another level, for those that had one or more of the specials in question from their previous releases can finally eliminate those platforms (or at least most of them if they own the original VHS copies of said specials). That will ultimately lead to saved space for many fans on their respective DVD racks. Again, this might not apply for every Peanuts fan. But it will definitely apply to many fans. And that being the case, it makes the collection’s ergonomic factor that much more important to the whole of its success and enjoyment.

The episodes presented in Peanuts: Emmy Honored Collection show clearly why they are within themselves quite important to the whole of the collection. Examining the episodes on a closer level, ther writing shows to be just as important to the collection as the episodes themselves. In examining the specials’ writing it becomes clear why they were either nominated or in some cases even won an Emmy. That is most evident through the surprisingly moving special What Have We Learned, Charlie Brown. This sequel of sorts to Bon Voyage, Charlie Brown (And Don’t Come Back) follows Charlie Brown and company on their departure from France. Along the way, the Peanuts gang happens to arrive at Normandy and the site of the Allied landing on D-Day. The history lesson provided by Linus upon their arrival is unbiased and moving all at the same time. The writers don’t pull any punches here, revealing that the Allied attack on Normandy was in fact anything but perfect. Linus notes in his lesson that weather conditions had ruined the mission so much that Allied commanders even considered pulling back. That is a lesson that sadly very few history teachers and professors alike will teach in the classroom. So it is nice to have that historical truth noted in a special that is aimed at younger viewers.

In another of the collection’s episodes, She’s A Good Skate, Charlie Brown, audiences actually get to hear an adult speak for the first (and probably only)time in the history of the Peanuts TV specials. The adult in question is Peppermint Patty’s teacher. She continuously calls on Patty as Patty continues falling asleep in class thanks to her early morning skating practice. Yes, skating. That is another reason that the writing in this special proves so notable. Anyone that knows their Peanuts history knows that Peppermint Patty is more of a tomboy than a girly girl. Heck, she was even voiced by males in a number of the specials. So having Patty taking part in a sport that is traditionally more aimed at females than males shows a completely opposite side of Patty and to the Peanuts universe in whole.  It is a change that all audiences will agree now in the 21st century is a welcome change.  It shows that it’s okay for a girl to be girly and one of the boys.  Simply put, it really serves to defy those strict, standard gender roles established by society.  Whether or not that is the reason that it at least received an Emmy nomination, it is one more reason that the writing behind this special stands out so strongly as one more part of the whole of the collection’s writing.

Why, Charlie Brown, Why? is perhaps the strongest evidence of the importance of the writing behind the collection’s featured episodes. This episode tackles the issue of cancer. On a more specific level, it tackles the issue of childhood cancer and the impact of cancer on both the victim and his or her friends and family. Its story centers on a young girl named Janet who is diagnosed with leukemia. It just so happens that she is friends with Linus and the rest of the Peanuts gang. Though, Linus is the main character of this story. That side element of the story’s writing will be discussed shortly. Sticking on the main topic, the manner in which the writers tackled the subject is hugely worthy of applause. It was handled with the utmost gentility and in a fashion that also made the topic accessible even for much younger viewers. That in itself makes this special more than just a special. It is special in every sense of the word. It’s just one aspect of the special’s writing that makes it so notable among the others included in this set. The fact that Linus was made the story’s central character makes it even more worth the watch. It’s not the first time that Charlie Brown took a back seat to his Peanuts pals. But it is one of the most successful episodes that featured someone other than Charlie Brown at the center of the story. That is especially the case as audiences see Linus actually lose his cool in a very rare instance. He loses it when another child makes fun of Janet for having lost her hair right in front of him. Audiences will find themselves cheering Linus on and even doing so with the slightest tear in their eyes. That rare moment really exemplifies the pent-up feelings that not only children feel in a situation such as that presented here, but grown-ups, too. So for that reason too, the writing behind Why, Charlie Brown, Why? shows even more the importance of the episodes’ writing in whole in examining the set in whole. It is just one more example of the importance of the writing within each of the set’s episodes. The writing within each of the remaining eight specials shows in its own way why the writing in whole is so important to the episodes’ enjoyment and the success of the set in whole. And together with the episodes themselves, both elements together make a strong argument why every Peanuts fan should have this new collection in his or her own home DVD library. They still are just part of the whole of the collection’s positives. Last of note is the animation style within each episode.

Both the episodes featured throughout the body of Peanuts: Emmy Honored Collection and the writing within each special makes for plenty of reason for Peanuts fans to appreciate this latest collection of Peanuts classics. Of course what examination of such a classic collection would be complete without mention of the specials’ animation style. Every one of the specials featured as part of Peanuts: Emmy Honored Collection was drawn by hand. That means that endless hours were spent bringing to leave each and every second of each special. Now being that each special runs roughly in the range of about twenty minutes (or just a little more in some cases), the math adds up to quite a bit of time spent on bringing each special to life for broadcast. That says a lot when these specials are compared to the largely CG presentations out there today that try to claim themselves as being animated. They are animated in name only. These specials show everything that was once great about true, animated features. Each one of the specials boasts a similar look. But there are also minute details within each special that set them apart. Audiences that have eagle eyes will catch that minutia. The same can’t be said of today’s CG creations. It really gives these classic specials a real soul and heart. Together with the episodes’ impressive writing and the episodes themselves all three elements come together to make Peanuts: Emmy Honored Collection a clear must have for any real devoted Peanuts fan.

Peanuts: Emmy Honored Collection is a must have for any real Peanuts fan. That is the case whether or not said fan already owns any of the specials presented here on their original release platforms. The collective writing presented within each of the collection’s makes the episodes and the collection in whole even more enjoyable. The standout animation style presented across each of the collection’s specials rounds out the presentation. It reminds audiences by comparison of what once made animation so great. The animation is original. Even the upcoming Peanuts Movie that is due out this Thanksgiving doesn’t entirely hold up to that style of animation despite the efforts of those behind the movie to make it look like the classics on which it is based. Each element in itself proves to be an important part of the collections’ whole. Altogether they make Peanuts: Emmy Honored Collection a collection that any true-blooded Peanuts fan would himself or herself be honored to have in his or her home DVD library. Peanuts: Emmy Honored Collection is available now exclusively in Target stores nationwide. It will allegedly be available nationwide in other stores beginning Tuesday, September 15th. More information on this and other upcoming Peanuts releases is available online now along with the latest Peanuts news at:

Website: http://www.peanuts.com

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Indiepix Import Ships Sails Despite Syncing Issues

Courtesy:  Indiepix Films

Courtesy: Indiepix Films

Earlier this year, independent movie studio Indiepix imported the Turkish foreign film Ships for American audiences. The movie, which originally debuted in its home country in January 2014, is quite the interesting work. Coming in at just over the ninety-minute mark, its script lies at the heart of its interest. The movie’s script follows a young man named Ali (Ugur Uzunel–El yazisi) as he ponders his life in the port town that is he calls home in regards to his own future, his relationship with his father, and much more. As the story, penned by writer/director Elif Refig, progresses, it becomes more than just a story ruminating on one’s place in the world but one that even boasts just the slightest amount of romance. Luckily that romance factor doesn’t overpower the movie’s main plot. Rather it plays into the movie’s overall plot, leading to a deep philosophical (and psychological) concept that will definitely have viewers talking after the movie ends. While the movie’s script plays a powerful part in its surprising enjoyment, it can’t be said that the movie is pefect. There is a clearly noticable problem with the movie’s sync. The movie is not dubbed in English. So this is not just the standard English voice actor dubbing over the foreign original. The audio and video is at the very least a good second and a half off from one another. To some this may not seem like that much. But it is noticeable. And while it doesn’t necessarily kill the movie (or the bonus short included with the movie–it also has a sync issue)it is a hindrance that must be noted. Having noted the painfully obvious issue with the movie’s sync (and that of the movie’s companion short film) that noted bonus companion short film adds even more to the movie’s overall presentation. That is the case even with its sync issue. It abrely tops the twenty-minute mark. But in the course of that time, it achieves plenty. And even despite it having its own syncing issue it still combines with the presentation’s main movie to make Ships a must see indie fick and one of this year’s top new independent films.

Indiepix Films’ recently imported independent foreign film Ships is a must see for anyone wanting to escape the monotony of the material being churned out by Hollywood’s “Power Five Studios.” It is also one of this year’s best new independent movies. The main reason that it is worthy of holding both titles is its script. Penned by writer/director Elif Refig, the script behind this movie isn’t just some overly artsy forieng film that is artsy for the sake of it. Rather it balances that art film approach with a mainstream style story and presentation that is just as accessible to audiences as any human drama churned out by Hollywood’s “Power Five studios” in the last twenty years or more. The story that lies within the movie script follows Ali as he ponders his place in the world and comes to the realization that he needs to get out of his hometown and branch out. That realization becomes even stronger when he meets what will become his female love interest Eda (M. Sitare Akbas–Ada, Not Worth A Fig, Dila Hanim), who also feels the need to get on one of the boats (there is one in particular called the Vamos of which Ali dreams and thus thinks will be the pair’s ticket out of their town) and sail away. What is really interesting about all of this is that Refig flips the standard gender roles used in the movie’s American counterparts in the development of both Ali and Eda. Ali is a dreamer while Eda is something of a bad girl figure, painting graffiti, wearing the dark hood, etc. early on. And it is in fact her growing relationship with Ali that leads her, not him, to change. This is a subtle element of Refig’s script. But it is an element that proves quite interesting to those that pay close enough attention to catch it. Even more interesting are the philosophical and even psychological discussions that are certain to be generated by Refig’s script by the time the movie ends. It will raise discussions on whether Ali’s dreams about the Vamos were n fact real signs or if perhaps they were just the catalyst for the relationship between he and Eda that forms over time. It’s just one more of so many elements within the movie’s script that make the script so important to the movie’s success and enjoyment. There is potentially more that this critic might have missed in regards to the scripting. That aside, the elements that were in fact noted here and the expert manner in which Refig balanced each element within the body of the script shows even more so why the script behind Ships is so important to its enjoyment and overall success.

For all of the positives that Ships’ script presents, it is painful to say that in watching this movie, the script is its one major positive. In other words the movie (and its companion bonus short film) does have a noticeable problem. Audiences will note that both the central presentation and its companion short film both suffer from a noticeable issue of the audio and video’s syncing. Before anyone gets upset, automatically thinking that it is just a dubbing issue, that is not the case. The cast’s speaking parts were not covered by English-speaking voice actors. Rather the cast’s speaking parts were handled via English subtitles. This makes it painfully clear that there is a problem with the movie’s syncing. It is not relegated to just those speaking parts either. The audio and video appear to be out of syn from the movie’s opening scene to its last. Some will attempt to argue that this is a non-issue since English-speaking viewers will probably spend most of their time reading the subtitles. However, the rebuttal to that argument is that even those audiences will still be watching the movie at the same time as reading the movie’s subtitles. This problem isn’t relegated to just Ships. It is just as obvious in the movie’s companion short film Man To Be. In defense of those behind both presentations, the synching issue doest not necessarily eliminate any reason to watch either film. but it does have a noticeable impact on the movies’ enjoyment. That being the case, both Ships and Man To Be are still worth at least one watch even with that painfully obvious issue thus leading again to the argument that Ships is at the very least one of 2015’s top new independent movies. It just can’t be said that it is the year’s best because of that issue.

Ships is one of this year’s best new independent movies. This is even despite the noticable issue of its syncing between its audio and video throughout. It is so well worth the watch because of its largely original and creative script. Thanks to writer/director Elif Refig’s attention to detail, it proves itself to be anything but just another existential coming of age piece. Rather it is something much deeper that will keep audiences engaged throughout the course of its ninety-two minute run time. It is just one part of the whole that makes this movie worth the watch. The inclusion of its companion bonus short film Man To Be is one more reason that this presentation proves so powerful. Just as with Ships, Man To Be proves so enjoyable thanks to its script. The acting of its cast adds even more enjoyment to this deeply human story. It presents its young lead actor having to grow up very fast because of some very difficult situations. He lives at home with his mother, grandmother, and uncle, who happens to be a not so nice person. He plays a direct role in him becoming a man at a far too young age, as he is forced into situations to which no one at his age should be exposed. From seeing the girl he is crushing going off with his uncle, to having to save his uncle from some very bad men, to having to do his uncle’s dirty work trying to convince his grandmother to sell her house, the young man in this movie faces some very difficult situations. He is even forced to make a literal life and death situation in the film’s climax that no one will see coming. The ending won’t be given away, but he comes out okay. Though it can be said that as is evidenced in the film’s final scene how okay is debatable. It and the rest of the film will leave viewers talking just as much as they will in watching Ships. This being the case, the combination of both movies together makes Ships even more clearly a must see. This is despite both films suffering from a painfully obvious issue with the synching of their audio and video. Even with that problem noted, the movie’s scripts and the work of each movie’s cast together proves Ships in whole to be a must see for anyone wanting to escape the monotony of Hollywood’s endless lust for prequels, sequels, and reboots and in turn one of the year’s best new independent movies.

While not perfect (thanks to the issues with its production values) Ships is not an altogether awful movie. Rather it is actually a surprisingly interesting film that any true lover of the film arts will want to see. Its script and the work of the movie’s cast coupled with both noted elements of Man To Be make the presentation in whole one of this year’s best new independent movies. It is available now and can be ordered online via Indiepix Films’ online store at http://www.indiepixfilms.com/film/5945#.VeC0HvZViko. More information on this and other titles from Indiepix Films is available online now at:

Website: http://www.indiepixfilms.com

Facebook: http://www.facebook.com/indiepixfilms

Twitter: http://twitter.com/IndiePixFilms

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