The rock community and the music community in whole suffered a sad loss last week when former Motorhead drummer Phil Taylor passed away. While Taylor hadn’t been a member of the band since 1992, he was one of the most well-known and beloved, having recorded and performed with the band for a total of fourteen years. That is second only to current drummer Mikkey Dee. That means that he had quite the impact both on the lives of his band mates and on the music community in whole. He will be sorely missed. While Taylor’s passing this week is reason to mourn, there is still reason to celebrate as the current Motorhead lineup released its latest full-length studio recording late this summer. The album, Bad Magic, is the band’s twenty-second full-length album. And it is yet another solid slab of rock from this veteran act. The trademark hard rock/punk hybrid sound that has made Motorhead a fan favorite for so many years is just as prevalent throughout the course of this record as in any of the band’s previous studio recordings beginning with the album’s full-throttle opener ‘Victory Or Die.’ It is just one example of how much this album has to offer audiences. For all of the fire and energy exhibited throughout the record, it does have at least a couple of more reserved moments to change things up a little bit. ‘Til The End’ is one of those moments. It starts off not necessarily soft, but soft in comparison to most of the album’s other songs. And even when it does pick up, it is still not the high-energy composition that the album’s other songs are. Most surprising of all is the album’s other “reserved” song, its cover of The Rolling Stones’ hit song Sympathy For The Devil.’ At first thought, one wouldn’t necessarily associate Lemmy and company with The Rolling Stones. But the band’s take on the classic tune works in so many ways. And being the album’s closer, it makes for a perfect counterpoint to the album’s high-energy opener and the rest of its adrenaline-fueled compositions even being a cover. It is just one more example of just how much this album has to offer audiences. It is hardly the last example of how much it has to offer audiences, too. ‘Thunder & Lightning’ comes across with the energy of a bolt of lightning. ‘Teach Them How To Bleed’ cuts through just as solidly. Yes, that awful pun was fully intended. And ‘When The Sky Comes Looking For You’ could just as easily be used for a single—just as much as any of the album’s other song. Each of those songs set alongside the pieces not directly noted here make Bad Magic an album that will cast its own hard rock spell on Motorhead fans and metal heads alike.
Motorhead’s latest full-length studio album Bad Magic is yet another solid slab of rock that will cast its own hard rock spell on everyone that hears it. That is evident right from the thirteen-track album’s fiery, adrenaline-fueled opener ‘Victory Or Die’ right through to its surprisingly enjoyable cover of The Rolling Stones’ ‘Sympathy For The Devil.’ All things considered, it is a record that every Motorhead fan should have in his or her music library. Speaking of ‘Victory Or Die,’ it is just one example of how much this record has to offer both Motorhead’s fans and metal heads around the world. In regards to the song’s musical content, it displays the familiar punk/hard rock hybrid sound that has fueled the band for forty years and maintained its place amongst the rock community’s elite acts. The band wastes no time launching right into the song with Lemmy singing, “Victory or death!” before he, guitarist Phil Campbell and drummer Mikkey Dee unleash the song’s full aural assault. Dee’s time keeping is rock solid from start to finish while Campbell and Kilmister instantly get the blood flowing just as much with their respective lines. The pure energy of the song’s musical content expertly compliments the commentary contained in the song’s lyrical content. Lemmy sings in this song, “What have you done/What’s in your mind/What do you need/Where shall we go to let it out/What have you seen/We don’t know where you’ve been/Life so often blows your candle out/Believe in what is right/what’s right for you tonight.” It comes across as a commentary telling listeners to think for themselves. That argument can be made as he sings later in the song, “Look around and see the soldiers/See them marching off to war/Take a careful look as they swing by/They’re all heroes but they don’t know what they’re fighting for/That’s the spirit/Victory or die.” He comes across as saying that these men are heroes, but they’re not really thinking for themselves. All they know is that they are going off to fight. The seeming concept of thinking for one’s own self is illustrated in this song even more as Lemmy sings, “Look up and see the flying saucers cruising in the sky/I saw one myself it ain’t no lie/Looks down and see the road you’re on/As if you are on a marathon/That’s the spirit victory or die.” He goes on explaining about how we each have our own experiences and learn different things. So no matter what we experience and learn, that is our own personal belief. Of course that is just the interpretation of this critic alone. As always, it could be completely off the mark. Hopefully that isn’t the case and this critic is at least somewhere in the proverbial ballpark. But it seems to be what Kilmister is trying to get across to audiences. He would seem to be saying to people don’t let anyone tell you what to think. It is definitely a strong message. The addition of the song’s driving musical content helps to drive home that message as it helps to enhance the illustrate the feeling that someone should have in realizing that he or she should think for himself or herself. It is just one example of how much this record has to offer the band’s fans and audiences in general. ‘Till The End’ is another example of the album’s depth of content.
‘Victory or Die’ is a solid opener for Motorhead in its latest full-length studio album. The energy generated via the song’s musical content partners with its lyrical content that seemingly promotes individualistic thought to make a song that definitely makes quite the first impression for the band here. It is of course just one example of just how much Bad Magic has to offer audiences over the course of its thirteen total tracks and forty-two minutes. ‘Til The End’ is another example of how much this record has to offer listeners. It shows that the band can have just as much of an impact playing more reserved material as the more upbeat stuff, too. That is exemplified in the song ‘Till The End.’ In comparison to most of the album’s other material, this song starts off much slower and overall reserved in terms of its musical content. Even when it does pick up, it is still reserved in comparison to most of the album’s other offerings. The song’s introspective lyrical content makes it stand out even more as Lemmy sings in his gravelly delivery, “In my years my life has changed/I can’t turn back the hands of time/I can’t tell you just what made me change/All I know is who I am/I’ll never let you down/The last one you can trust until the end.” There’s a certain vulnerability in his voice even as he belts out this verse that shows a wholly different side to Lemmy. The song’s musical content set against such contemplative lyrics and powerful vocal delivery makes this song one of the brightest of this record’s moments. If that doesn’t prove said argument then the song’s softer moments definitely will. He sings out about where he has been, and where and who he is. It is really a deep moment and welcome departure from the frantic energy exuded by the rest of the album’s featured compositions. Even as impressive as it is in the bigger picture of the album’s body it still is not the only remaining example of how much this album has to offer audiences. The band’s cover of The Rolling Stones’ ‘Sympathy For The Devil’ can also be cited as another of Bad Magic’s high points.
‘Victory or Die’ and ‘Til The End’ are both key examples of just how much Bad Magic has to offer audiences. That is because both songs show once again the band’s musical and lyrical abilities. The songs’ lyrical content will have any listener thinking. Their dramatically different musical styles show that the band can do more than just play loud and fast. They show that the band can also succeed in crafting something slower so to speak, yet still be heavy in its own right. As impressive as both songs are in the bigger picture of Bad Magic they are just a small part of the picture that makes this album yet another impressive addition to Motorhead’s catalogue. The band’s cover of The Rolling Stones’ ‘Sympathy For The Devil,’ which closes out the album, is one more example of just how much the album has to offer audiences as well as the band itself. While it stays largely true to the Stones’ original song, Motorhead has given it is own identity at the same time here. It really serves to exhibit the band’s blues rock roots and again the breadth of its abilities. Listeners will love Campbell’s soaring guitar solo in the song’s bridge and Dee’s rock solid time keeping. For those that don’t know, trying to keep time in the hi-hat, while executing a poly-rhythmic pattern on the toms is not easy. It requires its own share of concentration. Lemmy’s vocal delivery style gives the song even more of its own identity here in comparison to The Rolling Stones’ original take on the tune. That’s not a bad thing, either. In fact it makes Motorhead’s take that much more interesting to hear. All things considered the song is the perfect counterpoint to the album’s higher-energy opener and the rest of its featured songs. It was the perfect choice with which to close out the album since it could be argued that it sort of sets listeners somewhat gently back down after going through the musical adventure that was the rest of Bad Magic. Together with ‘Victory or Die’ and ‘Til The End’ it shows once more just how much Bad Magic has to offer audiences and how much Motorhead still has to offer audiences. And while all three compositions show in their own unique way just how much Motorhead has to offer audiences (as well as the band’s new album) they are hardly the only pieces in this collection that could be cited as examples of that offering. Any of the songs included in this album could be cited as examples of how much the album has to offer audiences. All things considered Bad Magic proves from beginning to end to be an album that will cast its own spell on Motorhead fans and metal heads alike and will have them agreeing that this album is one more of the best of the year’s new hard rock and metal albums.
Motorhead’s twenty-second full-length studio recording is one of the best of this year’s new hard rock and metal albums. It proves this nonstop throughout the course of its thirteen tracks and forty-two minutes. Whether through the familiar punk/hard rock hybrid sound of the album’s opener, the more reserved tones of the introspective ‘Til The End’ or even for the surprising take on The Rolling Stones’ classic ‘Sympathy For The Devil,’ the band shows from beginning to end just how much it and its new album have to offer audiences. Those songs set against the rest of the numbers featured throughout the album’s body makes the album that much more impressive. The end result is an album that shows why Motorhead remains today one of rock’s elite and why the album in itself is one of the best of the year’s new hard rock and metal offerings. Bad Magic is available now in stores and online. It can be ordered in a variety of bundle packs online via the band’s online store now at https://shop.imotorhead.com/collections/bad-magic. Fans can also pick up Bad Magic now at any of the band’s upcoming live shows as it makes its way across Europe and the UK. More information on the band’s tour and album is available online now along with all of the band’s latest news at:
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