Eyes Set To Kill Releases New Single; Announces New Live Dates, Lineup

Courtesy: Century Media Records

Things have picked up quite a bit lately for hard rock outfit Eyes Set To Kill.

Eyes Set To Kill returned this week with a new single, a new tour announcement and a new lineup.  The band released ‘Break,’ the lead single from its next album, this week. The album is still untitled at this time.  ‘Break’ is streaming online now via Spotify and iTunes.

Courtesy: Century Media Records

The release of a new single is just some of the big news coming from the band this week.  Along with the release of its latest song, the band has also announced its new lineup and its addition to the Break Into Action tour.

The tour, which launches April 18 in Chapel Hill, NC also features the Nearly Deads and Bad Seed Rising on its lineup, and runs through May 25 in Nashville, TN.  The tour’s current schedule is noted below.

EYES SET TO KILL – Upcoming Tour Dates

w/ HAIL SAGAN
Friday, April 14th – Albuquerque, NM @ The Co-Op
Saturday, April 15th – Lubbock, TX @ Jake’s
Sunday, April 16th – Houston, TX @ Walter’s

The “Break Into Action” Tour w/Bad Seed Rising & The Nearly Deads

Tuesday, April 18th – Chapel Hill, NC @ Local 506
Wednesday, April 19th – Richmond, VA @ Canal Club
Thursday, April 20th – New York, NY @ Webster Hall (Studio)
Friday, April 21st – Buffalo, NY @ The Waiting Room (Studio)
Sunday, April 23rd – Toledo, OH @ Frankie’s
Tuesday, April 25th – Berwyn, IL @ The Wire
Wednesday, April 26th – Lansing, MI @ Mac’s Bar
Thursday, April 27th – Valparaiso, IN @ Big Shots
Friday, April 28th – Indianapolis, IN @ Emerson Theater
Saturday, April 29th – Grand Rapids, MI @ Pope’s Pub
Sunday, April 30th – Merriam, KS @ Aftershock
Tuesday, May 2nd – Colorado Springs, CO @ Sunshine Studios
Wednesday, May 3rd – Salt Lake City, UT @ Loading Dock
Thursday, May 4th – Reno, NV @ Jub Jub’s
Saturday, May 6th – Sacramento, CA @ Starlite Lounge
Sunday, May 7th – Fullerton, CA @ Slidebar Cafe
Monday, May 8th – West Hollywood, CA @ Whisky A Go Go
Tuesday, May 9th – Phoenix, AZ @ Club Red
Thursday, May 11th Oklahoma City, OK @ 89th Street Collective
Saturday, May 13th – Newport, KY @ Thompson House
Sunday, May 14th – Pittsburgh, PA @ Diesel
Tuesday, May 16th – Cleveland, OH @ The Agora Ballroom
Thursday, May 18th – Lowell, MA @ Mill City Ballroom
Friday, May 19th – Lancaster, PA @ Chameleon Club
Saturday, May 20th – Williamsport, PA @ Ground Floor 2.0*
Sunday, May 21st – Trenton, NJ @ The Backstage*
Thursday, May 25th – Nashville, TN @ Rocketown*

The band’s new lineup announcement includes the addition of Tiaday Ball (The World Over) as its new bassist and touring guitarist A.J. Bartholomew as an official member.  More information on ‘Break,’ ESTK’s new album, tour, latest news and more is available online now at:

 

 

 

Facebook: http://www.facebook.com/eyessettokill

Twitter: http://twitter.com/eyessettokill

 

 

 

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Tipoff Times Announced For 2017 Final Four Matchups

Courtesy: CBS Sports/Turner Sports

The big dance is almost over.

CBS Sports officials have announced the Final Four tipoff times for the 2017 NCAA Division I Men’s College Basketball Championship.  The semi-final round of this year’s tournament begins April 1 at 6:09 p.m. as South Carolina faces off against Gonzaga.  North Carolina and Oregon follow approximately 40 minutes after the Gamecocks and Bulldogs wrap their game.

Pre-game coverage begins at 3 p.m. ET on At the Final Four presented by InfinitiThe Final Four Show follows at 4 p.m. ET.  Ernie Johnson will anchor CBS Sports’ studio coverage for Saturday’s semi-finals and for the National Championship on Monday, April 3.

Greg Gumbel will anchor At the Final Four presented by Infiniti.  He will be joined by analysts Steve Smith and Seth Davis for additional commentary.

Ernie Johnson will anchor CBS’ The Final Four Show studio broadcast on Saturday. He will be joined by NBA Charles Barkley, Clark Kellogg and Kenny Smith for additional commentary during the broadcast.  Johnson will also anchor CBS’ studio coverage for the network’s National Championship broadcast on Monday.

More information on CBS’ NCAA Division I Men’s College Basketball Championship coverage is available online now at:

 

 

 

Website: http://www.cbssports.com

Facebook: http://www.facebook.com/CBSSports

Twitter: http://twitter.com/CBSSports

 

 

 

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Art Of Anarchy Announces New Live Dates

Courtesy: O’Donnell Media Group

Art of Anarchy has announced new live dates in support of its new album The Madness.

The band announced this week it will embark on a short string of live dates next month beginning April 3 in Amityville, N.Y. The nearly month-long schedule takes the band to the Midwest and into the Southwest and also into Canada, eventually winding down April 29 in Henderson, NV.  The band’s current live schedule is noted below.

Art of Anarchy Tour Dates:

4/3/17 – Amityville, N.Y. – Revolution Bar & Music Hall
4/4/17 – Asbury Park, N.J. – The Stone Pony
4/6/17 – Toronto, Ontario – Velvet Underground
4/7/17 – Sarnia, Ontario – Station Music Hall
4/8/17 – Battle Creek, Mich. – The Music Factory
4/10/17 – Libertyville, Ill. – Austin’s Saloon
4/11/17 – Chesterfield, Mich. – Diesel Concert Lounge
4/13/17 – Fort Wayne, Ind. – The Rusty Spur
4/14/17 – Ringle, Wisc. – Q&Z Expo Center
4/29/17 – Henderson, Nev. – M Resort

Composed of Scott Stapp (ex-Creed) on vocals, Ron “Bumblefoot” Thal (ex Guns ‘N Roses) on guitar, John Moyer (ex-Disturbed) on bass and twin brothers Jon and Vince Votta on guitar and drums respectively, the band originally formed through an 18-year friendship between Thal and the Votta brothers.

Jon Votta first approached Thal with the idea to form the band years ago.  That discussion eventually led to the band’s creation, which originally saw the late Scott Weiland (ex-Stone Temple Pilots) handle vocal duties. The band’s debut self-titled album was released in June 2015.

Stapp said in a recent interview that he was optimistic about working with the members of Art of Anarchy.

“I’m excited to be a part of Art of Anarchy,” Stapp said.  “I appreciate collaborating with other talented artists and I can’t wait to share our new music with the fans very soon.”

Band manager John Gomez shared Stapp’s optimism.

“The other members of AOA and I are equally excited to have Stapp on board,” Gomez said.  “This is the first band that Scott has fronted outside of Creed and his heart’s really in it.  Scott’s vision, his gift for gut-wrenching storytelling and his powerful vocals lend a bold new energy to the group.”

Thal thought bringing Stapp on to take Weiland’s place has been a boon for the band, adding he thought Stapp’s addition to the band helped take the band in a new direction.

“Scott’s style and the personal lyrics he’s been writing are taking the sound in a new direction – one that brings out the best in all of us,” Thal said.  “It’s a new chapter for us all, and I’m looking forward to sharing the new music with the fans and seeing what the future holds.”

Vince Votta agreed.

“It’s been awesome having Stapp on board,” Votta said.  “Everyone is bringing their A-game and can’t wait to bring it live to the stage.”

Audiences that haven’t heard that new sound can hear The Madness’ latest single, its title track online now via the band’s official YouTube channel.  More information on The Madness is available online now along with all of Art of Anarchy’s latest news and more at:

 

 

 

Website: http://www.artofanarchyband.com

Facebook: http://www.facebook.com/ArtOfAnarchyBand

 

 

 

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Flobots Announces ‘NOENEMIES’ Release Date

Courtesy: LiveLoud

Flobots has announced the release date for its upcoming album NOENEMIES.

The band’s fourth album, NOENEMIES will be released Friday, May 5, 2017.  The Kickstarter-funded record can be pre-ordered now online via the band’s official website.  The record’s debut single, ‘Carousel’ will be released April 7 on digital platforms everywhere.

In anticipation of NOENEMIES’ upcoming release, the band recently announced a series of live dates with dance troupe Wonderbound dubbed “Divisions.”  The performances will see Wonderbound performing to songs taken from Flobots’ new album at three locations across Flobots’ home state of Colorado.

More information on NOENEMIES is available online now along with all of the band’s latest news, tour dates and more at:

 

 

 

Website: http://www.flobots.com

Facebook: http://www.facebook.com/theflobots

Twitter: http://twitter.com/flobots

 

 

 

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‘Moana’ Makes For An Enjoyable Occasional Watch

Courtesy: Walt Disney Studios

Walt Disney Studios has gone to great lengths in recent years to attract young female audiences looking for something other than the standard damsel in distress stories.  New strong female leads such as Princess Elena (Elena of Avalor), Merida (Brave) and Elsa and Anna (Frozen) have proven those efforts have paid off.  The company’s take on Rapunzel (Tangled) could be argued either way.  Late last year, the House of Mouse brought its young female audiences another strong female role model in the form of Moana.  The Polynesian teen’s coming-of-age story proved to be a rousing success for Disney in terms of sales.  Now available on DVD and Blu-ray/DVD combo pack, the movie has proven to be just as much of a financial boon for the company.  As successful as it has performed, this latest teen-centric tale of self-realization and friendship is, in reality, not Disney’s best.  It is not a total loss, though.  That should be emphasized here.  That is due in part to its dual-pronged story.  That will be discussed shortly.  The story’s pacing does take away from the story, bogging it down more than once.  The movie’s bonus material should also be noted in examining its overall presentation.  That will be discussed at more length later, too.  Each element plays its own part in Moana’s overall presentation.  They show that while it is anything but Disney’s best, it is also not the studio’s worst effort either.  It is worth at least an occasional watch.

Walt Disney Studios’ latest animated adventure Moana is hardly the famed studio’s finest work.  To be fair, it is also not the company’s worst effort.  It is worth at least an occasional watch.  That is due in part to the movie’s dual-pronged story.  The most obvious of those two prongs is Moana’s own coming-of-age story.  After being told by her father not to go beyond the reef, she decides (on the advice of her grandmother) that she should make her own decision.  This leads her to strike out on her own adventure in an effort to save her island and its surrounding islands.  This story of self-actualization generates, in itself secondary messages about finding one’s own way in life, not being afraid to take chances, and so many other messages.  The movie’s writing staff is to be commended for the way in which they incorporated those messages into the central story without allowing them to overpower the script’s central story.  They are to be commended just as much for the balance of that central story with the secondary story of Maui’s turn from villain to hero.

The secondary story of Maui’s turn from villain to hero is just as commonplace in the cinematic realm as Moana’s coming-of-age tale.  As the pair journeys to return the heart of Taffiti Moana eventually leads Maui to realize the error of his ways, leading him to make a tough decision about himself and about personal sacrifice, leading him to atone for his past wrongs and become a hero.  It is, in its own right, its own coming-of-age story, just more in the avenue of self-actualization.  This story of personal growth is just as commonplace in the cinematic realm as Moana’s coming-of-age tale.  Yet somehow the script’s writing team was able to make both stories work.  That ability to make both stories so entertaining makes the movie’s writing team deserving of its share of applause.  At the same time though, that applause cannot be too loud.  That is due to the problem raised through the story’s pacing.

Moana’s writers are to be commended for joining two common-place cinematic stories and somehow balancing them.  They are to be commended, too for somehow taking at least a somewhat original approach to the all-too-familiar stories.  While the writers are to be commended for the efforts taken to make those stories work collectively and alone, they cannot be applauded too loudly.  That is because their efforts also led to a pacing problem that clearly bogs down the movie.  That pacing issue is evident early on as Moana is given the heart, only to lose it when she is caught by her father.  The problem here is that it meant the story had to take a lot of unnecessary time building up to Moana getting the heart back from a somewhat expected source all while she is growing up and finding her way all before she even embarks on her epic journey.  Once Moana finally gets her voyage, things pick back up a little, only to get bogged down again as she and Maui get randomly attacked by a bunch of mutant-type living coconut pirates.  Yes, mutant-type, living coconut pirates.  Sounds like the premise for a really bad 1950s B-sci-fi flick, right?  Once they escape the creatures’ (which conjure thoughts of the goombas from the Mario Brothers video game franchise) clutches, the story does pick up again, only to be bogged down yet again later as Maui (at least temporarily) deserts Moana—not to give away too much—before things pick up again in the story’s final act.  Considering the constant back and forth of the story’s pacing, keeping audiences engaged in the nearly two-hour movie is not easy.  That could potentially chalked up to the fact that it seems like the writers just threw together elements of past Disney offerings such as Aladdin, Hercules, and so many others and hoped they would make this story work.  They made the story’s dual-pronged approach work.  But they clearly caused problems in the story’s pacing.

The pacing of Moana’s dual-pronged story is a problem that cannot be ignored in examining the movie’s overall presentation.  The constant back and forth of the movie’s pacing makes maintaining audiences’ engagement (especially younger audiences) problematic.  Luckily, the efforts of the movie’s writing team to balance the stories and somehow make them at least somewhat original makes enduring the pacing problems easier.  Another element that makes up (at least somewhat) for the movie’s pacing is the bonus material included in the movie’s home release.  The movie’s key bonus feature is the documentary “Voices of the Islands.”  The roughly half-hour program takes viewers along with the movie’s heads to the South Pacific as they studied the Polynesian people and their culture ahead of the movie’s creation.  Audiences will be surprised to see how much of the region’s culture—from the importance of family and community to the importance of the coconut to even something as minor as the people’s hair style—plays directly into the movie in this program.  All of these discussions exhibit just how much time and work went into making the movie believable and that it properly paid tribute to the people on which it is centered.  It creates a new respect for the work put in to bring the story to life and is yet another example of how bonus features can make an otherwise forgettable flick more memorable and not the last.  The bonus ‘Gone Fishin’’ short that features Moana and Maui adds its own enjoyment to the movie’s overall presentation.  When the movie’s bonus material and its story are coupled together, they make the one negative of the movie’s pacing bearable.  The end result is a viewing experience that audiences of all ages will enjoy even with just the occasional watch.

Walt Disney Studios’ new animated movie Moana is not the studio’s best effort, nor is it the company’s worst offering.  It is a movie that is worth at least an occasional watch.  That is due in part to the balance in the movie’s dual-pronged story.  The story’s pacing is problematic.  There is no denying that, but luckily it is not so problematic that it makes the movie unwatchable.  The bonus material that is included in the movie’s home release gives audiences even more reason to give it a chance; especially the movie’s companion 30-minute “Voices of the Islands” documentary.  That bonus documentary, when coupled with the movie’s balanced two-part story, the two elements do plenty to make up for the movie’s pacing problems.  That combination makes the movie worth watching at least once in a while.  More information on Moana is available online now at:

 

 

 

Website: http://movies.disney.com/moana

 

 

 

Facebook: http://www.facebook.com/disneymoana

 

 

 

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Shout! Factory Kids’ New ‘LPS’ DVD Is A “Star” In Itself

Courtesy: Shout! Factory/Shout! Factory Kids

Shout! Factory Kids’ latest entry in its ongoing series of Littlest Pet Shop DVD, Littlest Pet Shop: Pet Stars is a star in itself among the bigger picture of the series’ current collections.  The DVD, released Feb. 14, is yet another enjoyable collection of episodes for the whole family.  That is due in part to the collection’s featured episodes and their sequencing.  That will be discussed shortly.  The episodes’ writing is just as important to note in examining this collection if not more than the episodes themselves. While it is a minute detail here, the series’ animation can actually be noted in the case of at least one of the collection’s episodes.  Each element plays its own important part to the collection’s overall presentation.  All things considered, this collection proves in the end to indeed be another enjoyable addition to the series’ current list of entries and another one of this year’s top new children’s DVDs.

Shout! Factory Kids’ latest Littlest Pet Shop DVD Littlest Pet Shop: Pet Stars is yet another enjoyable addition to the series’ current list of home releases.  It is also an easy, early pick for any critic’s list of the year’s top new children’s DVDs.  That is due in part to the episodes that are featured on the DVD.  As with the series’ previous DVD releases, this collection features five more episodes from the family friendly animated series.  The episodes featured in this collection take families through the series’ second and third season.  What truly stands out here is that the episodes are presented in relative chronological order from start to finish.  This includes both overall and within the seasons themselves.  ‘Heart of Parkness’ and ‘Standup Stinker’ are both lifted from Season Two while ‘The Secret Recipe,’ ‘A Night at the Pawza’ and ‘Sue Syndrome’ are all lifted from Season Three.  On the surface, this seems like an unimportant element to examine.  In the bigger picture though, presenting the episodes in almost the same order as they aired in their original television broadcast shows a dedication to properly transferring the episodes from television to DVD.  Simply put, it’s an aesthetic element, but an important one nonetheless.  To that end, it is still a highly important piece of the DVD’s overall presentation, and not the only important piece either.  The writing behind each episode is just as important to examine as the episodes themselves.

The episodes featured in Shout! Factory Kids’ latest LPS DVD collection are in themselves important to the DVD’s overall presentation.  That is because they are presented in relatively the same order as they were in their original broadcast.  This is not the first time that Shout! Factory Kids has taken such painstaking efforts to properly transfer the series’ episodes from television to DVD.  That being the case, it makes this element well worth noting.  Just as important to note in examining the collection’s overall presentation is the work of the show’s writers within each episode.  The writing is notable first because of the stories that are at the center of each episode.  The writing in the set’s opening episode “Heart of Parkness” shows that the episodes can and do entertain even when only one of the cast is a story’s focus.  In this case, Sunil is the focus as he is separated from his fellow pet pals and is forced to defend a group of “native” raccoons in the park from a King Cobra.  The setup for the story comes from the Biskit twins’ release of the exotic snake from their father’s pet store because of their own selfishness.  Considering the very real issue of people having (many times illegally) exotic pets and the dangers posed therein, suspension of disbelief here becomes relatively easy.

“Standup Stinker” is another key example of why the episodes’ writing is so important to note. The dual-pronged story line presented in “Standup Stinker” sees both Pepper and Minka following their own dreams, connecting both with plenty of humor along the way.  This touches on another element of the writing that is so important to note–its pop culture references.  True lovers of classic sci-fi flicks will enjoy the manner in which the writers spoofed so many classic sci-fi/alien flicks here as the pets try to make Minka believe she has become the first monkey on Mars right down to the poorly designed alien costumes.  On another note, there is also a joke made through a reference to eBay at the episode’s end that only parents will appreciate.  Speaking of jokes that only grown-ups will appreciate, the story at the center of “The Secret Recipe” is one that adults will enjoy just as much as their children if not more so.

The story at the center of “The Secret Recipe” sees Blythe’s friend Youngmee Song pitching her not so tasty pet treats on a show called Bear Cave, which is very similar to ABC’s hit series Shark Tank.  In the case of Bear Cave, the “hosts” are dressed in bear suits (yes, bear suits).  The full-on spoof of Shark Tank highlights the often times silliness despite attempts by its heads to make it come across as something serious.  That is shown through the “hosts’” reactions and their general personas as well as Youngmee’s pitch.  The scenario is set up through a class project in which Blythe, Youngmee and their classmates have to develop their own businesses.  Again, such a setup is believable as there are some schools (and teachers) who do use this teaching method in their classrooms in real life.  It’s just one more way in which the writing proves so important to the DVD’s overall presentation.  Together with so many other examples, it becomes clear why the writing is so important to the collection’s presentation.  It still is not the last element worth noting here.  The animation is, surprisingly, worth noting here, too.

The episodes that make up the body of LPS: Pet Stars and the writing within each episode is important alone and collectively to this collection’s presentation, as has been pointed out already.  While both elements are clearly important in their own right to the DVD’s presentation, they are only two of its most important elements.  The show’s animation is a minute detail to note here, but is in fact worth noting in this case.  That statement is supported partially in the design of the King Cobra in “Heart of Parkness.”  Rather than make the snake a full-on scary character, the show’s animators maintained a King Cobra’s look but also made the snake not look too scary or menacing.  By making sure the snake didn’t look too scary, the animators helped ensure even more engagement by the show’s younger audiences.  The work of the series’ animators also proves important in “Standup Stinker” as they designed a famous comedian as the host of a comedy competition show.  The animators took David Letterman’s tooth gap for the comedian’s design, crossed it with Conan O’Brien’s face and hair, and Jay Leno’s chin for quite the interesting hybrid figure.  Just as with so much of the writing, this design is something that only adults will appreciate.  On another note, the “hosts” of Bear Cave are an impressive likeness of the “sharks” on ABC’s Shark Tank; so much so that the “sharks,” if they see these designs, would be moved to laugh at the similarities between themselves and the “bears.”  It’s just one more ways in which the animation proves so important to this collection of episodes.  When it is set alongside the episodes, their sequencing and the equally impressive writing within each episode, the whole of these elements shows fully why this collection is a star among this year’s current field of new children’s DVDs.

Littlest Pet Shop: Pet Stars is a star in itself among this year’s current crop of new children’s DVDs.  That is, as already has been explained, due to the episodes featured in this collection and their sequencing, the writing within the episodes and even the animation featured in the series.  Each element shows in its own way to be an important piece of the presentation’s whole.  All things considered, they make Littlest Pet Shop: Pet Stars another enjoyable experience for audiences of all ages and—once again—one of this year’s top new children’s DVDs.  It is available now in stores and online and can be ordered online direct via Shout! Factory’s online store.

More information on this and other titles from Shout! Factory and Shout! Factory Kids is available online now at:

 

 

 

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

Twitter: http://twitter.com/ShoutFactory

 

 

 

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ESPN Launches MLB Pre-Season Coverage Thursday; To Carry World Baseball Classic Final Tonight

Courtesy: ESPN

ESPN kicks off its Major League Baseball pre-season coverage Thursday afternoon.

The Yankees and the Rays face off in the first of the network’s pre-season broadcasts beginning at 1 p.m. Jon Sciambi will have the call for the Grapefruit League game.  He will be joined by analysts Rick Sutcliffe and Doug Glanville in the booth for additional commentary.

The Dodgers and Angels follow at 7 p.m. on ESPN in a Cactus League showdown.  The Angels currently sit fourth in the league while Los Angeles sits seventh.  Dan Shulman, the voice of ESPN’s Sunday Night Baseball, will have the call for the game.  He will be joined in the booth by his SNB cohorts Jessica Mendoza and Aaron Boone.  Reporter Buster Olney will also be on hand for all of the latest in-game news and interviews.

Karl Ravech and Tim Kurkjian will have a wrap of up the day’s action on the diamond at 10 p.m. on Baseball Tonight on ESPN.

Before ESPN launches its Major League pre-season coverage Thursday, it will broadcast live the World Baseball Classic Final tonight at 9 p.m.  The United States and Puerto Rico will face off for this year’s title live on ESPN, ESPN2 and ESPN Deportes.  The broadcast begins at 9 p.m. ET.

The United States made its way to the Final after defeating Japan 2 – 1 Tuesday. The game marks the team’s first-ever time it has reached the Final.

The re-match against Puerto Rico will not be an easy contest for the Americans.  That is because Puerto Rico is undefeated in the tournament at 7 – 0.  Marcus Stroman is expected to get the start in tonight’s game for the United States while Seth Lugo is scheduled to take the mound for Puerto Rico.

More information on ESPN’s Major League Baseball coverage is available online now along with all of the latest MLB headlines at:

 

 

 

Website: http://espn.go.com/mlb

Facebook: http://www.facebook.com/ESPNBaseballTonight

Twitter: http://twitter.com/BBTN

 

 

 

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