Otherwise Announces Spring Tour Schedule With Nonpoint, Scare Don’t Fear

Courtesy:  Street Smart Marketing

Courtesy: Street Smart Marketing

Fans of the Las Vegas-based hard rock band Otherwise are going to get more chances to see the band live this spring.

The members of Otherwise announed this week that the band will continue its current tour into the spring. The band will join Scare Don’t Fear as a support act for veteran rock bad Nonpoint on its current tour. The new slate of tour dates are in support of Otherwise’s latest full-length studio effort Peace at All Costs (Century Media). Front man Adrian Patrick spoke on behalf of the band noting that it Nonpoint was one of the first bands to offer support to Otherwise, so it’s just fair to repay the favor. He expanded explaining that Nonpoint’s willingness to take chances and set itself apart from all of the mainstream acts out there, which is another reason that the members of Otherwise have always admired Nonpoint. “The Wise Guys are excited to go out on the road with Nonpoint for this new tour,” he said. “They were one of the first bands to support us and they’ve continued to find success for as long as they have by doing something unique in this Active Rock genre which we strive to set ourselves apart in as well. Add in the fact that they’re cool cats and we can’t wait to hang out!”

‘Coming for the Throne,’ the latest single from Peace at all Costs, is currently making waves at radio stations across the country. As Patrick explains, the song is self-explanatory. “Our latest single has been at radio for a few weeks now and has been doing very well; getting picked up by stations all over the country,” he said. “The message of the song is crystal clear: we are here to take the crown… the world needs to know that. And now with my son here in this life, it holds a deeper meaning in what I want to share with him. I want him to always believe in himself, just as my parents taught my brother & I to do.” The video for ‘Coming for the Throne’ can be viewed online now via YouTube at: https://www.youtube.com/watch?v=Eu6MfEMVtdo&feature=youtu.be.

The dates for Otherwise’s dates with Scare Don’t Fear and Nonpoint are listed below:

OTHERWISE Dates on Nonpoint Tour

4/20: Fat Cat’s Music Lounge – Modesto, CA *

4/28: Hard Times – Hagerstown, MD

4/29: Schmitt’s Saloon – Morgantown, WV

5/1: Altar Bar – Pittsburgh, PA

5/3: Hard Times – Fredericksburg, VA

5/6: Rockpile West – Toronto, ON

5/7: Lost Horizon – Syracuse, NY

5.8: Jewel Nightclub – Manchester, NH

5/12: Bullshooters – Philadelphia, PA

5/13: The Broadberry – Richmond, VA

5/16: Music Factory – Battle Creek

5/18: Green Bay Distillery – Ashwaubenon, WI

5/19: Q & Z Expo Center – Ringle, WI

5/20: Spicoli’s Grill – Waterloo, IA

5/30: Rock Fest – Kansas City #

* – w/We Are Harlot (no Nonpoint)

# – Radio Festival (no Nonpoint)

All of the latest updates on Otherwise’s tour schedule are available online along with all of the band’s latest news at:

Website: http://www.weareotherwise.com

Facebook: http://www.facebook.com/otherwiseofficial

Twitter: http://twitter.com/weareotherwise

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Hall And Oates Impress Again In Their First Time Together In Dublin

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Next Tuesday, Eagle Rock Entertainment will release its latest live recording Daryl Hall & John Oates Live in Dublin. The concert, recorded live at Dublin’s Olympia Theatre on July 15th, 2014, is yet another example of why to this day Eagle Rock Entertainment remains the leader in live recordings. For a number of years, Eagle Rock Entertainment has released some of the best live recordings out there for audiences. From rock (Stone Temple Pilots, BTO, Slipknot) to rap (Cee Lo Green) to jazz (Stan Getz) and points in-between, Eagle Rock has spanned the musical globe bringing some of the biggest names and best quality concerts to audiences right in their own living rooms. Now early in 2015 it continues to hold its reputation strong with the upcoming release of Hall & Oates’ new live recording. Being the very first time that the duo had ever performed together live in Dublin, the concert instantly becomes something special for long-time fans of this hugely popular pop duo. While not necessarily what one might call a career-defining concert, the show’s set list covers a healthy range of the duo’s seventeen albums. It even pulls from the pair’s 1977 compilation record No Goodbyes. Keeping that in consideration, the set list chosen for this first-ever concert for Hall & Oates becomes the first key element of its success. The stage presence not only of Hall & Oates, but also of the pair’s backing band is just as important to the whole experience. Audiences will not be disappointed in that avenue, either. And last but hardly least worth noting of the recording is its production values (I.E. the audio and video mix). Considering what looks like a relatively small venue in the Olympia Theatre, the camera crew and audio operators must have faced quite the challenge in setting up the cameras and setting audio levels. Their efforts paid off in spades as the concert looks and sounds just as impressive as any previously released live recording from Eagle Rock Entertainment. By itself, the concert’s production values are what make the concert worth the experience. What’s the use of taking in a concert whose production values are muddy and rough? Exactly. That being the case, it shows why this show’s production values are as important as with any concert. Together with the show’s set list and the band’s stage presence, all three elements prove why Hall & Oates fans will enjoy this concert. It also shows once more why Eagle Rock Entertainment remains the leader in live recordings.

Eagle Rock Entertainment’s new Hall & Oates live recording is a piece that any of the duo’s long-time fans will appreciate. It also proves itself in the long run to be another example of why Eagle Rock Entertainment is the leader in live recordings. One key reason for this is the concert’s set list. While not necessarily what would be dubbed a career-defining set list, fans will be impressed with the mix of material chosen for the first-ever concert. The show’s set list goes all the way back to Hall & Oates’ sophomore album Abandoned Luncheonette (1973) and as recent as its 1984 album Big Bam Boom. pulling some of the duo’s biggest hits along the way. There is even one number included in the set that was released only on the duo’s 1977 compilation record No Goodbyes in the form of ‘It’s Uncanny’ and another taken from the 1983 compilation Rock ‘n Soul Part 1 in the form of ‘Say It Isn’t So.’ It all starts with a pair of the duo’s more recent hits in ‘Maneater’ and ‘Out of Touch,’taken from H2O and Big Bam Boom respectively. From there, H&O and company start going back in time beginning with that 1983 hit single ‘Say It Isn’t So.’ From there, the show’s set list hits on some of the biggest hits of Hall & Oates’ career including the likes of ‘Family Man,’ ‘Las Vegas Turnaround’ and perhaps the group’s biggest hit of all time, ‘You Make My Dreams’ among a number of others. The set list reaches fifteen songs, the last two of which are encores. The total run time (trt) comes in at just under the two-hour mark. And while it comes in at just under that mark, it doesn’t feel the least bit short. The concert keeps audiences engaged, singing and dancing along in their own living rooms from start to finish. And the reason for that is also the second reason that this concert will impress any long-time H&O fan, the band’s stage presence.

The set list chosen for Hall & Oates’ first-ever performance together in Dublin is itself reason enough for long-time fans to pick up this new live recording. As with any live performance, a set list is just that without a quality show on the part of the performer(s). In the case of Hall & Oates (and the duo’s backing band), the performance put on by the group makes the set list all the more enjoyable. One of the most memorable of moments that defines that stage presence is a very simple moment in which drummer Brian Dunne is introduced to the audience in attendance. He is apparently wearing a soccer jersey that the audience recognizes. As soon as he stands up in his introduction, the crowd starts chanting and Dunne smiles, pointing to his jersey. Who would have thought such a simple moment would be so memorable and powerful? Yet it helped the band make a connection with the crowd. On the musical side of things, the band in whole exudes such energy in its performance of ‘Family Man.’ While it holds the original song in the performance, the band has noticeably stepped up in this performance. And the funky vibes of ‘It’s Uncanny’ will take audiences back to another age as the band launches into this piece. The band’s live take of ‘It’s Uncanny’ is just as good as its original studio recording if not better than said composition. And the band’s performance of its biggest hit of all, ‘You Make My Dreams,’ is a solid performance in its own right. Interestingly enough, one would think the band’s performance of one of its biggest singles of all would be a big production. But the band opts instead for a performance that while not subdued per se is not the massive production that one would expect. Interestingly enough, because the band saves its energy for the last bars of the song, it makes this moment all the more special and memorable. Whether for that memorable moment or for the band’s performances of ‘Family Man,’ ‘It’s Uncanny’ or any of the moments not noted here, it can be said with ease that the stage presence of Daryl Hall, John Oates, and the duo’s fellow musicians throughout the concert presented here makes the set list and in turn the performance in whole all the more enjoyable for fans.

The set list and performance of said set list in Hall & Oates’ new live recording go hand in hand in making this yet another impressive recording from Eagle Rock Entertainment. Of course without quality production values none of that would matter. But being another Eagle Rock release, it goes without saying that the production values incorporated into this concert are of the highest quality. This is especially important to note considering the fact that the Olympia Theatre doesn’t exactly look like the largest venue out there. Being a seemingly quaint venue, it had to have presented quite the challenge for the show’s camera crew and those handling the show’s audio. The challenge for the camera crew would include placement of the cameras for the best angles and shots without risking damaging any equipment. In terms of the audio management, such a seemingly small venue means having to work even harder to handle every single little nuance of the concert’s sound. The smaller the venue, the easier it is for sound to bounce everywhere and in turn make the overall quality of the audio rather muddled. Luckily, everyone involved was obviously more than up to the challenges put before them. The end result is a concert that sounds just as good as it looks, making the concert in whole even more another proverbial feather in the cap of Eagle Rock Entertainment.

The production values incorporated into Daryl Hall & John Oates Live in Dublin by themselves make this recording well worth the watch by any Hall & Oates fan. If not for the high quality of the production values, neither the show’s set list nor the band’s performance of said set list would be worth anything. Luckily, the audio and video mix proves in the long run to be of the highest quality,which is of course the standard for Eagle Rock’s releases. And because of those high quality production values, the set list and the band’s performance manage to prove their importance to the presentation overall. All three elements taken into consideration, Daryl Hall & John Oates Live in Dublin shows exactly why in the end every Hall & Oates fan will enjoy this recording and why Eagle Rock Entertainment remains to this day the leader in live recordings. Daryl Hall & John Oates Live in Dublin will be available next Tuesday, March 31st in stores and online. Fans may even be able to purchase it at the duo’s upcoming live dates. Speaking of those dates, Hall & Oates’ latest tour dates and news are available online now at:

Website: http://www.hallandoates.com

Facebook: http://www.facebook.com/hallandoates

Twitter: http://twitter.com/halloates

 

More information on Daryl Hall & John Oates Live in Dublin and other titles from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

History, Lionsgate Announce Release Date, Specs For Sons Of Liberty

Courtesy:  History Channel/Lionsgate

Courtesy: History Channel/Lionsgate

Courtesy:  History Channel/Lionsgate

Courtesy: History Channel/Lionsgate

Officials with History Channel announced this week that the network’s latest mini-series Sons of Liberty will be released this spring.

History Channel will release Sons of Liberty on DVD + Digital combo pack and Blu-ray + Digital HD on Tuesday, May 26th. The epic five-hour mini-series focuses on the events of the American Revolution including: Paul Revere’s famous midnight ride, the Boston Tea Party, The Battle of Lexington, and much more. Ben Barnes (The Chronicles of Narnia: Prince Caspian, The Chronicles of Narnia: The Voyage of the Dawn Treader, Dorian Grey) leads the cast in the role of patriot Sam Adams. He is joined by Dean Norris (Breaking Bad, Under The Dome, Little Miss Sunshine), Ryan Eggold (The Blacklist, 90210, Dirt), Michael Raymond James (Jack Reacher, Once Upon A Time, True Blood), Rafe Spall (Prometheus, Life of Pi, Shaun of the Dead), Henry Thomas (Gangs of New York, E.T. The Extra-terrestrial, Legends of the Fall), Marton Csokas (The Lord of the Rings: The Return of the King, The Lord of the Rings: The Fellowship of the Rings, The Amazing Spiderman 2), Jason O’Mara (Terra Nova, Vegas, Men in Trees), and Emily Berrington (24: Live Another Day, The White Queen, The Inbetweeners 2).

Along with the series’ main presentation, the Blu-ray + Digital HD combo pack and the DVD + Digital combo pack will both include a handful of bonuses for audiences. Those bonuses include a “Making Of” featurette, a feature on the central figures of the revolution, and a piece focusing on the special effects that helped bring the battles of the revolution to life. The full list of bonus materials is noted below:

BLU-RAY/DVD SPECIAL FEATURES*

  • “Lensing Liberty: The Making of Sons of Liberty” featurette
  • “Men of Independence: The Historic Figures of Sons of Liberty” featurette
  • “The Choreography of War: Creating the Battles and SPFX of Sons of Liberty” featurette

Sons of Liberty will be available on Blu-ray + Digital HD combo pack and DVD + Digital combo pack Tuesday, May 26th. The Blu-ray + Digital HD combo pack will retail for MSRP of $29.99 and the DVD + Digital combo pack for $26.98. Audiences can check out a trailer for Sons of Liberty online now via YouTube at https://www.youtube.com/watch?v=yS6GcKFm9og&feature=youtu.be.

More information on this and other titles from History Channel is available online at:

Website: http://www.history.com

Facebook: http://www.facebook.com/History

Twitter: http://twitter.com/HISTORY

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anchor Bay To Release New WWII Drama This Spring

Courtesy:  Anchor Bay Entertainment/Amplify Releasing

Courtesy: Anchor Bay Entertainment/Amplify Releasing

World War II is known today as one of the worst conflicts in human history. The destruction caused by the war and the war’s human cost was devastating to say the least. We have that knowledge thanks to those that survived and through extensive documentation both on paper and film. The combination of these elements has in many cases been translated into some of the most powerful and memorable stories of all time. Stories like that of Oskar Schindler, General George S. Patton, Jr., the battle of Midway, and the crew of the famed Memphis Belle are just some of those countless yet powerful stories that have come from one of the world’s worst conflicts. Now this spring, Anchor Bay Entertainment and Amplify Releasing will add another equally powerful story to those ranks when it releases the human drama Against The Sun.

Against The Sun will be released on DVD Tuesday, May 5th. The movie follows the story of three U.S. Navy airmen that crashed in the Pacific in the early days after America entered the war. After crashing in the middle of the Pacific without any food, water, or possible chance of help, pilot Harold Dixon (Garret Dillahunt—Deadwood, 12 Years a Slave, No Country For Old Men), bombardier Tony Pastula (Tom Felton—the Harry Potter franchise, Get Him to the Greek, Rise of the Planet of the Apes), and radioman Gene Aldrich (Jake Abel—Percy Jackson: Sea of Monsters, The Host, The Lovely Bones) must come together to survive. The trio faces not just the dangers of the open sea but its own emotional struggles, too as it floats thousands of miles from land. If this sounds familiar, it should. An equally well-known story is that of the crew of the U.S.S. Indianapolis, which was sunk by a Japanese sub, leading to the greatest loss of life at sea in U.S. Naval history. The 900 survivors of the sinking faced very similar challenges. Their story was turned into a made-for-TV movie in 1991 titled Mission of the Shark: The Saga of the U.S.S. Indianapolis. There is also a major motion picture centered on the ship in the works that will star Nicholas Cage. Getting back to Against The Sun, it will include a handful of bonus material including a behind-the-scenes featurette, a piece on the movie’s costuming, the movie’s special effects and more. The full list on bonuses is noted below:

  • A Behind-The-Scenes Look
  • A Plane Takes Flight
  • Starving at Sea
  • Working on Water
  • F/X: On Set and Off
  • Blisters, Burns, and Bites
  • Dressing The Part

Against The Sun will be available on DVD Tuesday, May 5th. It will retail for MSRP of $22.98. Its run time is ninety-nine minutes. More information on Against The Sun and other titles from Anchor Bay Entertainment is available online now at:

Website: http://www.anchorbayentertainment.com

Facebook: http://www.facebook.com/AnchorBay

Twitter: http://twitter.com/Anchor_Bay

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Prong’s First-Ever Covers Record Is A Must For Long-Time Fans And The Metal Masses Alike

Courtesy:  Steamhammer Records/SPV

Courtesy: Steamhammer Records/SPV

Tommy Victor has spent the better part of his adult life in the music industry. For nearly thirty years, Victor has been releasing music under the moniker of hard rock/metal band Prong. Through all of the band’s ups and downs, Victor has pushed on releasing new material from Prong. He has released, over the course of that time nine full length studio albums, two live albums, one remix album, four EPs, and a number of singles and music videos. For all of those releases, there is still one item that until now Victor hasn’t handled under the Prong moniker. That item is the obligatory covers album. Next week, Victor will release Prong’s first ever covers album in the form of Songs From The Black Hole. The ten track album will be released via Steamhammer/SPV. This collection of covers is a great addition to any long-time Prong fan’s music collection. That is obvious right off the top with the band’s cover of Discharge’s ‘Doomsday. The high adrenaline song grabs listeners instantly and refuses to let go. Sisters of Mercy’s ‘Vision Thing’ follows ‘Doomsday’ and is one more example of what makes this album a must have for any long-time Prong fan. Those fans that are familiar with Prong’s body of work will hear the influence of SOM on Tommy Victor when listening to this song. And much the same can be said of Prong’s cover of Black Flag’s ‘The Bars.’ Stylistically speaking, it’s easy to hear Black Flag’s influence on Victor throughout Prong’s albums. It’s not the only obvious influence either. The inclusion of songs from the likes of Killing Joke, Bad Brains, ad Butthole Surfers shows Prong’s roots just as clearly. And much the same can be said of the compilation’s remaining four tracks. The entire record taken into consideration, it proves to be more than just another obligatory collection of songs flung together to fulfill a contractual obligation. Rather it is a record that celebrates some of rock’s greatest bands and at the same time one of the industry’s most important and influential yet least known bands. If not for the fact that it is indeed a covers album, it would have otherwise been justifiably named by this critic as one of the best new hard rock and metal albums of the year.

It’s incredible to think that roughly twenty-seven years after the release of its debut album Force Fed, Prong has not released even one covers album. In comparison to the countless covers albums released by Prong’s counterparts in both the mainstream and underground, it becomes even more incredible. For that reason alone, founder and sole original member Tommy Victor is to be commended for holding his ground. Audiences that pick up this record will agree in listening to Songs From The Black Hole that Victor is just as worthy of applause for the covers chosen for this record. Right off the top, the album grabs listeners and refuses to let go with its cover of Discharge’s ‘Doomsday.’ The song title sounds ominous, like a Soundgarden song or a piece from some black metal band. But the reality of the song is that it is actually a high-energy war protest piece that will have any metal purist wanting to get a circle pit started in their own home all while making audiences really think. Tommy [Victor] sings, “And now the end is near/The end is near/It’s time to say our last goodbyes…Is it a reality or just a nightmare…/Nowhere to run, nowhere to hide/No escape, no escape/Is it reality or just a nightmare?” The song’s seemingly politically charged lyrics coupled with the talents of Victor’s band mates–bassist Jason Christopher and drummer Art Cruz–make ‘Doomsday’ a great addition to this record regardless of regardless of its placement in the album’s sequencing. It isn’t the only song worth noting that makes this record so enjoyable for Prong’s fans and the metal masses, either. The album’s second song, Sisters of Mercy’s ‘Vision Thing’ is another solid addition to the record.

Prong’s cover of ‘Vision Thing’ is just as solid an addition to SFTBH as the record’s opener, Discharge’s ‘Doomsday.’ Sisters of Mercy’s original take on ‘Vision Thing’ has a decidedly 80s rock sound. Yet despite this, it still manages to stand out from all of the songs churned out by the hair metal bands of its age. Its sound is more similar to that of Billy Idol than say Poison stylistically speaking. Victor and compay somehow managed to keep the song’s original style all while mixing it with the band’s own updated sound to make for yet another solid addition to this surprisingly enjoyable collection of covers. As with SFTBH’s opener, this song is just as apt to leave audiences thinking as deeply as rocking out. Victor sings about what sounds like a drug addict in a hotel room getting high in the song’s first verse, singing, “Two thousand hamburg four/And colours I ain’t seen before/It’s a small world and it smells funny/I’d buy another if it wasn’t for the money.” This definitely comes across as a commentary of sorts about someone getting high on something. The seeming reference to JFK’s assassination that follows will generate just as much discussion as the verse’s opening lines if not more. The song’s closing lines say plenty, though seeming to clear up any questions that might have been left. Victor sings in the song’s closing lines, “What do we need to make our world come alive/What does it take to make us sing/While we’re waiting for the next one to arrive/One million points of light/One billion dollar vision thing.” These lines come across as a statement concerning the need for things to change considering the state of the world (I.E. drug users everywhere, murderers, etc.). Again, this song’s mix of musical and lyrical substance makes this piece another solid addition to a record that is surprisingly enjoyable for Prong’s first-ever covers LP.

Both Prong’s cover of ‘Doomsday’ and of ‘Vision Thing’ are solid additions to SFTBH. By themselves, both songs present their own element of enjoyment. When taken into consideration with the record’s other covers, both songs combine with those covers to show why for a first-time effort, Prong’s new covers record is a must have for any of its long-time fans. ‘Doomsday’ and ‘Vision Thing’ aren’t proof enough of this argument, then the band’s cover of Black Flag’s ‘The Bars’ is sure to convince audiences. PRong’s cover of this hardcore classic is a near spot on re-working. What’s more, there’s a certain element to it that harkens back to the days of Prong’s 1994 album Cleansing. Lyrically speaking, ‘The Bars’ is a rather dark song. It seems to focus on a figure with some rather troubling inner turmoil. As Victor sings, “Everytime I see I got my hands wrapped around the bars/I can’t shut off my mind/And now I’ve waited/My hands are wrapped around the bars/The bars, the lies, the lies, lies, lies/Are trapped behind the bars/My mind hates my body/My body hates my soul/I close my eyes and fight/Inside my own black hole.” The figure’s own torn feelings apparently seem to center around a young woman that took her own life by jumping out of a window. It is hardly the most positive lyrical content. But it is deep and deeply moving. Prong’s take on the song, musically speaking is a perfect match for those lyrics. The combination of both elements exhibit exactly why ‘The Bars’ is one more great addition to SFTBH.

‘The Bars,’ ‘Doomsday,’ and ‘Vision Thing’ are all positive additions to SFTBH. They are just a small glimpse into what makes this first-ever covers collection from Prong a must have for the band’s long-time fans. The record’s other seven covers each offer their own enjoyment for fans, too. All ten of the compilation’s songs taken into consideration, SFTBH proves in the end to be a record that was well worth the wait whether listeners are fans of Prong or the band’s covered by Prong here. SFTBH will be available in stores and online next Tuesday, March 31st. Beginning April 17th, Prong will hit the road in support of SFTBH with a sixteen-date European tour that runs through May 3rd. After wrapping the European leg of its tour Prong will take off the rest of the summer to charge up for a U.S. tour that kicks off October 23rd in Ramona, California. The 41-date North American tour will take the band across America and Canada throughout the summer and into the winter, wrapping up December 7th at the famed Whiskey a Go Go in West Hollywood, California. The band’s full tour schedule is available online along with all of the latest updates from the band at:

Website: http://prongmusic.com

Facebook: http://www.facebook.com/prongmusic

Twitter: http://twitter.com/prongmusic

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rob Halford Signs New Deal With SME, Legacy

Courtesy:  Sony Legacy

Courtesy: Sony Legacy

Sony Music Entertainment and Legacy Recordings made a big announcement today that involves Judas Priest front man Rob Halford. And for fans of both Judas Priest and Rob Halford, it is a very exciting announcement.

Officials with SME and Legacy Recordings have announced that they have inked a deal with the Judas Priest front man that will allow much of the material from his side projects to finally see the light of day. The precise terms of the deal were not released. However it is known that the deal guarantees that virtually all of his work with Fight Two, and his own eponymous recordings from 1992 forward will see proper releases. There will also be an “Essentials” compilation along with a “Playlist” compilation and definitive “Complete Albums” box set. The Essential Rob Halford will be released March 31st via Columbia/Legacy as part of the deal. The double-disc compilation will feature thirty tracks. A pair of live recordings in the form of War of Words: The Film and Live in Phoenix are also expected for eventual release as part of the deal.

Rob Halford’s catalogue includes the following releases:

Fight

Albums
War of Words
Mutations
A Small Deadly Space
K5 – The “War of Words” Demos

Audio/Visual
War of Words: The Film
Live in Phoenix

Two

Voyeurs

Halford
Metal God Essentials: Volume 1
Resurrection
Live Insurrection
Crucible
Live at Rock in Rio 3 (album and audio/visual)
Live in Anaheim (album and audio/visual)
Winter Songs
Made of Metal
Live at Saitama Super Arena (album and audio/visual)
Live in London
Live 2010 North & South America Tour (album and audio/visual)
Metal God Essentials: Volume 2

Rob Halford’s fans can keep up with his latest news online via Twitter at http://twitter.com/halfordmetal. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Priest’s DOTF 30th Anniversary Deluxe Edition Is A Must Have For Every Metal Purist And Judas Priest Fan

Courtesy:  Columbia Legacy

Courtesy: Columbia Legacy

Judas Priest. The very name is synonymous with metal. Regardless of whether or not audiences are familiar with the work of Judas Priest, they know the band’s name and its reputation among rock’s elite acts. The band has been making music together for almost half a century as of this year. To be more specific, the band has been making music for roughly forty-six years. Though its first full length album wasn’t actually released until 1974. Since that time, Judas Priest has churned out a surprising seventeen full-length studio albums. Those albums have sold millions of copies the world over including its most recent release Redeemer of Souls (2014). Considering that, it speaks volumes of the band’s longevity and its popularity. Now as the band comes another year closer to its fiftieth anniversary–this year marks the band’s forty-sixth year–it celebrates yet another important anniversary that just recently passed with the 30th Anniversary Edition of its 1984 album Defenders of the Faith. 2015 actually marks thirty-one years since Judas Priest originally released Defenders of the Faith. So why Columbia and Legacy would wait until this year to release the album’s 30th Anniversary Edition is anyone’s guess. It would have made more sense to have released it last year. That aside, Defenders of the Faith: 30th Anniversary Deluxe Edition is still a must have for metal purists and Priest fans alike. The central reason that it is a must have for audiences is the very fact that it presents Defenders of the Faith in its entirety exactly as it was presented way back in 1984. All ten tracks are here and they sound just as they did in the album’s original release. The addition of a two-disc, twenty-one song performance from the band’s 1984 tour in support of DOTF makes this re-issue all the more valuable for metal purists and Priest fans alike. And while it may seem like a minimal element to some, the album’s packaging is just as important to the presentation as the original album and its newly included concert. By itself, the re-issue’s packaging plays its own important part in the album’s enjoyment and success. Together with the album’s extensive bonus live recording and its full presentation of the original album, all three elements together prove why every metal purist and Priest fan should have Defenders of the Faith: 30th Anniversary Deluxe Edition.

Defenders of the Faith: 30th Anniversary Edition is, as already noted, a must have for any metal purist and Judas Priest fan out there that does not already own his or her own copy of the album whether on CD or vinyl. The presentation of the original album in its entirety is just one reason for this. Thirty-one years have now passed since DOTF was first released to the metal masses around the world. Since that time, it has gone on to earn platinum status, selling over a million copies worldwide. Even selling so many copies, there are still those that do not own the album whether on vinyl or on CD. Now those same audiences and a whole new generation can finally enjoy this album including its hugely controversial track ‘Eat Me Alive.’ For those that don’t know, ‘Eat Me Alive’ became a point of contention for Tipper Gore and the then PMRC because of Mrs. Gore’s interpretation of said song. The band’s musical response to that song was pretty interesting in its own right. That’s a story for another time. But the fact that that song is present along with each of the album’s others, and that they still sound so clear to this day makes for plenty of reason for audiences to add this album to their music libraries.

The presentation of DOTF as it was originally presented thirty-one years ago in its new re-issue is within itself plenty of reason for metal purists and Judas Priest fans alike to add this re-issue to their music libraries. This applies to both the generation that might already own the album whether it be on vinyl or CD and to the current generation of metal legions around the world. The addition of the bonus concert recording to the package makes even more reason for metal legions and Priest fans alike to pick up this re-issue. The concert’s set list totals twenty-one tracks and comes in at just under two hours. More specifically, it clocks in at an hour and forty-three minutes. Thanks to the concert’s set list and the band’s stage presence, that near two-hour run time feels to be far longer. And that is meant in the best possible way. Simply put, the concert’s set list and the band’s stage persona leaves audiences not even realizing that so much time has passed. At the same time, it doesn’t leave audiences feeling short-changed in the end, either. Full discretion, there are some points throughout the concert in which the audio mix is a bit dicey. Simply put, at some points, it seems as if the dual attack of Glenn Tipton and K.K. Downing overpowers front man Rob Halford’s vocals. It’s not terrible. But it is noticeable. And luckily this doesn’t happen throughout the performance. It only happens at points. So considering this, one can forgive whomever was originally at the audio boards. Even more Richard Kayvan and Tom Allom are to be commended for their efforts in remastering both the concert’s audio and the audio from the original album’s songs. The total of that work on both sides still makes Defenders of the Faith: 30th Anniversary Deluxe Edition well worth adding to every metal purist and Judas Priest fan’s music collection.

The presentation of DOTF in its full, original entirety in its new 30th Anniversary Edition makes for reason within itself for metal purists and Judas Priest fans alike to add this re-issue to their music libraries. The addition of a never-before-released two-hour concert to the package makes for even more reason for those same audiences to add this re-issue to their music libraries. While both elements together do plenty to make this re-issue enjoyable, they still are not all worth noting that makes it a success. Believe it or not the re-issue’s packaging actually plays a part. So may record labels, when handling multi-disc sets, tend to use the case for a single album and add a plastic insert on which one or even two discs are placed, depending on the number of discs. This does help save space on CD racks. but it is also very problematic. The problem with this form of packaging is that the plastic insert in question can very easily be broken either at the hinge or on the insert itself when it is flipped out and pressure is placed on the insert to either remove or replace the CD(s). Columbia Legacy didn’t take that path with Defenders of the Faith: 30th Anniversary Deluxe Edition. Instead they presented the album’s re-issue in a gatefold package. This places each of the re-issue’s three discs into their own trays. This practice protects not only the discs but the trays, too. This actually preserves the album and its companion concert discs for far longer than the standard plastic insert formula. While it may be slightly more bulky, it is also much smarter. Not only that but it also creates a certain sense of nostalgia especially among those that might have owned the original album on vinyl thirty-one years ago before the advent of CDs. People generally take for granted the packaging of CDs. But hopefully in reading this, audiences will see that packaging sometimes can indeed help make or break an album. And this is an instance in which the packaging has greatly helped the album in its re-issue. It is one more way that Defenders of the Faith: 30th Anniversary Deluxe Edition proves itself a must have for any metal purist and Judas Priest fan around the world. Together with the bonus full-length concert and the re-mastered original album, all three elements are more than enough reason for every member of the Metal Nation worldwide to add this re-issue to their music libraries regardless of whether or not they already own the original album.

Defenders of the Faith: 30th Anniversary Deluxe Edition boasts plenty of reasons for audiences to add this re-issue to their libraries. The original album is presented in its entirety. And thanks to the work of those charged with re-mastering it, it sounds as good as ever if not better. The addition of a full-length concert that comes in at nearly two hours makes this re-issue eve better even with the occasional audio imbalances between Rob Halford’s vocals and the guitarists K.K. Downing and Glenn Tipton. The packaging is just as important to the whole of the re-issue. Despite being slightly bulky, the packaging protects the discs and their trays and even creates a sense of nostalgia among some audiences. The combination of all three elements together makes clear why every metal purist and Judas Priest fan should add this re-issue to their music libraries. It is available now in stores and online. More information on DOTF: 30th Anniversary Deluxe Edition is available online along with all of the latest news from Judas Priest at:

Website: http://www.JudasPriest.com

Facebook: http:/www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

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