20th Century Fox’s Night At The Museum Series Goes Out On A Low Note With Its Last Installment

Courtesy:  20th Century Fox/20th Century Fox Home Entertainment

Courtesy: 20th Century Fox/20th Century Fox Home Entertainment

When it originally debuted in theaters late in 2014, Night at the Museum: Secret of the Tomb ended up being pulled not long after its original run. It comes across as no surprise that it was pulled so quickly. That’s because it is just a hollow shell of the movie that kicked off 20th Century Fox’s Ben Stiller-led franchise some eight years ago with Night at the Museum. The movie is alleged to have had a production budget of approximately $127 million. By comparison, its total domestic take at the box office was rumored to be around $113,531,745. On the surface that may seem like it was a relative success despite coming up short of its budget. It’s deceiving, though. That’s because the box office sales number is the movie’s gross rather than net. After 20th Century Fox recouped its production budget that left the movie to actually keep only $13,468,255. That is a massive loss to say the least. Put more simply, the movie hemorrhaged money. Given, the total domestic plus foreign sales actually garnered the movie a healthy net profit. But it doesn’t make up for the movie’s lackluster domestic sales. It’s even more proof that American audiences are in fact growing weary of Hollywood’s constantly running river of prequels, sequels, and remakes. So what caused this movie to perform so poorly at least at the American box office? The primary issue with the movie is its script. The script breaks absolutely no new ground in comparison to the franchise’s first two movies. As a matter of fact it goes so far as to rehash much of the material from those movies in hopes that audiences would fall for the writing team’s pathetic overall lack of originality and creativity.  The acting is another issue that should be noted in considering what doomed this movie. Having seen the same sort of comic performances twice over in both NATM and NATM 2, Stiller’s acting here—and that of his cast mates—has become old hat and is just as uninspired as the movie’s script. For all of the movie’s cons, there is one saving grace to the whole thing That saving grace is the fact that the movie continues to push the values of the world’s museums and on a larger scale, learning about the history of the world. In simpler terms, it continues to promote the importance of education albeit history education. That is certainly laudable considering that today’s youths are more concerned with the latest video games and the next big viral video than the excitement of the world’s history. Is it enough to save this movie? Sadly, the answer is no. But at least it doesn’t try to fictionalize history and make it something it isn’t in its efforts to entertain young audiences. Taking into account each of its noted elements, NATM 3 (as it will henceforth be known) proves to be just as forgettable in its new home release as its big screen release last year.

20th Century Fox’s third and hopefully truly last installment in its Night at the Museum franchise is the worst of the studio’s three-movie series. There is by and large very little that makes this movie memorable or even enjoyable. The movie’s script is the main reason that it suffers and in turn makes audiences suffer. The script is laughable especially considering that the trilogy first kicked off eight years ago. The story presented in this movie’s script sees Larry (once again played by Ben Stiller) and all of his friends from the original Night at the Museum movie go on a trip across the Atlantic to return the magical tablet at the center of the trilogy to Ahkmenrah’s father in “Egypt.” The trip has to be made because *gasp* the tablet has been away from its proper place for too long. Apparently it hadn’t already sat in the Museum of Natural History in New York for far too long at the time of the trilogy’s first installment. Go figure. So instead of any new story, it all centers on the tablet once again. And not to ruin things for those that haven’t yet seen the movie now that it is available on DVD and Blu-ray combo pack, but the group’s “epic” quest isn’t quite as epic as one might think. Instead of actually going to Egypt, they travel to London’s major museum and have to get to the museum’s Egypt wing so as to return the tablet to Ahkmenrah’s father (played in little more than a cameo role by Sir Ben Kingsley). With a budget allegedly topping $127 million one would have thought that Larry and company might have actually somehow made the trip to Egypt or the country’s main museum instead of the Egypt wing of London’s central history museum. Add in the fact that Larry and his friends have to hunt for their pint size pals Jedediah and Octavius (once again played by Owen Wilson and Steve Coogan respectively) and also have to get the tablet back from a misguided Sir Lancelot along the way all while maneuvering their way through the museum, and audiences get a script that when examined in such full detail, can only be described as completely contrived, unoriginal, and completely lacking in any creativity. That’s not even to mention the underlying plot of Larry’s relationship with his now teenage son who wants to travel the world instead of go off to college. It is all too much.

The script thrown together by NATM 3’s writing team does more than its own share of damage to this movie. The very fact that multiple parties played a role in the script’s creation could in fact be to blame for its numerous issues. As much damage as the movie’s script does to the movie’s overall presentation, it’s just one of the movie’s major setbacks. The work of the movie’s cast does its own share of damage, too. Larry’s back and forth with Dexter and Laa is all too familiar for those that have watched NATM and NATM 2. It’s been done. It’s one of those situations that proves to be anything but funny this time around because it has already been done so much before. Even Owen Wilson and Steve Coogan felt slightly like they were just “phoning it in” during their parts. It was almost like they themselves had grown somewhat tired of the roles and were trying hard to not show it. On a lesser note, Rebel Wilson is just as annoying in her role of Tilly as Jonah Hill was as security guard Brandon in NATM 2. To be totally frank, having a similar character type used as the secondary guard twice over shows yet again the writers’ lack of creativity or enlightenment. They obviously didn’t learn from Hill’s failures as is evident in Wilson’s portrayal of Tilly. For all of the damage that the cast does with its work in front of the camera, it can at least be said that Robin Williams didn’t disappoint in what is one of his final roles before his untimely death. It’s easy to tell that once again he put in his whole effort from beginning to end. The same can be said of Patrick Gallagher in his return as Attila The Hun. While he is not the lead star, he is still just as entertaining as ever. To that extent one can argue that at least the movie has that as its single, shining ray of light in an otherwise dark cloud of a sequel.

The writing that went into NATM 3 and the work of the cast by does a lot to prove this movie to be one more sequel that never should have seen the light of day. Though, not the entire cast is so disappointing. Robin Williams and Patrick Gallagher both shine in their own right. Sadly, their work in front of the camera is the movie’s only fully noticeable saving grace in terms of the movie’s intrinsic value. For all of the problems that show up throughout NATM 3, there is at least one positive that can be noted when looking at the movie from a larger scale. That positive is the series’ continued push for history education and the support of the world’s museums. In an age when the world’s youths are increasingly being distracted by social media, video games, and their cell phones, the continued push to get those same younger audiences interested in history and the houses that keep said history is actually welcome. After all, it has been said that those who forget the past are doomed to repeat it. Not only that but those who forget the past won’t have an appreciation for what they have today, either. NATM 3 does a good job of reminding audiences both young and old alike of how far the world has come over the centuries. And when coupled with the series’ first two movies, it does in fact make this installment more worth the watch if only for that one reason. Sadly though, it is the only reason other than the work of Robin Williams and Patrick Gallagher that NATM 3 is worth the watch. Other than those two reasons, there is no reason to watch this otherwise forgettable flick.

There is not much positive to say about NATM 3. Other than the work of two of its cast members and the continued solid push for history education and the buildings that house the world’s history, there is not much that can be noted to the movie’s positive side. The script was completely unoriginal and contrived. That is likely because of the number of people working on the script. It just feels like it has all been done before. The same can be said of the cast’s acting, even in the case of new cast member Rebel Wilson. There is no new ground broken in this avenue, either. One could even say that seeing even more museum figures coming to life is anything but new, too. On the other hand though, introducing new historical figures also continues the series’ push for history education and support for the world’s museums. To that extent, NATM 3 has at least that much to its credit. Sadly that is all that it has to its credit. That means that while it’s worth at least a watch, it’s not worth much more than that.

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Ryan Reynolds Shines In Lionsgate’s New Horror/Thriller

Courtesy:  Lionsgate

Courtesy: Lionsgate

Ryan Reynolds’ new horror flick The Voices is one of the most disturbing and unsettling movies in its genre to be released so far this year. The movie is billed as a dark comedy. But on a deeper level, it is a much deeper, troubling story that stands completely apart from all of the other slasher flicks that crowd theaters each year. What’s more, it isn’t just another CSI, Criminal Minds, or Law & Order: CI, either. It is something far more disturbing. So disturbing in fact that it puts even the likes of Psycho to shame. That is just one part of what makes The Voices a piece that even horror fans will find so unsettling that they can’t help but watch. Star Ryan Reynolds’ work in the role of Jerry adds even more interest to the movie. Being that he is more familiar with comedies and action flicks than horrors in large part, this movie was a big risk for him. And he succeeded in a big way here. Simply put, his work in this movie is the kind of work that will give audiences nightmares. Rounding out the movie in whole is its bonus material. The standard “making of” featurette is there. There is also a look at how Reynolds brought to life the voices of Jerry’s dog and cat as well as deleted and extended scenes among other bonuses. All three elements pose their own part in the strange success of this so grotesque and troubling that one can’t ignore it movie. Collectively, they make this movie one of the most original and strangely entertaining movies of this year.

The Voices is one of the most unsettling and disturbing horror flicks to come along in a very long time. The story follows Jerry (Ryan Reynolds), a schizophrenic who murders a trio of his female co-workers. It is obvious in committing the murders that Jerry’s schizophrenia has almost completely overtaken him as he has almost no sense of morals in regards to his horrible, grotesque acts. While he does show great separation from reality throughout most of the story, he shows that he does have some sense of what he’s doing albeit not until the story’s thrilling climax. It is one of the most original stories to come along within the horror genre this year if not the most original. Instead of just being another run-of-the-mill, cookie cutter slasher flick that throws out a bunch of blood and gore for shock value, it uses it to illustrate just how far gone Jerry proves to be. The comic elements are darkly funny. And audiences will find themselves to be ashamed of themselves for laughing at the comic elements in question. But they serve, too to illustrate the depth of Jerry’s mentality or rather lack thereof. Considering all of this, the script behind The Voices proves that it is not only not just another carbon copy slasher flick but that it even stands out from the likes of Criminal Minds, Law & Order: CI, CSI, Dexter, and any of those TV crime dramas. It proves to be something much deeper and more unsettling right to the end. It is a work that is so deep, unsettling and grotesque that audiences won’t be able to help but watch it.

The story behind The Voices proves undoubtedly that this movie is one of the year’s most original horror flicks if not the best of the genre. It stands out completely from its big screen slasher flick counterparts and even all of the crime dramas that over-populate television’s broadcast and cable networks today. It is just one part of the whole of this movie that makes it one of those works that audiences can’t help but watch. Lead star Ryan Reynolds’ work in the role of Jerry adds even more reason to watch this movie. Anyone that is familiar with Reynolds’ body of work know that he is more commonly associated with comedy and action flicks than horror. Aside from this new movie, Reynolds is also starring in another new thriller from Lionsgate titled The Captive. Other than that movie, the only other well-known experience that he has in the horror/thriller genre is the 2005 remake of The Amityville Horror. Considering his overall lack of experience in the horror/thriller realm in comparison to his work in comedies and actions, Reynolds is to be highly commended for his work in this movie. His performance as Jerry makes Norman Bates look like a saint as he basically chops up and disembowels (yes, disembowels) the three women and puts their remains in Tupperware and pizza boxes. This is the kind of behavior that puts even the crimes from Se7en and Silence of the Lambs to shame. Reynolds is especially frightening as he finally begins to realize (without his medications) that there is something seriously wrong with him and confronts his psychotherapist Dr. Warren (Jacki Weaver–Silver Linings Playbook, Gracepoint, The Five-Year Engagement) in the movie’s climax. He knows what he has done and is now desperate for some kind of help, any help. His reaction here is especially interesting because it shows that Jerry is not entirely gone and has at least some sense of humanity left in him. It is just one more of so many moments in which Reynolds shines in his role and proves his surprising versatility as an actor. That surprisingly entertaining portrayal shows both Reynolds’ potential as an actor worthy of being taken seriously and one more reason that audiences won’t be able to help but watch The Voices.

The script behind The Voices and lead actor Ryan Reynolds’ portrayal of schizophrenic killer Jerry are two clear reasons that audiences won’t be able to help but watch this sleeper hit of a horror flick. Both are solid reasons that audiences won’t be able to help but watch, too. They are not all that should be taken into consideration in what makes this movie surprisingly worth the watch, either. The material included with the movie as bonus features makes it even more worth the watch. More specifically, the bonus “Making of” featurette and (surprisingly) deleted scenes make the movie more worth the watch. Audiences learn in the bonus “making of” featurette how those behind the cameras brought Jerry’s four-legged friends to life and the real feelings of the cast among many other tidbits. It’s interesting to learn that those behind the cameras actually took a real dog and cat, and completely reconstructed their heads via CG to make them talk. They didn’t just go the cheesy route and make it look like they were talking. The special effects crew discussed how they went to painstaking efforts to make the animals look as real as possible as they talked. Those efforts paid off in spades. Just as interesting to hear is that most of the cast echoed the sentiment that they were drawn to the movie because of its original script. That is a powerful statement considering that Lionsgate is not typically thought of as one of Hollywood’s Power Five Studios. The deleted scenes hold their own importance as bonus material. There are some scenes presented that audiences will agree deserved to be cut. In another case such as when Jerry meets his now deceased, abusive father and discusses his [Jerry’s] fate, one can’t help but wonder if maybe such a scene should have been left in the movie. The same can be said of the scene in which Fiona’s remains are discovered by the police. It is actually a scene that really could have been left in or taken out. Its removal neither hinders nor boosts the story in any way. But it is a good part of the whole story even in its short few moments. It’s one more example of how the deleted scenes presented here help to enhance The Voices and prove that sometimes a movie’s bonus material can in fact make a movie better and even as worth the watch as any major name horror and/or thriller.

The bonus material included with Lionsgate’s home release of The Voices actually goes a long way toward making this movie so surprisingly worth the watch even as unsettling and grotesque as it proves to be. The same can be said of lead actor Ryan Reynolds’ portrayal of Jerry, and of course the movie’s script. All three elements combined, The Voices proves itself to be one of the most surprisingly intriguing and original works to be released so far both in the horror world and in terms of movies overall. It is a movie that because of not just its unsettling nature but its depth that audiences won’t be able to help but watch. It is available now in stores and online and can be ordered online direct from Lionsgate’s online store both on DVD and Blu-ray at http://www.lionsgateshop.com/search_results.asp?Search=The%20Voices. More information on this and other titles from Lionsgate is available online now at:

Website: http://www.lionsgate.com

Facebook: http://www.facebook.com/lionsgate

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No Mystery Here: Mysteries Of The Unseen World Is A Fun Film For Audiences Of All Ages

Courtesy:  Virgil Films/National Geographic/Lockheed Martin/FEI/National Science Foundation

Courtesy: Virgil Films/National Geographic/Lockheed Martin/FEI/National Science Foundation

National Geographic officially released its new documentary film Mysteries of the Unseen World this week. The film, which runs barely over the half-hour mark, is just as good a fit for any family’s home collection as it is a science class at any level of education. The film’s aforementioned run time is the central reason that it is such a good fit in both the living room and the classroom. By association, its pacing plays its own role, too. It’s just part of what makes it so worth the watch. Its clear presentation of two separate yet similar topics adds to its enjoyment. For those that might actually have a 3D Blu-ray player and 3D TV will also appreciate the fact that National Geographic has presented the film in both standard 2D and 3D format. Both formats are both Blu-ray presentations, too. So regardless of whether or not audiences have the equipment for a 3D presentation, every viewer will have reason to be happy when they pick up the film in its 2D/3D Blu-ray combo pack. Whether for this reason, for the fact that it clearly separates the topics into two separate segments or for its relatively short run time, audiences will see in the end that there is plenty to like about Mysteries of the Unseen World.

National Geographic’s new documentary Mysteries of the Unseen World is a good fit for the living room and the classroom alike. As a matter of fact, watching through this program, it proves to be a piece that audiences of any age will enjoy whether in the living room or the classroom. That is saying quite a bit. It is just as valuable for a junior high science class as a freshman level college science course. One reason for this vast reach is the program’s run time. Its total run time comes it at just over the half hour mark. To be more precise, its run time comes in at approximately thirty-nine minutes. That time seems to fly by, too even with the amount of information shared through the course of the film’s two segments. That is a credit to those charged with editing and assembling the film. As much information is shared through the course of the program–the wonders of the microscopic world and slow motion photography, and its history and impact–at no one point does it spend too much or too little time on the subjects or their related topics. Speaking of those topics, they are another reason that audiences of all ages will appreciate this film.

The run time and pacing of Mysteries of the Unseen World collectively make this presentation well worth the watch in and of themselves. No time is wasted on either end of the clock covering any of the material presented throughout the course of the film’s thirty-nine minute run time. It’s just part of what makes this documentary feature worth the watch regardless of audiences’ age. The material itself adds even more enjoyment to the program in whole. It examines the world first through the lens of a high-speed camera, showing specific situations both slowed and sped up. Those situations include a balloon being popped, a rose decaying, a glass and pitcher of milk falling and breaking and more. Anyone that remembers Discovery’s short-lived series Time Warp and who might have actually watched it will appreciate this segment. The second segment, which is clearly separated from the first, takes viewers into the microscopic world, introducing viewers to otherwise invisible objects. Those objects are both good and bad. For instance, there is a close up look at a butterfly egg and at a highly bendable material that–as narrator Forest Whitaker notes–could one day be used to build the long talked about elevator to space. On another level, there’s a note of the bumpy microscopic surface of a lily pad which could be used as a model to keep planes’ wings from icing over one day. To these extents, the things that we can’t see become that much more incredible. And they make for an especially welcome starting point for just such a discussion, again, in a science class at any level. On the other side of the discussion is a microscopic look at some not so nice objects such as head lice and even a mite that lives on people’s eyelashes. It’s unsettling but so intriguing that one can’t help but look. And it’s one more way that the content presented in Mysteries of the Unseen World makes this documentary worth the watch whether in the living room or the classroom. Coupled with the film’s run time and pacing, the content adds even more punch to the whole, making it that much more of a must have at least for any science teacher and lover of science in general.

The run time and pacing of Mysteries of the Unseen World taken into consideration with the overall content and its arrangement makes collectively for more than enough reason for audiences to check out the new documentary from National Geographic. While the noted elements are each equally important to the whole that is Mysteries of the Unseen World, there is still one more element to note of the film that should be noted that makes it a worth the watch. The element in question is the very fact that the documentary has been presented in a 2D/3D Blu-ray combo pack. The 2D/3D Blu-ray combo pack obviously presents the documentary both in its 2D presentation and enhanced 3D presentation. Those that have the necessary equipment to take in the 3D presentation will see for themselves just how amazing the microscopic world and the smaller world in whole look. It is the finishing touch to a documentary that along with its overall content, run time, and pacing shows to be a surprisingly fun and entertaining piece for audiences of all ages.

Mysteries of the Unseen World is available now in stores and online. The 2D/3D combo pack can be ordered online direct from Virgil Films’ online store and National Geographic’s online store. More information on this and other titles from Virgil Films is available online at:

Website: http://www.virgilfilmsent.com

Facebook: http://www.facebook.com/VirgilFilms

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MLB Productions Releasing New Babe Ruth Documentary This Spring

Courtesy:  Lionsgate/A&E Networks/A&E Home Video/MLB Productions

Courtesy: Lionsgate/A&E Networks/A&E Home Video/MLB Productions

This spring, MLB Productions will examine the life and career of one of baseball’s greatest figures when it releases American Hercules: Babe Ruth.

American Hercules: Babe Ruth will be released on DVD on Tuesday, May 19th. It will be released in partnership with Lionsgate and A&E Networks. The film, narrated by veteran actor Martin Sheen, examines Ruth’s life and career from his early days as a youth in Baltimore to his time as a member of both the Red Sox and the Yankees. Along the way, it examines why Ruth remains such a revered figure among both baseball players and fans alike to this day. It does all of this through the use of new psychological and historical perspectives on Ruth the man and Ruth the legend.

American Hercules: Babe Ruth will retail for MSRP of $19.98. It can be ordered online via MLB Production’s online store at http://shop.mlb.com. More information on this and other titles from MLB Productions is available online now at:

Website: http://mlbproductions.com

Facebook: http://www.facebook.com/mlbprod

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Paramount Comes Up Short With Its New Peanuts Re-Issue

Courtesy:  Paramount

Courtesy: Paramount

This past February, Paramount released to DVD for the first time the 1977 Peanuts “movie” Race For You Life, Charlie Brown. Its recent release marks the first time ever that it has seen the light of day on DVD. It wasn’t even included on either of the Peanuts 1970s Collections released by Warner Home Video in 2009 and 2010 respectively. As long as audiences have waited for this movie to finally be released, its release back in February of this year proved to be anything but outstanding. Interestingly enough, WHV didn’t handle Race For Your Life, Charlie Brown. It was actually handled solely by Paramount, one of Hollywood’s Big 5 Studios. Considering this one would have thought that Paramount would have taken more pride in its product than WHV. Alas, that wasn’t the case with this release. It is a bare bones presentation lacking any bonus material for audiences. That will be discussed later. The movie itself presents an enjoyable story. And the overall presentation looks and sounds great. But that glaring lack of ANY bonus material hurts the overall product in a big way. The end result is a DVD that any Peanuts fans will welcome in their home library, but will do so very begrudgingly. It proves to be a DVD that Paramount should have handled far better than it did especially after making audiences wait nearly four decades for it to receive a DVD release albeit a DVD release that could have been far better.

Audiences have waited nearly forty-years for Paramount’s recent release of Race For You Life, Charlie Brown on DVD. Considering the wait, it goes without saying that the wait was not entirely worth it, going through this DVD. That will be discussed shortly. It isn’t all bad, though. The movie itself presents a fun story that takes both the Peanuts gang and audiences out of the typical world created by the Peanuts TV specials. Peanuts creator Charles M. Schulz’s story takes Charlie Brown and company out of the comfort of their own neighborhood and puts them into the wilderness racing for not just camp pride but in fact for their own lives. Because it is such a foreign setting for the Peanuts gang, it also forces Charlie Brown and the rest of the Peanuts gang to band together in order to survive. As ominous as it sounds, it is all entirely family friendly. Even more interesting to note is that the adventure forces Charlie Brown to show a side that was otherwise very rarely put on display in any of the Peanuts special before or after. Schultz even allowed Charlie Brown to end up on top for once. While there were some instances in which he came out on top in other Peanuts specials, those moments are rare. This being one of those rare instances, it makes the story all the more special. And together with the rest of the story, it makes the whole of the script behind Race For Your Life, Charlie Brown the key element that makes this DVD worth the purchase by any Peanuts fan.

Charlies Schulz’s script for Race For Your Life, Charlie Brown is one of the key elements that makes this movie worth the purchase by any Peanuts fan. It is not the only reason that audiences will enjoy it, either in its new DVD release. The movie’s overall look and sound is just as worth noting. And it will be discussed shortly. For now the focus will turn to the movie’s one glaring negative.That negative is the fac that the movie’s presentation is a bare bones presentation. There is no bonus TV special. There is no feature offering any background on what led to the story’s creation or any other bonuses. All audiences get aside from the movie is the movie’s original trailer. Had this piece been released like this from say Warner Home Video, that would have been expected. That’s because of WHV’s track record in recent years with both releases for families and grown-ups alike. But having been released by Paramount, one of “Hollywood’s Power 5 Studios,”it comes as something as a disappointing surprise. The movie comes in at a little more than an hour. So that had to have left some room for some extras. For whatever reason though, someone at Paramount decided not to include anything extra with the movie other than its trailer. One can only hope that when and if Paramount releases another Peanuts movie or TV special on stand-alone Peanuts movie and/or feature it will include at least a little more than what this one has offered audiences.

The fact that Paramount has offered audiences very little other than the original trailer for Race For Your Life, Charlie Brown as a bonus to the presentation is somewhat disheartening. It is disheartening considering the fact that every previously released Peanuts feature has included at the very least a bonus TV special and a little bonus featurette offering insight into the given presentations. As much as the overall lack of any bonus material hurts Race For Your Life, Charlie Brown’s overall presentation, at least audiences can look to the overall look and sound of the movie in its first-ever DVD presentation. It is presented in full 16:9 format instead of the standard 4:3 with the black bars on either side. What’s more it looks and sounds just as good as it did in its debut roughly thirty-eight years ago. This is something especially important to note. It is important to note because in comparison to some re-issues out there, said re-issues show that very little effort was taken to properly restore them. They look scratchy and sound just as bad. But as in the case with every previously released Peanuts feature, this one looks and sounds just as great as it did in its debut. Nothing was lost along the way in terms of updating the soundtrack and footage. That continued dedication to properly presenting Charles Schulz’s beloved Peanuts features coupled with the “movie’s” original script makes Race For Your Life, Charlie Brown well worth the purchase even despite its glaring lack of any extras. This being noted, Race For Your Life, Charlie Brown may not be the year’s best new DVD for children and families. But it is at least one of the year’s best.

Looking at Race For Your Life, Charlie Brown in whole, it offers audiences its own share of positives. Its script presents a wholly original story in comparison to the other features that make up the Peanuts universe. It also looks and sounds just as good as in its original debut some thirty-eight years ago. That is thanks to the efforts of those charged with resurrecting the movie. For all of its positives, it suffers just as greatly from its overall lack of extras. The only extra–if one wants to call it an extra–that the DVD boasts is the movie’s original trailer. That’s all. There is no bonus TV special. There is no extra feature offering any insight on the movie’s creation, etc. Because of this, major points are taken away. As troublesome as that lack of extras proves itself to be to the overall presentation of Race For Your Life, Charlie Brown, it still doesn’t hurt it enough to keep it from being added to any family’s home movie collection. It is available now in stores and online. All of the latest information on this movie and all of the latest Peanuts news is available online now at:

Website: http://www.peanuts.com

Facebook: http://www.facebook.com/snoopy

Twitter: http://twitter.com/snoopy

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

PBS Announces Release Date, Specs For Grantchester Home Release

Courtesy:  PBS

Courtesy: PBS

PBS’ hit series Masterpiece brings to audiences another gripping murder mystery this spring when it releases Grantchester on DVD and Blu-ray.

Grantchester will be released on DVD and Blu-ray on Tuesday, April 7th. The story is based on author James Runcie’s novel Sidney Chambers and the Shadow of Death. It picks up just after the end of World War II. Elizabeth II had just become queen. And Grantchester’s local priest was one of the town’s most respected figures. A lawyer in nearby Cambridge is found dead. A suicide note, a gun, and alcohol point directly to an open and shut case. But confessions to local priest Sidney Chambers reveals much more than Inspector Geordie Keating had thought. The confessions lead the pair to team up solve what turns out to be a murder. Audiences can check out a trailer for Grantchester online now via YouTube at: https://www.youtube.com/watch?v=s3tzFp5CeAU.

Grantchester stars James Norton (Rush, Death Comes to Pemberly, Mr. Turner) as Sidney Chambers. He is joined by Robson Green (Being Human, Mount Pleasant, Strike Back) as Inspector Geordie Keating. Also on board for this mystery are: Morven Christie (The Young Victoria, Death in Paradise, Sirens) as Amanda Kendall, Tessa Peake-Jones (Only Fools and Horses, Casualty, Doctors) as Mrs. Maguire, Al Weaver (Sherlock, Me and Orson Welles, Doom) as Leonard Finch, and Pheline Roggan (Soul Kitchen, Chiko, Kebab Connection) as the widow of lawyer Stephen Staunton, the series’ first victim.

Grantchester will be available Tuesday, April 7th on DVD and Blu-ray. The series is spread across six episodes for a total run time of 360 minutes. It is spread across two discs on both its DVD and Blu-ray release. The DVD set will retail for MSRP of $34.99 and the Blu-ray set for $39.99. Both can be ordered online along with a DVD/Book combo and Blu-ray book combo via PBS’ online store at http://www.shoppbs.org/search/index.jsp?kwCatId=&kw=grantchester&origkw=grantchester&sr=1.

More information on this and other titles from PBS is available online at:

Website: http://www.pbs.org

Facebook: http://www.facebook.com/pbs

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

PBS Bringing British Murder Mystery To American Audiences This Spring

Courtesy:  PBS Distribution/PBS/Starz/BBC/BBC Two

Courtesy: PBS Distribution/PBS/Starz/BBC/BBC Two

This spring, PBS distribution will release a gripping new miniseries for all the mystery lovers out there.

Dancing on the Edge will be release on DVD an Blu-ray on Tuesday, May 5th. The story focuses on a group of black jazz musicians living and performing in London in the 1930s. The group, known as The Louis Lester Band is becoming increasingly popular all around London, even being asked to perform for the royal family. Along the way, American businessman Walter Masterson and his employee Julian catch the group and become very interested in it. It seems that everything is coming up roses for The Louis Lester Band. But then tragedy strikes. A series of challenges follows that threatens to end the group’s rise to stardom. The story was written by famed writer and director Stephen Poliakoff (The Lost Prince). It stars Chiwetel Ejiofor (12 Years a Slave, American Gangster, Children of Men), John Goodman (Monsters, Inc., Monsters U, Argo) Matthew Goode (The Imitation Game, Watchmen, The Good Wife), Jacqueline Bisset (Bullitt, Murder on the Orient Express, The Deep), Tom Hughes (Page Eight, About Time, Cemetery Junction), Angel Coulby (Merlin, Imagine Me and You, Magicians), Wummi Mosaku (Philomena, Citadel, I Am Slave) and many others.

The mini-series’ six episodes bring its total run-time to roughly seven hours. Those episodes are spread across three discs both in its DVD and Blu-ray presentation. Audiences can check out a trailer for the mini-series online now via YouTube at https://www.youtube.com/watch?v=hcqnCz5chXs. The DVD set will retail for MSRP of $34.99 and the Blu-ray for $39.99.
The Blu-ray can be ordered online at: http://www.shoppbs.org/product/index.jsp?productId=58647396&cp=&sr=1&kw=dancing+on+the+edge&origkw=dancing+on+the+edge&parentPage=search#AdditionalInfo.

The DVD can be ordered online at: http://www.shoppbs.org/product/index.jsp?productId=58647376&cp=&sr=1&kw=dancing+on+the+edge&origkw=dancing+on+the+edge&parentPage=search.

More information on this and other titles from PBS is available online at:

Website: http://www.pbs.org

Facebook: http://www.facebook.com/pbs

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.