Ellefson Coffee Co. Partners With Breast Cancer Charity To Launch New Blend

Courtesy: Ellefson Coffee Company/O’Donnell Media Group

Ellefson Coffee Company has launched a new line to its coffee offerings.

The brainchild of Megadeth bassist Dave Ellefson, the company has launched what it has dubbed Rock N’ Rose blend to its growing list of offerings.  According to a news release from the company, the new blend takes the place of the recently retired She Wolf blend.

Ellefson said in a recent interview about the seasonal light-roast blend that while it is a light roast, it does have a little something extra, adding that the his company has partnered with a well-known breast cancer organization  to promote the coffee.

“We wanted to introduce a new roast to replace the recently retired She-Wolf, and with October being Breast Cancer Awareness Month, we thought it would be a great opportunity to pair up with an amazing charity like The Rose and help to raise support for breast cancer awareness.  It is a rich, full blend light roast with some extra kick, that we are sure everyone is going to love.”

Rock N’ Rose will be available for a limited time via ellefsoncoffeeco.com.  A portion of the sales from each bag’s sales will go to benefit The Rose, which is a Houston, TX-based breast cancer charity.

More information on Rock N’ Rose and all of Ellefson Coffee Company’s other blends is available online along with all of the company’s latest news at:

 

 

 

Website: http://ellefsoncoffeeco.com

Facebook: http://www.facebook.com/ellefsoncoffeeco

 

 

 

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ESPN To Debut New ‘Star Wars: The Last Jedi’ Trailer During ‘Monday Night Football’

Courtesy: ESPN

ESPN is giving audiences extra reason to tune in to Monday Night Football.

The network will debut the first full trailer for the forthcoming Stars Wars movie The Last Jedi during its Oct. 9 broadcast, which will see the Bears and Vikings face off under the lights.  According to a news release from the network, the trailer will debut during halftime.  Game coverage is currently scheduled to start at 8:15 p.m. EDT.

Details have been scant about the movie’s plot ever since the announcement that the movie was being made.  What is known is that it picks up where The Force Awakens left off, with Rey (Daisy Ridley) locating Luke Skywalker.  The trailer that has currently been made available hints that despite Luke’s reluctance, she convinces him to train her while also learning some deeply held secrets about the force and the Jedi.

Mark Hamill returns to reprise his role as Luke Skywalker alongside the now late Carrie Fisher, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern and Benecio Del Toro.

Rian Johnson wrote and directed the movie.  Kathleen Kennedy and Ram Bergman produced while J.J. Abrams, Tom Karnowski and Jason McGatlin each served as executive producers.

Star Wars: The Last Jedi will debut in theaters nationwide Dec. 15.  More information on Star Wars: The Last Jedi is available online now at:

 

 

 

Website: http://www.starwars.com

Facebook: http://www.facebook.com/StarWars

Twitter: http://twitter.com/starwars

 

 

 

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PBS’ Latest ‘Arthur’ DVD Will Entertain Siblings Of All Ages

Courtesy: PBS/PBS Kids/Public Media Distribution

Brothers and sisters are the bet and the worst people in the world.  They make life great and they make it miserable all at the same time.  Through it all, they are family, and life would not be the same without them.  So in celebration of siblings, PBS Kids and Public Media Distribution recently released a new collection of Arthur episodes focused on the ups and downs and brothers and sisters in the form of Arthur: Brothers and Sisters.  Originally released this past July on DVD, this eight-episode collection boasts plenty of positives beginning with its episodes.  This will be discussed shortly.  The stories presented in the featured episodes are just as important to discuss in examining this DVD as the episodes and will be examined later.  The lessons that are presented within the featured episodes round out the collection’s most important elements.  All elements are important in their own right to the DVD’s overall presentation.  All things considered, Arthur: Brothers and Sisters proves in the end to be a DVD that brothers and sisters of all ages will appreciate.

Arthur: Brothers and Sisters, the latest DVD compilation from the hit animated PBS Kids series, is a collection of episodes that brothers and sisters of all ages will appreciate.  That is due in part to the episodes that are featured in the collection.  Eight episodes make up the DVD’s body.  They are pulled from a wide swath of the series’ current 20-season run, reaching all the way back to the series’ first season with the disc’s first four episodes—“D.W. The Copycat,” “Arthur’s Baby,” “D.W.’s Baby” and “Arthur’s First Sleepover.”  It also pulls from Season Two in “Sue Ellen’s Little Sister” as well as the series’ 17th and 18th season in “Francine Redecorates,” “Two Minutes” and “The Pageant Pickle” respectively.”  That far-reaching rundown shows that those behind the DVD’s sequencing did not want to just rely on one season for the DVD’s body.  Instead, they wanted to get what they thought were some of the series’ most engaging and entertaining episodes to date that focused on various sibling situations.  To that end, the thought put into selecting the disc’s episodes paid off with eight episodes that are certain to connect with siblings of several ages.  Keeping this in mind, the DVD’s featured episodes are only a small part of what makes this disc so enjoyable.  The stories featured within the episodes strengthen its presentation even more.

The stories featured in the DVD’s featured episodes are important to discuss in examining the disc because of the ability of the stories to reach a wide range of audiences.  From twins trying to find out who was born first in “Two Minutes” to the older sibling forced to include the younger sibling in a big social event in “Arthur’s First Sleepover” to siblings dealing with conflict in interior design (and in turn personal connections) and more, the scenarios presented in these episodes prove relatable to siblings of all ages including adult siblings.  The collection even gives those who are only children something to which they can relate in the form of “Sue Ellen’s Little Sister.” Sue Ellen, who is an only child, eventually learns through trial and error in this episode that sometimes, being an only child can be just as good as having a sibling, if not better.  That attention to siblings and only children in the episodes’ scenarios shows a sensitivity to a wide range of audiences that deserves its own share of applause as part of the DVD’s whole.

Speaking of the ability of the episodes’ stories being relatable to a wide range of audiences, the lessons taught through the stories prove to be important to the disc’s whole, too.  The lesson presented in “Francine Redecorates” supports that statement.  Francine and her sister learn here that despite their different views on interior design tastes, they are still sisters and even something as minuscule as that difference should not be enough to make them so determined to want to be apart.  The lesson presented in the disc’s opening episode “D.W. The Copycat” is another example of the importance of the episodes’ lessons.  Arthur learns in the long run that siblings’ differences are what make them special, and that maybe siblings being exactly alike maybe isn’t as good as they might think.  It’s a tried and true lesson that has been presented in so many other series, but is still as entertaining and engaging here as in those series.  As has already been noted, the lesson presented through “Sue Ellen’s Little Sister” is another key lesson as Sue Ellen learns through trial and error that being an only child isn’t necessarily as bad as one might think.  It’s another invaluable lesson from which especially younger audiences can learn.  Between that lesson, the others noted here, and those not noted, it becomes clear why the episodes’ lessons are critical to the overall presentation of Arthur: Brothers and Sisters.  When this is considered along with the importance of the episodes’ stories and the episodes themselves, the whole of those elements shows clearly why this DVD is another welcome addition to any family’s home, and why it is undeniably one of this year’s top new family DVDs.

Arthur: Brothers and Sisters is one of 2017’s top new family DVDs.  That is due in no small part to the episodes selected for the DVD.  They are pulled from the series’ roots and from some of its more recent seasons.  That shows that those behind the DVD’s creation wanted to pull the episodes they best felt followed the DVD’s central theme, rather than just pulling from one season or another.  The stories presented in the featured episodes are stories to which audiences of all ages (including grown-ups) will relate, and in turn find quite entertaining and engaging.  The lessons presented within the stories round out the set’s most important elements.  Audiences of all ages will find the lessons offer plenty for their engagement, too.  Clearly, each element played an important part in the whole of this DVD.  All things considered, they make Arthur: Brothers and Sisters one of this year’s top new family DVDs.  It is available now in stores and online and can be ordered direct via PBS’ online store.  More information on Arthur: Brothers and Sisters is available online along with lots of Arthur games, activities, printables and more at:

 

 

 

Website: http://www.pbskids.org/arthur

Facebook: http://www.facebook.com/ArthurPBS

 

 

 

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‘The Good Place: The Complete First Season’ Will Put Viewers In Their Own Good Place

Courtesy: NBC/Shout! Factory

NBC’s hit serial sitcom The Good Place has proven in its now season and a half or so on the air to be one of the “peacock network’s” biggest properties in years.  That is because currently, there is little if anything like it on television – broadcast, cable and even online – like it today.  Though, there is no denying in watching this series its similarity to another former NBC hit serial sitcom in the form of My Name Is Earl.  Given, the two series are not entirely alike, but there are enough similarities that one cannot ignore the series’ connection.  Even with that in mind, The Good Life is still deserving of its own applause, and later this audiences maybe not familiar with the series will see why it is deserving of its own applause when Shout! Factory releases the series’ debut season on DVD.

There are plenty of things that audiences can say to the positive about The Good Place: The Complete First Season beginning with its’ writing.  That will be discussed shortly.  Just as important to Season One’s presentation as the writing is the work of the series’ cast.  This will be discussed later.  The bonus material included in the set rounds out its most important elements, and when it is considered along with the once again welcome precise episode listing inside the case and the set’s average price point, the whole proves to be a set that will put any of the series’ fans in their own good place.

Shout! Factory’s forthcoming release of The Good Place: The Complete First Series is a collection that is certain to put the series’ fans in their own good place.  That is due in no small part to the work of the series’ writers beginning with the series’ very premise.  The premise is simple: a person who was not so nice in life dies, goes to the afterlife and ends up learning to be a better person and bettering others in the process.  The catch here is that the woman – Eleanor Shellstrop – shouldn’t be where she is….or should she? (not to give away too much from the series’ second season, which recently premiered).  Regardless of whether the good place is in fact the good place or not, Eleanor’s personal growth over the course of the first season is something that audiences will love to watch.  That is thanks not only to the stories, but how the stories are executed.  From causing giant frogs and cocktail shrimp to terrorize her afterlife home to causing a giant sinkhole to who knows where to appear and more, the ways in which Eleanor learns to become a better person will leave audiences laughing uproariously while also moving them.  Again, The very concept of a lead figure trying to improve is nothing new for NBC.  Audiences saw a very similar concept in My Name Is Earl, but it was done in a different format.  Add in the fact that the writers keep viewers guessing throughout Season One if the good place is indeed the good place thanks to Michael’s story line and there’s plenty to keep audiences engaged.

The story’s plot is just one part of what makes the writing so enjoyable in the first season of The Good Place.  The way in which the episodes are separated, which is – like the show’s premise – very much like that of My Name is Earl.  Whereas the earlier program was divided up into names on Earl’s list, this series is divided up into the people who Eleanor meets in her afterlife and the connections between them and herself.  There are no overly drawn out interweaving subplots.  Rather, each episode focuses only on the noted story lines, which are clearly outlined in the episode guide inside the set’s case.  This will be touched on lightly later.

As if the storylines and the series’ plot are not enough example of what makes the series’ writing so strong in its debut season, the back stories presented for each of Eleanor’s new friends add their own depth to the series as they help with the series’ overall character development.  This leads viewers to be even more engaged as they either root for certain characters or boo them.  It is all so entertaining, and collectively shows why this show’s writing, even in its lead season, is so important to its whole.  It is just one part of what makes the series’ debut season so enjoyable.  The work of the series’ cast is just as important as that of its writers to its presentation in Season One.

The work of The Good Place’s cast is so important to note in examining the series’ first season because their work keeps viewers just as entertained and engaged as the writing.  Kristen Bell’s take on Eleanor is spot on as Eleanor goes from completely clueless, self-centered subject to someone who actually, genuinely cares about people.  Again, that care and concern for others grows in the series’ now second season, but that won’t be discussed too much here.  Fellow leads Ted Danson and William Jackson Harper are just as entertaining as Michael and Chidi.  In all honesty, Danson’s take on the somewhat manic Michael is perhaps his best portrayal since his days as bartender Sam from yet another former NBC hit series, Cheers.  He makes Michael so silly in his behavior, yet there is something so entertaining about that silliness even if Michael might not be such a nice guy after all.  Harper meanwhile has wonderful chemistry opposite Bell anytime the pair is onscreen together.  Chidi’s neurotic behavior is so funny to watch whenever he has to deal with Eleanor thanks to Jackson’s work.  That behavior, juxtaposed against Eleanor’s more carefree nature makes for such an entertaining odd couple setup.  Keeping all of this in mind, all three of the series’ leads do so much to make the show so fun.  When they are joined by the supporting cast, they show just as much talent. When all of this is considered, it becomes clear why the cast’s work in The Good Place’s first season is just as important as the work of the series’ writers.  It is hardly the last of the set’s most important elements, too.  The bonus material included in the set plays its own part in the set’s presentation, too.

Audiences get plenty to appreciate in the bonus material included with the first season of The Good Place.  The standard gag reel and table read offer plenty of behind the scenes entertainment for audiences, giving them another view of how much fun the cast had preparing for each episode.  The audio commentary included in the series’ premiere and the season finale offer just as much entertainment as well as a certain amount of insight.  The look at how the series’ special effects were brought to life will especially engage those with an interest in the visual arts, especially as they apply in the realm of computer graphics.  Those audiences will be amazed (along with fans in general) at the amount of work that went into bringing the good place to life including all of the craziness brought on by Eleanor’s choices.  It all collectively makes the whole of this set’s bonus material just as fun to watch as the series itself.  When it is joined with the series’ episodes, it makes the set’s viewing experience that much more entertaining.  Add in a relatively affordable average price point of $14.49 (determined by comparing prices at Wal-Mart, Amazon, Target, Best Buy and Shout! Factory’s store), and audiences get in this set a collection that is sure to put audiences in their own good place.

Shout! Factory’s forthcoming home release of The Good Place: The Complete First Season is a release that is certain to put audiences in their own good place.  That is due in no small part to the work of the show’s writers.  Whether intentionally or not, the writers have generated an entertaining plot here that bears a striking similarity to that of My Name Is Earl, just with a few alterations in terms of the setup.  Eleanor’s attempts to hide her secret, which result in her own personal growth, makes for its plenty of endearing entertainment.  The work of the series’ lead cast adds even more entertainment to the series’ lead season.  The bonus material included in the set and the set’s relatively affordable average price point put the finishing touches to the set.  Each piece is important in its own right to the collection.  All things considered, The Good Place: The Complete First Season is certain to put viewers in their own good place.  The Good Place: The Complete First Season will be available in stores and online Oct. 17.  It can be pre-ordered online now via Shout! Factory’s online store.  More information on this and other titles from Shout! Factory is available online now at:

 

 

 

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

 

 

 

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‘Soul on a String’ Survives By More Than A Thread

Courtesy: Film Movement

Late last month, independent movie company Film Movement brought the Chinese epic Soul on a String to audiences when it released the movie domestically on DVD.  The movie, which originally debuted in its home nation June 15, 2016 and domestically Oct. 22, 2016 at the Chicago International Film Festival, is a an interesting cinematic experience.  It crosses elements of east and west for a story that makes the movie worth at least one watch.  The story will be discussed shortly.  While the story itself makes the movie worth at least one watch, its pacing sadly detracts quite a bit from the movie’s overall presentation.  It will be discussed later.  While it takes away quite a bit from the movie’s presentation, the movie’s stunning cinematography makes up for that pacing and makes it at least somewhat bearable.  It will be discussed later, too.  Each element is key to the overall presentation of Soul on a String.  All things considered, the movie survives by more than a thread.

China’s imported epic journey of self-discovery Soul on a String is one of 2017’s most intriguing independent home releases.  Released domestically by Film Movement, the movie follows one man’s journey of redemption as he tries to return a sacred stone to its rightful place.  If this sounds oddly familiar, it should.  Disney’s hit animated movie Moana presents a very similar story, just with some minor changes.  In the case of the latter movie, the protagonist is a young woman on a coming-of-age journey as she travels to return a sacred stone to its rightful place.  Considering that Soul on a String came along first (Moana debuted Nov. 23, 2016 domestically, roughly five months after Soul on a String debuted in China), one can’t help but wonder about the connection between the two.  Getting back on the subject at hand, the story at the center of Soul on a String is in itself reason enough to give this movie at least one watch.  Audiences will be moved by Tabei’s personal growth over the course of his journey.  He starts out a very reluctant figure, wanting nothing to do with the journey or his two unlikely companions who join him along the way.  However, as his journey progresses, Tabei becomes more welcoming of them and grows personally, accepting even more his journey and fate.  That growth over time makes the problematic pacing of the nearly two-and-a-half-hour movie almost bearable.  Speaking of that pacing, it is the movie’s one major negative.  It is a major issue for the movie’s presentation, too.

The pacing of Soul on a String’s story is the movie’s only real notable negative.  That may not seem like much on the surface, but in the grand scheme of the movie’s two hour, twenty-two minute run time, it is extremely problematic.  Obviously the story’s intent is to follow Tabei on his long journey.  However, the story’s pacing plods along at points nearly at a snail’s pace, making one quite encouraged to fast forward through those many points.  In defense of the movie’s writing team of Zhaxidawa and writer/director Yang Zhang, the movie’s oftentimes dragging pace could have been fully intentional as a means to illustrate the length of Tabei’s journey.  If that is the case, then it definitely leaves viewers feeling like they are right there on that expansive journey.  Regardless of whether or not that was the intent, the pacing’s problematic nature cannot be ignored.  That is especially the case when there is so little actual action to the story.  Luckily, as problematic as the story’s pacing is, it is not enough of a problem that it makes the movie unwatchable.  The movie’s cinematography makes that plodding pace at least somewhat bearable.

Soul on a String won the “Best Cinematography” award at the Shanghai International Film Festival last year at the film’s Chinese debut.  That win was fully justified, too.  From start to finish, those behind the cameras and those charged with putting those shots together did an exceptional job of setting each of the movie’s scenes.  The vast expanses with their rich colors (both on land and in sky) are visually stunning throughout the movie.  The same can be said of the tight canyons through which Chung and Pu are forced to travel late in the story.  Each scene harkens back to the American Westerns which the movie strives (and succeeds) to emulate.  As a matter of fact, it could easily be argued that the scenes established in this movie actually outdo those in their American counterparts.  Audiences will revel in the juxtaposition of the lake to the mountains in the story’s final act and the natural beauty of the countryside throughout Tabei’s journey.  All things considered, the visual aspect of Soul on a String is truly the movie’s cornerstone.  It makes this Chinese import worth watching even more than the epic journey of self-discovery at its heart.  Of course when both elements are set alongside one another, they make the movie’s pacing throughout an issue that while clearly problematic, is also at least somewhat bearable.  Keeping all of this in mind, Soul on a String proves to be an independent offering worth at least one watch and that survives by more than a thread.

Soul on a String is a work that while definitely not perfect, thanks to its pacing, is one that is worth at least one watch.  That is thanks to its story and cinematography, which collectively ensure viewers’ engagement at least through most of its nearly two-and-a-half-hour run time.  If not for the positives that both elements prove, the movie’s plodding pacing would have ultimately doomed it.  That–again-was not the case, though.  Since it wasn’t the case, the movie ultimately survives by more than a thread.  It is available now.  More information on this and other titles from Film Movement is available online now at:

 

Website: http://filmmovement.com

Facebookhttp://www.facebook.com/FilmMovement

  Twitterhttp://twitter.com/Film_Movement

 

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Madonna’s Latest Live LP Is A Must For Her Adult Audiences

Courtesy: Eagle Vision/Eagle Rock Entertainment

Late last month, Eagle Rock Entertainment ventured into some very unfamiliar live territory when it released veteran pop star Madonna’s latest live recording Rebel Heart Tour.  While Madonna is not the first pop artist whose live material the label has ever handled – it released Katy Perry’s Prismatic World Tour recording in 2015 – pop music is still relatively unfamiliar territory for Eagle Rock Entertainment.  Even with that in mind, Madonna’s most devout fans will find that the label’s latest outing with Madonna is one that they will appreciate.  That is due in part to the show’s expansive set list.  This will be discussed shortly.  The concert’s collective cinematography and editing play into its presentation, too and will be discussed later.  The bonus material included with the recording rounds out its most important elements.  Each noted element is important in its own right to the recording’s whole.  All things considered, they make Rebel Heart Tour a recording that Madonna’s most devout adult fans will want to own.

Madonna’s latest live recording Rebel Heart Tour is a work that will make the hearts of Madonna’s most devout adult fans will appreciate. The adult is emphasized because this recording contains a very large amount of explicit content including foul language, brief nudity (one of her female dancers shows her breasts briefly in the show) and general sexual content throughout the concert.  Having noted that, Madonna’s adult audiences will appreciate the concert in part because of its expansive set list.  The 24-song set list featured in the recording’s Blu-ray disc spans half of the veteran performer’s catalogue.  Given, it is not necessarily a career-defining recording since it pulls very liberally from her most recent album – 12 songs in all — after which the tour was named, but the fact that she took audiences back to her earliest days and up to her most recent, that speaks volumes of the attempt to appeal to every fan.  The recording’s CD platform boasts 15 of those 24 songs, which is still more than half of what is in the full audio-visual experience.  To that end, while audiences might not get the recording’s whole set list in the CD recording, they do get the entire show on Blu-ray in this combo pack.  Keeping that in mind, audiences get the whole show regardless, showing the importance of the set list that takes Madonna’s fans largely through her career, even if not entirely.  Even with the importance exhibited by the recording’s set list, it is not the last of the recording’s most important elements.  The concert’s collective cinematography and editing are just as important to its presentation as its set list.

The collective cinematography and editing used throughout Rebel Heart Tour is so important to its presentation because it takes the concert experience to the next level for audiences.  Rather than just presenting various shots and edits, those behind the cameras and computers obviously worked diligently to make the experience for audiences something very special here.  From special fades to element mixes to even little details such as shutter speed slowing and other items, it is clear that plenty of attention was placed on the visual aspect of this concert.

Much the same can be said of the work put in for the concert’s sound editing.  Considering the large size of the venue in this recording, proper sound editing was just as paramount as video editing so that the music did not get lost in the vastness of the venue.  Audiences will be pleased to know that those charged with editing the recording’s sound went to painstaking efforts to balance the sound with the openness of the venue, with a very positive result.  Keeping that in mind with the general effect created through the recording’s equally expert cinematography and video editing, it can be said easily that this recording’s overall editing and its cinematography (I.E. its overall production values) are of the utmost expertise.  They make the recording that much more appealing for Madonna’s (again adult) audiences.  Those values are yet one more part of what must be noted in examining this recording.  Its bonus material plays its own part in its presentation, too.

The bonus material included in this recording is made up of a look at Madonna’s annual Tears of a Clown show.  That performance is just as explicit as the recording’s main feature, if not more so.  In other words, it should be stressed again that this is not proper for audiences under 18.  From explicit jokes to language to general content, there is a lot that only adult audiences should see and hear.  Having noted that, what’s interesting about this performance is its difference from her general concerts in terms of its setup.  Madonna spends much more time here interacting with the audience than she might in her regular concerts.  This  is important because it shows her ability to connect with her audiences not just through her music and performances but through her own personality.  It is an interesting glimpse into that less common type of performance from Madonna that those perhaps not lucky enough to experience will appreciate it.  Keeping that in mind, it proves clearly why it is so important to the recording’s overall presentation.  Even being – again – as explicit as the recording’s main feature, if not more so, it is an integral part of the concert experience for Madonna’s adult fans and in turn puts the finishing touch on the recording’s presentation.  When all three elements are joined together, they show the recording to be a whole that, once more, Madonna’s adult audiences will fully appreciate.

Madonna’s latest live recording Rebel Heart Tour is another successful journey into unfamiliar territory for Eagle Rock Entertainment, and a work that Madonna’s most devout adult audiences will want to add to their collections.  That is due, as discussed already, to an expansive set list, which gives audiences a vivid picture of the veteran pop star’s catalogue.  The production values also noted here play their own critical part to the recording’s whole, giving audiences not just a concert experience, but a concert film experience.  The bonus material included in the recording adds its own touch to the package, too.  Each element is important in its own right to the recording’s whole.  All things considered, they make this recording a win for Eagle Rock and for Madonna’s adult audiences.  It is available now in stores and online.  More information on Rebel Heart Tour is available online now along with all of Madonna’s latest news and more at:

 

 

 

Website: http://www.madonna.com

Facebook: http://www.facebook.com/madonna

Twitter: http://twitter.com/madonna

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

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Blameshift, The Nearly Deads To “Wake The Dead” Together This Fall

Courtesy: O’Donnell Media Group

Blameshift and The Nearly Deads are joining forces for a co-headlining tour.

The bands will hit the road together for what is being dubbed the “Wake The Dead Tour.”  The tour, which is sponsored by Strung, launches Oct. 12 in Stanhope, NJ and runs through Nov. 2 in Nashville, TN, The Nearly Deads’ home town.  Along with that hometown show for The Nearly Deads, the tour also includes performances in cities in Texas, Nebraska, Pennslyvania, Oklahoma and other states.

The tour’s full schedule is noted below.

The Wake The Dead Tour

Oct 12 – Stanhope, NJ – Stanhope House

Oct 13 – Pittsburgh, PA – Diesel Concert Lounge

Oct 14 – Westland, MI – Token Lounge

Oct 15 – Mentor-On-The-Lake, OH – Music LynXX

Oct 17 – South Bend, IN – Cheers

Oct 19 – Braidwood, IL – Top Fuel Saloon

Oct 20 – West Allis, WI – Rosco’s

Oct 21 – Fort Atkinson, WI – Hijynx

Oct 22 – Rolla, MO – Shots

Oct 24 – St Louis, MO – The Firebird

Oct 26 – Omaha, NE – Bourbon Saloon

Oct 27 – Kansas City – TBA

Oct 28 – Tulsa, OK – The Vanguard

Oct 30 – Fort Worth, TX – The Railclub

Oct 31 – Little Rock, AR – The Rev Room

Nov 1 – Knoxville. TN – The Open Chord

Nov 2 – Nashville, TN – Rocketown

For The Nearly Deads, the tour will be in support of their latest EP Revenge of the Nearly Deads.  The band is currently making waves with the songs ‘Diamond in the Rough’ and ‘My Evil Ways,’ both of which are included in the band’s new EP.

Blameshift will be working in support of its latest album Heart of Stone, which it released in 2016.  That album spawned for the band, the hit single ‘Monster,’ which is a commentary on the dangers associated with greed.

More information on Blameshift’s latest album, its latest news and more is available online now at:

 

 

 

Facebook: http://www.facebook.com/blameshift

Instagram: http://www.instagram.com/blameshift

 

 

 

More information on The Nearly Deads’ new EP, its latest news and more is available online now at:

 

 

 

Website: http://www.thenearlydeads.com

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