Chiklis To Release His Debut Album Next Month

Courtesy: Missing Piece Group

Courtesy: Missing Piece Group

Actor Michael Chiklis is trying his hand at being a singer.

Chiklis (The Shield, Fantastic Four 1 & 2), announced recently that he will release his debut album Influence on Friday, September 16th.  The album features guest appearances from Steve Lukather (Toto), Andres Forero (Hamilton), Scott Healy, Richie “La Bamba” Rosenberg, and Jerry Vivino (from Conan O’Brien’s house band).  The album was written and produced at Chiklis’ own Extravaganza Music Studio.

In anticipation of his new album Chiklis is streaming the album’s lead single ‘In Front Of Your Eyes’ now. Audiences can hear the song, which features guest vocals from Lukather, here.

Along with his new project, Chiklis is also currently starring on Fox’s hit drama Gotham as Gotham City Police Department Captain Nathaniel Barnes.  The series’ third season premieres September 19th on Fox.

More information on Michael Chiklis’ new album is available online now along with all of his latest news at https://www.facebook.com/Michael-Chiklis-104897092884829/.

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Every Horror Movie Purist Should “See” ‘I Saw What You Did’

Courtesy:  Shout! Factory/Universal Pictures

Courtesy: Shout! Factory/Universal Pictures

Hollywood’s horror genre has come a long way from what it once was and not for the better either.  It seems like every other horror flick churned out by Hollywood today is either an overly dark and violent movie centered on demons and the like or it is an equally violent (and gory) slasher flick.  That wasn’t so much the case in Hollywood’s golden age.  It was wholly possible for studios in that age to make horror flicks—regardless of their specific subgenre—without being so dark, bloody, and violent.  Alfred Hitchcock’s classic slasher flick Psycho is proof of this as is the 1963 nightmare-inducing ghost story The Haunting and Allied Artists’ 1959 fright fest House on Haunted Hill.  All three of these movies are examples of what once made horror such a great genre.  They are also examples, when set against their newer counterparts, of just how far the genre has fallen from its pedestal.  The comparison is stark to say the very least.  Earlier this year Scream Factory, Shout! Factory’s horror division released another example of what once made Hollywood’s horror realm so great when it released the classic slasher flick I Saw What You Did on Blu-ray.  This 1965 flick from William Castle Productions (which was also behind House on Haunted Hill) and Universal Pictures is a must have for any horror fan looking to escape the glut of cookie cutter slasher flicks and ghost stories currently being churned out by Hollywood’s Big Six studios.  That is due in no small part to the movie’s story.  That will be discussed shortly.  The work of the movie’s cast is just as important to note in its presentation as its story.  Last but hardly least of note in the movie’s presentation is its general lack of blood, gore, and violence.  This element rounds out the movie’s most important elements and is no less important than the movie’s story or the work of the movie’s cast.  Keeping that in mind, each element does its own part to make this movie an entertaining work of horror.  Altogether they make this movie another must see for any horror purist.

Universal Pictures’ 1965 slasher flick I Saw What You Did is a must see for any horror movie purist.  That is because like so many horror flicks of its age it is the antithesis of everything that Hollywood’s horror genre has become.  That is clear in examining the story at the center of the movie.  The story centers on the antics of teenagers Libby Mannering (Andi Garrett—The Wild Wild West, Black Sheep Squadron) and Kit Austin (Sarah Lane—The Virginian, The Trial of Billy Jack, Billy Jack Goes To Washington) and the eventual terror that comes as a result of what they think are harmless phone pranks.  The pair’s prank calls end up having a rather far-reaching effect, causing (indirectly) the murder of Judith  Marek (Joyce Meadows—The Brain From Planet Arous, Two Faces West, The Girl in Lovers Lane) by her husband Steve (John Ireland—Spartacus, All The King’s Men, Red River).  Libby calls Steve’s number, pretending to be another woman, which leads Judith to confront Steve while he’s showering.  What’s interesting is that when Judith goes to confront Steve, she notices that their bathroom is a shambles.  It is clear that Steve’s intent was to murder Judith regardless and make it look like someone else did it.  But her confrontation leads Steve to murder her in the shower and then get rid of the body.  When Libby calls back later, she tells Steve, “I saw what you did and I know who you are,” he thinks that she is serious, which leads to even more tension.  What’s really interesting in all of that tension is that in adapting author Ursula Curtiss’ novel Out of the Dark to cinematic form, writer William P. McGivern unknowingly included a story element that is wholly relevant today.  The element in question involves the young, naïve Libby actually going to meet Steve because she thinks he actually wants to meet her, not knowing that he is a murderer.  This is an issue that the world faces even more today than ever before due to the advent of online messaging services, chat rooms, etc.  Who would have thought a story crafted more than fifty years ago would have such a relevant element within its script?  This revelation makes the movie’s story all the more believable, and in turn engaging.  Of course the movie becomes somewhat cheesy in its final act.  That aside, the rest of the story will still keep audiences on the edge of their seats.  That being the case, the story in whole shows just how important it is to the movie’s overall presentation.  It is just one of the elements that make the movie such an entertaining work of horror.  The work of the movie’s cast is just as important to note as its story in examining what makes the movie a must see for horror purists.

William P. McGivern’s cinematic adaptation of Ursula Curtiss’ novel Out of the Dark is an important part of the presentation of I Saw What You Did.  That is because it is by and large, a thriller that will keep audiences on the edge of their seats.  It manages to do so even without the use of any overt violence and bloodshed.  That is not to say that there is no violence or bloodshed.  It is there.  Don’t mistake that.  But it is kept to an extreme minimum since censors at the time didn’t allow but so much of said elements.  It shows that horror can be enjoyable even without blood, gore, or overt violence.  Of course the movie’s story is just one of the most important elements to examine in McGivern’s adaptation of Curtiss’ novel.  The work of the movie’s cast in interpreting McGivern’s script is just as important to examine here as his story.  Garrett and Lane are completely entertaining as lead stars Libby and Kit.  The pair makes audiences shake their heads in disbelief at Libby and Kit.  That is because the actresses fully embrace the girls’ lack of forethought in their actions.  While teens today might not make prank calls for their own fun that lack of foresight, teens today still act just as thoughtlessly even if in different ways.  And it gets them into their own share of trouble, too.  On the other end of the spectrum John Ireland is just as entertaining to watch as the villainous Steve Marak.  Steve’s actions might not seem all that believable on the surface.  But anyone that has ever watched an episode of 48 Hours or Dateline knows that what he did is in fact rather commonplace in real life crimes.  He does such an impressive job in presenting Steve’s paranoia about having been seen.  That is especially considering that only two people saw what he was doing over the course of the movie.  Each of the movie’s other cast members do their own part in adding to the movie’s enjoyment.  But it is really the trio noted here that most shines through.  Their work in interpreting their parts (and McGivern’s script) is just as important to the movie’s presentation as McGivern’s own work.  It still is not the last remaining element to note in examining what makes this classic slasher flick so surprisingly entertaining.  The general lack of overt violence and bloodshed, as slightly mentioned earlier, plays a part in the movie’s presentation that is just as important to note as the movie’s story and the work of the movie’s cast.

The story at the center of I Saw What You Did and the work of the movie’s cast are both important in examining what makes this classic slasher flick so entertaining.  Each element plays its own part in making it a movie that any horror purist should see as has already been noted.  They are not the only elements that make the movie so surprisingly enjoyable either.  The movie’s general lack of blood, gore, and overt violence is just as important to note in examining the movie’s presentation as its story and the work of its cast.  There is some blood and violence incorporated into the movie.  But most of it comes when Steve Marak murders his wife and his mistress.  Even when he does this, the bloodshed is virtually nothing when compared to most of the slasher flicks that are available to audiences today.  Rather it is more comparable to the bloodshed used in the shower scene in Alfred Hitchcock’s Psycho (1960).  Given that is the result of standards set by censors and the MPAA at that time.  But it is a good thing.  That is because it forced McGivern (as with every other writer at the time) to actually rely on story more so than on the violence factor (I.E. quality versus quantity).  It is a standard to which this critic personally wishes horror movies would return.  McGivern did an admirable job in focusing on the movie’s quality.  He showed that a story can stand on its own literary merits even in a horror setting without having to rely on blood, gore, and violence.  It really serves as a model for today’s horror screen writers.  It shows that a horror movie can be fun without being overly violent, bloody, gory or even nightmare-inducing.  Keeping this in mind, it rounds out the movie’s most important elements.  Together with McGivern’s work and that of the movie’s cast all three elements join together to make the movie in whole a surprisingly fun ride for any horror movie purist.

Scream Factory’s recent re-issue of I Saw What You Did is a surprisingly fun ride for any true horror movie purist.  That is because it shows that it is possible for horror flicks to be fun without being overly violent and sexualized.  That is evident most prominently in the movie’s story, written by William P. McGivern.  The story relies more on its literary elements than its actual visual content to keep audiences entertained and engaged.  The movie’s cast is just as notable in its work in front of the camera.  Garrett, Lane, and Ireland are completely believable in their respective roles and in turn envelope audiences in the story.  The story’s general lack of blood, gore, violence, and sexual content is Just as important to note here as the story itself and the work of the movie’s cast.  It brings everything full circle and shows together with the previously noted elements that it is possible for a horror flick to be entertaining without being questionable in its content.  All things considered the recent re-issue of this classic horror flick proves to be a surprisingly enjoyable ride for any true horror movie purist.  It is available now in stores and online.  It can be ordered online direct via Shout! Factory’s online store at https://www.shoutfactory.com/film/film-horror/i-saw-what-you-did.  More information on this and other titles from Scream Factory is available online now at:

 

 

 

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Fandango Celebrates ‘Bourne,’ ‘Bad Moms’ With Fun New Content

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Matt Damon.  What hasn’t he done?  He has played a brilliant mathematician.  He has played a cowboy (of sorts).  He has played a zookeeper.  Heck, he’s even played a cop and so much more.  So, in celebration of everything that he has done (and in celebration of his new movie Bourne) Fandango has offered up a fun look at everything that the Academy Award®-winning actor can and has done in his career.  Audiences can check it out now online here.

And while Mother’s Day has come and gone some time ago, Fandango is also celebrating the release of the new raunchy comedy Bad Moms with a list of the top eight movies for a great mom’s night out.  The list includes of course the new Ghostbusters reboot, Suicide Squad, Equity, and five other interesting titles.  That list is available online now here.

More information on everything that Fandango has to offer movie-goers everywhere is available online now at:

 

 

 

Website: http://www.fandango.com

Facebook: http://www.facebook.com/fandango

Twitter: http://twitter.com/Fandango

 

 

 

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PBS Distribution Announces Release Date For ‘The Tunnel: Season 1’

Courtesy: Public Media Distribution

Courtesy: Public Media Distribution

PBS Distribution has announced the release date for PBS’ new political crime thriller The Tunnel.

The Tunnel will be released on DVD and Blu-ray on Tuesday, August 9th.  The movie stars Stephen Dillane (The Hours, Game of Thrones, King Arthur) as lead character Detective Karl Roebuck.  Roebucks is investigating the death of a prominent French politician who was found in the middle of the fame Channel Tunnel, straddling the border between England and France.  It is up to Roebuck and his partner Elise Wasserman (Clemence Poesy—Harry Potter and the Deathly Hallows Part I & II, 127 Hours) to solve the mystery of the politician’s death.  Things take a gripping turn when a shocking discovery is made at the scene of the crime.  The discovery forces both French and British police to put aside their differences and work together in order to solve the case while Roebuck and Wasserman are pulled ever-deeper into the case.

The Tunnel’s run time is 450 minutes spread across 3 discs.  The DVD set will retail for MSRP of $49.99 and the Blu-ray set for $59.99.  It can be pre-ordered online now direct via PBS’ online store.  More information on The Tunnel is available online now at:

 

 

 

Website:  http://www.thetunnelmovie.net

Facebook: http://www.facebook.com/TheTunnelMovie

Twitter: http://twitter.com/thtunnelmovie

 

 

 

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‘Endgame’ Makes Plenty Of Smart Moves

Courtesy: Shout! Factory

Courtesy: Shout! Factory

The underdog story is one of the most overly story types in the movie industry today.  From Rudy to Rocky to Remember The Titans and beyond Hollywood loves visiting the underdog arena.  In all honesty, it is the view of this critic that Hollywood loves the underdog arena way too much.  That is because of the genre’s overall lack of creativity and originality. It seems that nine out of every ten underdog stories offered to audiences today present roughly the same story just in a different setting.  While that is a somewhat disheartening number to consider, it does at least mean that every now and then there is one underdog story that makes up for the other nine that are otherwise forgettable.  Earlier this month Shout! Factory released one of those standout offerings in the form of the indie underdog story Endgame.  The movie, originally released nationwide on September 25th, 2015, was released earlier this month on DVD and Blu-ray by Shout! Factory.  While it might not be the most memorable movie of its kind to ever be released it is still a worthwhile alternative to all of the other run-of-the-mill stories within that arena.  That is especially true in considering the movie’s story, which is just one of its key elements.  The work of the movie’s cast is just as important to note here.  That will be discussed later.  The bonus material that is included with the movie’s new home release rounds out the most important of its elements.  It completes the movie’s presentation in its new home release and shows once more why this indie underdog story is just as inspirational and moving as its more well-known counterparts and in turn, is worth at least one watch.

Endgame is hardly the first underdog story to ever be presented to audiences in cinematic history.  It is however, an underdog story that is just as inspirational as its more well-known counterparts.  In turn it is an underdog story that is worth at least one watch as is evidenced in the movie’s central story.  The story follows a young Latino boy named Jose (Rico Rodriguez—Modern Family, The Muppets, Epic Movie) who happens to be quite the talented chess player.  Growing up in the poor community of Brownsville, Texas, chess is the only thing that brings him any joy in life other than his grandmother (Ivonne Coll—Jane The Virgin, Lean on Me, The Godfather: Part II).  That is because he is living in the shadow of his older brother Miguel (Xavier Gonzalez—Between Us, Walk Away, Stories of the Paranormal).  Miguel is a rising soccer star and everybody knows and loves him.  They expect Jose to be just like Miguel.  But when Miguel is killed in a late night car crash, life changes for everyone, including Jose and his divorcee mother.  Chess becomes even more Jose’s escape and his source of strength.  The story eventually sees Jose and his team mates in his school’s chess team inspire each other and their entire community as they make their way to the state chess championships.  Even Jose’s mother and grandmother are inspired and moved in their own way.  What is most interesting of the whole story is that while the story does end at least somewhat as expected there is a surprise of sorts in the end, too.  That unexpected ending element is actually a pleasant surprise.  It won’t be revealed here for the sake of those who haven’t yet seen the movie.  But it is nice to see that writer/director Carmen Marron didn’t let the story remain formulaic even in its end.  Staying on that train of thought, Marron’s approach to her adaptation of the real life events on which this movie are based is to be just as commendable as the story itself.

The story at the center of Endgame is in itself worth at least one watch.  That is because it isn’t just another underdog story centered on a boxer, football player (or team), or sports team in whole.  Rather it focuses on one community’s banding together behind an unsuspecting middle school chess team in one of Americas most underprivileged school districts.  While the story’s “nothing to something” story line is ultimately not that original the story is still original in its own right since few if any underdog stories have ever centered on such subjects.  That is just part of what makes the story stand out.  Writer/director Carmen Marron’s approach to the story is just as important to note in considering the story as the story itself.  That is because unlike other screenwriters, Marron didn’t try to make Endgame into yet another run-of-the-mill, over-the-top epic underdog stories of which audiences are all too familiar.  Rather she made sure that the story maintained a certain sense of humility throughout instead of letting it become one of those almost pompous presentations that are so common among its more well-known counterparts.  At the same time, being a Dove Foundation approved movie it also didn’t have that overly cheesy vibe of so many other movies given the okay by the Christian-based film rating organization.  Rather it has more the feel of a general independent movie than one of its over-the-top big brothers or one of its cheesier indie counterparts.  In other words, it boasts its own approach, and in turn identity thanks to Marron’s approach.  When this is taken into consideration along with the story itself the two elements combine to show why Endgame’s story makes its worth at least one watch.

The story at the center of Endgame and the approach taken in creating the movie are both important pieces of the movie’s presentation.  Both by themselves and together, they make the movie worth at least one watch.  They are not the only important elements to note in examining the movie’s presentation.  The work of the movie’s cast is just as important to note as that of Marron in developing the story.  Rodriguez, Coll, and Justina Machado are among the most notable of the cast members in considering the cast’s work.  Whether alone or together, each actor puts forth an admirable performance throughout the movie.  Thanks to Rodriguez’s performance, so many younger audiences will be able to relate to Jose regardless of nationality.  Even older audiences may find themselves being able to relate to Jose.  That is because so many people have faced the same sibling issues that Jose faced and the related frustrations.  It makes Jose’s frustrations completely understandable.  Rodriguez’s handling of those emotions is just as relatable to many viewers.  Given, probably not every has broken a sibling’s trophy out of anger, but they have likely broken something belonging to a sibling out of anger towards said figure.  In the same breath, likely fewer people have ever had to deal with the death of a sibling (or even a child) at such a young age.  But there sadly are those few that have dealt with it.  Being that there are those who have, they will appreciate the pure emotion exhibited by all three actors.  It would have been so easy for each to go over the top in their portrayal of their respective characters’ sadness of Miguel’s death.  In a much bigger budgeted film, that might have even happened.  That’s especially the case since this has in fact happened in said movies.  But none of the trio went to that length.  It makes each individual’s performance all the more believable and engaging.  On a different note, the relationship between Jose and his grandmother is just as enjoyable to see.  Coll and Rodriguez have such wonderful chemistry when they are on screen together.  It is clear in watching them that thy really enjoyed working together.  Because they had so much fun together audiences will enjoy their performances just as much.  There are so many other performances that could be cited here in explaining why the cast’s work is just as important to the movie’s presentation as its story.  They include that of Rodriguez’s cast mate Alina Herrera (Marrying God, The Little Samaritan, Caribe Road) as Jose’s frien Dani, Efran Ramirez’s (Crank, Napoleon Dynamite, Eastbound & Down) take on Jose’s teacher Mr. Alvarado, and Jon Gries’ (Napoleon Dynamite, Taken, Men in Black) take on Principal Thomas.  Each actor puts forth his (or her) impressive performance throughout the movie.  Their performances couple with those of Rodriguez, Coll, and Machado to show even more clearly why the work of the movie’s cast is just as important to its presentation as that of Marron in crafting the story.  They are not the movie’s only important elements, though.  The bonus material that is included in the movie’s home release is just as important to note as its story and the work of its cast.

Writer/director Carmen Marron’s work in developing Endgame’s story and the work of the movie’s cast in interpreting Marron’s scripts are both important in their own right to the movie’s presentation.  Each element makes the movie worth at least one watch.  They are not the movie’s only important elements, though.  The bonus material that is included with the movie in its new home release is just as important to the movie’s presentation as its writing and acting.  The most notable of those bonus materials is the movie’s bonus behind-the-scenes featurette.  This is important to note because it is rare for a behind-the-scenes featurette to add any real value to a movie’s presentation.  More often than not they are little more than space fillers regardless of the studio.  But in the case of this movie it actually adds quite a bit to the movie’s presentation.  Audiences learn in watching this featurette that lead star Rico Rodriguez actually came into the movie with at least some knowledge of chess.  He openly admitted that he was hardly a professional.  But he did have at least a certain amount of knowledge and understanding of the game.  So being involved in the movie, he states in his interviews that has in fact served to strengthen his interest in the centuries-old board game.  That is quite the statement.  On a related note, audiences will be just as interested to learn in this feature that the movie was recorded in just 19 days, many of which couldn’t even be full, eight-hour days.  That is due to labor laws preventing minors from working eight hours in a single day.  Most of the 19 days in question turned out to be about 6 hour days because of those labor laws.  All of this is so notable because of how the movie turned out in the long run.  Again, it boasts its very own identity both within the underdog arena and within the Dove-nominated field.  It stands out in both fields both in terms of its look and its feel.  This is the case even with the movie having been recorded in just 19 days.  That is truly extraordinary especially for an independent movie.  Just as interesting to note is the fact that the movie was filmed completely on-site in Brownsville, Texas.  That adds even more to the movie’s believability.  By direct connection the revelation of the community’s welcoming nature towards the movie’s cast and crew is just as interesting to learn.  It echoes the togetherness exhibited by the community in the movie.  This shows once more the importance of the movies bonus material in regards to the movie’s overall presentation.  Even Marron’s own audio commentary throughout the movie adds its own interest to the movie.  When that engaging bonus material is set alongside the movie’s story and the work of the movie’s cast, the presentation in whole proves why it is, again, worth at least one watch.

Endgame is not the first underdog story to ever be presented to audiences either independently or on a major scale.  It is however, just as inspiring and moving as its more well-known counterparts past and present.  That is due to its largely original story and the approach taken in presenting the story.  The work of the movie’s cast plays its own part in making the movie worth seeing.  The same can be said of the bonus material included in the movie’s recent home release.  Each element plays its own important part in the movie’s overall presentation.  All things considered they make the movie more than just another underdog story.  They make it an underdog story that is worth at least one watch.  It is available in stores and online now and can be ordered online direct via Shout! Factory’s online store at https://www.shoutfactory.com/film/film-drama/endgame. More information on this and other titles from Shout! Factory is available online now at:

 

 

 

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Virgil Films’ New ‘Back To The Future’ Doc Is A “Heavy” Presentation

Courtesy: Virgil Films

Courtesy: Virgil Films

Throughout the course of its rich, ages-long history Hollywood and its major studios have carved out so many new cinematic highways on which audiences have traveled.  It is on those same roads that audiences have been introduced to just as many iconic cars and more.  In 1964 audiences were introduced to James Bond’s now famed Aston Martin for the first time.  Four years later in 1968 audiences were introduced to yet another iconic car in the form of the Ford Bullitt Mustang GT 390 Fastback.  And in 1985 audiences went for another ride with one of the single most iconic cinematic cars of all time in the form of Doctor Emmett L. Brown’s DeLorean time machine.  That car is the focus of today’s review.  Or rather, a new documentary focused on the car in question is the focus of today’s review.  Just last week Virgil Films released a new documentary title OUTATIME:  Saving The DeLorean Time Machine.  The roughly 63 minute documentary follows the efforts of a dedicated team of fans who made it their mission to reconstruct the car, which for years had sadly been left to the elements by the very studio that made it famous.  That story in question sits at the center of the documentary as its most important elements.  The transitions that are used to advance the story are just as important to note as the documentary’s central story.  The bonus material that is included in the documentary rounds out its most important elements.  It brings everything full circle in the program’s presentation.  Each element plays its own unquestionably important part in the program’s presentation.  Altogether they make OUTATIME: Saving The DeLorean Time Machine a must see not just for Back to the Future fans but for car nuts and film buffs, too.  They come together to make the program in whole potentially one of the year’s top new documentaries.

Virgil Films’ new cinematic documentary OUTATIME: Saving The DeLorean Time Machine is potentially one of 2016’s top new documentaries.  It is a must see not just for Back to the Future fans but for car nuts and film buffs, too.  That is exhibited in large part through the story that makes up the body of the program’s main feature.  The story follows a group of dedicated Back to the Future fans who make it their mission to bring back to life the famed DeLorean time machine used in the filming of the beloved film series (and apparently its animated spinoff, too as audiences will learn in watching this documentary).  As the story goes, the car in question was Universal’s “A” car.  It was one of three that were used in the filming of the original trilogy and is the only one of the three cars that survived the filming.  The problem is that the car was largely neglected in the years following the trilogy’s filming.  If it wasn’t being used at special events and around the Universal back lot, it was being left open to the elements and overzealous fans, many of whom picked pieces of the car and took them home for themselves.  So, as the story presents, it was up to these dedicated fans to reconstruct the car to its original, pristine condition.  It was anything but an easy chore, too.  It took the team a whole year to find get the job done.  From looking through military surplus yards to contacting fans who had taken pieces of the original car (including the original flux capacitor) to even building parts from scratch and more the reconstruction team had quite the job in store.  Lead man Joe Walser made certain, too that the car was rebuilt right down to the smallest detail.  Perhaps most incredible of all is that not a single member of the team was paid for its efforts.  One man drove three hours either way from beginning to end while another even flew 7 hours at one point and was instantly put right to work upon arrival.  The end result of the team’s efforts is incredible to see.  Interestingly enough had Universal taken more care of the DeLorean, this documentary might have ironically never happened.  But now thanks to the efforts of the build team, it does exist.  Not only that but the DeLorean now sits in one of the world’s most renowned automotive museums for all to see after being moved from Universal Studios.  This is revealed in one of the program’s key bonus features, and will be discussed later.  Getting back on the subject at hand, the story at the center of OUTATIME: Saving the DeLorean Time Machine is a key element to the documentary’s presentation.  It is only one of the program’s key elements.  The transitions that are used in telling the story, and advancing it, are just as important to the program as its story.

The story at the center of OUTATIME: Saving the DeLorean Time Machine is a key element in the program’s presentation.  It is just one of the documentary’s key elements.  The transitions that are used to help tell the story and advance it are just as important to its overall presentation as the story itself.  Viewers will be pleased to see just how smooth the transitions in question are.  Each segment is launched by the use of yet another iconic BTTF element, the clock from the clock tower.  As each month ticks by so does the clock tick back to zero.  Within each segment viewers are presented with a specific portion of the rebuild–the time circuits, reacquiring the pieces that had been picked from the car, the hunt to find other parts, etc.  The beginning and end of each segment is wholly clear, making the story in whole that much easier to follow.  That in turn leads to insurance of viewers’ engagement from the beginning of the program to its end.  It works with the story directly to make the presentation of the program’s central story key in itself to the documentary’s overall presentation.  It still is not the last of the documentary’s most notable elements.  Its bonus material is just as important to note as its story and transitions therein.

The story at the center of OUTATIME: Saving the DeLorean Time Machine and its related transitions are both key pieces of this documentary’s presentation.  The story centers on the efforts to restore what is one of the most iconic cars in Hollywood’s modern history.  The transitions ensure viewers’ engagement from beginning to end.  While both elements prove to be undeniably important to the documentary’s overall presentation they are not its only important elements.  The bonus material that comes with the documentary is just as important as the story and its elements.  That is because the bonus material collectively brings the whole presentation full circle beginning with the “Petersen Automotive Museum” featurette.  This bonus features Joe Walser and a representative from the Petersen Automotive Museum discussing the addition of the DeLorean time machine to the museum’s collection.  Walser is so ecstatic as he discusses the car’s move from Universal Studios post reconstruction to the Petersen Museum.  He notes that he could not have been happier because unlike its time at Universal Studios, it is not encased in a giant box.  It is on display for everybody to see.  And as the museum’s rep notes, it is presented so that people can walk almost all the way around it as they admire it.  But it is also monitored very closely so as to prevent anyone from touching it, again bringing the story full circle since people originally taking parts from the car was part of what led to its near demise.  Speaking of the car’s parts the documentary also features a short piece discussing the names for the various parts that make up Doc Brown’s famed time machine and how said names came to be.  Walser and another member of the team note that many of the car’s parts were named by other BTTF fans, not by the people behind the cameras.  As a result of that dedication to the car and the franchise that made the car so famous, the names for the parts have, in turn, stuck to this day.  On a similar note, there is also a feature on sci-fi archivist Bob Burns and how his dedication to archiving and maintaining props and other pieces from Hollywood’s history served as the inspiration for Walser and others.  It is eye-opening to see Burns’ vast collection and the state in which the props remain today.  It is a compliment to Burns’ efforts to say the very least.  As if that isn’t enough there is also an extensive collection of deleted scenes that adds its own share of enjoyment to the program.  The bonus feature-length commentary adds just as much entertainment and insight to the documentary if not more than the other noted bonus features.  That aside, audiences will agree that each bonus plays its own part in the whole of the program’s presentation.  Altogether they prove to be just as important to the documentary as its story and the story’s related transitions.  All things considered they make OUUTATIME: Saving the DeLorean Time Machine a must see for any Back To the Future fan as well as any car nut and cinema history buff.  It is the kind of program that would be a good fit on History Channel and even Velocity network because of that reach and the networks’ similar programming.  Considering all of this, the documentary proves to be such a solid work that it is potentially one of 2016’s top new documentaries.

OUTATIME: Saving the DeLorean Time Machine is potentially one of 2016s top new documentaries.  That is due in large part to its original story and the transitions therein that ensure viewers’ engagement from beginning to end.  The story makes it a good fit not just on Blu-ray but also alongside programming offered on History Channel and even Velocity network.  The bonus material that is included with the program’s home release makes the documentary even more worth the watch.  That is because it brings the program full circle with its presented material.  Each element plays its own important part to the program, as has already been noted.  When they are set against one another, they show this documentary to be one that every car nut, cinematic history buff, and Back to the Future fan alike will appreciate.  Considering that reach and overall enjoyment, the documentary in whole proves to be potentially one of 2016’s top new documentaries.  It is available now in store and online.  More information on this and other titles from Virgil Films is available online now at:

 

 

 

Website: http://www.virgilfilmsent.com

Facebook: http://www.facebook.com/VirgilFilms

Twitter: http://twitter.com/virgilfilms

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Arrow Films Hits Another Bulls Eye With ‘Killer Tomatoes’ Sequel Re-Issue

Courtesy: Arrow Video/MVD Visual

Courtesy: Arrow Video/MVD Visual

It is hard to believe but nearly thirty years have passed since the indie spoof flick Return of the Killer Tomatoes was originally released by KT Entertainment and New World Pictures.  More specifically 28 years have passed since its original release.  And at last check roughly eight years have passed since the cult classic was released on DVD.  That release was via independent studio Anchor Bay Entertainment.  Now thanks to another independent studio—Arrow Films—it has received its first Blu-ray treatment.  Released on June 28th, the movie’s new Special Edition Blu-ray presentation is another must have for any true movie buff.  That is due in part to the movie’s writing, which includes not just its story but its smaller items, too.  This will be discussed shortly.  The work of the movie’s cast is just as important to note in the movie’s presentation as its writing.  The bonus material included in the movie’s new Special Edition Blu-ray platform rounds out the movie’s most important elements.  Each element is important in its own way to the movie’s presentation.  Together, they make this new re-issue one of the year’s only truly welcome sequel even being a previously released movie.  It is again, one more absolute must have for any true movie buff.

Arrow Films’ new re-issue of Return of the Killer Tomatoes is an absolute must have for any true movie buff.  It is also one of 2016’s top new DVD/BD re-issues.  That is due in part to the movie’s writing.  This includes both the movie’s story and the script’s smaller details (E.g. dialogue, story-telling, etc.).  In an age when sequels are churned out just for the sake of being churned out, very few of said offerings offer anything substantial for audiences.  This sequel however is the exact opposite.  It is a full-on nonsensical story that takes every opportunity to entertain audiences.  It sees the evil Professor Gangreen (John Astin—The Addams Family, National Lampoon’s European Vacation, Recess)  crafting a new way to use tomatoes to take over the world.  This time he has found a way to turn tomatoes into humans and vice versa using toxic waste, music, and a special chamber.  When Tara, (Karen M. Waldron—Space Cowboys, The New Adventures of Beans Baxter, Coach) one of Professor Gangreen’s tomato/human hybrids runs away from his mansion with her furry tomato friend “FT” the story is eventually set in motion.  She tries to hide her true identity from boyfriend Chad Finletter (Anthony Starke—Prison Break, The Magnificent Seven, The George Carlin Show) things begun to unravel, leading to lots of trouble.  Of course the story does have a happy ending.  Even greater about the whole story is that despite its title there are never any killer tomatoes in the movie.  The whole movie centers on Professor Gangreen’s attempt to turn tomatoes into humans and Chad’s eventual plan to stop Gangreen’s plan.  It makes the movie’s title that much funnier in hindsight.  The story and title are just a portion of what makes the movie’s writing so important to note here.  The smaller details of the movie’s script are just as important to note as its story in examining the importance of the movie’s writing.

The story at the center of Return of the Killer Tomatoes is undeniably important to note in examining the movie’s writing.  It is just as important to the movie’s overall presentation as to just the writing.  It is only one part of the movie’s writing that should be considered, though.  The scripts smaller details are just as important to note in examining its importance as its story.  One of the most notable of those details is the story’s constant, deliberate breaking down of the fourth wall.  Sometimes it is overly blatant, which makes for plenty of laughs.  At other times it is a little bit more subtle but still just as deliberate.  This still makes for its own share of laughs, too.  One of the funniest of those overtly deliberate moments comes late in the movie as the “director” stops the filming and claims that there is no more money to film the movie.  This leads lead star George Clooney (yes, that George Clooney) tells everyone that they should consider using product placement, since, after all, it is the 80s.  His delivery in this moment is one of the examples of what makes the cast’s work so entertaining.  It will be discussed later.  The very fact that the movie’s writing team would so openly make a joke about product placement in movies, and then proceed to use said practice as its own joke within the story is absolutely hilarious.  It is just one example of the importance of the script’s smaller elements in its overall presentation.  Igor’s (Steve Lundquist—Earth Girls Are Easy, Killer Tomatoes Eat France, Killer Tomatoes Strike Back) aspiration to be a newsman is another example of the importance of the script’s smaller details.

That the movie consistently lets audiences know that they are watching a movie by breaking that fourth wall is an important piece of the movie script.  It is a smaller detail within the movie’s writing.  But it does so much to entertain audiences and advance the story.  That is because neither the writers nor the cast take themselves the least bit seriously at any moment in which this happens.  Igor’s drive to become a newsman all while being Gangreen’s oafish henchman is another of those small yet so entertaining elements of the script.  He is so set on being a newsman that (as is revealed later in the movie) his room in Gangreen’s mansion is a virtual shrine to some of the most well-known news broadcasters of the time.  There is even a picture of one of those figures surrounded by candles, as if it was an altar to her.  As if that isn’t enough, he even drives around in a garbage truck with the sign of a news station that he has made up himself.  Speaking of the news, the writers also poke fun at the news media in the bigger picture of the story.  This is yet another of the script’s smaller yet still so entertaining elements.

The blatant breaking of the fourth wall throughout Return of the Killer Tomatoes and the character depiction of Igor are two smaller yet still entertaining elements of the movie’s script.  They are just as important in examining the importance of the movie’s writing as the movie’s story.  They are hardly the only important details to note in examining the importance of the movie’s writing.  The writers’ poke at the news media is just as notable as the previously noted elements.  Time and again, the writers poke fun at the broadcast news media showing its willingness to do whatever it takes to get people to watch.  The sad reality is that this depiction is actually quite accurate even today.  Sure there’s a certain amount of embellishment in at least one scene.  But in the bigger picture of that depiction, it is pretty spot on even now nearly thirty years after this movie originally premiered.  Considering this it makes this element even funnier, and shows once again why the script’s smaller elements are just as important to the movie’s overall writing as the movie’s story.  There are so many other elements and moments that could be cited in exhibiting what makes the script’s smaller elements so important.  Audiences will have to discover them for themselves.  Moving on, the work of the movie’s cast is just as important to note in the movie’s overall presentation as its writing.

The writing at the center of Return of the Killer Tomatoes is hugely important to note in considering what makes this movie such a fun flick.  From its full-on nonsensical story to its smaller yet equally nonsensical elements the writing forms a solid foundation for the movie.  The work of the movie’s cast is just as solid of an addition to that foundation beginning with that of John Astin.  Astin is just as *ahem* kooky (just not spooky) here as he was as Gomez Addams in The Addams Family.  The distant look in his eyes as he delivers his lines makes his bizarre delusional personality entirely believable and so hilarious at the same time.  George Clooney is just as entertaining as Chad’s friend Matt Stevens.  It is interesting to note Matt’s womanizing ways and the kind of characters that he has played since.  Given, Clooney was already in television before joining the movie’s cast.  However, one can’t help but wonder if this role played any part in the roles that he would take on in the years to come.  Case in point his character on Roseanne.  He was very similar in his suave, confident womanizing personality.  J. Stephen Peace cannot be ignored in examining the work of the movie’s cast either.  He is wonderful as the Tomato War hero Wilbur Finletter.  He is so impressive in his portrayal as it is so much along the lines of the stereotypical war veteran presented in other comedies.  That is evident in his one-track mindset and his firm beliefs as a result of his experiences.  It is just one more way in which the cast’s work proves to be so important to the movie’s presentation and hardly the last.  Anthony Starke is just as hilarious as Wilbur’s nephew.  Even Waldron shines as Tara in her own right.  Whether through her performance, that of Starke, or any of the movie’s other cast members, the fact remains that the work of the cast in whole is just as important to note in the movie’s presentation as its writing.  It is also not the last of the movie’s most important elements.  The bonus material that is included in the movie’s new Blu-ray re-issue is just as important to note as its writing and the work of its cast.

The writing behind Return of the Killer Tomatoes and the work of the movie’s cast are both integral in the movie’s overall presentation.  Each element makes the movie hugely entertaining in its own right.  Collectively they reveal the movie to be just as underappreciated as it is entertaining.  That says plenty.  The combination of those two elements only does so much for the movie, though.  The movie’s new Blu-ray re-issue also includes a feature-length commentary from writer/director John De Bello and Michael Felsher, from Red Shirt Films that is just as entertaining in its own right as the movie’s writing and the cast’s work on camera.  Audiences learn in hearing the commentary that this movie in particular only happened because there was actually demand for the movie on the part of audiences who had watched the original Attack of the Killer Tomatoes.  De Bello jokes here about it when comparing that demand to Hollywood’s current practice of announcing sequels for movies before said movies’ progenitors have even hit the big screen.  He hit the nail right on the head there.  That didn’t use to be Hollywood’s practice.  But now it’s become the norm for Hollywood, a way of life for the industry almost.  De Bello also reveals that New World Pictures didn’t want the movie to look too good because it was, after all, a spoof.  This is all within the first ten minutes of the movie or so.  There is also a discussion later on the casting of Anthony Starke and George Clooney that leads to a separate yet insightful discussion on the transition of TV stars to the big screen at the time.  It is interesting to learn that, at the time, it was basically a death sentence for an actor’s career when a TV actor tried to make the jump to movies.  All of this is just a glance into the commentary provided within the movie.  There is so much more entertainment and information provided throughout the course of the movie’s hour and thirty-nine minute run time.  Audiences will find their own favorite information and entertainment from the commentary when they watch this new Blu-ray re-issue for themselves.  That overall entertainment and information joins with the movie’s writing and the cast’s work to make the movie’s overall presentation lots of fruity (tomatoes are NOT vegetables.  See what I did there?) and funny entertainment for any true movie buff.

Return of the Killer Tomatoes is one of 2016’s top new DVD/BD re-issues.  It is an absolute must have for any true movie buff.  That is proven clearly in the movie’s script.  Both the story at the center of the movie and its smaller elements are so nonsensically funny that one can’t help but laugh.  That is exactly what the cast and crew wanted after all.  The work of the movie’s cast is just as enjoyable as that of the movie’s writing team.  The cast’s interpretation of the script and characters will keep audiences laughing just as loudly as the story and its smaller items.  The bonus, feature-length commentary adds even more enjoyment to the movie.  That is because of the jokes and information that are shared throughout.  By now it should be clear just how important each element is to the overall presentation of Return of the Killer Tomatoes in its new Blu-ray re-issue.  All things considered this new re-issue reminds audiences just why it is such an undervalued movie.  They show why the movie, now in its new Blu-ray re-issue is an absolutely must have for any true movie buff and one of the year’s top new DVD/BD re-issues.  It is available now and can be ordered online direct via Arrow Films’ online store.  More information on this and other titles from Arrow Films is available online now at:

 

 

 

Website: http://www.arrowfilms.co.uk

Facebook: http://www.facebook.com/ArrowFilmsUK

Twitter: http://twitter.com/ArrowFilms

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.