The Black Dahlia Murder, Whitechapel Announce Summer Co-Headlining Tour Schedule

Courtesy: Metal Blade Records

Fans of Whitechapel and The Black Dahlia Murder are going to get a very special treat this summer.

The Metal Blade records label mates will embark on a co-headlining tour that will see each play one of its albums in its entirety.  The Black Dahlia Murder is expected to perform its latest full-length studio recording Nightbringers –released October 6, 2017 via Metal Blade Records — while Whitechapel will perform This is Exile — released July 8, 2008 via Metal Blade Records — in its entirety.  That performance is in celebration of the 10th anniversary of its release.

Joining Whitechapel and The Black Dahlia Murder as support for the tour will be Fleshgod Apocalypse, Aversions Crown and Shadow of Intent.  The tour is currently scheduled to launch June 8 in Chicago, IL and run through July 14 in Oshkosh, WI.  It will also include performances in Knoxville, TN; Boston, MA; Dallas, TX and many other cities.  The tour’s current schedule is noted below.

The Black Dahlia Murder and Whitechapel tour dates
w/ Fleshgod Apocalypse, Aversions Crown, Shadow Of Intent

June 8 – Chicago, IL – House of Blues
June 9 – Cleveland, OH – Agora Theater
June 10 – Detroit, MI – St Andrews Hall
June 12 – Toronto, ON – The Opera House
June 13 – Rochester, NY – Funk N Waffles
June 14 – Boston, MA – Paradise Rock Club
June 15 – New York, NY – Stage 48
June 16 – Philadelphia, PA – Trocadero Theatre
June 17 – Baltimore, MD – Baltimore Soundstage
June 19 – Norfolk, VA – The NorVa Theatre
June 20 – Jacksonville, NC – Tarheel
June 22 – St Petersburg, FL – Jannus Live
June 23 – Fort Lauderdale, FL – Revolution Live
June 24 – Atlanta, GA – Masquerade
June 26 – Nashville, TN – Basement East
June 27 – New Orleans, LA – Southport Music Hall
June 28 – Houston, TX – White Oak Music Hall
June 29 – San Antonio, TX – Vibes Event Center
June 30 – Dallas, TX – Gas Monkey
July 2 – Albuquerque, NM – El Rey Theater
July 3 – Phoenix, AZ – The Pressroom
July 5 – Fresno, CA – Strummer’s
July 6 – Anaheim, CA – House of Blues
July 7 – Berkeley, CA – The UC Theatre
July 8 – Sacramento, CA – Ace Of Spades
July 10 – Denver, CO – Ogden Theater
July 11 – Kansas City, MO – The Truman
July 12 – Sioux Falls, SD – Icon Lounge
July 13 – Minneapolis, MN – Cabooze
July 14 – Oshkosh, WI – Rock USA *
*=The Black Dahlia Murder only

As an added bonus for Whitechapel fans, the band will re-issue This is Exile on LP on June 1 via Metal Blade Records.  The band will also have available a special tour-exclusive edition of the album at the listed shows.  The specs for the album’s re-issues are noted below.

–180g black vinyl
–smoke vinyl (limited to 700 copies – USA exclusive)
–golden vinyl (limited to 300 copies – EU exclusive)
–clear/black/red splattered vinyl (limited to 200 copies – EU exclusive)
–gray marbled vinyl (limited to 300 copies – USA exclusive)
–clear graybrown marbled vinyl (limited to 200 copies – USA exclusive)
–translucent root beer brown with smoky black swirls vinyl (limited to 400 copies – USA tour edition)

Pre-orders for the album’s LP re-issue are open now via indiemerch, EMP and eBay.

More information on Whitechapel’s upcoming re-issue is available online along with all of the band’s latest news and more at:






More information on The Black Dahlia Murder’s latest album Nightbringer is available online now along with all of the band’s latest news and more at:






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Tommy Victor Is In His Prime On His Latest Prong Recording

Courtesy: Steamhammer/SPV Records

Later this month, Prong will release its latest album to the masses, and the record, Zero Days, is one of this year’s top new hard rock and metal offerings.  The record, the 12th full-length studio recording from Tommy Victor and his ever-rotating roster of fellow musicians, is everything that audiences have come to expect from Prong – heavy yet infectious riffs and grooves, and equally hard-hitting lyrical content. That is evidenced early in the album’s run in the form of ‘Divide and Conquer,’ which will be discussed shortly.  The full-on thrash riffs and social commentary of ‘Forced Into Tolerance’ shows just as much as ‘Divide and Conquer’ what makes this record another enjoyable offering from Prong.  It will be discussed later.  ‘Self Righteous Indignation’ also serves, with its musical arrangement and lyrical content, why this record represents everything that Prong’s fans have come to expect from the band.  It is hardly the last of the songs included in this record that serves that purpose, too.  The record boasts 10 other songs that could just as easily be used to show why Prong has crafted another solid offering in Zero Days and why it is.  The whole of the album’s 13 songs shows the album to be, again, one of this year’s top new hard rock and metal albums.

Veteran hard rock outfit Prong’s latest album Zero Days is everything that Prong’s fans have come to expect from the band and then some.  The album, Tommy Victor’s 12th album under the Prong moniker, utilizes a solid mix of musical arrangements and hard-hitting lyrical content to make it one of this year’s top new hard rock and metal albums.

That is evidenced early on in the driving composition ‘Divide And Conquer.’  The melodic hard rock arrangement at the song’s center harkens back to some of the best songs included in the band’s 1996 album Rude Awakening and its forebear, Cleansing (1994).  That is evidenced through the song’s straight forward guitar arrangement and Victor’s own vocal delivery style.  Drummer Art Cruz’s own work behind the kit adds to that feel even more as does that of bassist Mike Longworth.  The whole of those parts makes this arrangement one of the album’s best musical compositions.  The songs’ lyrical content builds on the foundation created by the arrangement and strengthens the song even more.

The lyrical content presented in ‘Divide and Conquer’ strengthens the foundation created through the song’s musical arrangement because it hits just as hard as the arrangement with its commentary. Victor sings in the song’s lead verse, “There’s no relief/There’s just regret/Want to forget/Just can’t believe/Really don’t want any part of that/Just another bad experience/For what’s positive or negative/Maybe it’s all just relative.”  He and his band mates go on to sing in the song’s chorus, “You can’t go through life without these conditions/Divide and conquer/You can always rely on opposition/Face the sorrow/You can’t go through life without some division/Divide and conquer…”  This comes across as a message about accepting the good and bad in life rather than just the good.  This is of course only this critic’s own interpretation and should not be taken as gospel.  That interpretation is made just as much as Victor sings in the song’s second verse, “You only see what you gotta get/You cannot get what you cannot see/Always forced into compromise/Always have to make the sacrifice/Things are not what they seem to be/Living in a false reality.”  From here the song returns to its chorus before making its way to its end, reminding listeners that negative will always come with positive, and that people should expect both sides in life; that only seeing one side is close-minded.  Again, this is only this critic’s own interpretation.  Hopefully it is somewhere in the ballpark of being right.  Regardless, it can be agreed by everyone that whatever the message, it definitely is hard-hitting.  When that message is coupled with the song’s driving musical arrangement, the urgency of understanding the message is driven home even more, making this song both musically and lyrically a work that so many people (especially in today’s world) should hear, proving why it is such an important addition to Zero Days.  It is not the album’s only stand out song.  ‘Forced Into Tolerance’ is another of the songs that serves to show why Zero Days is another solid offering from Prong, despite what some critics might have people believe.

‘Divide and Conquer’ is one of the best examples of how much Tommy Victor and company have to offer audiences on its latest album Zero Days.  Its driving musical arrangement and equally hard-hitting lyrical content couple to make the song a work that will entertain audiences while also leaving them thinking quite a bit.  The impact from the song’s musical and lyrical content makes it only one of the album’s best additions.  ‘Forced Into Tolerance’ hits just as hard as ‘Divide and Conquer.’  Just as with the aforementioned work, that is due in part to the song’s musical arrangement, which instantly conjures thoughts of Slayer, Hatebreed and others of that ilk.  That speaks for itself.  Considering that, the next step here is to examine the song’s lyrical content, which at least to this critic seems to be a commentary about the bigotry and racism that has become far too prevalent across the nation ever since the rise to power of the nation’s current “leader.”  That is inferred right off the top as Victor sings, “Forced into tolerance of what we disdain/Being irrational is how we exist/Someone goes around and it makes no sense/They are labeled and then disgraced/Caught in the ignorance and try to explain.”  He goes on to bring out the foolishness of the hateful views that are being expressed by singing, “I don’t care if you exist…Don’t f****** tell me it is what it is.”  He goes on in similar fashion from here with the same musical and lyrical fire, indicting those close-minded masses of the nation (and the world possibly) pointing out the dangers of their views, and the foolishness of those views.  It is a powerful statement both musically and lyrically that will be timely as long as such people and views exist in the world.  Considering this, it is clearly evident why this song is so important to the overall presentation of Prong’s new album. It is not the last of the record’s key compositions either.  ‘Self Righteous Indignation’ is yet another of the album’s most important songs.

‘Divide and Conquer’ and ‘Forced Into Tolerance’ are both key additions to Prong’s 12th full-length studio recording.  That is thanks to the songs’ powerhouse musical arrangements and the equally hard-hitting commentaries contained within each song.  The whole of those elements within each song makes each song a clear example of what makes Zero Days such a strong new effort from Prong.  They are not the album’s only key works, though.  ‘Self Righteous Indignation’ is yet another of the album’s most important works.  As with the previously discussed songs, that is due in part to the song’s musical arrangement, which can easily be compared to works from the likes of Fear Factory, White Chapel and other similar acts with its heavy, crunching, down-tuned guitars, pounding drums and equally heavy bass line.  Keeping this in mind, it is only one part of what makes the song stand out so distinctly from the record’s other tracks.  The song’s lyrical content is just as important to note here as its musical arrangement.

The lyrical content presented in ‘Self Righteous Indignation’ seems to this critic at least as a commentary about those people who think themselves so much better than everyone else.  That is inferred as Victor sings in the song’s lead verse, “A victim/Of the system/Who gives a damn about your needs/Won’t listen/To criticism/Disgust for everyone who cheats/My heart is cold/I cannot pray/I can’t look way/What may unfold/Your dismay/Just total disdain/Self/Righteous/Indignation.”  That seeming commentary continues in the song’s second verse as Victor sings, “No wisdom/So distant/A great sense of psychic grief/existence/Of symptoms/distaste for everything that’s cheap/It’s always known/All the demands/The helping hands/have no control/What you don’t have/Gets way out of hand.”  Once again, this is all just this critic’s own interpretation and should not be taken as the only interpretation.  It only seems to this critic that this song, lyrically, addresses those people who have that unnecessary God complex of sorts.  Sadly, there are far too many people of this sort around the world, and if that is indeed what Victor is addressing here, he does quite the job of addressing the matter.  Keeping that in mind, the song’s musical arrangement expertly couples with the power in the song’s lyrics and Victor’s own powerhouse vocal delivery.  It delivers a message of pure anger aimed at those people in question; a message that, again if that is the intended message, definitely hits home in a big way, showing once more why this song is such a key addition to Zero Days.  It is hardly the last of the songs that could be examined to show what makes Zero Days such a strong new effort from Prong.  Any of the other 10 songs that fill out the rest of the album could be examined just as easily as this work and the previously discussed works.  Considering this, the whole of this record shows Prong at its prime; a work that will definitely impress any of the band’s fans new or old.  They make the record a work that deserves a spot on any critic’s list of the year’s top new hard rock and metal albums.

Prong’s latest full-length studio recording Zero Days shows Tommy Victor at his prime along with the band that he founded so many years ago.  It is a record that shows despite all of the band’s lineup and label changes, is still as relevant and powerful today as it was in its infancy.  That is exhibited from start to finish through the album’s powerhouse musical arrangements and its equally hard-hitting lyrical content.  The two elements together make the album in whole one of this year’s top new hard rock and metal albums.  It will be available Friday, July 28 via Steamhammer/SPV Records.  More information on Zero Days is available online now along with all of Prong’s latest news and more at:










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Ellefson Partners With Pro Tone Pedals To Release New Pedal

Courtesy: Pro Tone Pedals

Courtesy: Pro Tone Pedals

Megadeth bassist Dave Ellefson does not rest easily on his laurels.

The musician turned entrepreneur announced this week a new partnership with Pro Tone Pedals to create a new guitar pedal.  The pedal, dubbed the “Dawn Patrol Chorus,” came to being after Pro Tone Pedals representatives approached Ellefson and proposed the idea.

Ellefson stressed the new, signature pedal will be a welcome addition to any bassist’s resources, adding he already used the company’s “Chorus” pedals when the organization’s representatives came to him with the idea.

“When Pro Tone approached me with the idea of making some signature pedals,as a bass player, Chorus is one of my go-to effects live, an ace weapon in my arsenal, and in many regards, helped me transition to my signature tone from studio to live on classics like ‘Dawn Patrol,’ Ellefson said.  “So the idea of developing a great chorus pedal was really a no brainer.  Dennis and the Pro Tone team are technical wizards and developed the Dawn Patrol to my exact specifications, and together we’ve developed a high quality, hand-built stompbox pedal that I’m positive will find a special place in any bassist’s rig.”

Ellefson’s new partnership with Pro Tone Pedals makes him just the latest name to make the company live up to its name.  Animals as Leaders bassist Tosin Abasi and Reeves Gabrels use the company’s signature pedals.  Jeff Loomis, Fear Factory, Alice in Chains, Prong, Deftones, Living Colour, Overkill, 30 Seconds to Mars and many others also use the company’s products.

Pro Tone Pedals was founded in 2004.  The company, now based in Charleston, South Carolina, has developed its reputation from making custom designed pedals.  Its employees’ dedication to customer service has garnered it affiliations with the likes of Ozzy Osbourne, Arch Enemy, Whitechapel, the Cure, Fear Factory, Ministry, Prong, Overkill and others.

The Dawn Patrol Chorus will be available at an introductory price of $189.99.  More information on the new pedal is available online now at:









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2017 Rock On The Range Festival Lineup Announced

Courtesy: Danny Wimmer Presents/AEG Live

Courtesy: Danny Wimmer Presents/AEG Live

The lineup for the 2017 Rock on the Range Festival has been announced, and once again it has proven to be quite the collection of acts.

The three-day festival will be headlined by Metallica, Soundgarden and Korn.  It will feature more than 50 bands over the course of that time along with some of the country’s top comics at the festival’s Rock on the Range Rolling Rock Comedy Tent.

The lineup for the 2017 Rock on the Range Festival includes: Metallica, Soundgarden, Korn, The Offspring, Volbeat, Primus, Bush, Chevelle, Papa Roach, Seether, Coheed & Cambria, Alter Bridge, The Pretty Reckless, Taking Back Sunday, Thrice, Amon Amarth, Pierce The Veil, Sum 41, Skillet, Dillinger Escape Plan, In Flames, Gojira, Biffy Clyro, Motionless In White, Nothing More, Beartooth, Starset, Every Time I Die, The Story So Far, Deafheaven, Zakk Sabbath, Rival Sons, The Amity Affliction, Attila, Norma Jean, Suicide Silence, Whitechapel, I Prevail, Turnstile, Dinosaur Pile-Up, Red Fang, Dorothy, Kyng, Radkey, As Lions, Frank Carter & The Rattlesnakes, Sylar, Fire From The Gods, Badflower, Wage War, Goodbye June, Cover Your Tracks, DED, Bleeker, Royal Republic, Mother Feather, Aeges and One Less Reason.

Rock on the Range—fueled by Monster Energy—is billed as America’s largest and most acclaimed rock festival.  The festival will also feature in 2017 “The Music Experience,” art installations, and unique on-site activities over the course of the festival’s three days.

Tickets for the 2016 festival sold out more than two months in advance of the festival.  It marked the fourth consecutive year the festival has sold out in advance.

Weekend Field, new Weekend Field VIP, Weekend Stadium and a limited number of Weekend Stadium 4-packs are available now for purchase.  A layaway option is also available for concert-goers.  That option allows audiences to split the cost of their ticket/ticket packages into four separate monthly payments.

Fans can get a pre-sale password for Weekend Field VIP, Weekend Field GA, Weekend Stadium GA and Weekend Stadium GA 4-packs on the official Rock on the Range website, Facebook page and Twitter page.  The ticket prices are listed below.


  • Weekend Field VIP: starting at $349.50* + fees
  • Weekend Field GA: starting at $199.50* + fees
  • Weekend Stadium GA: starting at $99.50* + fees
  • Weekend Stadium GA Ticket 4-Pack: $380.00 + fees
  • * Phase One prices listed
  • *** Ticket prices automatically move to the next price level once the allotment sells out ***

General on-sale for tickets is Friday, Dec. 2 at 10 a.m. EST.  Tickets will be available online at the festival’s website, at Ticketmaster locations and the MAPFRE Stadium box office.

Audiences who want an even more special concert experience can purchase the new Uber Ranger Camping Package.  The package includes amenities for four people such as luxury RV on a double campsite at the Ohio Expo North Campground (May 18 – 21), a dedicated concierge with golf cart shuttle, 4 Weekend VIP Field Admission Tickets, a backstage tour, access to the stadium club (with catered lunch and dinner), access to the Side Stage Viewing Platform, access to the VIP Lounge and more.  More information on the new Uber Ranger Camping Package is available here.

Rock on The Range celebrated its 10th anniversary in 2016.  More than 120,000 people attended the festival from around the world.  As part of its 10th anniversary celebration, Columbus, OH mayor Andrew J. Ginther and the Columbus, OH city council presented festival organizers with awards of recognition.  A resolution was also announced from the Franklin County Board of Commissioners acknowledging the festival’s economic impact on the city.

The commissioners pointed out in their resolution pointed out the festival brought in more than $140 million for the city over the course of its ten years in the city.

Rock on the Range is produced by Danny Wimmer Presents, AEG Live and MAPFRE Stadium.  It is supported by Monster Energy, Bud Light and Zippo.  They and other partners will feature interactive experiences, meet & greets, and other special fan engagement opportunities throughout the festival.

More information on the 2017 Rock on the Range Festival is available online now at:










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Whitehapel Announces New Dates For “Straight Outta Hell Tour 2016”

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Whitechapel is expanding its run on the “Straight Outta Hell Tour 2016.”

The band has announced that the “Straight Outta Hell Tour 2016”  will run into October.  The new schedule begins Friday, September 30th in Spokane, Washington and runs through Friday, October 21st.  It includes dates in Minneapolis, Minnesota, Cleveland, Ohio, and Greensboro, North Carolina.  The tour’s current schedule is noted below.  The band will continue to share stage time with Suicide Silence on the co-headlining tour.  Carnifex and Oceano will serve as primary support acts for the tour with Despised Icon joining the tour on select dates.


Whitechapel tour dates
w/ Suicide Silence, Carnifex, Oceano

Sept. 30 – Spokane, WA – The Pin
Oct. 1 – Billings, MT – Pub Station
Oct. 2 – Denver, CO – Summit Music Hall #
Oct. 4 – Des Moines, IA – Wooly’s
Oct. 5 – Omaha, NE – The Waiting Room
Oct. 6 – Minneapolis, MN – Cabooze #
Oct. 7 – Milwaukee, WI – The Rave #
Oct. 8 – Detroit, MI – St. Andrews #
Oct. 9 – Chicago, IL – House of Blues #
Oct. 11 – Cleveland, OH – Agora Theater * #
Oct. 12 – Webster, NY – Harmony House *
Oct. 13 – New York, NY – Gramercy Theater * #
Oct. 14 – Lancaster, PA – Chameleon Club *
Oct. 15 – Worcester, MA – The Palladium #
Oct. 16 – Freehold, NJ – Gamechanger #
Oct. 17 – Greensboro, NC – Pete’s
Oct. 21 – Farmington, NM – Top Deck
# = newly added
* = w/ Despised Icon


Whitechapel’s upcoming tour schedule is in support of the band’s new album Mark of the Blade.  The band’s sixth album, Mark of the Blade was released by Metal Blade Records this past June.  It is available now in stores and online at  More information on Whitechapel’s new tour schedule is available online now along with all of the band’s latest news and more at:










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Suicidal Tendencies Added To Ozzfest Meets Knotfest Lineup

Courtesy:  Adrenaline PR

Courtesy: Adrenaline PR

Organizers with the 2016 Ozzfest Meets Knotfest have added another band to the mega-festival’s lineup.

Veteran hard rock band Suicidal Tendencies has been added to the lineup for the inaugural Ozzfest Meets Knotfest.  It marks the first time that the band has ever taken the stage at Ozzfest in any capacity.  The band will take the place of Children of Bodom, which was originally scheduled to perform on the first day of the double-header festival. The updated lineup for the festival is noted below. Audiences will note that there is even a stage dedicated to late Motorhead front man Lemmy Kilmister at this year’s festival.



Saturday, September 24


MAIN STAGE:  Black Sabbath, Disturbed, Megadeth, Opeth, Black Label Society, and Rival Sons.

LEMMY STAGE:  Suicidal Tendencies, Hatebreed, DevilDriver, Goatwhore, Huntress, and Dead Cross.

NUCLEAR BLAST STAGE: Municipal Waste, Kataklysm, Nails, The Shrine, and Still Rebel.


Sunday, September 25


MAIN STAGE:  Slipknot, Slayer, Amon Amarth, Anthrax, and Trivium.

LEMMY STAGE:  Sabaton, Suicide Silence, Overkill, Emmure, Butcher Babies, and Man with A Mission.

NUCLEAR BLAST STAGE:  Whitechapel, Combichrist, Carnifex, Loathe, SIM, and ONI.


Ozzfest Meets Knotfest is currently scheduled to be held Saturday, September 24th and Sunday, September 25th at San Manuel Amphitheater and Festival Grounds in San Bernardino California.  As a special holiday celebration, fans can purchase single 4-day ticket packs for $84.  The limited-time special is going on now and ends July 4th at 11:59pm PT.  Tickets can be purchased online at and  More information on the inaugural Ozzfest Meets Knotfest is available online at:


















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Whitechapel Premieres ‘Elitist Ones’ Video

Courtesy:  Metal Blade Records/Red 13 Media

Courtesy: Metal Blade Records/Red 13 Media

Whitechapel has released a new music video.

The Tennessee-based metal outfit has released the video for its latest single ‘Elitist Ones.’  The song is taken from the band’s brand new album Mark of the Blade.  That album is available now in stores and online.  The video, which was produced and directed by Jim Foster (, is streaming online now via Metal Blade Records’ official YouTube channel.  It features the band performing its new song in what looks to be a warehouse setting.  Along with the footage of the band performing there is footage of a woman with some rather reptilian style skin holding a snake (likely meant to be the snake on the album’s cover) also lip synching to the band’s new song.  Foster was upbeat in discussing being tapped to helm the new video, noting his own fandom and that of his crew in working with Whitchapel on the new video.  “As fans of Whitechapel, my entire team and I were stoked when Mike Faley (Metal Blade Records) asked me to write a treatment and direct for the band, he said.  “As a director, my job is always easier when the band is rippin’…and holy s***, are these guys RIPPIN’!”   The new video is the third from the band in support of its new album.  It most recently released the lyric video for the album’s title track.  It can be viewed here.  Also streaming online is the official video for ‘The Void.’  It is also streaming online via Metal Blade Records’ YouTube channel.

Beginning today, June 24th, Whitechapel is hitting the road on the annual Vans Warped Tour in support of its new album.  The tour launches today in Dallas, Texas and currently runs through Saturday, August 13th in Portland, Oregon.  It also includes a stop-off in North Carolina’s “Queen City” on Tuesday, July 5th.  The tour’s current schedule is noted below.


Whitechapel Warped Tour dates
June 24 – Dallas, TX – Gexa Energy Pavilion
June 25 – San Antonio, TX – AT&T Center
June 26 – Houston, TX – NRG Park Main Street Lot
June 27 – New Orleans, LA – Port of New Orleans (Mardi Gras World)
June 29 – Nashville, TN – The Fairgrounds Nashville
June 30 – Atlanta, GA – Aaron’s Amphitheater at Lakewood
July 1 – St. Petersburg, FL – Vinoy Park
July 2 – Orlando, FL – Tinker Field
July 3 – West Palm Beach, FL – Perfect Vodka Amphitheatre
July 5 – Charlotte, NC – PNC Music Pavilion Charlotte
July 6 – Virginia Beach, VA – Veterans United Home Loans Amphitheatre
July 7 – Syracuse, NY – Lakeview Amphitheater
July 8 – Camden, NJ – BB&T Pavilion
July 9 – Wantagh, NY – Nikon at Jones Beach Amphitheatre
July 10 – Hartford, CT – Xfinity Theatre
July 11 – Scranton, PA – The Pavilion at Montage Mountain
July 13 – Mansfield, MA – Xfinity Center
July 14 – Darien Center, NY – Darien Lake PAC
July 15 – Pittsburgh, PA – First Niagara Pavilion
July 16 – Columbia, MD – Merriweather Post Pavilion
July 17 – Holmdel, NJ – PNC Bank Arts Center
July 19 – Indianapolis, IN – Klipsch Music Center
July 20 – Cuyahoga Falls, OH – Blossom Music Center
July 21 – Cincinnati, OH – Riverbend Music Center
July 22 – Detroit, MI – The Palace of Auburn Hills
July 23 – Chicago, IL – Hollywood Casino Amphitheatre
July 24 – Shakopee, MN – Canterbury Park
July 26 – Milwaukee, WI – Marcus Amphitheatre
July 27 – St. Louis, MO – Hollywood Casino Amphitheatre
July 28 – Bonners Spring, KS – Providence Medical Center Amphitheater
July 30 – Salt Lake City, UT – Utah State Fairpark
July 31 – Denver, CO – Pepsi Center Arena Lot
Aug. 1 – Albuquerque, NM – Balloon Fiesta Park
Aug. 2 – Phoenix, AZ – Salt River Fields
Aug. 5 – San Diego, CA – Qualcomm Stadium Lot
Aug. 6 – San Francisco, CA – Shoreline Amphitheatre
Aug. 7 – Pomona, CA – Pomona Fairplex
Aug. 9 – Las Vegas, NV – Hard Rock Hotel & Casino
Aug. 11 – Boise, ID – Ford Idaho Center Amphitheater
Aug. 12 – Auburn, WA – White River
Aug. 13 – Portland, OR – Portland Expo Center



More information on Whitechapel’s new video, album, tour, news, and more is available online now at:








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