Ice Nine Kills Debuts ‘Savages’ Video; Announces New Live Dates

Courtesy: Fearless Records

Ice Nine Kills debuted the video for its latest single this week.

The band debuted the video for its new single ‘Savages‘ Tuesday.  The song is taken from the band’s latest album The Silver Scream (2018).

The video features footage of the band performing its new single and crosses that footage with footage of The Texas Chainsaw Massacre, as the song was inspired by the movie.  It is just one of the movies that inspired the album’s works.  The album in whole is composed of songs inspired by famous horror movies, such as The ShiningJaws and It.

Courtesy: Fearless Records/SRO

‘Savages’ is just the latest single from The Silver Scream to receive the video treatment. The album has also produced the singles ‘The American Nightmare,’ ‘Thank God It’s Friday,’ ‘Stabbing in the Dark,’ ‘A Grave Mistake‘ ‘Enjoy Your Slay‘ and ‘Merry Axe-mas.’

While the band debuted the video for its new single this week, it also recently launched a new campaign to promote the next single from its album, the It-inspired ‘IT Is The End.’  The campaign sent fans on a scavenger hunt to find a red balloon.  The first five people to reach each location in the hunt received special prizes and a sneak peek of the video, which is planned for its debut soon.

 

Courtesy: Fearless Records/SRO

Ice Nine Kills is in the midst of the European leg of its tour in support of The Silver Scream.  The band will return to North America for another stretch of dates across America beginning Oct. 29 in Cleveland, OH.  The upcoming North American tour is scheduled to run through Dec. 1 in New York, NY and to feature performances in cities, such as Charlotte, NC; Los Angeles, CA and Salt Lake City, UT.

Fit For A King will join the tour as a special guest.  Awake At Last, Make Them Suffer and Light The Torch will serve as support throughout the tour.

More information on the band’s upcoming North American tour, its new singles and videos and all of its latest news is available online now at:

 

Website: http://www.iceninekills.com

Facebook: http://www.facebook.com/IceNineKills

Twitter: http://twitter.com/iceninekills

 

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BBC Studios Announces Release Date For ‘Good Omens’

Courtesy: BBC Studios

BBC Studios — Americas is bringing the much talked about series Good Omens to DVD and Blu-ray.

The program (based on the novel by Neil Gaiman and Terry Pratchett) is scheduled for release Nov. 5 on DVD and Blu-ray.  It can be purchased through BBC Shop and Amazon.  The series follows an angel and a demon — Aziraphale Michael Sheen — Masters of Sex, Midnight in Paris, The Queen) and Crowley (David Tennant — Dr. Who, Duck Tales, Fright Night) respectively — who are forced to team up to avert the apocalypse.

Sheen and Tennant are joined by an all-star cast made up of celebrities, such as Jon Hamm (Mad MenBaby DriverMillion Dollar Arm), Micheal McKean (This Is Spinal TapA Mighty WindClue) and Benedict Cumberbatch (Star TrekInto DarknessIn Search OfSherlock) for the series.Miranda Richardson (The Crying GameSleepy HollowThe Hours), Jack Whitehall (Fresh MeatBad EducationMother’s Day) and Adria Arjona (Pacific RimUprisingTrue DetectiveLife of the Party) are also included in the program’s cast list.

The six episodes that make up the miniseries’ six-hour run are spread across two discs.  They are accompanied by a variety of bonuses that are exclusive to the series’ DVD and Blu-ray platforms.  They include items, such as a variety of galleries, feature-length commentaries for all six episodes and a page-to-screen comparison of the series and its source material.

More information on this and other titles from BBC Studios is available online now at:

 

Website: http://www.bbcstudios.com

Facebook: http://www.facebook.com/BBCWW

Twitter: http://twitter.com/CCBStudios

 

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Romano Drom’s ‘Give Me Wine’ Will Leave Listeners Saying “Give Me Another”

Courtesy: Riverboat Records

Romano Drom returned with its latest album in May.  The 12-song, 47-minute record, which is the group’s sixth full-length studio recording, is a strong new effort from the Hungarian musical collective.  That is due to the record’s musical and lyrical content.  One of the featured songs that serves to support that statement comes early in the album’s run in the form of ‘Shunen Shunen.’  ‘Gelem Le Shavesa’ supports the noted statement just as much as ‘Shunen Shunen.’  Much the same can be said of the full-on instrumental ‘Gipsy Fantasy,’ which comes late in the album’s run.  Each song noted here is important in its own way to the whole of Give Me Wine.  All things considered, they make Give Me Wine a record that is as pleasing to the ears as wine is to the tastebuds.

Romano Drom’s latest full-length studio recording Give Me Wine is a positive new offering from the group, and a positive introduction for those for who are less familiar with the group’s body of work.  That is proven in part early on through the song ‘Shunen Shunen.’  The song’s musical arrangement clearly displays the group’s ability to play slow and with expertise and more quickly, too.  The song starts out slow, with a flamenco-style guitar line set against the very mournful vocals of the group’s front man.  This lasts for almost a minute-and-a-half before the song’s tempo picks up noticeably.  What’s interesting is that as mournful as those opening bars sound, the song is actually not that sad so to speak.  That ties in to the song’s lyrical content, which is about a man who was looking for that proverbial “Mrs. Right” unsuccessfully until finally finding that woman.

The song opens, “I wandered the whole world/But found no one like this girl/Such a beautiful flower/Cannot be found/Another in the whole world.”  It continues in its second verse, “So shines, shines/The beauty of this gipsy girl/Her god given splendor/Like a flower in the garden of life/Hear it, you people/here come the gipsies/To have the girl proposed/That fair flower/Cannot be found/Another in the whole world.”  Listening to the song in whole, it is clear that the more mournful sound in the song’s opening bars is where the song’s subject is mourning not having that woman.  The sudden change is the revelation that he has in fact found that woman and is celebrating her.  The lyrical content paints a clear picture that will move most listeners.  The addition of that distinct change in musical moods makes the song even more engaging and entertaining.  The whole of the song makes itself one of the album’s most notable entries and just one example of what makes Give Me Wine such an enjoyable new effort from Romano Drom.  It is just one of the album’s most notable works.  ‘Gelem Le Shavesa’ does just as much as ‘Shunen Shunen’ to show the album’s strength.

‘Gelem Le Shavesa’ displays much the same musical mood as that of ‘Shunen Shunen,’ only slightly different, though.  It starts off with a very traditional Hungarian folk sound in its musical arrangement, but only slightly picks up in that energy as the song progresses through its four-minute-fifteen-second run time.  The most it picks up is in the song’s final minute or so.  The constant reserved sense in the song’s energy is illustrated quite well in the song’s lyrical content, which finds a father who seems to be looking back on how he handled his son announcing he was in love.  He [the father] did not seem overly enthused, either, but knew he had to accept it.

The father sings in the song’s lead verse, “Wake up, father, Wake up, father!/My son says to me/I saw a fair girl/Come with me/To have her proposed/My heart jumps out when I see her on the street/I set out to the gipsies with my son/to have her proposed/They say they won’t give her to a poor man/What shall I do/We don’t have money/I cannot do anything.”  He continues on, saying, “That boy, that boy is ours/Such a dance/This mettled boy foots the floor/When I see this, I drink all the red wine/I leave all my money in the pub/I went to the fair I drank red wine with the gipsies/Neither I bought, nor I sold a thing/I drank away all my money in the fair.”  It sounds here like the father is realizing what he has done – gone poor of his own doing.  He realizes what has happened is his fault.  What is so interesting here is that despite knowing he is the one who lost his family’s money, the song’s musical arrangement does not reflect that realization.  Rather, the feel in the song’s finale moments is upbeat.  Considering that this is supposed to be a father realizing what he has caused, one would think the song’s final moments would be more contemplative, but they weren’t.  It is very interesting to consider.  That being the case, it makes the song that much more interesting and one more piece of evidence as to the album’s strength.  The song is engaging and so is its arrangement.  The discussions that are sure to rise out of that juxtaposition is certain to make this song stand out, again, with that discussion making the album that much more engaging and strong.  It is not the last of the songs that serves to exhibit the album’s strengths.  The full-on instrumental song ‘Gipsy Fantasy’ is one more piece that shows what makes this album so engaging.

‘Gipsy Fantasy’ is an absolutely standout addition to Give Me Wine.  The song starts out slow, but gradually increases its tempo, with the violin line going faster and more intense as the song progresses.  The addition of the percussion to the song adds even more to the song’s feel.  What’s interesting is that the addition of the percussion to the song actually gives it something of a rock feel more than just a traditional European music feeling and sound.  The use of the coda-like element in the song’s finale puts the finishing touch to the arrangement, giving the song one last kick that puts the arrangement over the top.  The end result of everything presented here is a work that is certain to have listeners dancing just as much as the gipsies who likely dance to such music.  When it is considered alongside the other songs discussed here and the rest of the album’s entries, the end result of all of that is a record that is, again, as easy on the ears as a good wine is on the taste buds.

Romano Drom’s latest full-length studio recording Give Me Wine is a record that is sure to age just as well as a fine for listeners.  It presents a dozen songs that are just as easy on listeners’ ears as a good, fine wine on the taste buds.  That is proven through the songs noted in this review with their arrangements and their lyrical content.  The rest of the album’s entries can just as easily be used to prove that case.  All things considered, they make Give Me Wine a record that will have audiences say give me another throughout the album.  It is available now.  More information on Give Me Wine is available online now along with Romano Drom’s latest news and more at:

 

 

 

Website: http://www.romanodrom.eu

Facebook: http://www.facebook.com/Romano.Drom1

 

 

 

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Panton’s New LP Is “A Cheerful Little Earful” For Listeners Of All Ages

Courtesy: Little Things

Diana Panton will release her latest album next month.  The album – A Cheerful Little Earful – is scheduled for release Oct. 18 through Little Things Records.  The 15-song, 53-minute album is Panton’s second family music album — coming four years after her debut family album 2015’s I Believe in Little Things — and her 12th overall album.  This latest offering from Panton is fittingly titled.  That is because it will leave listeners of all ages feeling cheerful after they get an earful of the record.  The album’s featured songs plays directly into that effect.  They will be addressed shortly.  The musical aspect of the album also plays into that positive impact, and will be addressed a little later.  The same can be said of the album’s sequencing by connection.  Each item noted is key in its own way to the whole of the album’s presentation.  All things considered, they make A Cheerful Little Earful a work that will leave every listener feeling cheerful.

Diana Panton’s latest full-length studio recording is a presentation that fits its title quite well.  That is because it does in fact prove itself A Cheerful Little Earful of music.  The record’s featured songs play their own part in that impact.  The record opens with Panton’s own take on the classic Rogers & Hammerstein song ‘Happy Talk,’ which is featured in the duo’s beloved musical ‘South Pacific.’  It is followed up by the song ‘It’s A Most Unusual Day,’ which was written and arranged by Harold Adamson and Jimmy McHughes, and made famous by Jane Powell in the 1948 MGM movie A Date With Judy.  Harry Woods’ 1926 hit song ‘Red, Red Robin’ – made famous by actress Lilian Roth – is also featured in the album, along with works from Perry Como (‘A, You’re Adorable’), Jimmy Van Huesen and Sammy Cahn (‘Pocket Full Of Miracles’ – taken from the 1961 movie of the same name), Sammy Fain, Bob Hilliard and Fr. Louis Sauvat (‘All In The Golden Afternoon’ – From Walt Disney’s 1951 classic animated movie Alice in Wonderland) just to name some more songs.  As if that isn’t enough, Panton once again offers at least one work for children in the form of the timeless Sesame Street tune ‘I Don’t Want To Live on the Moon.’  Of course likely just as many grown-ups know that song as do children, so to that end, that song will appeal to lots of adults as well as children.  Along with all of this, there is a Cole Porter work featured in the album in the form of ‘Experiment’ and even a cover of the Michael Jackson hit ‘Music and Me.’  That song was written by Michael Cannon, Don Fenceton, Mel Larson and Jerry Marcellino.  Simply put, Panton once again runs the proverbial gamut with this album’s featured songs.  That is just as evident in the other songs not noted here.  What is truly interesting here is that while the variety of songs is plentiful, they defy the standard definition of “Family Music.”  Most of the music here is jazz, and jazz is music for everyone, like with bluegrass (E.g. The Okee Dokee Brothers).  So it is a family music album, but also an album of music for audiences of all ages and backgrounds.  To that end, the songs featured in this album gives it a strong foundation.

That foundation is strengthened even more thanks to the songs’ arrangements.  The arrangements will appeal just as much to Panton’s longtime fans as they will to those who might be less familiar with her work.  From the light, easygoing piano-driven arrangement at the center of the album’s opener, ‘Happy Talk,’ to the more gentle, reserved arrangement at the center of ‘I Don’t Want To Live on The Moon’ (which is also centered around Don Thompson’s gentle, flowing piano line), to the equally reserved, guitar-centered arrangement of ‘If You Feel Like Singing, Sing’ to the more light hearted (and also guitar-centered) ‘Aren’t You Glad You’re You’ – which was used in the soundtrack to the 1945 Bing Crosby classic The Bells of St. Mary’s – and beyond, the arrangements featured throughout the album are really what make the featured works so easy on the ears.  Thompson’s work on the vibes from  point to point conjures thoughts of the one and only Lionel Hampton while Panton’s own vocal delivery once again is comparable to that of Diana Krall.  The arrangements are easy on the ears not just because of the instrumentation, but also because of their simplicity.  There are no over-the-top performances and solos at any point.  Rather, each song is simple and straight forward from beginning to end.  That adds even more appeal to each composition.  All things considered here, the arrangements presented in each song do just as much to make this record appealing as the songs themselves.  They still are not the last of the album’s most important element.  When the arrangements and songs are considered along with the record’s sequencing, all three elements work together to make the record that much more enjoyable and entertaining.

The sequencing of Cheerful Little Earful is important to note because it ensures listeners’ engagement and entertainment by keeping the record’s energy stable throughout its run.  As already notes, the album opens on a high, light hearted note in ‘Happy Talk.’  From there, the album’s energy gradually changes with the tempos gradually slowing until it reaches that famed Sesame Street classic tune.  Things pick back up a little after that in the album’s title track before pulling back again in ‘If You Feel Like Singing, Sing’ and ‘Music and Me.’  The change in the energies are subtle though the next few songs before picking up again more noticeably in ‘Aren’t You Glad You’re You.’  The album ends with two more gentle arrangements that take listeners out on a soft note.  Again, the album’s sequencing keeps the album’s energy just right from beginning to end, not changing too much from one song to the next.  That stability in the songs’ energies means listeners are more apt to remain engaged throughout as the variety in the arrangements and the songs.  When all of those elements are noted together, the end result is a record that truly is a cheerful little earful for listeners of all ages.

Diana Panton’s forthcoming album Cheerful Little Earful is a fittingly titled-album, especially for jazz and cinema fans.  That is because so many of the songs featured in this album are classic jazz tunes that are featured in some great classic major motion pictures.  They are not the album’s only songs, though.  As noted, there is at least one song taken from PBS’ long-running series Sesame Street and even a Michael Jackson cover.  That variety of songs and associated backgrounds means a wide ranging appeal in itself.  The songs’ arrangements add even more appeal to the record.  The album’s sequencing ensures the energies in those arrangements remains stable from the album’s opening to its end.  Each noted item is important in its own way to the whole of the album.  All things considered, they make Cheerful Little Earful an earful that will leave every listener cheerful.  More information on the album is available online now along with all of Diana Panton’s latest news and more at:

 

 

 

Website: http://www.dianapanton.com

Facebook: http://www.facebook.com/DianaPantonFanpage

Twitter: http://twitter.com/pantonda5

 

 

 

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Arrow Video, MVD Entertainment Group Partnering To Re-Issue Billy Wilder’s Directorial Debut

Courtesy: Arrow Video/MVD Entertainment Group/Paramount Pictures

Arrow Video and MVD Entertainment Group will re-issue one of director Billy Wilder’s beloved classic movies later this month.

The Major and the Minor is scheduled for release Sept. 24 on Blu-ray.  The movie, which originally debuted Dec. 24, 1942 through Paramount Pictures (and was Wilder’s American debut), stars Ginger Rogers and Ray Milland in its lead roles. Its story, co-written by Wilder and Charles Brackett, finds Rogers portraying a financially struggling woman named Susan Applegate, who pretends to be 11 years-old in order to buy a half-price train ticket.

When she is found out, Susan runs from her accusers, only to end up running into the train compartment of one Major Philip Kirby, a military instructor who at first believes the woman is indeed a girl.  He takes Susan under his wing, but when his fiance — played by Rita Johnson — meets her, she becomes very suspicious of Susan.

While the story itself is a rom-com, it actually boasts a deeper concept — that of exploring themes of identity and deception.

The movie’s upcoming re-issue will feature a handful of bonuses, such as an archived interview with Ray Milland, a rare hour-long radio adaptation of the movie, which debuted in 1943, and collector’s booklet with essay by Ronald Reagan.  The booklet will only come in the movie’s first pressing.

More information on this and other titles from Arrow Films is available online now at:

 

Website: http://www.arrowfilms.com

Facebook: http://www.facebook.com/ArrowVideo

Twitter: http://twitter.com/ArrowFilmsVideo

 

More information on this and other titles from MVD Entertainment Group is available online now at:

 

Website: http://mvdentertainment.com

Facebook: http://www.facebook.com/MVDEntertainmentGroup

Twitter: http://twitter.com/mvdentgroup

 

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‘Penguin Highway’ Will Get A Lot Of Mileage In Anime, Sci-Fi Fans’ Blu-ray, DVD Players

Courtesy: Shout! Factory/Eleven Arts Studios

Shout! Factory has been busy this year, releasing a handful of anime titles for fans of the noted genre.  The latest of those titles, Penguin Highway was released early last month on DVD and Blu-ray.  Based on a book crafted by author Tomihiko Morimi, this debut outing for director Hiroyasu Ishida is a work that will appeal to anime fans and even some science fiction fans.  That is due to the movie’s story, which will be addressed shortly.  The bonus content featured with the movie’s recent domestic release adds to its appeal for the noted audiences, and will be addressed a little later.  The primary and secondary content considered, they collectively make the movie’s average price point money well spent for the movie’s noted viewers.  Each noted item is important in its own way to the whole of the presentation.  All things considered, they make Penguin Highway an offering that anime and science fiction fans alike will appreciate.

Shout! Factory’s recent domestic release of Eleven Arts’ presentation Penguin Highway is a presentation that will appeal widely to anime fans and to some science fiction fans.  That is due in part to the movie’s central story.  The story follows a 9 year-old boy named Aoyama who is a lot smarter than any children his age. An easy comparison would be to a young Sheldon Cooper, just without the social ineptness.  Aoyama is a very smart young man, but also has a lot of learning to do in general about life.  He learns a lot about life in this coming-of-age story, too.  He learns about friendship, life and love as he meets a peculiar woman who works at one of his town’s dentist offices.  As Aoyama’s friendship with the woman grows, so does the mystery of a giant orb that his friends discover in a forest near the town and the woman’s connection to the orb.  As it turns out, the two are connected, as are the penguins that keep appearing around town.  This leads to the movie’s secondary story which will appeal to the noted sci-fan fans.  The concepts that Aoyama brings up about time and space being twisted by the orb and the woman’s connection to the penguins (and monsters) delves into not just the sci-fi realm, but the fantasy realm to a certain extent, too.  Through it all, audiences familiar with the movie’s source material will be glad to know the story follows its literary source material quite closely.  This will be addressed shortly in the discussion on the movie’s bonus content.  Getting back on the subject at hand, The story at the center of Penguin Highway is a unique presentation.  It takes some very familiar plot elements and crosses them in a way that is rarely ever used, if ever at all.  That in itself makes the story worth taking in at least once if not occasionally.  It is just one of the elements that makes the movie a worthwhile watch for its target audiences.  The bonus content featured with the movie’s home release adds more interest to its presentation.

The bonus content featured with the home release of Penguin Highway includes interviews with Morimi and Ishida as well as a promo video for the movie.  The promo video is nothing memorable, but the interview segments add a certain degree of engagement and entertainment to the movie’s presentation.  Ishida, during his interview, discusses items, such as the deeper meaning of the movie, his favorite scenes, casting the movie and the movie’s creation.  Ishida reveals in his interview that Penguin Highway was his debut as the director of a full-length feature, adding how nervous he was about helming the project.  That is because, as he reveals, all of his previous work was on independent shorts.  In discussing some of the movie’s scenes, he reveals that the sequences in question were a reflection of his own intentions to make the story progress in a certain fashion.  That is an interesting discussion that audiences will be left to take in for themselves.  Ishida also takes a moment to discuss the freedom of creating independent releases versus the controls of making a full-length feature.

Morimi’s interview finds him discussing items, such as his real target audience with his book, the connection between his book and its cinematic adaptation and how he developed the title for his book.  His discussions are just as natural as those of Ishida, as he takes on each item.  In talking about the creation of the book’s title, Morimi admits he does not fully recall how or when he developed the book’s title, saying only that it happened when he was in college.  He also admits that when he wrote Penguin Highway, he did not write it with children in mind as his target audience.  That would make sense, considering some of the content featured early on in the movie.  He also admits that knowing Ishida was an untested director made him uneasy about his book being adapted cinematically by Ishida, but adds he was pleased with the outcome.  This is just a sampling of the items that Morishi addresses as well as Ishida.  Between the noted discussions and lots more not noted here, the bonus interviews featured with Penguin Highway add their own share of engagement and entertainment for the movie’s target audience.  When this is considered along with the engagement and entertainment generated through the movie’s primary content, the two elements together make the movie’s average price such that those audiences will not mind paying.

The average price point for Penguin Highway’s Blu-ray/DVD combo pack is $19.98.  that price is obtained by averaging prices from Shout! Factory, Amazon, Walmart, Target, Best Buy, Barnes & Noble Booksellers and Books-A-Million.  The movie’s price point for its standalone DVD packaging is $18.56.  Almost all of the same retailers’ prices were used for that price.  The only outlet that did not list the price for the movie’s  DVD packaging was Best Buy.  Amazon and Walmart have the least expensive price listing for the BD/DVD combo pack at $17.96 while Target and Best Buy listed the BD/DVD pack’s price just above that at $17.99.  Books-A-Million’s price listing of $26.99 is its most expensive listing.  To that end, the price of $17.96 is money well spent on for those noted viewers who are fans of anime and/or science fiction.  That is especially considering the movie’s script and bonus content.  The same applies to the movie’s listing of $12.39, again at Amazon and Walmart.  Regardless of which retailer consumers choose for either platform, Amazon and Walmart offer the most competitive pricing.  What’s more, that pricing is such that the noted fans will find it worth spending considering everything noted here already.  Keeping that in mind, all three elements discussed here come together to make Penguin Highway a presentation that anime fans across the board will find appealing.

Shout! Factory and Eleven Arts’ recent domestic release of the anime flick Penguin Highway is a work that is certain to get plenty of mileage among the most devoted anime and science fiction fans.  That is proven in part through the movie’s dual story lines that interweave together so well.  The bonus interviews with the movie’s director and the author of the book that spawned the movie collectively add more engagement and entertainment to the presentation.  They collectively make the movie’s relatively low average price of less than $20 a welcome pricing, again, for those noted target viewers.  Each item noted here is key in its own way to the whole of Penguin Highway.  All things considered, they make the movie a presentation that will certainly get plenty of mileage in the noted viewers’ DVD and Blu-ray players.  More information on this and other titles from Shout! Factory is available online now at:

 

 

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

 

 

 

More information on this and other titles from Eleven Arts is available online now at:

 

 

 

Website: http://elevenarts.net

Facebook: http://www.facebook.com/elevenarts

Twitter: http://twitter.com/ELEVEN_ARTS

 

 

 

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Dark Station Debuts Forthcoming Album’s Fourth Single

Courtesy: O’Donnell Media Group/FM Music Management

Dark Station debuted the video for its latest single this week.

The band debuted the video for its single ‘Villain‘ Friday. The song, the fourth to come from the band’s forthcoming album Down in the Dark, was inspired by the movie Venom according to band member Kyle Ort.

Ort talked about that inspiration in a recent interview.

‘Since the lyrics were inspired by the movie Venom, we wanted to keep the same feel for the video,” he said.  “The video starts with this darkness taking over [front man] Nathan [Spades], eventually leading him to rob a gas station.  The band catches up to him at the end, where Nathan shoots himself in the shoulder, releasing the darkness.  This is definitely one of the most visually impressive videos we have made.  We think this song belongs in the next super hero movie.  Maybe Venom 2?”

Spades expanded on Ort’s comments with his own statement.

“‘Villain‘ is 100 percent about the character Eddie Brock and his relationship with Venom,” Spades said.  “It’s about how they had to accept and compromise on this new way of living, but I think people will relate it to things that are important to them.  This song means the most to me, because while we were writing the song, I really started to believe in myself again as well as Dark Station.”

Villain‘ is just the latest song to be released from Dark Station’s upcoming album Down in the Dark.  The band most recently debuted the video for the album’s third single, ‘No Life.’  Its debut was preceded by the debut of the songs ‘Obvious‘ and ‘Heroes.’

More information about Dark Station’s new single is available online now along with all of the band’s latest news and more at:

 

Website: http://www.darkstationband.com

Facebook: http://www.facebook.com/wearedarkstation

Twitter: http://twitter.com/darkstationband

 

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