Believe Me Boasts Both Depth And Entertainment

Courtesy:  Virgil Films

Courtesy: Virgil Films

Religion is one of the favorite topics of so many screenwriters out there. Going as far back as the 1923 take of The Ten Commandments (yes, there was one before the famed 1956 version starring Charlton Heston) and possibly even before that, religion has played a major part in the rich history of Hollywood. While many of the movies that have incorporated religion and religious themes into their scripts have gone on to be major success (E.g. Star Wars, Groundhog Day, The Ten Commandments) others have remained to this day just under that mainstream. They include the likes of Facing The Giants, The Nativity, Suing The Devil. While those movies in question might never have gained the massive popularity of their bigger-named brethren, it doesn’t lessen their enjoyment one bit. As a matter of fact, lesser known movies such as those listed or like United Artists’ 1994 religious based Saved! and The Chronicles of Narnia have proven that they are just as entertaining as their major name counterparts. Now indie studio Virgil Films has added another movie to that list of lesser-known but still enjoyable movies based in religion in the form of the entertaining and thoughtful story that is Believe Me. Believe Me was released on Blu-ray and DVD this week by Virgil Films. The script behind the movie lies at the center of its enjoyment. While the script is nothing new at any level it is still an enjoyable story nonetheless. The acting on the part of the movie’s young cast is another reason that audiences will enjoy the movie. Most audiences might not know the cast members’ names. Bu that doesn’t mean they are inexperienced. It shows in their interpretations of the script and their on-screen interactions. Last of note that makes the presentation in whole enjoyable is its pacing. Audiences never feel lost at any point in the story thanks to solid pacing, which ties right back to the work of the story’s writers. Because they never feel left behind, audiences in turn will have more time to take in the story that is Believe Me and discover exactly why the writing, acting, and pacing together make this a movie that is worth at least one watch and one that is just as enjoyable as any of its more well-known predecessors.
The script that was crafted for Virgil Films’ new movie Believe Me is nothing new in the world of movies. It centers on a young man—in this case Sam (Alex Russell—Chronicle, The Host, Unbroken) who plots to cheat a bunch of money out of a specific group of people and run off with said money. In the long run though, he thinks things over and eventually has a change of heart, which is ultimately revealed as the story unfolds. Part of the reason for his change of heart is the influence of a love interest played here by Johanna Braddy (Easy A, Greek, Avatar: The Last Airbender) This sort of plot goes all the way back to the beloved 1962 musical The Music Man and possibly even before that. So one might be left asking why exactly the movie is even worth one watch. The answer is simple. It isn’t The Music Man. It is similar. There’s no denying that. But the script’s entertaining yet deeply thought provoking look at the nature of people today calling themselves Christians sets it apart from The Music Man and so many others that have come before. While Saved! justifiably poked fun at the very true stereotypes of so many so-called “Christians,” it could be argued that Believe me comes across more as a commentary of sorts about the nature of not only the true believers who live their lives as best they can, but those delusional and hypocritical “Sunday Christians” (the ones who talk the talk but definitely don’t walk the walk on the weekdays), and the outright frauds. What audiences will really like about all of this is that Michael B. Allen and Will Bakke—the movie’s writers–don’t try to get preachy at any point in the story. Nor do they try to wax philosophical or even theological. They present the arguments of both sides in layman’s terms, thus making the story in whole more accessible for every day audiences. Simply put, Bakke and Allen don’t try to come across as being something that they aren’t. They just crafted a story that even despite not being the first of its kind at its roots, provides a solid starting point for some much more in-depth discussions among audiences both more versed in theological studies and those just attending bible studies every week. For that reason alone, it proves to be a movie that while independent is definitely worth at least one watch.
Allen and Bakke’s script by itself makes for plenty of reason for audiences to watch Believe Me at least once. The work of the movie’s young cast makes for even more reason for viewers to give the movie a chance. Lead actor Alex Russell conjures thoughts of James Van Der Beek (Dawson’s Creek, Varsity Blues, One Tree Hill) both with his look and his character’s overly confident swagger. It is that swagger that leads audiences to believe that Sam really does believe his scam is fine. On the opposite end is Sam’s love interest Callie (Johanna Braddy). Braddy is spot on as the strong, yet still slightly naïve type. Audiences will truly feel for Callie when she realizes that she has been fooled by Sam all along. That’s because of Braddy’s acting chops. She doesn’t try to ham it up. Rather she shows the utmost professionalism even with the understanding of the movie being an independent release. Braddy still makes Callie a fully believable and sympathetic character. Such a serious approach makes the juxtaposition of Callie to Sam is a prime example of why the work of Believe Me’s cast adds even more interest to the movie. It would be wrong to ignore the work of Russell’s other cast mates. Miles Fisher (J. Edgar, Final Destination 5, Bad Sports), Sinqua Walls (Teen Wolf, The Secret Life of the American Teenager, Pair of Kings), and Max Adler (Glee, Switched at Birth, Love and Honor) play Sam’s friends Pierce, Tyler, and Baker respectively. All four men together conjure thoughts of the crew from Warner Brothers’ hit movie The Hangover and its two sequels. The actors’ portrayals of their characters are just as believable as those by Russell and Braddy. Whether for their work or that of the rest of the movie’s cast, audiences will agree in watching Believe Me that collectively speaking, the cast’s acting is one more reason that audiences should see Believe Me at least once.
Thanks to both the work of the movie’s writers and that of its cast, Believe Me proves itself to be a movie that is just as interesting a work as any of its more well-known counterparts churned out by “Hollywood’s Power Five Studios.” In much the same vein, the story’s pacing should also be noted in regards to the movie’s pros. Throughout the course of the “God Squad’s” tour to raise funds for its fake charity, viewers are never left feeling lost. From the scene transitions to the scenes themselves, Allen and Bakke maintain full control over the story’s speed. This includes the dialogue and every other aspect of each scene. That control gives audiences plenty of time to take everything in and in turn appreciate even more all of the movie’s little nuances and all of it larger, more obvious elements. The end result of this ease coupled with the solid work of the movie’s cast and its writers is a movie that yet again is just as worth the watch as any of its more well-known counterparts. Because it holds its own so solidly with those movies, it proves in the end to be a movie worth at least one watch.
Whether for its writing, the work of the movie’s cast, or the story’s pacing—directly tied to the writing—there is plenty to say about why audiences should watch Believe Me at least once. Audiences that do will agree in watching it that it is just as interesting as any religiously based movie churned out past or present from “Hollywood’s Power Five Studios.” It is available now on Blu-ray and DVD in stores and online. It can be ordered online direct from Virgil Films’ online store at https://www.virgilfilmsent.com/store/product.php?pid=704. More information on this and other titles from Virgil Films is available online at:

Website: https://www.virgilfilmsent.com

Facebook: https://www.facebook.com/VirgilFilms

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Saxon Announces Dates For U.S. Leg Of Its “Warriors Of The Road” Tour

Courtesy: UDR/Adrenaline PR/MEtal Blade Records/Chipster PR

Courtesy: UDR/Adrenaline PR/MEtal Blade Records/Chipster PR

Legendary British metal band Saxon is gearing up to hit the road in the U.S. this spring.

The members of Saxon announced this week that the band will embark on the “Warriors of the Road” U.S. Tour in May. The tour is in support of the band’s recently re-issued recordings Heavy Metal Thunder and The Saxon Chronicles. Both recordings were re-issued February 24th. Heavy Metal Thunder included a bonus live recording titled Live at Bloodstock. The double-disc DVD The Saxon Chronicles was accompanied by a bonus live recording titled Rock ‘n’ Roll Gypsies 1989 Live.

Saxon’s upcoming tour kicks off on Tuesday, May 12th at BB King’s in New York City and will run through Saturday, May 30th in Los Angeles, California. One of the scheduled dates is a performance at the annual Rock on the Range Festival on Saturday, May 16th in Columbus, Ohio. Saxon will be joined by Armored Saint for the majority of the tour’s scheduled dates. Judas Priest will join the band on a four-date string of shows from May 17th to May 21st. The complete “Warriors of the Road” tour schedule is listed below.

SAXON “Warriors of the Road” U.S. Tour w/ Armored Saint:

5/12 – New York City, NY @ BB Kings w/ Armored Saint

5/13 – Worcester, MA @ The Palladium w/ Armored Saint

5/16 – Columbus, OH @ MAPFRE Stadium (formerly Crew Stadium) @ Rock On The Range

5/17 – Cincinnati, OH @ The Shoe w/ Judas Priest

5/19 – St. Charles, MO @ Family Area w/ Judas Priest

5/20 – Council Bluffs, IA @ Harrah’s Casino-Stir Cove w/ Judas Priest

5/21 – Rosemont, IL @ Rosemont Theater w/ Judas Priest

5/23 – San Antonio, TX @ 210 Kapone’s Live w/ Armored Saint

5/24 – Dallas, TX @ Gas Monkey Live w/ Armored Saint

5/26 – Mesa, AZ @ Club Red

5/27 – Las Vegas, NV @ Vinyl at Hard Rock

5/29 – San Jose, CA @ Rock Bar w/ Armored Saint

5/30 – Los Angeles, CA @ House of Blues w/ Armored Saint

More information on the “Warriors of the Road” tour and all of the latest news from Saxon is available online at:

Website: https://www.saxon747.com

Facebook: https://www.facebook.com/saxon

Twitter: https://twitter.com/SaxonOfficial

MySpace: https://www.myspace.com/planetsaxon

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Slayer To Release Ltd. Ed. Vinyl 7″ Picture Disc For Record Store Day

Courtesy:  Nuclear Blast Records

Courtesy: Nuclear Blast Records

Slayer will release its first new song in nearly a year when it releases ‘When The Stillness Comes’ this spring.

Slayer recently announced that ‘When The Stillness Comes’ will be part of a special, limited edition 7” vinyl picture disc that will be released on April 18th, 2015—Record Store Day. The song will be accompanied by a live performance of ‘Black Magic,’ which was included in the band’s 1983 album Show No Mercy. The performance in question was taken from the band’s performance at the 2014 Wacken Open Air Festival.

Courtesy:  Nuclear Blast Records

Courtesy: Nuclear Blast Records

Only 5,000 copies of the special double-sided disc will be available worldwide. That means that not every indie record store taking part in Record Store Day will be lucky enough to get copies. A full listing of stores taking part in Record Store Day this year is available online at https://www.recordstoreday.com. Slayer is currently putting the final touches on its eleventh full-length studio release, which is set for release in stores and online later this year. More information on that album is available online along with all of the latest news from the band at:

Website: https://www.slayer.net

Facebook: https://www.facebook.com/slayer

Twitter: https://twitter.com/slayer

Myspace: https://www.myspace.com/slayer

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Metallica Celebrating Record Store Day With Special Cassette Recording

Courtesy:  BBGun PR

Courtesy: BBGun PR

Record Store Day is creeping up on the country yet again. For those that don’t know, Record Store Day is April 18th this year. And as the countdown to the big day ticks down, more news is coming out about how different acts will celebrate. The latest piece of news comes from veteran rock band Metallica.

Metallica announced this week that unlike most other acts, it will not celebrate Record Store Day with a special vinyl release but with a limited edition cassette tape. Yes, a cassette tape. No Life ‘Til Leather will feature seven tracks. The tracks were originally recorded in 1982 at Chateau East Studio in Tustin, CA with the original lineup of James Hetfield (guitar), Lars Ulrich (drums), Dave Mustaine (guitar), and Ron McGovney (bass). The songs have been re-mastered specially for the upcoming release, which has never been released until now. It will be available both in independent record stores nationwide and via the band’s official website, https://www.Metallica.com. The band released the following statement in regards to its upcoming release:

A note from Metallica:

 

This year we decided to celebrate Record Store Day with our friends at independent retail by taking a huge leap back in time to our humble beginnings with that little rectangle of plastic known as the “demo tape.”  In 1982 we recorded seven songs that became our initial calling card known as No Life ’til Leather and it led us to our first record deal . . . the rest, as you some of you may know, is history!  We hope you enjoy this little walk down memory lane with us and that you will continue to join us in supporting independent record stores around the world. 

 

The track listing for No Life ‘Til Leather is noted below.

 

Tracklisting

 

Hit The Lights

The Mechanix

Motorbreath

Seek & Destroy

Metal Militia

Jump In The Fire

Phantom Lord

 

More information on Metallica’s upcoming Record Store Day cassette is available online along with all of the latest updates from the band at:

 

Website: https://www.Metallica.com

Facebook: https://www.facebook.com/Metallica

Twitter: https://twitter.com/metallica

 

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Courtesy:  BBGun Pr

Courtesy: BBGun Pr

Quincy, M.E. Is As Solid In Its Final Season As In Its First

Courtesy:  Shout! Factory

Courtesy: Shout! Factory

Television today is not what it once was. In its golden era, television offered program on three networks—NBC, CBS, and ABC. Thanks to the advances of cable, satellite, and even streaming video, audiences have more options than ever when it comes to what to watch. The problem with having so many options is that considering all of the said options, there really aren’t many options. The comedies and dramas are overly laden with sex and violence. And their scripts are largely cookie cutter across the board. The reality series that are just as prevalent are just as soulless. Thankfully those that yearn for something better will receive just that next week when Shout! Factory, the leading name in home entertainment, releases the eighth and final season of the classic series Quincy, M.E. Filled out by a total of twenty-four episodes, this final collection from one of television’s greatest classic series will impress audiences regardless of their familiarity with the show. The most obvious reason that reason the viewers will enjoy this season so much is the work of the show’s writers. The level of sex and violence that has become so commonplace among today’s TV shows is not there in any of these episodes just as with the episodes that made up the series’ previous seven seasons. The social issues that were often put at the center of the show’s episodes in its previous seasons are here, too. There is even an interesting development in Quincy’s own life as he develops a new romantic relationship that leads to a wedding near the season’s end. There’s much more that could be noted including the writers possibly poking fun at themselves early on in this season’s run, and some semi –fantastical stories to balance things out along the way. In the same vein, the cast’s interpretation of the scripts (its acting) is just as solid eight seasons in as in the series’ debut season. Unlike the acting on the part of casts from so many other shows of the time, this cast shows no sign of over-the-top hamming it up or over acting. Considering the show’s long run, that says a lot. Rounding out the reasons that Quincy, M.E.’s eighth season is a success is the look and sound of the footage. A little more than thirty years has passed since Quincy, M.E. ended its run. Considering that, the footage presented in the show’s looks and sounds just as impressive as that presented in the series’ previous season sets. It is the last factor to consider in examining what makes Quincy, M.E.: The Final Season one more welcome addition to the library of anyone looking for an escape from the heartless, soulless shows that currently dominate television’s ranks today. They also show collectively why this set is an early candidate for any critic’s list of the year’s best new box sets for grown-up audiences.

Quincy, M.E.: The Final Season is, as noted, an early candidate for any critic’s list of this year’s best new box sets for grown-up audiences. That is because the standards that were established within the show throughout the course of its previous seven seasons are carried on throughout the course of this season’s twenty-four total episodes. One of those standards is the series’ solid writing. Unlike so many of today’s crime dramas and medical procedurals, Quincy, M.E. maintained itself as more than just another one of those shows right from its debut season. Now in its final season, that standard was held as strong as ever. The show’s writers continued to tackle important social issues that are just as relevant today as they were so long ago in the show’s original run. They do also incorporate some slightly more fantastical story lines to balance out that social awareness that is so obvious throughout the series now in its final run. Right from the season’s premiere, the writers show that they haven’t let up by tackling the issues of gang violence and racial bias all in one without letting either topic step on the other. The writers also take on the issues of alcoholism, medical malpractice, and government influence on the drug industry. These are some pretty heavy topics for a show such as Quincy, M.E. to tackle. but the show’s writers handle each topic with the utmost professionalism and believeability. Even more intriguing is that all of these topics are raised in the first of the set’s six discs. Throughout the rest of the season’s runs, the issues of teen suicide, problems within the foster care system and much more. Those wanting something a little less provocative are given the growing romance and eventual marriage (yes, marriage) between Dr. Quincy and the newly introduced psychiatrist Dr. Emily Hanover (Anita Gillette) throughout Season 8. Her introduction serves to show a different side of Quincy than audiences familiar with the series are used to seeing. Audiences get to see more of his more emotionally vulnerable side instead of the strong, steadfast resolve shown throughout the series’ previous seasons. It’s just one more welcome addition to this season’s run that along with the other, deeper episodes, makes Season 8 truly enjoyable and a valid candidate for any critic’s list of the year’s best new box sets for grown-up audiences.

The writing that went into Quincy, M.E.: The Final Season goes a long way toward making it another welcome addition to the library of any fan of this hit series. The same can be said of the acting on the part of the series’ cast. While shows from the 1970s and 1980s weren’t overly laden with sex and violence, far too many of them were marred by acting that was awful to say the least. The acting on the part of Quincy, M.E.’s cast eight seasons in is the polar opposite of that from those series. As a matter of fact, star Jack Klugman and his co-stars show the utmost professionalism and seriousness from season premiere to series finale. It would have been so easy for the cast to just dial it in especially as long as the show had been on television by the time this season aired. But not one member of the cast let up. the end result is acting that makes suspension of disbelief so easy. And coupled with the solid work of the show’s writers, both elements will keep audiences new and old alike enthralled in every episode. Yet again, it proves to be another way in which Quincy, M.E. shows itself a valid, early candidate for a spot on any critic’s list of the year’s best new box sets for grown-up audiences by year’s end.

The work of Quincy, M.E.’s writers and cast members collectively shows without a doubt why Quincy, M.E. was such a popular season for so long. And it is no doubt with the upcoming release of its eighth season it will regain even more that popularity that it boasted in its original broadcast. Much the same can be said once more of the look and sound of each episode’s footage. Considering that over three decades have passed since Quincy, M.E. went off the air and almost forty years have passed since it first premiered on NBC in 1976, the look and sound of the show’s footage is surprisingly impressive. Yet again, it is a tribute to the work of those charged with bringing the series back to life for both its original audiences and a whole ew generation of fans. And it is one more tribute to Shout! Factory’s dedication to excellence for audiences, proving yet again why Shout! Factory remains today the leading name in home entertainment. It is also more reason for any critic to include Quincy, M.E.:The Final Season on his or her list of the year’s best new box sets for grown-up audiences come December.

Whether for the work of the show’s writers, its cast members, or the overall production values presented here, Quincy, M.E.: The Final Season boasts plenty of positives. By themselves, each of the noted positives plays its own important role in the enjoyment and success of this final season of Quincy, M.E. Collectively, they make Season 8 a must have for any fan of Quincy, M.E. and any fan of classic television in general. Quincy, M.E.: The Final Season will be available on DVD next Tuesday, March 10th in stores and online for retail price of $39.97. It can be pre-ordered online now for a reduced price of $34.98 via Shout! Factory’s online store at https://www.shoutfactory.com/tv/crime/quincy-m-e-the-final-season. More information on this and other titles from Shout! Factory is available online at:

Website: https://www.shoutfactory.com

Facebook: https://www.facebook.com/shoutfactoryofficial

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Cohen Media Group’s Re-Issue Of Syncopation Hits All The Right Notes

Courtesy: Cohen Media Group/RKO Pictures

Courtesy: Cohen Media Group/RKO Pictures

Every year, any number of classic movies is re-issued on DVD and Blu-ray. The re-issues range from modern movies that come from the latter part of the 20th Century (the 1980s and beyond) and those that come from Hollywood’s golden era (the 1970s and before). Among that yearly mass of movies, some are sort of memorable. And then there are those that prove to be must have movies for any true movie buff. While 2015 is still very young, already one movie has been released that is more than deserving of the title of a must have for any movie buff. The movie in question is the 1942 classic RKO Pictures movie Syncopation. It was re-issued on Blu-ray and DVD February 10th via Cohen Media Group. Syncopation is a must have not just for any true-blooded movie buff but for any true-blooded lover of music (and more specifically jazz). While it has never been known as one of the major blockbusters of Hollywood’s golden age, it is still a wonderful work. The main element of this movie that makes it a must have for any true-blooded movie buff and lover of music is its story. Writers Philip Yordan, and Frank Cavett have crafted a tale from Valentine Davies’ original story that bucks the general trend of most romantic movies. Rather than putting the script’s romantic plot line at the center of the story, they instead make the movie’s music the center of the story. It is the central element off of which the story’s romantic subplot works for its own development. And just as the story’s essentially inverted story makes the movie enjoyable, so do the transitions used throughout the story. Audiences are presented with solid scene transitions throughout the movie’s nearly ninety-minute run time that make the movie’s central story easy to follow. The end result is a story that will not only entertain viewers but is also easy to follow. In turn, it will keep viewers engaged from beginning to end and is sure to, again, show why this movie is a must have for any true-blooded movie buff and lover of music. The largely original story and its easily followed transitions are both key elements of what makes Syncopation a must have for any true-blooded movie buff and lover of music. If they are not enough reason, collectively speaking, for audiences to pick up this golden age re-issue, the footage and performances included with the movie as bonus material is sure to convince audiences. Cohen Media Group has included as bonus material a number of classic recordings from the likes of Duke Ellington, Bessie Smith, Louis Armstrong, Cab Calloway and others that equals out to roughly nearly an hour and a half in itself. The recordings in question are taken from their original tapes. And being that they have not been re-mastered, they look just as they did nearly a century ago. And that is not a bad thing, either. As a matter of fact, it helps the overall presentation of Syncopation in terms of taking audiences back in time. It is a wonderful feeling brought on by both that bonus footage and the movie together is a realization that Cohen Media Group’s new re-issue of Syncopation is indeed a must have for any true-blooded movie buff and music lover and one of this year’s best new re-issues.

Syncopation is one of the best new re-issues of 2015 and a must have for any true-blooded movie buff and music lover. This movie was never one of the bigger names from Hollywood’s golden era. But it is still a wonderful classic that any movie buff and lover of classic movies and music will love. The main reason for this is the movie’s story. Crafted by co-writers Philip Yordan and Frank Cavett, the movie takes a route not very often taken by screenwriters both past and present. Instead of just being another romance movie, Syncopation makes its romance story secondary while putting the evolution of America’s greatest music front and center. From the Dixieland and blues sound of New Orleans to the more up-tempo sounds of Chicago’s jazz scene and more, audiences get to hear for themselves the roots of the jazz community. Even better for audiences is that jazz legends Benny Goodman, Gene Krupa, Harry James, and Charlie Barnet all get some screen time along the way. Getting to see and hear these legends perform makes for an excellent introduction to them and their music for those that might not be so familiar with them or their work. It could be a doorway into a whole new world of music for that matter. And for those that are more familiar with them and their music, it is that much more reason to add this movie to their home collections.

The musical elements of Syncopation’s story more than make this movie worth the watch by anyone that has any love of classic movies and the rich history of Hollywood’s golden era. They are just part of the story’s whole, of course. They are the base on which the movie’s secondary romance story sits. The romance side of the story follows Kit Latimer (Bonita Granville) from her childhood in New Orleans to her adult life finding love, losing that love because of war, and learning to love again afterward. Director William Dieterlie didn’t allow this subplot to overpower the movie’s central story honoring what is America’s music, instead balancing both elements together. The end result is a story that proves to be unlike so many other romance stories both of its age and Hollywood’s current era and in turn one of the perhaps most underrated movies in Hollywood’s history. It is one that any true lover of movies and music should add to their collections should they not already own it.

The dual-lined story that serves as the body of Syncopation makes for plenty of reason for any movie buff and music lover to add it to their personal movie libraries. They are but a tiny portion of what makes it worth the purchase, too. Throughout the course of the movie’s story, director William Dieterlie and those behind the cameras make following the story especially easy thanks to the story’s scene transitions. The scene transitions are smooth dissolves. There is no jumping from point to point. Audiences will see this as Kit leaves her childhood behind in New Orleans for her new home. They will see it just as clearly when America is pulled into Work War I and the man she loves goes off to fight for her country, and after the death of her childhood nanny Ella. The examples could go on and on. But it should be clear just how Dieterlie used this effect to help advance the story. And because he used them when and where he did, it went a long way toward keeping audiences engaged from beginning to end thus making for even more reason for true-blooded movie lovers and music lovers to pick up this movie’s much deserved re-issue.

The writing that went into Syncopation is key to its success and enjoyment. Yordan and Cavett are to be commended for the way in which they balanced the movie’s two separate plot lines. Dieterlie’s handling of the transitions (and that of those charged with assembling the final product) is just as important to the whole of Syncopation. Both parts are integral to the enjoyment of the story in whole. On another branch, the presentation that is Syncopation’s re-issue is made all the more enjoyable thanks to the recordings that make up the movie’s bonus features. Cohen Media Group has included a total of nine classic recordings featuring some of the greatest names in jazz. The names in question include: Cab Calloway, Duke Ellington, Bessie Smith, Louis Armstrong, Billie Holiday and a handful of others. The recordings are presented exactly as they were in their original presentations nearly a century ago. They look and sound surprisingly good considering the fact that well over eighty years have passed since they were originally recorded. Their collective run time comes to almost an hour and a half if not more than that, with the shortest (Jazz A La Cuba w/ Don Aspiazu) coming in at five minutes and nineteen seconds. The longest (St Louis Blues w/ Bessie Smith) comes in at fifteen minutes and forty-one seconds. The recordings aren’t just audio tracks, either. They are actual audio/visual recordings that tell stories alongside the songs. And they will definitely keep audiences engaged even by themselves. Lena Horne even makes an appearance in one recording, singing ‘Stormy Weather.’ She is presented singing her song inside a house, rain falling on the window. The pain in her voice as she sings against that backdrop makes the classic gives the song so much emotional punch. The other bonus recordings offer their own entertainment, too. And audiences will see that for themselves when they pick up Syncopation for themselves whether on DVD or Blu-ray. It is yet another reason that Syncopation’s new re-issue is a must-have for any true-blooded movie buff and music lover. What’s more it is that much more way in which it proves itself one of this year’s best new re-issues. Together with the work of the movie’s writing team and the work of those behind the cameras, it proves that without even the slightest shadow of a doubt.

Syncopation proves in its brand new DVD and Blu-ray re-issue that it is one of the best new re-issues of 2015. It proves to be a piece that any true-blooded movie buff and music lover should have in their own home libraries. It proves this through the solid work of co-writers Philip Yordan and Frank Cavett. It proves this just as much through the story’s scene transitions. they make both of the movie’s story elements entertaining and interesting for audiences. The bonus classic recordings that were unearthed for this re-issue make its presentation whole. That is thanks to the surprisingly impressive quality of their audio and video. The combination of all of these elements makes crystal clear why Syncopation is such a welcome re-issue. Their combination shows without a doubt why it is one of this year’s best new re-issues and a work that every true-blooded movie buff and music lover should have in his or her home movie collection. It is available now in stores and online. Audiences can check out a trailer from the movie and check out the movie’s image gallery online at https://cohenmedia.net/films/syncopation. A link to Amazon and iTunes is also available at this website for those looking to order or download the movie online. More information on this and other titles from Cohen Media Group is available online at:

Website: https://www.cohenmedia.net

Facebook: https://www.facebook.com/CohenMediaGroup

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

ESPN Announces Latest Additions To Its Sunday Night Baseball Broadcast Schedule

Courtesy:  ESPN

Courtesy: ESPN

Major League Baseball’s 2015 season is just around the corner and in celebration, ESPN announced this week, its first official slate of games for this year’s Sunday Night Baseball presented by Taco Bell schedule.

This year’s Sunday Night Baseball presented by Taco Bell schedule kicks off Sunday, April 5thwith a matchup of National League foes St. Louis and Chicago. St. Louis will be on the road against the Cubs in the season’s first Sunday night broadcast. The following Sunday, April 12th, the Boston Red Sox make one of its annual trips up to New York to face their hated foes the New York Yankees. In week three, the Reds hit the road in an NL Central battle against the St. Louis Cardinals. And it’s the annual “Subway Series” between the Mets and Yankees in week four with the Mets leaving the safety of Shea Stadium to face the Yanks. Things only heat up from there as the season progresses. Dan Shulman will have the call for each week’s broadcast beginning at 8pm ET. He will be joined by analysts Curt Schilling and John Kruk, and reporter Buster Olney. Each week’s broadcast is preceded by ESPN’s weekly pre-game show Baseball Tonight: Sunday Night Countdown presented by Chevrolet at 7pm ET.

Those that won’t be near a television on Sunday nights can still catch ESPN’s Sunday Night Baseball presented by Taco Bell on ESPN Radio and online via WatchESPN. Broadcasts are also available in Spanish for ESPN’s Spanish-speaking audiences via ESPN Deportes and ESPN Deportes Radio. ESPN’s current Sunday Night Baseball presented by Taco Bell schedule is listed below.

Current 2015 Sunday Night Baseball schedule:

Apr. 5

St. Louis Cardinals at Chicago Cubs Opening Night presented by Scotts (ESPN2)
Apr. 12

Boston Red Sox at New York Yankees presented by Taco Bell
Apr. 19

Cincinnati Reds at St. Louis Cardinals presented by Taco Bell
Apr. 26

New York Mets at New York Yankees presented by Taco Bell
May 3

New York Yankees at Boston Red Sox presented by Taco Bell
May 10

Kansas City Royals at Detroit Tigers presented by Taco Bell
May 17

Detroit Tigers at St. Louis Cardinals presented by Taco Bell
May 24

Texas Rangers at New York Yankees presented by Taco Bell
May 31

Detroit Tigers at Los Angeles Angels of Anaheim presented by Taco Bell (ESPN2)
*July 12

St. Louis Cardinals at Pittsburgh Pirates presented by Taco Bell
*July 19

Boston Red Sox at Los Angeles Angels of Anaheim presented by Taco Bell

More information on ESPN’s weekly broadcasts of Sunday Night Baseball presented by Taco Bell is available online along with all of the latest Major League Baseball news at:

Website: https://espn.go.com/mlb

Facebook: https://www.facebook.com/ESPNBaseballTonight

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