20th Century Fox’s Night At The Museum Series Goes Out On A Low Note With Its Last Installment

Courtesy:  20th Century Fox/20th Century Fox Home Entertainment

Courtesy: 20th Century Fox/20th Century Fox Home Entertainment

When it originally debuted in theaters late in 2014, Night at the Museum: Secret of the Tomb ended up being pulled not long after its original run. It comes across as no surprise that it was pulled so quickly. That’s because it is just a hollow shell of the movie that kicked off 20th Century Fox’s Ben Stiller-led franchise some eight years ago with Night at the Museum. The movie is alleged to have had a production budget of approximately $127 million. By comparison, its total domestic take at the box office was rumored to be around $113,531,745. On the surface that may seem like it was a relative success despite coming up short of its budget. It’s deceiving, though. That’s because the box office sales number is the movie’s gross rather than net. After 20th Century Fox recouped its production budget that left the movie to actually keep only $13,468,255. That is a massive loss to say the least. Put more simply, the movie hemorrhaged money. Given, the total domestic plus foreign sales actually garnered the movie a healthy net profit. But it doesn’t make up for the movie’s lackluster domestic sales. It’s even more proof that American audiences are in fact growing weary of Hollywood’s constantly running river of prequels, sequels, and remakes. So what caused this movie to perform so poorly at least at the American box office? The primary issue with the movie is its script. The script breaks absolutely no new ground in comparison to the franchise’s first two movies. As a matter of fact it goes so far as to rehash much of the material from those movies in hopes that audiences would fall for the writing team’s pathetic overall lack of originality and creativity.  The acting is another issue that should be noted in considering what doomed this movie. Having seen the same sort of comic performances twice over in both NATM and NATM 2, Stiller’s acting here—and that of his cast mates—has become old hat and is just as uninspired as the movie’s script. For all of the movie’s cons, there is one saving grace to the whole thing That saving grace is the fact that the movie continues to push the values of the world’s museums and on a larger scale, learning about the history of the world. In simpler terms, it continues to promote the importance of education albeit history education. That is certainly laudable considering that today’s youths are more concerned with the latest video games and the next big viral video than the excitement of the world’s history. Is it enough to save this movie? Sadly, the answer is no. But at least it doesn’t try to fictionalize history and make it something it isn’t in its efforts to entertain young audiences. Taking into account each of its noted elements, NATM 3 (as it will henceforth be known) proves to be just as forgettable in its new home release as its big screen release last year.

20th Century Fox’s third and hopefully truly last installment in its Night at the Museum franchise is the worst of the studio’s three-movie series. There is by and large very little that makes this movie memorable or even enjoyable. The movie’s script is the main reason that it suffers and in turn makes audiences suffer. The script is laughable especially considering that the trilogy first kicked off eight years ago. The story presented in this movie’s script sees Larry (once again played by Ben Stiller) and all of his friends from the original Night at the Museum movie go on a trip across the Atlantic to return the magical tablet at the center of the trilogy to Ahkmenrah’s father in “Egypt.” The trip has to be made because *gasp* the tablet has been away from its proper place for too long. Apparently it hadn’t already sat in the Museum of Natural History in New York for far too long at the time of the trilogy’s first installment. Go figure. So instead of any new story, it all centers on the tablet once again. And not to ruin things for those that haven’t yet seen the movie now that it is available on DVD and Blu-ray combo pack, but the group’s “epic” quest isn’t quite as epic as one might think. Instead of actually going to Egypt, they travel to London’s major museum and have to get to the museum’s Egypt wing so as to return the tablet to Ahkmenrah’s father (played in little more than a cameo role by Sir Ben Kingsley). With a budget allegedly topping $127 million one would have thought that Larry and company might have actually somehow made the trip to Egypt or the country’s main museum instead of the Egypt wing of London’s central history museum. Add in the fact that Larry and his friends have to hunt for their pint size pals Jedediah and Octavius (once again played by Owen Wilson and Steve Coogan respectively) and also have to get the tablet back from a misguided Sir Lancelot along the way all while maneuvering their way through the museum, and audiences get a script that when examined in such full detail, can only be described as completely contrived, unoriginal, and completely lacking in any creativity. That’s not even to mention the underlying plot of Larry’s relationship with his now teenage son who wants to travel the world instead of go off to college. It is all too much.

The script thrown together by NATM 3’s writing team does more than its own share of damage to this movie. The very fact that multiple parties played a role in the script’s creation could in fact be to blame for its numerous issues. As much damage as the movie’s script does to the movie’s overall presentation, it’s just one of the movie’s major setbacks. The work of the movie’s cast does its own share of damage, too. Larry’s back and forth with Dexter and Laa is all too familiar for those that have watched NATM and NATM 2. It’s been done. It’s one of those situations that proves to be anything but funny this time around because it has already been done so much before. Even Owen Wilson and Steve Coogan felt slightly like they were just “phoning it in” during their parts. It was almost like they themselves had grown somewhat tired of the roles and were trying hard to not show it. On a lesser note, Rebel Wilson is just as annoying in her role of Tilly as Jonah Hill was as security guard Brandon in NATM 2. To be totally frank, having a similar character type used as the secondary guard twice over shows yet again the writers’ lack of creativity or enlightenment. They obviously didn’t learn from Hill’s failures as is evident in Wilson’s portrayal of Tilly. For all of the damage that the cast does with its work in front of the camera, it can at least be said that Robin Williams didn’t disappoint in what is one of his final roles before his untimely death. It’s easy to tell that once again he put in his whole effort from beginning to end. The same can be said of Patrick Gallagher in his return as Attila The Hun. While he is not the lead star, he is still just as entertaining as ever. To that extent one can argue that at least the movie has that as its single, shining ray of light in an otherwise dark cloud of a sequel.

The writing that went into NATM 3 and the work of the cast by does a lot to prove this movie to be one more sequel that never should have seen the light of day. Though, not the entire cast is so disappointing. Robin Williams and Patrick Gallagher both shine in their own right. Sadly, their work in front of the camera is the movie’s only fully noticeable saving grace in terms of the movie’s intrinsic value. For all of the problems that show up throughout NATM 3, there is at least one positive that can be noted when looking at the movie from a larger scale. That positive is the series’ continued push for history education and the support of the world’s museums. In an age when the world’s youths are increasingly being distracted by social media, video games, and their cell phones, the continued push to get those same younger audiences interested in history and the houses that keep said history is actually welcome. After all, it has been said that those who forget the past are doomed to repeat it. Not only that but those who forget the past won’t have an appreciation for what they have today, either. NATM 3 does a good job of reminding audiences both young and old alike of how far the world has come over the centuries. And when coupled with the series’ first two movies, it does in fact make this installment more worth the watch if only for that one reason. Sadly though, it is the only reason other than the work of Robin Williams and Patrick Gallagher that NATM 3 is worth the watch. Other than those two reasons, there is no reason to watch this otherwise forgettable flick.

There is not much positive to say about NATM 3. Other than the work of two of its cast members and the continued solid push for history education and the buildings that house the world’s history, there is not much that can be noted to the movie’s positive side. The script was completely unoriginal and contrived. That is likely because of the number of people working on the script. It just feels like it has all been done before. The same can be said of the cast’s acting, even in the case of new cast member Rebel Wilson. There is no new ground broken in this avenue, either. One could even say that seeing even more museum figures coming to life is anything but new, too. On the other hand though, introducing new historical figures also continues the series’ push for history education and support for the world’s museums. To that extent, NATM 3 has at least that much to its credit. Sadly that is all that it has to its credit. That means that while it’s worth at least a watch, it’s not worth much more than that.

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Ryan Reynolds Shines In Lionsgate’s New Horror/Thriller

Courtesy:  Lionsgate

Courtesy: Lionsgate

Ryan Reynolds’ new horror flick The Voices is one of the most disturbing and unsettling movies in its genre to be released so far this year. The movie is billed as a dark comedy. But on a deeper level, it is a much deeper, troubling story that stands completely apart from all of the other slasher flicks that crowd theaters each year. What’s more, it isn’t just another CSI, Criminal Minds, or Law & Order: CI, either. It is something far more disturbing. So disturbing in fact that it puts even the likes of Psycho to shame. That is just one part of what makes The Voices a piece that even horror fans will find so unsettling that they can’t help but watch. Star Ryan Reynolds’ work in the role of Jerry adds even more interest to the movie. Being that he is more familiar with comedies and action flicks than horrors in large part, this movie was a big risk for him. And he succeeded in a big way here. Simply put, his work in this movie is the kind of work that will give audiences nightmares. Rounding out the movie in whole is its bonus material. The standard “making of” featurette is there. There is also a look at how Reynolds brought to life the voices of Jerry’s dog and cat as well as deleted and extended scenes among other bonuses. All three elements pose their own part in the strange success of this so grotesque and troubling that one can’t ignore it movie. Collectively, they make this movie one of the most original and strangely entertaining movies of this year.

The Voices is one of the most unsettling and disturbing horror flicks to come along in a very long time. The story follows Jerry (Ryan Reynolds), a schizophrenic who murders a trio of his female co-workers. It is obvious in committing the murders that Jerry’s schizophrenia has almost completely overtaken him as he has almost no sense of morals in regards to his horrible, grotesque acts. While he does show great separation from reality throughout most of the story, he shows that he does have some sense of what he’s doing albeit not until the story’s thrilling climax. It is one of the most original stories to come along within the horror genre this year if not the most original. Instead of just being another run-of-the-mill, cookie cutter slasher flick that throws out a bunch of blood and gore for shock value, it uses it to illustrate just how far gone Jerry proves to be. The comic elements are darkly funny. And audiences will find themselves to be ashamed of themselves for laughing at the comic elements in question. But they serve, too to illustrate the depth of Jerry’s mentality or rather lack thereof. Considering all of this, the script behind The Voices proves that it is not only not just another carbon copy slasher flick but that it even stands out from the likes of Criminal Minds, Law & Order: CI, CSI, Dexter, and any of those TV crime dramas. It proves to be something much deeper and more unsettling right to the end. It is a work that is so deep, unsettling and grotesque that audiences won’t be able to help but watch it.

The story behind The Voices proves undoubtedly that this movie is one of the year’s most original horror flicks if not the best of the genre. It stands out completely from its big screen slasher flick counterparts and even all of the crime dramas that over-populate television’s broadcast and cable networks today. It is just one part of the whole of this movie that makes it one of those works that audiences can’t help but watch. Lead star Ryan Reynolds’ work in the role of Jerry adds even more reason to watch this movie. Anyone that is familiar with Reynolds’ body of work know that he is more commonly associated with comedy and action flicks than horror. Aside from this new movie, Reynolds is also starring in another new thriller from Lionsgate titled The Captive. Other than that movie, the only other well-known experience that he has in the horror/thriller genre is the 2005 remake of The Amityville Horror. Considering his overall lack of experience in the horror/thriller realm in comparison to his work in comedies and actions, Reynolds is to be highly commended for his work in this movie. His performance as Jerry makes Norman Bates look like a saint as he basically chops up and disembowels (yes, disembowels) the three women and puts their remains in Tupperware and pizza boxes. This is the kind of behavior that puts even the crimes from Se7en and Silence of the Lambs to shame. Reynolds is especially frightening as he finally begins to realize (without his medications) that there is something seriously wrong with him and confronts his psychotherapist Dr. Warren (Jacki Weaver–Silver Linings Playbook, Gracepoint, The Five-Year Engagement) in the movie’s climax. He knows what he has done and is now desperate for some kind of help, any help. His reaction here is especially interesting because it shows that Jerry is not entirely gone and has at least some sense of humanity left in him. It is just one more of so many moments in which Reynolds shines in his role and proves his surprising versatility as an actor. That surprisingly entertaining portrayal shows both Reynolds’ potential as an actor worthy of being taken seriously and one more reason that audiences won’t be able to help but watch The Voices.

The script behind The Voices and lead actor Ryan Reynolds’ portrayal of schizophrenic killer Jerry are two clear reasons that audiences won’t be able to help but watch this sleeper hit of a horror flick. Both are solid reasons that audiences won’t be able to help but watch, too. They are not all that should be taken into consideration in what makes this movie surprisingly worth the watch, either. The material included with the movie as bonus features makes it even more worth the watch. More specifically, the bonus “Making of” featurette and (surprisingly) deleted scenes make the movie more worth the watch. Audiences learn in the bonus “making of” featurette how those behind the cameras brought Jerry’s four-legged friends to life and the real feelings of the cast among many other tidbits. It’s interesting to learn that those behind the cameras actually took a real dog and cat, and completely reconstructed their heads via CG to make them talk. They didn’t just go the cheesy route and make it look like they were talking. The special effects crew discussed how they went to painstaking efforts to make the animals look as real as possible as they talked. Those efforts paid off in spades. Just as interesting to hear is that most of the cast echoed the sentiment that they were drawn to the movie because of its original script. That is a powerful statement considering that Lionsgate is not typically thought of as one of Hollywood’s Power Five Studios. The deleted scenes hold their own importance as bonus material. There are some scenes presented that audiences will agree deserved to be cut. In another case such as when Jerry meets his now deceased, abusive father and discusses his [Jerry’s] fate, one can’t help but wonder if maybe such a scene should have been left in the movie. The same can be said of the scene in which Fiona’s remains are discovered by the police. It is actually a scene that really could have been left in or taken out. Its removal neither hinders nor boosts the story in any way. But it is a good part of the whole story even in its short few moments. It’s one more example of how the deleted scenes presented here help to enhance The Voices and prove that sometimes a movie’s bonus material can in fact make a movie better and even as worth the watch as any major name horror and/or thriller.

The bonus material included with Lionsgate’s home release of The Voices actually goes a long way toward making this movie so surprisingly worth the watch even as unsettling and grotesque as it proves to be. The same can be said of lead actor Ryan Reynolds’ portrayal of Jerry, and of course the movie’s script. All three elements combined, The Voices proves itself to be one of the most surprisingly intriguing and original works to be released so far both in the horror world and in terms of movies overall. It is a movie that because of not just its unsettling nature but its depth that audiences won’t be able to help but watch. It is available now in stores and online and can be ordered online direct from Lionsgate’s online store both on DVD and Blu-ray at http://www.lionsgateshop.com/search_results.asp?Search=The%20Voices. More information on this and other titles from Lionsgate is available online now at:

Website: http://www.lionsgate.com

Facebook: http://www.facebook.com/lionsgate

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

No Mystery Here: Mysteries Of The Unseen World Is A Fun Film For Audiences Of All Ages

Courtesy:  Virgil Films/National Geographic/Lockheed Martin/FEI/National Science Foundation

Courtesy: Virgil Films/National Geographic/Lockheed Martin/FEI/National Science Foundation

National Geographic officially released its new documentary film Mysteries of the Unseen World this week. The film, which runs barely over the half-hour mark, is just as good a fit for any family’s home collection as it is a science class at any level of education. The film’s aforementioned run time is the central reason that it is such a good fit in both the living room and the classroom. By association, its pacing plays its own role, too. It’s just part of what makes it so worth the watch. Its clear presentation of two separate yet similar topics adds to its enjoyment. For those that might actually have a 3D Blu-ray player and 3D TV will also appreciate the fact that National Geographic has presented the film in both standard 2D and 3D format. Both formats are both Blu-ray presentations, too. So regardless of whether or not audiences have the equipment for a 3D presentation, every viewer will have reason to be happy when they pick up the film in its 2D/3D Blu-ray combo pack. Whether for this reason, for the fact that it clearly separates the topics into two separate segments or for its relatively short run time, audiences will see in the end that there is plenty to like about Mysteries of the Unseen World.

National Geographic’s new documentary Mysteries of the Unseen World is a good fit for the living room and the classroom alike. As a matter of fact, watching through this program, it proves to be a piece that audiences of any age will enjoy whether in the living room or the classroom. That is saying quite a bit. It is just as valuable for a junior high science class as a freshman level college science course. One reason for this vast reach is the program’s run time. Its total run time comes it at just over the half hour mark. To be more precise, its run time comes in at approximately thirty-nine minutes. That time seems to fly by, too even with the amount of information shared through the course of the film’s two segments. That is a credit to those charged with editing and assembling the film. As much information is shared through the course of the program–the wonders of the microscopic world and slow motion photography, and its history and impact–at no one point does it spend too much or too little time on the subjects or their related topics. Speaking of those topics, they are another reason that audiences of all ages will appreciate this film.

The run time and pacing of Mysteries of the Unseen World collectively make this presentation well worth the watch in and of themselves. No time is wasted on either end of the clock covering any of the material presented throughout the course of the film’s thirty-nine minute run time. It’s just part of what makes this documentary feature worth the watch regardless of audiences’ age. The material itself adds even more enjoyment to the program in whole. It examines the world first through the lens of a high-speed camera, showing specific situations both slowed and sped up. Those situations include a balloon being popped, a rose decaying, a glass and pitcher of milk falling and breaking and more. Anyone that remembers Discovery’s short-lived series Time Warp and who might have actually watched it will appreciate this segment. The second segment, which is clearly separated from the first, takes viewers into the microscopic world, introducing viewers to otherwise invisible objects. Those objects are both good and bad. For instance, there is a close up look at a butterfly egg and at a highly bendable material that–as narrator Forest Whitaker notes–could one day be used to build the long talked about elevator to space. On another level, there’s a note of the bumpy microscopic surface of a lily pad which could be used as a model to keep planes’ wings from icing over one day. To these extents, the things that we can’t see become that much more incredible. And they make for an especially welcome starting point for just such a discussion, again, in a science class at any level. On the other side of the discussion is a microscopic look at some not so nice objects such as head lice and even a mite that lives on people’s eyelashes. It’s unsettling but so intriguing that one can’t help but look. And it’s one more way that the content presented in Mysteries of the Unseen World makes this documentary worth the watch whether in the living room or the classroom. Coupled with the film’s run time and pacing, the content adds even more punch to the whole, making it that much more of a must have at least for any science teacher and lover of science in general.

The run time and pacing of Mysteries of the Unseen World taken into consideration with the overall content and its arrangement makes collectively for more than enough reason for audiences to check out the new documentary from National Geographic. While the noted elements are each equally important to the whole that is Mysteries of the Unseen World, there is still one more element to note of the film that should be noted that makes it a worth the watch. The element in question is the very fact that the documentary has been presented in a 2D/3D Blu-ray combo pack. The 2D/3D Blu-ray combo pack obviously presents the documentary both in its 2D presentation and enhanced 3D presentation. Those that have the necessary equipment to take in the 3D presentation will see for themselves just how amazing the microscopic world and the smaller world in whole look. It is the finishing touch to a documentary that along with its overall content, run time, and pacing shows to be a surprisingly fun and entertaining piece for audiences of all ages.

Mysteries of the Unseen World is available now in stores and online. The 2D/3D combo pack can be ordered online direct from Virgil Films’ online store and National Geographic’s online store. More information on this and other titles from Virgil Films is available online at:

Website: http://www.virgilfilmsent.com

Facebook: http://www.facebook.com/VirgilFilms

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Slash Featuring Myles Kennedy And The Conspirators Releasing New Live Recording This Summer

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment is bringing home Slash and his friends Myles Kennedy and The Conspirators this summer.

Eagle Rock Entertainment will release Slash Featuring Myles Kennedy and The Conspirators: Live at the Roxy 9/25/14 on Tuesday, June 16th. The concert recording documents the groups’ performance at the famed club following the release of its second collaboration World on Fire early last year. The show’s set list features some of the biggest hits from Guns ‘N Roses, Velvet Revolver, and from Slash’s own solo recordings including: “Ghost,” “Back From Cali,” “World On Fire,” “Sweet Child O’ Mine,” “Anastasia,” “Paradise City,” “Slither,” “Nightrain,” and many more. The complete set list for Slash Featuring Myles Kennedy and The Conspirators: Live at the Roxy 9/25/14 is noted below:

DVD / BLU-RAY TRACK LISTING

1) Ghost

2) Nightrain

3) Back From Cali

4) You Could Be Mine

5) Rocket Queen

6) Bent To Fly

7) Starlight

8) You’re A Lie

9) World On Fire

10) Anastasia

11) Sweet Child O’ Mine

12) Slither

13) Paradise City

Bonus Tracks:

(1) Stone Blind

(2) You’re Crazy

(3) Wicked Stone

(4) 30 Years To Life

3LP / 2CD TRACK LISTING

1) Ghost

2) Nightrain

3) Halo

4) Back From Cali

5) Stone Blind

6) You Could Be Mine

7) Doctor Alibi

8) You’re Crazy

9) Wicked Stone

10) 30 Years To Life

11) Rocket Queen

12) Bent To Fly

13) Starlight

14) You’re A Lie

15) World On Fire

16) Anastasia

17) Sweet Child O’ Mine

18) Slither

19) Paradise City

Fans can check out the group’s performance of ‘Bent To Fly’ from the recording online now via YouTube at https://www.youtube.com/watch?v=x0ctImlIThY. Fans can get more information on this recording online now along with all of the latest news from Slash at:

 

Website: http://www.slashonline.com

Facebook: http://www.facebook.com/Slash

Twitter: http://twitter.com/slash

 

To keep up with the latest sports and entertainment news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Aerosmith Announces Dates For Its Blue Army Tour 2015

Courtesy:  MSO PR

Courtesy: MSO PR

Aerosmith is hitting the road again this summer.

The members of the legendary rock band Aerosmith announced today that the band will embark on the “Blue Army Tour 2015″ beginning Saturday, June 13th at the Gila River Arena in Glendale, Arizona. The band’s tour currently consists of sixteen dates that take the band across North America. There are dates in California, Wyoming, Texas, and even Canada throughout the “Blue Army Tour 2015.” Guitarist Joe Perry, in meeting with the press, discussed the meaning behind the name “Blue Army Tour” saying essentially that it is a reference to the band’s fans saying, “”The name Blue Army came from the fact that ‘everyone’ in our audience from the 70’s were wearing blue denim and it looked like a sea of blue, thus The Blue Army.” As audiences will note, the “Blue Army Tour 2015″ winds down with a special performance at the 2015 Pro Football Hall Of Fame Enshrinement Festival. The festival is held on the eve of the annual NFL Hall of Fame Enshrinement ceremony. Aerosmith’s current schedule for the “Blue Army Tour 2015″ is listed below:

AEROSMITH’s 2015 summer tour dates are as follows:

DATE CITY VENUE

Sat 6/13 Glendale, AZ Gila River Arena

Wed 6/24 Evansville, IN The Ford Center

Sat 6/27 Durant, OK Choctaw Casino Event Center

Tue 6/30 Hidalgo, TX State Farm Arena

Fri 7/3 Stateline, NV Lake Tahoe Outdoor Arena at Harveys

Tue 7/7 Santa Barbara, CA Santa Barbara Bowl

Fri 7/10 Salinas, CA Salinas Sports Complex

Mon 7/13 Kelowna, BC Prospera Place

Thu 7/16 Victoria, BC Save-On-Foods Memorial Centre

Sun 7/19 Fort McMurray, AB Shell Place at MacDonald Park

Wed 7/22 Cheyenne, WY Cheyenne Frontier Days

Sat 7/25 Minot, ND North Dakota State Fair

Tue 7/28 Ridgefield, WA Amphitheater Northwest

Sat 8/1 Las Vegas, NV MGM Grand Garden Arena

Tue 8/4 Grand Rapids, MI Van Andel Arena

Fri 8/7 Canton, OH Tom Benson Hall of Fame Stadium

Fans that won’t get the chance to see Aerosmith live need not worry as the band is scheduled to release its new live DVD Aerosmith Rocks Donington 2014 via Eagle Rock Entertainment later this year. The DVD’s release date is currently TBA. The performance, which features nineteen of the band’s biggest hits, was recorded live at the Donington Park in Leicestershire, UK in June 2014 as part of the band’s Let Rock Rule experience. The songs included in the upcoming recording include the likes of: ‘Love in an Elevator,’ ‘Janie’s Got a Gun, ‘Don’t Wanna Miss A Thing,’ ‘Dude Looks Like a Lady,’ ‘Walk This Way,’ ‘Dream On,’ ‘Sweet Emotion,’ and eleven others. More information on Aerosmith Rocks Donington and other titles available from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

More information on the “Blue Army Tour 2015″ is available online now along with all of the latest news from the band at:

Website: http://www.aerosmith.com

http://www.aeroforceone.com

Facebook: http://www.facebook.com/aerosmith

Twitter: http://twitter.com/Aerosmith

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Releasing Another Installment Of Its “From The Vault” Series This Summer

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment continues its “From The Vault” series this summer with yet another new archived live recording from legendary rock band The Rolling Stones.

Eagle Rock Entertainment will release The Rolling Stones From The Vault: The Marquee — Live in 1971 on June 23rd. The classic concert recording documents The Rolling Stones’ concert at London’s famed Marquee Club. It is the first time in nearly twenty years that the recording has seen the light of day in any format. The concert was originally recorded for U.S. television just after The Rolling Stones had wrapped its Farewell Tour of the UK and came just ahead of the release of the band’s 1971 album Sticky Fingers. Even more interesting about this concert recording is that it marks the first time that the The Rolling Stones had ever performed hits its hit songs ‘Brown Sugar,’ ‘Dead Flowers,’ ‘Bitch,’ and ‘I Got The Blues’ in a live setting. Speaking of those songs, which are all taken from Sticky Fingers, The Rolling Stones From The Vault: The Marquee–Live in 1971 coincides with the June 9th re-issue of Sticky Fingers. That re-issue features alternative takes of ‘I Got The Blues’ and ‘Bitch.’ There is also a bonus “Top of the Pops” performance of ‘Brown Sugar’ from 1971.

The Rolling Stones From The Vault: The Marquee–Live in 1971 will be released on DVD, SD Blu-ray, DVD+CD combo pack and DVD+LP combo pack. The track listing for The Rolling Stones From The Vault: The Marquee–Live in 1971 is note below.

TRACKLISTING:
Live With Me
Dead Flowers
I Got The Blues
Let It Rock
Midnight Rambler
(I Can’t Get No) Satisfaction
Bitch
Brown Sugar

BONUS TRACKS:
I Got The Blues – Take 1
I Got The Blues – Take 2
Bitch – Take 1
Bitch – take 2
Brown Sugar (Top Of The Pops, 1971)

More information on this and other titles from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

MLB Productions Releasing New Babe Ruth Documentary This Spring

Courtesy:  Lionsgate/A&E Networks/A&E Home Video/MLB Productions

Courtesy: Lionsgate/A&E Networks/A&E Home Video/MLB Productions

This spring, MLB Productions will examine the life and career of one of baseball’s greatest figures when it releases American Hercules: Babe Ruth.

American Hercules: Babe Ruth will be released on DVD on Tuesday, May 19th. It will be released in partnership with Lionsgate and A&E Networks. The film, narrated by veteran actor Martin Sheen, examines Ruth’s life and career from his early days as a youth in Baltimore to his time as a member of both the Red Sox and the Yankees. Along the way, it examines why Ruth remains such a revered figure among both baseball players and fans alike to this day. It does all of this through the use of new psychological and historical perspectives on Ruth the man and Ruth the legend.

American Hercules: Babe Ruth will retail for MSRP of $19.98. It can be ordered online via MLB Production’s online store at http://shop.mlb.com. More information on this and other titles from MLB Productions is available online now at:

Website: http://mlbproductions.com

Facebook: http://www.facebook.com/mlbprod

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