Cinephiles, Classic Movie Buffs Alike Will Enjoy Abbott & Costello Universal Pictures Collection Re-Issue

Courtesy: Universal Pictures/Shout! Factory

Seventy-nine years ago this year, Bud Abbott and Lou Costello made their theatrical debut in the classic romantic comedy One Night in the Tropics.  That movie made its theatrical debut Nov. 15, 1940.  Shout! Factory and Universal Pictures are partnering to get a jump on celebrating the anniversary of the legendary comic duo’s big screen debut with the Blu-ray release of Abbott & Costello Universal Pictures Collection: 80th Anniversary Blu-ray Edition.  The famed duo’s collection has previously been released twice on DVD, but this marks the first time that the collection has received the Blu-ray treatment.  All joking aside (yes, that terrible pun was intended), the forthcoming Blu-ray re-issue of the collection is a presentation that every classic film buff will appreciate.  That is due in no small part to its featured movies, which will be discussed shortly.  The bonus content featured with the collection adds even more enjoyment to this collection, and will be addressed a little later.  The collection’s packaging rounds out its most important elements and will also be addressed later.  Each item discussed here is important in its own way.  All things considered, they make the set’s average price point money very well spent among every cinephile and classic movie buff.

Universal Pictures and Shout! Factory’s new forthcoming re-issue of Abbott & Costello Universal Pictures Collection: 80th Anniversary Blu-ray Edition is a presentation that fans of the comic duo and its work will appreciate just as much as any cinephiles and classic movie buffs.  That is due in no small part to its makeup.  The collection features all 28 of Bud Abbott and Lou Costello’s Universal Pictures movies in one setting.  The movies are spread across 15 discs in three separate Blu-ray cases.  This is important to note because while all 28 movies have been released previously between 2003 and 2005 by Universal Pictures in four separate DVD collections, this set marks the first time that they have ever seen a Blu-ray release and in one complete collection.  In other words, this collection is not the first time that all 28 movies have ever been released together in one setting (considering the collection’s previous two DVD releases), but it is the first time that all the movies have ever seen release in one setting on DVD.  That will save space for those audiences and fans who might not already own the noted standalone DVD volumes released between 2003 and 2005.  Also, a comparison of the bonus content featured in those previous standalone DVD sets (the 2003-2005 sets) and the bonus content featured here shows far more bonus content in this collection than those sets.

The bonus content featured in Universal Pictures’ standalone Abbott & Costello DVD sets is minimal at best.  Audiences got in those noted sets, Production notes in the second of the four sets, and a pair of features in the fourth volume – a tribute to Bud and Lou from famed comedian Jerry Seinfeld, and a retrospective on Abbott & Costello’s monster movie crossovers.  By comparison, audiences get in the new Blu-ray re-issue of Abbott & Costello Universal Pictures Collection, feature-length commentaries as an extra in no fewer than six of the collection’s movies.  The noted Seinfeld and monster movie retrospectives are also featured in this collection.  This goes right back to the already discussed fact that the entire collection is featured in one setting.  So, for those who might not have the fourth previously released volume of Abbott & Costello movies will now have those retrospectives along with lots of new, commentaries that were also featured in the collection’s previous two DVD releases.  As if the commentaries and retrospectives being placed in one complete collection is not enough, audiences also get the same companion booklet that was also featured in the previous DVD releases of Abbott & Costello Universal Pictures Collection.  That booklet is just as important as the retrospectives and the commentaries.  Reading through the booklet not only gives audiences an overview of each of the movies,  but also some rather interesting trivia.  For instance, audiences learn of One Night in the Tropics, the very first scene that Bud and Lou shot for that movie was their now iconic “Who’s on First” bit. Additionally, at one point, laughter by the movie’s crew members got so bad that the set had to be cleared.  In the case of The Naughty Nineties, viewers learn that the riverboat set was originally constructed for Universal Pictures’ 1936 movie Show Boat and that Henry Travers, who played the riverboat’s Captain, also went on later to play Clarence opposite James Stewart.  Also of interest in the companion booklet’s information is that the pair’s 1946 movie The Time of Their Lives, that marked one of only two times during their career in which Bud and Lou did not work as a team.  The other time is noted in the booklet but will be left for audiences to discover for themselves.  Getting read the trivia is like taking in the same kind of presentation from one of the current hosts at Turner Classic Movies. It just makes the experience that much more personal, and in turn enjoyable.

As if all of the trivia revealed and the story summaries are not enough for viewers, the companion booklet also features introductions from family members of Bud and Lou.  Specifically speaking, Bud Abbott’s daughter Vickie Abbott Wheeler and Lou Costello’s Children Paddy Costello Humphreys and Chris Costello.  Vickie Abbott Wheeler reveals in her introduction that her parents worked together in Vaudeville early on, adding that her mom actually worked with Lou Costello before her dad.  She also reveals something very intriguing about Universal studios during its heyday that will be left for audiences to discover for themselves.  The Costello children reveal in their introduction information, such as the revelation that Bud and Lou intentionally kept their act clean because they did not like working “blue.”  They also note, Bud and Lou had a good relationship both on and off camera and that Lou would have appreciated the advancement of recording technology because of his personal interest in technology.  This is just a portion of everything that the pair had to talk about.  Between that and everything else that they and Mrs. Abbott Wheeler had to say, audiences get a lot of engaging and entertaining personal insight into who Bud and Lou were on and off screen.

As if all of the personal recollections from Bud and Lou’s family are not enough, there is also an extensive, in-depth look back at the life and legacy from Abbott & Costello In Hollywood co-author Ron Palumbo that will keep viewers just as engaged and entertained.  Audiences learn about the cultural significance of Abbott & Costello through Palumbo’s discussion on the constant comparisons that are made to the duo since – as he writes – “There are no comedy ‘teams’ anymore.  Pakumbo writes that comparisons to Bud and Lou during discussions about comedic duos, such as gene Wilder and Richard Pryor, Dan Akroyd and John Belushi.  Palumbo also notes bud and Lou had a very noticeable financial impact for Universal Pictures during their 15 years under contract with the studio.  He notes that the pair was the studio’s “single greatest source of income.”  That is a very telling statement in regards to the pairing’s star power.  This and everything else that Palumbo notes in his liner notes couples with the discussions that Bud and Lou’s children share in the booklet to make the set’s companion booklet perhaps its most important bonus.  That is especially considering all of the trivia shared in the booklet and the movie summaries that are featured within, too.  When the importance of all of this information is considered along with the fact that all of the pair’s Universal movies are set here with lots of other previously released bonus content, the set becomes that much more of a plus for any cinephiles and Abbott & Costello fan who might not already own Universal’s previous Abbott & Costello collections.

While the primary and secondary content featured in Shout! Factory and Universal Pictures’ new Bud Abbott & Lou Costello Blu-ray collection go a long way toward making the collection so impressive, they are only a portion of what makes it notable.  The overall packaging is just as worth examining as the set’s content.  As previously noted, all 28 of the duo’s Universal Pictures entries are spread here across 15 discs in three separate Blu-ray cases.  That is important to note, as it takes up less space than the four standalone DVD sets that Universal Pictures released between 2003 and 2005.  This critic owns those standalone sets and measured them against one another.  The new Blu-ray re-issue is equal, in terms of space, to three of the four DVD sets.  So, while the space saving might not be extensive, audiences do still get with this set, a package that consumes less space on a rack than the four separate DVD sets.  The movies featured in the DVD sets are featured two to a side on either side of two discs on each set.  In simpler terminology, each DVD set features two discs.  Each disc has two movies on either side, making for eight movies.  The fourth and final set features four more of the pair’s movies plus the noted retrospectives.  By comparison, the Blu-ray presentation features two movies per disc, with each disc sitting on its own plate on either side of a set of plates inside the cases.  So, while the discs have fewer movies on each one, the packaging still helps to save space, again, still making the packaging its own positive.  Keeping this in mind along with the breadth and depth of primary and secondary content, the whole of this collection proves a welcome addition to the home library of any cinephile and Abbott & Costello fan who might not already have either of this collection’s previous DVD releases or Universal Pictures’ previously released standalone DVD volumes of Abbott & Costello movies.

Universal Pictures and Shout! Factory’s forthcoming Blu-ray re-issue of Abbott & Costello Universal Pictures Collection is a welcome addition to the home library of any true blooded cinephile, classic movie buff and Abbott & Costello fan.  That is due in no small part to the fact that it features all 28 of Abbott & Costello’s Universal Pictures features in one complete setting.  The extensive bonus content – the feature-length bonus commentary and extra information featured in the set’s companion booklet – adds its own share of engagement and entertainment for audiences, as has been noted here.  The space-saving packaging in which the whole thing is featured makes for its own positive.  Each noted item is important in its own way to the whole of this collection.  All things considered, they make Abbott & Costello Universal Pictures Collection: 80th Anniversary Blu-ray Edition one of this year’s top new DVD/BD re-issues.  It will be available Nov. 19.  More information on this and other titles from Shout! Factory is available online now at:

 

 

 

Website: http://www.shoutfactory.com

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Twitter: http://twitter.com/ShoutFactory

 

 

 

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The Appeal For ‘The Andromeda Strain’ BD Re-Issue Will Spread Like A Virus Among Audiences

Courtesy: MVD Entertainment Group/Universal Pictures

Michael Crichton was one of the greatest literary minds of his time during his life.  He was, for all intents and purposes, the second coming of Jules Verne.  That is because his novels, like those of Verne, told stories that were so far ahead of their time.  Jurassic Park, for instance was not so much about a bunch of dinosaurs living on an island, but rather the issue of cloning before it become a major topic for scientists and news agencies to talk about daily.  Now it is everywhere.  Next focused on genetics and government control thereof before the news ever picked up on the issues, such as drug companies using people’s blood types to control the drug industry and people being able to pick the gender of their babies with their doctors.  In The Andromeda Strain, one of his earliest works, Crichton addressed the issue of germ warfare and the issue of what constitutes “intelligent” life from other worlds other than our own.  That book was adapted to the silver screen in 1971, and subsequently released (and re-issued multiple times) to home viewers.  Early last month, Arrow Video re-issued the movie again, this time on Blu-ray, resurrecting the chilling plague outbreak story for a whole new generation of sci-fi and horror fans.  The noted audiences are certain to appreciate the noted story, which forms the foundation of the movie.  The bonus content featured with the movie’s latest re-issue adds even more to its presentation.  The companion booklet that is also featured with the movie’s re-issue is yet another positive touch to its overall presentation.  Each item noted here plays its own key part in the whole of The Andromeda Strain.  They certainly are not the only key elements that one can examine.  One could also examine additional items, such as the movie’s cinematography, its casting and even the work of the movie’s cast by relation.  All things considered, they make The Andromeda Strain an welcome addition to the home library of any science fiction (and more specifically Michael Crichton) fan.

Plague outbreak stories seem to be a favorite go-to for Hollywood’s major studios.  From the likes of The Last Man on Earth (1964), The Masque of the Red Death (1989) and Outbreak (1995) to the likes of And The Band Played On (1993), 12 Monkeys (1995) and The Andromeda Strain (1971) and so many others, Hollywood’s major studios seem to love stories about plagues.  To that end, it makes sense that early last month, the latter of the noted group of movies – The Andromeda Strain – would re-issue that movie.  Released June 4, it was re-issued this time on Blu-ray.  Fans of the outbreak genre, fans of Michael Crichton’s works and sci-fi fans in general have plenty to appreciate in this latest re-issue, starting with the movie’s story. The story at the center of The Andromeda Strain follows a group of scientists that is working to contain a space-borne virus brought back to Earth on a satellite that mysteriously crashed to Earth in a quiet town in the American Southwest.  As the story progresses, it is eventually discovered — not to give away too much — that the virus being aboard the satellite might not have been quite as coincidental as originally thought.  The antidote (of sorts) is eventually discovered, thanks to two lone survivors from the town – an old man and a baby.  The story in whole harkens back to the sci-fi flicks of the 1950s and 60s turned out by Universal Pictures, whose stories centered on the military’s atomic testing leading to all kinds of problems for mankind.  Again, not to give away too much, but there is a very close similarity between those stories and this work.  It is also addressed in the bonus features included in The Andromeda Strain’s bonus material.  That will be addressed a little later.  Keeping that in mind, this story will appeal to a wide range of viewers, even despite its pacing issues.

It becomes clear through everything  noted so far, that the story at the center of The Andromeda Strain builds a strong foundation for Arrow Video’s recent re-issue of the movie.  The bonus content featured with the movie’s recent re-issue strengthens that foundation even more.  That is because this re-issue features some previously presented bonus content and some new material in one setting.  Among the most notable of the new bonus content is the discussion by critic Kim Newman.  Newman discusses in his commentary, The Andromeda Strain’s place in the bigger picture of the plague/virus outbreak genre, citing the movies already cited in this review, and others.  Newman’s discussion might not seem like much  on the surface, but in the bigger picture, the roughly 10-minute presentation brings new light to the fact that said genre is in fact so expansive.  The previously presented “making off” featurette, which was featured in the movie’s 2001 re-issue, is another notable addition to this re-issue.  That is because some viewers have not previously seen this featurette while others perhaps have not seen it in a long time and forgotten what was discussed in the mini-doc.  Audiences get discussions here on topics, such as the then groundbreaking special effects used in the movie, the deliberate choice of cast members who were not at the time, well-known  and the faux bibliography featured in The Andromeda Strain and its connection to it cinematic adaptation.  That discussion, with the movie’s script writer Nelson Gidding, makes for its own share of insight and entertainment.  There are also vintage interview segments with Crichton himself featured within the “making of” documentary in which he talks about his connection between his medical education and the book.  Those discussions are expanded even more in yet another of the movie’s key features, “A Portrait of Michael Crichton.”  The late, great author talks in this presentation, about his decision to author his original novels under a fake name and why he decided on going to medical school first among other topics.  As if everything in this and the other noted featurettes is not enough, the new feature-length audio commentary will entertain and engage viewers just as much if not even more than those featurettes.  All things considered here, the bonus content – new and old alike – does just as much to keep viewers engaged and entertained as the story at the center of The Andromeda Strain.  The two elements together are just part of what makes this latest re-issue of the classic sci-fi flick such a welcome addition to audiences’ home movie libraries.  The companion booklet that is featured as yet another extra with this re-issue is notable in its own right to the movie’s whole.

The companion booklet that comes with  the latest re-issue of The Andromeda Strain adds its own touch to the movie’s presentation, as its liner notes – penned by author Peter Tonguette – discuss not only the movie’s place in the grand scheme of the cinematic universe, but also that of its director, Robert Wise.  Tonguette states in his notes, that Wise and the movie both deserve far more credit than they have been given.  He notes Wise’s work on so many b-flicks prior to helming The Andromeda Strain as a big part of the reason that Wise has never gotten the credit that he believes the director has deserved.  Additionally, Tonguette discusses Wise’s approach to the Andromeda, crediting that approach for items, such as the dialogue and effect of the cinematography.  Along with Tonguette’s brief, but concise discussion on Wise’s work on The Andromeda Strain, the companion booklet also offers a starting point for discussions on the movie within the context of a film appreciation class, clearly outlining a set series of discussion topics; topics such as the nature of the deaths in Piedmont, the President’s decision whether to drop an atomic bomb on Piedmont, and the impact of the virus’ mutation.  There are also focuses on items, such as recent real life scientific breakthroughs in comparison to the topics discussed in the movie, whether The Andromeda Strain is in fact science fiction or science fact, and Werner Von Braun’s statement decades prior about the very topic on which Crichton centered his book.  Even more interesting is that all of these discussion topics were featured in a 1971 educational guide sent to schools nationwide to help promote the movie.  That guide is still just as relevant today as it was in 1971.  To that end, it is another key addition to the companion booklet included with this latest re-issue of The Andromeda Strain.  Keeping this in mind, the vast expanse of content (and the depth thereof) within the booklet proves to be just as important to the re-issue’s presentation as the bonus content and the story itself.  When all three elements are considered together, they make The Andromeda Strain a movie that, again, sci-fi fans will appreciate just as much as fans of Michael Crichton and those of the plague/virus outbreak genre.

Arrow Video’s re-issue of Universal Pictures’ The Andromeda Strain is a strong new offering for fans of Hollywood’s plague/virus outbreak genre just as much as for fans of Michael Crichton and of science fiction in general.  That is due in part to the movie’s central story.  While maybe not the first movie of its kind when it was originally released in 1971, its story is one that still rings true for audiences to this day.  It is far more believable than most other movies within its realm.  The bonus content that is featured with the movie’s recent re-issue adds even more engagement and entertainment to the re-issue’s presentation.  That is because the content balances new and old for viewers of all ages.  The companion booklet that also come with the re-issue adds even more interest to the re-issue.  Each item noted in this review is important in its own way to the whole of The Andromeda Strain.  All things considered, they make this re-issue a work that is one more of this year’s top new DVD/BD re-issues.  It is available now.  More information on this and other titles from Arrow Video is available online now at:

 

 

 

Website: http://www.arrowfilms.com

Facebook: http://www.facebook.com/ArrowVideo

Twitter: http://twitter.com/ArrowFilmsVideo

 

 

 

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The Native Howl Launches New Tour; Debuts New Video

The Native Howls is back out on the road.

The band launched a new series of live dates Monday in Burlington, VT.  The band’s new tour schedule runs through July 13 in Boggstown, IN. The tour schedule is noted below.

The Native Howl Tour Dates:
7/4 – Richmond, VA – Canal Club
7/5 – Washington DC – Hill Country DC
7/6 – New York, NY – Hill Country NYC
7/8 – Frostburg, MD – Dante’s Bar
7/9 – Columbus, OH – Ace of Cups
7/10 – Nashville, TN – The End
7/11 – Louisville, KY – The Tiger Room
7/12 – Cincinnati, OH – Stanley’s Pub
7/13 – Boggstown, IN – Summer Bash 2019

The tour is just the latest in support of the Michigan-based band’s latest album, Out of the Garden and Into Darkness (2018).  It comes two months after the band held its “Torque Tour” May 2 to 11. Out of the Garden and Into Darkness spawned the single ‘Somethin’ Else‘ and its companion video, which debuted Oct. 24.

Prior to launching its new tour, the band debuted the video for its new single ‘Harvester of Constant Sorrow‘ June 23.  The song and video are not featured in Out of the Garden and Into Darkness.  the video couples elements of Metallica’s ‘Harvester of Sorrow’ with Union Station’s ‘Man of Constant Sorrow,’ which was used in Touchstone/Universal Pictures’ 2000 movie O BrotherWhere Art Thou? and the movie’s soundtrack.

Courtesy: FM Music Management

The song’s video also spoofs the famous concert hall scene in which the Soggy Bottom Boys performed “their” song and couples that with a spoof of Metallica’s video for ‘Harvester of Sorrow’ for the final product.

The Native Howl front man Alex Holycross talked about the video’s concept in a recent interview.

“”I was out for a run last Fall and was contemplating all the “mash-ups” that were popular at the time,” he said. “These mash-ups were simply audio of two different songs spliced together and over each other (a popular one at the time was a combination of audio from “Whole Lotta Love” by Led Zeppelin and “War Pigs” by Black Sabbath). I then thought about an online poll we had done with our fans in which we asked which song they’d like us to cover (even though we did not really have a concrete intention of doing so at the time). The most requested song by FAR was “Man of Constant Sorrow”. I then glanced at my Metallica ring on my right hand, and thought ‘what if we did a true mash-up of this with a Metallica song?’ Then it hit me: Harvester of Constant Sorrow!” Metallica may be our biggest influence collectively as a band, and “Man of Constant Sorrow” is definitely my favorite bluegrass song of all time. We have always been against the idea of doing cover songs, but this endeavor was exciting to us both conceptually and compositionally.”

Holycross added, “The video is always the most difficult part, and we lend our unending thanks to our brother and studio partner Joe Horsch for crushing that portion of the project, as always. As far as the song itself goes, it was as much of challenge as it was a joy to find creative ways to put the Howl’s spirit and collective mind into two iconic songs, and end up with a piece that we were proud of. Selecting which vocals to use from which sections of each song was a long conversation, as well as the arrangement of the fast ‘cut-time’ (albeit ‘Metallica-esque’ in nature, it is original Howl riffs and solos). The concept for the video was quite simple: recreate scenes from the movie “Oh, Brother Where Art Thou” (which made “Man of Constant Sorrow” a hit) and scenes from Metallica’s “One” video. Both the movie and music video have had such an influence on us, that we wanted to pay homage visually as well as sonically. We hope everyone enjoys the song and video, thanks for the support!”

‘Harvester of Constant Sorrow’ is just the latest song from The Native Howl to receive its own video treatment.  The band also released a video for its single ‘Thunderhead‘ in 2016.  The song was the lead single from the band’s 2016 EP Thrash Grass.

More information on The Native Howl’s upcoming live dates is available online now along with all of the band’s latest news at:

 

Websitehttp://www.thenativehowl.com

Facebookhttp://www.facebook.com/thenativehowl

Twitterhttp://twitter.com/thenativehowl

 

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Shout! Factory/Scream Factory’s Latest Creature Feature Re-Issue Is Another Great Classic Flick

Courtesy: Shout! Factory/Universal Pictures

Universal Pictures’ classic 1950s creature features are among some of the greatest cinematic works in Hollywood’s rich history.  During their original theatrical runs, they were considered scary.  By today’s standards, they are anything but.  That’s okay though.  That is because they are examples of moviemakers doing so much more with so much less.  They are examples of movie making done right, and later this month, Shout! Factory and its horror arm Scream Factory will resurrect yet another of the studio’s classic creature features in the form of the 1995 classic Tarantula.  The latest of the studio’s movies to be re-issued by Shout! Factory, it is set for re-issue on Blu-ray on April 30.  It is another great addition to any true movie’s buff’s collection.  This is proven in part through the movie’s story, which will be discussed shortly.  The bonus content featured in the movie’s forthcoming re-issue supports that statement even more, and will be addressed a little bit later.  The movie’s average price point proves to be money well-spent considering the re-issue’s combined primary and secondary content.  When it is considered with those noted elements, all three elements make the movie yet another of this year’s top new DVD and BD re-issues.

Shout! Factory/Scream Factory’s upcoming Blu-ray re-issue of Universal Pictures’ 1955 creature feature is a must have for any true movie buff.  It is one more of this year’s top new DVD and BD re-issues.  That is thanks in part to the movie’s story.  The story at the center of Tarantula actually somewhat defies the movie’s title.  As a close watch will reveal, the real core of the movie was Professor Deemer’s misguided efforts to create a solution that will create super-sized animals and other foods to feed the world’s exploding population.  The result of Deemer’s tests are shown right in the story’s opening scene.  Of course, this is not fully realized until later in the story.  It would be wrong to call Deemer a mad scientist, but he is clearly misguided, as he wants to keep the findings and results of his work secret.  It is because of those efforts to hide what he is doing that the story’s titular character escapes from its enclosure in his home laboratory and wreaks havoc on a nearby town.  The majority of the story is spent with lead character Dr. Matt Hastings (John Agar – The Mole People, The Brain From Planet Arous, Night Breed) investigating a series of deaths around the unnamed town that slowly leads him to the killer spider.  During the course of that investigation, the spider is rarely shown.  When it is shown, it is barely presented.  This is both good and bad.  It is good in that it builds the suspense in the story.  The bad side is that the buildup leads to some noticeable pacing problems.  The pacing problems are not so bad that they make the movie unwatchable, but are problematic enough that they lead one to get the urge to fast forward every now and then.  Luckily, the story does eventually find its footing, and when it does so, finally starts moving forward much more easily.  One can’t help but wonder if this approach played a role in how famed author Peter Benchley approached his book Jaws when he wrote that novel.  Its big screen adaptation followed a similar approach, not really fully introducing the movie’s killer title creature until late in the movie.  Getting back on the subject at hand, once the story finally finds its footing, it does well keeping the action moving, and in turn keeping viewers engaged and entertained. The ending seems a bit abrupt, but still works, regardless.  Keeping this in mind along with the entertainment offered throughout the rest of the story, there is no question that the script, despite some minor bumps, is still an enjoyable work that will gives audiences plenty to appreciate.  The enjoyment created by the movie’s story is enhanced even more by the movie’s bonus feature-length audio commentary.

The commentary, presented once again by film historians Tom Weaver and David Schecter, adds its own share of enjoyment to the movie.  The pair has previously provided commentary for Shout! Factory/Scream Factory’s Blu-ray re-issues of The Deadly Mantis and The Mole People.  Weaver also previously provided commentary for The Man From Planet X with Dr. Robert J. Kiss, who joins Weaver and Schecter for this outing.  The trio’s commentary offers lots of insight about the movie’s casting, its connection to other sci-fi and horror flicks of the time and trivia directly connected to the movie.  One of the most interesting revelations presented in the audio commentary comes from Schecter as he reveals that famed composer, conductor and musician Henry Mancini played a role in the movie’s soundtrack.  It’s not the first time that Mancini’s role in the movie industry has been noted.  Schecter reveals in the audio commentary for The Deadly Mantis, that Mancini played a key role in that movie’s soundtrack, too.  Weaver, meanwhile reveals late in the commentary, that allegedly Agar was not entirely happy being cast just in the studio’s creature features, while his more well-known counterparts, such as Tony Curtis and others were receiving more high-profile roles.  Weaver reveals in this anecdote, that Agar was so unhappy that he freelanced for other companies, but sadly was typecast because of his work with Universal. Kiss meanwhile, reveals that when Tarantula originally debuted in theaters, it actually ran as part of a double feature in many U.S. theaters alongside the cop action/drama Running Wild.  The movie starred Mamie Van Doren (Teacher’s Pet, Voyage To The Planet of the Prehistoric Women, The Navy Vs. The Night Monsters) in one of its lead roles.  The revelation that the movie did not run by itself in many theaters is important because it shows some theater owners might have thought at the time that it was not strong enough to run solo.  As if everything noted here as to the movie’s commentary is not enough, there are also notes of possible link between Them! and Tarantula, between This Island Earth and Tarantula (the prior of which Shout! Factory/Scream Factory is set to re-issue on June 25 along with Monster on the Campus) and even info on at least one goof and some background on how the tarantulas used in the movie were chosen.  Between all of this and so much more shared throughout the course of the movie’s audio commentary, the breadth and width of material shared throughout the movie is more than enough for audiences to take in.  Given, it once again sounds and feels entirely scripted by all involved, which does detract from the presentation once more.  However, the commentary’s clear scripting is not so bad that it makes the commentary a loss.  It just would be nice to have commentary shared naturally rather than scripted.  Either way, when the commentary couples with the movie’s story, the two elements go a long way toward making the movie enjoyable for all audiences.  Keeping that in mind, the movie’s average price point proves to be money well-spent.

The movie’s average price point, using price listings from Shout! Factory’s own store, Books-A-Million and Target, is $26.22.  The movie’s previous DVD release is listed at Walmart, Best Buy and Barnes & Noble Booksellers, but not its upcoming Blu-ray re-issue.  Shout! Factory’s listing of $22.99 is the least expensive listing at the time of this review’s posting while the most expensive listing — $27.99 – is at Books-A-Million’s store.  Regardless of which outlet movie buffs use, the prices will not break anyone’s bank, and as already noted, the movie’s upcoming re-issue offers plenty for audiences to enjoy.  When all of this is considered together, it becomes easy to see why this flick’s re-issue is a welcome addition to any purist movie buff’s library and why it is one more of the year’s top new DVD and BD re-issues.  More information on this and other titles from Shout! Factory is available online at:

 

 

 

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

 

 

 

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Classic Creature Feature Gets Great Re-Issue Thanks To Shout! Factory

Courtesy: Shout! Factory/Scream Factory/Universal International

Shout! Factory and its horror arm, Scream Factory are taking sci-fi fans back in time again next month with the release of yet another one of Universal Pictures’ timeless creature features.

The Deadly Mantis is scheduled for release on March 19 on Blu-ray.  The classic low-budget b-flick was lambasted by critics following its theatrical debut on May 26, 1957.  The criticisms focused on items, such as its overt use of stock footage and re-use of sets.  While it hardly received a warm welcome in its debut, The Deadly Mantis has since gone on to become a cult favorite among sci-fi fans and movie buffs alike, but has been difficult to find on DVD and Blu-ray.  That is until now.  This new re-issue of The Deadly Mantis is another welcome addition to the library of any of the noted audiences.  That is proven in part through the movie’s story.  Its bonus content adds even more interest and appeal to its presentation as its story.  The Blu-ray’s average price point rounds out the most important of its elements.  Each item noted here is important in its own way to the whole of the movie.  All things considered, they make The Deadly Mantis’ new Blu-ray re-issue another welcome watch for sci-fi fans and movie buffs alike.

The upcoming Blu-ray re-issue of Universal International Pictures’ 1957 creature feature The Deadly Mantis is a presentation that will appeal to cinephiles across the board.  That is proven in part through its story.  The story focuses on the introduction of a giant prehistoric praying mantis into the 20th century world and mankind’s efforts to stop the creature before it has any chance to reproduce.  The story was hardly the only one of its kind at the time, having been preceded by Them! in 1954, Tarantula in 1955, and Attack of the Crab Monsters only three months prior to the debut of The Deadly Mantis.  The latter of that trio – one of famed director Roger Corman’s creations – was an Allied Pictures presentation, unlike the other two mentioned here.  This is important to note as it was just one part of what was a much bigger cinematic trend at that point in time.  Considering the bigger trend being presented, what makes this movie stand out is that it did not center on giant mutant creatures that came to be as a result of the military’s nuclear testing.  Rather, the mantis simply existed millions of years ago, and was freed from its cryogenic slumber (of sorts) as the overarching result of a volcanic eruption thousands of miles away in the Earth’s southern hemisphere.  Film historian Tom Weaver addresses this scientific approach during his bonus commentary.  This will be discussed a little later on.  Getting back on the subject at hand, the story at the center of The Deadly Mantis might have seemed silly at the time, but considering the scientific advancements and discoveries that have been made in the current age, it makes the story more believable.  That ability of audiences to suspend their disbelief (even today) due to the story’s setup, ensures even more, viewers’ maintained engagement and entertainment.  Now given, missiles and fire being unable to bring down the giant beast seems a bit of a stretch, considering it is just a giant praying mantis.  That thing must have had an exoskeleton made of titanium, especially considering what ultimately ended its reign of terror.  That aside, the reality that giant beasts did in fact exist at one time in reality, and that scientists even today are in fact, trying to clone other giant beasts (E.g. wooly mammoths and saber-tooth tigers) makes this story that much more believable, and in turn enjoyable.  The ability of audiences to suspend their disbelief with this movie’s story is just one part of what makes the movie such a joy for sci-fi fans and movie buffs alike.  The movie’s bonus content adds even more enjoyment to the movie’s presentation.

The bonus content featured in this movie includes the previously noted feature-length audio commentary from film historian Tom Weaver and fellow film historian David Schecter, and the full-length episode of Mystery Science Theater 3000 that featured The Deadly Mantis.  Unlike The Mole People, which was re-issued by Shout! Factory/Scream Factory last month, this movie’s re-issue is lacking a bonus “making of” featurette.  The lack of that featurette is disheartening, but not enough to ruin the movie’s presentation.

The feature-length commentary from Weaver and Schecter reveals quite a bit of interesting information.  Viewers learn from the commentary, that principal photography — the main part of a movie’s production involving capturing scenes in which the cast is on camera – took only 13 days, and that the use of stock footage in the movie played a direct role in the movie.  Weaver reveals that approximately 14 minutes (or 1/5) of the movie was composed of stock footage.  Considering that the movie’s run time is listed as just 79 minutes, that 14 minutes is actually a large portion of the movie.  Additionally, viewers learn through the duo’s commentary, that the movie’s original opening scene was actually different from what is in the final cut.  Weaver notes that the final cut was presented, as the movie’s director – Nathan Juran – wanted to ensure the story was believable, right from the opening sequence.  The end  result was that the frozen mantis was freed as the result of a volcanic eruption thousands of miles away.  This is actually believable, considering what we know today about the effects of volcanic eruptions.  Now, could the weather patterns that might have resulted from said eruption been enough to thaw out the mantis?  That is debatable, even today.  However, knowing mankind’s impact on climate change, it actually does not seem overly unbelievable.  Keeping this in mind, the right move was taken to change the opening.  As if all of this is not enough for fans, audiences also learn the identity of the film used for part of the stock footage – S.O.S. Iceberg (1933) – through Weaver’s scripted commentary.  It is revealed that the Eskimos in the noted scenes were reacting to a seaplane circling their community in Greenland, not to a giant praying mantis.

Schecter’s portion of the movie’s commentary will appeal just as much to music lovers as it will to movie lovers.  Schecter notes in his portion of the movie’s commentary, that legendary composer/conductor Henry Mancini played a specific part in the movie’s soundtrack.  The full depth of his involvement in the soundtrack will be left for audiences to learn on their own.  He was just one of the famed musical figures who were connected to the movie, according to Schecter.  Fellow composer Irving Gertz also had a tie to the movie’s soundtrack, as Schecter notes.  He makes note that the soundtrack to The Deadly Mantis and The Monolith Monsters were indirectly connected to each other.  Again, the full discussion will be left for viewers to take in on their own time.

The items listed here are just a portion of what Weaver and Schecter discuss throughout the course of The Deadly Mantis.  Far more is discussed, such as ties that certain members of the crew had to the now infamous “Red Scare” and the various ties that the cast had to other movies of the age. While Schecter’s (and Weaver’s) commentary are quite insightful, the one negative to their insight is that each man’s commentary is once again scripted.  This is made clear through their delivery.  Each man is obviously watching the movie as he shares his insight.  The problem is that each man is watching the movie only for timing purposes with his commentary.  This detracts from the commentary at least a little bit. It is not enough to make the commentary unenjoyable, but cannot be ignored.

Speaking of things that detract from the experience, the movie lacks a “making of” featurette this time out.  It doesn’t ruin the viewing experience, but it would have been nice to see what could have been told through such a feature that maybe was not addressed in the bonus commentary.  In defense of Shout! Factory/Scream Factory, there had to have been a good reason for omitting it this time out.  Luckily, the commentary from Weaver and Schecter does provide enough insight and entertainment to make up for that omission.

While The Deadly Mantis lacked a “making of” featurette, one thing that was thankfully included was the full episode of Mystery Science Theater 3000 that focused on the classic creature feature.  Shout! Factory/Scream Factory did the same with its recent re-issue of The Mole People, and once again, it is a welcome addition to the movie’s presentation.  This time out, Mike and his robot pals are trying to escape Pearl Forrester once again, and luckily escape her after her ape friends inadvertently activate a thermonuclear device that destroys Earth.  Of course Pearl and company managed to escape the blast.  How they escape and what happens from there will be left for audiences to discover on their own.  In the meantime, plenty of riffing happens as the crew of the Satellite of Love take in The Deadly Mantis.  Early on there is a joke about Minnesota (the state in which the show was based), that audiences will enjoy.  As the movie progresses, there is a joke about one of the unidentified cast members because of a certain shot.  “Shot in bald spot vision,” one of the robots cracks.  There are also pop culture references about Wheaties and Vicks Vapo rub later in the movie, along with a joke about the famed comic opera, the H.M.S. Pinafore and so much more.  Between the constant riffing and the live segments, the laughs that result from this episode of MST3K prove to be nonstop.  When that entertainment is coupled with the insight offered through the movie’s bonus commentaries, the end result is content that truly is a bonus in every sense of the word.  When it is collectively considered along with the story, which itself guarantees just as much engagement and entertainment, the movie proves that much more welcome in any cinephile’s home library.  Keeping all of this in mind, the breadth and depth of the movie’s primary and secondary content makes the movie’s average price point money that is well-spent.

The average price point for Shout! Factory/Scream Factory’s upcoming re-issue of The Deadly Mantis, using price listings at Shout! Factory’s store and those of Amazon and Books-a-Million, is $25.39.  The movie is not listed at Target, Best Buy, Walmart and Barnes & Noble Booksellers at the time of this review’s posting.  Research shows that Shout! Factory’s price of $22.99 is the least expensive of the three listings, and is will below that average price point.  Books-A-Million’s listing of $27.99 is the most expensive, while Amazon’s list price of $25.19 is barely below that average.  In other words, at the time of this review’s post, Shout! Factory’s price for the re-issue is the most affordable.  It is money that sci-fi purists and movie buffs alike will agree, is well-spent.  That is because of the already noted content overall.  Add in that right now, the only outlets that audiences have for such a movie are occasionally on Turner Classic Movies and Me-TV’s hit show Svengoolie (both of which are themselves wonderful outlets), it makes that money even more well-spent, as it will allow audiences to watch this timeless classic any time that they want.  Keeping all of this in mind, it can easily be said that the upcoming Blu-ray re-issue of The Deadly Mantis is one more of this year’s top new DVD/BD re-issues.

Shout! Factory/Scream Factory’s upcoming Blu-ray re-issue of The Deadly Mantis is one of this year’s top new DVD/BD re-issues.  That is proven in part through the movie’s story (its primary content), which is actually quite believable considering what science has discovered to this day, and through its bonus content (its secondary content).  The insight and entertainment offered through the bonus content is just as certain to keep audiences engaged and entertained as the story.  Add in an average price point that once again won’t break viewers’ banks, and the movie proves a completely welcome addition to any cinephile’s movie library.  It will be available March 19.  More information on this and other titles from Shout! Factory is available online now at:

 

 

 

Website: http://www.shoutfactory.com

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Twitter: http://twitter.com/ShoutFactory

 

 

 

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Mortensen, Ali Are Saving Graces For ‘Green Book’

Courtesy: Universal Pictures/Universal Pictures Home Entertainment

Universal Pictures’ new human drama Green Book has had made headlines nationwide since its theatrical debut late last year.  From the highs of taking home three Golden Globe ® awards to the controversy over how certain elements of the movie’s story were presented, to the controversy surrounding star Viggo Mortensen’s use of a racial slur soon after the movie’s premier to issues swirling around the movie’s director, Peter Farrelly, and co-writer/producer Nick Vallelonga, over their own past actions, the movie and those involved has gained plenty of positive and negative publicity.  With the movie being nominated for “Best Picture” at this year’s Oscars – which air live tonight on ABC – the movie is still making plenty of headlines, and could make even more if it takes home the Academy of Motion Pictures’ top prize.  Whether the movie takes home the Best Picture statue is up to the Academy voters.  They have plenty to consider, too, not the least of which being the movie’s story.  It will be discussed shortly.  The movie’s pacing poses a bit of a problem, too.  That will be addressed a little later.  The work of the movie’s lead cast couples with the story to make up for the issues raised by the movie’s pacing, making the movie overall worth at least one watch.

Green Book has brought in plenty of gold since making its theatrical debut in November.  The movie about two friends from two completely different backgrounds has also brought in plenty of gold at the awards shows since that time. The question is whether this movie is really that deserving of its awards or even Hollywood’s top prize.  That is due in part to a story, which has been done plenty of times previously in other movies, one of the most notable being the hit 1989 movie Driving Miss Daisy.  That movie saw an elderly Jewish woman (played by Jessica Tandy – Fried Green Tomatoes, Cocoon, Batteries Not Included) becoming friends with her African-American chauffer (played by Morgan Freeman (The Shawshank Redemption, Seven, Invictus) as the pair overcame its racial and cultural differences.  Given, the story takes place over the course of years, but the similarity in the theme and setting is such that a comparison between the story and that of Green Book cannot be ignored.  The only major difference in the two settings is that in the case of Green Book, Tony is the driver while Dr. Shirley takes the place of Tandy.  In other words, the roles have been reversed and set against the backdrop of the civil rights era America, as the pair winds its way through the deep south on Dr. Shirley’s tour.  Other than that, the two movies are almost one in the same.  Driving Miss Daisy is not the only movie to which Green Book can be compared.  Radio and Remember The Titans also follow the standard theme of overcoming cultural differences and boundaries.  Not only that, but just like Green Book, they are also based on actual events.  To that end, this story becomes just one more in a bigger sea of similar flicks, and honestly, not the most memorable story.  Given, maybe this story did stay mostly true to the original story of Tony and Dr. Shirley, thanks to a member of Tony’s immediate family taking a direct role in the movie’s creation, but even with that in mind, it still is not the first time that a movie of this ilk has been released.  To that end, one cannot help but wonder why those movies did not receive the accolades that this movie has garnered, again showing the problem with this movie’s story.

The story at the center of Green Book presents its own share of problems for the movie.  That is because it is hardly the first time that a story of its ilk has been presented to audiences.  It is just one of the problems presented by this movie.  The movie’s pacing presents its own problem.  Green Book’s run time is listed on the back of its box at 2 hours and 10 minutes.  That is about average for movies in Hollywood’s current age.  The problem is that the noted run time feels so much longer than it actually is due to the story’s pacing.  The biggest pacing problem comes as Tony and Dr. Shirley actually hit the road.  The buildup to the trip and the finale movement actually move relatively well, but the trip itself has a tendency to drag.  It feels like Vallelonga, Farrelly and fellow writer Brian Hayes Currie wanted to make a little bit too certain that the story was told as accurately as possible.  While that dedication to staying true to the movie’s source material is to be commended, it clearly caused the movie to feel much longer than it actually was.  The result is that it leaves one checking one’s watch for the time more than once throughout the course of that two-hour-plus run time.  When this is considered alongside the problems caused by the movie’s story, the result is even more doubt as to whether Green Book deserves all of the gold (and green) that it has received.  For all of the problems posed by Green Book, the movie is not a complete loss.  The work of the movie’s lead actors is actually a positive.

Viggo Mortensen and Mahershala Ali make for an enjoyable watch as they portray the real life Tony Lip and Dr. Don Shirley.  As is noted in the bonus behind-the-scenes featurette that is featured in the movie’s upcoming home release – it is scheduled for release on BD/DVD/Digital combo pack on March 12 – Mortensen worked hard to make sure that he got his portrayal as close to the real Tony Lip as possible.  It shows on screen, too, in every interaction with Ali.  Speaking of Ali, his portrayal is just as certain to keep audiences engaged and entertained as that of Mortensen.  Shirley’s gradual change from an aloof, uptight figure to a friendlier, more open individual is so subtle through Ali’s portrayal.  That change is visible as the two men interact throughout the course of the movie, too.  Tony starts to change and grow, too, through the men’s interactions, making the movie’s story at least somewhat bearable despite (again) that noted problematic pacing and again, its all-too-familiar overall story of race relations during the civil rights era.  In general, it is because of the men’s work that this movie is not just another forgettable addition to an already vast array of civil rights-era movies.  Keeping all of this in mind, one cannot help but wonder how or why Green Book has garnered the green and gold that it has received.  Regardless, it is a movie that is worth at least one watch, if only for the work of Mortensen and Ali.

Universal Pictures’ fish-out-of-water drama Green Book is a movie that is worth at the most, one watch.  That is thanks in large part to the work of Viggo Mortensen and Mahershala Ali.  The men’s chemistry on screen and their own performances is really the movie’s only true saving grace.  The movie’s central story is hardly the first of its kind, as it can easily be compared to the likes of Driving Miss Daisy, Radio and Remember The Titans with its civil rights-era backdrop and focus on overcoming cultural diversity.  The story’s pacing also detracts from the story, making the story’s two-hour, 10-minute run time feel closer to three hours.  The bonus material featured in the movie’s upcoming home release does little to help either.  Given, it adds a little bit of insight into the movie’s creation, but honestly little else.  Keeping all of this in mind, Green Book proves to itself not entirely worthy of the Motion Picture Academy’s top gold prize at tonight’s Oscars.  The movie will be available on Blu-ray/DVD/digital combo pack on March 12.  more information on Green Book is available online now at:

 

 

 

Website: http://www.greenbookfilm.com

Facebook: http://www.facebook.com/Greenbookmovie

Twitter: http://twitter.com/GreenBookMovie

 

 

 

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Sci-Fi Purists Will “Dig” Shout! Factory’s BD Re-Issue Of ‘The Mole People’

Courtesy: Shout! Factory

Forbidden Planet. Invasion of the Body SnatchersEarth Vs. The Flying Saucers.  Each of these movies is considered to be a timeless sci-fi cinematic work.  Each movie was also released in 1956 – obviously a good year for the sci-fi industry.  That year also saw the release of Godzilla, King of the Monsters, World Without End and the equally beloved The Mole People.  That latter movie, released by Universal International Pictures (also known as Universal Pictures), is scheduled for re-issue on Blu-ray on Feb. 26 via Shout! Factory’s horror division, Scream! Factory.  The movie’s upcoming re-issue is a wonderfully entertaining work for any and every sci-fi purist out there.  That is proven in part through the movie’s very story.  This will be discussed shortly.  The bonus material featured with the movie’s forthcoming release does just as much to make this presentation appealing for sci-fi fans.  It will be examined a little later.  The movie’s average price point adds even more to the interest of its upcoming re-issue.  It will also be addressed later.  Each item noted here is important in its own way to the whole of The Mole People.  All things considered, they make Shout! Factory’s upcoming re-issue of The Mole People the first of this year’s great new DVD and Blu-ray re-issues.

Shout! Factory’s upcoming Blu-ray re-issue of The Mole People is the first of this year’s best new DVD and Blu-ray re-issues.  That statement is supported in part through the movie’s central story.  The story follows a group of archaeologists that is studying an ancient Sumerian site somewhere in Asia.  The somewhere is noted as the story never precisely notes where in Asia.  The men are led to the top of a snow-covered mountain through its investigation, where they discover a hidden Sumerian temple.  That discovery ends up leading the men deep into the mountain and yet another discovery – that of an ancient society whose people are not overly happy to have them there.  The story leads to plenty of action as the explorers investigate the pre-historic people and their ways, including run-ins with a group of giant creatures, and of course some romance.  While on the surface, the movie is just a fun rainy day watch (as is noted in the bonus features, which will be discussed a little later) on the surface, it is also a little bit more than that.  There is a certain allegorical element to the story, too.  Not to give away too much, but that allegorical element comes as the ancient people mistreat their mutant “creatures of the dark.”  The creatures are used as slaves for the much lighter-skinned figures, who interestingly enough are dressed a la Romans of eons ago even though their temple has Egyptian hieroglyphics with Roman architecture.  That crossing of cultures in the costume and set design is so awful that it’s entertaining.  Getting back on track, the matter of the treatment of the “creatures of the dark” by the albino people is certain to create plenty of discussion.  As a matter of fact, it is addressed in the movie’s bonus “making of” featurette, which oddly enough is not listed on the back of the movie’s box, despite being included as a bonus.  That discussion and others included in the bonus content will be addressed later.  Getting back on track again, the simple story of the adventurers finding a “lost” civilization and their attempt to escape the slightly homicidal peoples makes for plenty of action and adventure for audiences.  That secondary element of the story’s seeming allegorical nature combine to make this story one that is certain to appeal to plenty of audiences.  To that end, the movie’s central story is key to the movie’s overall presentation.  It is just one of the important elements to examine here.  The bonus content featured with the story adds even more appeal to the movie’s presentation.

The bonus content featured with The Mole People offers plenty of insight – and entertainment – for audiences.  The previously noted “making of” featurette, which again is oddly not listed on the movie’s packaging, despite being present, is just one of the most important bonuses included in the movie’s presentation.  Audiences learn through this featurette, about topics, such as the cost-cutting measures taken in the movie’s creation, the allegory in the story, which even in its original theatrical run, apparently was not lost on audiences and even the change in the movie’s ending.  That discussion on the movie’s ending is directly related to the topic of the story’s deeper message.  It is certain to create its own share of discussion about censorship, civil rights and other related topics.  On a lighter note, the “making of” featurette also includes discussions on the costumes for the “creatures of the dark” and the connection of the costumes to other movies of the age.

The discussions featured in the movie’s bonus “making of” featurette offer lots of insight into the movie, and in turn, making the movie’s presentation that much more appealing.  It is just one of the bonuses that should be noted in examining the movie’s presentation.  The dual feature-length audio commentary from Tom Weaver and David Schecter offers its own share of insight for audiences.  Audiences learn from Weaver, about the use of the Sierra Canyon set’s use not only in this movie, but in a variety of other movies from the time.  He also offers his own commentary about the use of the stock footage from the documentary Conquest of Everest (1953) for the movie, going into a bit more depth along the way than was offered in the movie’s bonus “making of” featurette.  Schecter takes his time addressing items, such as the seeming discussion on race relation presented within the story, as well as the movie’s production and cast.  Each man offers plenty of insight in his own right.  The only real downside to the discussions is that each is clearly scripted.  They are not natural at all.  This honestly detracts from the experience of hearing them discuss the movie.  It makes one feel as if discussing the movie was a chore for each figure.  In their defense, maybe it wasn’t a chore, but the delivery just feels so flat and lifeless.  To that end, their commentary is a toss-up.  It is enlightening, but at the same time, it is also not natural.  When the commentaries are considered with the information shared through the “making of” featurette, that overall breadth of information creates even more appeal for the movie and strengthens the movie’s presentation even more.

The discussions on The Mole People’s aesthetic elements featured in the movie’s bonus content goes a long way toward making the movie’s upcoming re-issue a positive presentation.  Those discussions are just part of what makes the movie’s companion bonus content so noteworthy.  The inclusion of the full-length 1997 episode of Mystery Science Theater 3000 in which Mike and his robot pals riff the classic flick adds yet another level of enjoyment to the movie’s presentation.  This episode’s full-length presentation is a win for audiences and for Shout! Factory.  The full presentation gives audiences a glimpse into what made the classic series so great (and important).  In turn, that understanding can lead audiences to want to start adding the full volumes of MST3K that have been released, to their own home libraries.  When this episode – with its nonstop entertainment – is considered along with the movie’s bonus commentaries and “making of” featurette, the whole of the noted items shows clearly why the bonus content included in this movie’s presentation is so important to its presentation.  When they are collectively considered along with the movie’s entertaining story, the whole of these elements more than makes The Mole People worth the watch.  Keeping all of this in mind, the average price point for the movie’s upcoming re-issue proves to be money well-spent.

The average price point for Shout! Factory’s upcoming Blu-ray re-issue of The Mole People is $25.34.  That price point is reached by averaging the movie’s listed price at Amazon, Walmart, Books-A-Million and Shout! Factory’s own store.  It is not listed at Target, Best Buy and Barnes & Noble Booksellers.  Walmart and Amazon’s price of $25.19 is just below that average, while Shout! Factory’s price point of $22.99 is well below that average.  Books-A-Million’s price of $27.99 is the most expensive of the listings.  In other words, at this point, Shout! Factory is the most economical choice for those choosing to purchase the Blu-ray, which again is a great addition to any sci-fi purist’s movie library.  It is especially well worth the money considering everything that has been discussed here.  When the movie’s primary and secondary content is considered along with this price point information, the whole proves to be a welcome re-issue.

Shout! Factory’s upcoming Blu-ray re-issue of The Mole People is a welcome new addition to the home library of any sci-fi purist out there.  That is proven in part through its story.  The concept in the story is actually believable, as it can be compared – to a point – to famed author Jules Verne’s classic novel Journey to the Center of the Earth.  Suspension of disbelief is actually quite possible because of that ability to compare the story to Verne’s classic literary work.  This is even despite the issues of the costumes and sets not exactly matching up.  The bonus content included with the movie’s upcoming re-issue adds plenty of entertainment and insight for audiences, in turn giving audiences even more to appreciate here.  The movie’s average price point is affordable, and is money well-spent, considering the breadth and depth of the bonus content featured in this presentation.  Each item noted here is important in its own right to the whole of The Mole People.  All things considered, they make The Mole People a welcome addition to the home library of any sci-fi purists and the first of this year’s best DVD and Blu-ray re-issues.  It can be pre-ordered via Shout! Factory’s online store.  More information on this and other titles from Shout! Factory is available online now at:

 

 

 

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

 

 

 

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