Stilwell’s New Record Is A Positive Addition To 2022’s Field Of New Covers Sets

Courtesy: Jazz Promo Services

Jazz singer Laura Stilwell released her new record this week.  The record, a covers compilation titled Out Of A Dream, was released independently Tuesday.  The eight-song record will appeal to a wide range of audiences, as it lifts from a variety of acts.  That is proven right from the outset of the 34-minute record in the form of Stilwell’s cover of ‘Day In, Day Out.’  This performance will be discussed shortly.  Stilwell’s take of ‘Don’t Be That Way’ is another notable addition to the record and will be examined a little later.  ‘A Time For Love,’ the album’s closer, is yet another notable addition to the collection and will also be examined later.  Each song noted here is important in its own way to the whole of the record.  When they are considered along with the rest of the record’s entries, the whole makes the set another covers collection that is worth hearing at least once.

You Stepped Out Of A Dream is an enjoyable new addition to this year’s field of new covers collection.  Even being a covers set, it is a presentation that most jazz fans will find worth hearing at least once.  The record’s opener, a cover of ‘Day In, Day Out’ is just one way in which this is proven.  Originally composed jointly by Johnny Mercer and Rube Bloom in 1939, the song has gone on to become a standard in the American songbook.  It has been recorded by the likes of Frank Sinatra, Lena Horne, and Mel Torme just to name a few notable singers.  Even the likes of Bing Crosby, Artie Shaw, and Tony Bennett have recorded the song, showing even more, its reach.  Stilwell gives the song its own interesting identity, opting for the intimacy of a quartet instead of, say, the big band style approach taken by Artie Shaw and his orchestra and Johnny Mathis and his fellow musicians, as well as so many other performers and acts.  The simplicity of Stilwell’s vocals alongside the performance of Tommy James on piano, and Perry Thoorsell on bass gives the song the familiar big band swing that so many other acts have used for the song.  The thing is that the group does so within its own confines of its instrumentation.  James’ runs make for great solo moments while Thoorsell and drummer Ron Steen expertly compliment his work.  The energy that the group exudes makes this rendition just as much kick as any big band rendition of the song past and present while still staying as true as possible to its source material.  It is just one of the songs that makes the record worth hearing.  The collective’s update of ‘Don’t Be That Way’ is just as worth examining.

Originally jointly composed by Benny Goodman, Mitchell Parish, and Edgar Sampson in 1938, the song is an upbeat composition that would have easily gotten audiences on the dance floor with its blend of horns and woodwinds.  The group’s big band composition is toned down by Stilwell and her fellow performers here while still staying mostly true to its source material.  Instead of going the full nines here, Stilwell and company opt once again for a more intimate approach, with Stilwell leading the way.  The richness and warmth of Goodman’s clarinet line, performed here by Dave Evans gives the arrangement a certain heart that itself still harkens back to some of Goodman’s more intimate compositions.  It is like opening a time capsule from that era and hearing the music playing from so many ages ago.  James’ work on the piano and that of bassist Dennis Caiazza and Steen offer just the right amount of accent to the intimate arrangement.  The whole makes the arrangement an interesting new take on yet another work that is part of the American songbook.  Additionally, it is just one more way in which the record proves itself worth hearing at least once.  The group’s take on ‘A Time For Love’ is yet another example of what makes the collection engaging and entertaining.

Originally composed by Johnny Mandel and Paul Francis Webster in 1966 for the movie, An American Dream, the song has been re-imagined by a wide range of acts, such as Matt Monro, Stan Getz, and Bill Evans just to name a few notable performers.  Even Tony Bennett has crafted his own take on the classic composition.  The rendition that Stilwell and company present in this record is closely akin to those of Evans and Bennett, what with its gentle, flowing piano line and even more subtle rhythm section alongside Stilwell’s warm vocal timbre.  The whole makes this song a perfect piece for any couple’s most romantic moments and just as enjoyable as any other more well-known jazz artist’s take on the song.  When it is considered along with the other songs examined here and with the rest of the record’s entries, the whole makes the compilation in whole fully engaging and entertaining.

Out Of A Dream is a successful new offering from jazz singer Laura Stilwell. The set proves itself interesting through each one of its featured covers.  The songs examined here do their own part to support the noted statement.  When they are considered along with the rest of the record’s works, the whole makes the record overall a positive addition to this year’s field of new covers collections.

Out Of A Dream is available now.  More information on the album is available along with all of Laura Stilwell’s latest news at:



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At Home Premiere Date Set For New Ella Fitzgerald Documentary

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment announced the new premiere date this week for its Ella Fitzgerald documentary Just One Of Those Things.

The documentary is now scheduled to make its “theatrical” debut June 26.  Originally scheduled to make its premiere April 3, its debut was delayed due to the COVID-19 outbreak.  Since many theaters are still closed nationwide as a result of the virus’ outbreak, Eagle Rock Entertainment is working with theaters to let audiences view the documentary at home and support their local theaters at the same time.

Audiences can view the documentary by purchasing tickets through their local theaters here.  Audiences can watch the documentary from home through various resources, such as apps for Apple TV, Roku and AndroidTV.

Award-winning director Leslie Woodhead helmed the project, and Reggie Nadelson produced the presentation.

Just One Of Those Things follows Fitzgerald on and off the stage, showing how she used her musical talents and her intelligence to break down barriers and overcome great odds throughout the course of her life.  It features never-before-seen footage of interviews with Smokey Robinson, Tony Bennett, Johnny Mathis, Norma Miller and Ray Brown Jr., Ella’s son. along with many other famous figures.

Fitzgerald lost her mother when she [Fitzgerald] was 15 years old.  From there, she also endured mistreatment in reform schools.  in 1934, her life took a turn that would set her on the path of success from then on, winning a contest at the famed Apollo Theater.  She would eventually go on to work with jazz greats, such as Dizzy Gillespie, Frank Sinatra, Louis Armstrong and Benny Goodman.

While she had great success on stage, Fitzgerald was very different off-stage, wanting privacy for herself and her family.  Audiences will see that dichotomy throughout the course of this new documentary.

Fitzgerald earned a number of accolades during the course of her career. Among those honors were 13 Grammy awards, record sales exceeding 40 million records and an NAACP Equal Justice Award. She also received the American Black Achievement Award.

Eagle Rock Entertainment recently debuted two separate trailers for the documentary.  The first, streaming here, features clips of Fitzgerald performing with Duke Ellington and his orchestra, new interview footage with the likes of Tony Bennett and Jamie Cullum. The 90-second trailer also features vintage photos of Fitzgerald from early in her career and even footage of interviews that Fitzgerald herself conducted on television.

The other trailer, streaming here,  features discussions on Fitzgerald’s time on the road with Chick Webb and his orchestra.

More information on Eagle Rock Entertainment’s new Ella Fitzgerald documentary is available online at:






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Coltrane’s “Lost Album” Is The Best Find Of 2018’s Jazz, Blues Offerings

Courtesy: Verve Records

Jazz and the blues are among the great genres of music to ever grace the world’s airwaves.  From the days of the “chitlin circuit” that featured so many of the greatest blues musicians of all time, to the fusions sounds of Weather Report, Yellowjackets and others to the more modern jazz and blues of Joe Bonamassa and The Jamie Lawrence Sextet, both genres have produced an infinite number of timeless, influential albums and songs.

That is why as with past years, Phil’s Picks is featuring again, a list of the year’s top new jazz and blues albums.  The two genres are being combined as they are invariably connected to one another.  It has not made crafting this year’s list any easier than in year’s past.  Keeping that in mind, there are no bad albums here.

Taking the top spot in this year’s list is the long lost studio recording from John Coltrane, Both Directions at Once.  Up until this year, the recording had been long thought lost to time, and its “resurrection” of sorts this year is welcome.  The arrangements show a unique side of the famed saxophonist and his fellow musicians featured throughout.

Second Place in this years list goes to Yellowjackets’ new album Raising Our Voice.  This record is everything that the jazz outfit’s fans have come to expect with a little something extra thanks to the record’s guest vocalist.

Third Place belongs this year to The Jamie Lawrence Sextet and its debut album New York Suite.  The record’s arrangements throw back to some very interesting influences while also using those influences to generate an identity of their own in the process.

Also featured in this year’s list are new releases from the likes of Joe Bonamassa, The James Hunter Six, The Rev. Peyton’s Big Damn Band and Ben Harper & Charlie Musselwhite just to name a handful of other acts.

As always, the list features 15 total acts and titles.  The first 10 records are the Top 10, while the five that follow are honorable mention titles.  Without any further ado, here is Phil’s Picks’ 2018 Top 10 New Jazz & Blues Albums.


  1. John Coltrane — Both Directions at Once
  2. Yellowjackets — Raising Our Voice
  3. The Jamie Lawrence Sextet — New York Suite
  4. Ben Harper & Charlie Musselwhite — No Mercy in This Land
  5. Ry Cooder — The Prodigal Son
  6. Onyx Collective — Lower East Suite Part Three
  7. The Rev. Peyton’s Big Damn Band — Poor Until Payday
  8. Joe Bonamassa — Redemption
  9. Beth Hart & Joe Bonamassa — Black Coffee
  10. James Hunter Six — Whatever It Takes
  11. Tony Bennett & Diana Krall — Love Is Here To Stay
  12. Gary Moore — Blues & Beyond
  13. Brian Bromberg — Thicker Than Water
  14. Kamaal Williams — The Return
  15. Victor Wainright & The Train — Victor Wainright & The Train

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PBS To Release New Bing Crosby Documentary This Fall

Courtesy:  PBS

Courtesy: PBS

PBS announced Wednesday that it will release a new documentary centered on legendary entertainer Bing Crosby this fall.

American Masters: Bing Crosby Rediscovered will be released on DVD Tuesday, December 2nd. The documentary focuses on Crosby’s role in the entertainment industry during his career. It also takes a look at the man behind the legend. Veteran actor Stanley Tucci (Transformers: Age of Extinction, The Hunger Games, The Terminal) narrates the program. All of the surviving members of Crosby’s family—his wife Kathryn, daughter Mary, and sons Harry and Nathaniel–are featured in interviews included throughout the program. Fellow entertainers Tony Bennett and Michael Feinstein also share their reflections on Crosby and his legacy along with producer Ken Barnes, biographer Gary Giddins, and writers Buz Kohan and Larry Grossman. Emmy Award-winning director Robert Trachtenberg helms the documentary. It will not be the first time that Trachtenberg has helmed an episode of American Masters. He also helmed episodes that focused on the likes of Cary Grant, Mel Brooks, and fellow acclaimed director George Cukor.

Trachtenberg discussed his thoughts on this latest episode of American Masters. He noted that it was not just Crosby’s achievements as an entertainer that lured him to the project, but who Crosby was out of the limelight that interested him in. “Bing’s remarkable appeal, which continues to this day, was in his seemingly effortless ability to pull an audience in to his intimate, laid-back voice,” he said. He added to that thought, saying, “With the new material I’ve found, I think the breadth, depth and candor of his story will hopefully allow people to see him in a new light.” American Masters Executive Producer Michael Kantor echoed Trachtenberg’s thoughts, noting, “Much like his talent, Bing Crosby is a natural for the series. With more No. 1 recordings than anyone, it is easy to overlook all of his other achievements. Thankfully, this film delves deeply into all of his remarkable work, and will surprise many viewers with a unique perspective on his private life.”

American Masters: Bing Crosby Rediscovered will be available Tuesday, December 2nd on DVD and on DVD/CD combo pack. It can be ordered online direct from PBS’ online store at More information on this and other episodes of American Masters is available online at:



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The Spirit Of Satch Is Anything But Another Covers Album

Courtesy:  Concord Records

Courtesy: Concord Records

Covers albums, like greatest hits albums, are among the most overly used records in the music industry.  Regardless of genre, there are almost as many covers and hits albums in stores and online every year as there are albums of new music from artists across the genres.  The problem with these albums is that it’s obvious that they are nothing more than fillers used for the purpose of contractual obligations.  One listen through their track listings proves this. For all of the forgettable covers and hits albums that pollute store shelves and online outlets each year, there are thankfully those diamonds in the rough that actually stand out among the masses.  Those hidden gems show that for all of the space fillers that are out there, there are those artists that take covers albums, hits albums and tribute records with at least a certain amount of seriousness.  One of those hidden gems that has been revealed in 2014 comes from veteran performer Dr. John in the form of his Louis Armstrong covers/tribute album Ske-Dat-De-Dat: The Spirit of Satch.  This thirteen-track record is more than just a collection of covers from one of the greatest names in the industry.  The covers included on this record exhibit not only the spirit of Satchmo, but also the very creative spirit of music itself.  While the songs on this record are largely full-blown re-imaginings of Armstrong’s original works, the creativity used in each song will lead this record to grow on even the most hardline of Louis Armstrong fans.  And it all starts right off the top with Dr. John’s re-imagining of Armstrong’s greatest hit, ‘What A Wonderful World.’  Dr. John’s jazzy cover of ‘I’ve Got The World on a String’ will most certainly impress audiences as it’s one of the few songs on this record that stays close to the original work.  The addition of blues great Bonnie Raitt doesn’t hurt the song, either.  And his collaboration with the famed Dirty Dozen Brass Band on ‘When You’re Smiling (The Whole World Smiles With You’ is the perfect closer for this record.  As impressive as these songs prove to be in the long run, they’re only part of what makes Ske-Dat-De-Dat: The Spirit of Satch such a rare release.  The album’s other ten tracks are worth their own listen, too.  And in hearing all thirteen tracks on this disc, any listener will agree that this record definitely stands out as one of this year’s truly rare covers/tribute albums worth hearing.

Dr. John’s new Louis Armstrong covers/tribute album Ske-Dat-De-Dat: The Spirit of Satch is one of 2014’s rare covers/tribute albums that is actually worth audiences’ attention.  And it isn’t just because it is from one of the most respected names in the music industry today.  That is proven right off the top with his cover of Armstrong’s most beloved of songs, ‘What A Wonderful World.’  Dr. John collaborated on this cover with gospel greats The Blind Boys of Alabama and fellow New Orleans native Nicholas Paton.  At first listen, the song will most certainly leave some audiences scratching their heads.  That is because it is a completely re-imagined take on the classic tune.  Rather than taking the safe route here, Dr. John and company give the song a decidedly upbeat almost gospel-style turn, making it into more of a celebratory song than the more reserved piece which audiences have come to know.  Of course that is thanks to the inclusion of The Blind Boys of Alabama on this take.  It may not grab some audiences at first.   But that’s not necessarily a bad thing.  That’s because it will grow on said audiences that give the song more than one chance.  Those audiences will realize that the more celebratory tone, as different as it may be, actually works when one takes into consideration the song’s lyrics.  Armstrong once sang on this song of all of the things that make the world so, well, wonderful.   Audiences that take that into consideration will in turn appreciate this rendition for the surprisingly positive re-working that it proves to be in the long run.  And in doing so, it will lead audiences to give this album’s other songs just as much of a chance, too.

If the re-imagining of ‘What A Wonderful World’ doesn’t win over listeners, then perhaps his duet with fellow blues legend Bonnie Raitt on ‘I’ve Got The World on a String’ will.  This hybrid jazzy/bluesy cover comes as close to the original as possible without actual mirroring said song.  Raitt and John both pay proper tribute to Armstrong in this take.  Audiences that are familiar with both artists’ style will be pleasantly surprised by their ability to balance the song’s jazz roots with their own bluesy addition to the composition.  Audiences that have heard Tony Bennett and k.d. Lang’s Armstrong covers album won’t be able to ignore the comparison to their covers here.  That’s because both Raitt and John exhibit a true reverence for Armstrong’s work here more than anywhere else on the album.  That reverence will most certainly have purist Armstrong fans dancing arm in arm and *ahem* cheek to cheek (bad pun fully intended here).

Dr. John’s duet with Bonnie Raitt on his cover of ‘I’ve Got The World on a String’ is without a doubt this record’s peak moment.  Coming in a close second is the cover of ‘When You’re Smiling (The Whole World Smiles With You).’  The song, which features Dr. John’s fellow New Orleans musicians in The Dirty Dozen Brass Band, closes out the album.  And such a song proves to be the perfect way to close out such an imaginative collection of covers.  The song’s run time comes in at just under three minutes.  To be exact, it clocks in at two minutes and forty-two seconds.  Dr. John takes a back seat throughout most of the song, letting the members of the Dirty Dozen Brass Band have the spotlight instead.  For those audiences that are less familiar with the work of the band, this song is a wonderful first impression from its members.  Those that are more familiar with the band’s body of work will be just as impressed with the ability of the band members to mix its trademark Dixieland sound with a more Latin-tinged sound.  The end result is one more truly creative and original cover of one more of Armstrong’s most beloved works.

The collaboration with the Dirty Dozen Brass Band as the final number for Ske-Dat-De-Dat: The Spirit of Satch proves to be the perfect way to close this record.  That is because it once more exhibits Dr. John’s respect for Louis Armstrong’s legacy and Armstrong himself.  Just as with all of the songs that come before it, it pays homage to Armstrong’s legacy by balancing the song’s original sound with something of a more original arrangement.  In this case, it doesn’t stray too far from the original tune.  Because it doesn’t, it is sure to leave listeners with that warm, happy feeling of nostalgia.  And what better way to go out after such an intriguing musical ride than with that warm, happy feeling?  By the song’s end, audiences will agree that having heard it and the album’s other songs, Ske-Dat-De-Dat is anything but another run-of-the-mill covers album.  It is one of the most creative covers/tribute albums released by any artist to date.

Ske-Dat-De-Dat­: The Spirit of Satch is available now online and in stores everywhere.  Fans can order it online now direct from Dr. John’s official Facebook page and website at and  Audiences can also purchase Dr. John’s new album at any of his upcoming live performances.  Fans can check out Dr. John’s tour itinerary now on both sites as well.  They can also keep up with all of the latest news and updates from the man himself on both sites.  To keep up with the latest sports and entertainment reviews and news, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at