Set It Free Announces First Live Show In Five Years

Courtesy:  Breathing Blue/Set It Free/Wicked Hollow/River Rock Restaurant and Marina Bar

Courtesy: Breathing Blue/Set It Free/Wicked Hollow/River Rock Restaurant and Marina Bar

Set It Free has announced a new live performance.

The band will perform next month at what is being dubbed the “Rock For Landon Cancer Benefit Concert.”  The concert will be held Thursday, August 18th at River Rock Restaurant and Marina Bar in Brick Township, New Jersey.  It will mark the first time in five years that the band has performed live together.  Admission is $15 at the door.  All proceeds will go to help pay the medical bills for 18 month-old Landon Moellman.  He is currently undergoing treatments for Retinoblastoma cancer at a hospital in Philadelphia.  In layman’s terms Retinoblastoma cancer is just one form of cancer that originates in the eyes.  If left untreated it can eventually lead to glaucoma and loss of sight.  In rarer and worse cases it can even potentially spread to other parts of the body, which can make a patients outlook even worse.  The problem with Landon’s case is that the hospital where he is receiving treatment is not accepting his parents’ insurance, making the situation more difficult both for him and his family, which is, again, the purpose of the concert.  Also on the bill are Breathing Blue and Wicked Hollow.

More information on the upcoming benefit show is available online now at Set It Free’s official Facebook page and that of Breathing Blue.  Audiences can also help contribute to Moellman’s treatments via his parents’ GoFundMe page.

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Mill Creek’s ‘Bump In The Night’ Re-Issue Is Imperfect But Still Enjoyable

Courtesy: Mill Creek Entertainment

Courtesy: Mill Creek Entertainment

In October 2014 one of the most important eras in television’s history came to an end.  The era in question was that of Saturday morning cartoons.  For so many decades, children across America would get up every Saturday at the crack of dawn and watch cartoons while eating countless bowls of sugar-laden cereal until noon.  But on the weekend of October 4th, 2014 the final nail was put into the proverbial coffin for Saturday morning cartoons when The CW ran its final “Vortexx” programming block.  Being that weekday morning (and afternoon) cartoons had already gone the way of the dinosaur many years before, it was also the true end of a whole generation’s innocence.  The 24-hour news cycle took over along with streaming media and FCC demands for more educational programming.  Thankfully though, many companies out there have made it their sole mission to keep that age of innocence alive with DVD and Blu-ray releases of those classic bygone cartoons.  They include the likes of Shout! Factory, Scholastic, 20th Century Fox, and the focus of today’s review, Mill Creek Entertainment, among so many others.  While Mill Creek Entertainment does not normally have the best reputation within the home entertainment arena there have been times when the independent outlet has been worthy of at least some praise.  Its  re-issue of ABC’s short-lived Saturday morning series Bump in the Night earlier this year is one of those examples of Mill Creek deserving at least some praise.  That is due in part to the set’s packaging. That will be discussed later.  While not perfect it does have at least some positives.  The presentation of the episodes themselves is also worth noting in this recently re-issued set.  It will be discussed later.  Last but hardly least of note in examining Mill Creek’s new re-issue of Bump in The Night: The Complete Series is the series’ writing and its affordable price.  It is one of a small handful of saving graces for the collection.  Each element plays its own important part in the whole of this set.  Collectively they make Mill Creek Entertainment’s re-issue of the series a welcome addition to any family’s home DVD library even despite its imperfections.

Mill Creek Entertainment’s recent re-issue of ABC’s short-lived Saturday morning series Bump in the Night is not a perfect presentation by any means.  However, considering how much worse it could have been (especially considering the company’s general reputation with re-issues) it is surprisingly worthy of praise.  That is due in large part to the company’s overall packaging of the series.  Each of the series’ two seasons is presented on its own disc on its very own spot inside the set’s case.  This is a major departure for Mill Creek.  More often than not, when it presents multi-disc sets, it places them one atop the other on one single or in ordinary CD sleeves that are then placed atop one another in the same format as its other multi-disc sets.  Neither practice is ergonomic nor safe for the sets’ discs.  Keeping that in mind, seeing Mill Creek take the proverbial road less traveled here makes the company and the set’s presentation deserving of praise.  Now having noted this one cannot ignore a point at which Mill Creek came up short in the set’s presentation.

The packaging that is used for Mill Creek Entertainment’s recent re-issue of Bump in the Night: The Complete Series is deserving of praise in its own right.  At the same time though, that packaging is not perfect.  Each of the series’ twenty-seven episodes is listed on the cover of each of the sets two discs.  Thy are placed clearly within their given season, too.  This is where the problems begin.  While Mill Creek is to be applauded for doing this, one cannot ignore the fact that they are not listed on the back of the set’s box.  There is also no companion booklet to help guide viewers along the way with either episode guide or even episode summary.  On a related note the only bonus feature included in the set is the series’ special holiday episode “Twas The Night Before Bumpy.”  Other than that there are no bonuses to make up for the lack of episode guides other than the episode listings on each disc.  To that end the set’s overall packaging is hardly perfect.  But it deserves at least some points for effort.  It is not the only element that should be noted here.  The presentation of the episodes themselves is just as important to note here as the set’s packaging.

The packaging method used in Mill Creek Entertainment’s recent re-issue of Bump in the Night is a mixed bag.  It has its positives.  But it also has its negatives.  Considering this the packaging is not a total loss.  But it still could have been better.  Moving on, the set’s packaging is not the only important element to note here.  The episodes’ actual presentation is just as important to note as the set’s packaging.  The episodes clearly have not been touched in their transfer to DVD in this latest re-issue.  Though, in defense of Mill Creek Entertainment here, they don’t look that bad.  Given, they could have benefited from at least a little bit of touching up, but in the bigger picture of their presentation they look just as they did in their original broadcast on ABCs Saturday morning broadcasts from 1994 – 1995.  The look of the series—for those not familiar with the series–was something completely unlike that of any of its counterparts and even any show that has since come along.  It mixed together live action elements with stop motion/claymation for a look that was all its own.  It didn’t have that spit-shined look that so many animated series had at the time nor even more experimental look of a show such as Reboot.  It was its own, look.  And luckily it actually does end up looking quite interesting in its own right.  In turn it makes the episodes presentation deserving of its own praise despite, again, being slightly imperfect, too.  It still is not the last of the sets most important elements.  Last but hardly least of note in examining the series is its writing.  The writing is the set’s primary saving grace.

Mill Creek Entertainment’s recent re-issue of Bump in the Night is not a perfect re-issue.  But it is still deserving of at least some praise in considering.  That is determined in considering the set’s packaging and the look of the series’ episodes.  Neither is perfect by any means.  But they could also have been much worse.  That’s especially considering Mill Creek Entertainment’s overwhelming reputation.  Having examined both of the noted elements there is just one more element to examine here.  That element is the series’ overall writing.  Just as the series’ look was completely unlike that of any other children’s series at the time so was its writing.  In regards to its writing it was a partly goth-style show that would have (perhaps) made even Tim Burton proud.  It follows Mr. Bumpy (Jim Cummings—The Lion King, CatDog, Transformers Rescue Bots) and his pals Squishington (Rob Paulsen—Animaniacs, Darkwing Duck, Danny Phantom) and Miss Molly Coddle (Gail Matthius—Bobby’s World, Tiny Toon Advenures, Animaniacs) as they have all kinds of nocturnal adventures in the room of Mr. Bumpy’s 10-year old boy.  One can’t help but wonder, in considering this what if any role it had to have played in influencing the development of Pixar’s Toy Story.  And there are plenty of laughs to be shared in each episode along with important life lessons, too.  “Better Homes and Garbage” is one of the best examples of what makes the writing so impressive.  It is a classic Odd Couple style story that will leave audiences of any age laughing.  In the end, Mr. Bumpy learns, just as Oscar did in The Odd Couple the value of his counterpart’s friendship.  Therein is the episode’s important life lesson—valuing one’s friends.  On a completely different note, “Danger: Unexploded Squishington” doesn’t really boast any life-altering lesson.  But it does offer plenty of laughs as Mr. Bumpy realizes that his friend might have unwittingly eaten a bomb.  Spongebob Squarepants has a similar episode in which Squidward gives Spongebob a pie laden with a bomb.  So one can’t help but wonder here if the prior might have been an influence for the latter.  “Party Pooper” is another example of what makes the series’ writing so important.  When Molly wants to go to a party being held by the Cute Dolls, she learns an important lesson about being true to herself rather than trying to be what the Cute Dolls think that she should be.  It is a timeless lesson from which audiences of all ages.  These episodes are all included in the series’ first season, meaning that there are plenty of other episodes that could be used to cite the importance of the series’ writing.  Altogether the writing behind this series (including all of the great pop culture references within each episode) proves to be one of just two shining, saving graces in its latest presentation.  The other would be its relatively affordable price.  The set is retailing on average for about eight dollars.  When that and the series writing are set against the set’s overall packaging and the look of the show’s episodes the whole of the set makes it an imperfect re-issue but one that is still a welcome addition to any family’s home DVD library.

Bump in the Night: The Complete Series is, in its most recent re-issue, an imperfect collection.  But even in considering its imperfections it is still a welcome addition to any family’s home DVD library.  That applies especially to families who have knowledge and respect for the cartoons that once made Saturday mornings so great.  There is no denying that its packaging in this new presentation leaves at least a little something to be desired.  Though, it could have been so much worse.  And while it would have been nice to see Mill Creek Entertainment do at least some re-touching in regards to the look of the series, it doesn’t look so bad that it makes the episodes unwatchable.  In fact one could argue that its original look still makes it stand out even today especially against television’s current sea of CG-based children’s series.  The writing behind the series and the sets pricing are the set’s saving graces.  The writing will entertain and educate (so to speak) audiences of all ages.  And the set’s relatively affordable price (averaging about eight dollars) will increase the odds that families will want to purchase the set and consider all of the previously noted elements for themselves.  Each element is important in its own right.  That goes without saying.  It has its pros and its cons.  But all things considered the combination of those pros and cons balances itself out and in turn makes this new re-issue one that its fans will want to add to their own home DVD libraries.  It is available now in stores and online.  It can be ordered online direct via Mill Creek Entertainment’s online store at http://www.millcreekent.com/bump-in-the-night-the-complete-series.html.  More information on this and other titles from Mill Creek Entertainment is available online now at:

 

 

 

Website: http://www.millcreekent.com

Facebook: http://www.facebook.com/MillCreekEnt

Twitter: http://twitter.com/millcreekent

 

 

 

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Time Life To Re-Issue ‘The Wonder Years: The Complete Series’ This Summer

Courtesy: Time Life Entertainment/StarVista

Courtesy: Time Life Entertainment/StarVista

There is good news for fans of ABC’s classic family drama The Wonder Years.

Time Life Entertainment has announced that it will re-issue the series in a complete series box set next month.  It is currently slated to be released Tuesday, August 23rd and will retail for MSRP of $119.95.  The new re-issue will feature all 115 episodes of the six-season series spread across 22 discs and 12 hours of new bonus material.  Those bonus features include: highlights from the cast’s first reunion in 16 years, a farewell set tour, Exclusive interviews and more.  It also features all of the songs originally used in the series’ 5 year, six season run including: Jimi Hendrix, Bob Dylan, Joni Mitchell, The Byrds, Simon & Garfunkel, Aretha Franklin, James Taylor, Joe Cocker, and many others.  The series’ soundtrack in total comes to 300 songs.

Over the course of its six seasons on the air, The Wonder Years was one of television’s most popular series.  It earned a spot on Neilsen’s Top 30 in four of those seasons.  It earned an Emmy® for “Best Comedy Series,” and at age 13 lead actor Fred Savage became the youngest actor ever nominated for “Outstanding Lead Actor For A Comedy Series.”  The series would eventually go on to earn a total of 24 awards and be nominate for 70 more.  Those nominations and wins included: Emmy® Awards, A Golden Globe®, and in 1989 a Peabody® Award for pushing the boundaries of the sitcom format and using what were then new methods of storytelling.  Even after the show ended its run, its impact was still being felt.  In 1997 “My Father’s Office” was ranked #29 on TV Guide’s 100 Greatest Episodes of All Time.  The series’ pilot episode was ranked #43 on that same list.

The Wonder Years: The Complete Series will be released in stores and online on Tuesday, August 23rd via Time Life Entertainment.  It will retail for MSRP of $119.95.  More information on this and other titles from Time Life Entertainment is available online now at:

 

 

 

Website: http://timelife.com

Facebook: http://www.facebook.com/TimeLifeUS

Twitter: http://twitter.com/TimeLifeUS

 

 

 

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MTV Networks Premiere Pierce The Veil’s New Video

L-R:  Jaime Preciado, Tony Perry, Vic Fuentes, Mike Fuentes Photo credit:  Jonathan Weiner

L-R: Jaime Preciado, Tony Perry, Vic Fuentes, Mike Fuentes
Photo credit: Jonathan Weiner

Pierce The Veil has officially unveiled (no pun intended) its new video.

The video for ‘Circles,’ the band’s new single started running nationwide this morning on AMTV, AMTV2, MTV Hits, MTV Live and mtvU.  The video began running this morning at 6:00 ET.  It is also running live on MTV’s Snapchat Discovery channel and via Vevo.  It was directed by Drew Russ, who also directed the video for the band’s 2012 video for ‘King For A Day.’ That video has accumulated more than 70 million views since its premiere roughly four years ago.  The concept behind the band’s new video is loosely based on the 1991 feature film Nothing But Trouble.  The movie was written by Dan Akroyd (Ghostbusters, Ghostbusters 2, The Blues Brothers) and starred Chevy Chase (National Lampoon’s Christmas Vacation, Funny Farm, Fletch), John Candy (Uncle Buck, Who’s Harry Crumb?, Spaceballs), and Akroyd.  The song is currently a Top 40 Alternative radio stations across America.  The band’s new album Misdaventures premiered at #4 on the Billboard Top 200 Chart.  And the band itself was nominated for Bandom of the Year by MTV in its annual “MTV Fandom Awards.”  Later this summer the band will embark on the “Made To Destroy Tour” alongside supporting acts Neck Deep and I Prevail.  A Winter UK tour is already set to follow from October 29th to November 17th.  The band’s complete tour schedule is noted below.

 

SEPTEMBER

 3   The Warfield, San Francisco, CA*

 4   Roseland Theatre, Portland, OR*

 6   Showbox Sodo, Seattle, WA*

 7   Revolution Concert House, Boise, ID*

 9   In The Venue, Salt Lake City, UT*

10  High Elevation Festival, Fiddler’s Green Amphitheater., Denver, CO**

12  The Cotillion, Wichita, KS*

13  Myth Live, Minneapolis, MN*

14  7 Flags Event Center, Des Moines, IA*

16  Riot Fest, Chicago, IL**

17  Rochester Main Street Armory, Rochester, NY*

18  Rock Allegiance Festival, PPL Park, Chester, PA**

20  Newport Music Hall, Columbus, OH*

21  The Pageant, St. Louis, MO*

23  House of Blues, New Orleans, LA*

24  Texas Mutiny, Texas Motor Speedway, Dallas, TX**

25  Houston Open Air Festival, NRG Park, Houston, TX**

27   Arvest Bank Theatre at The Midland, Kansas City, KS*

28  War Memorial Auditorium, Nashville, TN*

30  Chill on the Hill Festival, Detroit, MI**

OCTOBER

 1   Louder Than Life Festival, Champions Park, Louisville, KY**

 2   Sonic Boom Festival, Madison, WI**

 4   Hammerstein Ballroom, New York, NY*

 5   The Fillmore Charlotte, Charlotte, NC*

 7   The Tabernacle, Atlanta, GA*

 8   House of Blues, Orlando, FL*

 9   Jannus Live, Tampa, FL*

11  Alamo City Music Hall, San Antonio, TX*

12  Lonestar Pavilion, Lubbock, TX*

14  Marquee Theatre, Phoenix, AZ*

15  Rainbow Room, Fresno, CA*

16  Hollywood Palladium, Los Angeles, CA*

European tour:

OCTOBER

29  Trabendo, Paris, France

31  Sala Cats, Madrid, Spain

NOVEMBER

 1   Sala Noise,Valencia, Spain

 2   Sala Razzmatazz 2, Barcelona, Spain

 4   Kofmehl, Solothurn, Switzerland

 5   Magazzini Generali, Milano, Italy

 7   Theatrefabrik, Munich, Germany

 8   Arena, Vienna, AT

 9   Durer Kert, Budapest, Hungary

11  Huxleys, Berlin, Germany

13  Gruenspan, Hamburg, Germany

14  Amagler Bio, Copenhagen, Denmark

15  Fryhuset, Stockholm, Sweden

17  Melkweg, Amsterdam, The Netherlands

* – headline dates

** – major music festivals

 

More information on Pierce The Veil’s new video is available online now along with all of the latest updates on the band’s tour schedule, news, and more at:

 

 

 

Website: http://piercetheveil.net

Facebook: http://www.facebook.com/PierceTheVeil

Twitter: http://twitter.com/piercetheveil

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Devil Wears Prada Announces Title, Release Date For New Album

Courtesy: Rise Records

Courtesy: Rise Records

The Devil Wears Prada has announced the details for its next album.

The band has announced that it will release its new album Transit Blues on Friday, October 7th in stores and online.  The record, the band’s sixth full-length studio recording, will be released via Rise Records.  It will come a little more than a year after the release of the band’s latest recording, its 2015 EP Space.  That record was released August 21st, 2015.

The process of creating Transit Blues marks the first time that the band has ever lived and recorded together in order to create any of its  records.  Producer Dan Korneff (Pierce The Veil, Motionless in White) returned to man the boards for the eleven-song record.  He also produced Space.  Vocalist Mike Hranica explained the idea behind the record and its title noting that it has a lot to do with life and certain topics related therein.  “It’s like zooming out on a commute,” he said.  “It’s the notion of getting from one place to another.  Most people go from their homes to work while we go from date to date on tour.  Either way, it’s the inevitable process of growth and change.  There are moments of anger, but the pervading theme is separation.  Drawing the full circle, it is separation that is inherent in moving from one place to another.”

In anticipation of Transit Blues’ release the band debuted last week the video for the album’s lead single ‘Daughter’ online.  The video has already received nearly 280,000 views since its debut.  In discussing the concept behind the song Hranica explained that it actually rose from literature; more specifically author Simone de Beauvor’s novel The Mandarins.  “It’s strange,” he said.  “I will write EPs based on subjects that aren’t super close to my heart like ‘Zombie’ or ‘Space’ because it opens the door for me to make my own stories based off the topics.  When we did ‘Transit Blues,’ it was only natural to incorporate fiction.  ‘Daughter’ is the most forthright example.”

Transit Blues is currently scheduled to be released in stores and online on Friday, October 7th via Rise Records.  More information on Transit Blues is available online now along with all of the latest news and more from The Devil Wears Prada at:

 

 

 

Website: http://www.tdwpbband.com

Facebook: http://www.facebook.com/tdwp

Twitter: http://twitter.com/tdwpband

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment To Release New Nina Simone Doc This Summer

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment has another new music documentary on the way this summer.

On Friday, September 2nd Eagle Rock Entertainment will release its new music documentary What Happened, Miss Simone?  The documentary focuses on legendary performer Nina Simone.  It will be released on separate DVD + CD combo pack, Blu-ray + CD combo pack and digital formats.  The story at the center of the new documentary presents Simone in all of her highs and lows.  It follows Simone’s life and career from young piano prodigy to student at The Julliard School of Music, to jazz and blues great and civil rights activist, to her later years.  The story is told through archived interviews, concert performance footage, and interviews with Simone’s family, friends, and colleagues.  The documentary, presented on DVD and Blu-ray is coupled with a compilation of Simone’s greatest songs on CD.  The songs in question include both studio recordings and live performances. The full track listing for the documentary’s companion CD is noted below.

 

MUSIC FROM AND INSPIRED BY WHAT HAPPENED, MISS SIMONE? CD TRACK LISTING:

1) I Loves You Porgy

2) Don’t Let Me Be Misunderstood

3) I Put A Spell On You

4) Strange Fruit (Live in New York, 1965)

5) Sinnerman

6) Mississippi Goddam (Live In New York, 1964)

7) Little Girl Blue (Live In New York, 1964)

8) Don’t Smoke In Bed (Live In New York, 1964)

9) My Baby Just Cares For Me

10) Lilac Wine

11) Black Is The Color Of My True Love’s Hair

12) Night Song

13) Nobody Knows You When You’re Down And Out (Live in New York, 1965)

14) Feeling Good

15) Ne Me Quitte Pas

 

What Happened, Miss Simone? will be available in stores and online on Friday, September 2nd on DVD + CD combo pack and Blu-ray + CD combo pack.  The DVD + CD combo pack will retail for MSRP of $21.98 and the Blu-ray + CD combo pack for $26.98.  The DVD + CD combo pack can be pre-ordered online now here and the Blu-ray + CD combo pack here.  More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Virgil Films’ New ‘Back To The Future’ Doc Is A “Heavy” Presentation

Courtesy: Virgil Films

Courtesy: Virgil Films

Throughout the course of its rich, ages-long history Hollywood and its major studios have carved out so many new cinematic highways on which audiences have traveled.  It is on those same roads that audiences have been introduced to just as many iconic cars and more.  In 1964 audiences were introduced to James Bond’s now famed Aston Martin for the first time.  Four years later in 1968 audiences were introduced to yet another iconic car in the form of the Ford Bullitt Mustang GT 390 Fastback.  And in 1985 audiences went for another ride with one of the single most iconic cinematic cars of all time in the form of Doctor Emmett L. Brown’s DeLorean time machine.  That car is the focus of today’s review.  Or rather, a new documentary focused on the car in question is the focus of today’s review.  Just last week Virgil Films released a new documentary title OUTATIME:  Saving The DeLorean Time Machine.  The roughly 63 minute documentary follows the efforts of a dedicated team of fans who made it their mission to reconstruct the car, which for years had sadly been left to the elements by the very studio that made it famous.  That story in question sits at the center of the documentary as its most important elements.  The transitions that are used to advance the story are just as important to note as the documentary’s central story.  The bonus material that is included in the documentary rounds out its most important elements.  It brings everything full circle in the program’s presentation.  Each element plays its own unquestionably important part in the program’s presentation.  Altogether they make OUTATIME: Saving The DeLorean Time Machine a must see not just for Back to the Future fans but for car nuts and film buffs, too.  They come together to make the program in whole potentially one of the year’s top new documentaries.

Virgil Films’ new cinematic documentary OUTATIME: Saving The DeLorean Time Machine is potentially one of 2016’s top new documentaries.  It is a must see not just for Back to the Future fans but for car nuts and film buffs, too.  That is exhibited in large part through the story that makes up the body of the program’s main feature.  The story follows a group of dedicated Back to the Future fans who make it their mission to bring back to life the famed DeLorean time machine used in the filming of the beloved film series (and apparently its animated spinoff, too as audiences will learn in watching this documentary).  As the story goes, the car in question was Universal’s “A” car.  It was one of three that were used in the filming of the original trilogy and is the only one of the three cars that survived the filming.  The problem is that the car was largely neglected in the years following the trilogy’s filming.  If it wasn’t being used at special events and around the Universal back lot, it was being left open to the elements and overzealous fans, many of whom picked pieces of the car and took them home for themselves.  So, as the story presents, it was up to these dedicated fans to reconstruct the car to its original, pristine condition.  It was anything but an easy chore, too.  It took the team a whole year to find get the job done.  From looking through military surplus yards to contacting fans who had taken pieces of the original car (including the original flux capacitor) to even building parts from scratch and more the reconstruction team had quite the job in store.  Lead man Joe Walser made certain, too that the car was rebuilt right down to the smallest detail.  Perhaps most incredible of all is that not a single member of the team was paid for its efforts.  One man drove three hours either way from beginning to end while another even flew 7 hours at one point and was instantly put right to work upon arrival.  The end result of the team’s efforts is incredible to see.  Interestingly enough had Universal taken more care of the DeLorean, this documentary might have ironically never happened.  But now thanks to the efforts of the build team, it does exist.  Not only that but the DeLorean now sits in one of the world’s most renowned automotive museums for all to see after being moved from Universal Studios.  This is revealed in one of the program’s key bonus features, and will be discussed later.  Getting back on the subject at hand, the story at the center of OUTATIME: Saving the DeLorean Time Machine is a key element to the documentary’s presentation.  It is only one of the program’s key elements.  The transitions that are used in telling the story, and advancing it, are just as important to the program as its story.

The story at the center of OUTATIME: Saving the DeLorean Time Machine is a key element in the program’s presentation.  It is just one of the documentary’s key elements.  The transitions that are used to help tell the story and advance it are just as important to its overall presentation as the story itself.  Viewers will be pleased to see just how smooth the transitions in question are.  Each segment is launched by the use of yet another iconic BTTF element, the clock from the clock tower.  As each month ticks by so does the clock tick back to zero.  Within each segment viewers are presented with a specific portion of the rebuild–the time circuits, reacquiring the pieces that had been picked from the car, the hunt to find other parts, etc.  The beginning and end of each segment is wholly clear, making the story in whole that much easier to follow.  That in turn leads to insurance of viewers’ engagement from the beginning of the program to its end.  It works with the story directly to make the presentation of the program’s central story key in itself to the documentary’s overall presentation.  It still is not the last of the documentary’s most notable elements.  Its bonus material is just as important to note as its story and transitions therein.

The story at the center of OUTATIME: Saving the DeLorean Time Machine and its related transitions are both key pieces of this documentary’s presentation.  The story centers on the efforts to restore what is one of the most iconic cars in Hollywood’s modern history.  The transitions ensure viewers’ engagement from beginning to end.  While both elements prove to be undeniably important to the documentary’s overall presentation they are not its only important elements.  The bonus material that comes with the documentary is just as important as the story and its elements.  That is because the bonus material collectively brings the whole presentation full circle beginning with the “Petersen Automotive Museum” featurette.  This bonus features Joe Walser and a representative from the Petersen Automotive Museum discussing the addition of the DeLorean time machine to the museum’s collection.  Walser is so ecstatic as he discusses the car’s move from Universal Studios post reconstruction to the Petersen Museum.  He notes that he could not have been happier because unlike its time at Universal Studios, it is not encased in a giant box.  It is on display for everybody to see.  And as the museum’s rep notes, it is presented so that people can walk almost all the way around it as they admire it.  But it is also monitored very closely so as to prevent anyone from touching it, again bringing the story full circle since people originally taking parts from the car was part of what led to its near demise.  Speaking of the car’s parts the documentary also features a short piece discussing the names for the various parts that make up Doc Brown’s famed time machine and how said names came to be.  Walser and another member of the team note that many of the car’s parts were named by other BTTF fans, not by the people behind the cameras.  As a result of that dedication to the car and the franchise that made the car so famous, the names for the parts have, in turn, stuck to this day.  On a similar note, there is also a feature on sci-fi archivist Bob Burns and how his dedication to archiving and maintaining props and other pieces from Hollywood’s history served as the inspiration for Walser and others.  It is eye-opening to see Burns’ vast collection and the state in which the props remain today.  It is a compliment to Burns’ efforts to say the very least.  As if that isn’t enough there is also an extensive collection of deleted scenes that adds its own share of enjoyment to the program.  The bonus feature-length commentary adds just as much entertainment and insight to the documentary if not more than the other noted bonus features.  That aside, audiences will agree that each bonus plays its own part in the whole of the program’s presentation.  Altogether they prove to be just as important to the documentary as its story and the story’s related transitions.  All things considered they make OUUTATIME: Saving the DeLorean Time Machine a must see for any Back To the Future fan as well as any car nut and cinema history buff.  It is the kind of program that would be a good fit on History Channel and even Velocity network because of that reach and the networks’ similar programming.  Considering all of this, the documentary proves to be such a solid work that it is potentially one of 2016’s top new documentaries.

OUTATIME: Saving the DeLorean Time Machine is potentially one of 2016s top new documentaries.  That is due in large part to its original story and the transitions therein that ensure viewers’ engagement from beginning to end.  The story makes it a good fit not just on Blu-ray but also alongside programming offered on History Channel and even Velocity network.  The bonus material that is included with the program’s home release makes the documentary even more worth the watch.  That is because it brings the program full circle with its presented material.  Each element plays its own important part to the program, as has already been noted.  When they are set against one another, they show this documentary to be one that every car nut, cinematic history buff, and Back to the Future fan alike will appreciate.  Considering that reach and overall enjoyment, the documentary in whole proves to be potentially one of 2016’s top new documentaries.  It is available now in store and online.  More information on this and other titles from Virgil Films is available online now at:

 

 

 

Website: http://www.virgilfilmsent.com

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