‘Tremors 6’ Begins Production

Courtesy: Universal 1440 Entertainment

Courtesy: Universal 1440 Entertainment

The Graboids are coming back again!

Universal 1440 Entertainment has announced the franchise’s sixth (yes, sixth) installment is currently in production in Capetown, South Africa.  This time out creature hunter Burt and his son Travis—Michael Gross (Family Ties, Anger Management, Dan Vs.) and Jamie Kennedy (Malibu’s Most Wanted, Three Kings, Son of the Mask)—are at a remote research station in Canada when they come under attack by the mutant man-eating worms once again.

The worms aren’t just the normal mutant man-eating worms in this movie either.

It turns out they might be weaponized worms.  Things get even more difficult when Burt is attacked by a Graboid and needs an antidote.

The only way to get the antidote is to milk one of the Graboids.  There’s just one problem—no one knows how to milk a graboid.

Glenn Ross, Universal 1440 Entertainment General Manager and Executive Vice President, said this installment of the long-running franchise is the series’ best yet.

“This is going to be the craziest, most over-the-top movie in the Tremors saga to date,” Ross said.  “It takes the franchise’s signature combination of suspense, action and humor to new explosive heights.”

Don Michael Paul (Sniper: Legacy) returns once again to helm the movie after helming the franchise’s fifth offering.  Mike Elliot (Kindergarten Cop 2, Halloween II) serves as producer.  Hein de Vos (District 9, Dominion, Homeland) is the movie’s director of photography.

New to the franchise this time are Tanya van Graan (Zulu, Starship Troopers 3: Marauder, Death Race 2 & 3) and Rob van Vuuren (Mandela: Long Walk To Freedom, Shark Attack 2, Footskating 101: The Movie) and Greg Kriek (Momentum, The Race, Infidel).

Tremors 6 is currently set to be released direct on DVD, Blu-ray and Digital HD in 2018.  More information on this and other titles from Universal 1440 Entertainment and its parent company, Universal Pictures, is available online now at:

 

 

 

Website: http://www.universalpictures.com

Facebook: http://www.facebook.com/universalstudiosentertainment

Twitter: http://twitter.com/universalpics

 

 

 

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‘Morsefest 2015’ Release Date, Specs Announced

Courtesy: Radiant Records/Metal Blade Records/SONY

Courtesy: Radiant Records/Metal Blade Records/SONY

The Neal Morse Band will release its latest live recording next month.

Morsefest 2015 will be released on Friday, March 24, 2017.  The extensive concert recording will be released on separate 2 Blu-ray and 2 DVD + 4 CD sets and on digital platforms including iTunes.  Both will be released via Radiant Records via Metal Blade Records/SONY.

Pre-orders are available online now here.  A trailer for the upcoming release is available here. The concert was recorded over the course of two nights in 2015 and spans more than five hours.  It features from some 38 musicians including drummer Mike Portnoy.

The show includes complete performances of Sola Scriptura and Question, songs from Morse’s time with Spock’s Beard (featuring vocal performances from Nick D’Virgillio) and Transatlantic and more.

Morsefest 2015 includes as bonus material an hour-long documentary.  It features candid footage from the band, crew and other musicians

More information on Morsefest 2015 is available online now along with all of Neal Morse’s latest news at:

Website: http://www.nealmorse.com

Facebook: http://www.facebook.com/nealmorse

Twitter: http://twitter.com/nealmorse

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Def Leppard Fans Will Enjoy Band’s New Live Recording “Time” And Again

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Def Leppard is one of the biggest bands from rock’s big hair era.  While so many bands from that age have gone by the wayside, this hard-working band has continued to make new music and tour the globe year after year; its 11th album being released in 2015.  The self-titled record proved to be a big hit for the band around the world, reaching #10 on Billboard’s Top 200 New Albums Chart and reaching the top spot on the magazine’s Top Rock Albums Chart, Top Hard Rock Albums Chart, and Top Independent Albums Chart.  It also led to a hugely successful global tour in support of the record.  That tour included a performance in Detroit in 2016 that this week was released by Eagle Rock Entertainment on multiple formats.  Releasing the recording on multiple formats is standard practice for Eagle Rock Entertainment, so there is little point to noting this as part of its overall presentation.  The concert’s set list sits at the center of the recording’s presentation.  It will be discussed shortly.  The band’s performance is just as important to note as the show’s set list.  The concert’s companion booklet rounds out its most important elements.  Each element is important in its own right.  All things considered, the recording in whole proves to be a presentation that Def Leppard’s most devout fans will enjoy.

Def Leppard’s new live recording And There Will Be A Next Time is a recording that the band’s most devout fans will enjoy “time and again.”  Yes, that awful pun was entirely intended.  While it obviously is not the band’s first ever live recording, it is still a recording that those fans will enjoy.  That is due at least in part to the recording’s set list.  The 17-song set is not wholly career-defining.  That is because it doesn’t pull from every one of the band’s albums.  The most heavily represented album in this concert is the band’s 1987 album Hysteria.  The band pulled six songs from the record. They include the hit songs ‘Love Bites,’ ‘Pour Some Sugar On Me,’ and the record’s title track.  High and Dry (1981) and Pyromania (1983) are the next most prominent records featured in this set with three songs each.  Adrenalize (1992), Yeah (2006) and the band’s 2015 self-titled record are all included in the show’s set list with songs from each record, too.  While X, Euphoria, Slang and Songs From The Sparkle Lounge are all absent from the set list, that doesn’t necessarily take away too much from the concert.  The band might have been limited by time constraints set by the DTE Energy Music Theatre staff.  There are a lot of venues that have time constraints in place.  Considering that, it likely limited the band’s ability to include songs from every one of its albums.  If that was the case, then what the band was able to present will no doubt impress audiences and the band’s most devout fans.  It is just one of the elements of this concert that audiences will appreciate.  The band’s performance of the featured set list is just as worth noting as the songs themselves.

The set list featured in Def Leppard’s new live recording is in itself a key piece of the recording’s presentation.  That is because while not necessarily career-defining, it does still present a respectable cross-section of the band’s body of work.  That is just one of the recording’s most important elements.  The band’s performance of that set list is just as important to note as the set list itself.  Audiences will note in watching this performance that the stage at the DTE Energy Music Theatre is not overly large.  It is not one of those massive arena stages on which the band made its name during its heyday.  It is, in fact, about the same size as most outdoor amphitheatre’s stage.  That being the case, the front man Joe Elliot and company don’t have a lot of room to move around.  The band made up for that lack of space with its own enthusiasm in each song’s performance.  The passion put in by each band member in each song makes it clear why this band is still a fan favorite for such a long time.  From Elliot’s still strong vocal delivery and guitarists Phil Collen and Vivian Campbell’s concrete playing, the band makes the best of what is clearly a tough situation, making for a performance that is still enjoyable regardless.  Of course one can’t ignore the work of longtime drummer Rick Allen and bassist Rick Savage here, either.  Between their work and that of their band mates, it is clear in watching the whole group that its collective performance will impress fans just as much as the show’s set list.  It is still not the last element to note in examining this recording, either.  The recording’s companion booklet rounds out its most important elements.

The set list at the center of Def Leppard’s new live recording and the band’s performance thereof are both key to the recording’s presentation.  Audiences—especially the band’s most devout fans—will appreciate both elements in their own way.  While those elements are both clearly important to the recording’s presentation, they are not its only important elements.  The companion booklet included with the recording rounds out its most important elements.  The booklet is so important to note because of the liner notes contained therein.  The liner notes, composed by Rolling Stone magazine writer David Fricke, offer a brief history on the band while also outlining the concert’s highlights and basing them against some of the band’s past performances that Fricke had experienced in its heyday.  It paints an interesting picture of the concert contained in the recording’s DVD (and Blu-ray) presentation.  That picture adds even more depth to the concert’s overall presentation; just enough that it puts the finishing touch on the recording’s presentation.  When it is set alongside the recording’s featured set list and the band’s performance thereof, the whole of those elements shows why this concert, again, is one that the band’s most devout fans will appreciate.

And There Will Be A Next Time, Def Leppard’s latest full-length live recording is a recording that the band’s most devout fans will appreciate just as much as its more casual fans.  As noted above, that is due to a set list that represents relatively well, the band’s body of work and a performance thereof that makes the best of a seemingly tight setting.  The companion booklet included in the recording’s packaging paints a clear picture of why the band is still such a fan favorite especially in a live setting so many decades after its formation.  Each element is important in its own way to this recording.  All things considered, they make this recording one that audiences will enjoy “time” and again.  It is available now in stores and online.  More information on this recording is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.DefLeppard.com

Facebook: http://www.facebook.com/defleppard

Twitter: http://twitter.com/defleppard

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockEnt

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Geoff Tate Stars In New Independent Horror-Thriller Flick

Courtesy: MVD Entertainment Group/Cleopatra Studios

Courtesy: MVD Entertainment Group/Cleopatra Studios

Geoff Tate is starring in a new independent horror flick.

The former Queensryche and current Operation Mindcrime front man is starring in the direct-to-DVD movie The Burningmore Deaths.  The movie, set to be released on DVD and digital platforms on Feb. 14 via Cleopatra Studios and MVD Entertainment Group, is based on true events centered on a group of unsolved murders.

The murders are alleged to have happened in 2005 during the filming of a pilot for a home improvement television series. A man named James Parrish is believed to have murdered the crew filming the home makeover presentation in the house where he is also alleged to have previously murdered his own wife and children.

As the film crew proceeds to record the series’ pilot, Parrish allegedly murdered the film crew, with the whole event being caught on security cameras set up by the show’s crew.  Tate takes on the role of Parrish in this gripping horror/thriller from MVD Entertainment Group.  Audiences can view a trailer for the movie online now here.

 

Courtesy: MVD Entertainment Group/Cleopatra Studios

Courtesy: MVD Entertainment Group/Cleopatra Studios

 

Tate said taking on the role of Parrish was not a big change of pace for him because of his experience.  It just meant thinking a little bit differently.

“I think I’ve always done it…In our own shows and with the way I present music,” Tate said. “It all has a bit of a stage acting bend to it. So this wasn’t really a stretch for me.  It was just playing to a different audience, to a camera rather than a room full of people, but it’s the same thing.  You play-act and you make stuff up and you present that like you would in a stage show.”

The Burningmore Deaths can be ordered online direct via MVD Entertainment Group’s online store and via Amazon.  More information on this and other titles from MVD Entertainment Group is available online now at:

 

 

 

Website: http://mvdb2b.com, http://mvdentertainment.com

Facebook: http://www.facebook.com/MVDEntertainmentGroup

 

 

Twitter: http://twitter.com/mvdentgroup

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Mumford & Sons’ New Live Recording Won’t Collect Any “Dust” In Audiences’ Collections

Courtesy: Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

Mumford & Sons is one of the biggest bands in the world right now.  Ever since its inception in 2007, the London-based neo-folk outfit has released three albums, selling millions of copies of each along the way.  Even with only three records under its members’ collective belts, the band has gained just as many fans around the world as it has sold albums if not more. Now a decade after the band first formed, it has added to its already impressive resume with its latest full-length live recording–a recording that all audiences will appreciate—in the form of Live From South Africa: Dust and Thunder.  This latest live offering from Mumford & Sons—it’s last live recording was included in the 2010 re-issue of its 2009 debut album Sigh No More—will impress audiences first and foremost in its presented set list.  That will be discussed shortly.  The band’s performance of said set list is just as important to note in this recording as the set list itself.  It will be discussed later.  The concert’s collective cinematography and editing round out its most important elements.  That is not to say it isn’t the last element to note in examining its presentation.  The various platforms on which it has been made available can easily be examined, too.  When this is set alongside the concert’s collective cinematography and editing, the band’s performance, and the show’s set list, the whole of this recording proves to be a work that all audiences will appreciate.

Mumford & Sons’s new live recording Live From South Africa: Dust and Thunder is a recording that all audiences will appreciate.  This includes fans and fans in passing.  That is made evident through the time and effort that was clearly put into the recording’s presentation beginning with its set list.  The concert’s 17-song, 94-minute set list pulls from all three of the band’s albums almost equally. It pulls four songs from the band’s debut and sophomore record while its third record is only slightly more heavily represented with six songs.  There is also a pair of performances with veteran Senegalese artist Baaba Maal included in the set list.  One of that pair—that of ‘Lampenda’—pulls from Maal’s 2016 album Traveller.  The other song that the two acts perform together—‘Wonda’—comes from the groups’ 2016 collaborative record Johannesburg.  The five-song recording was released June 17, 2016 via Glassnote.  Keeping this in mind, it is clear that a lot of thought was put into this concert’s set list.  The set list does technically favor the band’s latest recording the most.  But even with that in mind, it doesn’t favor that album too much more than the band’s first two recordings.  The addition of the set’s additional songs from Baaba Maal adds even more depth to the set list.  All things considered, the songs that are featured in this recording’s set list make clear why the set list is so important to the recording’s presentation.  The set list is just one of the most important elements to note of the recording’s overall presentation, too.  The band’s performance of the set list is just as important to note as the set list itself in examining the recording’s presentation.

The set list at the center of Mumford & Sons’ new live recording is in itself a pivotal piece of the recording’s presentation.  That is because it balances representation of each of the band’s albums so well.  While it is clearly an important part of the recording’s presentation, it is only one important part of that presentation.  The band’s performance of the featured set list is just as important to note in examining the recording’s presentation as the set list itself.  The most notable aspect of the band’s performance here is that it really lets the music do the talking for its members.  Front man Marcus Mumford spend the better part of the concert getting the audience worked into a frenzy with the energy and enthusiasm put into every one of the show’s songs.  Mumford and company give each performance its all, and the audience shows its appreciation for that effort with its own energy from start to finish.  It isn’t until late in the concert that Mumford starts to really get into the show and start interacting with the audience more actively.  When he does, that serves to work the audience even more into a frenzy.  That is especially noticeable late in the concert as Mumford joins the audience during one performance.  He doesn’t just walk the safe aisle areas of the audience, either.  He actually mixes in with the audience, becoming one with the concertgoers.  Between that moment and the overall performance put on by the band throughout the course of the 94-minute show, the band’s performance overall will keep audiences engaged and entertained just as much as the show’s set list if not more so.  The band members’ performances—both alone and collectively—display such energy and enthusiasm.  Those performances show that a band doesn’t always need pyro and other special effects to entertain audiences.  Sometimes all an act needs is talent and heart, and that is exactly what the band presents throughout its performance of each song, showing in whole why the band’s overall performance is just as important to note in examining this concert’s presentation as the show’s set list.  It still is not the recording’s last important element.  The recording’s collective cinematography and editing round out its most important elements.

Live From South Africa: Dust and Thunder’s set list and the band’s performance thereof are both key pieces of the recording’s overall presentation. As important as they are to the recording’s overall presentation, they are not its only key elements.  Its collective cinematography and editing are just as important as those elements to the recording’s presentation.  The recording’s cinematography and editing are so pivotal to the recording’s presentation because they make this concert feel like so much more than just another run-of-the-mill concert recording.  Audiences will note a very specific frame rate was used in capturing the concert.  The recording’s bonus insert (at least in its Blu-ray presentation) does not note the cameras’ frame rates in their shooting.  But it is obvious it was not a standard shooting rate.  The angles and shot transitions were just as expertly handled in post production.  The wide shots captured from high above the stage that expertly capture the immensity of the audience in attendance of the concert will leave audiences in awe.  The same can be said of the dolly shots from just below the stage and the wide shots from amidst the audience.  The transitions between these and so many other angles and shots add even more depth to the work of those behind the lens (and editing stations).  From one song to the next, the transitions just as expertly capture the songs’ energy, the energy in the band’s performance and the audience’s appreciation for the band’s efforts.  Between those expert transitions developed in the recording’s post production, the shots captured by the camera crew at the concert and even the concert’s sound engineers (speaking of which this concert’s audio is another that absolutely begs for a surround sound home theater system for optimum experience), the recording’s camera work and associated editing proves to be just as important to its presentation as its set list and the band’s performance thereof.  When all three elements are set alongside one another, they make this concert an experience that all audiences will appreciate.  That includes audiences who might just be casual fans.  Add in the multiple platforms on which the recording has been made available, and audiences have in this recording what is one of the year’s first great new live recordings.

Mumford & Sons’ new live recording Live From South Africa: Dust and Thunder is one of 2017’s first great new live recordings.  A thorough examination of the recording’s set list, the band’s performance thereof, the recording’s collective production values (both in production and in post production) and its platforms supports that statement.  That has already been noted above.  Each element is clearly important in its own right.  All things considered, Live From South Africa: Dust and Thunder proves to be one of this year’s first great live recordings.  It is available now in stores and online.  More information on Live From South Africa: Dust and Thunder is available online now along with all of Mumford & Sons’ latest news and more at:

 

 

 

Website: http://www.mumfordandsons.com

Facebook: http://www.facebook.com/mumfordandsons

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Arch Enemy Unveils ‘War Eternal’ Live Video

Courtesy: Century Media Records

Courtesy: Century Media Records

Arch Enemy debuted this week a new live video in anticipation of its upcoming live recording As The Stages Burn, which will be released aroudn the world on Friday, March 31 via Century Media Records.

The band released the video for its performance of ‘War Eternal,’ which was recorded at its performance at the Wacken 2016 Open Air Festival.  The blistering performance captures the energy that makes the band just as much a fan favorite live as in the studio.  That is thanks to the expert work of those behind the cameras and the sound board, and those who handled the recording’s post production.  Audiences can check out the video online now here.

The band’s performance of ‘War Eternal’ is just one of a number of other songs included in the band’s set from the 2016 Wacken Open Air Festival. The concert also includes performances of ‘Nemesis,’ ‘You Will Know My Name,’ ‘We Will Rise’ and a number of other songs.

The recording also includes extensive bonus material to enhance fans’ viewing experience.  That bonus material includes music videos, bonus live performances from the band’s 2015 Tokyo performance, and extra behind the scenes material.

The recording will be available as a Limited Edition Deluxe CD/DVD/BD box set in the European Union.  It will be available as a Limited Edition CD/DVD combo pack, gatefold 2 LP/DVD combo pack and on digital platforms everywhere else.

Fans can pre-order the CD/DVD combo and 2 LP/DVD combo pack now here.  Anyone who pre-orders the recording via iTunes and Amazon now will receive ‘War Eternal’ immediately.

Arch Enemy will tour live in Europe in support of As The Stages Burn this spring.  The band will be Bochum, Germany on March 30.  The band will join The Haunted and Lacuna Coil on its upcoming spring European tour.  The tour runs through April 9 in Ludwigsburg, Germany.

The band also has a handful of festival performances scheduled for this summer.  Those dates and the band’s upcoming European dates are all noted below.

ARCH ENEMY “As The Stages Burn” Shows w/Lacuna Coil & The Haunted

March 30th, 2017 – Bochum (Germany), Zeche*
March 31st, 2017 – Leipzig (Germany), Hellraiser*
April 1st, 2017 – Colmar (France), Rock in Hell*
April 2nd, 2017 – Edinburgh (UK), Heavy Scotland
April 4th, 2017 – Langen (Germany), Neue Stadthalle**
April 5th, 2017 – München (Germany), Backstage Werk**
April 6th, 2017 – Saarbrücken (Germany), Garage**
April 7th, 2017 – Durbuy (Belgium), Durbuy Rock Festival**
April 8th, 2017 – Cambrai (France), Betiz Fest*
April 9th, 2017 – Ludwigsburg (Germany), Rockfabrik**

* with The Haunted
** with The Haunted and Lacuna Coil
German shows presented by Metal Hammer and EMP

ARCH ENEMY Festivals 2017
February 2nd, 2017 – 70000 Tons Of Metal – Miami, FL
July 6th, 2017 – Rock Harz Festival, Ballenstedt, Germany
July 14th, 2017 – Gefle Metal Festival , Gävle, Sweden
August 5th, 2017 – Ostrava v Plamenech, Ostrava, Czech Republic
August 10th, 2017 – Leyendas Del Rock, Villena, Spain
August 11th, 2017 – Vagos Metal Fest, Vagos, Portugal
August 12th, 2017 – Into The Grave, Leeuwarden, Netherlands

More information on Arch Enemy’s upcoming live dates, its upcoming live recording and all of its latest news is available online now at:

 

 

 

Website: http://www.archenemy.net

Facebook: http://www.facebook.com/archenemyofficial

Twitter: http://twitter.com/archenemymetal

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Proves ‘Pet Sounds’ Classic Status In Recently Released Doc

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The Beach Boys is one of the most iconic acts in American popular music.  That goes without saying.  Through the group’s ups and downs in its career, the group has continued to entertain fans around the world with now 29 full-length studio recordings under its collective belt and shows in every corner of the globe.  In 2016, fans marked an important moment in the group’s history – the 50th anniversary of the release of its 1966 album Pet Sounds.  That album remains today one of the group’s most influential records both for audiences and the mainstream music industry.  Eagle Rock Entertainment joined in the celebration with the release of a documentary focused on Pet Sounds in the form of Classic Albums: Pet Sounds.  The “rock-umentary” is the latest addition to Eagle Rock Entertainment’s award-winning music documentary series.  Whether one is a casual listener or a more devout fan, audiences who haven’t yet seen this presentation will find it has plenty to appreciate beginning with its main feature.  This will be discussed shortly.  The program’s bonus material is just as important to note here as the discussed songs.  The information that is provided through both the main feature and bonus material rounds out the most important of the program’s most important elements.  Each element plays its own part in this program’s presentation.  All things considered, they make it a music documentary that audiophiles and devout Beach Boys fans will appreciate.

Eagle Rock Entertainment’s recently released Beach Boys “rock-umentary” Classic Albums: Pet Sounds is a work that audiophiles and devout Beach Boys fans alike will appreciate.  That is due in part to the program’s main feature.  The main feature presents the original 94-minute broadcast version of the program in its entirety.  That means those who might not have been lucky enough to see it when it originally aired on the British Broadcasting Corporation last year finally get to see it any time that they want in this new home release on DVD and Blu-ray.  The main feature includes discussions on a handful of the songs featured on the band’s now landmark 1966 album as well as personal accounts from the band’s members. The discussion on the information shared through those discussions will be touched on later.  Getting back on the subject at hand, this program aired originally overseas, so its release via Eagle Rock Entertainment late last year marks the first time that American audiences got the chance to see it for themselves.  Its availability on separate DVD and Blu-ray platforms adds even more reason for audiophiles and the band’s more devout fans to see it at least once.  It is just one part of what makes this program such a worthwhile watch for said audiences.  The bonus material that is included in the program’s recent home release makes it even more worth the watch.

Classic Albums: Pet Sounds’ 94-minute main feature is in itself plenty of reason for audiophiles and The Beach Boys’ more devout fans to watch this program.  That is thanks to the in-depth discussions on the album’s songs and the band’s own personal experiences that are shared throughout the course of that time.  They will be discussed at more length later.  The program’s availability on both DVD and Blu-ray doesn’t hurt its overall presentation, either.  While all of this is important to note to this program’s presentation, it is only a portion of what makes the program worth the watch.  The bonus material included with the program makes it even more worth the watch.  The bonus material in question is half an hour of interviews that were not included in the program’s original BBC broadcast.  In other words, it gives audiences even more information—enhancing the viewing experience even more. Simply put, having that previously unreleased material included here presents audiences with two separate programs in one.  If they want, audiences could also argue they make one whole program split into two parts for a total of two-hours and four minutes.  That’s all sans commercials, too.  Whether audiences consider the combination of the bonus material and main feature one version or two, the combination of the two elements does plenty to make the program all the more enjoyable for audiophiles and the band’s more devout fans.  Of course as important as having the program available in whole is to its presentation, that means nothing without discussions and information to keep viewers entertained and engaged.  Said discussions and information are plentiful to say the very least.

Having Classic Albums: Pet Sounds available both in its original 94-minute broadcast presentation and its full 124-minute presentation in one setting both on DVD and Blu-ray is in itself quite important to this recording’s presentation.  That is because it provides audiences the program in whole and then some.  While this does plenty to make the program worth the watch, the inclusion of discussions and information that will keep audiences thoroughly engaged and entertained adds even more depth to the program’s presentation, too.  The discussions featured in the program’s main feature don’t cover the whole of Pet Sounds’ 13-song body.  Though, they do paint a relatively vivid picture of what makes the now landmark 1966 recording so important.  The songs that are covered include ‘I Know There’s An Answer,’ ‘Wouldn’t It Be Nice,’ ‘I Just Wasn’t Made For These Times’ and others. Audiences will be interested to learn of the time that Brian Wilson took arranging the songs so that they wouldn’t be just another group of hot rod and surfing songs.  Wilson explains himself that he wanted to branch out into new territory both lyrically and musically on the album.  It shows, too in the discussions on the songs’ instrumentations and their compositions.  For those who might wonder, the band even touches on the rumor of Wilson’s drug use in the discussion on ‘I Know There’s An Answer.’  It isn’t an in-depth discussion, but the band does touch on the matter.  In terms of the program’s bonus material, audiences will be just as interested to learn of the band members’ desire to have another song included in the album and why they wanted to have it included.  The discussion on said song’s (the song won’t be revealed here for the sake of those who haven’t yet seen this program) instrumentation explains why they wanted it include in the album.  The song includes the standard band instrumentation plus banjo (yes, banjo), electro-theramin, and much more.  The balance of that instrumentation illustrates clearly how much thought went into the song’s creation.  It is just one more of so many discussions and pieces of information that makes this program—both in regards to its main feature and bonus material—such an enjoyable watch.  When the information presented in the program’s main feature and bonus material is included with the very presentation of the program’s 94-minute broadcast and its bonus segments, the whole of the program proves once more why it is a work that audiophiles and the band’s more devout fans alike will appreciate.

Classic Albums: Pet Sounds is a work that audiophiles and The Beach Boys’ more devout fans will appreciate.  That is due in part to the presentation of the program’s original 94-minute BBC broadcast as its main feature.  The inclusion of half an hour of extra material not included in the program’s original broadcast adds to its enjoyment even more.  That is because it provides audiences what is essentially two programs in one (or one program split into two segments).  The information shared in the program’s featured discussions rounds out its most important elements.  The discussions don’t touch on every one of the album’s 13 songs.  But they still paint a rich, vivid picture of why the album is so important both for the band and the music industry in whole even more than half a century after its initial release.  Each element is important in its own right to the program’s presentation.  All things considered, they make Classic Albums: Pet Sounds a program that audiophiles and truly devout Beach Boys fans will appreciate.  It is available now in stores and online.  More information on this and other titles from Eagle Rock Entertainment is available online at:

 

 

 

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