Kids, Grown-Ups Alike Had Lots To Like From 2021’s New DVD/BD Box Sets

Courtesy: Arrow Video

Between families and grown-ups, plenty of positive content has been released this year on DVD and Blu-ray in the form of newly released box sets. Shout! Factory and Nickelodeon’s full series presentation of The Adventures of Jimmy Neutron, Boy Genius, Arrow Video’s classic creature feature collection, Cold War Creatures, and the latest collection of classic Mister Rogers’ Neighborhood do well to support the noted statements. Between them and so many others, there is more than enough to create a list of this year’s top new DVD/BD box sets overall. Enter Phil’s Picks’ 2021 Top 10 New DVD/BD Box Sets.

As with every other list from Phil’s Picks, this list features the top 10 titles from this year as well as five honorable mention titles for a total of 15. There’s already some positive news about new releases coming in the new year about new box sets, but in the meantime, the titles on this list will help people pass the time. Without any further ado, here for your consideration is Phil’s Picks’ 2021 Top 10 New DVD/BD Box Sets list.

PHIL’S PICKS’ 2021 TOP 10 NEW DVD/BD BOX SETS

1.Cold War Creatures

2. The Adventures of Jimmy Neutron, Boy Genius: The Complete Series

3. Mister Rogers’ Neighborhood: Mister Rogers Meets New Friends Collection

4. All Creatures Great & Small: Season 1

5. The Watch

6. How To Train Your Dragon: Ultimate Collection

7. Daniel Tiger’s Neighborhood: Tigertastic 50 Pack

8. Jekyll & Hyde

9. Spongebob Squarepants: Season 12

10. Rugrats: The Complete Series

11. Star Trek Discovery: Season 3

12. Doom Patrol: Season 2

13. Josie & The Pussycats In Outer Space: The Complete Series

14. Human: The World Within

15. Thundarr The Barbarian: The Complete Series

Okay that it’s for this list. There is still one more list to go for this year. It will come tomorrow in the form of the year’s top new family friendly DVDs/ Stay tuned!

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Grown-Ups Had Just As Much To Enjoy As Younger Audiences In All The New TV Box Sets

Courtesy: Arrow Video

This year offered lots for families to enjoy together in the way of television and movies.  It also offered plenty for older viewers, whether those audiences needed the occasional break from the more family friendly fare or just needed and wanted something to enjoy.  Between imports and domestic releases, this year’s field of new viewing options for grown-ups offered much to appreciate. 

DC and Warner Brothers’ second season of Doom Patrol, BBC America’s The Watch (It is sadly still unknown if the show will get a renewal for a second season) offered plenty of enjoyment in their own right.  Meanwhile, CBS/Paramount’s third season of Star Trek: Discovery finally got that ship righted.  Along with so many domestic and import releases from PBS and other sets from WB and DC, this year’s field of new offerings for older audiences helped audiences escape and relax every day.  So much new content was released that it gave Phil’s Picks more than enough for another annual list of the year’s top new offerings in said field. 

As with every list from Phil’s Picks, this list offers the Top 10 new entries in said field alongside five additional honorable mentions for a total of 15 titles.  Each entry in this list is deserving of applause in its own right, too.  Without further ado, here for your consideration is Phil’s Picks 2021 Top 10 New Grown-Up DVD/BD Box Sets.

PHIL’S PICKS’ 2021 TOP 10 NEW GROWN-UP DVD/BD BOX SETS

  1. Cold War Creatures
  1. All Creatures Great & Small: Season 1
  1. Doom Patrol: Season 2
  1. The Watch
  1. Miss Scarlet & The Duke: Season 1
  1. Human: The World Within
  1. Jekyll & Hyde
  1. Star Trek Discovery: Season 3
  1. Black Lightning: Season 4
  1. Superman & Lois: Season 1
  1. Star Trek Lower Decks: Season 1
  1. Finding Your Roots: Season 6
  1. Finding Your Roots: Season 7
  1. The Twilight Zone: Season 2
  1. Star Trek Discovery: Seasons 1-3

That’s it for this list, but before the attention turns from the box sets, there is still one more category to check in on tomorrow.  That category is the year’s top new DVD/BD box sets overall between the stuff for families and that for older audiences.  From there, later this week, the attention will turn toward the year’s top new family DVDs and BDs to finish this year’s field of year-end lists.  So there’s still plenty to come.  That means as always, stay tuned!

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Shout! Factory, Arrow Video, Others Offer Audiences Plenty Of Alternatives To All The Prequels, Sequels, and Remakes Hitting Theaters, Streaming Services

Courtesy: Shout! Factory

It seems like ever year, audiences everywhere are seeing an increase in the number of classic TV shows and movies that were once popular everywhere they go.  It really is a sad state of affairs.  Of course that is not the only avenue in which older content is getting renewed so to speak.  The originals also get new life every now and then on DVD and Blu-ray through various distributors, sometimes in better form than others and vice versa.  This year saw a handful of classic TV shows and movies get some laudable re-issues and some less so. 

What is most interesting about this year’s field of top new DVD and BD re-issues is the wide range of companies that released said titles.  It shows that along with the likes of Shout! Factory – which has made quite the name for itself over the years in the home entertainment field – other familiar and up-and-coming names are really working to make their names known in that field, too, such as Arrow Video and Corinth Films, making for so much more variety.

From Shout! Factory’s re-issue of Explorers, to Arrow Video’s re-issue of the original Dune, to even Mill Creek Entertainment’s re-issue of the classic, short-lived animated series, The Critic, this year’s re-issues and the companies that released them offered audiences plenty of alternatives to the never-ending ocean of prequels, sequels, and reboots that filled theaters and streaming services this year.  As with every list from Phil’s Picks, this list features the Top 10 titles in the given category with five additional honorable mention titles for a total of 15.  This year’s list was not easy to compile but is complete.

Without any further ado, here for your consideration is Phil’s Picks’ 2021 Top 10 New DVD/BD Re-Issues.

PHIL’S PICKS’ 2021 TOP 10 NEW DVD/BD RE-ISSUES

  1. Explorers
  1. Rowan & Martin’s Laugh-In: The Complete Series
  1. The Final Countdown
  1. The Belles of St. Trinian’s
  1. Ken Burns’ Baseball
  1. The Rolling Stones: A Bigger BangLive at Copacabana Beach
  1. Dune
  1. Motorhead: No Sleep Till Hammersmith
  1. The Interrogation
  1. The Snake Girl and the Silver Haired Witch
  1. The Transformers: The Movie
  1. Superman: The Animated Series
  1. The Critic: The Complete Series
  1. Star Trek: The Original Series
  1. Emergency: The Complete Series

It should be stressed here that in the case of Emergency and Star Trek, those two series sets are intentionally set at the bottom of this year’s list as, their positives are few.  They are the least of the year’s best new re-issues.  Audiences would do well to largely avoid these sets.  There is a reason they are at the bottom of even the honorable mention titles.  Keeping that in mind, this year’s list of top new DVD and BD re-issues is officially wrapped.  There are still plenty of other lists coming, such as the year’s top new box sets for grown-ups, families, and even family DVDs/BDs.  Stay tuned!

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.   

‘Zack Snyder’s Justice League’ Is The Worst Of DC, Warner Brothers’ Superhero Flicks So Far

Courtesy: DC/Warner Brothers

Those who forget the past are doomed to repeat it.  Everybody knows that old adage.  Warner Brothers and DC’s recent presentation (and home release) of Zack Snyder’s Justice League is proof positive of that old adage.  Released through HBO Max after years of protest by Snyder’s minions, the movie was released this summer on DVD and Blu-ray.  Given, the original 2017 cut (which used only part of Snyder’s work before his departure from the project) was hardly memorable, it is far better by comparison than the Snyder cut.  This four-hour presentation is even worse than the movie’s original 2017 cut, and that is saying something, too.  There is little if anything to like about this take of Justice League.  The most prominent problem with the Snyder Cut is its story.  This will be discussed shortly.  The story ties into another prominent problem, the pacing.  Rounding out the movie’s problems is its general presentation.  This item will also be discussed later.  Each item is important in its own way to the whole of Zack Snyder’s Justice League.  All things considered, they make the movie the least memorable of DC and Warner Brothers’ DC titles to date.

Warner Brothers and DC’s presentation of Zack Snyder’s Justice League is proof positive that people really should be careful what they wish for.  That is because while its 2017 predecessor is not necessarily the greatest of the companies’ offerings, it is also not their worst.  That dishonor belongs to the recently premiered (and home released) “Snyder Cut” of Justice League.  The movie suffers from so many problems, not the least of which being its story.  The story, which runs four hours, two minutes in length, is marred right from the get go.  The first two hours are spent building up the background for each member of the Justice League.  The story plods along as a result of this, leading to an issue in the pacing, which will be discussed a little later.  It is not even until almost two hours into the movie that audiences finally get the movie’s first fight scene between the Justice League’s members and Steppenwolf.  This critic is a lifelong DC fan, but this approach to the movie’s first half is completely counterproductive.  By comparison, Marvel Studios did create a number of movies for each member of the Avengers.  There is not denying that.  At the same time though, those movies do all of the buildup for the key characters, thus allowing more time for more important elements in the big final presentation that was the Infinity Saga.  This is the model that DC should have used from day one for its Justice League buildup.  DC and Warner Brothers sort of tried that with Wonder Woman and Man of Steel (which was terrible to say the least in itself) but what with so many batman movies out there, it was next to impossible to figure out how to build up his back story and make it work for this story.  The companies also tried a setup for Green Lantern in 2011, but that movie flopped, with even star Ryan Reynolds decrying the movie in hindsight.  It likely explains why the Green Lantern Corps was mentioned only in passing in this movie.  Add in everything from the story’s epilogue and things get even more problematic.  The whole just adds too much to the whole.  Perhaps the only true positive (or really positives) is Steppenwolf’s acknowledgement of the multi-verse at one point in the story and the Joker’s mention of alternate timelines in the movie’s epilogue.  Considering all the talk of the Flashpoint crossover and the Crisis on Infinite Earths in the DCEU’s television world, it all actually ties together at least a little better.  Though, the use of what is apparently a Lazarus Pit in Superman’s ship and everything else that went into the story of his resurrection offsets all of that, too.  Simply put, the whole of the movie’s story is forgettable.  It simply tries too hard and falls flat.

As noted already, the pacing tied in to the story makes for even more problems for this presentation.  Because of all of the brooding and buildup in the movie’s first half, things really do plod along at nearly a snail’s pace.  Again, if that buildup had been relegated to the standalone movies for the JL’s members, then the story could have just gotten right to the point and moved along at a much more pleasant pace.  What’s more, the epilogue involving Bruce Wayne’s dream (what proves to set up an alternate reality story line) and everything involving Cyborg’s story slows things down even more, as does the completely random meeting of Deathstroke/Slade Wilson and Lex Luthor.  It’s like Snyder just threw that in like so much more and thought it would work.  Sadly it just slows things down once again after the movie could have ended following Steppenwolf’s defeat (not to give away too much).  Simply put, the movie moves too slow too often and just the right speed at too few spots.  The result is that the pacing proves just as problematic as the movie’s story.

As if the negative impact of the story and its pacing are not enough, the general presentation is also problematic.  Audiences who are familiar with Zack Snyder’s work will easily catch the over the top slow motion effects, and the blood and gore.  He follows the same stylistic approach throughout this movie, with more than enough bloodshed (and even Superman holding a skeleton at one point) to appease the most bloodthirsty viewers.  Such approach really is disappointing, as is the unnecessary use of so much foul language and dark, gritty look throughout the story.  People go to movies to escape the grim reality of reality, not to be exposed to even more grim, brooding presentations.  Snyder needs to realize and just accept this.  When and if he ever does, it will hopefully change his ways.  Otherwise, audiences are just going to get the same kind of presentation from Snyder from one movie to the next.  Hopefully, keeping this in mind, DC and Warner Brothers will employ Snyder less as time goes on.  Between this realization and that of the negative impact of the movie’s story and pacing, all three elements leave the movie a nearly complete failure.  The introduction of the Martian Manhunter (a.k.a. J’on Jonzz) is about the only positive, as it and Darkseid’s determination to get the Mother Boxes sets up more Justice League movies; movies that hopefully will not be written or even helmed by Zack Snyder.

Warner Brothers and DC’s recently released presentation that is Zack Snyder’s Justice League is a problematic new presentation from the companies.  There is little if anything to like about this movie.  Really the only positive that it has is that it sets up another Justice League movie that hopefully will not be helmed or written by Zack Snyder.  There was also the acknowledgement of the multiverse and alternate timelines, which aligns it (to a point) with DC’s television offerings.  What with the new Flash movie coming, it would seem that said presentation will take those mentions into account.  That is because the Flashpoint storyline did in fact involve Darkseid and Steppenwolf following its events in the comics.  Other than that, the movie fails with its story and pacing, as well as its general presentation.  All things considered, Zack Snyder’s Justice League proves to be the worst of DC and Warner Brothers’ superhero offerings to date. 

Zack Snyder’s Justice League is available now on DVD and Blu-ray.  More information on this and other DC titles from Warner Brothers is available at https://www.facebook.com/DECU2013.  

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

‘Doom Patrol: Season Two’ Is A Successful New Entry To One Of DC’s Most Unique Properties

Courtesy: DC Comics/Warner Brothers

Aaaaah, family.  Family is one of the best things in the world.  Family is also one of the worst things in the world.  Good or bad, family is all that we have in this world.  That is really the crux of the second season of DC’s Doom Patrol.  Released early this year on DVD and BD, the series’ second season is an interesting continuation for the series.  That is due to the noted story featured in this season.  It will be addressed shortly.  The cast’s work throughout the season is also of import here, and will be examined a little later.  The bonus content, as little as it really is here, also plays at least some part in the set’s presentation.  It will be discussed later, too.  Each item noted is important in its own way to the whole of Doom Patrol’s second season.  All things considered, they make this season one more of this year’s gradually growing list of the year’s top new DVD and Blu-ray box sets for grown-up audiences.

The second season of DC’s Doom Patrol is an interesting outing for the series.  The series, and group is among the lesser-known of DC’s properties, but this season is sure to help bring both much more attention.  That is proven in part through the season’s story.  The story, as noted already, is on the importance of family.  Even as emotionally heavy as the story is throughout, that emphasis remains.  Audiences will be moved as they watch Larry (a.k.a. Negative Man) try to make amends with his family following the revelation of his son’s death.  Viewers will be just as moved (albeit in a more lighthearted way) as they watch Cliff try to make amends with his daughter after finding out that she survived the wreck that led to him becoming Robot Man.  On yet another note, Rita facing the demon that is the trauma caused by her mother is just as engaging and entertaining because of the subtle way in which it is tied into the whole of the story.  Crazy Jane even has her own family of sorts in her head that she has to deal with over the course of this season.  Looking through this, the first thing that one might feel that there is a lot going on.  That would be right.  However, even as much as is going on in the bigger story, the ability of the writers to balance all of these interweaving story lines is on full display.  What’s more, the depth in each character’s story and the very stories themselves prove relatable to so many audiences.  Case in point is the revelation of who Cliff’s daughter is marrying.  His reaction to that revelation is reflective of so much of America in the current age.  Most people likely will not admit to it, but in a case such as that of Rita, lots of people deal with the emotional trauma brought on by toxic relationships with their parents during their formative years, so even that is believable.  Larry’s case is similar to that of Rita, just in a different fashion, which perhaps is why the pair bonds so well this season.  He made his son feel like he was not good enough, being a hot shot pilot in his normal life, and that led to the rift between the pair. 

Through all of the emotional issues that the Doom Patrol faces this season in dealing with their pasts with their families, they grow as individuals.  As a result of that growth, viewers see the group, including Cyborg, start to develop into the heroes that they will be as the show continues.  Speaking on that note, the series is currently in the midst of its 3rd season.  Its home release will likely come early in the new year just as this season was released early this year, considering the air date for Season Three’s finale.  Getting back on topic, the character development that audiences see this season makes the season, in hindsight, really a transitional season of sorts.  It is a continuation of Season One, and in turn is sure to lead to something even more interesting and exciting in Season Three.  Keeping that all in mind, the story featured in the second season of Doom Patrol is reason enough for audiences to give the season a chance.  It is just one of the season’s positives.  The cast’s work adds its own appeal to the presentation.

Brendan Fraser leads the way once again in terms of the cast’s work.  His general personality and sharp tongue brings a much needed looseness and unique comic relief to the show.  Given, every other word out of his mouth is made up four letters, but just his sheer delivery in every scene is so great.  His nonstop declaration that he’s going to kill the chief after being launched out of the chief’s space ship and landing in a fiery ball into a random field is a prime example of his expert timing.  Audiences know that he is really made, but there is just something about his delivery that makes audiences laugh as hard as ever even as they feel sympathy for Cliff.  This especially considering the heart that he developed for Dorothy shortly before that happened.  On a similar note, the chemistry that he shows alongside Dianne Guerrero (Crazy Jane) creates its own dynamic.  The way he just casually accepts that she has so many personalities is funny in its own way because of the very subtlety in that relationship of sorts.

Similarly, the aforementioned onscreen work between April Bowlby (Rita) and Matt Bomer (Larry) is just as enjoyable to see even with it being more of a secondary performance of sorts.  The duo knows that its wok is secondary, too, and makes the most of it as their characters lean on one another.

Staying on the note of the pair, Bowlby is inspiring as she takes Rita through her emotional journey in facing her own past.  There were so many opportunities for Bowlby to really go over the top, considering all of the drama in this season.  Thankfully she did not go that route.  The end result is that she makes Rita that much more of a sympathetic character throughout the season. 

Much the same can be said of Bomer’s work as Larry.  The moments when he is in the shed next to his son’s home, reading the letter that his son wrote as a child is absolutely heartbreaking.  Because his face is covered with bandages, Bomer is forced to do his emoting more through his actions, and they do so well to reveal the depth of Larry’s remorse for the past.  It is just one more way in which the cast’s performances make for so much depth this time out.  Between the performances noted here and so much more exhibited by the cast, the cast’s overall work here is so enjoyable to watch.  When the whole is considered along with the depth in the season’s story, the two elements join to make for that much more reason to watch this season of Doom Patrol.  It still is only a part of what makes this season engaging and entertaining.  The bonus content that accompanies the season in its home release rounds out the most important of its items.

The bonus content featured in the home release of Doom Patrol’s second season is limited to say the least.  One of the bonuses is just one of the show’s creative heads talking about shooting the show in Georgia.  The brief discussion is basically just an advertisement for filming in Georgia and is honestly irrelevant.  The other bonus feature, which focuses on the season’s makeup and special effects gives audiences at least a brief glance into the work that went into this season’s look.  Audiences will appreciate the determination that the show’s makeup and costume heads had for something as minute as the freckles on Dorothy’s face, making sure that they stayed the same in each episode.  Such dedication to the show’s look is admirable to say the least.  Understanding that the twin brother duo has always been so serious about makeup, going all the way back to its childhood, makes for even more appreciation for the pair’s work.  It will lead, in hindsight, to even more appreciation for the look of Doom Patrol in its second season.  One can only hope that considering this is the season’s only other bonus feature, there will be more bonus content in the third season’s home release.  At least this bonus adds a little bit more appreciation for this season, if only for its aesthetics.  Keeping that in mind along with the impact of the season’s story and the cast’s work, the whole becomes that much more engaging and entertaining.  It collectively makes the season in whole a great continuation for the series and one more of the year’s top new DVD and Blu-ray box sets for grown up audiences.

Doom Patrol: Season Two is an overall impressive offering.  Its appeal starts with its story.  Yes, the story is extremely emotionally heavy, but in understanding the character development hat takes place throughout the season, it makes the heaviness that much more understandable and bearable.  It shows the group on the verge of becoming “super heroes” of sorts.  Hopefully that growth and change will become even more evident in Season Three, considering this.  The cast’s work interpreting that development adds to the season’s appeal.  That is because the group’s work is just that believable.  Being so believable, it ensures viewers’ engagement and entertainment that much more.  Keeping in mind the positive impact of the cast’s work and of the story, there is just one more item to note.  That item is the bonus content.  The bonus content featured in this season’s home release is minimal to say the least, but at least one of the bonuses offers more appreciation for the season.  In this case, it focuses on the season’s look.  That item works with the season’s other noted items to make the whole well worth watching and one more of this year’s top new DVD and BD box sets for grown up audiences. 

Doom Patrol: Season Two is available now.  More information on the season and other DC Universe series is available online at:

Website: https://dccomics/com/tv

Facebook: https://www.facebook.com/dccomics

Twitter: https://twitter.com/dccomics

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Hulu’s ‘Animaniacs’ Reboot Falls Flat In Its Debut Season

Courtesy: Hulu/Studio Distribution Services

Reboots are big business for Hollywood, or so it would seem.  Looking at recent headlines for TV shows rebooted by the major TV studios (including digital servers), reboots do not actually seem to be doing as well as studio executives and advertisers would like people to believe.  Punky Brewster became the most recent reboot to be cancelled this month.  The show was axed from NBC’s Peacock streaming service after just one seasons.  Also cancelled this year are reboots of MacGuyver, Murphy Brown, Charmed (which did not even get past the pilot stage), and even Lizzy MacguireFuller House, the reboot of the classic sitcom Full House also got the axe from Netflix this year after five seasons.  Even the reboot of Rod Serling’s classic series The Twilight Zone was justifiably canceled early this year after just two seasons. Between that reboot, the update of Hawaii 5-0, and that of MacGuyver, which itself ran for five seasons before its end (two seasons less than the original series’ run), it is safe to say that reboots really are not the safe bet that studio execs and advertisers thought they would be.  Even Roseanne ended up being “cancelled” and re-tooled as The Connors.  Now keeping all of this in mind, one cannot help but wonder how long Hulu’s reboot of the classic cartoon series Animaniacs will last.  It was just recently announced that the series, which saw its first season released to DVD June 1, will launch its sophomore season in November.  If the lead season of this reboot is any indicator, one can only imagine that it will be lucky to be renewed for a third season.  That is proven in part through the content featured in the first season of this reboot.  It will be discussed shortly.  The lack of any bonus content with the season’s home release is also of concern, especially considering the original series’ legacy.  So this will be discussed a little later.  Looking at all of the negatives noted here, it makes the DVD’s pricing problematic, too.  This will be discussed later, too.  Each item noted is important in its own way to the whole of this recently released collection.  All things considered, they make the first season of Hulu’s Animaniacs a completely disappointing presentation.  It additionally is more proof that reboots are clearly not the best investment for any network.

The first season of Hulu’s Animaniacs reboot is proof positive that for all the reboots out there, reboots do not make the best business sense for any network, whether on TV or online.  This is proven in large part through the content featured throughout Season 1.  Given, there was plenty of adult-themed humor that ran through the original series during its five-season run from 1993-1998.  Steven Spielberg himself was even quoted as saying much of the humor in the original series was inspired by the humor of Looney Tunes and none other than Groucho Marx.  At the same time, there was also plenty of more family friendly content included throughout the show in the noted time frame.  By comparison, this updated take on the series is nothing but dated, adult humor.  It is all snarky shots about the world’s current social and political atmosphere. The only time when the show actually goes full family friendly comes late in its run in the short, “Here Comes The Treble.”  The celebration of classical music finds the Warner Brothers and their sister Dot going toe to toe against a very self-righteous conductor.  The story is a reboot in itself of a certain classic Looney Tunes short in which Bugs Bunny faces off against an arrogant opera singer.  Even worse is the moment in the “Pinky and the Brain” short, “Mousechurian Candidate” in which the writers decided to go blue.  Brain tells Pinky in one line that he is going to put one character “through hell.”  Yes, the writers went there.  Thankfully it is the only point at which such language is used.  The original series succeeded without ever having to use foul language, so why did the show’s writers feel the need to go such route here? 

Speaking of Pinky and The Brain, they are they and Ralph are the only secondary characters who are regularly featured in this season.  There is one episode, “Good Warner Hunting,” in which the writers bring back all the old secondary characters (E.g. The Hip Hippos, Slappy Squirrel and her nephew Skippy, Katie Kaboom, etc.) but instead of paying tribute or even hinting at them being brought back long term, the story in the episode feels more like the writers were thumbing their noses at viewers.  They were acknowledging the absence of those characters from the reboot, but basically just kept them as a secondary element in that one sole episode.  In their place are far worse secondaries “The Incredible Gnome in People’s Mouths” and “Starbox and Cindy.”  These characters and their shorts come across like something that was crafted when the writers were high on something.  One cannot help but wonder, in looking at these new secondaries, if the writers from Ren & Stimpy were involved in this season, considering this and all of the primary writing concerns.  All things considered here, the content featured in the lead season of Hulu’s Animaniacs reboot is reason enough to not watch or even buy the show’s two-disc set.  It is just one of the problems from which this set suffers.  The lack of any bonus content detracts from the presentation’s appeal even more.

The lack of bonus content is important because while Animaniacs only ran for five seasons in its initial run in the 90s, that was still a long run.  To this day, it is still very much a beloved property.  That is again because of the brand of verbal and physical comedy that it brought forward.  Yes, it was modern at the time, but it resurrected a brand of comedy that was far more common to cartoons and movies of the early 20th century.  What’s more, the work put in by the voice cast and the animators added even more appeal.  Sadly, none of that is discussed here.  As a matter of fact, there is no bonus content to speak of.  There is no retrospective on the importance of the original series.  There is no defense made by the show’s cast and crew for this unnecessary reboot.  That someone or certain parties felt that the show did not need defense in its rebooting (considering it is among so many reboots) is just lazy and irresponsible.  Maybe had someone taken the time to try to defend this reboot, it might have led some viewers to rethink their views especially after watching the featured main content.  That is not guaranteed, but the possibility is there.  On another note, that the only references made to the original series came in the shorts (and in rather sarcastic, dismissive fashion at that) is only that much more disrespectful to the legacy of the original show and to the fans.  It leaves audiences feel that the writers wanted to bring in the audiences who watched the original show, but did not care enough to actually keep things family friendly.  It is all just so disappointing.

Now keeping in mind everything addressed here, it makes the two-disc set’s pricing problematic in its own right.  Walmart has the set available in store at a price of $20.  It should be no more expensive than $15, honestly, considering It runs 13 episodes.  If it were more expansive, that would guarantee the price.  That is the same price at Amazon, Target, and Best Buy.  Barnes & Noble Booksellers, and Books-A-Million each list the set at $24.99 and $24.98 respetively, far exceeding the more commonly occurring price of $20.  All things considered, neither price is worth paying considering how little this set has to offer audiences of any age.  Between the dated, adults-only content that fills out most of the season and the lack of any bonus content, the prices are just too much all the way around.  Keeping this in mind, it is yet another negative and shows once more why this two-disc debut season of Hulu’s Animaniacs reboot is a failure.

Hulu and Studio Distribution Services’ DVD presentation of Animaniacs Season 1 is a disappointing offering from the companies.  Knowing that the series has already been re-upped for a second season, odds are that those behind this reboot or even its home release have learned anything from the mistakes of this presentation.  There is nothing redeeming about the set.  The main content is clearly aimed mainly at adults, unlike the original series.  To make it worse, the content featured here does not even have any longevity.  It is dated throughout so much of what is shown.  All of this in mind, the content is just one of the set’s shortcomings.  The lack of any bonus content in the set decreases its enjoyment even more.  Taking that into account along with the less than memorable primary content featured in this set, the whole makes the set’s pricing even less appealing.  Keeping all of this in mind, the whole makes this presentation anything but appealing.

Animaniacs Season 1 is available now for those who actually want the set.  More information on the set is available along with all of the latest Animaniacs news at:

Website: https://www.hulu.com/theanimaniacs

Facebook: https://www.facebook.com/theanimaniacs

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

Watertower Music Announces Release Date, Art, Track Listing For ‘Godzilla vs. Kong’ Soundtrack

Courtesy: Watertower Music

The official soundtrack to the upcoming reboot of Godzilla vs. Kong will release later this month.

The soundtrack is scheduled for release March 26 through Watertower Music, a division of Warner Records. Its release will come less than a week ahead of the movie’s premiere on March 31. The reboot will come through Legendary Pictures and Warner Brothers. The music featured in the soundtrack was composed by Tom Holkenborg (a.k.a. Junkie XL).

Holkenborg said taking part in the movie by composing its score was a special experience.

“I’m a huge fan of Godzilla and Kong!,”  he said. “I’ve watched over 35 Godzilla movies over the years, so geeking out with Adam over this film came naturally. Kong is such an iconic character with over 90 years of scoring history behind him, and this was a perfect project for me to flex the retro monster orchestral scoring side of my brain, mixed with my very contemporary electronic side – in this case `80s sequences and basslines in the vein of John Carpenter. In this score I am trying to emphasize the insanity of Godzilla and the humanity of Kong. In the spirit of the film, it was fun to get my mad scientist coat on and make some monstrous sounds!”

The soundtrack’s track listing is noted below. Two of its songs — ‘Pensacola, Florida (Godzilla Theme)‘ and ‘Skull Island (Kong Theme)‘ — are available now digitally.

01) Pensacola, Florida (Godzilla Theme)

02) Skull Island (Kong Theme)

03) Apex Cybernetics

04) A New Language

05) Just Now

06) Tasman Sea

07) Through There

08) Antarctica

09) Hollow Earth

10) The Throne

11) Lunch

12) Nuclear Blast

13) The Royal Axe

14) Mega

15) Hong Kong

More information on this and other titles from Watertown Music is available along with all of the label’s latest news at:

Website: https://www.watertower-music.com

Facebook: https://www.facebook.com/WaterTowerMusic

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Goo Goo Dolls Debuts ‘This Is Christmas’ Video

Courtesy: Warner Records

Goo Goo Dolls debuted the official video for its single ‘This Is Christmas‘ Monday. The video’s debut comes more than a month after the band debuted the song’s “fireplace video.” The song and its video was followed by the premiere of its cover of the holiday standard ‘Let It Snow‘ Oct. 15 through USA Today.

The new video for ‘This Is Christmas’ finds front man John Rzeznik and longtime band mate Robby Takac in a car set against a blue screen making their way to someone’s home as Rzeznik sings to the song. The blue screen plays images of snow-covered trees and road to add to the song’s wintry/holiday sense.

‘Let It Snow’ and ‘This Is Christmas’ are featured in Goo Goo Dolls’ first-ever holiday album It’s Christmas All Over, which is available. The record’s track listing is noted below.

IT’S CHRISTMAS ALL OVER TRACK-LISTING

1. Christmas All Over Again
2. Shake Hands With Santa Claus
3. This Is Christmas
4. Christmas Don’t Be Late
5. Better Days
6. You Ain’t Getting Nothin’
7. Let It Snow
8. Have Yourself A Merry Little Christmas
9. Hark! The Herald Angels Sing
10. The Christmas Party (Feat. The Union Square 5)

In other Goo Goo Dolls concert news, the band is scheduled to launch a new string of live North American dates July 22, 2021 in Nampa, ID support of Miracle Pill‘s re-issue.  The tour is scheduled to run through Aug. 18 in Boston, MA and to feature performances in cities, such as Holmdel, NJ; Morrison, CO and Huber Heights, OH.  The full tour schedule, which takes the band throughout the Midwest, is available at the band’s official website.

More information on Goo Goo Dolls’ new single, album, tour and more is available online now at:

Websitehttp://www.googoodolls.com

Facebookhttp://www.facebook.com/googoodolls

Twitterhttp://twitter.com/googoodolls

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘The Jetsons: The Complete Series’ Is In Fact Incomplete

Courtesy: Hanna-Barbera/Warner Home Video

When Hanna Barbera debuted its animated series The Jetsons in 1962 on ABC, few if any people would have thought that the series would go on to be such a prophetic program and so beloved.  So when the series’ first season was released on DVD in 2004 through Warner Home Video, it gave lots of people plenty of reason to be excited.  It would take another five years before audiences would see another release, which came in the form of the first half of the series’ second season.  That release was the last official release for the series, while the second half of the second season, the third full season and the whole season were released on DVD and Blu-ray respectively through an on-demand platform through a partnership between Amazon, Hanna-Barbera, and Warner Brothers.  Those releases were not official releases, meaning that audiences were pretty much left waiting and wondering when and if the rest of the series would ever get an official release.  Audiences got their answer Oct. 13 with the release of The Jetsons: The Complete Series on DVD.  The eight-disc collection is a mostly enjoyable presentation, though also imperfect.  Its main positive is it’s the fact that it does in fact contain all three of the series’ seasons in one set.  The importance hereof will be discussed shortly.  While the inclusion of all three of the series’ seasons is an undeniable positive, its overall lack of any bonus content hurts its presentation considerably.  This will be discussed a little later.  While the lack of any real bonus content hurts this collection’s presentation without argument, the set’s packaging actually helps that presentation.  This will be discussed later, too.  When it is considered with the very presentation of the full series, the two elements do just enough to make the set worth owning for the series’ most devoted fans, but just enough.

Warner Home Video’s recently released presentation of The Jetsons: The Complete Series is a presentation that while mostly enjoyable, falls somewhat short of expectations.  It is not a complete failure, though.  One thing about the collection that audiences will appreciate is that it is in fact the full three-season run of the timeless, beloved series.  This is important because this release marks the first time ever that the series has ever received an official full series release.  As already noted here, Warner Home Video and Hanna-Barbera partnered in the early 2000s to release the series’ first season in whole on DVD.  That was followed five years later with the release of the first half of the series’ second season.  After that though, the series never released any other official DVD releases.  Amazon partnered with Hanna-Barbera and Warner Brothers to release the second half of Season Two and the whole of Season Three on an on-demand DVD platform, and the series’ full run on an on-demand Blu-ray platform.  Those releases, in other words, are recorded to DVD-R/BD-R discs when audiences purchase the sets online.  According to some reviews read by this critic, allegedly the Blu-ray series set may in fact not be the whole set, but only Season One.  That is stated by multiple people who reviewed the set through Amazon.  If in fact there is some credence to the allegation, then it makes this new DVD collection that much more appealing for the noted devotees of The Jetsons.  Now, for all that the actual full physical presentation of the series’ run does for this collection’s presentation, the lack of secondary content detracts greatly from its presentation.

Secondary content is, in this case, bonus content.  The only bonus content that is featured in this collection is the Jetsons movie The Jetsons Meet The Flintstones.  On the surface, having the movie seems okay.  However, it is a downfall because the movie in question is already featured in the much less expensive double disc set of The Flintstones movies and TV specials as one of the featured movies.  That collection in question costs only about $14.87 (using listings at Amazon, Walmart, Target, Best Buy, Barnes & Noble Booksellsers, and Books-A-Million).  This eight-disc collection of The Jetsons averages $26.18 (sing price listings at Walmart, Target, Amazon, Best Buy, and Barnes & Noble Booksellers – it was not listed at Books-A-Million).  Audiences will find themselves left scratching their heads and wondering why The Jetsons movie was not also featured as a bonus here.  Additionally, the box sets for the series’ first season and the first half of its second season featured lots of bonus content, such as a history of The Jetsons, the series’ cultural importance and even a pair of feature-length audio commentaries.  Those bonuses were not carried over to this collection.  Considering that each set was released in partner between Warner Home Video (Warner Media Group) and Hanna-Barbera, it seems odd that the noted content was not carried over.  As a result, audiences who (like this critic) enjoy that bonus content and already own the noted sets will basically have to keep them in order to enjoy them since they were not brought to this latest set.  That is a disservice to the noted audiences and is collectively an undeniable detractor from the set’s presentation.  Now for all that the lack of any real bonus content does to detract from the collection’s presentation, it does not make the set a complete failure.  One other item – the set’s packaging – makes up for the problems posed by the lack of bonus content.

The packaging in question actually takes up less space than the two official season sets that Hanna-Barbera and Warner Home Video released in 2004 and 2009.  In other words, it will take up slightly less space on audiences’ DVD/BD racks than those noted standalone sets.  This is unquestionably positive.  Even better is that the discs are themselves packaged well inside the case.  Each disc sits on its own “plate” inside the case, separate from the other discs.  There is no having to move the discs and risk damaging them in order to remove or replace them before and after watching them.  It may come across as a surprise, but there are still some companies who take that old packaging approach for their multi-disc DVD and BD sets.  To that end, this adds to the set’s appeal.  It still is not the last of the most notable of the packaging positives. 

The set also features an insert that clearly points out each episode’s title, on which discs the episodes are featured, and even which discs present which season.  Again, there are a lot of home video companies even today that will not take that approach.  So both companies are to be commended for taking this simple step, too.  Putting the proverbial cherry on top of this presentation is the exterior packaging.

The exterior packaging for The Jetsons: The Complete Series is simple.  The case is surrounded by a simple cardboard type outer “box” that slides simply on and off of the case that contains the discs.  This protects the case and the discs while also saving audiences time in getting to the discs.  This is important to note because in comparison, the Season One and Season Two, Volume One sets each essentially have to be shaken from their exterior packaging to even get to the cases.  That is because the cases are packed so tightly in their respective exterior packaging.  Having to shake the cases can lead the discs to potentially come undone from their spots inside the cases and get damaged.  It is also time consuming to have to take that extra time trying to just get to the case, let alone the discs therein.  To that end, this aspect of the packaging is definitely its own positive, even being more of an aesthetic aspect of the packaging.  When this aspect is considered with the other noted packaging elements, the whole of the packaging really stands out and shows its importance just as much as the fact that the entire series is actually presented here.  When these two elements are considered along with the concerns raised by the lack of any real substantive bonus content, the whole of those elements makes the collection enjoyable although imperfect.

Warner Home Video and Hanna-Barbera’s recently released The Jetsons: The Complete Series set is an enjoyable presentation, but is sadly not necessarily complete.  Yes, it has the series’ full three-season run.  Yes, its packaging definitely is complete.  However, it lacks any real substantive bonus content.  To that end, the series is complete in one aspect, but it still will leave some audiences wanting for more in the long run.  Keeping that in mind, one can only hope that if the set is ever re-issued, it really will live up to its title of being complete.  More information on this and other titles from Warner Home Video is available at:

Website: http://warnerbros.com

Facebook: http://www.facebook.com/warnerbrosent

Twitter: http://twitter.com/Warnerbros

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.  

DC, WB’s ‘Scooby-Doo,’ ‘Batman’ Crossover Is A Largely Forgettable Addition To Each Franchise’s History

DC/Warner Brothers/Warner Brothers Animation

Almost five decades have passed since Warner Brothers first teamed the Dynamic Duo with Mystery Inc. for the Scooby Doo Movie, Scooby Doo Meets Batman.  The movie also went by the title The Dynamic Scooby-Doo Affair.  That “movie” saw Mystery Inc. partner with Batman and Robin to stop a counterfitting ring set up by the Joker and the Pengin.  September 16 will mark 46 years since that “movie” first debuted.  Now all those years later, Scooby, Shaggy and the gang have teamed up with the Caped Crusader again, this time to face another of Gotham’s bad guys in Scooby-Doo and Batman: The Brave and the Bold.  While the 75-minute “movie” does present an interesting story at its core, the writing therein proves ultimately to be the movie’s downfall.  While the writing ruins any chance of this “movie” being one of the more memorable of WB’s so many Scooby Doo movies, it can at least be said that the voice cast deserves its own share of credit in the final presentation.  When that work is considered along with the movie’s central story, the two elements together worth at least one watch, but sadly no more than that.

Scoob-Doo and Batman: The Brave and the Bold marks the first time in almost 46 years that Warner Brothers and Hanna Barbera have partnered Batman with Mystery Inc.  The story at the center of the “movie,” which is essentially an extended episode of Cartoon Network’s short-lived series (it lasted only three seasons from 2008-2011) is one of the only saving graces for a presentation that is otherwise a sadly forgettable addition to both franchises.  That is because of its simplicity.  The story follows Mystery Inc. as “the gang” joins an “elite mystery solving group” made up of other well-known DC characters – Black Canary, The Question, Jon Jonzz (The Martian Manhunter) and Plastic Man – after being tested by Batman and Martian Manhunter.  The catch is that the meddling kids didn’t know they were being tested until after the fact.  This is one of the problems with the movie’s writing that will be discussed a little later.  When the group decides on a case for the organization to solve, that quest turns into a journey to solve what is Batman’s only unsolved case.  Making things difficult for everyone along the way is none other than one Det. Harvey Bullock, who fans of Batman The Animated Series will recognize.  What audiences will appreciate about this story is that it shows that more human side of Batman even as he wears his “uniform.”  It shows he can be (and does get) affected by trying to solve cases.  It’s a rarely seen side of Batman that is nice to see.  Obviously the case does get solved, with a surprise twist, which audiences will appreciate, too.  While that twist is something that audiences will appreciate, it leads into a deeper discussion on the writing at the center of the story.  The writing proves problematic throughout the “movie.”

The story’s writing proves so problematic because of the plot holes and pacing issues that arise throughout the movie.  Right from the movie’s outset, one of those many plot holes appears as the gang is investigating a crime (or so they think) at an abandoned theater.  Obviously things are not quite as they seem.  This is only revealed after Batman just randomly appears on the theater’s rooftop to “help” the gang.  Freddy asks Batman what he’s doing there, and in an attempt to explain things away, Batman simply responds that he goes where crime is.  There’s no back story on how the gang came to investigate the “crime,” which obviously was just a test for the gang.  It would have been nice to have had some back story there, considering the outcome.  Had this been any other case, opening so abruptly might have worked, but not here.  As the story progresses, Batman’s super detective friends side with Bullock, just agreeing that Batman appeared guilty in the original case, not even questioning him.  Considering the connection between the group, one would have thought the group would have sided with Batman, not Bullock.  This becomes problematic, too since they just outright believe Bullock.  In the final act, audiences get a resolution as the real villain is revealed.  That is perhaps one of the few positives of the writing because the writing team behind the “movie” does admittedly at least do a good job keeping viewers guessing about the identity of The Crimson Cloak.”  The problem is that it would have made so much more sense to just wrap up the story where it was.  Sadly though, the 13-member writing team couldn’t let go.  They instead lead the story to go on well past where it should have ended, leaving viewers asking when it is going to end and why it didn’t end when it should have.  In the same breath, that final scene that should have been the final scene leads to yet another pot hole involving The Question.  Why did he disappear for such a long time after the bank heist, despite the explanation?  Why did he not rejoin the group and tell them what happened?  That was never explained.  If he had just re-appeared earlier and that point been explained away, it would have created the standard evil twin plot, given.  At the same time, though maybe it would have shortened up the movie, too, but the writers didn’t want to go that route.  Instead they take a route that even in the end leaves more questions than answered.  Even with all of the references to all of the classic Batman franchises (including the beloved series starring the late great Adam West thanks to the gang hanging out in the original Batcave and even an appearance by King Tut) these plot holes and the pacing problems leave so much to be desired here.  To that end, the writing in this story does more damage to Scooby-Doo and Batman: The Brave and the Bold than any good.  The damage is, in fact, so intense that it leaves this story largely forgettable among the endless stream of Scooby-Doo movies.

While the writing at the center of Scooby-Doo and Batman: The Brave and the Bold does significant damage to its presentation, the “movie” does have at least one more saving grace other than just its story.  That other factor is the work of the voice cast.  Matthew Lillard, who played Shaggy in every Scooby-Doo presentation since 2002’s live action/CG hybrid movie, once again returns to voice Shaggy this time out, and he shines again in his role, offering plenty of laughs, even as he don’s Nightwing’s old costume.  Freddy, voiced once more by none other than Frank Welker could have phoned it in, having voiced Freddy for so many decades, yet he gave it his all once again throughout.  The way he handled Freddy’s infatuation with Black Canary makes for plenty of laughs.  His act as he dons Batman’s “Year One” costume makes for one of the best moments as Freddy really does try to take on the strong persona that is Batman.  Freddy obviously fails to have that persona, yet is so endearing because of his effort to be so heroic.  Again, this is an example of a voice actor who fully understands and appreciates his character.  That makes his performance all the more entertaining.  Kate Micuci (Lego Batman: The Movie, Big Bang Theory, Steven Universe) is entertaining in her own right, too as the voice of Velma.  This is not her first time taking on the role, either.  She voiced Velma in the short-lived Scooby-Doo series Be Cool, Scooby-Doo and in the Scooby-Doo movies Scooby-Doo! Shaggy’s Showdown, Scooby-Doo! And WWE: Curse of the Speed Demon and other Scooby-Doo properties.  The way that Micucci handled Velma’s starstruck behavior toward Batman adds even more entertainment to the presentation.  Her reaction to working with Batman is like a child getting to meet his or her favorite celebrity.  That especially comes through as Velma learns that the gang is joining Batman at the Batcave.  Her interactions with Detective Chimp (played by Kevin Michael Richardson – Lilo & Stitch, Transformers: Revenge of the Fallen, The Batman) make for even more entertainment as the two clearly talented sleuths try to outdo one another in their investigations.  Those are some subtle yet fun moments that audiences will remember, too.  Between those moments, the moments presented by Welker, Lillard and the rest of the main voice cast, that work offers its own collective enjoyment for audiences.  When the voice cast’s otherwise memorable collective work is coupled with the story at the center of the “movie” the two elements do just enough to save the movie, but not enough to make it more than just one watch.

Scooby-Doo and Batman: The Brave and the Bold is a fun watch for the whole family, whether for everyone’s favorite K-9 case solver and his friends, for Batman and company or for both.  That is thanks to the story at the center of the “movie” and the work of the voice cast.  While those elements do plenty to make the movie an interesting watch, its writing creates its own share of problems thanks to its pacing problems and plot holes.  When this is all considered together, the end result is a presentation that while maybe fun, is regrettably an otherwise forgettable addition to the ongoing Scooby-Doo movies series.  It is available now in stores and online.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.