‘Blues And Beyond’ Is An Interesting New Musical Moore Profile

Courtesy: BMG

Early this month, BMG Music and Sanctuary Records partnered to pay tribute to the late great blues guitarist Gary Moore with a new compilation of Moore’s music. The collection, Blues and Beyond was released on a two-disc standard edition and a deluxe four-disc collection that also features two discs of live material and a book written by author Harry Shapiro. For the sake of this review, the focus will be on the standard two-disc collection. That collection is an interesting new presentation. That is due in part to the collection’s featured songs. They will be discussed shortly. The songs’ sequencing is just as important to discuss in examining this recording as the collection’s featured songs. The songs’ arrangements round out its most important elements. Each element is important in its own right to its whole. All things considered, the noted elements make Blues and Beyond a presentation that is certain to interest Moore’s fans as well as blues fans in general.

BMG Music and Sanctuary Records’ new Gary Moore compilation Blues And Beyond is an interesting new collection of Moore’s music. It is a record that gives audiences what can only be described as a small snapshot of the late great guitarist’s extensive and successful career. That snapshot is presented through a 28-song collection that includes Moore’s 2001 album Back to the Blues and his 2004 album Power of the Blues in full along with a small portion of A Different Beat (1999) and almost half of his 2002 album Scars. For those who might be less familiar with Moore’s body of work, it wasn’t until about 2001 that Moore, who was also known early in his career for rock compositions with Thin Lizzy and Skid Row, really started to focus solidly on his blues chops. A Different Beat was an experimental record for Moore that really started his transition back to the blues in more focused fashion. Keeping that in mind, it makes sense why BMG and Sanctuary opted to present two of Moore’s biggest blues records for this collection. In the same vein, the inclusion of songs from A Different Beat also explains the & Beyond portion of the collection’s title. The songs taken from that record, as few as they are, give audiences an interesting look into Moore’s attempts to branch out beyond the standard 12-bar blues, and in turn makes this collection that much more interesting. When those experimental songs are joined with the collection’s more standard blues works, the whole of the collection insures listeners’ maintained engagement and entertainment. Keeping this in mind, the collection’s featured songs are themselves only part of what makes this collection of interest. Its sequencing is just as important to note as its songs.

While this compilation focuses only on one specific period in Gary Moore’s career, audiences will note the compilation never once sits too long on one of the featured albums. Over the course of just the collection’s first five songs, the collection switches back and forth constantly between Back to the Blues and Power of the Blues. From there on out, that variety continues, with selections from Scars and A Different Beat thrown in to keep things fresh and to keep audiences engaged. The variety doesn’t end when the collection’s first disc ends, either. Rather, it continues solidly throughout the whole of the compilation’s second disc. The maintained engagement insured through the compilation’s variety also insures listeners’ continued entertainment. Keeping that in mind, it becomes clear why the collection’s sequencing is just as important to its presentation as its songs. Even with all of this in mind, the set’s sequencing is not the last of its most important elements. The arrangements presented throughout the course of this collection play their own key part to its presentation, too.

The arrangements that are presented in this collection’s featured songs are so important to note because of the range of influences that they exhibit. throughout the course of the set’s two discs and 28 songs, audiences are treated to songs that clearly boast influence from the likes of Stevie Ray Vaughn, B.B. King, John Mayall and others. The 12-minute-plus ‘Ball and Chain’ is just one of the featured songs that conjures thoughts of Vaughn. That’s thanks not just because of the arrangement itself but also because of Moore’s own vocal delivery here. Moore actually sounds eerily like Vaughn here; so much so that it would be easy to mistake the two for one another. The collection’s opener, ‘Enough of the Blues’ conjures thoughts of King’s work with Eric Clapton on Riding With The King while ‘You Upset Me Baby’ is full on B.b. King style work. ‘Bring My Baby Back’ is more akin to works from John Mayall. ‘Evil,’ on the other hand could just as easily likened to works from Albert King, another of Moore’s contemporaries. Between these songs and the others included in Blues and Beyond, it becomes clear how important each influence and arrangement is to the collection’s whole. They show Moore’s expert ability to emulate the noted musicians while also paying tribute to them with his own works. It is a telling statement, needless to say. When this is kept in mind along with the collection’s featured songs and their sequencing, the whole of those elements makes the recording in whole one that, again, is sure to interest Moore’s fans as well as blues fans in general.

BMG and Sanctuary’s new Gary Moore compilation Blues and Beyond is a collection that is certain to interest Moore’s fans and blues aficionados alike. That is due in part to a set of songs that focuses primarily on a period in which Moore was devoted in his blues compositions. It also adds in a touch of his more experimental material for additional interest. The collection’s sequencing is just as certain to keep listeners engaged as the songs themselves. Much the same can be said of the songs’ arrangements. Each noted element is important in its own right to the whole of the collection’s presentation. All things considered, they make the collection in whole one that is as welcome an introduction to Moore’s work as a continuation for those fans already familiar with the famed guitarist. With that in mind, it is an interesting new collection that any blues fan will appreciate. It is available now in stores and online. More information on Blues and Beyond is available online now along with all of the latest Gary Moore news at:

Website: http://www.gary-moore.com

Facebook: http://www.facebook.com/gmooreofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

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Black Sabbath’s Final Concert Proves Its Legacy Will Never “End”

Courtesy: Eagle Rock Entertainment

Black Sabbath is easily one of the most important and influential acts in the modern history of rock. For almost half a century, the British hard rock outfit entertained audiences the world over and influenced countless other acts. That is even with the band’s numerous lineup change throughout the years. This past February, the band — with 3/4 of its original lineup sans drummer BIll Ward — brought that hugely successful decades-long career to an end when it performed its last live concert ever. Recorded Feb. 4, 2017 in Birmingham, England, the city where the band originally formed in 1968, this concert insures that while Black Sabbath may have finally reached its end, its legacy will never end. Now thanks to Eagle Rock Entertainment, that concert has been made available to the masses on a number of platforms in the form of Black Sabbath: The End. Released Nov. 17, 2017 — a little more than nine months after the concert was originally recorded (yes, there’s a bad joke there) — this final recording from one of rock’s most important names is a lasting statement from the band. That is due in part to the concert’s set list, which will be discussed shortly. The concert’s collective cinematography and editing play into that statement just as much as the concert’s set list. They will be discussed later. The concert’s bonus material rounds out its most important elements. Each element is important in its own right to the recording’s whole. All things considered, Black Sabbath: The End proves to be a powerful and enjoyable final statement from Black Sabbath should it in fact mark the true final end for this landmark band.

Black Sabbath’s last ever concert together (or so the band claims, considering that it has broken up and re-formed so many times over nearly 50 years) is an important piece of music history for Black Sabbath fans and rock fans alike. That is especially the case if in fact it truly does mark “the end” for what is one of the most important and influential acts in rock’s modern history. The recording offers audiences plenty to appreciate beginning with its extensive set list. The 19-song set list pulls from the band’s first seven albums. Paranoid, the band’s sophomore album, gets the most nods in this set with six of its songs included in the show. The band’s fourth album, the fittingly titled Vol. 4, gets the second most nods with four songs while Master of Reality and its self-titled 1970 debut are represented with three songs each. Sabbath Bloody Sabbath, Sabotage and Technical Ecstasy each got one nod in this set, again totaling the set list at 19 songs. It’s interesting to note that the band didn’t reach back into its eighth studio album Never Say Die for this set considering it was the last time that the original lineup recorded together and the last time that Ozzy would record with the band until 2013’s 13. That album was iconic if only for those elements, not to mention the songs themselves. Regardless, the set list that is presented here is a solid representation of the original Black Sabbath’s initial run together and is certain to impress audiences of all ages due to that fact alone.

Just as important to note of the set as the songs is their sequencing. Audiences will note in examining the set list a little bit deeper that the band never stays on one album for too long throughout the show. The set list opens by reaching back to the band’s debut album before moving into its second and fourth album for its first four songs. That fourth album (Vol. 4) makes up the set’s third and fourth song. The band goes backward to its third album, Master of Reality for a couple of songs from there before moving back to Vol. 4 again and then back again to Paranoid and Black Sabbath again. The band’s later albums don’t come along until later in the set. Simply put, throughout the course of the show’s set list, the band does an admirable job of keeping things moving instead of just sticking to one album. That constant variety in the songs strengthens the set list even more, and showing even more in turn the importance of the concert’s set list. Of course the set list is only one part of what makes this recording so impressive. The recording’s collective cinematography and editing add another touch to its presentation.

The collective cinematography and editing displayed throughout The End are so important to note in examining the concert’s overall presentation because of how much they add to the experience. Thanks to the work of those behind the cameras and computers, audiences get an experience that is not just another run-of-the-mill concert experience. It truly is a cinematic concert experience complete with triple monitor shots, impressive visual effects — including mix effects that take viewers from one camera to another — and camera angles that take audiences on stage with the band and deep into the crowd. The crowd shots let home viewers see what those in attendance saw, making the experience feel even more real while the on-stage shots take audiences up close and personal with the band. The cuts are handled expertly throughout the show, serving even more to illustrate the songs’ varied energies and in turn, heighten the experience even more. Given, those cuts are at time dizzying in their speed and angles, but they still go a long way toward enhancing the experience even more.

The result of the concert’s editing in post is an audio mix that that sounds just as great with a standard monitor set to “music” as with a home theater system. No one part ever overpowers the other at any point. That includes even the crowd noise. That attention to balance does so much to fully capture the immensity of the venue while also capturing just as well the concert’s sound. As has been noted so many times before, understanding and appreciating that work can only happen when audiences buy this recording and experiencing it for themselves. Audiences who see the show for themselves will agree in noting these elements that the concert’s cinematography and editing go a long way toward making it such an impressive presentation along with the set list. Even as important as both elements are to the concert, they still are not the last of its most important elements. The bonus in-studio footage included in the recording rounds out its most important elements.

The in-studio footage included in the recording’s presentation takes audiences into the intimate setting as Ozzy and company re-record some of the band’s most well-known hits, including the rare b-side ‘Wicked World’ and the beautifully pained ballad ‘Changes,’ which allegedly was about former drummer Bill Ward’s divorce from his first wife. ‘Wicked World’ was a b-side from the band’s 1970 eponymous debut that was only included in the album’s American edition, but not European edition. European fans would eventually get that song though, when the album was re-issued in 1996 and again in 2009. ‘Sweet Leaf,’ which is a pretty self-explanatory song, ‘The Wizard’ and ‘Tomorrow’s Dream’ are all enjoyable to experience in-studio, too. When these performances are coupled with the recording’s main feature, they bring the recording’s total song count to 24. So not only do audiences get two dozen Black Sabbath songs in this recording, but they get an extensive live experience (the band’s possibly last ever) and a more intimate in-studio experience. That duality coupled with the extensive overall set list, makes for an experience overall that is a powerful final statement from Black Sabbath. Add in the expert cinematography and editing, and audiences get in this recording, a work that will make certain while Black Sabbath has met its end, it will never fully be the end for this band’s legacy.

Black Sabbath’s last-ever live performance recorded this past February in Birmingham, England marked the end of an era for the rock and music community in whole. The concert’s home release via Eagle Rock Entertainment makes certain though, that the band’s legacy will never end. That is proven through an extensive set list that covers nearly every one of the original Black Sabbath’s original albums. The concert’s expert cinematography and editing strengthen its presentation even more. The bonus in-studio recordings expand the recording’s set list even more while also giving audiences an in-studio experience that is enjoyable in its own right alongside the recording’s live side. One really would be remiss to ignore the recording’s liner notes, written by Rolling Stone magazine writer Kory Grow as the recording’s presentation. Grow’s liner notes add their own special touch to the whole of the recording, too. When all of these items are set alongside one another, the end result is a powerful new recording from Black Sabbath and an equally powerful possibly last statement from one of the music community’s most important acts. It is available now in stores and online. More information on The End is available along with all of the band’s latest news and more at:

Website: http://www.blacksabbath.com

Facebook: http://www.facebook.com/BlackSabbath

Twitter: http://twitter.com/officialsabbath

More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Verve Pipe Announces New Live Dates

Photo Credit: Derek Ketchum

The Verve Pipe is hitting the road again.

The multi-platinum alt-rock band, which rose to prominence in the late 1990s, announced this week that it will embark on a new slate of live dates beginning Jan. 11 in Homer, NY. The nearly month-long headlining tour, which consists mainly of East Coast dates, is currently scheduled to run through Feb. 10 in Grand Rapids, MI and also includes performances in Columbus, OH; Ardmore, PA; Vienna, VA and others. The tour’s current schedule is noted below.

Catch THE VERVE PIPE in the following cities:
DATE
CITY VENUE
Thu 1/11 Homer, NY Center for the Arts
Fri 1/12 Asbury Park, NJ Light of Day Foundation @ The Stone Pony
Sat 1/13 New York, NY City Winery
Sun 1/14 Boston, MA City Winery
Wed 1/17 Fairfield, CT Fairfield Theatre – StageOne
Thu 1/18 Ardmore, PA Ardmore Music Hall
Fri 1/19 Vienna, VA The Barns at Wolf Trap
Sat 1/20 Columbus, OH Hollywood Casino
Thu 2/1 Fort Lauderdale, FL Abdo New River Room at Broward Center
Sat 2/3 Tampa, FL The Attic
Sun 2/4 St. Augustine, FL The Original Café Eleven
Sat 2/10 Grand Rapids, MI 20 Monroe Live

Each of the band’s shows will feature a different sort of set –acoustic, electric and pared down hybrid electric/acoustic — depending on the date. There will even be an acoustic performance in full of the band’s 1996 major label debut Villains.

The band’s latest tour schedule is in support of its latest album Parachute — its sixth full-length studio recording — which was released Feb. 17, 2017. It is also in support of the band’s first-ever live recording Villains: Live and Acoustic.

Along with writing commercial efforts, the band has also tried its hand in the world of children’s music with 2009’s A Family Album and 2013’s Are We There Yet? More information on those releases, the band’s new album, its new tour schedule and more is available online now at:

Website: http://www.thevervepipe.com

Facebook: http://www.facebook.com/thevervepipe

Twitter: http://twitter.com/thevervepipe

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Young Fox Takes The “Gold” On Phil’s Picks’ 2017 Top 10 New Independent Albums List

Courtesy: Spartan Records

Independent recordings are the backbone of the music industry.  Regardless of whether the band is a major name releasing an album on its own, through an independent record label or a lesser-known band doing one or the other, those albums tend to have just as much substance as their more well-known counterparts, if not more.  Keeping that in mind, independent albums (whether released independently or through indie labels) are just as important to the industry as major releases.  That being the case, they deserve their own year-ender list annually just as much as their more commercially-known releases, so Phil’s Picks is giving those recordings their due credit and coverage.  Presented here for your consideration is Phil’s Picks’ 2017 Top 10 New Independent Albums.  The list features the year’s 10 best new independent recordings plus five honorable mention titles for a total of 15 titles, as in years past.

Topping this year’s list of best new independent albums is the new release from underground rock band Young Fox.  The band’s new album Sky Beats Gold proved this year to stand out brightly with its equally deep lyrical content and musical arrangements.  The pairing of those two elements made this album from start to finish a surprisingly powerful effort from the Pittsburgh, PA-based band.  Also included in this year’s list are new albums from the likes of Blacktop Mojo, Hell or Highwater, KXM and others.  Again, many of these bands and albums are such that they are not as well-known as perhaps other bands.  But their albums prove to be just as worthwhile as anything released by their more well-known counterparts.  Without any further ado, here for your consideration is Phil’s Picks 2017 Top 10 New Independent Albums.

PHIL’S PICKS 2017 TOP 10 NEW INDEPENDENT ALBUMS

  1. Young Fox — Sky Beats Gold
  2. Mike Mangioni & The Kin — But I’ve Seen The Stars
  3. Blacktop Mojo — Burn The Ships
  4. Pimps of Joytime — Third Wall Chronicles
  5. Corroded — Defcon Zero
  6. KXM — Scatterbrain
  7. At The Wayside — The Breakdown & The Fall
  8. Hank, Pattie & the Current — Hold Your Head Up High
  9. Mipso — Coming Down The Mountain
  10. All out Street Jam — Living Free
  11. Hell or Highwater — Vistas
  12. Spiral Crush — Electric Life
  13. Eve To Adam — Odyssey
  14. Galactic Empire — Galactic Empire
  15. Satan Takes A Holiday — Aliens

That’s it for this year’s list of top new independent albums.  It should be re-iterated that this was not an easy list to establish as there were so many quality independent albums this year.  Lyrical content and musical arrangements alike had to be considered.  There was no bad lyrical or musical content from any noted album.  Every act on this list should be proud of its album as there is so much to appreciate in each.  Next up from Phil’s Picks as the days tick to the year’s end is Phil’s Picks’ 2017 Top 10 New Country/Bluegrass/Folk/Americana albums.  Since each genre shares so much similarity with the others, it is easiest to combine them into one category rather than try to spread them out.  Stay tuned, and congratulations again to this year’s Top New Independent Albums winners.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

John 5 And The Creatures To Open 2018 With New Live Recording

Courtesy: Adrenaline PR

John 5 and the Creatures will open the new year with a new live recording.

the former Marilyn Manson guitarist and his fellow musicians will releae It’s Alive! in stores and online on Thursday, Jan. 28 according to a news release about the recording. That’s a day earlier than the normal Friday release date on which music releases are typically made available.

Pre-orders are open now. The recording’s track listing is noted below.

It’s Alive! track listing:
1. Guitars, Tits and Monsters
2. Flight of The Vulcan Kelly
3. Six Hundred and Sixty Six Pickers In Hell, CA
4. Here’s to the Crazy Ones
5. This is my Rifle
6. Jiffy Jam
7. Hall Haw
8. Season Of The Witch
9. The Nightmare Unravels
10. Portrait of Sydney Sloan
11. Triple D
12. Black Grass Plague
13. Behind The Nut Love
14. Making Monsters
15. Beat It
16. Now Fear This
17. Medley

John 5 said of the recording’s creation in a recent interview that it came to being on a whim.

“I remember pulling up to a beautiful venue that we played in Sellersville, Pennsylvania, and before we were unloading the equipment, the soundman said, “Hey guys, would you like to record the show?,” the guitarist said. “We said, “sure that would be amazing!” I always wanted to have a really great recording of the show. We were a few weeks into the show, so we were really well-rehearsed, so I said, “Alright guys, let’s not jump around. Let’s just really try to get a great performance because we only have one shot – no other shows if we mess up!” So, we explained to the crowd that we would be recording. You can hear that on the recording of the album, which makes it very magical. It came out amazingly! That’s the magic of live albums to me – capturing the performance.”

He added he was so impressed by the end result that he wanted to release the recording and tour in support of the offering.

“I’m so proud of it that I wanted to put it out and also tour it like bands used to tour live albums back in the 70s,” John 5 said. “I thought that was so cool! I’ve put out a lot of records, so I thought – g********, I’m going to do it!”

The tour in support of It’s Alive is currently scheduled to start Feb. 1 in Orlando, Florida and to run through April 21 in Tacoma, Washington. The tour also includes performances in Los Angeles, California; Greensboro, North Carolina; Chicago, Illinois and other cities. The full schedule is noted below.

JOHN 5 and The Creatures It’s Alive! tour dates:
2/1 – Orlando, FL @ The Social
2/2 – Jacksonville, FL @ 1904 Music Hall
2/3 – Atlanta, GA @ Drunken Unicorn
2/5 – Asheville, NC @ Orange Peel
2/6 – Greensboro, NC @ Blind Tiger
2/7 – Virginia Beach, VA @ Shaka’s
2/8 – Richmond, VA @ Broadberry
2/9 – College Park, MD @ Milkboy
2/10 – Sellersville, PA @ Sellersville Theater
2/11 – Stanhope, NJ @ Stanhope Theater
2/12 – New York, NY @ Highline Ballroom
2/13 – Boston, MA @ Middle East
2/14 – Syracuse, NY @ Lost Horizon
2/15 – Pittsburgh, PA @ Hard Rock
2/16 – Cleveland, OH @ Beachland
2/17 – Westland, MI @ Token Lounge
2/18 – Chicago, IL @ Reggies
2/20 – Des Moines, IA @ Vaudeville Mews
2/21 – Indianapolis, IN @ Vogue
2/22 – Newport, KY @ Southgate House
2/23 – Lexington, KY @ Manchester Music Hall
2/24 – Chattanooga, TN @ Songbirds
3/29 – San Antonio, TX @ Rock Box
3/30 – Dallas, TX @ Trees
3/31 – Houston, TX @ Scout Bar
4/2 – Albuquerque, NM @ Launchpad
4/3 – Tucson, AZ @ 191 Toole
4/4 – Mesa, AZ @ Club Red
4/5 – San Diego, CA @ Brick by Brick
4/6 – Los Angeles, CA @ Whisky A Go Go
4/7 – Las Vegas, NV @ Vamp’d
4/8 – Fullerton, CA @ SlideBar
4/11 – Ventura, CA @ Discovery
4/12 – San Jose, CA @ Ritz
4/13 – San Francisco, CA @ DNA Lounge
4/14 – Fresno, CA @ Full Circle Brewery
4/15 – Sacramento, CA @ Harlows
4/17 – Salt Lake City, UT @ The Complex
4/18 – Boise, ID @ Neurolux
4/19 – Bend, OR @ Volacanic Pub
4/20 – Portland, OR @ Hard Rock PDX
4/21 – Tacoma, WA @ Tacoma Dome – Tacoma Guitar Festival

More information on It’s Alive, John 5 and The Creatures’ tour and more is available online now along with all of the band’s latest news and more at:

Website: http://www.john-5.com

Facebook: http://www.facebook.com/John5official

Twitter: http://twitter.com/john5guitarist

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Mark Slaughter Debuts ‘Halfway There’ Title Track, Video

Courtesy: EMP Label Group/Amped/SPV/Universal

Mark Slaughter has released another single from his latest solo recording.

The Slaughter front man debuted the song ‘Halfway There’ this week. The song is the third single and title track from his sophomore solo recording, which was released this past May via EMP Label Group.

In conjunction with the song’s release, the band also debuted the song’s companion video this week. It is streaming online now here.

Slaughter said of the song that it is an introspective work to which any listener can relate.

“‘Halfway There,’ the concept with the album and the song, is about life and how fast it goes,” Slaughter said. “Here I go, I’m halfway there. It’s not a negative thing. It’s just a realization. It’s life. On the other side of that I have been blessed to have amazing fans who have supported us for so long, and this video is also a kind of a love letter to them.”

Slaughter has one more live date this year with his namesake band. That performance is scheduled for Dec. 16 in Sioux City, IA. He also has a handful of live dates scheduled for 2018 already including Biloxi, MS on Feb. 3; Marathon, Fla on Feb. 17 and Medina, MN on March 9. The band’s current tour schedule is noted below.

SLAUGHTER TOUR DATES:

2017
12/16 Hard Rock Hotel, Sioux City, IA

2018
2/3 Hard Rock, Biloxi, MS w/GREAT WHITE
2/17 Coral Head Music Fest, Marathon,FL
3/9 Medina Ballroom, Medina, MN w/LYNCH MOB
5/19 Rocky Gap Casino – Cumberland, MD
5/20 Jergel’s Rhythym Grille, Warrendale, PA
8/11 Arcada Theatre, St. Charles, IL w/AUTOGRAPH

More information on Mark Slaughter’s new single, his live dates with Slaughter and more is available online now at:

Website: http://markslaughter.com

Facebook: http://www.facebook.com/makrslaughterofficial

Twitter: http://twitter.com/markslaughter33

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Another Lost Year Unveils New Single, Video

Courtesy: O’Donnell Media Group

Another Lost Year is giving audiences their first taste of its next album.

The band unviled on Tuesday the video for its new single ‘Call It Like It Is.’ The video places the band in a wild west setting that includes a gunfight, poker game and much more. Musically speaking, the song’s arrangement is one that will appeal to fans of Otherwise, Saliva, Pop Evil and other similar acts.

Front man Clinton Cunanan said of the song and its video that the band wanted the song and the video alike to have an impact on people. He added the band was pleased with the result of the time and effort put into each, praising Dillenger Media, the company that helmed the clip, for its part in the video’s creation, along the way.

“We just decided to literally do what we wanted to do, get back to the reasons we fell in love with music, to make people feel something, even if that feeling is uncomfortable,” Cunanan said. “When it came to our latest single, ‘Call It Like It Is,’ we used imagery that we felt would invoke some feelings in people, and when it came to the video, well, we dug in hard, probably a little over ambitious, but we shot for the moon and could not be happier with how it turned out! Dillinger Media and Dan Johnson helped us execute the idea flawlessly in our opinion.”

While little else has been released about Another Lost Year’s next album, audiences are sure to hear its new single and other music on its current live schedule, which includes performances Dec. 14 and 15 in Clarksville, TN and Sevierville, TN respectively. The band’s current schedule also includes performances in Hickory, NC (12/16); Mentor, OH (12/20); Warren, MI (12/21) and Battle Creek, MI (12/22).

More information on Another Lost Year’s new single and video is available online now along with all of the band’s latest news and more at:

Website: http://www.WhoIsALY.com

Facebook: http://www.facebook.com/AnotherLostYear

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.