Armored Saint Fans Will Want To Get Their Hands On ‘Carpe Noctum’

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Metal Blade Records had quite a year in 2016, putting out impressive new recordings from Amon Amarth, Wovenwar, Artillery and a number of others.  One of the leading labels in the metal community, Metal Blade has wasted little time in 2017 getting things going.  It will open the new year late next month with the release of Armored Saint’s new live recording Carpe Noctum.  The eight-song, 38-minute recording isn’t necessarily a career-defining collection of songs, but is still impressive in its own right.  It is just one of the elements to note in examining the recording’s overall presentation.  The band’s stage presence is just as important to note in examining the recording’s presentation as its set list.  Considering that the recording will seemingly only be released on CD, its audio mix rounds out its most important elements.  Each element is important in its own right.  All things considered, Carpe Noctum proves to be a recording that Armored Saint fans new and old alike will appreciate.

Armored Saint’s latest live recording Carpe Noctum is a collection of live performances that fans new and old alike will appreciate.  The eight-song, 38-minute recording will be released in stores and online Feb. 24 via Metal Blade Records.  The main element to be examined in this recording is its set list.  The set list takes audiences all the way back to the band’s 1984 debut full-length album March of the Saint and all the way up to the band’s most recent album Win Hands Down (2015).  Along the way, three more of the band’s nine total albums are represented here.  The albums in question are its 1985 sophomore record Delirious Nomad, its 1991 album Symbol of Salvation and its 2010 record La Raza.  According to Metal Blade Records’ summary description of the set list, it appears the set list was pulled from Armored Saint’s set at the 2015 Wacken Open Air Festival and its headlining show at Aschaffenburg, Germany.  In other words, the set list presented here is not one complete concert, but seemingly a collection of performances from two separate concerts.  That would likely account for why the recording features such a limited number of songs in its defense.  This is a good thing in its own right, too.  That is because it provides audiences a more diverse representation of the band’s live show.  Again, fans new and old alike will appreciate this aspect of the recording.

Carpe Noctum’s 8-song, 38-minute set list is an important piece of the recording’s overall presentation.  That is because while not necessarily career-defining, it does at least present some highlights from the band’s extensive span of records.  It also provides audiences a relatively diverse representation of the band’s live show.  That is because it allegedly pulls from not one but two of the band’s live shows.  While the recording’s set list is clearly an important piece of its whole, it is only one of the pieces of the recording that should be considered in examining the recording’s overall presentation.  The band’s performance of said songs is just as important to note as the songs themselves.  Audiences will note in taking in these performances that the band’s members largely let their performances do the talking for them.  Since this recording is only available on CD, it is difficult to know if the songs presented here were presented in the same order as in the original performances.  There could have been some interaction with the audience between songs at those performances.  Again, that can’t be determined here.  That aside, the band members’ performances do plenty to keep listeners’ engaged.  Front man John Bush commands the stage with each performance, his pipes in prime condition.  Drummer Gonzo Sandoval keeps the band moving in each song with his solid time keeping.  The dual guitar approach of Phil Sandoval and Jeff Duncan adds even more depth to the band’s stage presence.  Of course one would be remiss to ignore bassist Joey Vera’s work on the low end.  Each band member’s performance in itself plays its own critical part to the whole of the performances. They cut through solidly throughout the recording, too.  Altogether, the band members’ performances prove to be just as enjoyable here as the concert’s set list itself.  One can’t help but hope Metal Blade Records will release the concert on DVD and/or Blu-ray, though.  One would be safe assuming those performances would hold even more significance when able to be seen and heard, and not just heard.  Even with that in mind, the band’s overall performances throughout the recording still proves to be just as important to the recording’s presentation as the sets’ featured songs.  While the band members’ performances prove to be just as important to the recording’s presentation as the recording’s featured set list, neither element would be worth discussing without mention of the concert’s audio mix.

The set list at the center of Armored Saint’s new live recording and the band’s performance thereof are both key pieces of the recording’s overall presentation.  That has already been discussed.  They are only a pair of the recording’s most important elements.  Its audio mix forms the recording’s foundation, especially considering that the recording is currently available only on CD.  Those responsible for the recording’s audio mix are to be given their due credit here.  That is because they expertly handled the situation presented in each setting.  The Wacken performances were open, outdoor performances.  This critic can’t say for certain if the band’s other featured performance was outdoor, too.  That aside, those behind the recording’s audio engineering expertly balanced each musician’s part.  No one part overpowered the others at any point throughout the recording.  What’s more, inside or out, audiences aren’t left feeling like they’re listening to a bootleg recording, either.  Believe it or not, there are some “professional” live recordings out there that do in fact sound more like bootlegs than professional recordings.  This recording is not in that category.  To that end, the balance of that element and the balance of the musicians’ own parts in each song proves the importance of the recording’s audio mix to its whole, too.  When that element is set alongside the concert’s set list and the band members’ equally entertaining performances, the whole of the recording proves to be a collection of live performances that Armored Saint fans old and new alike will appreciate.

Armored Saint’s upcoming live recording Carpe Noctum is a collection of live performances that fans new and old alike will appreciate.  That is due in part to its 8-song, 38-minute set list.  The set list isn’t necessarily a career-defining collection of performances.  It only pulls from five of the band’s nine total full-length studio recordings.  However, it does go all the way back to the band’s 1984 debut record and up to the band’s most recent album, 2015’s Win Hands Down.  The set list also allegedly pulls from not one but two of the band’s recent live shows.  The band’s performance of the featured songs is just as enjoyable as the songs themselves.  The audio engineering presented in the recording forms its foundation.  It balances each of the band members’ parts and handles the settings in which the performances were held just as expertly.  Each element is important to note in its own right, as has been noted.  All things considered, they show, once again, that this latest live recording from Armored Saint is a collection of live performances that Armed Saint fans old and new alike will appreciate.  It will be released Feb. 24 in stores and online via Metal Blade Records.  More information on Carpe Noctum is available online along with all of the band’s latest news and more at:

 

 

 

Website: http://www.armoredsaint.com

Facebook: http://www.facebook.com/thearmoredsaint

Twitter: http://twitter.com/thearmoredsaint

 

 

 

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Wovenwar’s Second Album Is A Solid Sophomore Effort

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

The end of the old year and the start of the New Year are traditionally the slowest times of the year in terms of new music releases.  While some new albums are released over the holiday season and the early part of the New Year, the real first push for new albums generally doesn’t start until early March.  Even as slow as the end of the old year and start of the New Year are, new albums are released.  However, they are few.  That gives audiences time to catch up on some of the previous year’s big albums.  It goes without saying that 2016 saw more than its share of big albums.  Wovenwar’s sophomore album Honor Is Dead is one of those big albums released this year.  The album, released Oct. 21, is a big step up for the band. The band took the melodic hard rock and metalcore elements presented in its 2014 self-titled debut here and stepped them up in a big way on this record.  The stepped up arrangements are sure to keep listeners fully engaged from beginning to end.  The same can be said of the lyrical themes presented throughout the record, and when those themes are set alongside the songs’ musical arrangements, the end result is a record that as this critic already noted, is one of 2016’s top new hard rock and metal albums.

Wovenwar’s sophomore album Honor Is Dead is only the band’s second full-length studio album, but it can be said that it is the band’s best work so far.  It is a big step up from the band’s 2014 self-titled debut.  The record’s powerhouse opener ‘Confession’ serves clearly to support that statement. The song’s guitar-driven arrangement instantly conjures thoughts of Killswitch Engage, Memphis May Fire, All That Remains and others of that ilk.  That is the case even in the song’s more flowing chorus.  The power in that arrangement is a good fit for the song’s equally powerful lyrical content, which seems to center on someone fighting alcoholism.  It can be inferred that the song’s lyrical theme focuses on said subject as front man Shane Blay sings in the song’s lead verse, “I call it a phase, I call it a phase/But bottoms of bottles are killing the pain/I call it a phase, I call it a phase/When no one’s looking I take in all I can/I kiss the bottle until I can’t stand/And wake up grieving/And by noon I won’t care/I’ll count the minutes til’ I start again.”  The song’s subject asks himself in pained fashion in the song’s chorus, “What have I become/Have I come undone?”  This illustrates even more that the song seems to be addressing someone battle addiction.

If the song’s simple but powerful chorus and lead verse aren’t enough to convince one of the song’s subject, one line in particular in the song’s second verse will most certainly convince listeners.  Blay sings in said verse, “You cannot hurt when you cannot feel a thing/The past has taught me I won’t remember a thing/I’ll trade a night cap for some apathy/And wake up grieving, and by noon I won’t care/I count the minutes til’ I start again.”  This is a powerful statement; one that is just as powerful as that in the song’s lead verse.  When the two are coupled with the song’s equally impacting musical arrangement, the end result is a work that is a solid opener for the record and a song that shows clearly what makes this album so impressive.  It is just one of the songs included in this record that is so powerful, too.  ‘Lines in the Sand’ is another of the album’s most standout songs.

‘Confession,’ Honor Is Dead’s opening composition is a solid opener for Wovenwar’s new album.  It is also a solid example of what makes this record so impressive. That is due both to its musical and lyrical content.  It is just one of the songs that stands out in this record’s overall body.  ‘Lines in the Sand’ stands out just as much as ‘Confession.’  That is due to its musical arrangement and lyrical theme, too.  The song’s musical arrangement is powerful in its own right thanks to the work of guitarist Nick Hipa, bassist Josh Gilbert and drummer Jordan Mancino.  Instead of the full on shredding assault presented in ‘Confession,’ the musicians have crafted here an arrangement that is more akin to arrangements crafted by the members of Sevendust, Shinedown, and others of that ilk.  Such a contrast shows the musicians’ reach even more and is just one part of what makes this song – and record – stand out.  The song’s lyrical content stands out just as much as its musical arrangement.

In the case of the song’s lyrical content, front man Shane Blay comes across as presenting commentary on the nation’s division and the damage that said division is doing to the country.  The song’s first two verses are proof of that. Blay sings in the song’s lead verse, “Some men are born to reap the harvest/Some men are born to sow the seed/the lines between them are all drawn in/The lie between them is belief.”  He goes on to sing in the song’s second verse, “Does anyone know why we’re fighting/Does anyone know the other side/the lines between us are all drawn by/the lies that we choose to believe.”  These verses make a powerful statement; a statement of how easily people allow themselves to be divided because they don’t question. In the song’s chorus, Blay strengthens that statement even more as he sings, “If only we had eyes to see the lines blurring/Fall in line if you’re willing/Defend these shores to the bitter end/Everyone’s got a reason/to name the victims and the villains/But who drew the lines in the sand?”  He is saying people need to think for themselves rather than just let themselves be divided.  Again, it is a powerful message, and one that is as relevant today as in any era.  When that powerful message is joined with the song’s musical arrangement, the pair’s partnering exhibits fully why this song stands out in the bigger picture of HID.  They also serve to show even more why the album in whole is so impressive, too.  While the song serves to show in its own right what makes HID so impressive, it is just one more example of what makes this record work so well.  The record’s closer, ‘130’ stands out just as much as ‘Confession’ and ‘Lines in the Sand.’

‘Confession’ and ‘Lines in the Sand’ are both powerhouse pieces included in HID that show what makes this record so impressive.  That is due to the songs’ musical arrangements and lyrical themes.  The songs’ arrangements and lyrical themes stand out clearly from one another and from the album’s other compositions, too.  As important as those two songs are to the album’s overall presentation, they are only two of the songs that show what makes HID so impressive.  ‘130,’ the record’s closer, is one more example of what makes the album so impressive.  The song’s arrangement is a full-throttle work that conjures thoughts of Bullet For My Valentine, Trivium and other similar acts thanks to the combination of Blay’s vocals, Hipa’s guitar work, Mancino’s work on the drums and Gilbert’s low end.  The arrangement’s furious energy expertly catches the terror and fear that must have been felt at the November 2015 Paris attacks.  What’s more the guitar-driven composition captures just as well the anger that was felt by people around the world following those horrific acts.  The song’s lyrical content captures those emotions just as well as Blay sings, “Explosions shake the city/I thought it was part of the show/A craven is screaming prayers/In a tongue that I don’t know/Paris lights are winking out/I can hear the city scream/While the faithful are rejoicing in the sound of tragedy.”  The fire in Blay’s vocal delivery captures just as well the mix of emotions that must have been felt by those who were there.  That emotion is just as powerfully evident as Blay sings in the song’s chorus, “Find me one reason worth this hate/One reason worth this endless violence/Find me one more reason worth this hate/Because I have 130 reasons to change.”  The 130 reasons in question are the 130 people who were killed in the November 2015 terrorist attacks on Paris.  Blay goes on to directly address the attack at the Bataclan Theatre as he mentions the stage should be a safe place that brings everyone together “yet we one divided/Waging war over beliefs.” He is not making any indictment of the people there, but the people who committed the attacks at the club because of their beliefs.  It is a hard-hitting statement that when joined with the song’s musical arrangement, shows once more why ‘130’ stands out just as much as ‘Confession,’ ‘Lines in the Sand’ and the rest of the songs featured in this album.  Each song, with its arrangement and lyrical theme is important in its own right to the album’s presentation.  All things considered, they make Wovenwar’s sophomore effort a solid second effort.  They give great hope for another album from the band in the not too distant future.

Honor Is Dead is a solid new offering from Wovenwar.  The band’s sophomore record presents arrangements throughout its eleven songs that present sounds similar to so many of its current counterparts including Shinedown, Bullet For My Valentine, Killswitch Engage, and so many others.  In other words, the record’s musical arrangements don’t stick to just one style of hard rock and metal or another.  They clearly cross those lines from beginning to end, giving listeners plenty of diversity.  That in turn ensures listeners’ engagement in itself.  The lyrical themes presented in each of the album’s songs are just as diverse as the musical arrangements presented in each song.  From a subject battling addiction to an equally powerful statement of people’s blind divisions to an emotional composition about the 2015 attacks on Paris and so much more, the lyrical themes presented in this record give listeners just as much reason to take in this record as its musical arrangements.  Each element is clearly important in its own way to the album’s presentation.  All things considered, the album’s combined musical and lyrical content makes this record, once more, a solid new effort from Wovenwar.  They also give hope that it won’t be the band’s last album, either.  Honor Is Dead is available now in stores and online.  More information on the album is available online now along with all of Wovenwar’s latest news and more at:

 

 

 

Website: http://www.wovenwar.com

Facebook: http://www.facebook.com/wovenwar

Twitter: http://twitter.com/WOVENWAR

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Amon Amarth Conquers Phil’s Picks’ 2016 Top 10 New Hard Rock & Metal Albums List

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

The hard rock and metal community have collectively become a rather crowded field this year in terms of new albums.  It has made extremely difficult naming the year’s top new hard rock and metal records.  There have been that many outstanding records.  Metallica’s first album in eight years, HardwiredTo SelfDestruct is just one of the albums that has more than proven deserving of being on that list.  The same can be said of Amon Amarth’s latest offering, Jomsviking.  It is a rarity for the band, being a concept record.  The concept behind the record more than works.  And its musical arrangements work just as well.  On another note Prong, with its latest offering X No Absolutes has proven through its overall content (and sales) that it is another success for the band—and more specifically founder Tommy Victor, the band’s only original member.  So no doubt it belongs on the list of the year’s top new hard rock and metal albums, too as do so many others.  It was not easy for this critic to assemble this year’s list of new hard rock and metal albums considering how many outstanding albums were released in that collective field.  But a decision had to be made.  That decision is presented below.

As a reminder, the list, as with each of Phil’s Picks year-ender lists, presents Phil’s Picks Top 10 picks for the year’s best plus five honorable mention titles for a total of 15 albums.  Honorable mention is not mean in a negative fashion by any means.  They were each deserving of being named to the year’s best.  It was just that tough assembling a list of the year’s best, so the final list ended as presented here.  Without any further ado, here is the Phil’s Picks 2016 Top 10 New Hard Rock and Metal Albums.

 

PHIL’S PICKS 2016 TOP 10 NEW HARD ROCK/METAL ALBUMS

 

  1. Amon AmarthJomsviking

 

  1. MetallicaHardwiredTo SelfDestruct

 

  1. All Hail The YetiScreams From A Black Wilderness

 

  1. NonpointThe Poison Red

 

  1. SpellcasterNight Hides The World

 

  1. WovenwarHonor is Dead

 

  1. ArtilleryPunishment By Perception

 

  1. ProngXNo Absolutes

 

  1. AnthraxFor All Kings

 

  1. DestrageA Means To No End

 

  1. WhitechapelMark of the Blade

 

  1. DevildriverTrust No One

 

  1. Oni – Ironshore

 

  1. Primal FearRulebreaker

 

  1. HatebreedThe Concrete Confesional

 

 

 

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Wovenwar Announces New Album Title, Release Date; Tour To Launch Next Month

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Wovenwar will release its sophomore album this fall.

The band today announced the details for its upcoming sophomore album Honor is Dead.  The album will be released Friday October 21st via Metal Blade Records.  In anticipation of the album’s release the band is currently streaming a video for the album’s lead single ‘Censorship’ online here.

The album is currently available now for pre-order in a number of bundle packs including: CD, Limited Edition CD/DVD (only 5000 copies available in Europe), Box set (limited to only 600 copies), 180 gram black vinyl, steel-grey marble vinyl (limited to 300 copies), clear/black marble vinyl (EMP exclusive – limited to only 200 copies), exclusive t-shirt bundle and digital pre-order bundles.  The full track listing for Honor is Dead is noted below.

Honor Is Dead track-listing
1. Confession
2. Censorship
3. Honor Is Dead
4. Lines in the Sand
5. World on Fire
6. Compass
7. Stones Thrown
8. Cascade
9. Silhouette
10. Bloodletter
11. 130

Along with the new video, the band has announced a tour in support of Honor Is Dead that will launch October 14th in Providence, Rhode Island. The tour currently runs through November 16th and includes performances in Denver, Colorado, Carrboro, North Carolina and a number of other cities.  The current schedule for the tour is noted below.

Wovenwar tour dates
w/ Soilwork, Unearth, Battlecross, Darkness Divided

Oct. 14 – Providence, RI – Fete Music Hall
Oct. 15 – Stanhope, NJ – Stanhope House
Oct. 16 – Virginia Beach, VA – Shakes
Oct. 17 – Carrboro, NC – Cats Cradle
Oct. 18 – Atlanta, GA – The Loft
Oct. 20 – Ft. Worth, TX – The Rail Club
Oct. 21 – San Leon, TX – 18th Street
Oct. 22 – Austin, TX – Empire Control Room
Oct. 24 – Mesa, AZ – Nile Theater
Oct. 26 – Pomona, CA – Glass House
Oct. 27 – San Francisco, CA – DNA Lounge
Oct. 29 – Seattle, WA – Studio Seven
Oct. 30 – Spokane, WA – The Pin
Nov. 1 – Jerome, ID – Diamondz Event Center
Nov. 2 – Salt Lake City, UT – Metro
Nov. 3 – Denver, CO – The Summit
Nov. 5 – St. Louis, MO – Fubar
Nov. 6 – Louisville, KY – Diamond Pub Concert Hall
Nov. 8 – Cudday, WI – The Metal Grill
Nov. 9 – Ringle, WI – Q&Z
Nov. 10 – Arlington Heights, IL – Home Bar
Nov. 11 – Flint, MI – The Machine Shop
Nov. 12 – Pittsburgh, PA – Diesel
Nov. 13 – New York City, NY – Gramercy
Nov. 15 – Ottawa, ON – The Brass Monkey
Nov. 16 – Toronto, ON – Rockpile

Honor Is Dead was recorded by each of the band’s members in separate different locations across the country–including California, Alabama, and Texas—instead of coming together in one studio together.  Guitarist Nick Hipa said recording the record in this fashion wasn’t easy but it ended up working for the band in the end.

“Recording separately across multiple states at different times with a mixing engineer bouncing between multiple countries made things very tricky,” Hipa said. “Luckily we’ve all made records before an everything ended up working out.”

More information on Wovenwar’s upcoming album, tour, and more is available online now at:

 

 

 

Website: http://www.wovenwar.com

Facebook: http://www.facebook.com/wovenwar

Twitter: http://twitter.com/WOVENWAR

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

Wovenwar Begins Work On Sophomore Album

Courtesy  Metal Blade Records

Courtesy Metal Blade Records

Wovenwar will return.  And according to the band’s members, its return will come this year.

Officials with Metal Blade Records announced this week that Wovenwar has entered the studio to begin working on material for its sophomore album.  The band offered the following update on tis

“Recording for the second Wovenwar album is officially underway with the drum tracking being completed and the process moving into the guitar tracking phase.  Several months-worth of demos have been condensed into eleven new songs we are very proud of.  The process found us expanding upon our melodic sound with a darker and more aggressive approach – utilizing elements restrained on our debut but familiar to our cumulative history.  Nolly Getgood (Periphery) is onboard to handle mixing duties. We look forward to hearing how his versatile talents elevate our sound and direction.  We’re looking to have the recording process wrapped up in the next couple months and hope to have the album out sometime late summer/early fall.  Until then please keep up with us on all band socials for updates.”

The band originally features members of the now defunct metalcore band As I Lay Dying, which was also signed to Metal Blade Records.  The band released six albums in its time together, five of which were originally released via Metal Blade Records.  It also released a twelve-song compilation record titled Decas via Metal Blade in 2011.  The band eventually disbanded after frontman Tim Lambesis’ 2013 arrest on charges of plotting to have his wife murdered.  The band’s remaining members—Nick Hipa (guitar), Phil Sgrosso (guitar), Josh Gilbert (bass), and Jordan Mancino (drums) joined forces with Oh, Sleeper front man Shane Blay to form Wovenwar.  The band’s self-titled 2014 debut hit #36 on Billboard’s Top 200 New Albums Chart.  Audiences can preview the album now and even order it online via Wovenwar’s official Metal Blade Records page.  More information on Wovenwar is available online now along with all of the latest updates on the band’s new album, its latest news, and more at:

 

Website: http://www.wovenwar.com

Facebook: http://www.facebook.com/wovenwar

Twitter: http://twitter.com/WOVENWAR

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Nothing More, Others Coming To Carrboro, Charlotte Next Month On 2015 Juggernaut Tour

Courtesy;  Metal Blade Records

Courtesy; Metal Blade Records

Up-and-coming hard rock four-piece Nothing More will kick off the new year with a pair of performances in North Carolina.

Nothing More will open 2015 with a live performance Saturday, January 10th at Cat’s Cradle in Carrboro, North Carolina. The band, which is touring in support of its self-titled debut album, is serving as a support act to Periphery on that band’s 2015 “Juggernaut Tour.” It is joined by fellow support acts Wovenwar and Thank You Scientist.   Tickets for the bands’ show at Cat’s Cradle are $18 to $22.  Tickets are available online at http://www.ticketfly.com/purchase/event/717347?utm_medium=459899.  Doors open at 6pm with the show starting at 6:30pm.

After the bands’ show at the Cat’s Cradle, they will head on to Charlotte, North Carolina, where they will perform the next day, Sunday, January 11th at the city’s famed Fillmore. Those looking to attend the bands’ performance at The Fillmore can purchase tickets online via LiveNation at http://concerts.livenation.com/event/0E004D5ECA765781?dma_id=289&wt.mc_id=aff_BUYAT_97249&camefrom=CFC_BUYAT_97249&REFERRAL_ID=tmfeedbuyat97249.  Tickets start at $27 each.  Doors open at 7pm.

Nothing More recently released the second single from its self-titled debut ‘Mr. MTV.’ That single is currently in the Top 25 after having been out only a short time. It is a protest against the image being presented to today’s society concerning how people should look and act in order to be accepted and popular. The song’s companion video can be viewed online now via the band’s website. ‘This Is The Time (Ballst),’ the band’s debut single, grabbed the top spot on many rock charts for three weeks. More information on Nothing More including all of the band’s latest tour updates and news, is available online at:

Website: http://www.nothingmore.net

Facebook: http://www.facebook.com/nothingmore

Twitter: http://twitter.com/nothingmorerock

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Wovenwar Announces New Slate Of Live Dates

Courtesy;  Metal Blade Records

Courtesy; Metal Blade Records

Wovenwar will return to the road in 2015.

Metal Blade Records and the members of Wovenwar announced this week that the band will kick off 2015 alongside Nothing More and Thank You Scientists! on the Juggernaut tour. The bands will serve as support acts for headlining act Periphery. The tour kicks off Saturday, January 10th and will run for five weeks, ending February 14th in Philadelphia, PA. Tickets for the tour go on sale tomorrow, Friday, November 7th.   VIP packages will be available online via Soundrink.com.

Wovenwar is currently wrapping up the European leg of its tour in support of its self-titled debut record. That record is available now in stores and online. The last date for the European leg of the band’s tour will be this Saturday, November 8th in Goteborg, Sweden. After that, the band will take some much needed time off for the holidays, recharging and getting ready for the upcoming Juggernaut Tour. The complete schedule for the Juggernaut Tour is listed below.

WOVENWAR
Tour w/ Periphery, Nothing More, Thank You Scientist
January 10 Carrboro, NC Cat’s Cradle
January 11 Charlotte, NC The Fillmore
January 12 Atlanta, GA Masquerade
January 13 Tampa, FL Orpheum
January 14 Ft. Lauderdale, FL Revolution Live
January 16 New Orleans, LA House of Blues
January 17 Houston, TX House of Blues
January 18 Dallas, TX House of Blues
January 20 Albuquerque, NM Sunshine Theatre
January 21 Phoenix, AZ Club Red
January 22 Los Angeles, CA House of Blues
January 23 Anaheim, CA Yost Theater
January 26 San Francisco, CA The Fillmore
January 27 Portland, OR Hawthorne Theater
January 28 Seattle, WA El Corazon
January 31 Denver, CO Summit Music Hall
February 2 Minneapolis, MN Varsity Theater
February 3 Chicago, IL House of Blues
February 4 Detroit, MI St. Andrew’s Hall
February 6 Toronto, ON Opera House
February 7 Montreal, QC Corona Theatre
February 8 Albany, NY Upstate Concert Hall
February 9 Rochester, NY Water Street Music Hall
February 11 Boston, MA Paradise Rock Club
February 12 New York, NY Irving Plaza
February 13 Silver Spring, MD The Fillmore
February 14 Philadelphia, PA District N9ne

Tickets for the bands’ show at Cat’s Cradle are $18 to $22.  Tickets are available online at http://www.ticketfly.com/purchase/event/717347?utm_medium=459899.  Doors open at 6pm with the show starting at 6:30pm.

Those looking to attend the bands’ performance at The Fillmore can purchase tickets online via LiveNation at http://concerts.livenation.com/event/0E004D5ECA765781?dma_id=289&wt.mc_id=aff_BUYAT_97249&camefrom=CFC_BUYAT_97249&REFERRAL_ID=tmfeedbuyat97249.  Tickets start at $27 each.  Doors open at 7pm.

More information on Wovenwar, its new album and all of the latest updates from the band is available online at:

Website: http://www.wovenwar.com

Facebook: http://www.facebook.com/wovenwar

Twitter: http://twitter.com/wovenwar

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