‘Uprising Live’ Will Appeal To Bob Marley’s Most Devoted Fans

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will pay tribute Friday, to the late, great reggae legend Bob Marley.  The tribute will come in the form of the new 3LP live recording Uprising Live.  The performance featured in the recording was originally captured at Marley’s June 13, 1980 performance in Dortmund, Germany.  The performance was one part of what would go on to become Marley’s final live tour before his untimely passing from cancer in 1981.  The show was also part of Germany’s well-known Rockpalast concert series.  The 23-song set is a presentation that the most devoted fans of Bob Marley and The Wailers will appreciate.  That is due in part to the concert’s set list, which will be examined shortly.  While the set list does plenty to appeal to the noted audiences, the recording is not perfect.  That it is only available on vinyl detracts somewhat from the appeal.  It does not necessarily make the presentation a failure, though.  This will be discussed a little later.  The recording’s production works with the set list to add to the recording’s appeal, ensuring even more the engagement and entertainment for the noted listeners.  When it is considered alongside the set list, the two elements do plenty to make the recording in whole appealing for audiences who are okay with taking in any recording mainly on vinyl.

Eagle Rock Entertainmnt’s forthcoming Bob Marley live recording Uprising Live is a presentation that will appeal to a very targeted group of listeners.  It will appeal mainly to audiences who prefer vinyl to other forms of music delivery, and in the same vein, to the most devoted Bob Marley fans.  That is proven in part through the recording’s featured set list.  Spanning a total of 23 songs, the set list gives listeners a relatively wide swath of Marley’s catalog at that point.  It reaches all the way back to his 1973 albums Burnin’ and African Herbsman and all the way up to Uprising, which Marley was supporting on the Uprising Tour.  Additionally, Marley’s own then wife (now widow) and her group I Three got some time in the limelight, opening the concert with four consecutive songs.  So he made sure that she and her group got their own attention in the process.  Given, the overall set list is not necessarily a career-spanning presentation, but it still reaches into a wide range of Marley’s albums, including, but not limited to the likes of Exodus, Natty Dread, and Rastaman Vibration.  It would have been easy for Marley and his fellow musicians/performers in The Wailers to focus mainly on Uprising, but they did not go that route.  Instead they opted to give audiences something more along with featuring some songs from that record..  To that end, the overall set list gives listeners plenty to appreciate.

While the set list featured in Uprising Live is a positive presentation in itself, it does lead to the recording’s sole negative, its availability.  The recording is scheduled for release Friday on 3LP and 3LP Deluxe colored vinyl pressings.  There is no CD or digital availability.  That potentially limits sales since not everybody out there is a vinyl fan.  It means that audiences who want the recording will have to purchase a record player in order to be able to take in the recording.  Given, there are audiences who are more devoted to vinyl than other platforms, but there are still people out there who are still more committed to CDs (and even more who are committed to digital).  To that end, this limited availability becomes a negative that cannot be ignored.  It does not make the recording a failure by any means, but is still problematic in its own right.  Moving from there, there is still one more positive to address in the recording.  That positive is its recording.

The production of Uprising Live is important to examine because of how far recording technology has come since 1980.  Considering this, the production was handled relatively well.  There are moments in which the audio is a touch “airy,” but they are rare.  For the most part, the instrumentation and vocals were well-balanced throughout the course of the recording.  Even the audience noise is audible in its own right.  The balance of those audio elements through the production results in a presentation that audiences will enjoy just as much for its sound as for its content.  That is even keeping in mind its limited availability.  All things considered, the recording proves itself a positive presentation for the most devoted Bob Marley fans.

More information on the recording is available along with all of the latest Bob Marley news at:




More information on this and other titles from Eagle Rock Entertainment is available at:




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Eagle Rock Announces Release Date, Specs For Bob Marley Live Recording

Eagle Rock Entertainment has partnered with the Bob Marley Estate to honor the late great musician.

The organizations will release Uprising Live Nov. 13 on separate 3LP and limited edition 3LP Deluxe colored vinyl pressings. Pre-orders are open.

The June 13, 1980 concert featured in the presentation is taken from Marley’s “Uprising Tour.” The tour launched May 30, 1980 in Zurich, Switzerland and ended Sept. 23, 1980 in Pittsburg, PA.

The concert featured in the forthcoming recording was held at the Westfalenhalle arena in Dortmund, Germay. It has become well-known among audiences in part because of the fact that it was broadcast as part of the nation’s Rockpalast concert series. It was also part of what would go on to be Marley’s final tour before his death from cancer at age 36 in 1981.

The performance featured in the forthcoming live recording features songs, such as That’s The Way Jah Planned It,’ ‘Redemption Song,’ and ‘Could You Be Loved.’ The concert’s set list is noted below.

Side A
1) Precious World
2) Slave Queen
3) Steppin’ Out Of Babylon
4) That’s The Way Jah Planned It

Side B
1) Marley Chant
2) Natural Mystic
3) Positive Vibration
4) Revolution
5) I Shot The Sheriff

Side C
1) War / No More Trouble
2) Zimbabwe
3) Jamming
4) No Woman, No Cry

Side D
1) Zion Train
2) Exodus
3) Redemption Song
4) Could You Be Loved

Side E
1) Work
2) Natty Dread
3) Is This Love
4) Get Up, Stand Up

Side F
1) Coming In From The Cold
2) Lively Up Yourself

More information on the recording is available along with all of the latest Bob Marley news at:

Website: http://www.bobmarley.com

Facebook: http://www.facebook.com/BobMarley

Twitter: http://twitter.com/bobmarley

More information on this and other titles from Eagle Rock Entertainment is available at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Aaron Nigel Smith Announces Release Date For New Live Recording

Courtesy: Aya World Productions/Tuff Gong International

Reggae artist Aaron Nigel Smith will release his first live album next month.

Smith is scheduled to release Live in LA Aug. 15 digitally through Aya World Productions and Bob Marley’s Tuff Gong International.  He will be joined by the 25-member 1 World Chorus children’s choir, which he founded, for the recording.

Smith talked about working with the choir in a recent interview.

“These kiddos really show up in a positive and enthusiastic way,” he said.  “Their energy helps to create such a great vibe throughout the concert. It is also meaningful to document a performance where my son plays such a key role. It’s a proud poppa moment for sure.”

A trailer for the forthcoming recording is streaming here.

Along with having founded the 1 World Chorus, Smith is also known for having created the Emmy Award-winning PBS Kids series Between The Lions.

Originally recorded last year during a performance at The Broad Stage in Santa Monica, CA, the recording presents Smith and company performing some of the most well-known songs that Smith has recorded over the course of his 20-year career.  Among the most notable of the performances featured in the recording is a solo performance from Smith’s son, Zion Lion.

More information about Aaron Nigel Smith’s forthcoming live recording Live in LA is available along with all of his latest news at:


Website: http://www.aaronnigelsmith.com

Facebook: http://www.facebook.com/AaronNigelSmith


To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.


18th & Addison Member Tom Kunzman Partners With Producer/Musician Steff Reed To Cover Bob Marley’s ‘Redemption Song’

Courtesy: Earshot Media

18th & Addison member Tom Kunzman has partnered with producer and musician Steff Reed to cover Bob Marley’s timeless song ‘Redemption Song.’

The song is streaming now through Spotify and Apple Music. The pair’s take on the song was mixed by Grammy Award-winning engineer Bob Brockman (Fugees, D’Angelo, Dixie Chicks).  The arrangement crafted by the dup takes the reggae classic and gives it a distinct new identity with a decidedly pop vibe that is just as catchy as its source material.

Kunzman talked about his friendship with Reed and the motivation for the song in a recent interview.

“I’m a genuine fan of Steff, and I always felt that his live show is very similar to 18th & Addisons,” he said.  “We’re both doing our best to bring people together to sing and forget all the division, confusion and frustration outside those four walls for a bit.  I love the feeling of unity and togetherness ‘Redemption Song’ offers so naturally. I felt that collaborating with him on this just had to happen.”

Reed expanded on Kunzman’s comments, offering an explanation of how the duo’s take on ‘Redemption Song’ came to be.

“Tom and I met a few years back while we were both on tour,” he said.  “We stayed in touch, and organically, a friendship grew.  One day Tom sent me a DM on Instagram with an idea to do a cover of Bob Marley’s iconic protest song ‘Redemption Song’ together.  I have such admiration for Tom as an artist and musician, and I was excited to collaborate.”

18th & Addison is touring in support of its most recent release, Old Blues Modern Love on The Reckless Love Tour.  The duo, which also features Kait DiBenedetto, will perform Jan. 15 in Los Angeles, CA as part of the tour.  The tour’s remaining dates are noted below.

1/15 Los Angeles, CA Harvard & Stone

1/17 Riverside, CA Life Cafe Music Space (new date just added!)

1/18 Denver, CO Bowman’s Vinyl & Lounge (new date just added!)

1/22 Dallas, TX RBC

1/23 Houston, TX Scout Bar

More information on 18th & Addison is available online at:


Website: http://18thandaddison.com

Facebook: http://www.facebook.com/18thandAddison

Twitter: http://twitter.com/18thAddison


More information on Steff Reed is available online at:


Website: http://iamsteffreed.com

Facebook: http://www.facebook.com/WhoisSteffReed1

Twitter: http://twitter.com/IAmSteffReed


To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.


Empresarios’ New LP Will Leave Listeners With Their Own Positive Vibes

Courtesy: Press Junkie PR

Courtesy: Press Junkie PR

Independent Latin group Empresarios’ latest full-length studio recording The Vibes is an impressive new release from the Washington, D.C.-based collective. The ten-track, forty-minute musical ride provided by the group is one that will bring together audiences of all tongues. This is despite the fact that of those ten tracks eight feature lyrics presented entirely in Spanish. The musical content of each of those tracks more than makes up for the lack of any English-translation for the songs’ lyrical content, again showing why this album will unite audiences of all tongues. So what of the remaining two songs? The songs, interestingly enough, are included as the album’s final two compositions. Both compositions are full-on instrumental tracks that stand just as well on their own merits as the pieces that precede them. The whole of those songs leads The Vibes to be just as solid of an introduction to Empresarios’ sound for those that are less familiar with the group’s sound as it is a welcome return for those that have followed the group from early on. While the songs that make up the body of The Vibes are in themselves plenty of reason for audiences to pick up this latest release from Empresarios, the sequencing of the songs is just as important to note. From start to finish all ten songs are ordered in such fashion as to keep the album’s energy flowing just enough to never lose listeners. The end result of that attention to detail in the album’s sequencing and to the songs themselves is an album that is one of the best of this year’s New World music offerings.

Empresarios’ new album, its third full-length studio offering, is one of the best of this year’s new World Music offerings. It is a ten-track, forty-minute collection of songs that is certain to bring together audiences of all tongues. This is even without English translations for any of the songs included in the album that feature any lyrical content. The songs in question are so powerful in regards to their musical content that said musical content alone will have listeners on their feet, moving in time to those songs. The album’s opener ‘No Vamos A Parar’ is just one example of the group’s ability to bring audiences together. The song’s very title, which roughly translated into English means “We Are Not Going To Stop”, is hint at that. The group’s “Tropicaliente” is clear as day here with its mix of Latin and Afro-Cuban musical influences. The light, playful sound of the horns that opens the song sets a wonderful tone for the song. The equally light guitar line and hip-hop beats couple with the group’s rapping to make this song one that in full honesty doesn’t necessarily need lyrical translation in order to be enjoyed. Sure, it would be nice to have. But just considering the positive *ahem* vibe of the song’s musical content and from the very delivery of the song’s lyrical content, it is clear that this is a song that will in fact make listeners not want to end. It is just one example of how the album’s main body of songs makes this record just as enjoyable for those that speak Spanish as for those that don’t. The instantly club ready ‘A Fuego Lento,’ which translates roughly to ‘slow fire’ or ‘slow burn’ is an interesting piece because of the contrast of that title to the song’s overall content. The song does start somewhat slow and reserved. However, that reserved sound only lasts a matter of seconds before the song really kicks into gear and gets listeners moving again with that mix of different Latin sounds. ‘Salsoul,’ is one more example of the ability of Empresarios to reach audiences of all tongues. This song is yet another club-ready composition that is sure to get listeners on the dance floor. The band even goes so far as to encourage listeners to dance along with the band in the song’s lyrical side. And dance they will, too in hearing the song’s infectious grooves. It shows once more just why The Vibes is such a surprisingly impressive record regardless of listeners’ native language. That is not to discount any of the album’s other full lyrical/musical compositions. Each one of those songs not directly noted adds its own enjoyment to the whole of The Vibes to make its main body of songs plenty of proof as to why it is such a surprisingly enjoyable album. They are not the only reason that listeners will enjoy The Vibes. the album’s finale pairing of songs–‘Rootsy jam’ and ‘Alegria’–are just as important to the album’s enjoyment as each of the eight songs that come before them.

‘No Vamos A Parar,’ ‘A Fuego Lento’ and ‘Salsoul’ are each important in their own right to the enjoyment of Empresarios’ new album. Together with the other five tracks that make up the main body of The Vibes, all eight songs that make up the central body of The Vibes show clearly why audiences don’t have to speak Spanish (or even Portugese) to appreciate and enjoy this record. While they are collectively a hugely important part of the record’s success, they are not all that makes this record so enjoyable. The album’s final pairing of songs–‘Rootsy Jam’ and ‘Alegria’–which are both fully instrumental add even more enjoyment to the album. ‘Rootsy Jam’ boasts an infectious reggae vibe that will instantly conjure thoughts of Bob Marley and The Whalers. ‘Alegria’ on the other hand is somewhat more complex. It opens with a sound that seems to throw back to the days of disco with its mix of keyboards and beats. As the song progresses, horns and bongos join in for a distinctly Latin feel that carries listeners through to the end of the nearly four-minute song. Both songs stand out distinctly from one another. But each is still just as likely to have listeners on their feet, smiles on their faces as the sweat builds. That ability to keep listeners locked in and moving speaks volumes about these two songs. Both songs, set alongside the album’s other eight songs result in a record that lack of translations aside is still a record that audiences of every language will enjoy thanks to musical content that they will want to play all night long again and again.

The songs that make up the body of The Vibes collectively give listeners plenty of reason to check out this latest offering from Empresarios. While the songs are in themselves vastly important to the whole of the album, the album’s sequencing is just as important as the songs themselves. People in general tend to take sequencing for granted. But the reality is that the order of an album’s songs plays just as important of a role in the album’s success or failure as the songs themselves. In the case of this album its sequencing is just as much of a success as its songs. The sequencing of the songs maintains just the right amount of energy from one song to another to keep listeners completely engaged. In keeping listeners engaged, said audiences will agree that The Vibes will leave any listener feeling their own positive vibes. The Vibes is available now online and in stores. It can be ordered direct via Empresarios’ official bandcamp website at https://empresariosmusic.bandcamp.com/releases.

Empresarios’ latest LP The Vibes is an album that is certain to leave listeners with their own positive vibes thanks to the positive vibes that it exudes over the course of its ten tracks and forty minutes. Those good vibrations (bad pun fully intended) are generated through music that will keep listeners moving and smiling from the album’s outset to its end and their smart sequencing. By the end of the album’s closer, listeners feeling those positive vibes will agree that The Vibes is one of the best of this year’s new World Music offerings. It is available in stores and online now. More information on this and Empresarios’ previous pair of recordings is available online now along with the group’s latest news at:

Website: http://www.empresariosmusic.com

Facebook: http://www.facebook.com/EmpresariosMusica

Twitter: http://twitter.com/los_empresarios

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Light Flashes Is A Flash Of Indie Musical Greatness

Courtesy:  Press Junkie PR

Courtesy: Press Junkie PR

Independent reggae act Dubbest will release its latest full-length studio effort Light Flashes early next month. The album, the band’s third full-length effort, will be released independently by the Boston-based band. Being that most audiences have likely never heard of Dubbest, its latest record proves to be a good introduction to its sound. This is especially the case for those that are fans of reggae. The band has already premiered the album’s lead single ‘Spend The Day’ as well as a video to go along with the song. That song in itself is a good introduction to the band for those that might not be so familiar with Dubbest and an equally welcome return for the band’s long-time fans. The laid-back grooves of ‘Cross Pollination’ and its intriguing metaphorical writing make it yet another interesting example of what makes Light Flashes a worthwhile listen for any reggae fan. While it is one more good example of what Dubbest has to offer fans both on its new record and in general, it is not the last example. The band also includes no fewer than two instrumental numbers on its new album as part of its whole. The best of those two instrumentals comes late in the album in the form of the song ‘Escape Route.’ The very title conjures thoughts of a beach on a late spring day, the sun shining and palm trees swaying gently in the breeze. It is a great image that will put any listener at ease and in turn yet another example of what makes Light Flashes worth at least one listen. It isn’t the last example of what makes it worth the listen, either. Each of the album’s twelve tracks has its own merits. All twelve tracks noted, Light Flashes shows to be more than just a bright, shining light in the world of reggae and of independent music. That being said, it is safe to say that Light Flashes is one of this year’s best new independent albums.

Dubbest’s new album Light Flashes is one of this year’s best new independent albums. The record boasts twelve tracks that reggae purists everywhere will enjoy. That is because it is a sound that continues to clearly maintain Dubbest’s identity apart from the likes of Sublime, 311, and other pseudo-reggae acts. The album’s lead single ‘Spend The Day’ is a clear example of what makes this record stand out from those of Dubbest’s counterparts. The song doesn’t try to be the poppy sort of song that those from Dubbest’s counterparts have churned out over the years. It is reggae, plain and simple. Guitarists Andrew MacKenzie and Corey Mahoney’s gentle strains harken directly back to the days of Bob Marley and The Whalers while drummer Kyle Hancock’s backbeat serves as a solid foundation for the whole thing. Front man Ryan Thaxter’s own vocal delivery style is just as worth noting here. His delivery is just as soft and gentle as that of his band mates on their respective instruments. This even includes bassist Sean Craffey. Looking at the song’s lyrical content, it plays its own role in the song’s enjoyment, too. Thaxter sings in this song, “Feeling the love like never before/Been waiting for a long time and I cannot endure it/I’m sick of the rain/Let it shine like before/I’ve never been sure before/But I’ve never been so sure/Baby come relieve me/I wanna see you today/Maybe come for the evening and tomorrow we can spend the day.” Simply put, Thaxter is singing from the standpoint of a man that wants to be with his woman. Even more interesting is that even though a man is singing the song, there is no indication of gender in this song. So it could just as easily be sung from a woman’s vantage point, too. That makes the song even more enjoyable. Set against the song’s laid back musical side, it generates a positive vibe that those overly sappy, saccharine pre-produced pop songs about love could never even begin to create. Because of this it makes ‘Spend The Day’ a wonderful first effort from Dubbest on its new album and an equally welcome introduction to the band for any fan that might be unfamiliar with its body of work. Audiences can check out ‘Spend The Day” online now for themselves right at its Facebook page http://www.facebook.com/dubbestmusic.

‘Spend The day’ is a good way for Dubbest to introduce itself to its newer fans and to re-introduce itself to its long-time fans. That is thanks in large part to a solid mix of musical and lyrical content. While it does show itself to be a great starting point for the band on this record, it’s just one example of why any reggae fan should hear this record at least once. The equally laid back yet perhaps somewhat suggestive ‘Cross Pollination’ is another good example of what Dubbest has to offer audiences on its new album. The same things that applies to the musical side of ‘Spend The Day’ apply just as much in the case of this piece. That should just go without saying. Of course, there is the addition of what sounds like an old school B-3 Hammond organ added in to this song’s musical backing. It plays more of a supporting role than starring in this song for lack of better wording. Even in a supporting role, it adds so much with its sound. There’ something special about the vibrato of sorts that comes from such a classic organ. It’s something that can’t be fully put into words. It is something that really can only be appreciated in hearing it. It just gives a certain positive vibe that will put a smile on listeners’ faces just as much as the rest of the song’s musical elements. Moving to the song’s lyrical content, Thaxter uses the concept of cross polination of flowers via a bee to discuss a pretty obvious topic. The swagger in those lyrics coupled with that of the music makes ‘Cross Pollination’ yet another solid radio-ready song from Light Flashes.

‘Spend The Day’ and ‘Cross Pollination’ are both good examples of what makes Light Flashes a worthwhile listen for any purist reggae fan. They are just a couple examples of what makes Light Flashes a bright spot in the realm of indie albums and that of reggae in whole. While both songs are equally important additions to Light Flashes the album also boasts no fewer than two full-on instrumental tracks. The latter of the two, ‘Escape Route,’ is the best of the pair. The music crafted by the band in this song instantly conjures thoughts of a tropical beach. It conjures thoughts of the sun’s rays bathing the said beach in their warmth while a breeze blows through palm trees. The gentle, laid back vibe of the whole song makes it such a joy within itself. It may only be an instrumental. But it proves that an instrumental can be just as enjoyable as any song highlited more by lyrical content than that highlighted by the music alone. It proves in the end to be one more clear example of what makes Light Flashes such a surprisingly interesting listen both within the world of indie releases and that of reggae acts. Together with the likes of ‘Spend the Day’ and ‘Cross Pollination’ it makes all the clearer why any purist reggae fan should hear this album at least once. It also proves once more why Light Flashes is a bright flash of a record among this year’s crop of indie records and reggae records.

Light Flashes is one of the best new independent releases of 2015. The third full-length release from Dubbest it is a welcome return for the band’s long-time fans and an equally welcome first-time introduction for those that might not be so famliar with the Boston-based band. It will be released July 7th. More information on Light Flashes is available online now along with the latest news from Dubbest at:

Website: http://www.dubbestmusic.com

Facebook: http://www.facebook.com/dubbestmusic

Twitter: http://twitter.com/Dubbest

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

(Hed) p.e.’s Latest LP Is One Of 2014’s Top Indie Albums

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

(Hed) p.e. has spent the majority of its life flying just under the mainstream radar. From changes in the band’s lineup to changes in record labels and more, the band—Jahred Gomes (vocals), Mark Young (bass), Jackson Benge (guitar), and Jeremiah Stratton (drums)—has stuck to its guns so to speak and managed to remain a favorite among its fans while still pulling in new fans along the way. Now with its latest album, titled Evolution, due out later this month, it looks to gain even more fans. That is thanks to the album boasting a solid mix of infectious grooves and thought provoking lyrics from start to finish. One example of how that mix of music and lyrics will catch listeners’ ears is the album’s second track, ‘Lost in Babylon.’ This song comes across as a social statement of sorts about the dangers of drug and alcohol abuse. ‘No Tomorrow’ has its own interest, too. And for all of the high intensity that permeates most of this album, the members of (Hed) p.e. do show a softer side in the album’s closing numbers without losing any of their social consciousness. Case in point the album’s penultimate piece ‘Let It Burn.’ This one harkens back to reggae great Bob Marley. It is one more of so many pieces throughout Evolution that will have listeners agreeing that this album is some of the band’s best work to date.

The songs written for Evolution collectively make this album some of the band’s best work to date. That’s because of the mix of infectious grooves and thought provoking lyrics. The topics covered in this album vary in subject matter. One of the hardest hitting of those subjects comes in the album’s second track, ‘Lost in Babylon.’ This is just this critic’s own interpretation of the song. But it comes across lyrically as tackling the dangers of drug and alcohol abuse. Front man Jahred Gomes sings of a person whose life was rough to begin with but was only made worse with the introduction of drugs and alcohol. He notes in the song’s opening verse, “It’s just another day/Gotta wake up to the pain/Those demons inside/They wanna come outside and play/Those demons I hide inside/I gotta make ‘em go away/Tonight/We raise hell/We take everything in sight.” He goes on from here to sing about the consequences of covering those demons with various drugs and alcohol. Specifically, he says, “I can’t feel my face/I’m so wasted/I wanna die/I’m young/Just having fun/So why/Not/Drink and drive/You dead/From all that whiskey/And all the vodka/drinking cocaine/And sniffing marijuana.” Yes, that’s right. The whole intention of that line being written in such fashion is to illustrate just how powerful and dangerous abusing drugs and alcohol can be. It shows that it can screw up a person so badly that said person wouldn’t even know what he or she is doing. Something as minor as this, examined on a larger scale, makes for quite the powerful statement. And the manic energy exuded by the band illustrates that message even more. Gomes goes even deeper as the song progresses. And audiences in hearing the song’s depth will agree that such musical and lyrical depth makes this one of the album’s most important and best songs, too.

Another of the album’s standout moments comes only a few songs after ‘Lost in Babylon.’ The song in question is the radio ready ‘No Tomorrow.’ Right from the song’s start, audiences will note a stark difference in the overall style of the song in comparison to ‘Lost in Babylon.’ It’s more of a straight forward hard rock song. That difference in sound makes it far more apt to be one of the album’s singles than say ‘Lost in Babylon.’ The defiant lyrics and the heavy, thundering guitar line here will work just as well in a live setting as on the radio. The song’s chorus, in which is written, “When it all goes down/You know I wanna be right there/Yeah, when the walls come down/You know I wanna be right there/On the frontline/Fightin’ on the right side/Holdin’ up the frontline/Like there’s no tomorrow.” The band adds in the song’s second verse what comes across as an indictment of the powers that be. Gomes sings in that verse, “Renegade/Can’t be f&*^!^% around with my life/I’m gonna break you/Show you how real rebels we ride/Take a big hit/Open your eyes and realize/It’s not the destination/It’s about the journey we ride/Can’t stop you from turning water into wine/Like the system/Poisoning the masses from the inside out/But change is coming that you heard about/The revolution’s on the way/Go BOOM BOOM!” There is a certain social consciousness about this song, nothing the revolution coming. It would seem that the noted revolution would be in regards to those working inside the system that is poisoning the masses. If that is the intended reference, then it makes the song all the harder hitting and worth the listen. In the bigger picture, it is yet another piece of Evolution’s whole that makes this album worth the listen.

Evolution boasts more than its share of high intensity songs throughout the course of its twelve tracks. For all of the powerhouse riffs and equally deep lyrics, the members of (Hed) p.e. show that they can also craft songs that are just as powerful without the heavier riffs and pounding drums and bass line. A prime example of that ability lies in the album’s penultimate track ‘Let it Burn.’ This piece harkens back to reggae legend Bob Marley both stylistically and lyrically. Gomes sings in this song, “show me a miracle/Show me some love today/A little bit of love go a long way/Just a little bit of love go a long way.” It’s one of those pieces that exemplifies the themes of togetherness and joy in life common in works from Marley and even his song Ziggy. And after all of the fiery energy presented by the album’s previous songs, it shows that a song can still be heavy without being musically heavy. It’s one more example of what makes Evolution worth the listen and potentially one of the year’s best independent releases.

(Hed) p.e. is currently touring in support of its upcoming album. It will be in Houston, Texas today and Dallas, Texas on Sunday. The band’s tour schedule also includes a stop at the famed Hooligan’s night club in Jacksonville, NC on Wednesday, August 27th. Fans can get the band’s full tour listing online now as well as the latest news from the band online at http://www.facebook.com/hedpe, http://www.hedperocks.com, http://www.myspace.com/hedpe, and http://twitter.com/hedpe. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Count Rebelution’s New LP As Another Of 2014’s Best Indie Albums

Courtesy:  Easy Star Records

Courtesy: Easy Star Records

Rebelution released its fourth full length studio effort this week.  Count Me In, the band’s latest album, is an equally impressive piece for any reggae fan regardless of one’s familiarity with the California-based quartet.  Eleven tracks comprise Rebelution’s new album.  Among the songs included on Count Me In are a handful of pieces that are rooted in the standard relationship issues.  The band also delves once again into the socially conscious roots of reggae on other tracks on the record, too.    One of the best of those socially conscious songs is ‘More Love.’ This song is especially important considering the state of the nation’s youth today. Another of those more socially conscious songs is the album’s penultimate track, ‘Against The Grain.’ And while it isn’t necessarily socially conscious ‘Roots Reggae’ pays homage to the socially conscious roots of the genre that has made the band a fan favorite. This trio of songs stands out most to this critic. But they aren’t the only songs that will impress listeners. There are eight more songs from which listeners will find their favorite(s) on this album. And in listening to said songs, audiences familiar and not so familiar with Rebelution’s music will agree that there is plenty to like about this record.

Rebelution has crafted an album in Count Me In that is just as good a first impression for new audiences as it is a re-introduction for those that are more familiar with the band’s body of work so far. One of the key pieces that stands out as proof of this is the socially conscious song ‘More Love.’ Front man Eric Rachmany sings in this song, “More love/That’s what we need to succeed/Not dollars/Not what we need/Let’s give them love/So the youth can achieve.” This critic’s interpretation of this chorus is one that says this nation’s youth need to be more loved, plain and simple. Maybe if kids were more loved, there wouldn’t be so many school shootings. Maybe there would be less bullying. Maybe kids wouldn’t be afraid to try and succeed. It may not necessarily be the message that the band was trying to send. If not, then apologies are in order to the band and its fans. Rachmany sings in the song’s second verse about looking in the mirror and seeing things more clearly. It serves to heighten the message of togetherness and support. Rachmany comes across as saying that if we see more clearly, we’ll have more empathy and more love. In turn, we’ll give that love to the next generation so that that generation can succeed where this generation failed. That socially conscious vibe isn’t relegated to just this one song, either.

Much as ‘More Love’ pays homage to the roots of reggae with its socially conscious lyrics, so does the album’s penultimate track, ‘Against The Grain.’ The song’s closing verse is the one that best highlights this. Rachmany sings in the song’s closing verse, “To power through and through it’s a constant struggle/But we got what it takes for sure to survive/Alright…well they same I’m out the game/It’s me against the grain/Come on rise.” He comes across as saying to listeners, don’t be afraid to stand tall and proud. We can survive no matter what people will say and do. Reggae is known for boasting positive lyrics of all kinds. It’s not all just protest music. It actually serves even more of a purpose. And this song in particular proves just that. Because it does, it makes Count Me In all the more enjoyable for listeners no matter how familiar audiences are with Rebelution.

‘More Love’ and ‘Against The Grain’ are both prime examples of Rebelution carrying on the long-held tradition of reggae presenting an important social conscience. There is at least one more track included in Count Me In that presents that conscience. It presents the conscience in question in a manner slightly different than that of the previously noted songs. The song in question is the aptly titled ‘Roots Reggae.’ The song harkens back to the days of Bob Marley with Rachmany singing, “We’re groovin’/Nothing like roots reggae music/Now turn it up/I wanna lose it/Nothin’ like roots reggae music/We’re groovin’/The rhymes of the music/It’s alright…You wanna jump/You wanna shout/You wanna stand/You wanna shout it all about/I let the owner know/The music got you, yeah.” It’s a celebration of the joy brought by the music. And the use of the keyboards, horns and drums to craft such a vintage sound makes the song all the more a celebration and joy to take in. Whether it be this song, one of the others mentioned here or those not mentioned, audiences will each find at least one reason to be *ahem* “counted” among those that call themselves fans after listening to this record.

Count Me In is available now in stores and online. It can be downloaded via iTunes at https://itunes.apple.com/us/album/count-me-in/id860352132.   The band is currently on tour in support of its new album. It will be in New York, New York tonight and at the House of Blues in Boston, MA tomorrow, June 12th. The band also has a performance at The Fillmore in Charlotte, North Carolina scheduled for June 20th. Tickets can be purchased for that show online at www.bandsintown.com/event/7925266/buy_tickets?affil_code=fb_29914385736&artist=Rebelution&came_from=128. Fans can see the band’s most current tour schedule and keep up with all of the latest news from the band online at http://www.facebook.com/rebelution and http://www.rebelutionmusic.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.   Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Bluesman’s New LP Some Of His Best Yet

Courtesy: Field of Roses Records

Guitarist Dave Fields’ new record, “Detonation”, is a good listen for any fan of the blues or just generally enjoyable music.  On his third release—due out Tuesday, September 18th–Fields has decided to branch out more from his blues roots, and try his hand at something more experimental.  That experiment has produced some very good musical fruit, so to speak.  While “Detonation” does still have elements of Fields’ previous blues heavy records, it also goes in a little more mainstream direction, showing even more of his ability and talent.  The music isn’t all that makes this album a success.  “Detonation” also succeeds because of the album’s packaging.  Rather than using the standard plastic casing, he has opted for a much easier way to contain the disc.  And making the song lyrics part of the packaging only adds to the overall success of this album, making it a release that his fans new and old will enjoy with each listen.

Fields is said to channel his “inner Hendrix” in the album’s opener, ‘Addicted To Your Fire.’  But a closer listen makes this song much more comparable to the likes of fellow guitar legend, Stevie Ray Vaughan.  That’s not to say that there isn’t at least some Hendrix influence there, too.  Regardless, the energy of the song does a good job mirroring the song’s lyrical content.  Fields sings on this song, “I’m addicted to your fire/Need to feel all your attraction/Got that 9-1-1 attraction/Your passion is like a nuclear reaction.”  That chorus conjures images of two people getting down, dancing, sweat pouring over each of them, the shared energy and feelings obvious as they dance.  That’s the clean version of course.  The music helps to enhance that image too, making it that much clearer.

‘In The Night’ is a little bit slower, but still just as funky.  It almost sort of picks up where ‘Addicted To Your Fire’ leaves off.  He sings about something a little more than a couple just meeting and feeling some sparks to say the least.  He sings, ‘Gonna make it right/and make it new/Won’t stop ‘til the sun comes up/There’s nothing that can hold back love/When angels fly on the wings of a dove.”  It’s pretty obvious what he means with this.

Fields has some really good bluesy material on this new LP.  But what makes it worth the listen isn’t just the blues songs included in the sequencing.  Fields branches out on this album.  And fans will love it, too.  He gets in a Bob Marley style song in ‘Bad Hair Day.’  The irony of the song is as much as it jams, it’s still very much a blues song.  He sings literally about a bad hair day.  He sings, “When the sun won’t shine/When I feel like I’m/Going out of my mind/There’s nothing really worse than a/Bad Hair Day/Bad Hair Day.”  Yes, it seems silly for a song topic.  But somehow he makes it work for what is one of the standout songs on “Detonation.”

“Detonation” has lots of good music for Fields’ fans throughout.  There’s a little bit of a rock feel, along with plenty of old school twelve bar blues pieces, and other styles, too.  It all combines to make for a good multi-purpose record that can be enjoyed any time of the year.  The music isn’t all that makes this a good record, though.  That each song’s lyrics would be included in the “case” itself is another positive.  Instead of making listeners have to thumb through a booklet, the lyrics are right there for listeners.  This might come across as a minor factor in the overall effect of an album.  But for those wanting the full effect of an artist’s music, this is a very good addition.  It all combines to make for an album that any true music lover will want to check out. 

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Dirty Heads’ New LP A Solid Sophomore Effort

Courtesy: Five Seven Music

The release of The Dirty Heads’ sophomore album, “Cabin By The Sea” was released almost a month ago.  Its release couldn’t have been better timed.  Much like its debut album, “Any Port in a Storm”, this new release is a good Summer road trip record.  Fans of the band’s debut album will welcome this release as the sound on both releases is so similar. 

The album’s real opener and title track is a nice easy going beachy island type of sound.  It’s a nice gentle open to the record.  It’s followed by the 311-esque ‘Disguise’.  The hip-hop style mixed with the horns make for an interesting Latin-tinged piece.  Following ‘Disguise’ is perhaps one of the album’s best songs in ‘Spread Way Too Thin.’  This song makes itself a fan favorite without even trying.  It’s infused with elements of Jack Johnson and 311. Front man Dustin Bushnell sings on the song “I, I’m spread way too thin/Everybody wants to know what’s happening/I, I’m spread way too thin/what’s the big rush now/tell me why you’re rushin’.  It’s just an easy going anthem that every listener will love for its theme of relaxation. 

The Dirty Heads show their more modern influences on “Cabin By The Sea” with many of its songs.  But there’s also an older school influence from the one and only Bob Marley.  The band does more than merely showing Marley’s influence on ‘Your Love.’  It pays tribute to Marley with the inclusion of one Kymani Marley on the song.  It takes that Marley influence and seamlessly fuses it together with its own hip-hop style on “Dance All Night’ for another of the album’s high points.  Matisyahu joins the boys on this one to add his own extra spice to the mix.

“Cabin By The Sea” is a good beachy record for a sunny Summer day.  For fans who want a little more, the rap stylings of ‘Mongo Push’ and ‘Smoke Rings’ will get them moving, too.  Del The Funky Homosapien joined the band on ‘Smoke Rings’ for what is the album’s most hard edged song.  It’s definitely not a song for children.  And while it’s not a rap song, the same applies to ‘Best Of Us.’  The more mature themes of these songs and the language are not suitable for younger listeners.

“Cabin By The Sea” is available now in stores and online.  Fans can download an exclusive deluxe edition via iTunes.  The band is currently touring in support of the album.  NC based Dirty Heads fans will get a chance to see the band live this Summer when it performs Saturday, August 18th at Raleigh’s Lincoln Theatre.  Fans can get a full list of the band’s tour dates and more online at http://www.dirtyheads.com, http://www.facebook.com/DirtyHeads, http://twitter.com/#!/dirtyheads, and on its official YouTube channel, http://www.youtube.com/user/DirtyHeads.

To get all the latest entertainment reviews and news, go to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.