‘The Ultimate Legacy’ Does Little For The Legacy Of ReelWorks’ “Ultimate” Franchise

Courtesy: Cinedigm/ReelWorks Studios

Courtesy: Cinedigm/ReelWorks Studios

Evangelical movie studio ReelWorks Studios will release the latest installment in its ongoing “Ultimate” franchise on Tuesday when it releases The Ultimate Legacy.  The franchise’s third installment, it is enjoyable, but hardly perfect.  That is not to say that it is a total loss, but this critic would be lying to say that it is one of the year’s best new cinematic offerings independent or otherwise.  One of the key elements that keeps this latest installment in the “Ultimate” franchise afloat is the work of the movie’s cast.  This will be discussed shortly.  While the cast’s work is laudable, its story is sadly not so laudable.  That is hugely important to note, and will be discussed later.  Of course whereas the movie takes a big hit due to its story, the movie’s cinematography makes up for that hit if only slightly.  When the cinematography is coupled with the cast’s work on camera, they luckily do just enough to make up for the movie’s story, which is anything but original.  Each element plays its own important part in the movie’s overall presentation.  All things considered, The Ultimate Gift proves to be anything but the ultimate cinematic triumph.

ReelWorks’ latest installment in its “Ultimate” movie franchise is enjoyable, but is hardly an ultimate cinematic offering.  Luckily for its parent studio though, it is not a total loss.  It does have some saving graces, one of which is its cinematography.  The movie, shot at least partially in La Grange, Kentucky, will impress audiences if only for the work of its cast.  Viewers will be surprised to learn that the supporting cast is more deserving of credit than the lead cast in this movie.  The most notable of the support cast are Torry Martin and Doug Jones.  The pair plays two of Anderson House’s staff, and while they are not on camera at all times, their time on camera is successful.

Audiences will love watching Martin (The Matchbreaker, The Errs of Birdie Hollow, Adrift) as the innocent, nerdy housekeeper Oscar.  Martin makes Oscar such a loveable character through his portrayal.  His comic timing is spot on as he stumbles over what to call Joey, and as he runs to save the day after Joey accidentally hits a water line while developing the memorial garden.  Even in a more serious moment such as when Oscar and Hawthorne (Jones) reveal a long-held secret to Joey, Martin impresses.  As enjoyable as he is to watch, one can only hope that he will get more opportunities to shine in bigger movies and sooner rather than later at that.

Jones’ (Star Trek Discovery, Hellboy, Hellboy II) portrayal as Hawthorne is just as enjoyable Martin’s take on Oscar.  Just like with Martin, Jones’ time on screen is limited.  But he shines just as much.  Those who are familiar with Disney Junior’s animated series Sofia The First will be able to instantly compare Jones’ portrayal to Tim Gunn’s portrayal of Sofia’s butler Baileywick.  The difference is that Hawthorne barely has any speaking lines in this movie.  Even with that being the case, Jones still impresses when he does speak.  He impresses just as much when his acting is done more through emoting than speaking.  Jones gets even those moments right, and whether those moments come when he’s alone or he is alongside Martin, he shows exactly why he is deserving of credit.  When Jones and Martin work alongside, the pair shows fully that they are the real stars of this movie and collectively one of the only shining stars in this otherwise forgettable evangelical flick.

While Jones’ and Martin’s work is a laudable piece of The Ultimate Legacy’s overall presentation, the movie is anything but perfect.  The movie’s story weighs it down and while it has some funny moments, it is otherwise unoriginal and forgettable.  The movie’s story is a blatant rehashing of the “Ultimate” franchise’s first two movies and just as much of a ripoff of Fireproof.  That is right down to the book that holds Sally Mae’s original will and the 12 Gifts that Joey has to work on in order to earn his inheritance.  Just as with the franchise’s first two films and with Fireproof, the story’s main character has to go through a certain process in order to obtain enlightenment (so to speak) and his ultimate reward.  That process includes self sacrifice (again just like with the aforementioned movies) and tithing in a manner of speaking.  What’s more, Joey doesn’t necessarily go through any major transformation in the story.  The fact that he gave charity early on in the movie made him little more than the bad boy with a heart of gold.  That in itself is hardly original in the bigger picture of the entertainment world.  Considering the fact that he never really went through any major transformation, it almost completely negates any reason to watch the movie.  Luckily, these issues with the movie’s story (it’s writing in the bigger picture) aren’t enough to make the movie completely unwatchable.  Its cinematography does its share to make it worth at least one watch, just as with the work of the movie’s cast.

The story at the center of The Ultimate Legacy does more of a disservice to the movie than a service.  Joey doesn’t necessarily go through any earthshaking transformation when one truly examines the story closely.  The process that Joey has to go through is nothing new both to the movie’s franchise, and is also a reworking of the story presented in Fireproof.  For all of the problems that the story poses, those problems are offset by the movie’s cinematography.  Viewers will be especially impressed by the soaring aerial shots of Hamilton House’s vast property and the countryside shots as Joey helps an elderly woman on her way to his grandmother’s funeral.

The movie’s various interior shots offer audiences just as much to applaud as its exterior shots.  One case comes as Sally’s lawyers watch Joey at work on the memorial garden from inside the mansion’s dining room.  The wide shot of the room and the contrast of the grounds from the inside exquisitely captures the details not just of the room but of the setting in whole.  The shots captured in the mansion’s library and barn are just as impressive in their own right, and are hardly the only footage worth noting.  Between the various impressive interior shots and exterior shots presented throughout the movie’s 99-minute run time, its cinematography paints quite a laudable picture; a picture that makes the movie worth at least one watch if only for that one factor. That is made clearer when one takes into consideration the work of supporting cast members Doug Jones and Torry Martin.  When their work is joined with the work of the movie’s camera crew, the end result is a movie that is worth at least one watch even though it is anything but ultimate.

The Ultimate Legacy is a work that is anything but ultimate.  Its story does little more than rehash the story used in the franchise’s previous installments.  It also uses a very similar story presented in Sherwood Films’ movie Fireproof.  That in itself does more harm than good to the movie.  Even as much damage as it does to the movie’s value, the work of the movie’s support cast and its camera crew does just enough to make it worth at least one watch.  Considering all of this, The Ultimate Legacy does little for the legacy of ReelWorks’ “Ultimate” franchise.  It still remains a movie that while anything but ultimate, is worth at least one watch.  It will be available Tuesday in stores and online.  More information on this and other titles from ReelWorks Studios is available online at http://www.reelworks.net.

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Students, Lovers Of The Biological, Ecological Sciences Will Appreciate ‘Wonders Of The Arctic’

Courtesy: Shout! Factory

Courtesy: Shout! Factory

Shout! Factory gave audiences an early taste of winter this past September when it released the documentary presentation Wonders of the Arctic on Blu-ray/Digital combo pack and 4KUHD/BD 3D/Blu-ray/digital expanded combo pack.  Yet another of the company’s recent IMAX offerings, the 40-minute-plus program is an interesting look at life in the Arctic that is worth at least one watch.  That is due in part to its central topic.  That will be discussed shortly.  The information provided within the program is just as important to note in examining the program’s presentation as its central topic.  That will be discussed later.  As with Shout! Factory’s other IMAX offerings, this program’s cinematography stands proudly as one of the program’s most outstanding elements.  Each element is important in its own right to the program’s presentation.  All things considered, they make Wonders of the Arctic a program that students and lovers of the biological and ecological sciences will appreciate.

Wonders of the Arctic is a program that any student and lover of the biological and ecological sciences will appreciate.  They will agree it is a program that is worth at least one watch.  That statement is supported in part through the program’s central topic.  The topic in question is that of life in the Arctic.  It presents the interaction and intersection of humans and wildlife in one of the planet’s coldest regions.  At the same time, it also points out the delicate balance that humans and animals share in that area.  What is so important about this is that while it points out that balance, those behind the program never allow the message of that balance become preachy.  That is important to note because at least two other offerings in the company’s IMAX series – The Last Reef: Cities Beneath The Sea and Humpback Whales – have both been blatantly preachy in nature.  This program however, walks that line but never allows itself to fall in with those counterparts.  That being the case, it does its own part to ensure audiences’ engagement at least to a point.  It is just one of the elements that should be noted in examining this program’s presentation.  The information presented within the program is just as important to note as the program’s central topic.

The central topic presented in Wonders of the Arctic is a key piece of the program’s overall presentation.  That is because those behind the program never allow it to become too much of an activist film, unlike some of its counterparts, as it presents the intersection of human and animal life in one of the planet’s coldest places.  That is just one piece of the program that should be noted here.  The information that is provided throughout the program is just as important to note as its central topic.  One of the most interesting pieces of information presented in this program focuses on the ways in which the Inuit people survive in the region.  Audiences will be interested to see that they keep alive the tradition of using every part of the animals they hunt.  That includes animals both above and below the ice.  Touching on the matter of the information’s balance between informational and influential, narrator Victor Garber discusses the changes in the region’s ice flows and the impact those changes are having on the area at one point.  This is one example of the information presented here consciously effectively walking that line.  There is also mention of the research conducted on the area to study how much the region has changed over time.  Even this mention manages to effectively balance information and influence.  It is one more example, too of the importance of the presented information to the program’s whole.  There is plenty of other information that audiences will appreciate just as much.  All things considered, the information presented throughout Wonders of the Arctic clearly proves to be just as important to the program’s presentation as its central topic, and is just one more of the program’s key elements.  The program’s cinematography is just as important as its topic and associated information if not even more important than those elements combined.

The topic at the heart of Wonders of the Arctic and its associated information are both key pieces of the program’s overall presentation.  The two in themselves do plenty to keep viewers entertained.  When they are set against one another, they ensure even more, audiences’ engagement.  While both elements play their own important part in the program’s whole, they are just two of the program’s key elements.  The program’s cinematography is just as important to note in examining its presentation as the previously discussed elements.  Audiences will marvel at the aerial shots over the mountainous parts of the region just as much as they will the footage recorded in the area’s icy waters.  Viewers will enjoy just as much getting to ride along on sled dog rides across the icy terrain.  These are just some of the ways in which the program’s cinematography stands out.  There is so much more for audiences to enjoy just from the visual angle here.  When that outstanding overall cinematography is set alongside the program’s largely focused topic and equally engaging information, they make the program overall a work that, again, students and lovers of the biological and ecological sciences will appreciate.

Wonders of the Arctic, another entry in Shout! Factory’s IMAX series, is a work that students and lovers of the biological and ecological sciences will appreciate.  They will agree it is a program worth at least one watch.  That is proven in part through the program’s largely focused central topic.  While it walks the line between being informative and influencing, it never allows itself to become preachy unlike a couple of its counterparts.  The information presented throughout the program is just as important to note because it ensures even more, audiences’ engagement.  The program’s cinematography rounds out its most important elements.  Each element is important in its own right to the program’s presentation.  All things considered, they make Wonders of the Arctic a program worth at least one watch by students and lovers of the biological and ecological sciences.  It is available now in stores and online and can be ordered online direct via Shout! Factory’s online store.  More information on this and other titles from Shout! Factory is available online now at:

 

 

 

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

 

 

 

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La La Land Is Phil’s Picks’ Most Laudable Movie Of 2016

Courtesy: Black Label Media/Gilbert Films/Impostor Pictures

Courtesy: Black Label Media/Gilbert Films/Impostor Pictures

The end is here.  2016 officially ends tonight.  So with the year’s end here, Phil’s Picks has one last year-ender before the clock strikes midnight and we welcome 2017.  That final list of the year is the year’s top new movies overall.  It includes both independent releases and theatrical releases.

One of the biggest surprises of the year was La La Land.  It is a breath of fresh air in a field of films overly crowded by prequels, sequels and remakes.  Little Men, another independent offering, is also in this list.  Sure, its premise isn’t overly new.  But at the same time, audiences don’t see a lot of movies with its premise about two young men becoming friends while their parents fight.  It sends a powerful message.  On the bigger stage, Dr. Strange and Star Wars: Rogue One are on the list along with Jason Bourne.

As a final reminder, the list includes both the Top 10 movie picks from Phil’s Picks plus five honorable mention titles for a total of 15 movies.  That being said, here for you is Phil’s Picks 2016 Top 10 New Movies list.

 

2016 PHIL’S PICKS 2016 TOP 10 NEW MOVIES

 

  1.  La La Land

 

  1. Fences

 

  1. Little Men

 

  1. Marguerite

 

  1. Zootopia

 

  1. Dr. Strange

 

  1. Jason Bourne

 

  1. Star Wars: Rogue One

 

  1. Moana

 

  1. Deadpool

 

  1. Star Trek Beyond

 

  1. Queen of Katwe

 

  1. The Edge of Seventeen

 

  1. Captain America: Civil War

 

  1. The Nice Guys

 

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Lionsgate’s Von Trapp Biopic Makes Beautiful Music On Phil’s Picks 2016 Top 10 New Independent Movies List

CMG’s ‘Lured’ Re-Issue Leads Phil’s Picks’ 2016 Top 10 New DVD/BD Re-Issues List

Courtesy: Cohen Media Group

Courtesy: Cohen Media Group

It’s hard to believe but there are now only two weeks left in the year.  There’s still so much ground to cover before the year ends, too in terms of year-ender lists. This morning we move on again, staying still in the DVD and BD category, though.  On tap today we have the list of the year’s top new DVD/BD Re-Issues.

Included in this list are box sets and standalone DVDs/BDs.  So it’s a mix.  But it’s a solid mix.  Topping this year’s list of top new re-issues is Cohen Media Group’s re-issue of the 1947 thriller Lured.  The movie was one of star Lucille Ball’s very rare non-comedic roles, and she shines brightly in this movie.  The bonus commentary included in the movie adds even more to its viewing experience.

Speaking of bonus material, this critic took into account the re-issues’ bonus material as well as their packaging in assembling this list. It wasn’t easy.  But it is what this critic feels is a solid list nonetheless.  As a reminder, the list includes not only the Top 10 New DVD/BD re-issues but five additional honorable mention titles for a total of 15 titles.  That being said, here for you is Phil’s Picks’ 2016 Top 10 New DVD/BD Re-Issues.

 

PHIL’S PICKS 2016 TOP 10 NEW DVD/BD RE-ISSUES

 

  1. Lured

 

  1. Sudden Fear

 

  1. Return of the Killer Tomatoes

 

  1. Charlie Brown’s All-Stars

 

  1. A Boy Named Charlie Brown

 

  1. Peanuts: Snoopy Come Home

 

  1. A Scandal in Paris

 

  1. The Twilight Zone: The Complete Series

 

  1. Transformers: The Movie

 

  1. Bump in the Night

 

  1. Kingdom of Zydeco

 

  1. Hogan’s Heroes: The Complete Series

 

  1. The Andy Griffith Show: The Complete Series

 

  1. Snow White and the Seven Dwarfs

 

  1. Beauty and the Beast

 

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Ken Burns’ Latest PBS Presentation Is The “Champion” Of Phil’s Picks’ 2016 Top 10 New Documentaries List

Courtesy:  PBS/PBS Distribution

Courtesy: PBS/PBS Distribution

2016 was another great year for documentaries.  From ancient kings to movie magic kings and much more, the field of documentaries had plenty to offer audiences.  Believe it or not PBS showed again with its offerings why it remains the king of the documentary field and why it is the last true bastion of truly worthwhile programming on television.  It wasn’t the only outlet that offered quality documentaries this year, though.  Virgil Films and MVD Visual both had some stand out offerings, too.  Their films are included in this critic’s list of the year’s best new documentaries.

Topping this year’s list of the year’s top new documentaries is Ken Burns’ new profile of MLB great Jackie Robinson.  It isn’t the first of its kind by any means.  But it is one of the most in-depth profiles of the baseball legend.  Also included in this year’s list is a profile of another legend in his own right, Ray Harryhausen from MVD Visual in the form of Ray Harryhausen: Special Effects Titan.  It isn’t the first of its kind, either. But its story, interviews, footage, information and editing all combine to make this presentation stand out.  There is even a pair of documentaries on the “timeless” cinema classic Back to the Future included in this list.

As with each of Phil’s Picks “Best Of” lists, this list features this critic’s top 10 choices in the given category along with five honorable mention titles for a total of 15 titles.  So without any further ado, here for you is Phil’s Picks’ 2016 Top 10 New Documentaries

 

PHIL’S PICKS 2016 TOP 10 NEW DOCUMENTARIES

 

  1. Ken Burns’ Jackie Robinson

 

  1. American Experience: Space Men

 

  1. American Experience: Tesla

 

  1. Nature: Natural Born Hustlers

 

  1. Secrets of the Dead: Cleopatra’s Lost Tomb

 

  1. Secrets of the Dead: Teotihuacan’s Lost Kings

 

  1. Ray Harryhausen: Special Effects Titan

 

  1. American Experience: Bonnie & Clyde

 

  1. Nature: Super Hummingbirds

 

  1. Nature: Moose Life of a Twig Eater

 

  1. NOVA: Vikings Unearthed

 

  1. OUTATIME: Saving The DeLorean Time Machine

 

  1. Back in Time

 

  1. Building Star Trek

 

  1. Zydeco Crossroads: A Tale of Two Cities

 

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Every Dark Comedy Fan Should See ‘Men & Chicken’ At Least Once

Courtesy: Drafthouse Films

Courtesy: Drafthouse Films

The dark comedy is one of the movie industry’s least appreciated genres.  That is likely because it isn’t a genre targeted at widespread audiences.  It is very much a niche genre.  Movies such as Fargo, The Cable Guy and others of that ilk are prime examples of that.  They are movies that will not appeal as widely as general comedies and rom-coms.  So it’s understandable that when Men & Chicken (from M&M Productions and DCM Productions) was imported to America early this year, it didn’t exactly make a big splash.  It had the cards stacked against it being an import and a foreign language flick and being a dark comedy.  But suffice it to say that fans of dark comedies whose minds are open enough will appreciate this movie.  It is potentially the most bizarre dark comedy that the genre’s fans will ever see, but still one that any dark comedy fan should see at least once.  That is due at least in part to its story, which is definitely original to say the very least.  The work of the movie’s cast can’t be ignored here either.  It is just as important to note.  The movie’s packaging in its recent home release (via Drafthouse Films) is also important to its presentation.  One could also note the bonus booklet and bonus digital download provided in the movie’s home release in examining its presentation, too.  All things considered, Men & Chicken shows itself to be a bizarre work of a dark comedy, but a work nonetheless, that every dark comedy fan should see at least once.  Fair warning to those fans, though:  Once it’s been seen, it can’t be unseen.

Late this past October, indie movie studio Drafthouse Films released the Danish dark comedy Men & Chicken for American audiences on DVD/BD/digital combo pack.  The movie was originally released in its home country early last year and imported to American theaters early this year.  In other words, it has been a long road for this movie to finally be available for American home viewers.  Truly open-minded dark comedy fans will agree that long wait was well worth it, too.  That statement is supported primarily via the movie’s story.  The story centers on two brothers, Gabriel and Elias, who find out that they are not related by blood after the death of their father.  As the duo heads out together in search of their birth mothers, they meet three other men who turn out to be half brothers, too.  However, the trio isn’t what Elias and Gabriel (or audiences) expect.  The men—Gregor, Franz and Josef—live in an empty mansion where they grew up.  When any of the trio does something really bad, he is put in a cage (yes, a cage) on the mansion’s property or is beaten with a random blunt object.  The physical comedy is disturbing to say the very least.  At the same time, one can’t deny the similarity between the trio’s physical comedy to that of the Three Stooges.  Sure, the comedy here is a little bit more violent to say the least.  But the similarity is there regardless.  It can’t be denied.  That’s just part of what makes the movie so bizarre and entertaining all at once.  The secrets that are revealed as Gabriel and Elias investigate the mansion will leave dark comedy fans laughing just as much as they will be left scratching their heads.  It sounds confusing, but that is perhaps the story’s purpose; to entertain dark comedy fans in a way that no other dark comedy ever has.  Throughout the process, audiences will laugh uproariously at the dinner scenes in which the brothers quarrel over (of all things) the dinner plates.  What is interesting here is that in hindsight, there is actually a connection between the plates and the secrets revealed through Gabriel and Elias’ investigation.  Audiences will only catch the connection if they make themselves sit through the entirety of the nearly two-hour movie.  That shouldn’t be tough for real dark comedy fans to do.  As an added note, audiences who watch through the whole movie will also agree that while the movie’s story is extremely bizarre and twisted, it also has a certain heart about it, too.  That is exhibited through the story’s emphasis on family.  There is a lot noted here in regards to the story presented in Men & Chicken.  Even with everything noted (and everything not noted) it should be clear that the story at the center of this movie is undeniably important to the movie’s presentation.  It is just one of the movie’s key elements.  The cast’s work on camera is just as important to note in examining the movie’s presentation as its story.

The story at the heart of Men & Chicken is undeniably an important piece of the movie’s presentation.  That is the case even as twisted and bizarre as it is.  It is original.  There’s no denying that.  And it has a fair balance of heart along with its dark comedic elements.  While the movie’s story is clearly an important part of the movie’s presentation, it is just one of the movie’s most important elements.  The work of the movie’s cast in front of the camera is just as important to note in examining the movie’s presentation as the movie’s story.  David Dencik (Tinker Tailor Soldier Spy, A Royal Affair, The Girl With The Dragon Tattoo) is outstanding both on his own and alongside his cast mates.  His very portrayal of Gabriel as the nerdy yet somewhat neurotic figure is so entertaining.  He makes Gabriel a fully sympathetic character as he has to deal with his newly found, almost feral (subtle hint here) half brothers.  Dencik’s balance of innocence and determination to find the answers about his birth mother is spot on from beginning to end.  Speaking of Dencik’s cast mates, they are just as entertaining in their own right.  Audiences will be especially interested to watch Soren Malling (A Royal Affair, Idealisten, A Hijacking) in the role of Franz.  Malling is a professionally trained comedic actor, so this role was a good fit for him.  He expertly tackles Franz’s serious demeanor in his portrayal.  At the same time, his tendencies toward using stuffed animals to beat his brothers (and apparently others) is just as hilarious, even as disturbing as it is.  It makes this seemingly serious character just as disturbed as his “brothers” and in turn, shows again the importance of the cast’s work.  Nicolas Bro and Nikolaj Lie Kaas are just as entertaining as Josef and Gregor, who live with Franz in the family mansion where Gabriel and Elias meet them.  The pair’s innocence and disturbed nature is handled just as expertly by Bro and Kaas as Malling’s take on Franz.  Mads Mikkelson’s take on Elias adds to the picture to make for even more hilarity.  Each man’s work is clearly important to the whole of the cast’s impact on the movie’s presentation.  All things considered, the cast’s work here proves to be just as important to the whole of Men & Chicken as the story at the center of the movie.

Both the story at the center of Men & Chicken and the work of the movie’s cast are important to the movie’s overall presentation.  That has hopefully been made clear by now.  While both elements are clearly important in their own right to the movie’s overall presentation, they are not its only key elements.  The movie’s packaging in its recent home release is just as important to note as its story and acting.  The movie was released late this past October on DVD/BD/digital combo pack.  The movie’s DVD and BD presentations each receive their own disc here.  The digital download is provided via a code included on an insert inside the movie’s case.  That is all well and good.  But what is truly intriguing about the movie’s packaging is the manner in which the movie’s DVD and BD discs are packaged.  They are packaged in a fashion similar to the older multi-disc packaging format, with one disc overlapping the other.  However, it is not directly identical to that format.  In fact the secondary package is placed in such fashion that while the primary disc still has to be removed in order to access it and replace it, that secondary disc won’t be damaged when replaced because of where the spindle is placed in comparison to the primary disc’s spindle.  It must be seen to be fully appreciated.  While the discs could have been better packaged (as in the form of most modern multi-disc DVD and BD sets), packaging the movie’s discs as they were handled here is still actually smart in its own way.  It still isn’t the last element that could be noted in examining the movie’s overall presentation, either.  The movie’s availability on digital download in the movie’s packaging and the companion booklet that comes with the movie’s packaging are both key in their own right, too.  All things considered, the overall presentation of Men & Chicken, with its bizarre yet original story and equally entertaining acting and packaging makes this movie a work that every dark comedy fan should see at least once.

Men & Chicken is one of the most twisted, bizarre dark comedies to come along in a very long time.  It is a work that may even surprise American dark comedy fans.  That is thanks to the clear influence of not only the Cohen Brothers but also because of the classic slapstick elements of The Three Stooges in the brothers’ interactions.  The incorporation of the dark elements of The Island of Dr. Moreau into the story makes it stand out even more.  It is quite the interesting hybrid to say the least.  But it works here, and because it works as well as it does, it will leave American audiences agreeing it is a story that every dark comedy fan should see at least once.  The story is just one element to note in examining the movie’s presentation.  The work of the movie’s cast is just as important to note here as the story itself.  Both by themselves and alongside one another the movie’s cast shines superbly here.  The movie’s packaging in its recent domestic release via Drafthouse Films is just as important to note as anything else in examining what makes this indie import such a surprise hit.  The companion booklet that comes with the movie’s home release and its digital download round out the most important of the movie’s elements in its home release.  Each element proves important in its own right, as has already been proven here.  All together, they make Men & Chicken, once again, a work that every dark comedy fan should see at least once.  It is available now and can be ordered online direct via Drafthouse Films’ online store here.  More information on this and other titles from Drafthouse Films is available online now at:

 

 

 

Website: http://www.drafthousefilms.com

Facebook: http://www.facebook.com/drafthousefilms

Twitter: http://twitter.com/Drafthousefilms

 

 

 

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