Ali McManus’ New EP Is A Concrete New Entry In The Adult Contemporary Realm

Courtesy: Desert Dreams Records

Singer/songwriter Ali McManus is, right now, likely not one of the most well-known figures in the musical universe. However, thanks to her recently released EP Unbreakable, she could easily make quite the name for herself within the realm of adult contemporary artists. That statement is supported in part through the musical arrangements presented within each of the record’s six songs. They will be discussed shortly. the songs’ lyrical content supports that statement just as much as the EP’s musical arrangements. When they are considered alongside the EP’s sequencing, the three elements together fully prove and support that statement that Unbreakable is a strong start to McManus’ career.

Unbreakable, the new six-song EP from up-and-coming singer/songwriter Ail McManus, is a strong new effort from the 21-year-old Michigan-based musician. It is a work that is certain to resonate with any adult contemporary audience, from radio programmers to listeners. This statement is supported in part through the musical arrangements exhibited throughout the record’s 25-minute run time. From start to finish the arrangements presented throughout are easy fits on any mainstream adult contemporary station. The record’s opener and title track presents an arrangement that would even fit into any Christian radio station’s lineup. That is of course just this critic’s own thought. Even though there is no Christian imagery in the song’s lyrical content (which will be discussed later), something about its wording couples with the music to make it feel like it fits perfectly into that genre, too. ‘Rhythm That Rhymes’ and ‘Breaking Free’ both present more of a country vibe, with the prior even boasting something of a folk sound, too. ‘Wings,’ with its blues-rock-based arrangement will easily appeal to audiences of all ages while ‘Heart Shattered’ and ‘Home’ will each touch listeners in their own unique ways. The emotional ride on which McManus takes listeners over the course of these songs is in itself proof enough of the strength of this new effort from McManus. It is just one part of the whole that proves the EP in whole is a strong new effort. The record’s lyrical themes serve to support that statement just as much as its musical arrangements.

The lyrical themes presented in the songs are so important because of their accessibility. From the disc’s opener all the way to its fourth track, ‘Wings,’ McManus presents messages of hope and optimism. In the disc’s opener, she sings, “I am what I am/And I love where I stand/Yeah, I can’t stand for long/But I’m goin’ strong/I’m unbreakable.” She leaves no question as to her message here. ‘Rhythnm That Rhymes’ presents a similarly positive message in which McManus tells listeners not to give up in life. That is evident as she sings, “Your confidence will grow slowly/Once you accept who you are/Every day at a time/You’ll surely find/A rhythm that rhymes.” That short line sums up the whole song. It is meant to be an inspiring work that reminds audiences to stay on that proverbial brighter side of life. ‘Breaking Free’ is yet another positive work, lyrically speaking as is evident when McManus sings, “What if I’m special/Like no one else/What if I’m happy just the way that I am/Maybe I’m lucky/Look at all that I have/I’m breaking free/Free to be who I am/I’m breaking free because I can/I’m breaking free just how I am.” This directly echoes the optimism presented in the record’s first two songs’ lyrical themes, in turn tying each together. It isn’t until the record reaches its fourth track, ‘Heart Shatters,’ that McManus turns things emotional in a different direction. That song is the EP’s only song about a broken relationship, and McManus goes full force in this one, ensuring anyone (especially female audiences) will be moved. ‘Home,’ the record’s finale celebrates family as McManus sings, “You’re at home with the ones you love/You’re at home with the ones you find within your life/Success means nothing unless you have someone to share it with…This winding road/Will never go straight/It may start to curve in any which way/You should always know your way home.” It’s one more positive message that McManus shares with listeners over the course of the record. When all of those positives are set alongside the record’s lone breakup song, the whole of the messages shows clearly why the songs’ lyrical themes are so important in proving what makes this record a solid effort from her. When they are joined with the songs’ musical arrangements, the two elements join to prove even more why the EP boasts a strong foundation. That whole still is not the last of the record’s most important elements. Its sequencing rounds out the most important of its elements.

The sequencing of the record’s energies is just as important to proving Unbreakable’s strength as its musical and lyrical content. As a matter of fact, it ties directly back to the arrangements, bringing everything full circle. The gentle, flowing piano line at the center of the record’s title track, followed by the equally laid back groove of ‘Rhythm That Rhymes’ establishes a solid transition from one song to the next that in itself will ensure listeners’ maintained engagement. That is especially considering the fact that the two songs stand separate from each other stylistically. The juxtaposition of ‘Breaking Free”s gentle verses and its stronger chorus sections gives this song its own energy and identity. That identity, when considered alongside the energies of the record’s first trio of songs, it makes the EP’s emotional impact that much stronger. McManus changes things up dramatically in ‘Wings,’ the record’s penultimate song. This song is a much more upbeat song that stands starkly separate from anything else in the EP. Its positive musical and lyrical energy gives listeners plenty to smile about. That energy gradually pulls back in the record’s last two songs, eventually returning to the gentle, flowing energy established in the disc’s opener, again bringing everything full circle in another way. By the time it all ends, the energies in the songs overall couples with the arrangements and the lyrical themes to show in full why this record is a strong effort from McManus and why it could be a strong starting point for the up-and-coming adult contemporary friendly artist.

Ali McManus’ new Ep Unbreakable is a good, solid start for the young, up-and-coming singer/songwriter from Michigan. It is a record that easily makes a place for her within the adult contemporary world. That is evident through musical arrangements that fit most easily within that realm in each of its six songs. The largely positive lyrical content is something from which listeners of all ages will benefit in hearing. Though when coupled with the record’s musical arrangements, the two join to show even more why it is a strong entry into the adult contemporary realm. The energies exhibited throughout the course of the EP join with the arrangements and lyrics to indeed make the record itself a concrete new effort. Each element clearly is important in its own right. All things considered, they make this EP a strong, solid new effort from McManus. It is available now in stores and online. More information on Unbreakable is available online now along with all of McManus’ latest news and more at:

Website: http://www.alimcmanus.com

Facebook: http://www.facebook.com/AliMcManusMusic

Twitter: http://twitter.com/AliMcManusMusic

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Sanctuary Joins Kill Ritual For Iced Earth’s Latest Tour

Courtesy: Century Media Records

Veteran metal outfit Sanctuary hit the road this week for a new string of live dates with label mates Iced Earth, and with the tour’s launch, the band also announced another new addition to its lineup.

The band has brought Joey Concepcion (Armageddon, The Absence) to handle guitar duties for the tour.  Most recently, the band tapped vocalist Joseph Michael (Witherfall) to take the place of Warrel Dane (Nevermore, Sanctuary), who sadly died from a heart attack late last December in Sao Paulo, Brazil while recording his then most recent solo album.

Concepcion said in an interview ahead of the tour’s launch, that he was looking forward to joining Sanctuary for its new tour.

“I’m very stoked to be playing with Sanctuary on their upcoming tour,” Concepcion said.  “I’ve been a fan since I was in high school, listening to ‘Into The Mirror Black.’  I’m looking forward to playing these songs live and honoring the legacy of Warrel Dane.”

The current schedule for Sanctuary’s tour with Iced Earth is noted below.

A full list of dates can be found as follows:
2/25 Milwaukee, WI – Turner Ballroom #
2/26 Minneapolis, MN – Music Hall #
2/27 Omaha, NE – Sokol Underground #
2/28 Denver, CO – Summit Music Hall #
3/2 Edmonton, AB – Starlite Room #
3/3 Calgary, AB – Marquee Beer Market & Stage #
3/4 Vancouver, BC – Rickshaw Theater #
3/5 Seattle, WA – El Corazon #
3/7 Sacramento, CA – Ace of Spades #
3/8 Los Angeles, CA – Belasco Theater #
3/9 San Diego, CA – House of Blues #
3/10 Anaheim, CA – Parish @ House of Blues #
3/11 Phoenix, AZ – The Pressroom #
3/13 San Antonio, TX – Aztec Theatre #
3/14 Dallas, TX – House of Blues #
3/15 Houston, TX – House of Blues #
3/16 New Orleans, LA – Parish @ House of Blues #
3/17 Atlanta, GA – The Masquerade #
3/18 Charlotte, NC – Underground #
3/19 Baltimore, MD – Baltimore Soundstage #
3/21 Wilmington, DE – The Queen #
3/22 New York, NY – Gramercy Theatre #
3/23 Boston, MA – Brighton Music Hall #
3/24 Quebec City, QC – Imperial Bell #
3/25 Montreal, QC – Corona Theater #
3/26 Toronto, ON – Phoenix Theater #
3/27 Cleveland, OH – Cambridge Room @ House of Blues #
3/28 Detroit, MI – St. Andrew’s Hall #
3/29 Chicago, IL – Bottom Lounge #
# with Iced Earth & Kill Ritual

Tickets are available online here.

More information on Sanctuary’s new tour schedule is available online now along with all of the band’s latest news at:

 

Website: http://www.enterthesanctuary.com

Facebook: http://www.facebook.com/sanctuaryfans

Twitter: http://twitter.com/sanctuarymetal

 

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Experience Hendrix Releases Exclusive Record Store Day 7-Inch Single

Art Credit: Randy Chavez

Jimi Hendrix fans are going to get a new collection of the guitar legend’s music this spring, and in anticipation of its release, a new 7″ vinyl single has been released.

‘Lover Man’ was released Friday in anticipation of the upcoming release of Both Sides of the Sky, the forthcoming new collection of previously unreleased Hendrix compositions.  The album is currently scheduled to be released March 9 in stores and online.

Those who weren’t lucky enough to get a copy of the exclusive Record Store Day release can hear it streaming online now here.  Pre-orders for Both Sides of the Sky are open now here.  The 10-song collection, which was co-produced by Hendrix’s long-time producer Eddie Kramer, Jimmy’s sister Janie and John McDermott, will be available on CD, vinyl and digital platforms.

The record’s track listing is noted below.

Both Sides of the Sky track list (out March 9):

1)         Mannish Boy*

2)         Lover Man*

3)         Hear My Train A Comin’*

4)         Stepping Stone*

5)         $20 Fine*+

6)         Power Of Soul^

7)         Jungle*

8)         Things I Used to Do#

9)         Georgia Blues++

10)       Sweet Angel*

11)       Woodstock*+

12)       Send My Love To Linda*

13)       Cherokee Mist*

*Previously unreleased

^ Previously unavailable extended version

+Featuring Stephen Stills

#Featuring Johnny Winter

++Featuring Lonnie Youngblood

 

More information on ‘Lover Man,’ Both Sides of the Sky and all things Jimi Hendrix is available online now at:

 

Website: http://www.jimihendrix.com

Facebook: http://www.facebook.com/JimiHendrix

Twitter: http://twitter.com/JimiHendrix

 

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Alex Di Leo Premieres ‘Brooklyn Bridge’ Video; Announces New Contest

Independent alt-rock/pop artist Alex Di Leo has unveiled the video for his latest single ‘Brooklyn Bridge.’

Produced by Brother Sundance, the video follows Di Leo through the streets and rooftops of New York City as well as along the Brooklyn Bridge as he performs his catchy, radio-ready single.  The video is streaming online now here.

Courtesy: TAG Publicity

Along with the video’s debut, a contest has been launched giving audiences the chance to win an all-expenses paid trip for two to see Di Leo live July 1 at the Brooklyn Bridge complete with complimentary meet and greet.  The trip last from Friday, June 30 to Sunday, July 2 and also will include a $100 gift card.  Contest information is available here.

Di Leo’s music has made gotten a lot of airplay this year already, being featured on MTV’s Teen Mom and on a pair of GoPro camera ads.  His new EP is currently scheduled for release this spring, with an official release date announcement expected soon.

More information on Alex Di Leo’s new single is available online now along with all of his latest news and more at:

 

Facebook: http://www.facebook.com/Alexdileomusic

Twitter: http://twitter.com/AlexanderDiLeo

 

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Anti-Flag Unveils New Single; Announces More Live Dates

Courtesy: Spinefarm Records

Anti-Flag has released yet another single from its latest album, American Fall.

The band released the explicitly-titled song ‘Mr. Mother******.’  The song is streaming online now via Spotify, Apple Music, Google Play and all digital platforms.  It is available for purchase online via iTunes and Amazon.

Guitarist Chris #2 said of the song, which was originally a b-side for the band’s American Attraction picture disc, that it is meant to pay homage to certain social activist organizations.

“Honestly, we just wanted to throw our hat into the ring in the storied history of Stagger Lee,” Chris #2 said.  “Our version has nods to those in solidarity with the Black Lives Matter movement of today, the black panther movement and the overall fight for social and economic justice.”

He added the song, creatively, was a reflection of the band trying something new in terms of its songwriting approach.

“This is a one-take demo of the song that we thought captured something very cool,” Chris #2 said.  “We were trying to push ourselves to experiment with tempos and structures when writing for American Fall, and those experiments are pretty clear on ‘Mr. Mother******.’

Anti-Flag will embark on a new tour this spring and summer in support of American Fall.  The two-month-long-plus tour is currently scheduled to run launch May 13 in Somerset, WI and run through July 15 in Tabor, Czech Republic.  The tour includes three festival performances in May at Rock on the Range in Columbus, Ohio; Northern Invasion in Somerset, Wisconsin and Pouzza Fest in Montreal, Canada.

The band’s current tour schedule is noted below.

Tour Dates:
May 13 Somerset, WI – Northern Invasion
May 18-20 Columbus, OH – Rock On The Range
May 18-20 Montreal, QC – Pouzza 8
June 7 Interlaken, CH – GreenField Festival
June 8 Bologna, IT – Zona Roveri
June 9 Arluno, IT – Malt Festival
June 10 Cordenons, IT – Rock Town
June 13 Bratislava, SK – Incheba Expo Arena
June 14-17 Nickelsdorf, AT – Novarock Festival
June 22 Dessel, BE – Graspop Festival
June 29 Ysselsteyn, NL – Jera On Air
June 30 Würzburg, DE – Mission Ready Festival
July 6-7 Straubenhardt, DE – Happiness Festival
July 6-8 Hünxe, DE – Ruhrpott Rodeo
July 11-14 Viveiro, ES – Resurrection Festival
July 12-14 Glaubitz, DE – Glaubitz Open Air Back to Future
July 13-15 Tábor, CZ – Mighty Sounds

More information on the band’s upcoming live dates is available along with its new single, news and more at:

 

Website: http://www.anti-flag.com

Facebook: http://www.facebook.com/anti.flag.official

Twitter: http://twitter.com/anti_flag

 

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Exmortus Joining Obituary For European Tour

Courtesy: Prosthetic Records

Exmortus is headed to Europe.

The band announced this week that it will serve as direct support for veteran metal outfit Obituary on its European headlining schedule.  The tour, which will run from March 3 to April 1, will take the bands to Vienna, Austria; Mulhouse, France; Stuttgart, Germany and a variety of other cities.  the current tour schedule is noted below.

EXMORTUS European & UK tour dates w/ OBITUARY
Mar 03, 2018 – Luxor Koln, Germany
Mar 04, 2018 – Biebob Vosselaar, Belgium
Mar 06, 2018 – Rescue Rooms Nottingham, United Kingdom
Mar 07, 2018 – The Classic Grand Glasgow, United Kingdom
Mar 08, 2018 – Manchester Club Academy Manchester, United Kingdom
Mar 09, 2018 – O2 Institute2 Birmingham Birmingham, United Kingdom
Mar 10, 2018 – ULU Live at Student Central London, United Kingdom
Mar 12, 2018 – Universum Stuttgart, Germany
Mar 13, 2018 – ​Zoom Frankfurt Am Main, Germany
Mar 14, 2018 – Le Trabendo Paris, France
Mar 16, 2018 – CCO DE Villeurbanne Villeurbanne, France
Mar 17, 2018 – Le Noumatrouff Mulhouse, France
Mar 18, 2018 – Feierwerk / Hansa 39 München, Germany
Mar 19, 2018 – Kulturfabrik Kofmehl Solothurn, Switzerland
Mar 20, 2018 – Alcatraz Milan, Italy
Mar 22, 2018 – Szene Wien Vienna, Austria
Mar 23, 2018 – Hellraiser Leipzig, Germany
Mar 24, 2018 – Musik & Frieden Berlin, Germany
Mar 25, 2018 – ​Logo Hamburg, Germany
Mar 27, 2018 – Pumpehuset Copenhagen, Denmark
Mar 28, 2018 – Fryshuset Klubben Stockholm, Sweden
Mar 29, 2018 – Inferno Festival Oslo, Norway*
Mar 30, 2018 – Sticky Fingers Göteborg, Sweden
Apr 01, 2018 – Paaspop Festival Schijndel, Netherlands*
*Obituary only 
Exmortus’ latest live schedule is in support of its most recent full-length studio recording, Ride Forth, released January 8, 2016 via Prosthetic Records.  More information on Exmortus’ upcoming European dates is available online along with all of the band’s latest news and more at:

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Hatchet Signs With Combat Records; Reveals New Album Specs

Courtesy: O’Donnell Media Group

Hatchet officially has a new home and a new album on the way.

The band announced this week that it had signed a new deal with the recently resurrected hard rock label, Combat Records.  With the deal officially signed, the band–Julz Ramos (vocals/guitar), Clayton Cagle (guitar), Devin Reiche (bass) and Ben Smith (drums)–also announced it will release its next album, Dying To Exist, via Combat Records and EMP Label Group June 22, 2018.  The album will be the band’s fourth full-length studio recording.

Ramos said in a recent interview that he was humbled to be the latest addition to Combat Records.

“We couldn’t be happier to have found a home on Combat!,” Ramos said.  “The label is obviously a huge staple in thrash and extreme metal, with some of the most infamous bands in close connection to or directly under Combat at some point.  Its true history and significance is beyond my years and first-hand understanding.  However, from what I do know and have seen, assures me this is a good home for our album!”

In talking about Dying to Exist, Ramos said the album offered plenty for the band’s audiences.

“The album itself is the fastest and most creative material to date, with all four members contributing our writing efforts throughout the record,” Ramos said.  “This is the most we’ve sounded like a band collectively, and it’s definitely for the better!”

Combat/EMP Label Group head Dave Ellefson had positive words for the band while talking about the new signing.

“Hatchet is a great young band who definitely fit the bill for Combat.  Aggressive, modern thrash metal, with an old-school intensity,” Ellefson said.  “I’ve been a fan of these guys for a while now, and we’re extremely proud to add them to the Combat roster.”

More information on Hatchet’s signing and new album is available online now at http://www.facebook.com/hatchetofficial.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

‘Great Performances: Havana Time Machine’ Hits Almost All The Right Notes In Its Recent Home Release

Courtesy: PBS/Public Media Distribution

PBS’ cultural arts series Great Performances has for years brought to audiences what are in fact some of the greatest performances from one arts medium to another. From jazz to opera to even hip-hop and R&B and more, Great Performances has exposed audiences to worlds that they otherwise might never have experienced. This past December, the long-running series continued to live up to that positive reputation with the presentation of the Latin tinged concert Havana Time Machine. This roughly 50-minute program follows famed Grammy Award-winning Cuban musician Raul Malo as he visits his home nation and puts on a star studded concert for local residents. The journey that precedes the concert is itself one key part of what makes this program such a joy to experience. That does not mean that the concert itself is not important. Quite the opposite actually. It is very important, and will be discussed later. For all of the good that this program gives audiences in its new home release, it is not without at least one negative. That one negative is the lack of any program guide other than the one on the disc. This may seem minor on the surface, but in the bigger picture of the presentation, is key in its own way, and in turn will be discussed later, too. Even with that one negative to note, it is not enough to make the program unwatchable. It would have been nice to have had that one element, but even without it, the concert and the pre-concert tour together are enough to make this program worth the watch and then some.

Havana Time Machine is a successful new concert recording from PBS’ hit cultural arts series Great Performances. Originally released on DVD December 12, 2017, this recording hits almost all the right notes in its home presentation. That statement is supported in part through the tour of Havana hosted by Grammy Award-winning Cuban musician Raul Malo. the tour precedes the main feature concert that makes main body of the presentation. During his tour, audiences get to see firsthand some of the buildings and streets of Havana while also getting some mini performances from a small handful of artists including Eliades Ochoa (Buena Vista Social Club), Ivette Cepeda and Sweet Lizzy Project. Cepeda’s intimate acoustic performance of ‘Perhaps, Perhaps, Perhaps’ alongside Ochoa is so moving and enthralling. Malo’s discussion with Sweet Lizzy Project about getting its music distributed without major retailers couples with its performance to give audiences even more enjoyment. The introduction of Cuba’s art institute and his performance of ‘Besame Mucho’ with some of the institute’s students is another highlight of the program’s pre-concert tour. It is just one more of the highlights of the pre-concert tour that when joined with the other features, makes for plenty of enjoyment in whole as a warm-up for the big show. Speaking of the big show, it is another of the recording’s key elements. However, there is one part of the concert that cannot be ignored that is problematic. That one issue is its lack of a program guide outside of the guide presented on disc.

The lack of a physical program guide may not seem overly important on the surface to the whole of Havana Time Machine. A close examination however, shows it plays its own important part to the concert’s overall presentation. The addition of a physical program guide, on one level, allows audiences to follow along with the concert and in turn know which song (and artist) is which. That is the most basic level of its importance. On another level, having artist and song titles could be that proverbial door that opens audiences to artists and music about which they otherwise would not have known. Having those names and song titles as reference points, audiences unfamiliar with either would be able to start their searches for more music and information. To that end, the lack of a physical program guide does detract from the recording’s presentation to a point. Luckily though, that impact is not so much that it makes the program unwatchable. The program’s primary concert feature couples with the pre-show tour to make the recording in whole well worth the watch.

The concert feature is enjoyable in part because of its venue. Rather than being hosted at a standard arena or other modern venue, it is instead held at a venue that once was run by a beer company. While Malo notes that the jungle reclaimed the venue in the century since the location was abandoned by that company, it is clear that it has been cared for and turned into quite the unique concert venue. The intimate setting makes the concert feel that much looser in its energy from one act to the next. Those varied acts are another part of what makes the concert feature so enjoyably. Malo himself takes part in the performance, but is just one of the acts tapped for the show. Roberto Fonseca performs at the concert along with Ochoa and Sweet Lizzy Project to round out the show that is capped off with a full-on star-studded performance of ‘Guantanamera.’ The finale leaves audiences feeling fulfilled, but still wanting for more in the best way possible. Keeping that in mind, hopefully PBS and Public Media Distribution will release the full concert sooner rather than later, as there’s no doubt that performance (and the rest featured here) would easily couple with any others left out for an even more enjoyable show. Even with the material that is here in mind, it couples with the pre-show tour of Havana and its related performances for a recording that hits nearly every right note with Latin music fans.

Great Performances: Havana Time Machine is a program that definitely lives up to the “Great Performances.” It is a presentation that time and again will hit almost all of the right notes with Latin music fans as is evidenced in part through the recording’s pre-show tour of Hanava. The tour takes viewers through the streets and even countryside of Havana and comes complete with a handful of mini-performances. The lack of a physical program guide does detract from the concert’s viewing experience, but not so much that it makes the program unwatchable. It just would have been nice to have had one instead of relying on the on-disc program. The main concert feature included in the recording rounds out its most important elements, and is certain to entertain audiences just as much as the pre-show tour. Keeping all of this in mind, Great Performances: Havana Time Machine hits almost all of the right notes, making the program in whole a presentation that any Latin music fan will appreciate. It is available now and can be ordered direct via PBS’ online store. More information on this and other episodes of Great Performances is available online now at:

Website: http://www.pbs.org/greatperformances

Facebook: http://www.facebook.com/GreatPerformances

Twitter: http://twitter.com/GPerfPBS

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Bird Boy: The Forgotten Children’ Will Easily Appeal To Its Target Audiences

Courtesy: Shout! Factory/GKids

Home entertainment company Shout! Factory and GKids have been quite busy as of late, prepping a hanful of new home releases. From Japan to France and even to Spain, the two companies have been bringing some rather interesting independent releases from around the world. Their next release, Bird Boy: The Forgotten Children, is set to be released March 13 in stores and online. Originally released theatrically in Spain in 2015, it made its American debut this past December. It goes without saying that this Spanish import is definitely not for children, despite being released in part via GKids. It is also a production that will appeal to a very specific audience as is evidenced through its story. That story will be discussed shortly. The artwork will also appeal to a very specific audience, meaning it plays its own important part to the movie’s presentation that deserves discussion. That being the case, it will be discussed later. The bonus material rounds out the most notable of the movie’s elements. Each element is important in its own right to the whole of Bird Boy: The Forgotten Children. All things considered, they make this presentation one that is certain to appeal to its target audiences.

Shout! Factory and GKids’ forth coming animated feature Bird Boy: The Forgotten Children is an interesting new work that is certain to appeal to its very specific audience base. That is evident in part through the movie’s rather dark story, which centers on a group of young animals on an island that is working to get off of the island. The youths are trying to get off of the island because life on the island had gotten so bad ever since a massive explosion destroyed so much life on the island. Bird Boy, the movie’s title figure ends up playing directly into this dark, almost Tim Burton-esque story in a very big way in the story’s final act. How he plays into the story won’t be given away here for those who have not yet seen this movie. It definitely is a powerful role to say the very least. As director Alberto Vasquez notes in his bonus interview, it is a story that will resonate with older teenagers more so than any other audience group. This and other discussions will be discussed later as the bonus material is examined. Over the course of the youths’ journey, there are interactions with a heroin addicted mouse and his friends, a group of bullies, and police dogs hell-bent on killing Bird Boy among much more. Considering the interactions and characters that the kids meet, it goes without saying that this story is not one for younger audiences. There is even a very brief scene during Dinki’s flashback that shows what looks like her having sex with Bird Boy. Audiences even hear her saying to him as she is on top of him, “not like that” in a certain tone that clearly hints at what’s going on. Again, it’s one more example of why this story is not one for younger audiences, despite being released in part via GKids. That having been noted, the story’s overtly dark vibe makes it one that will appeal to a very fixed audience, even with the happy ending portrayed in the movie’s end credits. The story, with its foreboding vibes, is only one part of what makes this worth the watch among its target audiences. Its animation will appeal to said audiences just as much as the story.

The animation style exhibited in Bird Boy: The Forgotten Children is a style that will easily appeal to anime fans. This is important to note considering the fact that the movie is a Spanish, not Japanese, import. At the same time that it boasts that blatantly anime style look, the animation style used in the graphic novel on which this movie is based is just as obvious. Considering this, the combination of those two styles gives the movie a look that actually has its own identity. While the old adage states to never judge a book by its cover, that almost storybook style animation here in itself gives audiences a strong first impression with its light penciling and rich colors — colors that serve to enhance the bleak, post-apocalyptic feel of the world created in the story. It’s another nice change from the constant barrage of CG movies and TV shows that pollute theaters and airwaves today. Considering this, it becomes clear why the movie’s animation style is just as important to its presentation as its story. It still is not the last of the movie’s most important elements. The bonus material included in the movie is the last of its most important elements.

The bonus material featured in the forthcoming home release of Birdboy: The Forgotten Children includes interviews with co-directors Alberto Vazquez and Pedro Rivero as well as two bonus shorts, one of which — Birdboy — is extremely important in the bigger picture of the full-length presentation. The Birdboy short is so important because it sets the stage for the full-length feature. It does this by presenting the story of the tragic explosion that essentially destroyed so much life on the island. It is just as unsettling as the story at the center of the bigger movie. The interviews with Vazquez and Rivero are important features because of the background that they provide for the story. It is through Vazquez’s interview that audiences learn that Birdboy is based on a graphic novel that he himself created. He also explains the story’s relation to the adolescent experience today. Given, it seems like a bit of stretch even as he makes his case, but it is still an interesting explanation. Rivero admits in his interview that he is actually colorblind, but still has quite the interesting insight into the movie’s animation style. It’s just one of the interesting discussions that he offers in his interview. Between that, the rest of his insights and those offered by Vazquez alongside the bonus Birdboy short, the bonus material shows clearly its importance to the overall presentation of Bird Boy: The Forgotten Children. The bonus Decorado short stands alone as its own artsy bonus short and honestly could have been kept or left. Keeping all of this in mind, the bonus material included in the upcoming home release of Bird Boy: The Forgotten Children is proof yet again of the importance of bonus material in any movie or television show’s home release. It can add so much to or detract from either presentation. In the case of this movie, it adds plenty to the movie’s presentation. When it is set alongside the movie’s story and animation, the whole of the elements makes the movie in whole a presentation that again, will certainly appeal to its key audiences.

Bird Boy: The Forgotten Children is an interesting new offering from Shout! Factory and GKids. The roughly 76-minute (1 hour 16 minute) program is so interesting in that it is a work aimed at a very specific audience. Needless to say that target audience will openly accept the movie. That is due in part to the movie’s story. While rather bleak, it does have some amount of hope. That balance of bleak and bright makes it perfect for its target audience. Its animation style gives it its own identity, making it that much more appealing to its target audience. The bonus material included in the movie’s upcoming home release adds its own touch to the movie’s presentation, too. Each element is clearly important in its own right to the movie’s presentation, as has been noted here. All things considered, they make Bird Boy: The Forgotten Children a work that is certain to appeal to its target audiences. It will be available in stores and online March 13, 2018 and can be pre-ordered online now direct via Shout! Factory’s online store. More information on this and other titles from Shout! Factory is available online now at:

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

More information on this and other titles from GKids is available online now at:

Website: http://www.gkids.com

Facebook: http://www.facebook.com/GKidsfilms

Twitter: http://twitter.com/GKidsfilms

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

DHT To Tour Europe This Spring

Courtesy: O’Donnell Media Group

Dead Horse Trauma has announced another new string of live dates.

The band announced Monday that it will serve as support on Ektomorf’s latest headlining tour beginning March 2 in Dusseldorf, Germany.  The tour runs through April 1 in the Czech Republic and includes performances in Hungary, The Netherlands, Austria, Switzerland, France and other nations.  The current schedule is noted below.

European Dates with Ektomorf

3/02 – Pitcher – Düsseldorf, Germany
3/03 – Markthalle – Hamburg, Germany
3/04 – Klub Muzyczny Liverpool – Wroclaw, Poland
3/05 – Aching – Colmar, France
3/07 – Altherax – Nice, France
3/08 – Palazzo Bowling & Beat Club – Chur, Switzerland
3/09 – Metbar – Lenzburg, Switzerland
3/10 – Woody’s – Schleiz, Germany
3/11 – Viper Room – Vienna, Austria
3/13 – Barrák Music Club – Ostrava, Czech Republic
3/14 – Nuke – Berlin, Germany
3/15 – Rock Café – Prague, Czech Republic
3/16 – L.A. Cham – Cham, Germany
3/17 – Das Rind – Rüsselsheim, Germany
3/18 – De Verlichte Geest – Roeselare, Belgium
3/19 – From Hell – Erfurt, Germany
3/20 – Chemie Fabrik – Dresden, Germany
3/21 – Alte Zuckerfabrik – Rostock, Germany
3/22 – Kulturzentrum Zollhaus – Leer, Germany
3/23 – Factory Event Center – Magdeburg, Germany
3/24 – Baroeg – Rotterdam, Netherlands
3/25 – Rock Fabrik – Ludwigsburg, Germany
3/26 – Backstage – München, Germany
3/27 – Vègàllomàs Klub – Szombathely, Hungary
3/28 – Form Space – Cluj-Napoca, Romania
3/29 – Narancs Rock Cafe – Békéscsaba, Hungary
3/30 – Sypka – Morkovice, Czechia
3/31 – Hellraiser – Leipzig, Germany
4/01 – MC Fabrika – Ceske Budejovice, Czech Republic

Tickets are available online now here.  DHT’s latest live schedule is in support of its latest album Life.  Along with the tour announcement, the band also announced it will re-issue the European edition of Life via Revival Media Group. More information on that re-issue, the band’s tour and more is available online now at:

Websitehttp://deadhorsetrauma.com

Facebookhttp://www.facebook.com/deadhorsetrauma

Twitterhttp://twitter.com/deadhorsetrauma

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.